Pilobolus Come to Your Senses
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Malpaso Dance Company Is Filled with Information and Ideas That Support the Performance and the Study Unit You Will Create with Your Teaching Artist
The Joyce Dance Education Program Resource and Reference Guide Photo by Laura Diffenderfer The Joyce’s School & Family Programs are supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council; and made possible by the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature. Special support has been provided by Con Edison, The Walt Disney Company, A.L. and Jennie L. Luria Foundation, and May and Samuel Rudin Family Foundation, Inc. December 10, 2018 Dear Teachers, The resource and reference material in this guide for Malpaso Dance Company is filled with information and ideas that support the performance and the study unit you will create with your teaching artist. For this performance, Malpaso will present Ohad Naharin’s Tabla Rasa in its entirety. Tabula Rasa made its world premiere on the Pittsburgh Ballet Theatre on February 6, 1986. Thirty-two years after that first performance, on May 4, 2018, this seminal work premiered on Malpaso Dance Company in Cuba. Check out the link here for the mini-documentary on Ohad Naharin’s travels to Havana to work with Malpaso. This link can also be found in the Resources section of this study guide. A new work by company member Beatriz Garcia Diaz will also be on the program, set to music by the Italian composer Ezio Bosso. The title of this work is the Spanish word Ser, which translates to “being” in English. I love this quote by Kathleen Smith from NOW Magazine Toronto: "As the theatre begins to vibrate with accumulated energy, you get the feeling that they could dance just about any genre with jaw-dropping style. -
Stephen M. Rooks
Stephen M. Rooks Vassar College 95 Vassar Road Box 743 Poughkeepsie, New York 12603 124 Raymond Avenue (845) 463-0020/416-8056 (cell) Poughkeepsie, New York 12604-0743 [email protected] (845) 437-7472 (845) 437-7818 (fax) [email protected] EDUCATIONAL BACKGROUND B.A. (Cum Laude) Dartmouth College – Senior Fellow in Music 1977 The Mercersburg Academy 1973 French and German PROFESSIONAL WORK EXPERIENCE Professor of Dance and Resident Choreographer, Vassar College, 1996 to present Guest Artist-in-Residence, University of North Carolina School of the Arts, 2001 Lecturer in Dance, Howard University, 1993 – 1996 Instructor of Dance, Alvin Ailey American Dance Center, 1991 – 1996 Guest Instructor of Dance, Martha Graham Dance Center 1997 to present PRINCIPAL DANCER WITH MARTHA GRAHAM DANCE COMPANY, 1981 –1991; 1998, 2007 (Danced major roles in Graham repertory) DANCER WITH ALVIN AILEY II, 1980 – 1981 (performed in works by Alvin Ailey, Tally Beatty, Ulysses Dove, and Donald McKayle) PUBLICATIONS Rooks, Steve “An Interview with Ann Reinking: Teacher’s Wisdom” Dance Magazine, November 2006 TEACHING Undergraduate Courses: Beginning through Advanced Modern Dance (courses all informed by the codified Martha Graham technique – Vassar College), 1996 to present Graham Technique and Repertory (intermediate technique, repertory, and lectures on Martha Graham –Vassar College), 2003 to present Dance Composition/Craft of Choreography (working with students on the study, process, creation and performance of dance –Vassar College), 1996 to present Advanced -
National Endowment for the Arts Annual Report 1990
National Endowment For The Arts Annual Report National Endowment For The Arts 1990 Annual Report National Endowment for the Arts Washington, D.C. Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts for the Fiscal Year ended September 30, 1990. Respectfully, Jc Frohnmayer Chairman The President The White House Washington, D.C. April 1991 CONTENTS Chairman’s Statement ............................................................5 The Agency and its Functions .............................................29 . The National Council on the Arts ........................................30 Programs Dance ........................................................................................ 32 Design Arts .............................................................................. 53 Expansion Arts .....................................................................66 ... Folk Arts .................................................................................. 92 Inter-Arts ..................................................................................103. Literature ..............................................................................121 .... Media Arts: Film/Radio/Television ..................................137 .. Museum ................................................................................155 .... Music ....................................................................................186 .... 236 ~O~eera-Musicalater ................................................................................ -
In This Issue
FALL 2019 IN THIS ISSUE JONATHAN BISS CELEBRATING BEETHOVEN: PART I November 5 DANISH STRING QUARTET November 7 PILOBOLUS COME TO YOUR SENSES November 14–16 GABRIEL KAHANE November 23 MFA IN Fall 2019 | Volume 16, No. 2 ARTS LEADERSHIP FEATURE In This Issue Feature 3 ‘Indecent,’ or What it Means to Create Queer Jewish Theatre in Seattle Dialogue 9 Meet the Host of Tiny Tots Concert Series 13 We’re Celebrating 50 Years Empowering a new wave of Arts, Culture and Community of socially responsible Intermission Brain arts professionals Transmission 12 Test yourself with our Online and in-person trivia quiz! information sessions Upcoming Events seattleu.edu/artsleaderhip/graduate 15 Fall 2019 PAUL HEPPNER President Encore Stages is an Encore arts MIKE HATHAWAY Senior Vice President program that features stories Encore Ad 8-27-19.indd 1 8/27/19 1:42 PM KAJSA PUCKETT Vice President, about our local arts community Sales & Marketing alongside information about GENAY GENEREUX Accounting & performances. Encore Stages is Office Manager a publication of Encore Media Production Group. We also publish specialty SUSAN PETERSON Vice President, Production publications, including the SIFF JENNIFER SUGDEN Assistant Production Guide and Catalog, Official Seattle Manager ANA ALVIRA, STEVIE VANBRONKHORST Pride Guide, and the Seafair Production Artists and Graphic Designers Commemorative Magazine. Learn more at encorespotlight.com. Sales MARILYN KALLINS, TERRI REED Encore Stages features the San Francisco/Bay Area Account Executives BRIEANNA HANSEN, AMELIA HEPPNER, following organizations: ANN MANNING Seattle Area Account Executives CAROL YIP Sales Coordinator Marketing SHAUN SWICK Senior Designer & Digital Lead CIARA CAYA Marketing Coordinator Encore Media Group 425 North 85th Street • Seattle, WA 98103 800.308.2898 • 206.443.0445 [email protected] encoremediagroup.com Encore Arts Programs and Encore Stages are published monthly by Encore Media Group to serve musical and theatrical events in the Puget Sound and San Francisco Bay Areas. -
University of California Santa Cruz the Vietnamese Đàn
UNIVERSITY OF CALIFORNIA SANTA CRUZ THE VIETNAMESE ĐÀN BẦU: A CULTURAL HISTORY OF AN INSTRUMENT IN DIASPORA A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in MUSIC by LISA BEEBE June 2017 The dissertation of Lisa Beebe is approved: _________________________________________________ Professor Tanya Merchant, Chair _________________________________________________ Professor Dard Neuman _________________________________________________ Jason Gibbs, PhD _____________________________________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Table of Contents List of Figures .............................................................................................................................................. v Chapter One. Introduction ..................................................................................................................... 1 Geography: Vietnam ............................................................................................................................. 6 Historical and Political Context .................................................................................................... 10 Literature Review .............................................................................................................................. 17 Vietnamese Scholarship .............................................................................................................. 17 English Language Literature on Vietnamese Music -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
Dear Friends That Love Music
Laura Veirs Warp and Weft From one of the country’s most inimitable songwriters – Portland, Oregon’s Laura Veirs – comes her ninth full-length album. Beautiful, lush and at times deeply dark, "Warp and Weft" captures the intensity of motherhood, love and violence. Primarily electric-guitar driven, it is a fever dream of an album and could well be Veirs’ best work to date. It builds on the uniform praise and commercial success of 2010's "July Flame," which Utne Reader dubbed “idiosyncratic and captivating” and received glowing reviews from The New York Times, Pitchfork, NPR and others. The recording of "Warp and Weft" (a weaving term) was a community effort. Produced in Portland in March 2013 by Veirs’ longtime collaborator Tucker Martine, the album features Jim James, kd lang, Neko Case, Brian Blade and members of The Decemberists and many more. Veirs sings not only of mid-winter suns, white blossoming cherry trees and melting ice, but also suicide, gun violence and war. She weaves threads of old folk songs including “Motherless Children” as well as stories of folk-art hero Howard Finster and jazz harpist Alice Coltrane. “I think of this record as a tapestry where disparate elements come together and are stronger and more lovely as a result,” says Veirs. Veirs was eight months pregnant with her second child during the recording; she says her experience as a mother brought about some of the more beautiful and painful songs. “I’m haunted by the idea that something terrible could happen to my kids but that fear pushes me to embrace the moment. -
(718) 636-4123 for IMMEDIATE RELEASE October 24, 1984
NEWS CONTACT: fllen Ldmpert FOR IMMEDIATE RELEASE Susan Spier October 24, 1984 (718) 636-4123 RICHARD LANDRY PERFORMS IN BAM'S NEXT WAVE FESTIVAL ON NOVE~1BER 10, 1984 Saxophonist and composer RICHARD LANDRY will make his first New York solo appearance in over two years in the Brooklyn Academy of Music's NEXT WAVE FESTIVAL on November 10, 1984. Joining Richard Landry in the second half of his concert is guest percussionist David Van Tieghem. Born and raised in Cecilia, Louisiana, where he still resides, Richard Landry's roots are in Cajun music, rural southern rhythm and blues, and jazz. His concerts are distinguished by virtuosic improvisations on the uncharted range of the tenor saxophone, processed through a quadrophonic delay system which allows him to form his own quintet. He has also performed and recorded with Steve Reich and Musicians, the Philip Glass Ensemble, Talking Heads, and Laurie Anderson, while presenting more than two hundred solo concerts throughout the United States, Canada, and Europe. Richard Landry's concert for tenor saxophone will be held in BAM's Carey Playhouse on Saturday, November 10, at 8:00pm. Tickets are $15.00 . The NEXT WAVE Production and Touring Fund is supported by the National Endowment for the Arts, the National Endowment for the Humanities, the Rockefeller Foundation, the Howard Gilman Foundation, the Ford Foundation, the Pew Memorial Trust, AT&T, WilliWear Ltd., Warner Communications Inc. , the Educational Foundation of America, the CIGNA Corporation, the Best Products Foundation, Abraham & Straus/Federated Department Stores Foundation, Inc. and the BAM NEXT WAVE Producers Council. -
NEA-Annual-Report-1992.Pdf
N A N A L E ENT S NATIONAL ENDOWMENT FOR~THE ARTS 1992, ANNUAL REPORT NATIONAL ENDOWMENT FOR!y’THE ARTS The Federal agency that supports the Dear Mr. President: visual, literary and pe~orming arts to I have the honor to submit to you the Annual Report benefit all A mericans of the National Endowment for the Arts for the fiscal year ended September 30, 1992. Respectfully, Arts in Education Challenge &Advancement Dance Aria M. Steele Design Arts Acting Senior Deputy Chairman Expansion Arts Folk Arts International Literature The President Local Arts Agencies The White House Media Arts Washington, D.C. Museum Music April 1993 Opera-Musical Theater Presenting & Commissioning State & Regional Theater Visual Arts The Nancy Hanks Center 1100 Pennsylvania Ave. NW Washington. DC 20506 202/682-5400 6 The Arts Endowment in Brief The National Council on the Arts PROGRAMS 14 Dance 32 Design Arts 44 Expansion Arts 68 Folk Arts 82 Literature 96 Media Arts II2. Museum I46 Music I94 Opera-Musical Theater ZlO Presenting & Commissioning Theater zSZ Visual Arts ~en~ PUBLIC PARTNERSHIP z96 Arts in Education 308 Local Arts Agencies State & Regional 3z4 Underserved Communities Set-Aside POLICY, PLANNING, RESEARCH & BUDGET 338 International 346 Arts Administration Fallows 348 Research 35o Special Constituencies OVERVIEW PANELS AND FINANCIAL SUMMARIES 354 1992 Overview Panels 360 Financial Summary 36I Histos~f Authorizations and 366~redi~ At the "Parabolic Bench" outside a South Bronx school, a child discovers aspects of sound -- for instance, that it can be stopped with the wave of a hand. Sonic architects Bill & Mary Buchen designed this "Sound Playground" with help from the Design Arts Program in the form of one of the 4,141 grants that the Arts Endowment awarded in FY 1992. -
A Conversation with Laura Veirs by Frank Goodman (12/2005, Puremusic.Com)
A Conversation with Laura Veirs by Frank Goodman (12/2005, Puremusic.com) What was it that made it clear just a line or two into Carbon Glacier that this was something really good? It was original, first of all, both the guitar part and the melody. And it was strong, clear, very sure-footed. It was not pretentious, precious, or clever. It was recorded very well. Such were the first impressions, estimations that have only improved with time. And that wasn't even the latest album, Year of Meteors, so after a few songs, we were led there. The diversity was very satisfying, yet the continuity strong. Sounded like a young artist who really had a sense of her evolving self. There was a very free spirit to the tracking and the arrangements, a really good atmosphere. There is a palpable feeling of harmony. That was a relief, since an interview was already booked. It's still a blessed shock, every time an artist that's new to us goes into the player and a beautiful sound comes out of the speakers. And we're still very grateful when that happens. Laura Veirs is a product of the Seattle music community. She is a friend of many musical luminaries of that area, like Bill Frisell, Robin Holcomb, Wayne Horvitz, Danny Barnes, Keith Lowe and many others. She is one of the rare songwriters ever signed to Nonesuch Records. She appears to have come up through the folk channel years ago, very gracefully and convincingly into a more pop sound. This is well-illustrated by a great noisy guitar solo on "Rialto" on the new record, where the melody, handclaps and other friendly sounds keep it anchored in a very beautiful sonic bed. -
Complete Production History 2018-2019 SEASON
THEATER EMORY A Complete Production History 2018-2019 SEASON Three Productions in Rotating Repertory The Elaborate Entrance of Chad Deity October 23-24, November 3-4, 8-9 • Written by Kristoffer Diaz • Directed by Lydia Fort A satirical smack-down of culture, stereotypes, and geopolitics set in the world of wrestling entertainment. Mary Gray Munroe Theater We Are Proud to Present a Presentation About the Herero of Namibia, Formerly Known as Southwest Africa, From the German Südwestafrika, Between the Years 1884-1915 October 25-26, 30-31, November 10-11 • Written by Jackie Sibblies Drury • Directed by Eric J. Little The story of the first genocide of the twentieth century—but whose story is actually being told? Mary Gray Munroe Theater The Moors October 27-28, November 1-2, 6-7 • Written by Jen Silverman • Directed by Matt Huff In this dark comedy, two sisters and a dog dream of love and power on the bleak English moors. Mary Gray Munroe Theater Sara Juli’s Tense Vagina: an actual diagnosis November 29-30 • Written, directed, and performed by Sara Juli Visiting artist Sara Juli presents her solo performance about motherhood. Theater Lab, Schwartz Center for the Performing Arts The Tatischeff Café April 4-14 • Written by John Ammerman • Directed by John Ammerman and Clinton Wade Thorton A comic pantomime tribute to great filmmaker and mime Jacques Tati Mary Gray Munroe Theater 2 2017-2018 SEASON Midnight Pillow September 21 - October 1, 2017 • Inspired by Mary Shelley • Directed by Park Krausen 13 Playwrights, 6 Actors, and a bedroom. What dreams haunt your midnight pillow? Theater Lab, Schwartz Center for the Performing Arts The Anointing of Dracula: A Grand Guignol October 26 - November 5, 2017 • Written and directed by Brent Glenn • Inspired by the works of Bram Stoker and others. -
20TH ANNIVERSARY SEASON of SUNSET CONCERTS Thursday Evenings, July 21–August 25, at 8:00 P.M
FOR IMMEDIATE RELEASE: May 5, 2016 Media Contacts: Laura B. Cohen, LC Media, (310) 867-3897, [email protected] David Monnich, LC Media, (210) 422-1764, [email protected] Mia Cariño, Skirball Cultural Center, (310) 440-4544, [email protected] Skirball Cultural Center celebrates 20TH ANNIVERSARY SEASON OF SUNSET CONCERTS Thursday evenings, July 21–August 25, at 8:00 p.m. 2016 season showcases leadings acts on both the global and national music scene— from Bay Area alt folk-rock artists to West African desert bluesmen to Colombian funk fusion players, from one of LA’s best in Brazilian samba and jazz to Southern boogie all-stars to the next generation of Middle Eastern rock musicians LOS ANGELES, CA—The Skirball Cultural Center proudly celebrates the twentieth anniversary season of its annual free music series, Sunset Concerts. Presented every summer since 1997 in the Skirball’s one-of-a-kind hillside setting, Sunset Concerts have showcased both emerging and established talents, drawing music fans from across greater Los Angeles. The new season will once again feature an eclectic lineup of artists who tap into traditional roots music for inspiration while forming their own unique, contemporary sounds. The 2016 schedule is as follows: Thao and the Get Down Stay Down (July 21); Songhoy Blues (July 28); Thalma de Freitas (August 4); M.A.K.U. Soundsystem (August 11); Music Maker Blues Revue (August 18) in their LA debut; and Shai Tsabari and the Middle East Groove All Stars (August 25). “We are grateful for the opportunity to present boundless music from around the globe with our Sunset Concerts, and we couldn’t be more excited for our milestone twentieth season,” remarked Andrew Horwitz, Vice President and Director of Programs at the Skirball.