Schindler's List - Thomas Keneally
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Thornton, Arland. Reading History Sideways: the Fallacy and Enduring Inpact of The
Thornton, Arland. Reading History Sideways: The Fallacy and Enduring Inpact of the Developmental Paradigm on Family Life. University of Chicago Press, Chicago, 2005. x, 312 pp.$39 By “reading history sideways,” Arland Thornton means an approach that uses information from a variety of societies at one point in time to make inferences about change over time. He attacks this method as both pervasive and pernicious, influencing scholars, past and present, as well as ordinary people and governments around the world today. A well-known demographer and sociologist, Thornton first set forth his critique to a larger audience in his 2001 presidential address to the Population Association of America (PAA). In his intellectual history of the approach, he absolves Scottish and English writers of the Enlightenment of much blame. Lacking reliable information about the distant past of their own society, authors such as John Millar, Adam Smith, and Robert Malthus seized on data pouring in from European visitors to non-European worlds as a substitute for genuine historical information. Nevertheless, they launched an enduring and fatally flawed perspective. In this book, Thornton concentrates on subjects from his areas of expertise—demographic and family studies—as he criticizes the application of the traditional-to-modern paradigm. In my opinion, Thornton’s reading of the Enlightenment founders is not so much inaccurate as it is single-minded in its emphasis and vague in its documentation. Perhaps because of his narrow, relentless focus, Thornton does not bother to cite page numbers for his sources. In my view, these writers were not principally concerned with setting forth a historical account of change over time. -
Recommended Movies and Television Programs Featuring Psychotherapy and People with Mental Disorders Timothy C
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by OpenKnowledge@NAU Recommended Movies and Television Programs Featuring Psychotherapy and People with Mental Disorders Timothy C. Thomason Abstract This paper provides a list of 200 feature films and five television programs that may be of special interest to counselors, psychologists and other mental health professionals. Many feature characters who portray psychoanalysts, psychiatrists, psychologists, counselors, or psychotherapists. Many of them also feature characters who have, or may have, mental disorders. In addition to their entertainment value, these videos can be seen as fictional case studies, and counselors can practice diagnosing the disorders of the characters and consider whether the treatments provided are appropriate. It can be both educational and entertaining for counselors, psychologists, and others to view films that portray psychotherapists and people with mental disorders. It should be noted that movies rarely depict either therapists or people with mental disorders in an accurate manner (Ramchandani, 2012). Most movies are made for entertainment value rather than educational value. For example, One Flew Over the Cuckoo’s Nest is a wonderfully entertaining Academy Award-winning film, but it contains a highly inaccurate portrayal of electroconvulsive therapy. It can be difficult or impossible for a viewer to ascertain the disorder of characters in movies, since they are not usually realistic portrayals of people with mental disorders. Likewise, depictions of mental health professionals in the movies are usually very exaggerated or distorted, and often include behaviors that would be considered violations of professional ethical standards. Even so, psychology students and psychotherapists may find some of these movies interesting as examples of what not to do. -
East-West Film Journal, Volume 3, No. 2
EAST-WEST FILM JOURNAL VOLUME 3 . NUMBER 2 Kurosawa's Ran: Reception and Interpretation I ANN THOMPSON Kagemusha and the Chushingura Motif JOSEPH S. CHANG Inspiring Images: The Influence of the Japanese Cinema on the Writings of Kazuo Ishiguro 39 GREGORY MASON Video Mom: Reflections on a Cultural Obsession 53 MARGARET MORSE Questions of Female Subjectivity, Patriarchy, and Family: Perceptions of Three Indian Women Film Directors 74 WIMAL DISSANAYAKE One Single Blend: A Conversation with Satyajit Ray SURANJAN GANGULY Hollywood and the Rise of Suburbia WILLIAM ROTHMAN JUNE 1989 The East- West Center is a public, nonprofit educational institution with an international board of governors. Some 2,000 research fellows, grad uate students, and professionals in business and government each year work with the Center's international staff in cooperative study, training, and research. They examine major issues related to population, resources and development, the environment, culture, and communication in Asia, the Pacific, and the United States. The Center was established in 1960 by the United States Congress, which provides principal funding. Support also comes from more than twenty Asian and Pacific governments, as well as private agencies and corporations. Kurosawa's Ran: Reception and Interpretation ANN THOMPSON AKIRA KUROSAWA'S Ran (literally, war, riot, or chaos) was chosen as the first film to be shown at the First Tokyo International Film Festival in June 1985, and it opened commercially in Japan to record-breaking busi ness the next day. The director did not attend the festivities associated with the premiere, however, and the reception given to the film by Japa nese critics and reporters, though positive, was described by a French critic who had been deeply involved in the project as having "something of the air of an official embalming" (Raison 1985, 9). -
The Apartment Complex: Urban Living and Global Screen Cultures, Edited
Review How to Cite: Sapountzi, AM. 2020. The Apartment Complex: Urban Living and Global Screen Cultures, edited by Pamela Robertson Wojcik, Durham and London, Duke University Press, 2018, xi +200 pp., (paperback. $24.95) ISBN: 978-1-4780-0108-9. Open Screens, 3(1): 3, pp. 1–4. DOI: https://doi. org/10.16995/os.22 Published: 09 December 2020 Peer Review: This article has been peer reviewed through the double-blind process of Open Screens, which is a journal published by the Open Library of Humanities. Copyright: © 2020 The Author(s). This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC-BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. See http://creativecommons.org/licenses/by/4.0/. Open Access: Open Screens is a peer-reviewed open access journal. Digital Preservation: The Open Library of Humanities and all its journals are digitally preserved in the CLOCKSS scholarly archive service. Sapountzi, AM. 2020. The Apartment Complex: Urban Living and Global Screen Cultures, edited by Pamela Robertson Wojcik, Durham and London, Duke University Press, 2018, xi +200 pp., (paperback. $24.95) ISBN: 978-1-4780-0108-9. Open Screens, 3(1): 3, pp. 1–4. DOI: https://doi.org/10.16995/os.22 REVIEW The Apartment Complex: Urban Living and Global Screen Cultures, edited by Pamela Robertson Wojcik, Durham and London, Duke University Press, 2018, xi +200 pp., (paperback. $24.95) ISBN: 978-1-4780-0108-9 Ana Maria Sapountzi University of St Andrews, GB [email protected] This is a book review of Pamela Robertson Wojcik’s The Apartment Complex: Urban Living and Global Screen Cultures (2018), which is comprised of essays by scholars responding to and utilising her concept of the apartment plot film which she established in her previous book The Apartment Plot: Urban Living in American Film and Popular Culture, 1945 to 1975 (2010). -
Argentina Commemorates the International Day in Memory of the Victims of the Holocaust Within the Framework of the International
Argentina commemorates the International Day in memory of the victims of the Holocaust Within the framework of the International Day of Commemoration in memory of the victims of the Holocaust – which was settled by the United Nations in 2005 in remembrance of the anniversary of the liberation of Auschwitz on January 27, 1945- yesterday the national government organized its ceremony, which was attended by members of the national government, authorities of the City of Buenos Aires, survivors and members of different organizations of the Jewish community and the civil society committed with the Holocaust remembrance. The ceremony was organized by the Argentinean Chapter of the IHRA (International Holocaust Remembrance Alliance), the main international organization dedicated to the research, remembrance and education on the Holocaust. The IHRA is currently integrated by 31 member countries: States of Europe, Israel, United States, Canada and Argentine (which is the only full member of Latin America). The IHRA Local Chapter is formed by the Ministry of Foreign Affairs and Worship, the Ministry of Education, the Ministry of Justice and Humans Rights (represented by the Secretary of Humans Rights and Cultural Pluralism) and organizations of the civil society. It has an annual rotating Chairmanship among the Ministries, being in 2016 Chaired by the Secretary of Humans Rights and Cultural Pluralism from the Ministry of Justice and Humans Rights. In this opportunity, the ceremony was held together with the inauguration of the National Monument to honor Holocaust Survivors and also with the inauguration of the “Paseo de los Justos” (The Righteous Square). The Monument consists of a concrete wall composed by 114 cubes with impressions of objects of everyday life, emphasizing the absence of the human being through these marks carved on stone. -
A Historical Guide to the German Camp in Płaszów 1942–1945
a historical guide to the german camp in płaszów 1942 płaszów in camp german the to guide historical a Ryszard Kotarba A HISTORICAL GUIDE TO THE GERMAN CAMP in płaszów 1942–1945 A map with a visiting route inside – 1945 Ryszard Kotarba A HISTORICAL GUIDE TO THE GERMAN CAMP in płaszów 1942–1945 © Copyright by Institute of National Remembrance – Commission of the Prosecution of Crimes against the Polish Nation, 2014 REVIEVER dr Joanna Lubecka EDITING Rafał Dyrcz TRANSLATION AND PROOFS Kamil Budziarz, Language Link Dorota Plutecka, Language Link PROOFREADING Tytus Ferenc GRAPHIC DESIGN, TYPESETTING AND PRINT Studio Actiff / www.actiff.pl Photos from the collection of the Institute of National Remembrance (1-6, 10, 12-15, 17-27, 29, 31-37, 42-43, 45-46, 48, 52, 55-57, 59), the National Archives in Kraków (7, 9, 11, 16) and Ryszard Kotarba (8, 28, 30, 38-41, 44, 47, 49-51, 53-54, 58). Photo on the cover from the collection of the Institute of National Remembrance. ISBN 978-83-932380-8-8 Foreword In 1939, the Republic of Poland was attacked by Germany (supported by Slovakia) and the Soviet Union. Although France and the UK declared war on Germany, they did not pursue any activities to provide their Polish ally with any real assistance. Despite its total defeat and its entire territory being occupied, Poland did not surrender. Escaping to France and then to the UK, the authorities of the Republic of Poland demonstrated legalism and maintained the continuity of the Polish state. Poland as a state continued to be an actor of international law, and within the Allied bloc, it was the legal representative of all the citizens of the Republic of Poland – regardless of their nationality, religion or political views. -
Hunchback LIBVB.Pdf
THE HUNCHBACK OF NOTRE DAME Character List (in order of appearance) DOM CLAUDE FROLLO , Archdeacon of Notre Dame Cathedral JEHAN FROLLO , Claude’s reckless younger brother FLORIKA , a Gypsy FATHER DUPIN , a priest of Notre Dame and guardian of Claude and Jehan QUASIMODO , the deformed bell-ringer of Notre Dame and Claude Frollo’s charge CLOPIN TROUILLEFOU , King of the Gypsies PHOEBUS DE MARTIN , Captain of the Cathedral Guard FREDERIC CHARLUS , Lieutenant of the Cathedral Guard ESMERALDA , a beautiful and free-spirited Gypsy KING LOUIS XI , King of France, nicknamed the Prudent OFFICIAL , an officer of the court of King Louis XI MADAME , owner of a brothel and safe haven for Gypsies SAINT APHRODISIUS , a stained-glass image that comes to life CONGREGATION , an ensemble of storytellers who portray various GYPSIES, GARGOYLES, STATUES, SOLDIERS, REVELERS, PARISHIONERS, PRIESTS, PROSTITUTES and CITIZENS of Paris CHOIR CASTING NOTE A congregation of storytellers narrates The Hunchback of Notre Dame. The designations CONGREGANT, CONGREGANTS, and CONGREGATION are used when the ensemble is narrating individually, in succession or groups, or in unison, respectively. As the play progresses, the ensemble also takes on various roles within the tale, such as GYPSIES, GARGOYLES, and SOLDIERS and moves fluidly among them. Lines or lyrics in these generic roles should be assigned to ensemble members based on your production’s unique cast and staging. — i— The Hunchback of Notre Dame Scenes and Musical Numbers ACT ONE P. BARE STAGE . 1 (#1) Olim . CONGREGATION, CHOIR . 1 (#2) The Bells of Notre Dame (Part 1) . CONGREGATION, CHOIR . 1 (#2A) The Bells of Notre Dame (Part 2) . -
200505 Press Pack
THE WORKERS CUP WORLD PREMIERE – SUNDANCE FILM FESTIVAL World Cinema Documentary Competition International Sales: Autlook Film Sales Salma Abdalla, salma@autlookfilms.com US Sales: Passion River Films Mat Levy, [email protected] Contact the filmmakers: theworkerscupfi[email protected] Film Website: www.theworkerscupfilm.com Facebook: @theworkerscupfilm | Twitter: @workerscup Running Time: 1:28:36 Country of Production: United Kingdom | Film Completion: January, 2017 Languages: English, Nepali, Malayalam, Twi, Ga, Hindi, Arabic | Subtitles: English Shooting Format: HD | Screening Format: DCP | Sound Format: 5.1 Press Materials available for download from www.theworkerscupfilm.com/press LOGLINE Inside the labor camps of Qatar, African and Asian migrant workers building the facilities of the 2022 World Cup compete in a football tournament of their own. SHORT SYNOPSIS The Workers Cup is set inside the labor camps of Qatar, where the World Cup is being built on the backs of 1.6 million migrant workers. The film follows a team of laborers living a real-life version of fantasy football. By day they sweat to build the World Cup; by night they compete in a “workers welfare” football tournament, playing in the same stadiums that will one day host the world’s greatest players. We join one team of men from Nepal, India, Ghana, and Kenya whose only common ground is their love for football. Each match offers them a momentary escape from the homesickness and isolation they endure as the lowest class in the world’s richest country. LONG SYNOPSIS In 2022, Qatar will host the biggest sporting event in the world, the FIFA World Cup. -
Photos from the Journey.Pdf (3.471Mb)
Photo taken by the researcher “journeying in the footsteps of Dabrowski” University of Warsaw Library 203 Photo taken by the researcher “journeying in the footsteps of Dabrowski” Nowy Swiat (New World) in Warsaw Old meets new 204 Photo taken by the researcher “journeying in the footsteps of Dabrowski” Old Town Warsaw 205 Photo taken by the researcher “journeying in the footsteps of Dabrowski” Old Town Warsaw 206 Photo taken by the researcher “journeying in the footsteps of Dabrowski” High School Band Concert in a Warsaw Park near the Tomb of the Unknown Soldier 207 Photo taken by the researcher “journeying in the footsteps of Dabrowski” Tomb of the Unknown Soldier in Warsaw 208 Photo taken by the researcher “journeying in the footsteps of Dabrowski” Original Walls of Old Town Warsaw 209 Photo taken by the researcher “journeying in the footsteps of Dabrowski” Lazienki Park in Warsaw 210 Photo taken by the researcher “journeying in the footsteps of Dabrowski” Article about Dabrowski found on wall inside Dabrowski’s “hidden” Institute at Zagorze 211 Photo taken by the researcher “journeying in the footsteps of Dabrowski” Catholic University of Lublin (KUL) and Professor Malgorzata, Ph.D. 212 Photo taken by the researcher “journeying in the footsteps of Dabrowski” Dr. Tatala and the researcher at the Faculty Dining Room Catholic University of Lublin (KUL) 213 Photo taken by the researcher “journeying in the footsteps of Dabrowski” Majdanek Concentration Camp 214 Photo taken by the researcher “journeying in the footsteps of Dabrowski” Dr. Tatala, the researcher, and Dr. Kuwalek - (historian at Majdanek Concentration Camp) on a tour of the camp 215 Photo taken by the researcher “journeying in the footsteps of Dabrowski” Crematoria at Majdanek Concentration Camp 216 Photo taken by the researcher “journeying in the footsteps of Dabrowski” Entrance to Majdanek Concentration Camp Exit monument that contains the ashes of victims is visible as the small dome on the horizon. -
A Plan for Allocating Successor Organization Resources
A Plan for Allocating Successor Organization Resources Report of the Planning Committee, Conference On Jewish Material Claims Against Germany June 28, 2000 25 Sivan 5760 1 Rabbi Israel Miller, President, Conference On Jewish Material Claims Against Germany 15 East 26 Street New York, New York Dear Israel, I am pleased to enclose A Plan for Allocating Successor Organization Resources, the report of the distinguished Planning Committee which I have had the honor of chairing. The Committee has completed a thoughtful ten-month process, carefully reviewing the issues and exploring a variety of options before coming to the conclusions contained in this document. We trust that you will bring these recommendations to the Board of Directors of the Claims Conference for review and action. Through this experience, I have become convinced that the work of the Claims Conference is not adequately understood or appreciated. I hope that this report and the results of this planning process will help dispel the confusion about the past and future achievements of the Claims Conference. No amount of money can compensate for the destruction of innocent human beings and thriving communities or the decimation of the Jewish people as a whole by the Nazis. We can try to use available resources - specifically the proceeds of the sale of communal and unclaimed property in the former East Germany - to respond to the most critical needs related to the consequences of the Shoah. This is what the enclosed Plan tries to accomplish. I want to thank the members of the Committee who came from near and far for their attendance and commitment, and for the high quality of their participation. -
Schindler's List シンドラーのリスト 以下を翻訳してください。
Schindler’s List シンドラーのリスト 以下を翻訳してください。 [https://www.yadvashem.org/righteous/stories/schindler.html] 竹内君 Oskar Schindler was born on April 28, 1908 at Zwittau/Moravia (today in the Czech Republic). His middle-class Catholic family belonged to the German-speaking community in the Sudetenland. The young Schindler, who attended German grammar school and studied engineering, was expected to follow in the footsteps of his father and take charge of the family farm-machinery plant. Some of Schindler’s schoolmates and childhood neighbors were Jews, but with none of them did he develop an intimate or lasting friendship. Like most of the German-speaking youths of the Sudetenland, he subscribed to Konrad Henlein’s Sudeten German Party, which strongly supported the Nazi Germany and actively strove for the dismemberment of Czechoslovakia and their annexation to Germany . When the Sudetenland was incorporated into Nazi Germany in 1938, Schindler became a formal member of the Nazi party. 浅井君 Shortly after the outbreak of war in September 1939, thirty-one-year-old Schindler showed up in occupied Krakow. The ancient city, home to some 60,000 Jews and seat of the German occupation administration, the Generalgouvernement, proved highly attractive to German entrepreneurs, hoping to capitalize on the misfortunes of the subjugated country and make a fortune. Naturally cunning and none too scrupulous, Schindler appeared at first to thrive in these surroundings. In October 1939, he took over a run-down enamelware factory that had previously belonged to a Jew. He cleverly maneuvered his steps- acting upon the shrewd commercial advice of a Polish-Jewish accountant, Isaak Stern - and began to build himself a fortune. -
© 2018 Donata Panizza ALL RIGHTS RESERVED
© 2018 Donata Panizza ALL RIGHTS RESERVED OVEREXPOSING FLORENCE: JOURNEYS THROUGH PHOTOGRAPHY, CINEMA, TOURISM, AND URBAN SPACE by DONATA PANIZZA A dissertation submitted to the School of Graduate Studies Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Italian Written under the direction of Professor Rhiannon Noel Welch And approved by ________________________________ ________________________________ ________________________________ ________________________________ New Brunswick, New Jersey OCTOBER, 2018 ABSTRACT OF THE DISSERTATION Overexposing Florence: Journeys through Photography, Cinema, Tourism, and Urban Space by DONATA PANIZZA Dissertation Director Rhiannon Noel Welch This dissertation examines the many ways in which urban form and visual media interact in 19th-, 20th-, and 21st-centuries Florence. More in detail, this work analyzes photographs of Florence’s medieval and Renaissance heritage by the Alinari Brothers atelier (1852- 1890), and then retraces these photographs’ relationship to contemporary visual culture – namely through representations of Florence in international cinema, art photography, and the guidebook – as well as to the city’s actual structure. Unlike previous scholarship, my research places the Alinari Brothers’ photographs in the context of the enigmatic processes of urban modernization that took place in Florence throughout the 19th century, changing its medieval structure into that of a modern city and the capital of newly unified Italy from 1865 to 1871. The Alinari photographs’ tension between the establishment of the myth of Florence as the cradle of the Renaissance and an uneasy attitude towards modernization, both cherished and feared, produced a multi-layered city portrait, which raises questions about crucial issues such as urban heritage preservation, mass tourism, (de)industrialization, social segregation, and real estate speculation.