2016 - 2017

2016-17 Season | Tacoma’s Theater District Pantages Theater | Rialto Theater | Theatre on the Square | Tacoma Armory Binge watch a mountain.

Seeking silence. Quieting your mind. Practicing self-awareness through mindfulness. All of these can form the core of your well-being. Finding a form of meditation and unplugging from media, literally and figuratively, can have a positive influence on your mind, body and spirit. For nine more proven ways to stay Northwest Healthy, go to NWhealthy.org.

Encore spread.indd 1 7/26/16 11:21 AM Binge watch a mountain.

Seeking silence. Quieting your mind. Practicing self-awareness through mindfulness. All of these can form the core of your well-being. Finding a form of meditation and unplugging from media, literally and figuratively, can have a positive influence on your mind, body and spirit. For nine more proven ways to stay Northwest Healthy, go to NWhealthy.org.

Encore spread.indd 1 7/26/16 11:21 AM 2016- 2017

WELCOME TO BROADWAY CENTER'S 2016-17 SEASON IN TACOMA'S HISTORIC THEATER DISTRICT

Illustrations by Chandler O’Leary

With more than 30 shows coming to Tacoma’s stages, we’re certain you’ll discover quite a few for your must-see list! For a complete list of events, visit BroadwayCenter.org.

HOME OF TACOMA'S RESIDENT ARTS ORGANIZATIONS SPECIAL THANKS TO OUR SEASON SPONSORS:

Dear friends, IN THIS ISSUE 2016-17 PROGRAM VOLUME III 7 John Cleese ...... March 17 Welcome to the 8 Lewis Black: Rant, White & Blue Tour ...... March 18 Broadway Center! In March, we 9 Davina & The Vagabonds ...... March 25 welcome some of 10 Lila Downs ...... March 31 the biggest names

10 Sons of Serendip ...... April 8 in comedy to the LISA MONET PHOTOGRAPHY 12 Bellydance Evolution – Alice in Wonderland ...... April 8 Pantages Theater: first, the brilliantly 14 Garrison Keillor: Just Passing Through ...... April 13 absurd John Cleese on March 17, followed by the outrageous Lewis 14 Under the Streetlamp ...... April 15 Black the following night. We end 17 – Running Down the Road ...... April 23 the month with pop star Lila Downs, 19 : A Conversation ...... May 3 whose soaring vocals have earned her a 20 : The Songs of ...... June 3 Latin Grammy and a massive fan base. 22 & The Innocent Criminals ...... July 21 Then in April, let’s go down the rabbit hole with a new spin on the classic Alice in Wonderland by BOARD OF TRUSTEES 2016-17 Bellydance Evolution, and Sons of Serendip perform their soulful pop. Tiffany T. Harmon, President • Amanda M. Nathan, Secretary Clint Johnson, Treasurer • Deanna M. Keller, Immediate Past-President Later, Garrison Keillor returns with his signature wit to the stage, followed Christopher Algeo Stephanie B. Howe Kathy S. Keele Mark D. Pinto Judy Baerg Nicole S. Hume Sara S. Kendall Jumi Sakurai by Under the Streetlamp’s concert Jon Bowser Lisa R. Jangard Kelly Lane Kristen Sawin of classic hits from the American radio Kim A. Fisher Genie Jefferson Connie J. Ladenberg Vic Sweberg songbook. Holly Hayes Brooke A. Johnson Darriel W. Menefee Mike R. Wark Folk icon Arlo Guthrie returns BROADWAY CENTER STAFF to Tacoma to share stories and Leadership Events & Venue Rentals favorite songs. In May, the Broadway David Fischer, Executive Director Leilani Balais, Associate Director of Events Lacey Wright, Associate Executive Director Emily Alm, Senior Event Manager Center partners with UW Tacoma Robyn Engleking, Director of Finance Sean Blacketer, Maintenance Coordinator to bring Black Lives Matter: A Becky Johnson, Director of Development Gini Sommer, Volunteer Coordinator Scott Painter, Director of Operations Chris Tubig, Rental Sales Manager Conversation as part of the Paulsen Holly Klindt, Executive Assistant Cayla Fields, Event Coordinator Lecture Series to engage in open Centennial Campaign Jeff Jainga, Event Lead Stacey Guadnola, Capital Fund Director Riley Park, Event Lead discussion about race relations in Sarah Koestler, Front of House Team Member Box Office America. Joan Osborne showcases her Jake Nix, Front of House Team Member Vanessa Cadungug, Box Office Manager Riley Park, Front of House Team Member talent with the beloved songs of Bob Amanda Oliver, Assistant Box Office Manager Kawana Bullock, Concessionaire / Event Aide Erin White, Box Office Lead Melanie Cole, Concessionaire / Event Aide Dylan. We close the season with Ben Sara Judy, Box Office Lead Akida Dancer, Concessionaire / Event Aide Ari Browne, Box Office Sales Representative Harper & The Innocent Criminals, Carissa Daniels, Concessionaire / Event Aide Development Kirsten Deane-Ajax, Concessionaire / Event Aide a show full of classic Kristine Finch, Major Gifts Manager Wes Hough, Concessionaire / Event Aide bravado. Alison Pride, Grant Writer Anna Larson, Concessionaire / Event Aide Angela Ferguson, Auction Coordinator Rochelle Wells, Concessionaire / Event Aide Together, we experience art, Education Kourtney Williams, Concessionaire / Event Aide community, and life in vibrant Katie Lappier, Associate Director of Education Finance Tony Gomez, Education Manager Shannon Johnson, Associate Director of Finance downtown Tacoma. Thank you for Marsha Walner, Education Manager Aimee Takayoshi, Finance Assistant joining the journey, and filling our Nicolette Andres, Master Teaching Artist Marketing & Programs Darlene Anderson, Master Teaching Artist historic theaters with energy and lively Jared Wigert, Associate Director of Marketing C. Rosalind Bell, Master Teaching Artist Katie Engel, Data and Patron Services Manager engagement. Jill Heinecke, Master Teaching Artist Sydney Gleisner, Assistant Marketing Manager LaNita Hudson, Master Teaching Artist Gabe McPherson, Master Teaching Artist Stage & Operations Mara Offengender, Master Teaching Artist Nick Shellman, Stage Department Coordinator Sincerely, Leah Scofield,Master Teaching Artist Warren Crain, Head Carpenter Laura Shepherd, Master Teaching Artist Royce Baer, Lead Technician (Rialto) Bryan Willis, Playwright Josh Holcomb, Head Flyman Rich Tocher, Lead Technician (Theatre on the Square) Don Littrell, Sound Technician Caroline McKee Silva, Trainee David Fischer Johann Wippich, Trainee Executive Director All stage work performed by employees that are represented by IATSE, Local #15. encoreartsseattle.com 5 March 2017 Volume 3, No. 3

Paul Heppner Publisher Susan Peterson Design & Production Director Ana Alvira, Robin Kessler, Shaun Swick, Stevie VanBronkhorst Production Artists and Graphic Design Mike Hathaway Sales Director Brieanna Bright, Joey Chapman, Ann Manning, Rob Scott Seattle Area Account Executives Marilyn Kallins, Terri Reed San Francisco/Bay Area Account Executives Jonathan Shipley Ad Services Coordinator Carol Yip Sales Coordinator Sara Keats Jonathan Shipley Online Editors

Leah Baltus Editor-in-Chief Paul Heppner Publisher Dan Paulus Art Director Gemma Wilson, Jonathan Zwickel Senior Editors Amanda Manitach Visual Arts Editor Barry Johnson Associate Digital Editor

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Encore Arts Programs is published monthly by Encore Media Group to serve musical and theatrical events in the Puget Sound and San Franc isco Bay Areas. All rights reserved. ©2017 Encore Media Group. Reproduction without written permission is prohibited.

6 BROADWAY CENTER FOR THE PERFORMING ARTS EAP 1_3 S template.indd 1 8/10/16 9:27 AM Broadway Center presents AN EVENING WITH JOHN CLEESE FRIDAY, MARCH 17, 2017 AT 7:30 P.M. & 9:30 P.M. PANTAGES THEATER APPROXIMATE RUN TIME: 60-90 MINUTES WITH NO INTERMISSION

SPONSORS

MEDIA

John Cleese is both a versatile comedic York Times best-selling memoir, So comedians, discussing his liberal politics, actor and a leading business motivator. Anyway…. The book shares his ascent or imparting his formulas for success in With the legendary Monty Python’s Flying in the entertainment world, from his education, business and life, Cleese always Circus, Fawlty Towers and A Fish Called humble beginnings in a sleepy English leaves audiences clamoring for more. Wanda, he created a unique comedic style town and his early comedic days at John Cleese’s influence is also felt in that has inspired countless writers and Cambridge University (with future the corporate world as the founder of comedians. Video Arts, the world’s largest provider “The world’s funniest man” first made of business training programs. Established his mark as a member of the legendary in 1972 with three fellow British actors, Monty Python troupe in the 1960s, and Video Arts gained an international has gone on to write, produce, direct and "BEFUDDLEMENT reputation as the premier source for star in some of the greatest comedic hits IS CLEESE'S business know-how. Cleese attributes his of the last forty years, even receiving an success in making hit training programs Oscar nomination for best screenplay STOCK to his fascination with psychology and for A Fish Called Wanda. But John is far his love for teaching and making people from your garden-variety entertainer. IN TRADE..." laugh. He believes that “humor in From the beginning of his career he has training increases retention and decreases continually parlayed his enormous talents anxiety. When the training point is into advancing the political causes he – THE NEW surrounded with humor, it can be readily believes in (he is a vocal supporter of the digested, remembered, and applied.” On UK’s Labour Party); promoting education YORK TIMES the lecture stage, Cleese brings his award- (a former Rector of the University of winning series of videos to life. His St. Andrews, he served as a professor-at- boundless energy and inimitable sense of large at Cornell University from 1991 Python partner Graham Chapman), to humor create a hilarious exploration of – 2006); and teaching business skills (the the founding of the landmark comedy business basics, from corporate etiquette training videos created by his Video troupe that would propel him to and customer service to creative thinking Arts production company are viewed by worldwide renown. and problem solving. millions of people in the UK and abroad). Cleese enthralls packed audiences In Fall 2014, John released his New worldwide. Whether he’s coaching novice

encoreartsseattle.com 7 CITY OF AUBURN

2017 PERFORMING ARTS SEASON

Saturday, March 11 7:30pm Suburban Showgirl AAT | $20/$18

June 2, 3, 9, 10, 16 & 17, 7pm June 4, 11 & 18, 2pm Hairspray AAT | Pre-Sale: $15/13; ($20/$18 at the door)

Saturday, April 29, 7:30pm Signed, Sealed, Delivered – Tribute AAT | $20/$18 Live Nation and Broadway to. A passionate performer who is more Center present pissed-off optimist than mean-spirited Saturday, May 6, 7:30pm curmudgeon. Patsy Cline Tribute Black is the rare comic who can cause AAT | $20/$18 LEWIS an audience to laugh themselves into incontinence while making compelling BLACK: points about the absurdity of our world. He was born in Washington D.C. and RANT, WHITE raised in Silver Spring, MD. Colicky as Friday, March 17, 7:30pm a baby, it seems he was destined to be The Gothard angry and easily irritated. His mother, Sisters & BLUE TOUR a teacher, and his father, a mechanical AAT | $23/$20 SATURDAY, MARCH 18, 2017 engineer, instilled in both Black and his AT 8:00 P.M. younger brother Ron the importance of Saturday, April 8, 7:30pm PANTAGES THEATER education and the necessity to question San Jose Taiko APPROXIMATE RUN TIME: 120 authority; lessons which have influenced APAC | $25/$22 MINUTES WITH INTERMISSION Black throughout his private and Friday, May 5, 7:30pm professional life. Vocal Trash When he was 12, his father took him to AAT | $23/$20 Lewis Black is one of the most prolific his first play and he quickly fell in love and popular performers working with the theater. This ultimately led him today. He executes a brilliant trifecta to pursue a career in drama. Degrees as stand-up comedian, actor, and followed from the University of North author. Receiving critical acclaim, Carolina and Yale Drama School, with a he performs over 200 nights a year stint in Colorado owning a theater with to sold-out audiences throughout a group of friends in the interim. During Europe, New Zealand, Canada, his tenure at UNC, Lewis first ventured ON SALE NOW! and The United States. Black’s live into stand-up, performing at Cat’s Cradle www.auburnwa.gov/arts performances provide a cathartic release in Chapel Hill. 253-931-3043 of anger and disillusionment for his Stand-up continued to be a steady audience. He yells so they don’t have presence as he pursued his career in

8 BROADWAY CENTER FOR THE PERFORMING ARTS theater. Black eventually settled in New York City and became the playwright- in-residence at the West Bank Café’s Downstairs Theatre Bar. In addition to overseeing the works on stage, he emceed every show. As the West Bank grew, so did Black’s skill as a stand- up and eventually, the fulfillment of performing stand-up outweighed that of working in the theater. Having found his public voice, Black left the West Bank in the late ‘80s to pursue stand- up full time. In 1996, his friend Lizz Winstead tapped him to create a weekly segment for a show she was producing on Comedy Central called The Daily Show. The segment, a three minute rant about whatever was bothering him at the moment, evolved into Back in Black. In the midst of a rigorous touring schedule, regular TV appearances and movie roles, Black has written three books, Nothing’s Sacred (Simon and Schuster, 2005), Me of Little Faith Broadway Center presents (Riverhead Books, 2008), and I’m Dreaming of a Black Christmas (Riverhead Books, 2010). All garnered critical DAVINA & THE VAGABONDS praise as well commercial success SATURDAY, MARCH 25, 2017 and spent numerous weeks on the AT 7:30 P.M. SPONSORS New York Times best seller list. As THEATER ON THE SQUARE a playwright Black has penned over APPROXIMATE RUN TIME: 40 plays, many of which have been 90 MINUTES WITH INTERMISSION produced around the country. In addition to his professional pursuits, DAVINA & THE VAGABONDS PARTNER Black is dedicated to a number of (DATV) have created a stir on the charitable organizations. As a long-time national music scene with their high- mentor with the 52nd Street Project, energy live shows, top musicianship, he was roasted in Charred Black 2007 sharp-dressed professionalism, and which drew the largest fundraising Sowers’ commanding stage presence. numbers in the Project’s history. He’s With influences ranging from Fats a member of their Advisory Board, Domino and the Preservation Hall Co-Chair of their Capital Campaign, Band to Aretha Franklin and category in a different way. She has and in 2000, the Ron Black Memorial Tom Waits, the band is converting been compared to Etta James, Amy Scholarship Fund was created in memory audiences across the world. In 2011 Winehouse, Janis Joplin, Billie Holiday, of his late brother. Davina released her first full length, and Betty Boop, but comparisons don’t Today Black maintains residences all original Black Cloud. It was suffice: Davina is a true original. in both Manhattan and Chapel Hill, named one of the 10 best releases of the Bringing you 100 years of American NC. Still loyal to his alma mater, he’s year by the Minneapolis Star & Tribune music and many originals, which lend worked with UNC students to create and awarded 4½ stars from Downbeat themselves to the American Songbook, the Carolina Comedy Festival, a yearly Magazine. Their next release in 2014, the band brings edgy nostalgia and fresh festival on the UNC campus that not Sunshine, hit number 13 in the Billboard new music. This rollicking quintet is only highlights performances, but also Chart and led them to be a held together by Davina’s keyboard provides workshops and lectures for musical feature on the hit BBC show, playing, with acoustic bass, drums, budding comics, writers and performers. Later with Jools Holland. and a spicy trumpet and trombone With his involvement at UNC, he DATV’s shows are filled with New horn section. The group’s focused, continues a life-long commitment to Orleans charm, Memphis soul swagger, clean sound and emphasis on acoustic education and the arts. In his leisure time, dark theatrical moments that evoke instruments is novel to both blues and Black likes to play golf, even though golf Kurt Weill, and tender gospel passages. jazz worlds, and sets the show closer to hates him. Davina’s voice and stage presence defy New Orleans than to Chicago.

encoreartsseattle.com 9 Broadway Center presents Lila Downs Friday, March 31, 2017 at 7:30 p.m. Pantages Theater

Run Time: 90 minutes Broadway Center presents LILA DOWNS FRIDAY, MARCH 31, 2017 AT 7:30 P.M. PANTAGES THEATER APPROXIMATE RUN TIME: 90 MINUTES WITH INTERMISSION

Broadway Center presents Lila Downs has one of the world’s SPONSOR most singular voices and innovative approaches to music. She is the daughter SONS OF of a Mixtec Indian woman, Anastasia Sanchez, who ran away from her village SERENDIP at 15 to sing in Mexico City cantinas SATURDAY, APRIL 8, 2017 and a University of Minnesota professor award, and achieving double-platinum AT 7:30 P.M. Allen Downs, who saw her singing and RIALTO THEATER in Mexico. She received her first Latin fell in love. APPROXIMATE RUN TIME: Grammy for the 2004 release, “Una Lila grew up both in Minnesota and 120 MINUTES WITH INTERMISSION Oaxaca, and her music and vocal artistry Sangre.” Her current project, “RAÍZ,” have many influences, including the is a collaboration with Argentinian Sons of Serendip is a musical group folk and ranchera music of Mexico and singer Soledad Pastorutti and Spanish of four friends, who through a series of South America and American folk, jazz, flamenco singer La Niña Pastori. serendipitous events, came together in blues and hip-hop. Many of her lyrics This album garnered two 2014 Latin graduate school at Boston University. focus on issues relating to social justice, Grammy nominations for “Album of Micah Christian, a former teacher and often tell the stories of the workers the Year” and “Best Folk Album.” from Randolph, Massachusetts, is the who migrate from rural Mexico to Lila Downs has performed at many of lead vocalist of the group; Cordaro work in the U.S. She studied classical the world’s most prestigious festivals Rodriguez, a former attorney from voice and cultural anthropology at the and venues including Jazz at Lincoln Charlotte, NC, is the pianist and University of Minnesota. “The Mexican Center, Carnegie Hall and the Festival guitarist; Kendall Ramseur, a former American singer has a stunning voice, a of Sacred Music – Hollywood Bowl. cello instructor from Charlotte, NC, confident multicultural vision grounded Recently, she has been invited to sing at is the cellist and vocalist; and Mason in her Mixtec Indian roots,” said the the White House, and performed on the Morton, who is a former teacher from Los Angeles Times. 75th Annual Academy Awards and the Atlanta, GA, is the harpist for the noted, “Ms. Downs has multiple voices, 2012 Latin Grammy Awards televised quartet. They have each been playing from an airborne near-falsetto down to ceremonies. their instruments since childhood, and a forthright alto and a sultry, emotive Her music has also been included in 2014, they came together to begin contralto.” in several feature films such as The what they know will be a long beautiful She and her husband / longtime Counselor, Tortilla Soup, Real Women journey of creating music that touches collaborator, Paul Cohen, have Have Curves, The Three Burials of people’s hearts. They hope that their produced ten studio , with Melquiades Estrada, Carlos Saura’s Fados, music will resonate deeply with listeners “Pecados y Milagros” having earned Mariachi Gringo, and Hecho en Mexico. and that, in some way, it will make their both a Grammy and a Latin Grammy

10 BROADWAY CENTER FOR THE PERFORMING ARTS Mason Morton lived in a house full of love and encouragement with his mom, aunt, and grandparents. He always admired his grandparents, and he says he learned his drive, determination, and taste in music from them. His love of music was instilled early on, and quickly became a passion. Mason began to see his own potential with the help of his harp mentors: principal harpist of the Atlanta Ballet, Nella Rigell, and former principal harpist of the Boston Symphony Orchestra, Ann Hobson Pilot. It was their combined confidence that gave him the courage to believe in himself. After completing his graduate studies at Boston University, he is thrilled his musical journey has led him to Sons of Serendip. It is here he has gained the brotherhood he has longed for. As a member of Sons of Serendip, he hopes that his journey will help to inspire others to follow their dreams. Cordaro Rodriguez began teaching himself piano at ten and became well- Kendall Ramseur is a singer- SPONSOR versed in several other instruments songwriter, composer, and cellist. as well as in music production. He Kendall’s relationship with music began has produced music for several well- at age seven when his father purchased known international artists such as an upright piano for the family. While Verbal, Kylie Minogue, CREAM, excelling in his piano and Deaf Tech. studies, Kendall After graduating lives a little better – even if just for a found his instrument from Princeton moment. of choice at age University in Micah Christian became interested ten, “My orchestra 2008 with a in music at an early age. However, it teacher laid all the "SONS OF Bachelor’s Degree wasn’t until his senior year of high instruments on SERENDIP'S in Psychology, school, when he earned a solo in the the floor in the he spent a year Massachusetts Southeastern District classroom and told ARRANGEMENTS volunteering Senior Choir, that he realized his each student to stand as an English potential as a musician. As a freshman at by the instrument of ...[ARE] ALIVE teacher in Stonehill College, he decided to follow their choice… the WITH DETAIL BUT Ecuador. He then his passion for music. For the next five cello really sparked attended Boston years, he spent his summers performing something in me.” SILKY BEYOND University School with the Cape Cod-based a cappella Kendall chose the of Law where he group, Hyannis Sound, and his love for cello that day, and REASON." received his Juris music deepened. Alongside Micah’s one of the ways he – THE NEW YORK TIMES Doctor degree in passion for music is his desire to help would express himself 2012. At Boston build a better world. He has volunteered chose him. He then University he for a year in Honduras, and a month in went on to receive his serendipitously Calcutta, India with Mother Teresa’s Bachelors and Masters reconnected with his childhood friend, Missionaries of Charity. Also, in 2013, Degrees from the University of North Kendall Ramseur, and met his future after graduating from Boston University Carolina School of the Arts and Boston bandmates – Mason Morton and Micah with a Master of Divinity, he and his University, in Music Performance with Christian. As a member of Sons of wife volunteered in a rural community a concentration in cello. As a member Serendip, Cordaro is very grateful to in northern Peru for another year. As of Sons of Serendip, his hope is that this have the opportunity to pursue his love a member of Sons of Serendip, Micah quartet will inspire others through their for music. hopes to inspire others to use their gifts music, creating an experience one will to spread love and build a better world. never forget.

encoreartsseattle.com 11 SPONSOR

ACT 1 SCENE 1: The Garden Party Performers: Entire Cast Choreography By: Jillina, Heather Aued (Tribal: Rin Ajna) Music By: Paul Dinletir SCENE 2: The White Rabbit Performers: Ellyott Colon Choreography By: Ellyott Colon Music By: Paul Dinletir SCENE 3: The Chase Performers: Ellyott Colon, Heather Aued Choreography By: Danielo Mendes, Lauren Broadway Center presents Boldt Music By: John Graves SCENE 4: Down the Rabbit Hole BELLYDANCE EVOLUTION – Performers: Heather Aued, Ensemble Choreography By: Lauren Boldt, Susan ALICE IN WONDERLAND Frankovich Music By: Paul Dinletir SATURDAY, APRIL 8, 2017 AT 7:30 P.M. PANTAGES THEATER SCENE 5: Eat Me, Drink Me APPROXIMATE RUN TIME: 150 MINUTES WITH INTERMISSION Performers: Heather Aued, Ellyott Colon, Ozzy Ashkenazi, Ensemble Music By: Paul Dinletir, Danielo Mendes Message From the Director BELLYDANCE EVOLUTION SCENE 6: Pool of Tears Thank you for coming to our PRESENTS Performers: Heather Aued, Bella Choi Choreography By: Jillina, Lauren Boldt, Jamilah performance of Bellydance Evolution’s “Alice in Wonderland” Music By: Paul Dinletir “Alice in Wonderland.” Bellydance Artistic Director – Jillina Carlano Evolution takes a revolutionary approach Associate Artistic Director - Heather Aued SCENE 7: The Caucus Race to this whimsical tale, re-imagining the Composer - Paul Dinletir Performers: Jillina, Heather Aued, Rin Ajna, Jill Collins colorful, iconic – and dare we say, “mad” Cast Choreography By: Jillina, Lena Helt – characters through the language of Alice – Heather Aued Music By: Hoda world fusion dance. Since it’s creation in The Queen of Hearts – Jillina Carlano 2009, we have been so lucky to have the The Mad Hatter – Rin Ajna SCENE 8: Tweedle Dee & Tweedle Dum success we have had. We have performed The Caterpillar – Sharon Kihara Performers: Colleen Wilde, Naima Sultana Choreography By: Jillina, Olga Kramarova to sold-out crowds in over 20 different The White Rabbit – Ellyott Colon Music By: Hossam Ramzy countries. The Chef – Ozzy Ashkenazi Part of casting the event was an The Duchess – Jill Collins SCENE 9: Advice from a Caterpillar online competition to give local and The Knave of Hearts – Lee Na-Moo Performers: Sharon Kihara, Heather Aued, Ensemble – Bella Choi, Colleen Wilde, Ensemble international dancers the opportunity to Jill Collins, Kaitlyn Lewis, Lee Na-Moo, Choreography By: Sharon Kihara be part of this truly unique show. This is Luna Poumian, Naima Sultana, Paula Saneaux, Music By: Paul Dinletir also the first production where we have Rachel Reynolds, Sedona Soulfire, Shannon SCENE 10: The Duchess cast a male tribal dancer.This project has Dsouza, ShoShannah Estell and Taka Carnes Performers: Jill Collins, Ensemble been a dream come true and we would Crew Choreography By: Louchia Tchoukhri like to thank the entire cast and crew for Lighting Designer – Ben Spronk Music By: Sergei Ciuhrii and Sergei Pavlov their unbelievable talent and dedication. Costumes/Props – Larisa Beasley, Nikii Henry, SCENE 11: Pig and Pepper It’s now time to be inspired and journey Hallah Moustafa, Louchia Tchoukhri, Performers: Entire Cast deep into the mysterious world of Sara Perez, Susan Frankovich, Jenny Tran, Choreography: Jillina, Louchia Tchoukhri, Wonderland! Enjoy! Irina Kovalynk, Elsa Dinletir, Ninyshka, Lauren Boldt Kelly Hardy, Melanie Lane, Shannon Final, Music By: Ozzy and Matias Hazrum Steffan Koch

12 BROADWAY CENTER FOR THE PERFORMING ARTS Intermission

ACT 2 bringing life to flowers SCENE 1: The Cheshire Cat for over 25 years Performers: Ensemble Choreography By: Jillina Music By: Paul Dinletir SCENE 2: The Flowers music arts poetry Performers: Ensemble movement foreign language Choreography By: (Part 1) Susan Frankovich / Early Childhood and Grades (Part 2) Jillina TacomaWaldorf.org Music By: (Part 1) Paul Dinletir / (Part 2) Dr. Samy Farag 909 PACIFIC AVE, TACOMA, WA 98402 253.572.2327 BLITZFLORIST.COM SCENE 3: A Mad Tea Party Performers: Rin Ajna, Heather Aued, Ensemble Choreography By: Heather Aued Music By: Paul Dinletir Bli 082410 fl ower 1_12.pdf SCENE 4: No Time, No Time Performers: Heather Aued, Ellyott Colon Choreography By: Heather Aued, Danielo Mendes Music By: Paul Dinletir SCENE 5: The Chase - Reprise Performers: Ellyott Colon, Heather Aued, Rin Ajna Music By: John Graves SCENE 6: Painting it Red Performers: Ensemble Choreography By: Jillina, Sabah, Heather Aued Music By: (Part 1) Said Darwish / (Part 2) Paul Dinletir $20 SCENE 7: Off With Their Heads Performers: Jillina, Heather Aued, Rin Ajna, waived Sharon Kihara, Ensemble Choreography by: Jillina, Heather Aued, Lauren Boldt, Susan Frankovich Music By: Paul Dinletir SCENE 8: The Queen’s Lament Performers: (Part 1) Jillina / (Part 2) Jillina, Ellyott Colon The arts are essential to the Choreography By: (Part 1) Jillina / (Part 2) Jillina, Danielo Mendes Music By: (Part 1) Amir Sofi / health of our community. (Part 2) Paul Dinletir MultiCare is proud to support the Broadway Center SCENE 9: Who Stole the Tarts? Performers: Entire Cast and performing arts in Tacoma. Choreography By: Jillina, Heather Aued, Lauren Boldt, Louchia Tchoukhri, Sharon Kihara, Ellyott Colon (Knave of Hearts Solo – Lee Na-Moo) Music By: Paul Dineltir / Drum By: Ozzy and Matias Hazrum SCENE 10: Alice Wakes multicare.org Performers: Heather Aued MultiCare Health System Music By: Paul Dineltir Mary Bridge Children’s Hospital & Clinics ~ MultiCare Allenmore Hospital ~ MultiCare Auburn Medical Center FINAL BOW MultiCare Good Samaritan Hospital ~ MultiCare Tacoma General Hospital ~ MultiCare Clinics Performers: Entire Cast Music By: Paul Dinletir

encoreartsseattle.com 13 EAP 1_2 V template.indd 1 8/9/16 10:55 AM Broadway Center presents GARRISON KEILLOR: JUST PASSING THROUGH Broadway Center presents UNDER THE THURSDAY, APRIL 13, 2017 AT 7:30 P.M. PANTAGES THEATER APPROXIMATE RUN TIME: 120 MINUTES WITH INTERMISSION STREETLAMP SATURDAY, APRIL 15, 2017 SPONSORS PARTNER AT 7:30 P.M. PANTAGES THEATER APPROXIMATE RUN TIME: 75-90 MINUTES WITH INTERMISSION

With irresistible rapport, Under the Streetlamp offers audiences the opportunity to get to know four critically acclaimed stars of stage and screen, Michael Ingersoll, Christopher Kale One of the most prolific American and Homegrown Democrat. In 2006, Jones, Brandon Wardell and Shonn storytellers of all time, Garrison Keillor Keillor played himself alongside a cast Wiley. While each performer gets his is a writer and humorist best known for that included Meryl Streep, Lily Tomlin moment in the spotlight, it is their his popular live radio variety show, A and Kevin Kline, in the critically synergy and charisma as a group that has Prairie Home Companion, which peaked acclaimed film adaptation of A Prairie drawn an extremely devoted nationwide with more than 4 million listeners on Home Companion, directed by Robert following. more than 600 public radio stations Altman. MICHAEL INGERSOLL is a each week. With Grammy, ACE, and George Dayton, Ohio-born artist whose Keillor is also known for the daily Foster Peabody awards, Keillor has grounded musical style exudes the radio and online program, The Writers also been honored with the National sincerity, warmth, and generosity of the Almanac, and as the editor of several Humanities Medal, and election to the Rockabilly/Rhythm and Blues greats. anthologies of poetry, most recently, American Academy of Arts and Letters. Before rocking the American Radio Good Poems: American Places. A best- Offering insight and stories from his Songbook classics, Michael worked selling author, he has published more journey as one of America’s greatest as an actor on stage and screen. The than two dozen books, including storytellers, Keillor captivates audiences multitalented musician and actor has Lake Wobegon Days, The Book of Guys, with his unique blend of comedy, a diverse array of critically acclaimed Pilgrims, Guy Noir and the Straight Skinny, charisma and wisdom. and award-nominated Chicago and

14 BROADWAY CENTER FOR THE PERFORMING ARTS regional theater credits, from Frost/ SPONSORS Nixon to A Closer Walk With Patsy Cline; from Beauty & the Beast to Cincinnati Shakespeare’s Julius Caesar. He made his film debut in the Johnny Cash biopic Walk the Line and enjoyed a three-year run as Nick Massi of the Four Seasons in Jersey Boys, originating the role for the first national tour. Michael is passionate about community service and is so much fun for me to sing their music is a dedicated artist advocate. He holds a and why artists like them still have a BFA in Acting from Miami University, prominent place in pop culture today. Oxford, Ohio; as well as a Second CHRISTOPHER KALE JONES Degree Black Belt in Tae Kwon has been singing since he was a kid in Do. For more information, church. Before his voice changed, he visitwww.michaelingersoll.com. sang soprano in the prestigious Iolani Musical Influences: I developed my boys choir in his home island of Hawaii. love of music on my grandfather’s knee In high school he sang in select choirs at the piano in the parlor. My grandpa including the selective All-State Honor Roy Francis was a jazz musician back in Choir. the 60s during the art form’s heyday, He In college, at Northwestern University, toured with some of the greats like Dave Chris began acting professionally, Brubeck. Unfortunately, he gave it up to including work with Chicago support his family and became a welder Shakespeare Theater and Steppenwolf at General Motors. He had a way about Theatre. Chris’s big break came in him when he performed. It was heartfelt, 2006, when he was cast in Jersey Boys but still distinctly masculine. He is truly as Frankie Valli for the first national my biggest influence and inspiration. tour. Other career highlights include Favorite Song to Perform: For Mercury in Olympus On My Mind me, it’s all about the story within the (Bristol Riverside Theatre), for which song. Great artists like Roy Orbison and he received a Barrymore Award Johnny Cash were masters at distilling Nomination, and Seymour in Little a story down to its essence and telling Shop of Horrors (Ford’s Theatre, D.C.), that story through a song that resonated opposite his wife, Jenna Coker-Jones. In with depth and character. That is why it CONTINUED ON PAGE 16

encoreartsseattle.com 15 CONTINUED FROM PAGE 15 has to put their own stamp on their to Get You into My Life” by the 2013, Chris and Jenna were blessed to material, or you’re just a cover band. Beatles, because I am a huge fan and add their little girl, Presley Rose Jones, With the background vocal parts and love the sound of the great horn parts to their family. When not performing the creativity on the ending, I feel we juxtaposed with the traditional rock with Under The Streetlamp, he were able to honor the original and lift instrumentation. spends as much time as he can with it just a little bit higher. Now, it is very SHONN WILEY is the consummate them and their awesome dogs, Fender specifically “ours.” song and dance man and a gifted and Rocket. He is thankful to God BRANDON WARDELL, is choreographer. He made his Broadway for all the blessings in his life. www. the newest member of Under The debut in the Tony Award-winning christopherkalejones.com. Streetlamp. A native of North revival of 42nd Street. He was then asked Musical Influences: I grew up in a Carolina, Brandon is equally at home to star in a groundbreaking production relatively conservative family so there on stage, in front of a camera, in the of 42nd Street in Moscow, making Shonn was a lot of Christian music and talk recording studio or in the concert hall. the first American actor to perform in radio. But there was a lot of Broadway, He made his Broadway debut in James an English-speaking musical in Russia. and Disney musicals, too – Annie, Joyce’s The Dead, alongside Christopher Shonn later returned to the Broadway Camelot, Aladdin, Beauty and the Beast…. Walken, and also appeared in Thoroughly stage in Dracula the Musical, during My mom, though, also liked Motown… Modern Millie opposite Sutton Foster. He which time he also made his television Diana Ross, Aretha Franklin, etc. The performed on Broadway in the casts debut on Guiding Light. He received a song I remember the most, the one of Assassins with Neil Patrick Harris, Lucille Lortel Award as well as a Drama she’d clean the house to, was the Kiki Good Vibrations and Catch Me If You Desk Nomination for Outstanding Dee Band’s, “I’ve Got the Music in Me.” Can, and was featured in RENT at the Choreography for My Vaudeville Man Little did I know my mom would be Hollywood Bowl, directed by Neil and featured in the Chicago cast of foreshadowing what I do now! Patrick Harris. Wardell sang before a live Jersey Boys as Bob Gaudio. Additional Favorite Streetlamp Experience: audience of more than one million at highlights include his debut as the title There have been a bunch! As a group, the 2005 Times Square New Year’s Eve character in Candide at New York City my favorite experience was when we did Celebration, and also performed on the Opera, costarring opposite Kristen a New Year’s Eve show at the Paramount stage of Radio City Music Hall and at Chenoweth in Stairway to Paradise for Theatre in Aurora, Illinois. It was fun The Merle Watson Festival, sharing the City Center, Encores! and performing to be the emcee to usher in the New bill with Allison Krauss and Emmylou Sweeney Todd for Steven Sondheim. He Year for a couple thousand people. We Harris. He is a proud member of the holds a BFA in Drama from Carnegie did the whole count down and then Broadway Inspirational Voice choir Mellon University. www.shonnwiley. saw everyone kiss. Afterwards, we had and the Recording Academy. An avid com. a party with the fans. It capped off our producer, his work for the stage and in Musical Influences: A love for tour so it was a lot of fun knowing we the recording studio has been honored the golden age of movie musicals is got to then go home and celebrate with with a Tony Award (he has been something that my dad and I shared. our own families. nominated for an additional four) and My dad was a tap dancer so we’d watch I have a personal favorite, too. I’m a four Grammy Awards nominations. them and then break them down huge fan of stand-up comedy. It is pretty Musical Influence: My father is my together. Gene Kelley. Fred Astaire. much all I listen to in my car. We do number one influence when it comes Frank Sinatra. Steve Lawrence. Sammy a lot of bantering in the show. Once a to music. I grew up in a house where Davis, Jr. – especially Sammy Davis, Jr. I person came up to me after the show our third bedroom was a band practice admire his ability to cross over between and said, “Your comedic timing is room for my dad. He gave me every being contemporary and performing the incredible.” I personally feel that music opportunity to be a part of his world. standards embraced by older audience. and comedy go hand in hand, equally I had my first gig playing drums with Those guys were not only movie stars, providing escape and catharsis for our his band when I was 12. When they but major recording artists. They were audience. It is something we really work announced my name, my Dad says superstars. They could do it all. at. So to have such an unexpected and I walked on stage twirling sticks in Favorite Streetlamp Moment: endearing comment meant a lot to me. both hands and I never looked back. Meeting our fans at the end of each show Favorite Song to Perform: You Although a stroke a few years ago has blows my mind, particularly the veterans. know it’s funny. After you’ve performed been a physical setback, he never has I do a tribute in the show to my dad and a lot, you get excited about the new stuff. given up on learning how to grow as a our country. Hearing how much this Going into the holiday season, it’s “Ave musician. means to the vets after the show is really Maria.” Fondest Memory: I would have to touching. That’s been the greatest. During our regular tour, it’s Frankie say my fondest memory thus far has Favorite Song to Perform: I love Valli’s classic “Can’t Take My Eyes Off been getting to know the whole team; doing “Cry” since I really get to ham it of You.” Our goal with that song was to they are great people and incredible up and I love putting my tap shoes on for give our audience the same feeling they performers. I am a lucky man. “When You’re Smiling.” But honestly, I had when they first heard that amazing Favorite Song to Perform: I am also like sitting at the table and watching song, but any artist worth their salt also looking forward to performing “Got everyone shine in their own way.

16 BROADWAY CENTER FOR THE PERFORMING ARTS IMPORT AUTO SERVICE

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Arlo Guthrie is known to generations as a prolific songwriter, social commentator, master storyteller, actor and activist. Born in Coney Island, New York in 1947, Tacoma | 253.759.5555 Gig Harbor | 253.858.5186 CONTINUED ON PAGE 18

encoreartsseattle.com 17 EAP 1_3 S template.indd 1 5/22/14 1:36 PM CONTINUED FROM PAGE 17 charts. Another critically acclaimed Arlo is the eldest son of Marjorie Mazia album that charted on Billboard HARMONY HARMONYGuthrie, a professional dancer with was Amigo (1976), which includes the Martha Graham Company and Massachusetts, honored in 1981 as the founder of The Committee to Combat official State Folk Song. HARMONY HARMONYHuntington’s Disease, and America’s Taking complete creative control, most beloved singer/writer/philosopher/ Arlo left the major system HARMONY HARMONYartist . Arlo is an iconic in 1983 to fulfill his career as a truly figure in folk music in his own right independent artist, and established HARMONY HARMONYwith a distinguished and varied career Rising Son Records, one of the first spanning over fifty years. indie labels in existence. Rising Son is Growing up Guthrie, Arlo was still in active operation serving as his HARMONY HARMONYsurrounded by such renowned artists as record and production company. To , Lee Hays, Ronnie Gilbert, date, Rising Son Records has released Sonny Terry, Brownie McGhee, and over twenty titles of Arlo’s, both all Ramblin’ Jack Elliott to name only new material and re-mastered versions HARMONY a few. Not surprisingly, Arlo drew of his classic records including the HARMONY HARMONYfrom these influences and he in turn Grammy nominated Woody’s 20 Grow became a delineative figure bridging Big Songs (1991) featuring Arlo and HARMONY HARMONYgenerations of folk. With Pete Seeger, his family, and In Times Like These he created a legendary collaboration (2007), recorded with the University of “It’s a lovely fit to be able to Kentucky Symphony Orchestra. The continue my life here at that was sustained for over forty years. Franke Tobey Jones. A The last Pete & Arlo show was in 2013 latest offering is Alice’s Restaurant 50th beautiful place to enjoy friends at Carnegie Hall, only a few months Anniversary (2016). The Anniversary and family and share my violin before Pete passed away at the age of 94. show was broadcast nationwide on PBS music, which I began playing In 1965, a teenaged Guthrie performed on Thanksgiving. when I was five years old.” a “friendly gesture” that proved to be In addition to his musical career, –Jane S. fateful. Arlo was arrested for littering, Guthrie is an accomplished actor with leading him to be deemed “not moral numerous television appearances. Arlo Call Michelle or Shirley has had recurring roles in two major today for a tour. enough to join the army.” Guthrie attained international attention at age network television series The Byrds of 253-752-6621 19 by recounting the true events on the Paradise and Relativity, and feature films, 5340 N. Bristol St., Tacoma album Alice’s Restaurant in 1967. The the aforementioned Alice’s Restaurant FrankeTobeyJones.com Alice’s Restaurant Massacree, an 18 minute and Roadside Prophets. Arlo is the Facebook.com/franketobeyjones and 20 second partially sung comic author of four children’s books and a monologue opposing the war and the distinguished photographer, showing his backward reasoning of authority, has work in selected galleries. Inspired by become an anti-establishment anthem his parents’ activism, Arlo bought the and an essential part of Thanksgiving old Trinity Church (“the” church) that on rock stations receiving worldwide is now home to The Guthrie Center airplay. Alice’s Restaurant achieved and The Guthrie Foundation. Named platinum status and was made into a for his parents, The Guthrie Center movie in 1969, in which Arlo played is a not-for-profit interfaith church himself, by the esteemed director foundation dedicated to providing a Arthur Penn. 1969 also brought Arlo to wide range of local and international the rock festival of the ages, Woodstock. services. The Guthrie Foundation is His appearance showcased Arlo’s chart- a separate not-for-profit educational topping Coming Into Los Angeles, which organization that addresses issues such as was included on the multi-platinum the environment, health care, cultural Woodstock soundtrack and movie. preservation and educational exchange. Beginning the ‘70s with a number In 2009, Arlo was awarded the ASCAP of albums for Warner Bros., Guthrie Foundation Champion Award for helped set the standard for the singer- making a difference through social songwriter genre burgeoning at the action on behalf of worthwhile causes time. Perhaps the best known is Hobo’s and demonstrating exceptional efforts in Lullaby (1972) featuring a diverse body humanitarianism. Independent Living Assisted Living of work. Most notable is the definitive Skilled Nursing version of Steve Goodman’s The City of Memory Care New Orleans that was a hit on all major

18 BROADWAY CENTER FOR THE PERFORMING ARTS University of Washington Tacoma and Broadway Center present Paulsen Lecture Series BLACK LIVES MATTER: A CONVERSATION WITH PATRISSE CULLORS AND JAMELLE BOUIE WEDNESDAY, MAY 3, 2017 AT 7:30 P.M. PANTAGES THEATER APPROXIMATE RUN TIME: 90 MINUTES WITH NO INTERMISSION

ABOUT THE MOVEMENT PARTNER Fueled by deep-rooted social, economic and cultural issues stemming from decades of tense race relations and powered by the pervasive presence of social media, Black Lives Matter has rapidly evolved from a hashtag into this generation’s civil rights movement. Since the hashtag was started in 2013 by became the national movement it is today, Opal Tometi, Alicia Garza and Patrisse inspiring individuals to stand up and Cullors’ advocacy has earned her honors Cullors in response to the acquittal of together against the state violence, police including the Mario Savio Young Activist George Zimmerman in the shooting brutality and social injustice plaguing our Of The Year Award and recognition as death of Trayvon Martin, the impassioned country. a ‘New Civil Rights Leader For The message has seamlessly shifted from Patrisse Cullors 21st Century’ by the LA Times. In 2015, the internet into the streets and the Social Activist & Co-Creator of the Cullors and her Black Lives Matter co- mainstream, while maintaining its online Viral Twitter Hashtag and Movement, founders were honored with inclusion clout and widespread allure. Emblazoned #BlackLivesMatter on The Root’s Top 100 List for the across t-shirts, protest banners and news With an impressive resume of social movement’s social and political impact. headlines, #BlackLivesMatter has turned activism in response to social injustices, Cullors was also honored with the Berger- attention to the troubling disconnect Patrisse Cullors was inspired to start Marks Foundation 2015 Edna Award. between law enforcement and the black the Twitter hashtag #BlackLivesMatter, Delivering powerful perspective into community, driving nationwide protests which prompted activism nationwide the adversities inflicted by social injustice on a scale not seen in a half-century. and introduced the banner under which and discrimination, and her commitment Rooted in a quest for liberation, the this generation’s civil rights movement to providing a voice to those who can’t movement’s powerful message has marches. be heard, Cullors educates and inspires connected people across the country An established community leader audiences to organize and stand together working to end the various forms of and performance artist trained under to transform society into a world injustice. Seen as a fundamental means the founder of politically expressive where the lives and contributions of all to an essential end, the movement theater, Cullors raises awareness to individuals are recognized equally. strives to transform society into a world issues—specifically law enforcement Jamelle Bouie where the lives and contributions of all accountability—through a blend of individuals are recognized equally. A Political Analyst for Slate and CBS activism and art. In 2011, she developed News galvanizing movement from the onset, it STAINED: An Intimate Portrayal of State has gained powerful momentum in the Jamelle Bouie is chief political Violence, a traveling art piece exposing the correspondent for Slate Magazine where wake of the shootings of Michael Brown realities of her incarcerated brother’s abuse and John Crawford III and the death of he writes on national politics. He is based by law enforcement; her awareness efforts in Washington D.C., and his work has Eric Garner; after a grand jury cleared led her to establish Dignity and Power the officer charged in Garner’s case, appeared in The American Prospect, Now, which fights for incarcerated people, The Daily Beast, The Atlantic, the #BlackLivesMatter was tweeted 13,000 their families and communities. Also times in one hour. Washington Post, the New York Times, the Truth and Reinvestment Campaign and the New Yorker online. Jamelle is a With a vision of justice for all, Black Director for The Ella Baker Center Lives Matter engages audiences in native of Virginia Beach, Virginia, and for Human Rights, she works to build attended the , where discussion about race relations in America response capacity of communities affected and how activism from the fringes he graduated with degrees in political and by state and law enforcement violence. social thought, and government.

encoreartsseattle.com 19 Broadway Center presents

THIRD ANNUAL JOAN OSBORNE: THE SONGS OF TACOMA DOME APRIL 29 & 30 BOB DYLAN Friendly Elegance  Classic Comfort Fine Handmade American Craft SATURDAY, JUNE 3, 2017 AT 7:30 P.M. TacomaGuitarFestival.com at LeRoy Jewelers, 940 Broadway, Tacoma RIALTO THEATER 253-274-1630 APPROXIMATE RUN TIME: 120 MINUTES WITH INTERMISSION AS 072414 flowers 1_12.pdf PARTNER

Joan Osborne has rightfully earned a reputation as one of the great voices of her generation — both a commanding, passionate performer and a frank, emotionally evocative songwriter. A multi-platinum selling recording artist and seven-time Grammy nominee, the soulful vocalist is a highly sought-after collaborator and guest performer who has performed alongside many notable artists, including Stevie Wonder, Bob Dylan, Luciano Pavarotti, Emmylou Harris, Taj Mahal, and Mavis Staples, to name a few. Counting such legendary artists as Etta James and Ray Charles as influences, Osborne has released several acclaimed albums and continues to tour extensively in various configurations – with her own band, as Joan Osborne’s Soul Revue, and as an acoustic duo and trio. In 2003, Osborne joined forces with the surviving members of The Grateful Dead when they regrouped to tour as The Dead. In addition to her own solo shows and frequent guest appearances, Osborne currently also tours as a member of the rock/soul supergroup , founded by Black Crowes drummer and built from each musician’s shared love of R&B and soul. The band’s self- titled debut album arrived in 2014. Osborne has showcased her far-ranging

20 BROADWAY CENTER FOR THE PERFORMING ARTS compositions as “Where We Start,” “Work On Me,” “Kitten’s Got Claws,” “Keep It Underground” and the pointed title track survey some of the more complicated terrain of romantic relationships, in a manner that’s rarely been attempted in popular music, while the album’s intimate, stripped-down sound marks a stylistic departure from the gritty blues-based rock for which Osborne is best known. Osborne continues to enjoy a long and storied career that was jumpstarted with the great success of her major-label debut album, Relish, which wove together strands of American roots music, poetic lyrics and impassioned vocals, and produced the massive MTV and international radio smash, “One of Us.” The song occupied the number one spot on the U.S. singles chart for two weeks, Relish eventually racked up sales of over three million copies, and Osborne found a large and appreciative audience, particularly during touring as part of talent during three residencies in 2016 co-produced her last two critically Sarah McLachlan’s Lilith Fair tour. at the Cotton Club in Tokyo, Japan; the acclaimed solo records, Love And Hate, Although the Kentucky native grew Blue Note in Honolulu, Hawaii; and and Bring It On Home, with talented up with a passion for music, when Cafe Carlyle at The Carlyle Hotel in producer/multi-instrumentalist Jack she arrived in New York City in the New York City. The latter, titled Joan Petruzzelli. Bring It On Home, which late 1980s, it was to attend New York Osborne Sings The Songs of Bob Dylan, found Osborne tackling vintage songs by University’s prestigious film school. But received critical acclaim from outlets Muddy Waters, Ray Charles, Al Green, she couldn’t resist the pull of the city’s such as The New York Times; “At every Ike and Tina Turner, and Sonny Boy live music scene for long, and soon point in the evening, you had a sense Williamson, among others, and treating she was performing her own songs in of Ms. Osborne as an artist who knew them with respect while giving them downtown rock clubs and emerging as exactly what she was doing,” and the some interesting twists in tempo, key a popular presence in a vibrant scene Huffington Post; “Her set was magic...the and feeling, garnered a Best Blues Album of rootsy new acts that included such evening was a rediscovery of familiar nomination at the 2013 Grammy Awards. then-unknowns as Jeff Buckley, Chris Dylan, re-mined for new riches... Bring It On Home reminded the singer Whitley, Blues Traveler and the Spin hearing Osborne singing and dancing of what music is all about. “There’s Doctors. In 1992, Osborne launched the Dylan greats was further testament a texture and richness to these songs her own indie label, Womanly Hips, to their versatility, beauty, and his that singers don’t have right away, and released the live Soul Show: Live at genius.” Osborne felt this would be a that I didn’t have when I started out,” Delta 88 and the studio EP Blue Million great chance to work out an idea she Osborne says. “But the more I’ve done Miles. Becoming a regional success led had of doing a “Songbook Series” of this, the more tone and depth I’ve her to the signing of a major label deal albums – the way Ella Fitzgerald did developed. This was the time. These and the success of Relish. But Osborne in recording the songs of Gershwin, songs, they’re a remedy—they get me quickly made it clear that she was Cole Porter, and others – but with the out of my head. These songs put the more interested in musical integrity songs of more recent writers. Dylan music back in my heart and my soul.” and creative longevity than transient was an obvious choice. As a result of Osborne’s latest solo recording, Love pop success, and she made that point the successful Cafe Carlyle residency, and Hate, is one of the most personally- repeatedly with such subsequent albums the Joan Osborne Sings The Songs of Bob charged, creatively ambitious efforts of as 2000’s , 2002’s How Dylan show is now on tour. her two-decades-plus recording career. Sweet It Is, 2005’s Christmas Means Osborne is widely known for her While she has long established herself Love, 2006’s , 2007’s live performances in the GRAMMY as one of the world’s most respected Breakfast in Bed, and 2008’s Little Wild Award-winning documentary Standing vocalists, her soulful songcraft reaches One up through her two latest releases, in the Shadows of Motown. She has a new level of musical and lyrical 2012’s Bring It On Home, and 2014’s produced two albums for Americana resonance on Love and Hate. Such Love And Hate. stalwarts the Holmes Brothers, and insightful, emotionally complex new

encoreartsseattle.com 21 Broadway Center presents BEN HARPER & THE INNOCENT CRIMINALS FRIDAY, JULY 21, 2017 AT 7:30 P.M. • PANTAGES THEATER APPROXIMATE RUN TIME: 135-150 MINUTES WITH INTERMISSION

PHOTO BY GAVIN CONATY Ben Harper Toured, performed and/or recorded Spearhead, Daniel Lanois, Family Man Instruments: Vocals, Slide Guitar, with: Vesta Williams, All For One, Barrett, Mariachi El Bronx, Piers Faccini, Acoustic Guitar, Electric Guitar Brenda Russell, Al Wilson, Freddy Rhythm Roots All-Stars, daKAH Hip Jackson, Tower of Power, Muddy Water, Hop Orchestra, Project 1836, Bingewood, Beginning with his 1994 debut, Sunny Green, Joel, Sun Bear, Neal Larson, After Hours, Ocean 11, Cree Summer, Welcome To The Cruel World, Ben Harper Big Advice, Eric McFadden, Charles The Soul of John Black, Weapon of began his career by releasing a string of Wright, Yanni, Piers Faccini Choice, Action Figure Party, Groovin eight studio albums over a decade and High a half. This extraordinary run, featuring Leon Mobley contributions from the Innocent Instruments Percussion Jason Yates Criminals, established him as a singularly First Show: 2.23.1993 at Cafe Largo Instruments: Hammond B3, Clavinet powerful songwriter and performer Toured, performed and/or recorded D6, Wurlitzer Electric Piano, Acoustic/ with range across multiple genres and an with: , , Electric Guitar, Congas and Percussion unmatched ability to blend the personal , , Damian and First Show: 2.14.2003 at Temple Bar and political. The accolades poured Stephen Marley, the Temptations, Dave Toured, performed and/or recorded in— hailed his “jewels Matthews, Joss Stone, Stevie Wonder, Jack with: Solo Career, Citizen Cope, of unique and exquisitely tender rock Johnson, G. Love, Da Lion, Piers Faccini, Michael Franti & Spearhead, Acetone, G. & roll,” while Entertainment Weekly Watts Prophets, The Last Poets’ Umar Bin Love & Special Sauce, Natalie Merchant, praised his “casual profundity,” and Hassan, Rebelution, Kamasi Washington, , Mazzy Star, The 2 PC, Billboard said his music “reminds us Trevor Hall, Teki, Paula Fuga, Tenelle, Momma Stud of the power and beauty of simplicity.” Sammy Johnson, Robey Theatre Co., Massive, international sold-out tours, Top Zoom, Peter Wolf Jason Mozersky 10 debuts in the US, Gold and Platinum Instruments: Lead Guitars certifications around the world, and a Oliver Charles First Show: 10.29.2008 at Chevrolet slew of TV appearances cemented Harper Instrument: Drums Centre and the band’s status as genuine global First Show: 9.4.1994 at Washington Toured, performed and/or recorded stars. Park Rose Garden Amphitheatre with: Ringo Starr, Pearl Jam, Dixie Toured, performed and/or recorded Chicks, Jackson Browne, John Paul Juan Nelson with: Gogol Bordello, Lonnie Jordan Jones, Eddie Vedder, Charlie Musselwhite, Instrument: Bass (War), Rakim, De La Soul, Talib Natalie Maines, Rickie Lee Jones, Wan First Show: 4.30.1994 at Nick’s Caffé Kwali, Mos Def, Common, Ghostface Santo Condo, O:A Trevi (Early Show) Killah, L.P. (Singer), Michael Franti and

22 BROADWAY CENTER FOR THE PERFORMING ARTS For information about how you can support The Broadway Center, visit www.BroadwayCenter.org

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Keele • Steven & Deanna Keller • John Korsmo • Krave Jerky • Legacy Renovations Dehghan • Craig Larson & Michael Jarvis • Dave Larson • Melissa Lavitt • Law • Nancy & Emory Lehman • Lexus of Tacoma • L.T. Murray Family Foundation • Offices of Geiersbach and Kraft • Kevin Leahy • David & Dolores Leister • Jim Levy • James & Patricia Morton • Jim & Vicki Murphy • Richard & Karen Pickett • Pierce Stanley & Gretchen Liebenberg • Shannon Lippert • Steve Lippert • John & Clara County Arts Commission • Mark Pinto & Jeff Williams • Jeffery Pritchard • Michael Loesch • Katherine Loffer • Sharon Lofton & Bruce Linn • Joyce Lomeli • Mrs. Kelly & Susan Sandner • Kristen Sawin • Schoenfeld-Gardner Foundation • Ronna Loney • Matthew Long-Rhyne • Lamont Loo • Ilona Lord • Lynette Loucks • David Schreiner • Laura Sevin • Mathew Shaw • Dr. Mary Stanton-Anderson • Diana Stover Lovejoy • Marcia Lovin McGovern • Robin Lucas • Roger & Roz Lueck-Mammen • • Louise & Ted Tochterman • Umpqua Bank • University of Washington-Tacoma • Judy Lund • Lita Luvera • Alan Macpherson • Marilyn Mahoney & Roger Edwards • The Wallace Kent Foundation • Weatherly Inn • Westaf • Kellie Williams Patricia Mail & Peggy Copf • Melissa Malott • Darryl Manfred • Sondra & John $500-$999 Mangan • Tom Manley • Maria Crestina Marez • Leilani Marquez • Janet McAlpin • Frank & Joanne Adams • Dick Ammerman • Shaaron Anderson • Amy & Jason Dorothy McBride & Byron C. Lewin • Michael McCabe • Ms. Karol Mccaig • Atherton • Tim & Jackie Berreth • Jon & Carol Bowser • Ed & Carmen Brooks • Greg Georgianna McCart • Mrs. Kris McClain • Robert McClure • Ms. June McElheran • Brown & Eileen • Peterson & Dawn Brown • Karin Brown • Jon Catalini • Stephen & Pam McGee • Dan Mcilmail • Jennifer McKee-Johnson • Adonia McKinzi • Susan Chittenden • Robert DeNully • Carrie Dira • Downtown on the Go • Edward Jacqueline McMahon • Christopher McPhail • Chester Meirndorf • Dolores Melendy • P. and Juanita J. Miller Fund • Kim Gilford • Al Godwin • Melia Goyenechea • Teresa Kim Meline • Ryan Mello • Robbi Mettler-Stern • Karen Meyer • Susan & Allen Hansen • J.R. Haro • Chong & Jim Hilger • Nicole & Tom Hume • Genie Jefferson • Michielsen • Michael & Suzanne Miller • Wain & Karen Miller • Billy & Helen Milus • Sondee Jeffries • Eric & Martina Jensen • Ms. Arlene Joe • Paul & Alice Kaltinick • Ms. Megan Moholt • Linda & Tom Monnens • Georgia Montain • Alice Montgomery • Ronald & Margo Klein • Ralph U. Klose • Clara Ladd • Bill & Mary Martyn • Mr. Peter Mrs. Melode Motycka • Kathryn Morse • JoDee Mosely • Annette Mummery • Jackie Mclean • Mr. & Mrs. Darriel & Victoria Menefee • Mary Ann Miller • Allison Odenthal Murphy • Richard Myers • Ms. Marcia Nanea • Amanda Nathan • Mark Nellermoe • • Therese Pasquier • Kim & Paul Patino • Joe Regimibal • Daniel & Becky Rooney • Baurice Nelson • Linc Nesheim • Sarah Newmark • Richard Nikolaisen • Mrs. Valerie Russ & Danette Schatz • Debra Schierbaum • Seattle Foundation • Scott & Ronda Offenbecher • Ms. Francine Oishi • Janice Oldenburg • Misa Olsen • James & Marcia Shelton • Pat Shuman & Dave Edwards • David Stolz • Sharon Verg Johnson • Olson • Jack ONeal • Nathalie op de Beeck • Charles & Marianne Overaa • Zestful Gardens Katherine Owens • Chancellor Mark & Kelly Pagano • Gary & Carrie Park • Sharon Parker • Nancy Parsons • Earl Perdue • Dennis Perry • Paul & Roxanne Peterson • $150-$499 Leonard Peyton • Tom Pitcher • Sue Pivetta • James Presson & Amanda Sun • Mary Anonymous (3) • Carmen Adair • Jim & Karen Adair • Lyle Ahiers • Christopher & Kay Quinlan • Lori Ramsdell • Barry & Rebecca Ray • Andrew Reeves • Robert & Connie Algeo • John Amaya - Amaya Electric • June Ambercrombie • Darius & Joyce Reinhard • Darlyne Reiter • Susan Repp • Dr. & Mrs. Henry Retailliau • Mike Kate Anania • Mr. Erik Andersson • Tanya Andrews • Michael Angelier • Elizabeth Rettig • Ms. Edryce Reynolds • Pamela Rhodes • Steve Rich • Judi Richardson • Archambeault • Richard Arnold • Ric Arredondo • Kathryn Athow • Honorable & Margaret Rickard-Egge • Wayne Ridenour • Mary Rivera • JoAnne Roberts • Mrs. Bill Baarsma • Bill Bailey • Ms. Debra P. Baker • Joel Baker • Theresa Baker & Christiane Robinson • Tina Rolfson • Mr. Dave Rosholm • Mr. Dominic Rossetto • Patrick Pound • Sheila Ballew • Holly Bamford • Mary Barber • Norma & Mike Kenneth Rostad • Judith Rucker • Ted Rutt • Jumi Sakurai & Steve Abe • Roy Salton Barbero • Elliott Barnett • Tina Barr • Holly Barrett • Anne Bartlett • Katharine • John Sandberg • Diane Savage • Stephanie Schermerhorn • C James Scheurich • Bauer • Bruce Baxter • Sandy Bayer • Kim Bedier • Mary Bell • Lori Bemis • Michael & Michele Schmaltz • Jacque Schultz • Mrs. Nancy Schuneman • Kathryn Rebecca Benko • Peter Bennett • Patricia Berger • Marty Bernard & Candice Scorcio • Elizabeth Scott • Dave Seabrook • G.P. & Maria Sessions • Susan Seykota- Mauracher • Dennis Bing • Gretchen Bittmann • Patrick Blakely • Baron T. Blevins • Smith • Rebecca Shackett • Ms. Sallie Shawl • Dolores Shefler • Stephen Shelton • Eleanor Block • Stephanie Bloomfield • Dale Blum • Mary Boone • Carl Booth • Ms. Kathryn Shields • Jan Simon • Mr. Stephen L Smith • Mr. Blaine Snow • Tanya Pamala Bowman • Mr. Gary Brackett • Mary Bradford • Sue Bradner • Cynthia Sorenson-Becker & Joseph Becker • Vicki Souza • South Sound Magazine • Tiffany Brandt • JoAnn Brauen • John & Joan Bregger • The Brennan-Staffanson Family • Spaulding • Janet Stanley • Patrick Steel • John & Cindy Stella • Scott & Wendy J.A. Bricker • Yvonne Brink • Melissa Briscoe • Ann & James Brown • Desiree Brown Stewart • Noel & Jon Stockwell • Diane Stojakovich • Beth Stone • Rick & Sue • Heidi Brownell • Greg Bucklin • Hon. Rosanne Buckner • Mrs. Treava Burgess • Stromberg • Donald Swanson • Sylvia Joan Swarner • Richard Szeliski • Norm Tate • Peter Burhop • Cathleen Burkett • John Burrows • Mr. Fred Byzinker • Erick & Ruth Dale Tessin • Joseph Tieger • Rene Tillman • Mr. Leslie Tolzin • Jim Tomlinson • Sheri Camp • Donna Campbell • Lindsay Carr • Rosa Cartledge • Dr. Mike & Linda Casey • Tonn • Adam Torem • Jon Torgerson • John Tornow • Allen Torstenson • Spencer & Gary & Ellen Cassill • Vincent & Kerry Castillo • Dennis Champagne • Lynette Barbara Tripp • Mary Trodden • Scott & Rachel Tveten • Margaret Unwin • Ken & Chandler • Terry Chappell • Givin & Nancy Chase • Camilla Coker • Trina Colburn • Bridget Upton • Jay & Linda Van Nest • Brett Vansteenvoort • Vikki Verhulp & Diane Colclough • Kristina Coleman • Dave & Teresa Collins • James Collins • Celeste Pitman • Sue Voorhies • Ferdinand Wagner • Jim & Sharon Wahlstrom • Barbara Comte • Dianne Conway • Mr. Randall Cook • Eric Corp • Karen Corr • Mr. Cindy Walker • Dr. Edward Walkley • Mark Wallace & Carol Knight-Wallace • Jeanne Walter Croshaw & Mrs. Joann Merrill • Ms. Martha Curwen • Cynthia Cusick • Dalana Walter • Bruce & Joy Walton • Ray Ward • Mike & Linda Wark • K. Warner • David Dailey • Peter Darling • John Dashiell • Judy Davey • Garald & Kathleen Deakins • Wasser • Aaron Wayne • Laura Weeks • Mr. & Mrs. Wegener • Cindy Weiland • J H Marlo Delang • Tracy Devose • Robert Dockstader • Adam Dopps • Allan Doss • Welch • Robert Weyrick • Sean Whalen • Gwen White • Richard Wilkerson • Shari Douglass • Maie Dudley • Chris Dupont • Todd Dry • Michael Dryfoos & Ilga Cynthia Williams • Tim Williams • Timothy & Carol Williams • Mr. & Mrs. Fred Willis • Jansons • Jace & Tasha Dwinell • Lawrence Eberhardt & Patricia Powers • Mr. & Mrs. Jan Wilson • Angela Wolle • Yoshie Wong • Jocelyn Wood • Suzanne Wood • Molly & Talmadge Edman • Jo Ann Egan • Scott Elder • Mr. Peter Elling • Tom Patricia & James Wooster • Lacey & Matt Wright • Laura Wright • Dan Yoder • Mr. Enlow • Matthew Estes • Robert Ettlinger • Annalu Farber • Sandy Farewell • Frank Young Gregory Feleppa • Mike & Danette Feuling • Robert & Dianne Fincham • Walter This list recognizes gifts made between 2.16.16 and 2.16.17. While we make every effort to ensure accuracy, if there are any omissions please contact us at 253.591.5891 or [email protected]

encoreartsseattle.com 23 ACCESS FOR ALL TO THE ARTS

The Broadway Center’s Education Programs are central to our mission. For both young and young at heart, it is one of the largest How You Can Help arts education programs in Washington State, serving 40,000+ There are many ways to support the students, teachers, and families each year with some of the most Broadway Center’s Education Programs: • Make a gift at BroadwayCenter.org! diverse and deeply impactful programs. • Enroll in classes or summer camp! The Broadway Center partners with Tacoma, Bethel, and Puyallup • Attend Star Chefs on Broadway School Districts to offer teacher education and performing arts programs under the auspices of the Kennedy Center National Partners in Education program in Washington, D.C.

The Education Program includes: Civil Rights Legacy Tours: In seven years touring, we have reached nearly 100,000 students, teachers, and community members. School Matinees: 10,000 annually attend world-class performances. Teacher Workshops: Empowering teachers to use the arts every day. Community Outreach: Connecting youth and adults 40,000+ for students, hands-on learning. teachers and families served The LENS Project: Develops social and emotional annually skills. Broadway Center Conservatory: Workshops and performances inspired by world culture. Scholarships available! EDUCATION SUPPORTED BY No student is ever turned away! • Individual gifts • Student tuition – No child is ever turned away! Scholarships are available! • Broadway Center’s annual gala, Star Chefs on Broadway • Pierce County Community Connections & Arts Commission Photos by jessemichener.com • National and regional arts organizations School district partnerships Tacoma Public Schools • Bethel School District • Puyallup School District Foundational support Arts Fund • Safeco Insurance Foundation • Pierce County Community Connections • Pierce County Arts Commission • Kennedy Center Partners in Education • ArtsWA • National Endowment for the Arts • WESTAF • Wells Fargo Foundation • US Bank • Boeing • DeFalco Family Foundation • Dimmer Family Foundation • William Kilworth Foundation • Bamford Family Foundation • Florence Kilworth Foundation • Gottfried and Mary Fuchs Foundation • Dan and Pat Nelson Family Foundation • Charles Matejka Fund • Franciscan Foundation • George & Dorothy Babare Foundation • Baker Foundation • Charlotte Martin Foundation

t h a n k y o u t o t h e b r o a d w a y c e n t e r v o l u n t e e r s

The Broadway Center relies on the support 10 Years 15 Years 20 Years of volunteers to serve the South Sound and Trisha Frey Myron Anderson Suzanne Payne Nancy Adrian share the arts with all of our audiences. In Margaret Horger Sandie Carter Jose Rico Marlene Buffington recognition of this, the Broadway Center Margaret Kopperud Elizabeth Gilham Toni Savol Karen Drum Staff and Board, as well as the Tacoma Jeffrey Lu Wayne Gilham Therese Wooding Margaret Kent community, are eternally grateful to the following volunteers who have given their Pat Nechols Francine Marsh Phyllis Mansfield Ellen Zhang time so selflessly for over a decade: 25 Years Lora Stonefeld

24 BROADWAY CENTER FOR THE PERFORMING ARTS Enrich your experience at Broadway Center with unique benefits and priority access. Join us today! Join online at www.broadwaycenter.org or contact [email protected] or 253.573.2362. YOUR MEMBERSHIP Broadway Center Members enjoy exclusive experiences and unique benefits. Your Membership makes it possible for us to bring great performances to the South Sound community, and to operate one of the largest arts education programs in Washington State.

Friend $75 Premier $360 Pantages Circle $1,200 All above benefits plus: All above benefits plus: • Presale Access to new events • Waived ticket exchange fees • Access to the Broadway Center Member • Additional $50 ticket voucher good for [Regular fee: $3 per ticket. Lounge (pre-show and during intermission most ‘Broadway Center presents’ events for most events) Members’ fee: $0.] • $50 gift certificate to local restaurant • Two drink tickets to use at any Broadway • Wait list priority for sold-out shows • Complimentary drinks in the Members Center event Lounge

Applause $150 Spotlight $600 Producer’s Circle $1,800 All above benefits plus: All above benefits plus: All above benefits plus: • $50 ticket voucher good for most • Additional 10% off your Subscription • Additional $50 gift certificate to a local ‘Broadway Center presents’ events (3+ shows) restaurant • Four guest passes to share for the Broadway • Exclusive invitation to the Brewers • A Private Box Seat Party in the Center Member Lounge Brunch and two tickets to Brew Five Pantages for up to 6 guests including Three in August, 2017 • Four drink tickets to use at any Broadway tickets to a ‘Broadway Center presents’ • Recognition in Broadway Center’s Center event performance (Mutually agreeable Program performance and date, based on availability at the time of reservation)

HOME OF TACOMA'S RESIDENT ARTS ORGANIZATIONS LEAVE A LEGACY THROUGH PLANNED GIVING

Planned gifts are increasingly The Broadway Center encourages you For more information, please contact important to the continued stability of to speak with your attorney or other our Director of Development Broadway Center for the Performing professional advisors before deciding at 253.591.5891 or Arts. There are a range of gift planning on a course of action. Our staff would [email protected]. opportunities that allow you to make be pleased to provide you and your a lasting difference at the Broadway advisors with additional information Center while meeting your personal on estate gifts. financial and philanthropic goals.

PATRON INFORMATION

For safety and consideration of all patrons and performers, we ask that you observe the following guidelines when attending a performance at the Broadway Center:

THEATER ETIQUETTE FIRE EXITS • Performances start promptly at their scheduled time. Please allow plenty of Pantages Theater – Exits are located east and west of the auditorium on both time to park and find your seat. orchestra and balcony levels. • Late seating is not guaranteed and is at the discretion of the House Rialto Theater – Exits are located on both orchestra and balcony levels. Manager. Theatre on the Square – Exits are located at the front entrance for the lower/ • If you must leave your seat during the performance, you may not be re- main level and on the north side of the building on the upper level. seated until an appropriate break in the performance. NO SMOKING To receive emergency messages, you may leave your name and seat number Smoking is allowed outdoors only at least 25-feet from the theater entrances and with the House Manager. PLEASE remember to silence all cell phone, where receptacles are provided. Electronic smoking devices are not permitted. tablet and electronic devices before entering the theater. Please have hearing aides tuned to no higher than 75% of the maximum volume. PARKING We encourage you to take advantage of various parking garages in the Theater ACCESSIBLE SEATING District: The Broadway Center is ADA friendly, and we will do all we can to ensure Park Plaza North Garage - 923 Commerce Street (located between 9th & you have a positive experience. For the best accessible options for you, please 11th on Commerce Street) contact the Box Office. Subway Lot – 916 Broadway Street (located across the street from the ASSISTED LISTENING Pantages Theater and Theatre on the Square) Headsets are available for our patrons at no cost. A headset allows you to tune Both Park Plaza North and Subway Lot accept cash and credit/debit out little noises so you may listen to the performance without distraction. payments. Find the nearest kiosk and follow the on-screen prompts. For Please notify a member of the usher staff and one will be provided for you. Park Plaza North, you’ll need to provide your license plate number. For the Subway Lot, you’ll need to provide your stall number. ATTIRE Rialto Garage – 909 Market Street (Located just south of 9th on Market Street). The Rialto Garage accepts Cash ONLY. Place $5.00 in the A Broadway Center event is always an opportunity to dress up, but there is corresponding stall number on the payment box. never a dress code. Attire usually varies from casual to formal wear. Many people are allergic to perfumes. Out of consideration for your fellow audience NEW PARKING VALIDATION PROCESS. The blue validation tickets members, please use perfume or cologne in moderation before entering the are no longer accepted as a form of parking validation. The new validation theater. requires a coupon code to be entered at the pay kiosks for both Park Plaza North or Subway Lot. BACKSTAGE Street parking is usually available throughout the Theater District. No guests are allowed backstage prior to, during, or after any performance Electronic meters collect a fee for street parking from 8:00 a.m. until 6:00 without proper authorization and identification. p.m., Monday through Friday. There is a two hour time limit at metered spaces. Saturday parking is $2.00 for all day parking. If you plan to park for more than two hours during the metered weekday period, please consider CAMERAS OR RECORDING DEVICES an off-street garage. Please be aware of signage, as these instructions are Taking photographs or recording during a performance is not typically generalizations, and are subject to change or may not apply everywhere. Visit allowed and the experience of other patrons, as well as copyright restriction, TacomaParking.com for more information. should be considered. However, we do encourage you to take photos in the lobby or before the show to share your experience with friends and family. RESTROOMS Pantages Theater – Located on the lower lobby and balcony levels, women on CHILDREN 2nd floor and men on 3rd floor. ADA accessible restrooms are located on the Should your child become restless during a performance, you may be balcony level and accessible by elevator. asked to wait in the lobby. Children under 5 may not be admitted to some Rialto Theater – Located on the main floor and balcony level. ADA accessible performances; however our family shows are structured for a younger restrooms are located on the main floor. audience and are enjoyable for the entire family. Theatre on the Square – Located in the lobby near the front entrance. A ticket is required for everyone regardless of age. When available, discounts are available for younger audience members. Please contact the Box Office at 253.591.5894 with any concerns. TICKET INFORMATION Box Office Hours CONCESSIONS Monday – Friday 11:00 a.m. – 6:00 p.m. Additionally, the Box Office is open Beverages and assorted snacks may be available prior to the performance or two hours prior to most Broadway Center ticketed events. Please inquire with during intermission. Refreshments are permitted in the theater lobby unless the Box Office directly regarding summer and holiday hours. otherwise posted. For more information about tickets or events at the Broadway Center, please contact the Box Office at 253.591.5894 or visit our website at BroadwayCenter.org. Downtown’s favorite reteller for 75 years.

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