X-Men Orígenes

Total Page:16

File Type:pdf, Size:1020Kb

X-Men Orígenes Área audiovisual Área audiovisual Película: X‐Men Orígenes: Película: X‐Men Orígenes: Mediateca, E.N.P. 9 Wolverine. Mediateca, E.N.P. 9 Wolverine. (X‐Men Origins: Wolverine) (X‐Men Origins: Wolverine) Inglés Inglés Clasificación IVI6 W659 Clasificación IVI6 W659 Contesta lo siguiente: Dirección: Stan Lee Interpretación (actores): Wolverine a) What are the characteristics of a superhero? Producción: Twentieth Century Fox (Hugh Jackman), Victor (Liev Formato: DVD Schreiber), Wade (Ryan Reynolds), b) Who is your favorite superhero? Año: 2009 William Stryker (Danny Huston) c) Can you recognize these superheroes? Label them and briefly describe their Duración: 2:35 min Subtítulos: Inglés, Español, physical appearance and their superpowers. Género: Acción Portugués *Use adjectives of appearance. Sinopsis: A prequel focusing on the violent past of the mutant Wolverine and his relationship with his half-brother Victor Creed. The story details Wolverine's childhood as James, his early encounters with Major William Stryker, his time with Team X, and the transformation of his skeleton with an indestructible metal during the Weapon X program. Nivel de dificultad de comprensión del idioma: Intermedio Superior-Avanzado Recomendaciones para mejorar la comprensión: *If your language understanding is basic or intermediate watch the film with subtitles in Spanish. *If your language understanding is upper-intermediate or advanced watch the film with subtitles in English or without them. Actividades propuestas Antes de ver la película: *Read part of the life of this film’s director. Stan Lee (born Stanley Martin Lieber, December 28, 1922) is an American comic book writer, editor, publisher, media producer, television host, actor, voice actor and former president and chairman of Marvel Comics. In collaboration with several artists, most notably Jack Kirby, he co-created Spider-Man, the Hulk, the Fantastic Four, Iron Man, Thor, and many other fictional characters, introducing complex, naturalistic characters and a thoroughly shared universe into superhero comic books. In addition, he headed the first major successful challenge to the industry's censorship organization, the Comics Code Authority, and forced it to reform its policies. Lee subsequently led the expansion of Marvel Comics from a small division of a publishing house to a large multimedia corporation. Ficha elaborada por Erika González Navarro Ficha elaborada por Erika González Navarro Área audiovisual Área audiovisual Película: X‐Men Orígenes: Película: X‐Men Orígenes: Mediateca, E.N.P. 9 Wolverine. Mediateca, E.N.P. 9 Wolverine. (X‐Men Origins: Wolverine) (X‐Men Origins: Wolverine) Inglés Inglés Clasificación IVI6 W659 Clasificación IVI6 W659 Durante la película: m) After losing Weapon XI, what does Stryker do to Logan? Contesta lo siguiente: Shoots him in the head with an Adamantium bullet / Cuts his head n) What happens to Logan after the shot? a) How did James discover he was not a normal kid? Dies / Loses his memory Bone claws come out of his knuckles / Bone claws come out of his toes Después de ver la película: b) How have James and Victor lived since they ran away from home? Committing brutal unjustified crimes / Fighting in many wars Contesta lo siguiente: c) Why are James and Victor sentenced to death? *Match the following X-Men with their superpowers: Because they kill American enemies / Because Victor kills and rapes innocent people X-MEN POWERS d) Who takes them out of prison? 1) Zero _____ A thief who has the ability to convert the General William Stryker / General Victor Creed potential energy of any object he touches into kinetic 2) Wade energy, forcing it to explode. e) What does the man who takes them out of prison want from the X-Men he is in charge of? 3) Night Crawler _____ A teleporting mutant. Wants money and fame / Wants to find Adamantium 4) Fred Dukes _____ A mutant with a nearly indestructible layer of f) What is this man looking for? 5) Chris Bradley skin. It is a metal that makes you immortal / It is a metal that makes you invisible _____ A member of the Weapon X program and an 6) Gambit g) Why does Logan leave the group? expert tracker with lethal sniper skills. Because he wants a peaceful life / Because he doesn’t agree with killing innocents _____ A mercenary with lethal swordsmanship skill. h) Where and how is Logan living after six years? In Canada as a normal person / In Greenland as a soldier i) What event changes Logan’s peaceful lifestyle? Answer in your words: Her girlfriend is murdered / Victor visits him a) What kind of superhero would you want to be if that was possible? j) What is inserted in Logan’s body? Adamantium / Platinum b) Do you think superheroes would be helpful to common humans? Why? k) What is the island? A place where mutants are kept as prisoners / A place where mutants study l) Why is Victor hunting mutants? c) Would there be any disadvantages for common people if superheroes existed? Which So that Stryker can kill them /So that Stryker can create Weapon X ones? Ficha elaborada por Erika González Navarro Ficha elaborada por Erika González Navarro .
Recommended publications
  • Marvel Universe 3.75" Action Figure Checklist
    Marvel Universe 3.75" Action Figure Checklist Series 1 - Fury Files Wave 1 • 001 - Iron Man (Modern Armor) • 002 - Spider-Man (red/blue costume) (Light Paint Variant) • 002 - Spider-Man (red/blue costume) (Dark Paint Variant) • 003 - Silver Surfer • 004 - Punisher • 005 - Black Panther • 006 - Wolverine (X-Force costume) • 007 - Human Torch (Flamed On) • 008 - Daredevil (Light Red Variant) • 008 - Daredevil (Dark Red Variant) • 009 - Iron Man (Stealth Ops) • 010 - Bullseye (Light Paint Variant) • 010 - Bullseye (Dark Paint Variant) • 011 - Human Torch (Light Blue Costume) • 011 - Human Torch (Dark Blue Costume) Wave 2 • 012 - Captain America (Ultimates) • 013 - Hulk (Green) • 014 - Hulk (Grey) • 015 - Green Goblin • 016 - Ronin • 017 - Iron Fist (Yellow Dragon) • 017 - Iron Fist (Black Dragon Variant) Wave 3 • 018 - Black Costume Spider-Man • 019 - The Thing (Light Pants) • 019 - The Thing (Dark Pants) • 020 - Punisher (Modern Costume & New Head Sculpt) • 021 - Iron Man (Classic Armor) • 022 - Ms. Marvel (Modern Costume) • 023 - Ms. Marvel (Classic Red, Carol Danvers) • 023 - Ms. Marvel (Classic Red, Karla Sofen) • 024 - Hand Ninja (Red) Wave 4 • 026 - Union Jack • 027 - Moon Knight • 028 - Red Hulk • 029 - Blade • 030 - Hobgoblin Wave 5 • 025 - Electro • 031 - Guardian • 032 - Spider-man (Red and Blue, right side up) • 032 - Spider-man (Black and Red, upside down Variant) • 033 - Iron man (Red/Silver Centurion) • 034 - Sub-Mariner (Modern) Series 2 - HAMMER Files Wave 6 • 001 - Spider-Man (House of M) • 002 - Wolverine (Xavier School)
    [Show full text]
  • KITTY” Case No
    1 UNITED STATES DISTRICT COURT 2 SOUTHERN DISTRICT OF CALIFORNIA 3 4 5 HENRY McCOY, KATHERINE “KITTY” Case No. 17-civ-9636-MDD PRYDE, and DOES 1-30, inclusive, 6 7 Plaintiffs, 8 vs. GOVERNMENT’S BRIEF 9 WILLIAM STRYKER, President of the United States, U.S. DEPARTMENT OF Date: 18 February 2017 10 Time: 3:15 p.m. DEFENSE, CHRIS CLAREMONT, Judge: Hon. Mitchell D. Dembin 11 Secretary of US Department of Defense, U.S. DEPARTMENT OF JUSTICE and 12 JOHN BYRNE, Attorney General, 13 Defendants. 14 WILLIAM STRYKER, President of the United States, U.S. DEPARTMENT OF 15 16 DEFENSE and its Secretary, CHRIS CLAREMONT, and U.S. DEPARTMENT OF 17 JUSTICE and JOHN BYRNE, Attorney General (“Defendants”), by and through their 18 counsel of record, and submits the following brief in support of Executive Order No. 19 09101963 and the Mutual Registration Action (“MRA”). 20 INTRODUCTION 21 We are living a new, unprecedented world where mutants can control the weather, 22 infiltrate our minds, shapeshift, phase, destroy cities, and enslave entire civilizations. But, 23 what are mutants? They are humans with extraordinary special abilities granted by what 24 is known as “the Mutant X-gene.” They have lived among us, unregulated by the laws of 25 mankind for too long. Today, we present mutants with a simple choice: be a threat to 26 humanity or become a part of it. 27 Not all mutants seek to co-exist peacefully. We must confront the reality that there 28 are those who would rule mankind, rather than join it.
    [Show full text]
  • Advanced Technologies Are Both a Friend and a Threat to the U.S
    Thursday, March 17, 2016 VOLUME LIII, NUMBER 11 Your Local News Source Since 1963 SERVING DUBLIN, LIVERMORE, PLEASANTON, SUNOL Advanced Technologies Are Both A Friend and a Threat to the U.S. By Jeff Garberson The technologies are high per- ist, according to Bruce Goodwin, can accelerate fabrication tenfold The combination of two ad- formance computing and additive an associate director at Lawrence again by compressing the slow, See Inside Section A vanced technologies is proving manufacturing (AM), often called Livermore National Laboratory. methodical sequences of trial and Section A is filled with both a friend and a foe to the U.S. three-dimensional printing. It accelerates the fabrication error into the lightning-fast pro- information about arts, people, It is offering vastly faster and less Additive manufacturing may process roughly tenfold, he said. cesses on the computer. entertainment and special events. wasteful manufacturing, but also allow a technician with the right Manufacturing operations can For the military, this unprec- There are education stories, a is threatening to spread access to equipment and a complete com- run all day and all night. A single edented speed opens the door to de- variety of features, and the arts destructive technologies that can puter file to build a toy for a child, technician can program many op- veloping weapons that have been and entertainment and easily be concealed by terrorists a hip joint for a surgeon -- or a erations at once. adapted to an evolving conflict bulletin board. and other hostile groups. high explosive bomb for a terror- High performance computing (See TECHNOLOGIES, page 2) Doolan Canyon Pleasanton Named a Salamander Initiative Recovery Area Aimed at Big Doolan Canyon been selected by the U.S.
    [Show full text]
  • Creating a Superheroine: a Rhetorical Analysis of the X-Men Comic Books
    CREATING A SUPERHEROINE: A RHETORICAL ANALYSIS OF THE X-MEN COMIC BOOKS by Tonya R. Powers A Thesis Submitted in Partial Fulfillment Of the Requirements for the Degree MASTER OF ARTS Major Subject: Communication West Texas A&M University Canyon, Texas August, 2016 Approved: __________________________________________________________ [Chair, Thesis Committee] [Date] __________________________________________________________ [Member, Thesis Committee] [Date] __________________________________________________________ [Member, Thesis Committee] [Date] ____________________________________________________ [Head, Major Department] [Date] ____________________________________________________ [Dean, Fine Arts and Humanities] [Date] ____________________________________________________ [Dean, Graduate School] [Date] ii ABSTRACT This thesis is a rhetorical analysis of a two-year X-Men comic book publication that features an entirely female cast. This research was conducted using Kenneth Burke’s theory of terministic screens to evaluate how the authors and artists created the comic books. Sonja Foss’s description of cluster criticism is used to determine key terms in the series and how they were contributed to the creation of characters. I also used visual rhetoric to understand how comic book structure and conventions impacted the visual creation of superheroines. The results indicate that while these superheroines are multi- dimensional characters, they are still created within a male standard of what constitutes a hero. The female characters in the series point to an awareness of diversity in the comic book universe. iii ACKNOWLEDGEMENTS I wish to thank my thesis committee chair, Dr. Hanson, for being supportive of me within the last year. Your guidance and pushes in the right direction has made the completion of this thesis possible. You make me understand the kind of educator I wish to be. You would always reply to my late-night emails as soon as you could in the morning.
    [Show full text]
  • X-Men: the Story of the X-Men Free
    FREE X-MEN: THE STORY OF THE X-MEN PDF Thomas Macri,Pat Olliffe,Hi-Fi Design | 32 pages | 11 Dec 2013 | Marvel Comics | 9781423172246 | English | New York, United States X-Men Series: X-Men All Movies and Timelines Explained | This is Barry This is a crash course on the entire X-Men Series and their plots. This is an article for anyone who wants to refresh their memories or wants to watch all X-Men movies but has no context. I present to you X-Men — all movies in order of their stories and timelines. You can find other films using the search option on top of this page. Well, when X-Men: The Story of the X-Men first decided to make an X-Men film, 20th Century Fox took licence for the Marvel characters that were core to the X-Men comic series. The films, therefore, are allowed to use only the core characters of the X-Men universe. X-Men: The Story of the X-Men, for instance, is licensed by Walt Disney Studios. Spiderman was originally licensed by Columbia Pictures. Because the two new Amazing X-Men: The Story of the X-Men movies did badly, the licence was moved to Walt Disney Studios. Mutants are a further step in the natural evolution of mankind. Some of these mutations are evident, some are dormant. Humans with evident natural mutations tend to get rejected by society for being deformed. X-Men fight for peace and equality between mankind and mutantkind. Their archrival is Magneto who believes that mutants should rule the world and not mankind.
    [Show full text]
  • View This Page
    16 發光的城市 A R O U N D T O W N FRIDAY, MAY 1, 2009 • TAIPEI TIMES OTHER RELEASES COMPILED BY MARTIN WILLIAms 17 Again Teen heart melter Zac Efron leads the cast in a pastiche of Click and all those body switch/time travel movies of the mid-to-late-1980s (Big, Back to the Future and the eerily similar title 18 Again!, for example). In this one, Zac’s loser adult manifestation (Matthew Perry) is sent back in time by a weird janitor to ... the late 1980s. There, in the irritatingly dissimilar body of spunky Zac, our hero gets his chance to straighten out his life, but not before some uncomfortable propositions. Younger male moviegoers are advised to skip this and see Splinter instead (see below). Older males might wish to see ... Two Lovers Joaquin Phoenix has taken a strange turn lately with a bizarre new appearance and manner and an attempt at a career in rap. Hopefully it’s a trick, because movies like Two Lovers, Walk the Line and 8MM show that Phoenix the actor should never be underestimated. This film by James Gray was made Not much to glean from before Phoenix grew the beard; in it he is a troubled New Yorker enticed by two women (Vinessa Shaw and Gwyneth Paltrow). The emphasis here is on dialogue, character and complexity. The Lark Farm A movie about the Armenian genocide directed by Italy’s famed Taviani brothers sounds WolverineWolverine unmissable — unless you’re a Turkish nationalist, of course. ‘X-Men Origins: Wolverine’ fills in the blanks on Logan’s backstory, but with a slapdash script The story follows the misfortune of a well-to-do family brought undone by massacres and and an overreliance on special effects that aren’t that special expulsion.
    [Show full text]
  • Wolverine Vs. Sabretooth Pdf, Epub, Ebook
    WOLVERINE VS. SABRETOOTH PDF, EPUB, EBOOK Disney Book Group,Clarissa Wong | 24 pages | 05 Feb 2013 | Marvel Press | 9781423172895 | English | New York, United States Wolverine vs. Sabretooth PDF Book Victor runs off during the fight, wishing Rose "good luck in hell". Add the first question. Both characters have been horribly mismanaged over the past few years, but Sabretooth should win the majority of these fights. This includes the ability to see objects with greater clarity and at much greater distances than an ordinary human. Sabretooth, not believing him, dares Wolverine to do it. Creed sets a trap for Logan before heading to his meeting, but it fails causing the two to battle. A wolverine -- the animal -- is a large carnivore that looks like a small bear. And then for whatever reason we didn't do it. It also indicates that his fighting speed is his most enhanced skill. His rampage is brought to an end when Wolverine interrupts him and the two battle to a stalemate, at one point knocking one another out. As we have seen every time a battle between Logan and Victor happens, Sabretooth always has the upper hand, but Wolverine turns out to win at the end. But, the brutal moment shows how Wolverine exhausted all of his options in dealing with Sabretooth and decided the best way to stop him was to kill him. His size and strength, added with his healing factor and adamantuim tipped clawz and his Special Forces training. Back to School Picks. In , Creed using the alias Sabretooth works as a mercenary assassin in Saigon.
    [Show full text]
  • Pak Van Lente Borstel Roberson D'armata
    011 PAK VAN LENTE BORSTEL ROBERSON D’ARMATA RATED T+ $3.99US MARVEL.COM 0 1 1 1 1 7 59606 08649 8 DECADES AGO, A CLANDESTINE MILITARY EXPERIMENT ATTEMPTED TO CREATE THE PERFECT SOLDIER. IN THE YEARS SINCE, THE BLEEDING-EDGE SCIENCE DRIVING THE PROJECT CULMINATED IN THE WEAPON X PROGRAM, RESPONSIBLE FOR THE CREATION OF MANY OF THE WORLD’S MOST VICIOUS KILLERS AND MERCENARIES. IT WAS THOUGHT TO HAVE BEEN DISBANDED. PREVIOUSLY IN WEAPON X... USING THE RESOURCES OF HER EMPLOYERS AT THE WEAPON X PROGRAM, CHIEF SCIENTIST DOCTOR ALBA RAN A SHADOW EXPERIMENT THAT AUGMENTED A HIGHLY TRAINED BLACK-OPS MERCENARY WITH THE ABILITIES OF THE HULK AND WOLVERINE, ALONG WITH CYBERNETIC ENHANCEMENTS SIMILAR TO THOSE OF LADY DEATHSTRIKE. THE SUBJECT WAS DUBBED WEAPON H BY HIS CREATORS, BUT HIS TRUE HISTORY IS A MYSTERY BEYOND FAINT MEMORIES OF HIS WIFE, KIDS AND THE NAME “CLAY.” INITIALLY BRED TO KILL EVERY MUTANT ON THE PLANET, WEAPON H TURNED ON HIS HANDLERS AND DESTROYED WEAPON X HEADQUARTERS BEFORE FLEEING THE SCENE. WHILE SEEMINGLY TRYING TO RECLAIM THEIR SUPER-SOLDIER, ALBA BETRAYED THE WEAPON X PROGRAM, ALLOWING DIRECTOR WILLIAM STRYKER TO BE DESTROYED BY WEAPON H (INADVERTENTLY REVEALING STRYKER TO BE A CYBORG). LOGAN’S TEAM WAS LATE TO THE SCENE, BUT RETRIEVED THE STILL- SENTIENT REMAINS OF STRYKER IN EXCHANGE FOR INFORMATION ON WEAPON H. USING POST-HYPNOTIC VERBAL COMMANDS, ALBA MEANS TO SET WEAPON H ON A KILLING SPREE, BUT LOGAN’S TEAM HAS INTERCEPTED THEM IN HOPES OF ENDING THE VIOLENCE ONCE AND FOR ALL… THE HUNT FOR WEAPON H CONCLUSION WRITERS GREG PAK & FRED VAN LENTE ARTISTS MARC BORSTEL & IBRAIM ROBERSON COLORIST FRANK D’ARMATA LETTERER VC’s JOE CARAMAGNA COVER ARTIST DAVID NAKAYAMA GRAPHIC DESIGNERS ASSISTANT EDITOR EDITOR X-MEN GROUP EDITOR JAY BOWEN & CHRIS DARREN MARK ANTHONY GAMBINO ROBINSON SHAN PANICCIA EDITOR IN CHIEF CHIEF CREATIVE OFFICER PRESIDENT EXECUTIVE PRODUCER AXEL ALONSO JOE QUESADA DAN BUCKLEY ALAN FINE WEAPON X No.
    [Show full text]
  • List of Registered Teams Division Brea
    CYBERPATRIOT X: LIST OF REGISTERED TEAMS Open Division Teams Centers of Excellence (COE) Public High School 2157 Los Angeles Unified School District (LAUSD) 190 Private / Parochial High School 267 City of San Antonio, TX (SAT) 309 Charter / Magnet School 189 Spokane Public Schools (SPS) 32 Home School 28 Rose State College, OK (ROSE) 39 Scouting Unit 11 Fairfax County Public Schools (FCPS) 137 Boys and Girls Club 9 21 Other Program 96 STEMSpark East TN Innovation Hub (ETN) Total Open Teams 2757 Huntsville City Schools (HUNT) 94 42 Lee's Summit R-7 School District (LSR7) All Service Division Teams SoCal Cybersecurity Community College BREAKDOWN 212 Air Force JROTC 451 Consortium (SoCalCCCC) Army JROTC 238 Canada CyberTitan (TITAN) 92 Civil Air Patrol 488 Elk Grove Unified School District (EGUSD) 74 Marine Corps JROTC 124 Midwest CISSE Chapter (MCISSE) 83 Navy JROTC 375 Naval Sea Cadet Corps 41 Total All Service Teams 1717 TOTAL CP-X TEAMS Middle School Division Teams DIVISION Total Middle School Teams 1110 5584 Page 1 of 161 CyberPatriot X Teams as of Date at time] 12pm EST Org Type Organization Name Team Nickname COE City State Zip Army JROTC Auburn High School / JROTC ALPHA Team N/A Auburn Alabama 36830 Army JROTC Auburn HS BRAVO Team N/A Auburn Alabama 36830 Civil Air Patrol Bessemer Composite Squadron N/A Birmingham Alabama 35216 Private/Parochial HS Bayside Academy N/A Daphne Alabama 36526 Public HS Holtville High School Team #1 N/A Deatsville Alabama 36022 Middle School Holtville Middle School Team 1 N/A Deatsville Alabama 36022
    [Show full text]
  • Hofstra University Film Library Holdings
    Hofstra University Film Library Holdings TITLE PUBLICATION INFORMATION NUMBER DATE LANG 1-800-INDIA Mitra Films and Thirteen/WNET New York producer, Anna Cater director, Safina Uberoi. VD-1181 c2006. eng 1 giant leap Palm Pictures. VD-825 2001 und 1 on 1 V-5489 c2002. eng 3 films by Louis Malle Nouvelles Editions de Films written and directed by Louis Malle. VD-1340 2006 fre produced by Argosy Pictures Corporation, a Metro-Goldwyn-Mayer picture [presented by] 3 godfathers John Ford and Merian C. Cooper produced by John Ford and Merian C. Cooper screenplay VD-1348 [2006] eng by Laurence Stallings and Frank S. Nugent directed by John Ford. Lions Gate Films, Inc. producer, Robert Altman writer, Robert Altman director, Robert 3 women VD-1333 [2004] eng Altman. Filmocom Productions with participation of the Russian Federation Ministry of Culture and financial support of the Hubert Balls Fund of the International Filmfestival Rotterdam 4 VD-1704 2006 rus produced by Yelena Yatsura concept and story by Vladimir Sorokin, Ilya Khrzhanovsky screenplay by Vladimir Sorokin directed by Ilya Khrzhanovsky. a film by Kartemquin Educational Films CPB producer/director, Maria Finitzo co- 5 girls V-5767 2001 eng producer/editor, David E. Simpson. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987. ita Flaiano, Brunello Rondi. / una produzione Cineriz ideato e dirètto da Federico Fellini prodotto da Angelo Rizzoli 8 1/2 soggètto, Federico Fellini, Ennio Flaiano scenegiatura, Federico Fellini, Tullio Pinelli, Ennio V-554 c1987.
    [Show full text]
  • {Dоwnlоаd/Rеаd PDF Bооk} X-Men Origins Ebook, Epub
    X-MEN ORIGINS PDF, EPUB, EBOOK Craig Kyle,Christopher Yost,Mike Carey,Sean McKeever,Kieron Gillen,Mike Mayhew,J. K. Woodward,Trevor Hairsine,Mark Texeira,David Yardin | 192 pages | 02 Jun 2010 | Marvel Comics | 9780785134527 | English | New York, United States X-Men Origins PDF Book If the story and the acting were a bit out of touch, the CGI fares even worse. Other editions. His mutant power was able to make him a fo Hank McCoy's mutation was a slight one. That is, until a psychopathic terrorist with a god delusion kidnaps his father, and his life is brought into irrevocable confrontation with Charles Xavier and the X-Men in this X-citing one-shot! Archived from the original on October 7, BBC News. Paul Jenkins wanted certain characters, artwise and relationship-wise, to resonate with those knowledgeable about Wolverine's character history. X-Men in other media. Retrieved May 24, Despite that, this was an enjoyable single issue. Scott Summers Julia Blake Carnival Guy Adelaide Clemens Mutant Twin 1 Joelle Tang Color: Color. Logan locates Wraith and Dukes at a boxing gym. The characters looked good, but there was an effect that made the art look old somehow, like a faded postcard. Pedestrian uncredited Josh Dean Williams Download as PDF Printable version. Peter W. After a few moments, with her shallow grip on reality shattered, she picks up Thomas' shotgun and kills herself in front of Dog. Logan's public identity as her cousin makes it impossible for him to declare his own feelings for her. October Streaming Picks.
    [Show full text]
  • Reflexive Ideology Through Spectacle-Violence in The
    WITH GREAT POWER COMES NO RESPONSIBILITY: REFLEXIVE IDEOLOGY THROUGH SPECTACLE-VIOLENCE IN THE SUPERHERO FILMS OF MARVEL STUDIOS by Kevin Hatch B.A., Wilfrid Laurier University, 2012 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Film Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) June 2014 © Kevin Hatch, 2014 ! ""! Abstract! This work critically interrogates the superhero films of Marvel Studios and their textual treatment of, and the ideological function of, violent action spectacle. In Chapter One, I trace a chronology of superhero films and their corresponding treatment of violence, up to the onset of Marvel Studios, and the release of Jon Favreau’s Iron Man in 2008. I argue that Marvel superhero films respond to the genre’s previously tenuous treatment of spectacle-violence in the face of 9/11 and other instances of sociopolitical violence. Instead, Marvel Studios reappropriates action-violence interludes as ‘safe’ sites for audience enjoyment, undiminished by sociopolitical reflection. In doing so, Marvel crafts a brand identity of ‘reflexive wit,’ further integrating comedy into action sequences, and foregrounding provocative, yet superficial, sociopolitical commentary. In doing so, the Marvel films discourage audience preoccupation with the politics or ethical ramifications of spectacle violence. The films court the sense that, through such reflexivity, no further reflection is necessary, allowing audiences to unrepentantly enjoy the action violence. In Chapter Two, I explore the narrative techniques employed in Marvel films to foster viewer connection with their superheroes. I argue that the Marvel films draw upon a blend of comic book textual references, mythic intertexts, and pathos and humour, to court a dichotomy of ‘mythic accessibility,’ coding their heroes as sympathetic, valorized, sanctioned, ‘acceptable’ agents of violence.
    [Show full text]