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An Abstract Painter Rooted in Palestine's Reality | the Electronic Intifada 7/3/13 8:08 PM
Hani Zurob: an abstract painter rooted in Palestine's reality | The Electronic Intifada 7/3/13 8:08 PM The Electronic Intifada ﺍﻻﻧﺘﻔﺎﺿﺔ ﺍﻹﻟﻜﺘﺮﻭﻧﻴﺔ Art, Music & Culture Hani Zurob: an abstract painter rooted in Palestine’s reality Sarah Irving The Electronic Intifada 17 June 2013 A Palestinian painter from Gaza, Hani Zurob may have only been practicing as a fine artist since the late 1990s, but he already has an enviable list of solo shows — twelve, spread between Qatar, France, Palestine and Morocco — and joint exhibitions. The latter have included shows in venues as prestigious as L’Institut du Monde Arabe in Paris, the national museums of Bahrain and Syria, and the Henry Moore Institute in the UK. And in January, he was listed as one of The Huffington Post’s “10 international artists to watch in 2013.” Zurob’s reputation and profile will be further enhanced by the publication of Between Exits, a monograph on his life and work. Despite his comparative youth (he is just 37), this collection of images, alongside a wide-ranging text by Kamal Boullata (probably best known for his monumental book Palestinian Art: From 1850 to the Present), shows just how versatile and energetic an artist Zurob is. Boullata’s text does not pull any punches in asserting Zurob’s place as an artist whose work deserves attention not because of his national origin or life story, but because of its artistic quality. http://electronicintifada.net/content/hani-zurob-abstract-painter-rooted-palestines-reality/12546 Page 1 of 6 Hani Zurob: an abstract painter rooted in Palestine's reality | The Electronic Intifada 7/3/13 8:08 PM The preface opens with this challenge: “In a homeland enduring over 40 years of military occupation, where art is saturated with nationalist clichés and tired iconographic images, how does a young and ambitious talent like Hani Zurob break away from the binds of the local mainstream to explore his own originality in painting?” “No boundaries” This doesn’t mean that Zurob seeks somehow to place himself “above” his Palestinian origins. -
University of Bath PHD the Grief of Nations
University of Bath PHD The Grief of Nations: An analysis of how nations behave in the wake of loss: does it constitute grief? Malamah-Thomas, Ann Award date: 2011 Awarding institution: University of Bath Link to publication Alternative formats If you require this document in an alternative format, please contact: [email protected] General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. Download date: 07. Oct. 2021 The Grief of Nations An Analysis of How Nations Behave in the Wake of Loss: Does it Constitute Grief? Ann Malamah-Thomas A thesis submitted for the degree of Doctor of Philosophy University of Bath Department of Social and Policy Sciences July 2011 COPYRIGHT Attention is drawn to the fact that copyright of this thesis rests with the author. A copy of this thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that they must not copy it or use material from it except as permitted by law or with the consent of the author. -
Imagined Masculinities
Report Book Review aged men, stated that Lebanon preserves the principle of jus sanguinis in order to “preserve the unity of the family under the father”. Imagined In Lebanon, laws regarding women's ability to retain and transmit citizenship are similar to those that existed in the United States in the first part of the 20th century. Lebanon Masculinities: International Committee does not recognize the citizenship of children from marriages between female citizens and foreign men. Yet the question of marriage does not necessarily enter into it, rather, women are Discusses Discrimination Against not recognized as being able to confer citizenship upon their Male Identity children. A child born to a foreign father and a Lebanese Women in Lebanon mother must take his father's citizenship, or else risks having none. Countries like Kenya and Malaysia, do not recognize and Culture citizenship by descent from the mother if the birth occurs overseas. But others, like Algeria, Kuwait, Nepal and Lebanon Gender-Based Discrimination in restrict recognition of citizenship to descent from the father, in the Modern whether the child is born in the father’s country or elsewhere. Middle East the Area of Nationality Gender-based discrimination in the area of citizenship is one of the ruthless forms of de jure discrimination faced by women in Lebanon and around the world. The Lebanese Edited by Mai Ghoussoub mother carries her baby for months inside her ‘Lebanese’ body. The pre-born baby is then ‘Lebanese’ as long as he/she and Emma Sinclair-Webb is not born. The minute the child is born he/she is separated Saqi Books, 2000 Omar Nashabe from the mother’s nationality and is forced to acquire the nationality of the recognized father. -
Leaving Beirut Epub Downloads
Leaving Beirut Epub Downloads “One of the most poignant testimonies to the Lebanese civil war.â€â€”Moris FarhiAs an uneasy peace settles over war-torn Beirut, a woman reflects: Events in Bosnia, Rwanda, and Argentina remind her of the tragedies that shaped her life.What has she achieved in her voluntary exile, and who would she have become if she had stayed? Would she have learned to forgive, like Umm Ali, or contemplated revenge, like Leila’s grandmother? And who was Said? Gentle grocery boy, bloodthirsty torturer, or both? Mai Ghoussoub (1952–2007), artist, author, and playwright, was born in Lebanon. Paperback: 192 pages Publisher: Saqi Books; 2nd edition (September 1, 2007) Language: English ISBN-10: 0863566766 ISBN-13: 978-0863566769 Product Dimensions: 5.3 x 0.6 x 8.3 inches Shipping Weight: 7.8 ounces (View shipping rates and policies) Average Customer Review: Be the first to review this item Best Sellers Rank: #551,008 in Books (See Top 100 in Books) #26 in Books > History > Middle East > Lebanon #199 in Books > Literature & Fiction > World Literature > Middle Eastern #2400 in Books > Literature & Fiction > Essays & Correspondence > Essays 'Leaving Beirut is one of the most poignant testimonies to the Lebanese civil war.' Moris Farhi 'One of those rare books that leaves its readers able to breathe more deeply, with a renewed sense that life, for all its cruelties, is beautiful.' Maggie Gee 'A writer, artist and publisher who took her passion for life, controversy and feminism to the streets of Beirut and London.' Malu Halasa, The Guardian 'A tangled and creative mix of memoir, fiction, recollection, old-fashioned yarn-spinning, postmodern pastiche, literary criticism and methodically plotted political essay .. -
|||GET||| Leaving Beirut 1St Edition
LEAVING BEIRUT 1ST EDITION DOWNLOAD FREE Mai Ghoussoub | 9780863565694 | | | | | Beirut blast timeline: what we know and what we don't Several charities are on the ground providing medical care, shelter, supplies and other services to help the city recover and rebuild. Daher told CNN that customs officials had written to legal authorities six times requesting for the dangerous cargo be removed from the port, but the requests went unheeded. I never met a Lebanese. Community Reviews. Published May 22nd by Not Avail first published February 14th Leaving Beirut 1st edition She married twice. Showing Donald Melton said of the Marine mission: ''Whatever it was, I guess we accomplished it. Homes as far as 10 kilometers 6 miles away were damaged, according to witnesses. A man reacts at the scene soon after the explosion. This antiterrorism work we had to do here was Leaving Beirut 1st edition of new to us. Occasionally the digitization process introduces transcription errors or other problems; we are continuing to work to improve these archived versions. Namespaces Article Talk. Terry Singletary said: ''I just really feel sorry we didn't accomplish our mission, But how can you help a country where the army won't even fight to defend the Government? Views Read Edit View history. Subscribe to Independent Premium. Books are seen in the blast debris on Friday. Find this comment offensive? Severe floods leave more than dead in Vietnam. Two songs by Roger Waters released for digital download: September 7th, A helicopter fights a fire Tuesday at the scene of the explosion. The marines came here to stay on Sept. -
Women and Islamic Cultures: a Bibliography of Books and Articles in European Languages Since 1993
Women and Islamic Cultures: A Bibliography of Books and Articles in European Languages since 1993 General Editor Suad Joseph Compiled by: G. J. Rober C. H. Bleaney V. Shepherd Originally Published in EWIC Volume I: Methodologies, Paradigms and Sources 2003 BRILL AFGHANISTAN 453 Afghanistan Articles 22 ACHINGER, G. Formal and nonformal education of Books female Afghan refugees: experiences in the rural NWFP refugee camps. Pakistan Journal of Women's Studies. Alam-e-Niswan, 3 i (1996) pp.33-42. 1 ARMSTRONG, Sally. Veiled threat: the hidden power of the women of Afghanistan. Toronto & London: Penguin, 23 CENTLIVRES-DEMONT, M. Les femmes dans le conflit 2002. 221pp. afghan. SGMOIK/SSMOCI Bulletin, 2 (1996) pp.16-18. 2 BRODSKY, Anne E. With all our strength: the 24 COOKE, Miriam. Saving brown women. Signs, 28 i Revolutionary Association of the Women of Afghanistan. (2002) pp.468-470-. Also online at http:// London: Routledge, 2003. 320pp. www.journals.uchicago.edu [From section headed "Gender and September 11". US attitude to Afghan women.] 3 (BROWN, A.Widney, BOKHARI, Farhat & others) Humanity denied: systematic denial of women's rights in 25 CORNELL, Drucilla. For RAWA. Signs, 28 i (2002) Afghanistan. New York: Human Rights Watch, 2001 pp.433-435. Also online at http:// (Human Rights Watch, 13/5), 27pp. Also online at www.journals.uchicago.edu [Revolutionary Association www.hrw.org/reports/2001/afghan3 of the Women of Afghanistan. From section headed "Gender and September 11"] 4 DELLOYE, Isabelle. Femmes d'Afghanistan. Paris: Phébus, 2002. 186pp. 26 DUPREE, N. H. Afghan women under the Taliban. Fundamentalism reborn? Afghanistan and the Taliban. -
Hani Zurob: the Painting As Real
32 Profiles The Painting as Real: Hani Zurob By Adania Shibli References to photographs as a reflection or a Zurob continues to describe how he eventually found representation of the real, or even as hyperreal, are quite a refuge during these prolonged days of curfew in the common. Visual theorists, such as Martin Jay, explain furthest corner of their house which was full of his such references not only to photographs but also to father’s books and magazines, with several of them paintings that are a produce of perspectival gaze, by the containing drawings in them. These drawings, in their fact that the camera obscura model, assigns a place for turn, prompted the young Zurob to copy them using a viewer who is disconnected from the viewed scene; transparent paper; and as he got better and better, he for example, an objective viewer of the world. Other started adding his personal touch to them. It is this theorists, namely Norman Bryson, explain that such type personal touch then, one can hold accountable for the of images, generate this sense of resemblance to the real deformed bodies and faces, composed of thick dark world, based on the ratio of the depicted objects in the lines of bitumen piled in the centre of the frame. And frame. this personal touch is again nothing but a personal experience of a deformation, or to be more precise, a Still it never occurred to me that paintings, which are deliberate destruction of bodies in the real world of the not even generated based on perspectivalism, could also artist. -
THIS ISSUE: the MEDIA Seismic Shifts in the Middle East Politics
VVolumeolume 9 - NumberNumber 2 FFebruaryebruary – MMarcharch 22013013 ££44 | €€55 | UUS$6.5S$6.5 TTHISHIS ISSUEISSUE: TTHEHE MEDIAMEDIA ● SSeismiceismic shiftsshifts iinn thethe MiddleMiddle EastEast ● PPolitics,olitics, ppetrodollarsetrodollars andand thethe presspress ● SSyria:yria: TThehe mmediaedia asas battlegroundbattleground ● ‘‘PeoplePeople don’tdon’t wantwant toto bebe liedlied tto’o’ ● IIranianranian jjournalismournalism aandnd ‘‘thethe landland ofof freedom’freedom’ ● LLeaveseaves ooff llearningearning ● FFromrom GGazaaza rrefugeeefugee ccampamp toto rrunningunning a LondonLondon newspapernewspaper ● DDefyingefying tthehe odds:odds: HowHow oneone bookshopbookshop becamebecame LLondon’sondon’s basebase forfor ArabArab cultureculture ● A vvibrantibrant ddiasporaiaspora ● PPLUSLUS RReviewseviews andand eventsevents inin LondonLondon VVolumeolume 9 - NumberNumber 2 FFebruaryebruary – MMarcharch 22013013 ££44 | €€55 | UUS$6.5S$6.5 TTHISHIS IISSUESSUE: TTHEHE MMEDIAEDIA ● SSeismiceismic sshiftshifts iinn tthehe MMiddleiddle EEastast ● PPolitics,olitics, ppetrodollarsetrodollars aandnd tthehe ppressress ● SSyria:yria: TThehe mmediaedia aass bbattlegroundattleground ● ‘‘PeoplePeople don’tdon’t wwantant ttoo bbee lliedied tto’o’ ● IIranianranian jjournalismournalism aandnd ‘‘thethe llandand ooff ffreedom’reedom’ ● LLeaveseaves ooff llearningearning ● FFromrom GGazaaza rrefugeeefugee ccampamp ttoo rrunningunning a LLondonondon nnewspaperewspaper ● DDefyingefying tthehe oodds:dds: HHowow oneone bbookshopookshop becamebecame LLondon’sondon’s -
Hani Zurob: an Abstract Painter Rooted in Palestine's Reality | the Electronic Intifada 12/3/18, 2 25 PM Hani Zurob: an Abstract Painter Rooted in Palestine’S Reality
Hani Zurob: an abstract painter rooted in Palestine's reality | The Electronic Intifada 12/3/18, 225 PM Hani Zurob: an abstract painter rooted in Palestine’s reality Sarah Irving The Electronic Intifada 17 June 2013 A Palestinian painter from Gaza, Hani Zurob may have only been practicing as a fine artist since the late 1990s, but he already has an enviable list of solo shows — twelve, spread between Qatar, France, Palestine and Morocco — and joint exhibitions. The latter have included shows in venues as prestigious as L’Institut du Monde Arabe in Paris, the national museums of Bahrain and Syria, and the Henry Moore Institute in the UK. And in January, he was listed as one of The Huffington Post’s “10 international artists to watch in 2013.” Zurob’s reputation and profile will be further enhanced by the publication of Between Exits, a monograph on his life and work. Despite his comparative youth (he is just 37), this collection of images, alongside a wide-ranging text by Kamal Boullata (probably best known for his monumental book Palestinian Art: From 1850 to the Present), shows just how versatile and energetic an artist Zurob is. Boullata’s text does not pull any punches in asserting Zurob’s place as an artist whose work deserves attention not because of his national origin or life story, but because of its artistic quality. The preface opens with this challenge: “In a homeland enduring over 40 years of military occupation, where art is saturated with nationalist clichés and tired iconographic https://electronicintifada.net/content/hani-zurob-abstract-painter-rooted-palestines-reality/12546 Page 1 of 4 Hani Zurob: an abstract painter rooted in Palestine's reality | The Electronic Intifada 12/3/18, 225 PM images, how does a young and ambitious talent like Hani Zurob break away from the binds of the local mainstream to explore his own originality in painting?” “No boundaries” This doesn’t mean that Zurob seeks somehow to place himself “above” his Palestinian origins. -
Reconsidering the Value of Palstinian Art & Its Journey Into the Art Market
96 Essay Reconsidering the Value of Palstinian Art & Its Journey Into the Art Market Part II By: Steve Sabella Figure 1. Hani Zurob, Flying Lesson #06, Acrylic on Canvas, 200x160cm, 2010 There is a distinctive shift in the style of Zurob’s Sotheby’s Institute of Art in London / University art since he left Palestine to Paris in 2006 of Manchester – 2009 (distinction). This thesis was submitted in conformity with Contemporary Practices obtained first publication the requirements for the Master’s Degree in Art rights. Business Essay 97 Abstract the value of Palestinian art. But when this art is This study is the second installment of a two-part traded or auctioned internationally, paradoxically, study into the ‘value’ of Palestinian art. The first three it achieves prices that far exceed the local value. sections of part one (see Contemporary Practices The success of Palestinian artists living in occupied VII) explored the fragmentation of Palestine, the Palestine has started to align itself with the success changing characteristics of Palestinian Art and the of other Palestinians living in Israel or the Diaspora mechanisms that have been conferring value upon Palestinians who live mainly in Western countries. it. In brief, the Israeli occupation and the absence of Artists living in the Gaza Strip have the lowest political stability have enticed Palestinian artists to international ratings. Furthermore, artists who look beyond Palestine to seek critical and economic have been in the West for more than 15 years have recognition. In the early 1990s, Palestinian art that constantly enjoyed better rating (including artists was created in the occupied Palestinian land shifted from the Gaza Strip) when compared to Palestinian from collective symbolic, illustrative, figurative artists from occupied Palestine. -
The Case of the Visual Arts in Palestine
Strategics Sectors | Culture & Society Panorama Cultural Creations in Times of Occupation: The Case of the Visual Arts in Palestine Marion Slitine Since the 1993 Oslo Accords, this colonial system PhD Candidate in Anthropology, École des Hautes has been stepped up through a policy of extreme Études en Sciences Sociales (EHESS), Paris fragmentation dividing the West Bank into three Research Associate, Institut français du zones: Zone A, under Palestinian military and civil Proche-Orient (Ifpo) Strategics Sectors | Culture & Society control (less than 10% of the territory); Zone B, under Palestinian civil but Israeli military control (30% of the territory); and Zone C (60% of the West Bank with Social sciences literature on Palestine, overabun- the Jordan Valley and most of its water resources) dant insofar as geopolitical, social and economic completely under Israeli (military and civil) control. aspects, proves quite discrete with regard to its ar- The multiplication of colonies in the West Bank and tistic and cultural dimensions. However, the art East Jerusalem continues. More than 500 check- scene in the Occupied Palestinian Territories is a points reduce Palestinian movement between towns. particularly faithful reflection of the dynamics in con- In addition there is the dividing wall, which has con- 1 330 temporary Palestinian society. Here, art is not the siderably aggravated their situation. Gaza sustains preserve of the elite, and artists, considered spokes- such major restrictions of movement – not only ap- people for the national interests of their homeland plied by the Israeli authorities but also the Egyptian (watan), fulfil a major social role. and Jordanian governments – that its 1.8 million in- habitants (one of the highest population densities in the world) are forced to live in extreme isolation. -
برنامج لقاءات الفنانني/ات Artists Talk Programme
برنامج لقاءات الفنانني/ات2021 Artists Talk Programme www.qattanfoundation.org لمزيد من المعلومات حول الفعاليات يرىج متابعة قنوات التواصل االجتماعي اخلاصة بالمؤسسة Please follow our social media channels for more details Facebook Website Youtube Instagram 15.6.2021 Samira Badran سمرية The talk will explore the art practices of Badran through her works and her relationship with بدران her homeland Palestine. The talk will reflect a thematic coherence سيستكشف اللقاء ممارسات سمرية بدران of different notions: collective ّالفنية من خالل أعمالها، وعالقتها بوطنها memory, fragmentation of فلسطني. سيعكس اللقاء تساوق األفكار بني ,geography, restriction of movement مفاهيم مختلفة: الذاكرة الجماعية، ورشذمة .obstacles and structures of control الجغرافيا، والقيود على الحركة، وعوائق Practices will be analysed based on السيطرة وهياكلها. تحليل املمارسات ًبناء the transformation of objects and على ّتحول األشياء واملشاهد، ّمما يخلق واقعاً images, which create a new reality جديدا ًفيه العديد من التفسريات ووجهات with different interpretations and النظر. .perceptions املُحاورة: تينا شريويل Discussant: Tina Sherwell ِ 28.6.2021 ّسيتحدث ستيف سابيال عن ّتدفق اإلبداع الذي حدث بداخله سنة 2020، وال يزال قائماً، حيث إنهَّ يعمل يف مجال ّالفن منذ ستيف سنة 1994، وقد اعتاد إنجاز مرشوع ّفن كبري واحد سنوياً، ّأما يف السنة َاملاضية، فقد أنجز عرشة مشاريع رئيسة، أي ما يعادل عمل عرش سابيال سنوات. ويف سنة 2021، هو ذاهب يف رحلة لنرش خمسة كتب. يف كلمته، سيأخذ الجمهور يف رحلة برصيّة يرون فيها كيف أبرصَ النور ٌّكل من “أرض األبد”، و”ال نهايئ”، و”قصة قصرية”، و”قلق فلسطني”، و”صوت القدس” و “يف مكان آخر”. كما سيقوم بإطالعهم على كتابه القادم، “لعنة ّالفنان”، الذي ّيتكون من سلسلة من األقوال والحكم، وقصص قصرية جداًّ، ونصائح وتحليالت َمقتضبة حول عامل الفن.