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For Love and for Justice: Narratives of Lesbian Activism
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2014 For Love and for Justice: Narratives of Lesbian Activism Kelly Anderson Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/8 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] For Love and For Justice: Narratives of Lesbian Activism By Kelly Anderson A dissertation submitted to the faculty of The Graduate Center, City University of New York in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History 2014 © 2014 KELLY ANDERSON All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in History in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Blanche Wiesen Cook Chair of Examining Committee Helena Rosenblatt Executive Officer Bonnie Anderson Bettina Aptheker Gerald Markowitz Barbara Welter Supervisory Committee THE CITY UNIVERSITY OF NEW YORK iii Abstract For Love and for Justice: Narratives of Lesbian Activism By Kelly Anderson Adviser: Professor Blanche Wiesen Cook This dissertation explores the role of lesbians in the U.S. second wave feminist movement, arguing that the history of women’s liberation is more diverse, more intersectional, -
England Longplay TOP 100 2019 / 31 03.08.2019
03.08.2019 England Longplay TOP 100 2019 / 31 Pos Vorwochen Woc BP T i t e l 2019 / 31 - 1 1 1 --- 21 2 No. 6 Collaborations Project . Ed Sheeran 221101 6 Divinely Uninspired To A Hellish Extent . Lewis Capaldi 3 --- --- 1N3 Freya Ridings . Freya Ridings 434171 3 When We All Fall Asleep, Where Do We Go? . Billie Eilish 5 --- 135 35 Anima . Thom Yorke 666841 28 The Greatest Showman . Motion Picture Cast Recording 7810701 1 Staying At Tamara's . George Ezra 8791251 20 ÷ [Divide] . Ed Sheeran 9107403 Bohemian Rhapsody [Soundtrack] . Queen 10 5 25 421 2 A Star Is Born [Soundtrack] . Lady Gaga & Bradley Cooper . 11 --- --- 1N11 The Great War . Sabaton 12 4 2 41 1 Step Back In Time - The Definitive . Kylie Minogue 13 11 11 895 Diamonds . Elton John 14 --- --- 1N14 Singles Party (1988 - 2019) - The Complete Remestered Singles Collection . Shakespears 15 9 5 2305 Direct Hits 2003 - 2013 . Killers 16 --- --- 1N16 Apollo - Atmospheres & Soundtracks . Brian Eno with Daniel Lanois & Roger Eno 17 13 17 365 50 Years - Don't Stop . Fleetwood Mac 18 14 16 411 1 Always In Between . Jess Glynne 19 16 22 1123 Dua Lipa . Dua Lipa 20 21 52 3820 Snacks . Jax Jones . 21 15 19 211 1 What A Time To Be Alive . Tom Walker 22 20 20 6412 Don't Smile At Me . Billie Eilish 23 22 21 5571 9 1 . The Beatles 24 12 8 61 1 Western Stars . Bruce Springsteen 25 17 33 5417 Erratic Cinematic . Gerry Cinnamon 26 24 27 241 3 Thank U, Next . Ariana Grande 27 18 41 2661 13 X . -
Barbara Grier--Naiad Press Collection
BARBARA GRIER—NAIAD PRESS COLLECTION 1956-1999 Collection number: GLC 30 The James C. Hormel Gay and Lesbian Center San Francisco Public Library 2003 Barbara Grier—Naiad Press Collection GLC 30 p. 2 Gay and Lesbian Center, San Francisco Public Library TABLE OF CONTENTS Introduction p. 3-4 Biography and Corporate History p. 5-6 Scope and Content p. 6 Series Descriptions p. 7-10 Container Listing p. 11-64 Series 1: Naiad Press Correspondence, 1971-1994 p. 11-19 Series 2: Naiad Press Author Files, 1972-1999 p. 20-30 Series 3: Naiad Press Publications, 1975-1994 p. 31-32 Series 4: Naiad Press Subject Files, 1973-1994 p. 33-34 Series 5: Grier Correspondence, 1956-1992 p. 35-39 Series 6: Grier Manuscripts, 1958-1989 p. 40 Series 7: Grier Subject Files, 1965-1990 p. 41-42 Series 8: Works by Others, 1930s-1990s p. 43-46 a. Printed Works by Others, 1930s-1990s p. 43 b. Manuscripts by Others, 1960-1991 p. 43-46 Series 9: Audio-Visual Material, 1983-1990 p. 47-53 Series 10: Memorabilia p. 54-64 Barbara Grier—Naiad Press Collection GLC 30 p. 3 Gay and Lesbian Center, San Francisco Public Library INTRODUCTION Provenance The Barbara Grier—Naiad Press Collection was donated to the San Francisco Public Library by the Library Foundation of San Francisco in June 1992. Funding Funding for the processing was provided by a grant from the Library Foundation of San Francisco. Access The collection is open for research and available in the San Francisco History Center on the 6th Floor of the Main Library. -
More Nice Jewish Girls: Review of <Em>Beyond the Pale</Em> By
DePauw University Scholarly and Creative Work from DePauw University English Faculty publications English 1-1998 More Nice Jewish Girls: Review of Beyond the Pale by Elana Dykewomon and The Escape Artist by Judith Katz. Meryl Altman DePauw University, [email protected] Follow this and additional works at: http://scholarship.depauw.edu/eng_facpubs Part of the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Altman, Meryl. "More Nice Jewish Girls." Rev. of Beyond the Pale by Elana Dykewomon and The Escape Artist by Judith Katz. The Women's Review of Books 15.4 (1998): 7-8. This Book Review is brought to you for free and open access by the English at Scholarly and Creative Work from DePauw University. It has been accepted for inclusion in English Faculty publications by an authorized administrator of Scholarly and Creative Work from DePauw University. For more information, please contact [email protected]. of Joan Rivers, or Jane Fonda's enlarged breasts. Yet it is ordinarypeople, mostly female, paying cash, who keep cosmetic surgeons busy. As expensive as it is, only More nice Jewish giris 30 percentof patientscome from families by MerylAltman earning under $25,000, and another 35 percent earn between $25,000 and Beyond the Pale, by ElanaDykewomon. Vancouver,BC: Press Gang Publishers,1997, $50,000. 403 pp., $15.95 paper. These statistics supportHaiken's con- The Escape Artist, by JudithKatz. Ithaca,NY: FirebrandBooks, 1997, 283 pp., $12.95 clusion that cosmetic surgeryhas been de- paper. mocratized. What is also apparentis that this 65 percent of barely middle-income O F THE MANY SPIRITS workingtheir cosmetic surgery consumers are credu- wayout in lesbianfiction of thelast lous, receptive to popularmedia messages few decades, let me name two extolling the newest, most painless surgi- whichmay appearto be opposite:on the cal techniquesand vulnerableto the prom- one hand,a pulltoward real-life history, a ises inherent in physical transformation. -
P20 Layout 1
20 Established 1961 Sunday, August 19 , 2018 Lifestyle Gossip You Me At Six fuse The Weeknd with rock music on new album VI ou Me At Six’s forthcoming sixth album ‘VI’ record, how do we do it and not make it feel like we are a that doesn’t mean it’s any good.” The 27-year-old singer Y sounds like “The Weeknd being smacked in the guitar band?’ “He wasn’t scared and was like, ‘Yeah, let’s compares the band’s transition from ‘Night People’ to ‘VI’ face with rock music”. The ‘Underdog’ hitmak- do that.’ “Whereas some producers are like, ‘Stay in your like the Arctic Monkeys’ journey from 2009 LP ‘Humbug’ ers previously said they hope the record will be lane’, and we are like, ‘Nah, man.’ “Dan has been doing a to 2013’s ‘AM’, arguably their best record to date. He “career-defining” as they admitted to feeling “under- lot of work on Logic (software) and this album has a lot of explained: “I still stand behind ‘Night People’ because it’s whelmed” by 2017’s ‘Night People’, and now they’ve dance songs. “Like The Weeknd being smacked in the something we’ve done. “You know how Arctic Monkeys revealed they weren’t afraid to mix their hip-hop influ- face with rock music. “I think that Dan really encouraged had ‘Humbug’ as a stepping stone before ‘AM’, that’s how I ences, including the ‘Starboy’ rapper, with their guitar that.” Josh previously admitted the band felt they needed feel it was like for us. -
The Peformative Grotesquerie of the Crucifixion of Jesus
THE GROTESQUE CROSS: THE PERFORMATIVE GROTESQUERIE OF THE CRUCIFIXION OF JESUS Hephzibah Darshni Dutt A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2015 Committee: Jonathan Chambers, Advisor Charles Kanwischer Graduate Faculty Representative Eileen Cherry Chandler Marcus Sherrell © 2015 Hephzibah Dutt All Rights Reserved iii ABSTRACT Jonathan Chambers, Advisor In this study I argue that the crucifixion of Jesus is a performative event and this event is an exemplar of the Grotesque. To this end, I first conduct a dramatistic analysis of the crucifixion of Jesus, working to explicate its performativity. Viewing this performative event through the lens of the Grotesque, I then discuss its various grotesqueries, to propose the concept of the Grotesque Cross. As such, the term “Grotesque Cross” functions as shorthand for the performative event of the crucifixion of Jesus, as it is characterized by various aspects of the Grotesque. I develop the concept of the Grotesque Cross thematically through focused studies of representations of the crucifixion: the film, Jesus of Montreal (Arcand, 1989), Philip Turner’s play, Christ in the Concrete City, and an autoethnographic examination of Cross-wearing as performance. I examine each representation through the lens of the Grotesque to define various facets of the Grotesque Cross. iv For Drs. Chetty and Rukhsana Dutt, beloved holy monsters & Hannah, Abhishek, and Esther, my fellow aliens v ACKNOWLEDGMENTS St. Cyril of Jerusalem, in instructing catechumens, wrote, “The dragon sits by the side of the road, watching those who pass. -
Dissertation Copy to Convert To
ABSTRACT Title of Document: SPEAKING FROM A STRANGE PLACE: REFIGURING CONTEMPORARY BODIES OF JEWISH AMERICAN WOMEN'S ASSIMILATION Amy Karp, Doctor of Philosophy, 2012 Directed By: Associate Professor, Sheila Jelen, English Department Jewish American assimilation in the United States is considered a finished, and successful, project. This narrative of successful assimilation is used as a foundational example of enculturation in the United States in numerous bodies of study, including whiteness studies, cultural studies, and Jewish studies. The usage of Jewish American male experiences as the basis of this narrative creates the notion that Jewish American women achieved assimilation through their male counterparts. Though this metonymic usage of male experience for all Jewish American experience has largely gone uncontested in scholarship, a plethora of Jewish American women's writing has emerged contemporarily in which this metonymic usage of Jewish male experience for the entire story of Jewish American assimilation is being questioned. In these texts, visual and written, ghostly and strange happenings suggest that for some Jewish American women assimilation may be an ongoing project and that new tools of understanding are necessary to understand their stories, so different from the already sedimented male narratives of the Jewish American assimilation story. In this project, memoir (Prozac Nation by Elizabeth Wurtzel), fiction (Empathy by Sarah Schulman), and television drama (The L Word by Ilene Chaiken) created by Jewish American women writers is examined in order to re-imagine narratives of Jewish American assimilation. With the use of theory from a variety of bodies of study as well as Jewish American women's fiction produced before and after World War II, Jewish American assimilation is illuminated as an ongoing project in which some Jewish American women inhabit the identity of strangers. -
Critical Writing from a Local Perspective the Curator Mansion
M a y / J u n e 2 0 1 1 V o l u M e 1 0 , n u M b e r 3 1 0 t h a n n i V e r s a r y y e a r I n s I d e Critical Writing from a Local Perspective The Curator Mansion: An Impossible Place of Infinite Possibilities Performance Art in Southwest China Features on Cui Xiuwen, Wen Fang, O Zhang, Leung Chi Wo, Lam Tung Pang, Morgan Wong, Lee Kit Reviews of Chen Chieh-jen, Michael Lin US$12.00 NT$350.00 pT r i N e d i N Ta i wa N http://yishu-online.com New Archive Web Site 22 VOLUME 10, NUMBER 3, May/J U NE 2 0 1 1 CONTENTS 2 Editor’s Note 36 4 Contributors 6 Critical Writing from a Local Perspective: First Yishu Awards for Critical Writing on Contemporary Chinese Art Conference 22 The Curator Mansion: An Impossible Place of Infinite Possibilities Beatrice Leanza 55 36 Conceptual Archaeology: Performance Art in Southwest China Sophia Kidd 47 A Conversation Between Huang Du and Cui Xiuwen 55 Wen Fang: The Path of Art— From Observing to Getting Involved Alice Schmatzberger 63 63 O Zhang’s Recent Works Patricia Eichenbaum Karetzky 72 Four Discussions with Hong Kong Artists: Leung Chi Wo, Lam Tung Pang, Morgan Wong, and Lee Kit Stephanie Bailey 87 A Time of Critical Reflection: Chen Chieh-jen’s Factory Revisited Milena Hoegsberg 87 94 Chen Chieh-jen: Empire’s Borders II–Western Enterprises Inc. -
Music and Belonging / Musique Et Appartenance
Canada 150: Music and Belonging / Musique et appartenance Joint meeting / Congrès mixte Canadian Association of Music Libraries, Archives and Documentation Centres / Association canadienne des bibliothèques, archives et centres de documentation musicaux Canadian Society for Traditional Music / Société canadienne pour les traditions musicales Canadian University Music Society / Société de musique des universités canadiennes International Association for the Study of Popular Music, Canada Branch Faculty of Music University of Toronto 25-27 May 2017 / 25-27 mai 2017 Welcome / Bienvenue The Faculty of Music at the University of Toronto is pleased to host the conference Canada 150: Music and Belonging / Musique et appartenance from May 25th to May 27th, 2017. This meeting brings together four Canadian scholarly societies devoted to music: CAML / ACBM (Canadian Association of Music Libraries, Archives and Documentation Centres / Association canadienne des bibliothèques, archives et centres de documentation musicaux), CSTM / SCTM (Canadian Society for Traditional Music / Société canadienne pour les traditions musicales), IASPM Canada (International Association for the Study of Popular Music, Canada Branch), and MusCan (Canadian University Music Society / Société de musique des universités canadiennes). We are expecting 300 people to attend the conference. As you will see in this program, there will be scholarly papers (ca. 200 of them), recitals, keynote speeches, workshops, an open mic session and a dance party – something for everyone. The multiple award winning Gryphon Trio will be giving a free recital for conference delegates on Friday evening, May 26th from 7:00 to 8:15 pm. Visitors also have the opportunity to take in many other Toronto events this weekend: music festivals by the Royal Conservatory of Music and CBC; concerts by Norah Jones, Rheostatics, The Weeknd, and the Toronto Symphony; a Toronto Blue Jays baseball game; the Inside Out LGBT Film Festival, and a host of other events at venues large and small across the city. -
September 2019 in 1989 Vol 29 #3
Old Lesbians Organizing for A quarterly publication Change of OLOC Founded September 2019 in 1989 Vol 29 #3 The 2019 OLOC National Gathering by Alix Dobkin, 1940 The 2019 OLOC National Gathering was Then we saw five minutes of Every Room in the greatest I can remember! And not just the House, a film about Ruthie and Connie Kurtz, because I had such a fine time during my 1936–2018, her co-winner. concert, but mostly because of the entire The workshops provided for a variety of event, not to mention seeing our dear Susan interests and passions and enjoyed good Wiseheart again (yay)! attendance and good receptions. Bringing new dimensions of color and In the ever-popular, always welcoming depth to this normally animated cohort, the Hospitality Room, we were entertained and Puerto Rican contingent pumped up the educated with readings by some of our most animation even further. accomplished and noteworthy OLOC authors, such as Carole Anne. They also offered the workshops “Playwriting” with Terry Baum, Photo by Kristi Hildebrand 1946, and “Writing with All Our Senses” with Elana Dykewomon, 1949. Photo by Mev Miller And from the balcony outside our room, the sight of happy Old Lesbians enjoying each other and their custom-made breakfasts Following my concert on Thursday night, every morning filled me with joy. we were lifted from our seats compliments of Wednesday afternoon, we registered María Cora (center in photo) and Azúcar con arriving attendees in the lobby while the Old Aché’s irresistible Latin/Salsa musica. A wild Lesbians of Color did their work in the ballroom. -
16 Things to Do in the D.C. Area This Weekend
The Washington Post Going Out Guide 16 things to do in the D.C. area this weekend By Going Out Guide staff April 4 at 8:00 AM Friday, April 5 ‘Junk’ at Arena Stage: The 1987 film “Wall Street” gave us the mantra: “Greed, for lack of a better word, is good.” Now, the main character in Pulitzer-winning playwright Ayad Akhtar’s “Junk” declares, “Debt is an asset.” The play, opening at Arena Stage, flashes back to the financial world of the 1980s and is inspired by real corporate raiders. Directed by Jackie Maxwell, “Junk” zeroes in on a brash financier and his efforts at a hostile takeover, going after a family-owned manufacturer. Through May 5. $56$105. [15 things to do around the D.C. area in April, including two of the city’s coolest homegrown music festivals] Evoken at Atlas Brew Works: Since 1992, Evoken has been a pioneer and purveyor of funeral doom metal, a genre that’s exactly what it says on the tin. This is metal at its gloomiest, with John Paradiso’s gravel-chewing growl leading the way through the muck. The band’s latest album “Hypnagogia” takes its name from the transition from wakefulness to sleep, and while the sludgy tempos might slow down your nervous system, such double-length dirges as “Valorous Consternation” and “The Weald Of Perished Men” aren’t built for slumber. Evoken kicks off the Decibel Metal & Beer Fest at the District’s best venue for both: the Atlas Brew Works tank room. 7 p.m. -
England Longplay TOP 100 2019 / 42 19.10.2019
19.10.2019 England Longplay TOP 100 2019 / 42 Pos Vorwochen Woc BP T i t e l 2019 / 42 - 1 1 --- --- 1N1 1 Without Fear . Dermot Kennedy 2 1 190 1631 18 Abbey Road . The Beatles 364131 5 No. 6 Collaborations Project . Ed Sheeran 45351 1 Hollywood's Bleeding . Post Malone 537211 6 Divinely Uninspired To A Hellish Extent . Lewis Capaldi 6 4 --- 24 PTSD . D-Block Europe 7 --- --- 1N7 Over It . Summer Walker 82131 1 Why Me? Why Not. Liam Gallagher 9 --- --- 1N9 Live In The City Of Angels . Simple Minds 10 --- --- 1N10 Easter Is Cancelled . Darkness . 11 7 5 41 1 Hypersonic Missiles . Sam Fender 12 10 9 513 Bohemian Rhapsody [Soundtrack] . Queen 13 9 8 71 1 Lover . Taylor Swift 14 8 10 281 3 When We All Fall Asleep, Where Do We Go? . Billie Eilish 15 12 11 951 28 The Greatest Showman . Motion Picture Cast Recording 16 --- --- 1N16 Ghosteen . Nick Cave & The Bad Seeds 17 14 16 1361 20 ÷ [Divide] . Ed Sheeran 18 --- --- 1N18 Souvernir - A Career Anthology, 1979 - 2019 . Orchestral Manoeuvres In The Dark 19 21 22 1005 Diamonds . Elton John 20 --- --- 1N20 Under Your Sky . The Sherlocks . 21 16 15 103 High Expectations . Mabel 22 18 20 499 Snacks . Jax Jones 23 15 13 475 50 Years - Don't Stop . Fleetwood Mac 24 17 21 811 1 Staying At Tamara's . George Ezra 25 --- --- 1N25 Diagnosis EP . The Wildhearts 26 11 2 32 Cause And Effect . Keane 27 20 14 61 1 Norman Fucking Rockwell . Lana Del Rey 28 --- --- 1N28 All Mirrors .