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Welcome to Nashville, “The Athens of the South,” and the campus of ! It is a great honor and privilege to host this year’s joint meeting of the Southeastern College Art Conference and the Mid-America College Art Association.

With the encouragement of Chancellor Gordon Gee, Provost Nicolas Zeppos, and my office, the faculty members of the Departments of Art and the History of Art have worked hard at making the conference a genuine “trans-university” event. More than half of the departments within the College of Arts and Science and many of our centers are providing support. It should be noted that the , the of Education and Human Development, entities within the Vanderbilt Medical Center, and the at Vanderbilt are equally excited about playing a role. Needless to say, the visual arts are highly interdisciplinary, so it is not surprising that so many within our academic community want to contribute. In fact, many of the universities, colleges, and arts institutions within the state have become important partners in this highly collaborative effort.

Your conference schedule is ambitious, to say the least. More than 400 individuals will be making presentations during the 90-plus sessions. The range of topics is remarkable and the commitment to engaging graduate and undergraduate students is most encouraging. Conferences typically have one keynote speaker, but you will be treated to three special guest presentations. In addition to the myriad opportunities for academic discourse, you will be able to socialize and network at the two conference luncheons, receptions, tours, and workshops.

Admittedly, there is a bit of self-interest with the desire to host this conference. After all, it affords us the chance to highlight our newly created Department of Art, the amazing Ingram Studio Arts Center, and the recently restructured Department of History of Art. And it just so happens that the 2005 SECAC Artist’s Fellowship recipient is Virginia Derryberry, a Vanderbilt graduate, so you will want to see the work in her fellowship exhibition at our Sarratt Gallery.

Before your conference is over and you leave “Music City,” be sure to take a stroll around our beautiful and vibrant campus. By the way, did I forget to tell you that our campus is a national arboretum and that our Peabody campus is on the National Register?

I know that you will have an enriching conference and a great time. Now, let’s not wait another thirty years to bring the conference back to Vanderbilt.

Best wishes,

Richard McCarty Dean, College of Art and Science

 Featured Conference Speakers Thursday, October 26 4:15-5:30 p.m. Student Life Center Ballroom The Norman L. and Roselea J. Goldberg Lecture An Underground Palace in Ancient China: The Tomb of Marquis Yi of Zeng Robert Bagley Robert Bagley is a distinguished scholar at Princeton University. He specializes in Chinese Neolithic and Bronze Age art and archaeology. In this lecture, he will describe the tomb of Marquis Yi of Zeng, one of the most astonishing discoveries ever made in Chinese archaeology. Containing no less than ten metric tons of bronze artifacts, it was furnished with weapons and armor, ritual offerings of food and drink presented in bronze vessels, a wealth of luxury goods, and most remarkable of all, two distinct musical ensembles with a total of thirty instruments including winds and strings, drums, stone chimes, and a tuned set of sixty-five bronze bells.

Friday, October 27 4:15-5:45 p.m. Student Life Center Ballroom Art and Everything: Reframing Art for the 21st Century Eleanor Heartney Eleanor Heartney is a New York-based art writer and cultural critic. She is a contributing editor to Art in America and Artpress. In addition, she has written extensively on contemporary art issues for Artnews, Art and Auction, The New Art Examiner, the Washington Post, and . In 1992, Heartney was the recipient of the College Art Association’s Frank Jewett Mather Award for distinction in art criticism, and she has also received grants from the New York Foundation for the Arts and the Asian Cultural Council. A collection of Heartney’s essays was published in 1997 by Cambridge University Press under the title Critical Condition: American Culture in the Crossroads. Her Movements in Modern Art: Postmodernism was published in 2001 by the Tate Gallery Publishers. Her latest book is Postmodern Heretics: The Catholic Imagination in Contemporary Art, published by Midmarch Arts Press. She is currently co-president of AICA-USA, the American section of the International Art Critics Association.

Saturday, October 28 1:00-2:00 p.m. Student Life Center Ballroom A Time and Place Christian Moeller Christian Moeller, professor of media studies at UCLA, studied architecture at the College of Applied Sciences in Frankfurt, Germany, and at the Academy of Fine Arts in Vienna. In 1990, he founded his own studio and media laboratory in Frankfurt. He was a professor at the State College of Design in Karlsruhe, Germany, until he moved to the in 2001. Professor Moeller is an artist working with contemporary media technologies to produce innovative and intense physical events, realized from handheld objects to architectural scale installations. His body of work represents highly original and complex investigations of what is possible with the intersections of cinema, computation, music, and physical space.

 SECAC and MACAA members who Pre-Registered may pick Baroque Tendencies in Contemporary Art up their registration packets Wednesday evening (6:45– SLC – Ballroom C 9:45 p.m.) at the Ingram Studio Art Center, Vanderbilt Chair: Kelly Wacker, University of Montevallo University, Corner of 25th Avenue South & Garland. Adrian Duran, Memphis College of Art Baroque Space in Postwar Italian Wednesday, October 25 Irene Nero, Southwestern Louisiana University Baroque Tendencies in Architecture: The Guggenheim 1:00-3:00 p.m. Museum, Bilbao, Spain SECAC Executive Committee Meeting Richard Reddaway, Massey University Student Life Center (SLC), Boardroom A Baroque Plan: Chaos, baroque and Appearance Catherine Wilcox-Titus, Worcester State College 4:00-7:00 p.m. Neo-Baroque Spectacle and Gender in Contemporary Art SECAC Board Meeting Student Life Center (SLC), Boardroom The History and Theory of Metavisuality in the Visual Arts SLC – Boardroom 7:00-10:00 p.m. Chairs: Beauvais Lyons, University of Opening Reception Victor Margolin, University of Illinois at Chicago Ingram Studio Arts Center (ISAC), 2nd & 3rd Floors Eva Mantell, Independent Scholar Dolores Links and the Placebo Effect The Divas and Iron Chefs of Encaustic Richard Purdy, Université du Québec à Trois-Rivières CeraMIX DÉBOUSSOLÉ (Lost without a Compass) Vanderbilt Faculty Exhibition Victor Margolin, University of Illinois at Chicago Vanderbilt Alumni Invitational Boris Spasebo and the Smiling Face of Works by Artists with Disabilities: From the Collection of the Vanderbilt Kennedy Center Defining Abstraction in 1930s American Art SLC – Meeting Room 1-2, Lower Level Chairs: R. Sarah Richardson, Hollis Taggart Galleries Thursday, October 26 Marshall Price, National Academy Museum Valerie Livingston, Susquehanna University 7:00 a.m.- 4:00 p.m. Joseph De Martini’s Curious Emotional Intensity and the Registration Desk Open Emergence of an Abstract Style ISAC – 1st Floor, Base of Tower Kathleen Spies, Birmingham-Southern College Striptease and : Abstraction and Politics in Images 7:00-9:00 a.m. of the Burlesque Theater Breakfast Robert Bridges, West Virginia University HIS – Commodore Room Blanche Lazzell: An American Abstractionist in the 1930s Robert Wojtowicz, Old Dominion University 8:00-9:45 a.m. Mumford on Abstraction Art in Community SLC – Ballroom B Fine Art Documentation for the Artist: Why, When and Sponsored by: Department of Human and Organizational How Standardized Documentation Benefits the Artist and Development, Vanderbilt University the Collector (A Professional Development Event) Joseph Cunningham, Chair SLC – Meeting Room 3, Lower Level Program in Community Research and Chair: Carol Hagen, Visnulimited™ Action, Vanderbilt University Chairs: Donna Lee Adams, University of Indianapolis Marilyn McElwain, University of Indianapolis Donna Lee Adams, University of Indianapolis Bringing Art to the Community Marilyn McElwain, University of Indianapolis Community Partnership Experience Joo Kim, University of Central Florida Art Education Through Community Pamela Lawton and Frances Hawthorne, University of North Carolina at Charlotte Building Community on Common Ground: A Common Quilt Project

Wednesday/Thursday  Thursday, October 26, 8:00-9:45 a.m. Ellen Daugherty, Memphis College of Art Racial Uplift and Its Enemies: The Booker T. Washington Underground Currents / Renegade Monument at Tuskegee, Alabama, and the Proposed Mammy in the Academic Setting Monument for Washington, D.C. HIS – Centennial Room A-B Elyse Deeb Speaks, University of Notre Dame Chair: Ann Conner, University of North Carolina at Wilmington The Degendering of Sculpture: Form and Function Geraldine W. Kiefer, Shenandoah University in the 1960s Collaborations, Intersections, and Overlays: Drawing into a Deanne Pylinski, Metropolitan State College of Denver ‘Mixed-Media’ Field of Possibilities Gender and Video Collectives: Women in the “Global Village” Paul Krainak, Bradley University Wendy Koenig, Middle Tennessee State University The Subject of Architecture in Contemporary Drawing Practice The Heroic Generation: Fictional Socialist Realist Painters J. Bradley Adams, Berry College in the Work of Ilya Kabakov Parsing Happiness Propaganda Now: Co-Opt or Submit? Kathleen Rieder, North Carolina State University ISAC 308 Multiple Perspectives Chairs: Stephanie Bacon, Boise State University Christine L. Zoller, East Carolina University Tom Block, Independent Activist / Artist Drawing Skills in Contemporary Studio Arts: Are They Needed and What Is the Responsibility of Higher Education in Stephanie Bacon, Boise State University Making Sure That Students Make Good Use of These Skills? Propaganda Now Adrienne Kochman, Indiana University Northwest Art History Without Walls: Political Propaganda in Rural Ukraine: Katerina Bilokur’s Still Reconsidering the Art History Canon Life ‘30th Anniversary of the October Revolution,’ 1947 Old Gym 206 Dawn Hunter, University of Chair: Heather McPherson, University of Alabama Spectacle Spectacular at Birmingham Rachel Snow, University of South Carolina Upstate 10:00-11:45 a.m. Images that Matter: Vernacular Photography’s The Role of New Media in the Fine Arts Challenge to Art History SLC – Boardroom Benjamin Harvey, Mississippi State University Chair: Patrick FitzGerald, North Carolina State University Adrift in Trafalgar Square: Woolf, Portraiture, and the Origins of A Room of One’s Own Brian Evans, University of Alabama Digital Media, Social Networks and Art Foundations Jo-Ann Morgan, Coastal Carolina University Old and New Using the European Artistic Canon to Read Hip Hop Seth Ellis, University of North Carolina at Greensboro Jody B. Cutler, University of Central Florida The New Fantastic: How New Media Transform Old Media Revolution in a Painting: George Washington Carver Crossing the Delaware: Page from an American History Textbook Ryan DeWitt and Patrick FitzGerald, (1975) by Robert Colescott North Carolina State University Experimental New Media in the Studio Model Commentator: Joy Sperling, Denison University Late Twentieth Century American Art: Instructional Strategies for College Teachers Pluralism and Diversity ISAC 304 SLC – Meeting Room 1-2, Lower Level Chairs: Sandra Reed, Savannah College of Art and Design Chair: Pamela H. Simpson, Washington and Mary Stewart, Northern Illinois University James Roger Alexander, University of Alabama at Birmingham Rod Northcutt, School of the Art Institute of Chicago Flying Without Fear: The Works of Gordon Matta-Clark, Form Follows Fabrication 1968-1978 Adam Kallish, Northern Illinois University Rosemary Cohane Erpf, Savannah College of Instructional Strategies for Design Methods Art and Design–Atlanta Martha MacLeish, Indiana University Susan Rothenberg: Image Finder Making Grading Transparent Suzanne Schuweiler-Dabb, Converse College Rusty Smith, Auburn University Slavery, War, and What Remains: Sally Mann’s South The Design Education Laboratory: Mission and Methods Susan Wood, University of Missouri Forget about Snow White: The Use of Folklore, Humor, and The Next Generation of SECAC and MACAA Art Historians Vignette Photography in the Work of Carrie Mae Weems ISAC 220 Jordana E. Moore, University of Illinois Chairs: Amy Kirschke, University of North Carolina What is “Black” in Basquiat? at Wilmington Mysoon Rizk, University of Toledo

 Thursday Thursday, October 26, 10:00-11:45 a.m. Heather Harvey, Virginia Commonwealth University An Odd Camaraderie: Recent Work in Plaster and Wax Open Session for Undergraduate Papers Jeffrey Hirst, Independent Artist HIS – Centennial Room C Hammer, Tape, Torch, Mesh, and Wax: Approaches Chair: David E. Gliem, Eckerd College within an Encaustic Process William H. Johnson, The University of the South Timothy McDowell, Connecticut College Natural Religion at Stourhead Divas and Chefs Dita Dlugosova Knappova, University of North Florida The Architecture of the 1940s and 1950s in Czechoslovakia Critiquing Frankenstein’s Body: The Anti-Critique Danisha Edwards, North Carolina State University ISAC 304 Black Hair and Contemporary Art Chairs: Mark Hosford, Vanderbilt University Michael Krueger, University of Kansas The New Sculptural Paradigm-Investigating the Future Michael Krueger, University of Kansas HIS – Centennial Room A-B The Anti-Critique Chair: Alison Helm, West Virginia University Mark Hosford, Vanderbilt University Jeremy Entwistle, West Virginia University The Anti-Critique Experiment in Industrial Sculpture: Extracting of the Worker Tim Dooley, University of Northern Iowa Benjamin S. Jones, Virginia Commonwealth University The Anti-History of and the Anti-Critique The Other Side of the Fence Ruthann Godollei, Macalester College Marie Bower, University of Arizona Fluffy Marshmallows Make Bad Political Weapons or Using Rapid Prototype Technology: Promoting Outrage & Agitation in the Classroom Fantasies Portraits, Identities Charles Cohan, University of Hawaii Ben Godward, State University of New York - Albany Personal Foul: Officiating the Critique Exploring Constructed Realities Through Materials Spirituality in Postmodern Art Teaching with Technology: Art History Pedagogy ISAC 308 in the Digital Era Chair: Harry W. Boone, University of Virginia’s College at Wise Old Gym 206 Svetlana Rakic, Franklin College Sponsored by: Department Electrical Engineering Postmodern Uncertainty: Concepts of Trinity-in-Unity and and Computer Science, Vanderbilt University Non-Duality as Deconstruction Strategies Daniel Fleetwood, Department Chair Tom Block, Independent Artist Chairs: Vida Hull, East Tennessee State University The Artist as Shaman in an Age of Uncertainty Marjorie Och, Mary Washington University Austin I. Collins, University of Notre Dame Scott Karakas, Florida Gulf Coast University Art, Religion, and Politics Some Thoroughly Modern Methods for Teaching Ancient Art Edward Carlos, The University of the South (emeritus) Claire Black McCoy, Longwood University Chiasm—The Inbetween of Mystical Experience and Asynchronous Adventures: Teaching Art History Implications of Memory in the Creative Process Online for the First Time Debra Gibney, University of Texas at Arlington 12:00-2:00 p.m. Teaching Visual Analysis Online: Luncheon A Study of Velázquez’ Las Meninas SLC – Ballrooms A-C Catherine Chastain-Elliott, University of Tampa Ticket Required Hurricane-Proof Art History: Technology and the University of Tampa’s Disaster-Readiness Plan 2:15-4:00 p.m. The Divas and Iron Chefs of Encaustic Free Speech in Art: What are the Limits? ISAC 220 SLC – Boardroom Chair: Reni Gower, Virginia Commonwealth University Sponsored by: First Amendment Center at Vanderbilt University Richard Frumess, Founder, R & F Handmade Paints Gene Policinski, Director Rifka Angel: An Encaustic Pioneer Introductions: Gene Policinski, Vanderbilt University Kristy Deetz, University of Wisconsin–Green Bay Reveal / Conceal Roger Shimomura, University of Kansas (emeritus) Performances that Scare Teachers Peter Dykhuis, Nova Scotia College of Art and Design Mapping Topographies: Wax Surfaces and Digital Shimmer Carol Leake, Loyola University New Orleans Catholic Tastes Cheryl Goldsleger, Georgia State University Heated Drawing Don Evans, Vanderbilt University (emeritus) How Far Should a Student Go? And Then What? Discussant: Carol Becker, School of the Art Institute of Chicago Thursday  Thursday, October 26, 2:15-4:00 p.m. Visual Resources Curators Reception, Chapter Meeting, and Roundtable Discussion Medieval Art: Those Slippery Images Old Gym 206 SLC – Meeting Room 1-2, Lower Level Reception hosted by: Chairs: Elizabeth Lipsmeyer, Old Dominion University Joanne Rathman, Visual Resources Curator, Dorothy Verkerk, University of North Carolina Vanderbilt University at Chapel Hill VRA Southeast Chapter Meeting led by: Nancy Bishop, Arkansas Tech University Emy Decker, University of Georgia Different Strokes for Different Folks: Picturing Jews Mary Alexander, University of Alabama in Early Medieval Art Roundtable Discussion about Institutional Allison L. B. Fox, University of North Carolina at Chapel Hill Visual Resource Centers moderated by: Guardian at the Gate: The Irish High Crosses in the Emy Decker, University of Georgia Early Medieval Landscape Dorothy Verkerk, University of North Carolina at Chapel Hill Art and Archaeology of Asia God’s Right Hand: Ambiguity on the Crosses at ISAC 220 Clonmacnoise and Monasterboice Sponsored by: East Asian Studies Program, Henry Luttikhuizen, Calvin College Vanderbilt University Wild at Heart: An Interpretation of Geertgen tot Sint Jans’s Gerald Figal, Program Director Saint John in the Wilderness Chair: Tracy Miller, Vanderbilt University

Contemporary Folk, Self-Taught and Outsider Art Jinah Kim, Vanderbilt University Blood, Self-Sacrifice, and Devotion in the Visual Narrative HIS – Centennial Room A-B of the Perfection of Wisdom Chairs: Betty J. Crouther, University of Mississippi Tracy Miller, Vanderbilt University Carol Crown, From Empress to Village Girl: The Representation of Dorothy Joiner, LaGrange College Goddesses in Medieval North China Lizzie Wilkerson: An “Outsider” to be “Discovered” Suzanne Wright, University of Tennessee Pamela Sachant, Georgia College and State University Letters and Letter-Writing in Chinese Woodblock Prints Billy Roper and the Art of Visual Storytelling Johnathan Farris, Pennsylvania State University Lee Kogan, American Folk Art Museum, Hillside, New Jersey Thirteen Factories of Canton: An Architecture of Charley, Noah, and Hazel Kinney: A Sense of Place Sino-Western Collaboration and Confrontation Edward M. Puchner, Indiana University Lonnie Holley, the Cultural Mind and Affecting Presence 3:30 p.m. SECAC Artist Fellowship Meeting Rock Art II: The Prehistoric Image and Art History ISAC 238 HIS – Centennial Room C Sponsored by: Department of Earth & Environmental Studies, 4:15-5:30 p.m. Vanderbilt University Goldberg Lecture David Furbish, Chair SLC – Ballroom B-C Chairs: Reinaldo Morales, Jr., University of Central Arkansas Sponsored by: Department of History of Art, H. Denise Smith, Savannah College of Art and Vanderbilt University Design–Atlanta Introduction by: Professor Tracy Miller, Vanderbilt University Jessica Welton, Virginia Commonwealth University Rock Art Images in the of Michael Kabotie: Modern Robert Bagley, Princeton University Interpretation of an Ancient Tradition An Underground Palace in Ancient China: The Tomb of Marquis Yi of Zeng James Farmer, Virginia Commonwealth University Inca Huacas: Andean Rock Art on the Edge 4:45-6:30 p.m. Jagdish Chavda, University of Central Florida Professional Practices Session in Studio Art Monolithic Rock Art at Mahabalipuram, Tamilnad, India H. Denise Smith, Savannah College of Art and Design–Atlanta National Recognition: An Elusive Concept for the Defining the Inner Sanctum: The Role of Rock Forms in Artist-Educator Shaping Sacred Space Frist Center for the Visual Arts – buses leave Reinaldo Morales and Melissa Quesenberry, SLC Front Driveway 4:15 p.m. & 4:30 p.m. University of Central Arkansas Sponsored by: Frist Center for the Visual Arts Everyone’s A Critic? Theory, Discourse, and Rock Art Susan Edwards, Director Matt Gatton, University of Louisville Curb Center for Art, Enterprise, and The Camera Obscura and the Origin of Art: Public Policy, Vanderbilt University The Case for Image Projection in the Paleolithic Bill Ivey, Director Steven Tepper, Associate Director

 Thursday Chair: Michael Aurbach, Vanderbilt University Impermanence Panel Joe Deal, Rhode Island School of Design SLC – Ballroom B Contribution Not Recognition Chair: Cindy Rehm, Middle Tennessee State University Scott Betz, Winston-Salem State University Paul Rutkovsky, Florida State University A Response from the Trenches Transient Nature Mark Scala, Chief Curator, Frist Center for the Visual Arts Melanie J. VanHouten, The College of St. Catherine Museums and Tenure: The Weight of Disinterest The Nature of Art is Ever-Changing Sylvie Fortin, Editor-in-Chief, Art Papers Larry Cressman, University of Michigan Recognition Now: Who Shall Be Trusted to Deliver the Bits and Pieces University Brand? ChromOrgasm: Chromancing the Color Moshpit 6:45-8:00 p.m. SLC – Ballroom C Conference Reception at the Frist Center for the Visual Arts Chair: Pete Driessen, Independent Artist Buses will leave Holiday Inn Select for the Frist Center beginning at 6:15 Pete Driessen, Independent Artist Toward a Definition of ChromOrgasm 8:00 p.m.-10:00 p.m. Cara Tomlinson, University of Wisconsin Eau-Claire Color and Synesthesia Opening Reception at The Parthenon: SECAC / MACAA Membership Exhibition Nancy Morrow, Kansas State University Buses leave Frist Center for the Visual Arts starting at 7:45 p.m. In Support of a Multifaceted, Feminist Approach to Chromatic Pleasure Wesley Paine, Director Susan Shockley, Curator Marcia R. Cohen, Savannah College of Art and Design–Atlanta Brenna Cothran, Registrar Color: The Medium is the Message Juror: Eleanor Heartney, Independent Scholar and Critic Ray Burggraff, Florida State University Contemporary Color Theory: The Useful, the Irrelevant, Alan LeQuire, Independent Artist and the Dangerous Brief presentations about his work on Athena A Digital Portfolio Standard for Visual Artists: or (Standard, What Standard?) Friday, October 27 SLC – Boardroom 7:00 a.m.-4:00 p.m. Sponsored by: Department of Electrical Engineering and Computer Science, Vanderbilt University Registration Desk Open Daniel Fleetwood, Department Chair ISAC – 1st Floor, Base of Tower Chair: Barry Jones, Austin Peay State University Gregg Schlanger, Austin Peay State University 7:00-9:30 a.m. Gregg Schlanger, Austin Peay State University Breakfast Session Introduction HIS – Commodore Room James Gregory Pond, The University of the South Sponsored by: The College Board Advanced The Artist’s Digital Portfolio Placement Program Nicole Pietrantoni, Tennessee Arts Commission 8:00-9:45 a.m. The Digital Portfolio’s Receiving End David Bieloh, Austin Peay State University This Isn’t Kansas Anymore Dorothy, or for that Matter, The Graphic Designer’s Digital Portfolio It Isn’t Graphic Design Either SLC – Ballroom A Kristina Arnold, Western Kentucky University The Gallery’s Digital Portfolio Dilemma Chair: Craig Warner, Northwest Missouri State University Barry Jones, Austin Peay State University Neil Matthiessen, Arkansas State University Session Conclusion Generation M: Media Designing Designers David J. Stoddard, Henderson State University The Struggle to Remain Relevant While Teaching Design: Things Change, We’ll Deal With It! Daniel Adams, Harding University It Can or It Kant: The Demise of the Critique of Judgment?

Thursday/Friday  Friday, October 27, 8:00-9:45 a.m. Art and the Silver Screen Old Gym 206 The Alliance Between Art and Fashion SLC – Meeting Room 1-2, Lower Level Sponsored by: Program in Film Studies, Vanderbilt University Paul Young, Director Chair: Charles S. Mayer, Indiana State University Chair: Roz Rountree, University of South Alabama Ann Albritton, Ringling School of Art and Design The Gas Beating Heart: Sonia Delanuay-Terk’s Dada Costume Richard Ward, University of South Alabama Even a Tramp Can Dream: An Examination of the Clash Between Mary Donahue, University of Miami “High Art” and “Low Art” in the Films of Charlie Chaplin Modern American Fashion Design: Elizabeth Hawes in the 1930s Gary Keown, Southeastern Louisiana University Artists, Directors, and Actors: Equal Collaboration Bradley C. Bailey, Stephen F. Austin State University on the Big Screen Fashioning the Other: Costume and Cultural Difference Norman E. Magden, University of Tennessee Kate Kretz, Independent Artist Attack on the Autonomic Nervous System: All Stripped Down: Psychological Clothing Film as Fine Art 1960-1970

Teaching Art Appreciation: A New Approach to Textbooks International Collaboration: Fusion of Focus / SLC – Meeting Room 3, Lower Level Blurring of Boundaries… Chair: Ian Jacobs, Thames & Hudson, Ltd. ISAC 220 Ralph Larmann, University of Evansville Sponsored by: Study Abroad Programs, Vanderbilt University Debra Gibney, University of Texas at Arlington Gary W. Johnston, Director Kathryn Shields, University of Texas at Arlington Chairs: Moira Geoffrion, University of Arizona Renaissance in Word and Image Jerry Johnson, Troy University HIS – Centennial Room A-B Moira Geoffrion, University of Arizona From Bulgaria to Australia and In Between Affiliated Society: Association for Textual Scholarship in Art History Wayne Potratz, University of Minnesota Personal Relationship: The Key to International Programming Chair: Allyson Sheckler, Stonehill College Gina Cestaro, Independent Artist Norman Land, University of Missouri Her Shorts: Women’s International Film Festival Leonardo da Vinci in a Tale by Matteo Bandello Paul Rutovsky, Florida State University Debra Murphy, University of North Florida Eastern Europe: Only a Matter of Time and Money Un pittore ignoto? Alessandro Farnese’s Portrait in the Palazzo dei Conservatori Scipio Frieze Jerry Johnson, Troy University Creative Waves: Virtual Splash on Interculturalism Liana De Girolami Cheney, University of Massachusetts–Lowell Giorgio Vasari’s Compagnia del Gesù The Next Generation of SECAC Artist Educators ISAC 304 Issues in Art of the Ancient World Chair: Marilyn Murphy, Vanderbilt University HIS – Centennial Room C Erin Anfinson, Middle Tennessee State University Sponsored by: Department of Classical Studies, Artist Talk Vanderbilt University Cynthia Camlin, West Virginia University Barbara Tsakirgis, Chair Artist Talk Chair: Scott Karakas, Florida Gulf Coast University Katerie Gladdys, University of Florida Paula L. Winn, Virginia Commonwealth University Artist Talk Revealing the Hand: Connoisseurship in Jessica L. Smith, University of West Alabama Ecuadorian Stone Mortars Artist Talk Glenda Swan, Reverse Relations: Reflecting on the Vatican Exekias Amphora Drawing: Material Articulation Beth Stewart, Mercer University ISAC 308 Theories of the Refinements of the Parthenon: A Review of Six Chair: Julia Morrisroe, University of Florida and a New Theory Based on the Optics of Euclid Julia Morrisroe, University of Florida Alyson A. Gill, Arkansas State University Drawing is not Platonic An Architecture of Abundance: The “Women’s Baths” of Ptolemaic Egypt Barb Bondy, Auburn University In-Sight: Drawing as a Way of Thinking James F.D. Frakes, University of North Carolina at Charlotte Monuments of Passage: Roman North Africa and Shona Macdonald, University of Massachusetts an Emperor on the Move Thin Gray Line Craig Dongoski, Georgia State University Drawing Voices

 friday James Edwards, University of South Carolina Encaustic Demonstration Paper, Pencil, Pixel: Drawing in the Digital World ISAC – Outdoors, Sidewalk Next to Tower Coordinated by: Richard Frumess, Founder, African Americans and Visual Art: Exploring / R & F Handmade Paints Exploding Racialized Readings Reni Gower, Bishop Johnson Black Cultural Center – Room 118 Virginia Commonwealth University Sponsored by: Bishop Johnson Black Cultural Center, Demonstration Participants: Vanderbilt University Kristy Deetz, University of Wisonsin – Green Bay Frank E. Dobson, Jr., Director Peter Dykhuis, Nova Scotia College of Art and Design Program in African American and Lorraine Glessner, Tyler School of Art Diaspora Studies, Vanderbilt University Reni Gower, Virginia Commonwealth University T. Denean Sharpley-Whiting, Director Heather Harvey, Virginia Commonwealth University Chair: Helen Langa, American University Jeffrey Hirst, Independent Artist Mary Ann Calo, Colgate University Framing the African American Artist: Originality, 8:45 a.m.-noon Authenticity, and the Dilemma of Professionalism Downtown Nashville Architectural Tour with Christine John Ott, James Madison University Kreyling, Independent Scholar and Critic Labored Stereotypes: Palmer Hayden’s The Janitor Who Paints Tennessee State Capitol, Downtown Presbyterian Church, Ryman Auditorium, Frist Center for the Visual Arts. Nora Niedzielski-Eichner, Stanford University Aaron Douglas and History Moderne Bus leaves from Ingram Studio Arts Center at 9:00 a.m. Ticket Required. Frederick C. Moffatt, University of Tennessee Policing the Area: Racial Surveillance in Joseph Delaney’s V.J. Day, Times Square (1961) 10:00-11:45 a.m. Political Art Vivien Green Fryd, Vanderbilt University SLC – Boardroom Faith Ringgold’s Slave Rape Story Quilt: Ending the Silence Sponsored by: Department of Political Science, 9:00-11:45 a.m. Vanderbilt University Neal Tate, Chair Ask the Experts ISAC 238 Chairs: Roann Barris, Radford University Dorothy Joiner, LaGrange College Affiliated Society: Visual Resources Curators (VRC) Kristen Greenwood, Birmingham Museum of Art Chairs: Emy Decker, University of Georgia Political Propaganda or Artistic Expression? The Thoughts Christina Updike, James Madison University Behind the Violence in George Bellow’s War Series This open forum presentation allows attendees to ask Visual Donald Sloan, University of Wisconsin - La Crosse Resources professionals about the transition to digital Fascinated by Evil: The Political Art of Philip Guston technologies. Michael Schreffler, Virginia Commonwealth University Topics to be Addressed: Mestizo Politics: José Sabogal’s 1945 Frescoes in Emy Decker, University of Georgia Cuzco, Peru Photoshop Roann Barris, Radford University Christina Updike, James Madison University Politics in Reverse? The American Reception MDID: An Open Source Solution for Digital Collections of Russian Constructivism Kathe Albrecht, American University Kevin Concannon, University of Akron Copyright Issues for the Educator From Conceptual Art to Top of the Pops: John Yoko’s War is Over!, 1969–2004 Macie Hall, Johns Hopkins University Personal Digital Image Collection Management John Hickey, University of Arkansas Digital Photography Christine Hilker, University of Arkansas Commercial Resources Kirvin Hodges, Vanderbilt University Troubleshooting: Digital Images and Related Equipment

friday  Friday, October 27, 10:00-11:45 a.m. Colin Dusek, University of California Davis A Rebours: The Crisis of Masculinity in the Decadent Interior American Art and American Power SLC – Meeting Room 1-2, Lower Level Maureen Shanahan, James Madison University Home on the Range: Fernand Léger’s Domestic Desires Sponsored by: Department of History, Vanderbilt University Daniel Usner, Chair Charissa Terranova, Southern Methodist University Machismo, Castration, Homophobia: A Progressive Politics of Chair: David McCarthy, Rhodes College Masculinity in the Work of McCarthy, Barney, and Gober David McCarthy, Rhodes College David Smith and the Gender of War Art Education Forum IV Panel David Jeffreys, Savannah College of Art and Design ISAC 220 Robert Rauschenberg and the Transgressive Reinscription Chair: Thomas M. Brewer, University of Central Florida of Abstract Expressionism Mary Lou Hightower, University of South Carolina Upstate Hee-Young Kim, University of Alabama Confronting Conflict through the Visual Arts The Global Expansion of Abstract Expressionism Susan Slavik, Coastal Carolina University and the Formation of the Local History of Korean Best Practices: Using Recycling as an Interdisciplinary Modern Art of the 1950s Theme for Secondary Curriculum Development Sara Doris, University of Memphis Bryna Bobick, University of Georgia Obsolescent Modernism: The Visual Culture of the U.S. Art and Literature Lessons Pavilion at Expo ‘67 Linda K. Neely, Lander University Teaching Art Appreciation: A New Approach to Textbooks Matrix of Expectations: Collaboration for Improvement SLC – Meeting Room 3, Lower Level of Performance by Art Majors Prior Registration and Ticket Required. Richard Siegesmund, University of Georgia Chair: Ian Jacobs, Thames & Hudson, Ltd Why Art Cannot be Taught: A Response to Elkins Ralph Larmann, University of Evansville Cynthia Colbert, University of South Carolina Debra Gibney, University of Texas at Arlington Who Should Prepare Art Teachers Kathryn Shields, University of Texas at Arlington Situations + Interventions: Public Art in Action From the Royal Court to the Convent: Women in the ISAC 304 Ancient and Medieval Worlds Sponsored by: Department of Human and Organizational HIS – Centennial Room A-B Development, Vanderbilt University Affiliated Society: Coalition of Women in the Arts Joseph Cunningham, Chair Organizations Program in Community Research and Action, Chairs: Karen C. Britt, University of Louisville Vanderbilt University Linda Marie Gigante, University of Louisville Chair: Jason S. Brown, University of Tennessee Michelle Duran-McLure, University of Montevallo John Richardson, Wayne State University “That Radiant Splendor of Italy…Joanna, Most Serene Time Boundary: A Public Sculpture Project Queen”: Gender and Identity in an Angevin Book of Hours Michelle Illuminato, Alfred University Youn-Mi Kim, Harvard University Next Question Dunhuang Cave 323 and the Empress Wu’s Usurpation of the Throne Lora Lode, Independent Artist Mixing it Up George Contis, Independent Scholar Women Saints Depicted on Russian Brass Icons Nathan Purath / Shana Berger, Coleman Center of the 15th to Late 19th Centuries for Arts & Culture Daily Interventions: Public Art Stories from Two Distinct Communities Questioning Masculinity Old Gym 206 Jennifer Odem, Independent Artist Being in Place Sponsored by: Women’s and Gender Studies Program, Vanderbilt University Monica Casper, Director Studio Art: Devil or Angel? ISAC 308 Chair: Temma Balducci, Arkansas State University Sponsored by: American & Southern Studies Program, Beverly Joyce, Mississippi University for Women Vanderbilt University Competing Masculinities: Edward Burne-Jones and the Teresa A. Goddu, Director Apostles of the Robust Special Thanks to Michael Kreyling Pamela Warner, University of Massachusetts - Dartmouth A Man’s Place is in the Home: Modernity and Masculine Chairs: Susan Knowles, Independent Scholar Identity in Late Nineteenth-Century France Cynthia Marsh, Goldsmith Press, Austin Peay State University

10 friday Frank Brannon, SpeakEasy Press Alison Helm, West Virginia University Cherokee Phoenix: Advent of a Newspaper Opposing the Void: A Personal Language of Divine Symbolism Edward Irvine, University of North Carolina at Wilmington Ruth Weisberg, University of Southern California Southern Commercial Letterpress and the Useful Image: The Of Time and Memory Influence of Early Packaging in the Southern Visual Language Harvey Breverman, University at Buffalo, SUNY Distinguished Cynthia Marsh, Goldsmith Press, Austin Peay State University Professor of Art (emeritus) Devil or Angel?—A Closer Look at Letterpress Printing & the Wanderings and Ruminations: An Impossible Reconciliation Book Arts in Tennessee Discussant: Eleanor Heartney, Independent Scholar and Critic Cynthia Thompson & David Charles Cioffi, Memphis College of Art 12:00-2:00 p.m. Visually Speaking: Art, Narrative, and the Contemporary South Luncheon SLC – Ballrooms A-c The Challenge of Art Departments in Historically Black Colleges and Universities Ticket Required Bishop Johnson Black Cultural Center – Room 118 2:15-3:30 p.m. Sponsored by: Bishop Johnson Black Cultural Center, Vanderbilt University Walking Tour of the “Old Vanderbilt Campus” from an Frank E. Dobson, Jr., Director Historical Perspective with Lyle Lankford, Senior Officer Program in African American and Diaspora of University History and Protocol Studies, Vanderbilt University Please convene at 2:15 under the tower of Ingram Studio Arts T. Denean Sharpley-Whiting, Director Center. An escort will lead you from the ISAC to Kirkland Hall where the tour will commence at 2:30 p.m. Chairs: Ron Bechet, Xavier College of Louisiana Kimberly Dummons, Middle Tennessee 2:15-4:00 p.m. State University Reflections on the Arts of the Medieval Period: A Session Ron Bechet, Xavier College of Louisiana Honoring Professor Ljubica Popovich What is an HBCU Anyway? SLC - Boardroom Kimberly Dummons, Middle Tennessee State University Sponsored by: Louise Bullard Wallace Foundation, Experiences Matriculating at an HBCU special thanks to Elena Graves Charmagne Andrews, Alcorn State University The Department of History of Art, The Challenges of Vanderbilt University Carlyle Johnson, Tennessee State University Chair: Christopher M.S. Johns, Norman L. and Nourishing the Thirst for Scholarship with Roselea J. Goldberg Chair in History of Art Declining Resources Chair, Department of History of Art, Barbara Nesin, Spelman College Vanderbilt University Beyond Black History Month Introduction: F. Hamilton Hazlehurst, Vanderbilt University Chinedu Okala, Norfolk State University (emeritus) A Matter of Relevancy: Of Art Departments, Accreditation, Jelena Bogdanovic, Princeton University Resource Allocation, and Curriculum Alignment in the The Architectural Structure above the Bodily Remains of HBCU Environment Hosios Loukas in His Monastery in Boeotia, Greece Ljubomir Milanovic, Rutgers University Irreconcilable Differences? Artist-Educators and Religion Mirroring Reality: Mosaic Program in the Narthex of the Ben Schulman Center for Jewish Life Katholikon of Hosios Loukas Monastery Sponsored by: Center for the Study of Religion & Culture, Michael Cothren, Swarthmore College Vanderbilt University Glazing a Stage for the Liturgy at Beauvais Cathedral Volney Gay & Doug Knight, Directors Mark Justad, Associate Director Asen Kirin, University of Georgia A Neoclassical Vision of Byzantium: Empress Catherine Program in Jewish Studies, the Great as a Patron of the Arts Vanderbilt University David Wasserstein, Program Director University Chaplain & Affiliated Ministries, Vanderbilt University Gay Welch, University Chaplain Divinity School, Vanderbilt University James D. Hudnut-Beumler, Dean Ben Schulman Center for Jewish Life Ari Dubin, Executive Director Introductions: Robin Jensen, Luce Chancellor’s Professor of the History of Christian Art & Worship, Vanderbilt University friday 11 Friday, October 27, 2:15-4:00 p.m. Do You Know All the Grants and Opportunities for Which You Are Eligible? War is a Force that Gives Art Meaning Old Gym 206 SLC – Meeting Room 1-2, Lower Level Sponsored by: College Art Association Chair: Richard Kamler, University of San Francisco National Endowment for the Arts Robert F. Lyon, University of South Carolina Facilitators: Stacy Miller, Director of Research & Career Kevin Haran, University of Central Florida Development, CAA Painting History: Images of Conflict Melissa Potter, Career Development Rachele Riley, Virginia Commonwealth University Associate, CAA Emotive Mapping: Violence in Translation Kate C. Lemay, Indiana University Ambushed II, Strategies for Engagement A Discursive Site of Memory and Patriotism: The Batholomew ISAC 220 County Veterans Memorial Chairs: Steven Bleicher, Coastal Carolina University Whitney Lynn, San Francisco Art Institute Trina Nicklas, Art Institute of Fort Lauderdale Zoom: Media Flooding and the Abstraction of Tragedy Tanya Augsburg, Arizona State University SECAC Art Education Policy Committee Meeting Fostering Engagement or Anticipating Offense? SLC – Meeting Room 3, Lower Level Paul Lamarre & Melissa P. Wolf, Independent Filmmakers, Eidia House Studio Chair: Thomas M. Brewer, University of Central Florida Art (Actions) of Resistance Bryna Bobick, University of Georgia Billie Grace Lynn, University of Miami Cynthia Colbert, University of South Carolina Art as a Weapon Mary Lou Hightower, University of South Carolina Upstate A Brave New World: Teaching the Discipline Robert L. Mode, Vanderbilt University of Photography Linda Neely, Lander University ISAC 304 Richard Siegesmund, University of Georgia Chairs: Pamela A. Venz, Birmingham-Southern College Susan Slavik, Coastal Carolina University Samantha Lawrie, Auburn University Stephan Hillerbrand, University of Houston Architecture’s Narrative: Spaces and the Stories They Tell The Accessibility of Labor: Rethinking the Pedagogy HIS – Centennial Room C of “Digital Labor” in Photography Chairs: Evan A. Gatti, Elon University Christopher W. Trice, Lawson State Community College Kirstin Ringelberg, Elon University Photographic Alternatives: A Case for Traditional Photographic Practices in the Digital Era Jim Lutz, University of Memphis The Walls Have Ears (and Voices)— Pamela S. Allen, Troy University Sound and Narrative Architecture The Impact of Collaborative Studio on the Photography Student Kristina Olson, West Virginia University Urban Delight: The Spatial Narrative in Rem Koolhaas: Lawrence Jasud, University of Memphis McCormick Center From Chemistry to Pixels: Teaching Photography in a Time of Transition Timothy B. Smith, Birmingham-Southern College Reading Siena Cathedral: Political and Sacred Narratives in the Transepts The Creative Process of Students in Art and Design Classrooms ISAC 308 Tamara Wilde, University of Iowa Liminal Space / Professional Space—Recasting the Late- Chair: Rukmini Ravikumar, University of Central Oklahoma Nineteenth-Century Parlor as a Music Studio for Women Charleen Weidell, University of Central Oklahoma Problem Solving and the Creative Process Animal Images in the Art of the South Jane Venes, Iowa State University HIS – Centennial Room A-B Initiating the Creative Process: A Symmetry Problem Chairs: Mana D.C. Hewitt, University of South Carolina Tammy Knipp, Florida Atlantic University Jay Williams, Morris Museum of Art Maturation: The Design Student Robert M. Craig, Georgia Institute of Technology Keith Webb, University of Central Oklahoma Animals in the Architectural Sculpture of Julian Hoke Harris A New Approach to Curriculum Design: Using Alecia Harper, Ringling Museum of Art Bloom’s Taxonomy as the Framework for Cognitive and Ode to Hogzilla: Hogs in Outsider Art Psychomotor Illustration of Studio Objectives Mana D.C. Hewitt, University of South Carolina Paul R. Burski, Iowa State University Personification: Storytelling in the South Hijacking the Technical/Conceptual Cap in the Digital Classroom Jay Williams, Morris Museum of Art William Dunlap’s Old Tricks and New Dogs Mike Zender and Yanling Wang, University of Cincinnati Creating Interactive Communication 12 friday Negotiating Difference: Latin American Identities Saturday, October 28 Bishop Johnson Black Cultural Center – Room 118 Sponsored by: Center for the Americas, Vanderbilt University 7:00 a.m. Vera Kutzinski, Director, Registration Desk Open Professor of English, Professor of Comparative ISAC – 1st Floor, Base of Tower Literature Jesse Lerner, Pitzer College 7:00-9:00 a.m. Three Projects from Documentary’s Troublesome Edges Breakfast Josely Carvalho, Independent Artist HIS – Commodore Room Masks of In-Differences Ursula Davila-Villa, University of Texas–Austin 8:45 a.m.-noon Identity through the Americas: Modern & Contemporary Art Collections at The Blanton Museum of Art Downtown Nashville Architectural Tour with Christine Kreyling, Independent Scholar and Critic Discussant: Maria Velasco, University of Kansas Tennessee State Capitol, Downtown Presbyterian Church, Ryman Auditorium, Frist Center for the Visual Arts. 4:15-5:45 p.m. Bus leaves from Ingram Studio Arts Center at 9:00 a.m. Special Guest Lecture Ticket Required. SLC – Ballrooms A-C Sponsored by: Center of Excellence for the Creative Arts, 9:10 a.m.-12:30 p.m. Austin Peay State University Tours of Hatch Show Print Introduction: Professor Dixie Webb, Shuttles depart from Ingram Studio Art Center at 9:10 a.m., Austin Peay State University 10:05 a.m., 10:50 a.m., & 11:35 a.m. Eleanor Heartney, Independent Scholar and Critic Ticket Required Art and Everything: Reframing Art for the 21st Century 8:00-9:45 a.m. 6:00-7:30 p.m. Cataloguing & Envisioning Methods of Critique Opening Reception at Sarratt Gallery, ISAC 304 Vanderbilt University Chairs: Cary Staples, University of Tennessee Sarratt Center Hilary Williams, University of Tennessee Gallery Director: Bridgette Kohnhorst Cher Cornett, East Tennessee State University Virginia Derryberry, University of North Carolina at Asheville, A Method of Critique for Projects Assessed for Technical SECAC Artist’s Fellowship Recipient, 2005 Skill and Artistic Application: Balancing Objective vs. Second Nature Subjective Criteria Martha Shepp, University of Tennessee Opening Reception at the Fine Arts Gallery Four Levels of Critique Old Gym, Vanderbilt University Wade Lough, University of Tennessee Director: Joseph Mella A Guide to a Full, Rich Critique for Instructors Assistant Curator: Amy Pottier Who Aren’t Fans of Critique Chris Drury Inside Out / Outside In East Meets West: Cultural Conflict and Acculturation SLC – Ballroom A 7:30-9:30 p.m. Chair: Crystal Yang, University of North Dakota Reception and Tour, , Elizabeth Bogen, Columbia University Aaron Douglas Murals and Gallery Experiments in Carpet Design in a Chinese Treaty Port Director: Victor Simmons Suk Mun Sophia Law, Lingnan University, Hong Kong That Art of Lin Fengmian (1900-1991): Fusing East and West Buses leave for Fisk from the front drive of the Old Gym, West End Avenue and 23rd Kimberly Allen-Kattus, Northern Kentucky University Global Visions: Contemporary Chinese Artists in the West Crystal Yang, University of North Dakota Tradition and Modernization: Subjective and Objective Approaches in Chinese Painting John Valentino, Southeastern Louisiana University Hegemony, Homogeneity and Religion, Non-Christian Artists in the Christian South

friday/saturday 13 Saturday, October 28, 8:00-9:45 a.m. Anne Calvignac, University of North Carolina at Chapel Hill The Last Mass of the Royal Family by Hubert Robert: Exhibitions as Catalysts for New Art: The Museum as Muse? An Image of Absolute Monarchy in Ruins SLC – Boardroom Kimberley Curtiss, Rutgers University Chair: Alison Hilton, Georgetown University Making White Skin Red: Playing Indian in George Catlin’s Mysoon Rizk, University of Toledo Portrait of his Nephew Theodore Burr Catlin Using Tools, Feeling Human: The Dioramic Art Mashid Modares, San Jose State University of David Wojnarowicz Elihu Vedder’s of the Rubáiyát of Omar Khayyám Boris Zakic, Georgetown College Alana Bartol, Wayne State University The Ripple Effects of Abstract Painting “Once Removed” Interrogating Traditional Notions of the Female Body: and Representing Representation Exploring the Works of Vanessa Beecroft and Hannah Wilke Preston Thayer, Radford University The City as Muse: Venice and the Biennale Looking for Art in All the Wrong Places: Rethinking the Representation of Early Modern Courts Madness and Creativity Old Gym 206 SLC – Meeting Room 1-2, Lower Level Sponsored by: Max Kade Center for European & German Sponsored by: Center for Integrative & Cognitive Studies, Vanderbilt University Neuroscience John A. McCarthy, Director Jeffrey Schall, Director Chair: James J. Bloom, Vanderbilt University & Florida Vanderbilt Brain Institute State University Elaine Sanders-Bush, Director James J. Bloom, Vanderbilt University & Florida State University Vanderbilt Kennedy Center Performance, Animation, & Attention in the Courtly Arts Jan Rosemergy, Director of Communications Miriam Kirch, University of North Alabama Elise McMillan, Director of Outreach Bound for Glory: Portraits of a Princely Bibliophile Chairs: Wendy Koenig, Middle Tennessee State University Jennifer Naumann, Florida State University Marsha Morrison, Middle Tennessee Glossing Meanings: Image Diegesis in the Petites Heures State University of Jean de Berry Douglas Zullo, Hartwick College Elizabeth Moodey, Vanderbilt University Altered Perception, Creation, and Destruction in the Lionizing the Duke Work of Jiří Kolář Scott Sherer, Kent State University How Much is Enough—Keeping Pace with Digital Artaud’s Portraits Technology in the Fine Arts Curriculum Alissa Walls Mazow, The Pennsylvania State University ISAC 220 Datura, Psilocybin, and Opium Poppies: Psychotropics Chairs: Sisavanh Houghton, Middle Tennessee in the Art of Fred Roxy Paine State University Thomas F. McGovern III, Northern Kentucky All Art History Survey Courses Are Contemporary University HIS – Centennial Room A-B Marita Gootee, Mississippi State University Chair: Cynthia Kristan-Graham, Auburn University Enough is Enough Mindy Nancarrow, University of Alabama Michael Baggarly, Middle Tennessee State University Art / History or Art in History Merging Forces: Digital and Traditional Technologies Diane Reilly & Julie VanVoorhis, Indiana University New Paradigms for Distant Centuries: Making the Ancient to The Art of Graduate School Medieval Survey Relevant to the Modern Student ISAC 308 Karen O’Day, University of Wisconsin - Eau Claire Chairs: Audrey Molinare, University of Georgia More than Pliny, More than Gardner’s: Endangered Sites Can Katherine Nanfro, University of Tennessee Transform Students’ Notions of Early Monuments Jill Zevenbergen, University of Tennessee Sam Howell, Francis Marion University Artist Talk Looters, Vandals, Thieves, Forgers, Zealots, and Demagogues: How, Despite Everything, Old Art Works Get Dusted Off to John Ols, Tulane University Serve as Prisms to the Present Artist Talk Discussant: Mark Miller Graham, Auburn University Sarah Shebara, University of Tennessee Artist Talk Open Session for Graduate Papers Erinn Cox, Memphis College of Art HIS – Centennial Room C Artist Talk Chairs: Jane Hetherington Brown, University of Arkansas Heather Corley, University of Tennessee at Little Rock Artist Talk Claire Black McCoy, Longwood College

14 saturday Gerardo Castillo, University of Arizona Andrea Barnwell, Director, Spelman College Museum of Fine Arts Artist Talk Towards a New Pedagogy: Hale Woodruff Justin Chick, University of Tennessee and Atlanta University Artist Talk Lealan N. Swanson, Jackson State University Audrey Molinare, Danielle Benson, & Erin Burke, Lawrence A. Jones, A Southern Black Art Educator: “Making Do” University of Georgia Artist Talk The Affecting Role of Visual Arts in Healthcare Settings SLC - Boardroom 8:00-11:45 a.m. Sponsored by: Center for Medicine, Health, & Society, The College Board - Workshop for AP Studio Art Teachers Vanderbilt University SLC – Ballroom B Arleen Tuchman, Director Note: Pre-registration required Cultural Enrichment Program, Vanderbilt University Led by Steve Willis, Missouri State University Donna Glassford, Director 8:00-11:45 a.m. Chair: Reinhild Janzen, Washburn University William R. Levin, Centre College The College Board - Workshop for AP Studio Art Teachers The Misericordia in Florence and its Shelter of Sanctity SLC- Ballroom C Hyewon Yi, The Graduate Center, City University of New York Note: Pre-registration required Images of Social Medicine: Mexican Mural Paintings in the Led by Jim Womak, Montgomery Bell Academy, Nashville Hospital de la Raza and the Centro Medico Nacional Jill R. Chancey, Lauren Rogers Museum of Art 8:00-11:45 a.m. The Rauschenberg Mural at Children’s Hospital, Glazing Workshop: Raising the Bar for Cone Six Washington, D.C. Electric-Fired Ceramic Work Rachel Epp Buller, Independent Scholar ISAC 130 Picturing Labor: Art in Maternity Hospitals Led by: Susan DeMay, Vanderbilt University Nan B. Freeman, School of the Museum of Fine Arts, Boston Participants should register for this workshop at the The Bridge of Hope: A Case Study in Principles of Conference Registration desk. Art in Hospitals Donna Glassford, Director, Cultural Enrichment Program, 9:00 a.m.-12:45 Vanderbilt University Medical Center A Hospital Arts Administrator’s Perspective on the Middle Tennessee State University Art Building Tour, Healing Role of Art recently remodeled for the 21st century. Includes demonstrations of high tech equipment in Business as Usual? The Economics of Artistic Production printmaking, sculpture, and clay. Gallery will be open and guest artists from Japan will be present. in the Middle Ages HIS – Centennial Room C Bus will leave from drive in front of Ingram Studio Arts Center at 9:00 a.m., leaves MTSU at noon. Sponsored by: Department of Economics, Vanderbilt University 10:00-11:45 a.m. Eric Bond, Chair Chair: Vibeke Olson, University of North Carolina Career Development Job Search Workshop at Wilmington SLC – Meeting Room 1-2, Lower Level Janet Snyder, West Virginia University Sponsored by: College Art Association If I Had a Hammer: The Organization of Labor in Limestone National Endowment for the Arts Sculpture Production in Twelfth-Century France Workshop Leader: Michael Aurbach, Vanderbilt University Rita Tekippe, University of West Georgia The Artistic Patronage of Abbot Wibald of Stavelot Students and Teachers: Expanding the Vision Max Elijah Grossman, San Jose State University of African-American Art Financing the Construction of the Palazzo Pubblico of Siena: SLC – Ballroom A 1297-1348 Chair: Lealan N. Swanson, Jackson State University Laura Gelfand, University of Akron Chalmers Mayers, Jr., Jackson State University Shopping for Salvation in the Middle Ages: My Experience at Jackson State University: Nicolas Rolin and the Price of Public Piety Teaching Life Aesthetics in a “Black Art” Culture Anne Collins Smith, Curator of Collections, Spelman College Museum of Fine Arts Museums as Pedagogical Tools at Historically Black Colleges and Universities

saturday 15 Saturday, October 28, 10:00-11:45 a.m. Brian Curtis, University of Miami Reflections on an Endangered Species Movement as Language: Gestures and Their Meanings in the Visual Arts Sandy Lane, Metropolitan State College of Denver The Bare Facts of Teaching Life Drawing Today HIS – Centennial Room A-B Jo Pumphrey, Brevard College Sponsored by: Robert Penn Warren Center for the Virtually Human: Figure Drawing in the 21st Century Humanities, Vanderbilt University Mona Frederick, Executive Director Linda Bulloch & Michael Porten, Savannah College of Art and Design Chair: Ellen Konowitz, SUNY - New Paltz Finding Human Form: Artist’s Models in Studio Ellen Konowitz, SUNY - New Paltz and Classroom Gesture as Language in the Art of Hugo van der Goes Barbara J. Watts, Florida International University Architecture, Sculpture, & the Landscape: Gestural Deception in Sandro Botticelli’s Content, Context, & Consequences for Dante’s Inferno ISAC 308 Denise Budd, Rutgers University Chair: James Roger Alexander, University of Alabama Peter’s Hands: Andrea del Castagno and his Last Supper at Birmingham Carlton Hughes, University of South Carolina Armin Mühsam, Northwest Missouri State University Ambivalence and Act in Italian Renaissance Art A Strange Absence Eric Segal, University of Florida Passing Fears and Reassuring Gestures: Race and American 11:00 a.m.-1:00 p.m. Illustration in the Saturday Evening Post Board Meeting: Mid-America College Art Association SLC – Meeting Room 3, Lower Level Sapeva Disegnare Old Gym 206 11:45 a.m.-12:45 p.m. Chair: Kathleen G. Arthur, James Madison University Lunch on Your Own Beth Mulvaney, Meredith College Elevated Vision: Sacral and Spatial Negotiations at Santa 1:00-2:00 p.m. Maria dei Miracoli in Venice Special Guest Lecture Peter Scott Brown, University of North Florida SLC – Ballroom A-C On Whores and Heroines: Simone de Bray’s Jael, Christian Moeller, Artist, University of California Los Angeles Deborah & Barak A Time and Place Melissa Hyde, University of Florida Introduction by James Gregory Pond, University of the South Indexing Herself: Suzanne Giroust-Roslin’s Self-Portrait of Quentin de la Tour à l’index Sponsored by: The University of the South Elizabeth Mansfield, Chair Andrew D. Hottle, Rowan University What are you Reading? Intellect in Elisabeth Vigée-LeBrun’s David Portraits of Women Laura Lake Smith, Chair Middle Tennessee State University Nam June Paik vs. The Matrix Jean Nagy, Chair ISAC 220 Tennessee State University Chair: Robert Kaputof, Virginia Commonwealth University Carlyle Johnson, Chair Norman Magden, University of Tennessee Watkins College of Art & Design Robert , Virginia Commonwealth University Terry Thacker, Chair Shutting Down the Treadmill: Developing Art and Meaning Vanderbilt University: in the Classroom Blair School of Music Peter T. Eudenbach, Old Dominion University Mark Wait, Dean Remedial Infotainment Departments of: Sally VanGorder, Virginia Commonwealth University Communication Studies School of the Arts in Qatar John Sloop, Chair Image-Making and Story-Telling in Qatar German & Slavic Languages D. Sevin, Chair (Special Thanks to Nudes, Dudes and Prudes: The Role of Figure Drawing K. Kustanovich) in the Foundations Curriculum Philosophy ISAC 304 Michael Hodges, Chair Affiliated Society: F.A.T.E (Foundations in Art: Theory Physics and Education) Robert Scherrer, Chair Chair: Alison Denyer, Appalachian State University

16 saturday Psychology Disability and Visual Culture Randolph Blake, Chair SLC – Meeting Room 1-2, Lower Level Sociology Sponsored by: Center for Medicine, Health, & Society, Karen Campbell, Chair Vanderbilt University Theater Arleen Tuchman, Director Phillip Franck, Chair Cultural Enrichment Program, Vanderbilt University 2:15-3:30 p.m. Donna Glassford, Director Walking Tour of the “Old Vanderbilt Campus” from an Vanderbilt University Brain Institute Historical Perspective with Lyle Lankford, Senior Officer Elaine Sanders-Bush, Director of University History and Protocol Vanderbilt Vision Research Center Please convene at 2:15 under the tower of Ingram Studio Arts Jeffrey Schall, Director Center. An escort will lead you from the ISAC to Kirkland Hall Chair: Ann Millett, University of North Carolina where the tour will commence at 2:30 p.m. at Chapel Hill Ann Millett, University of North Carolina at Chapel Hill 2:15-4:00 p.m. Alison Lapper and the Public Display of Disability Helicopter Parents and Other Hazards in Foundations Paul Marchbanks, University of North Carolina at Chapel Hill SLC – Ballroom C Pictures of Intellectual Disability in American Film Affiliated Society: F.A.T.E (Foundations in Art: Theory Arny Nadler, Washington University in St. Louis and Education) Informed Outsider Chair: Barbara Giorgio, Ball State University Byeong Sam Jeon, University of California Irvine Mary Jo Anderson, Ball State University Sight Unseen: Electronic Arts and Disability as Drugs, Sex, and Rock and Roll: Students Running Amok Creative Inspiration Vance Farrow, Indiana University-Purdue University Indianapolis The Art Sergeant’s Approach: A Humorous and Powerful Career Development Workshop: Sessions with Mentors Paradox HIS – Parthenon Room Karla Freiheit, University of Kansas Graduate students should sign up for their appointments Graduate Teaching Assistant Perspectives on Fostering at the Conference Registration desk. Student Success Appointments are 20 minutes in length and are scheduled for: Kate J. Furlong, The College of St. Catherine 2:15 p.m., 2:40 p.m., 3:05 p.m., 3:30 p.m. Cooking without a Recipe: Shifting the Responsibility for Creative Thinking to the Student Defining Family: Artistic Explorations of Carolyn Henne, Virginia Commonwealth University Where We Come From Our Students are Adults—If They Forget, Remind Them HIS – Centennial Room C Sponsored by: Women’s and Gender Studies Program, Art Encounters of the First Kind Vanderbilt University SLC - Boardroom Monica Casper, Director Sponsored by: Center for Teaching, Vanderbilt University Chairs: Laura M. Amrhein, University of Arkansas Allison Pingree, Director at Little Rock Peabody College, Vanderbilt University M. Kathryn Shields, University of Texas at Arlington Camilla Benbow, Dean Louise Siddons, Fine Arts Museum of San Francisco Chair: Laine Morrison, & A Mere Cypher: Reproducing the Absent Mother in Valentine Vanderbilt University Green’s Philosopher Shewing an Experiment on the Air Pump (after Joseph Wright) Irina D. Costache, California State University Channel Islands Art is in the Air Jenny O. Ramirez, James Madison University Family Values: Doubling, Female Identity, and the Robert Bersson, James Madison University (emeritus) Photographic Image in the Art of Clementine, Lady Hawarden From Passive to Active Learning in Introductory Art History and Art Appreciation Courses Marina Pacini, Memphis Brooks Museum of Art Marisol’s Families Marilyn Stokstad, University of Kansas (emerita) The Use / Misuse / Abuse of Art History Textbooks Tamsin Whitehead, Independent Scholar Presentations of Possibility: New / Queer Family Photographs

saturday 17 Saturday, October 28, 2:15-4:00 p.m. Top Ten Gripes And Then Get To Work ISAC 308 The Art of Bookmaking in the 21st Century HIS – Centennial Room A-B Chair: David Feinberg, University of Minnesota Sponsored by: Jean and Alexander Heard Library System, Michael Raaum, Colorado Mountain College, Aspen Campus Vanderbilt University, special thanks to John Powers, University of Georgia P. Gherman Ruth Bolduan, Virginia Commonwealth University Chairs: Charles D. Jones, Stephen F. Austin Lynn Gray, University of Minnesota State University R. Scotland Stout, Southern Arkansas University 4:15-5:45 p.m. R. Scotland Stout, Southern Arkansas University SECAC Members Meeting Bookmaking in the 21st Century Rachel Melis, Kansas State University 5:00-8:00 p.m. Rooms with Views: Similarities Between Artist’s Books and Book-Inclusive Installations Opening Receptions: Tennessee Arts Commission Gallery Charles D. Jones, Stephen F. Austin State University 5:00 – 7:00 p.m., 401 Charlotte Avenue LaNana Creek Press Prints, Drawings, Works on Paper by Tennessee SECAC Members The Artist’s Imperative Belmont University – Leu Gallery 5:00 – 7:30 p.m. ISAC 220 Plus Reality: Charcoals by Sue Mulcahy Sponsored by: Center for Ethics, Vanderbilt University Zeitgeist Gallery, 6:00 – 8:00 p.m., 1819 21st Avenue South Charles Scott, Director (Hillsboro Village) Susan Schoenbohm, Program Coordinator Works by Armin Mühsam, Mike Wsol, Gene Wilkin Chairs: Amy S. Broderick, Florida Atlantic University Ruby Green Gallery 7:00 -10:00 p.m. , 514 5th Avenue South Carol Prusa, Florida Atlantic University With Strings Attached, Works by M. Masamen, S. Hillerbrand, Amy S. Broderick, Florida Atlantic University M. Dadourian, A. Kotani, N. Markley, D. Grant, A. Willcocks, Mystery, Meaning, and the Curious Imperative M. L. McCorkle, L. Kneisel, C. Minet Meg Kaplan, Exhibitions Curator, Boca Raton Museum of Art Buses will leave from the Holiday Inn Select. John Heartfield and Tendenzkunst: How He Gave Me the Schedules will be posted. Courage to Resist and Subvert David Stratton, Brescia University 7:00-9:00 p.m. Why and How is the Artist’s Imperative in Contemporary Open Portfolio Share & Honky-Tonkin’ Extravaganza (Global) Culture ISAC 220 Lucy Ganje & Arthur Jones, University of North Dakota Chairs: Jodi Hays, Vanderbilt University Ethical Imperatives of Art and Design Programs Libby Rowe, Vanderbilt University Carol Prusa, Florida Atlantic University Following this event, participants and interested parties can Making the Frivolous and Resisting Imperatives paint the town!

Resisting the 97%: Group Shows Keep Art School When you depart from the Nashville International Graduates Making Art Airport, be sure to see the work of Erin Anfinson (Middle ISAC 304 Tennessee State University), Kim Chalmers (Western Chairs: Jason Driskill, Independent Artist Kentucky University), Libby Rowe (Vanderbilt University), Amanda Dillingham, Watkins College of Art and Heather Thorne (Independent Artist) organized by and Design Andee Rudloff, Curator of Arts at the Airport. Jason Driskill, Independent Artist The Secret Show Series Benjamin Bellas, Independent Artist i.e. Virginia Samsel, Independent Artist I Mean C’mon, Fluff My Pillow Joseph Whitt, Independent Artist On Bohemia

18 saturday Southeastern College Art Conference Southeastern College Art Conference Officers and Board Members Affiliate Representatives Donald Van Horn, President Coalition of Women in the Arts Organization (CWAO) Marshall University Kyra Belan, Broward Community College Debra Murphy, First Vice President Foundations in Art: Theory and Education (FATE) University of North Florida Alison Denyer, Appalachian State University Pamela Simpson, Second Vice President Association of Textual Scholarship in Art History (ATSAH) Washington and Lee University Liana De Girolami Cheney, University of Massachusetts Beth Mulvaney, Secretary-Treasurer – Lowell Meredith College Southeastern Society of Architectural Historians (SESAH) Charles R. Mack, Past President Pamela Simpson, Washington and Lee University University of South Carolina Visual Resource Curators (VRC) Michael Duffy, Editor, Southeastern College Art Conference Christina Beck Updike, James Madison University Review East Carolina University Mid-America College Art Association Pat Wasserboehr, Chair, Southeastern College Art Conference Officers and Board Members Fellowship Committee Phil Laber, President University of North Carolina at Greensboro Northwest Missouri State University Michael Aurbach, Chair, 2006 Annual Meeting (SECAC/MACAA) Mo Neal, Vice President Vanderbilt University University of Nebraska Rachel Frew, SECAC Administrator Wayne Potratz, Vice President for Continuity Webmaster: Teresa DeVoe, UNC – Chapel Hill University of Minnesota (after January 1, 2006) Shaila Christofferson, Secretary Ross McClain, Furman University (before January 1, 2006) West Virginia University Alabama John Richardson, Conference Chair Heather McPherson, University of Alabama at Birmingham Wayne State University Arkansas Maria Velasco, Vice Conference Chair Floyd Martin, University of Arkansas at Little Rock University of Kansas Florida Michael Aurbach Scott Karakas, Florida Gulf Coast University Vanderbilt University Georgia Ashley Hope Carlisle Tina Yarborough, Georgia College and State University University of Wyoming Louisiana Kurt Dryhaug Gary Keown, Southeastern Louisiana University Lamar University Mississippi Lari Gibbons Elise Smith, Millsaps College University of North Texas North Carolina Jack Gron James Boyles, North Carolina State University / Texas A & M University – Corpus Christi Meredith College Ralph Larmann, Web Master South Carolina University of Evansville Robert Lyon, University of South Carolina Mysoon Rizk Tennessee University of Toledo Carol Crown, University of Memphis Joe Seipel Virginia Virginia Commonwealth University Joe Seipel, Virginia Commonwealth University Melanie Van Houten West Virginia The College of St. Catherine Janet Snyder, West Virginia University At Large Mid-America College Art Association Helen Langa, American University Affiliate Board Member/Representative Foundations in Art: Theory and Education (FATE) Barbara Giorgio-Booher, Ball State University

19 Sponsors and Supporters of the 2006 SECAC / MACAA Conference Special Thanks To: Center for the Study of Religion & Culture, Vanderbilt, Vanderbilt University Department of Psychology, V.Gay, D. Knight, Directors, M. Justad, Assoc. Dir. Randolph Blake, Chair Chancellor Gordon Gee and Professor Constance Center for Medicine, Health, & Society, Vanderbilt Vanderbilt University Department of Sociology, Karen Gee, Vanderbilt University University, Arleen Tuchman, Director Campbell, Chair Nicholas Zeppos, Provost, Vanderbilt University Cultural Enrichment Program, Vanderbilt Medical Vanderbilt University Department of Theater, Phillip Lucius T. Outlaw, Jr., Associate Provost, Vanderbilt Center, Donna Glassford, Director Franck, Chair University Max Kade Center for European & German Studies, Vanderbilt University Department of Economics, Eric Richard McCarty, Dean, College of Arts and Science, Vanderbilt University, John McCarthy, Director Bond, Chair Vanderbilt University Center for Integrative & Cognitive Neuroscience, Vanderbilt University Department of Earth & Mike Schoenfeld, Vice Chancellor for Public Affairs, Vanderbilt University, Jeffrey Schall, Director Environmental Studies, David Furbish, Chair Vanderbilt University Center for Teaching, Vanderbilt University, Alison Vanderbilt University Department of History, Daniel George Sweeney, Associate Dean, College of Arts and Pingree, Director Usner, Chair Science, Vanderbilt University Vanderbilt Vision Research Center, Jeffrey Schall, Vanderbilt University Department of Classics, Barbara Hank Keeling, College of Arts and Science, Financial Director Tsakirgis, Chair Administration, Vanderbilt University Vanderbilt Brain Institute, Elaine Sanders-Bush, Vanderbilt University Department of Political Science, Ginger Leger, College of Arts and Science, Director Neal Tate, Chair Administrative Manager, Financial Administration, Ben Schulman Center for Jewish Life, Vanderbilt Vanderbilt University Department of Electrical Vanderbilt University, Ari Dubin, Executive Director, D. Wilson Engineering and Computer Science, D. Fleetwood, Jonathan Petty, Associate Dean for Development, Chair Student Life Center, Vanderbilt University, Jack Davis, College of Arts and Sciend, Vanderbilt University Director Katie Uden Andreas Claus Vanderbilt University Study Abroad Programs, Gary Department of History of Art Faculty, Vanderbilt Johnston, Director Vanderbilt Kennedy Center, Elise McMillan, Dir. of University, Christopher M.S. Johns, Chair Outreach & Jan Rosemergy, Dir. of Communications Vanderbilt University Department of Human & Department of Art Faculty, Vanderbilt University, Marilyn Organizational Development, Joseph Cunningham, Jewish Studies Program, Vanderbilt University, David Murphy, Chair Chair Wasserstein, Director Fine Arts Gallery, Vanderbilt University, Joseph Mella, Vanderbilt University Program in Community Research East Asian Studies Program, Vanderbilt University, Director Amy Pottier, Assistant Curator and Action Gerald Figal, Program Director Sarratt Student Center Galley, Vanderbilt University, Vanderbilt University Bookstore, Suzanne Holder, Program in Film Studies, Paul Young, Director Bridgette Kohnhorst, Asst. Dir. of Student Activities Director American & Southern Studies Program, Vanderbilt Louise Bullard Wallace Foundation & Elena Graves, Vanderbilt University Learning Resource Center, P. University, T. Goddu Director, special thanks M. Nashville Peirce Kreyling Blair School of Music, Vanderbilt University, Mark Wait, Vanderbilt University Creative Services, Judy Orr Program in African American & Diaspora Studies, Dean Vanderbilt University, T. Denean Sharpley-Whiting, The College Board Advanced Placement Program, Peabody College of Education & Human Development, Director Allison Clark Vanderbilt University, Camilla Benbow, Dean Bishop Johnson Black Cultural Center, Vanderbilt JoEl M. Logiudice, Director of Student Union, Vanderbilt Divinity School, Vanderbilt University, James D. Hudnut- University, Frank E. Dobson, Jr., Director University Beumler, Dean Women’s & Gender Studies Program, Vanderbilt Professor James Dickerson, Vanderbilt University First Amendment Center at Vanderbilt University, Gene University, Monica Casper, Director Alice Zimmerman, Nashville Polcinski, Director University Chaplain & Affiliated Ministries, Vanderbilt Raye Ann Greenbaum, Nashville Robert Penn Warren Center for the Humanities, University, Gay Welch, University Chaplain Vanderbilt University, Mona Frederick, Executive Joan Shapiro, Chapel Hill, NC The University of the South, Sewanee, Tennessee, Director Elizabeth Mansfield, Art Department Chair Cheekwood Museum of Art, Nashville, Tennessee, Jack Jean & Alexander Heard Library System, Vanderbilt Becker, Director, Jochen Wierich David Lipscomb University, Nashville, Laura Lake Smith, University, Special thanks to Paul Gherman Art Department Chair Plaza Art Supply, Nashville Southeastern College Art Conference, Don Van Horn, Middle Tennessee State University, Murfreesboro, Nashville Convention & Visitors Bureau, Stephanie President; Rachel Frew, Administrator Tennessee,Jean Nagy, Art Department Chair Spallino Mid-America College Art Association, Phil Laber, Tennessee State University, Nashville, Carlyle Johnson, Nashville Association of Art Dealers, Carol Stein President Art Department Chair Intermuseum Council of Nashville College Art Association & the National Endowment for Watkins College of Art & Design, Nashville, Terry the Arts Tennessee Association of Craft Artists Thacker, Art Department Chair The Frist Center for the Visual Arts, Nashville, Susan Christine Kreyling, Nashville Belmont University, Nashville, David Ribar, Art Depart. Edwards, Director; Mark Scala, Chief Curator; Anne Chair, V. Boone, Leu Gallery Director Tennessee State Capitol, Mike Fitts Henderson, Director of Education Vanderbilt University Lecture Series, Stephanie Lyle Lankford, Vanderbilt University The Parthenon, Nashville, Wesley Paine, Director; S. Lindquist, Chair Shockley, Curator; B. Cothran, Registrar Lain York, Zeitgeist Gallery, Nashville Vanderbilt University Department of History of Art Staff, Center of Excellence for the Creative Arts, Austin Peay Andee Rudloff, Curator of Arts at the Airport, Nashville Anne Hill, Joanne Rathman, Fay Renardson, Laine State Univ., Special thanks D. Webb, G. Schlanger Chris Campbell, Ruby Green Gallery, Nashville Morrison, Kirvin Hodges, Paul Bielaczyc, Stacy Whitley Fisk University Galleries, Nashville, Victor Simmons, Donna Hobbs, Famous Dave’s Vanderbilt University Department of Art Staff, Jodi Director Hays, Rosemary Swain Holiday Inn Select, Beth Calveard Hatch Show Print, Nashville, Jim Sherraden, Director Vanderbilt University Department of Communication Hampton Inn Suites, J.C. Timberlake Curb Center for Art, Enterprise, & Public Policy, Studies, John Sloop, Chair Queen City Buses, Patti Blake Vanderbilt University, Bill Ivey, Director S. Tepper Vanderbilt University Department of German & Slavic Assoc. Director Mary McClure Taylor, Vanderbilt University Receptionist Languages, D. Sevin, Chair K. Kustanovich Center for Ethics, Vanderbilt University, Charles Scott, Vanderbilt University Department of Philosophy, Director Susan Schoenbohm, Program Coordinator Michael Hodges, Chair Center for the Americas, Vanderbilt University, Vera Vanderbilt University Department of Physics, Robert Kutzinski, Director Scherrer, Chair

20 SECAC Institutional Members Agnes Scott College, Decatur, GA High Point University, High Point, NC University of Alabama, Tuscaloosa, AL Appalacian State University, Boone, NC Hollins College, Roanoke, VA University of Central Arkansas, Conway, AR Arkansas State University, Jonesboro, AR Jackson State University, Jackson, MS University of Central Florida, Orlando, FL Armstrong Atlantic State University, Savannah, GA Jacksonville State University, Jacksonville, FL University of Charleston, Charleston, WV Atlanta College of Art, Atlanta, GA James Madison University, Harrisonburg, VA University of Florida, Gainesville, FL Auburn University, Auburn, AL Jefferson Davis Community College, Brewton, AL University of Georgia, Athena, GA Auburn University-Montgomery, Montgomery, AL Kennesaw State University, Kennesaw, GA University of Louisville, Louisville, KY Austin Peay State University, Clarksville, TN Longwood University, Farmville, VA University of Mississippi, Oxford, MS Barry University, Miami Shores, FL Louisiana State University, Baton Rouge, LA University of North Carolina at Asheville, Asheville, NC Belmont University, Nashville, TN Louisiana Tech University, Ruston, LA University of New Orleans, New Orleans, LA Benedict College, Columbia, SC Marshall University, Huntington, WV University of North Alabama, Florence, AL Berry College, Mount Berry, GA Mary Baldwin College, Staunton, VA University of North Carolina at Chapel Hill, Chapel Hill, NC Birmingham-Southern College, Birmingham, AL Marymount University, Arlington, VA University of North Carolina at Greensboro, Greensboro, NC Brevard College, Brevard, NC Memphis College of Art, Memphis, TN University of North Carolina at Pembroke, Pembroke, NC Centenary College of Louisiana, Shreveport, LA Meredith College, Raleigh, NC University of North Carolina at Wilmington, Wilmington, NC Centre College, Danville, KY Miami Dade College, Miami, FL University of North Florida, Jacksonville, FL Cheekwood Museum of Art, Nashville, TN Middle Tennessee State University, Murfreesboro, TN University of Richmond, Richmond, VA Chowan College, Murfreesboro, TN Millsaps College, Jackson, MS University of South Alabama, Mobile, AL Cleveland State Community College, Cleveland, TN Mississippi University for Women, Columbus, MS University of South Carolina Upstate, Spartanburg, SC Coastal Carolina State University, Conway, SC Munson-Williams-Proctor Arts Institute Utica, NY University of South Carolina, Columbia, SC College of Charleston, Charleston, SC National Park Community College, Hot Sprigs, AR University of South Florida, Tampa, FL College of William & Mary, Williamsburg, VA North Carolina State University, Raleigh, NC University of Tennessee at Chattanooga, Chattanooga, TN Columbia College, Columbia, SC Northern Kentucky University, Highland Heights, KY University of Tennessee, Knoxville, TN Columbus State University, Columbus, GA Nossi College of Art, Goodlettsville, TN University of the South, Sewanee, TN Converse College, Spartanburg, SC Okaloosa-Walton College, Niceville, FL University of Virginia at Wise, Wise, VA Davidson College, Davidson, NC Old Dominion University, Norfolk, VA University of Virginia, Charlottesville, VA Delta State University, Cleveland, MS R & F Handmade Paints, Kingston, NY University of West Florida, Pensacola, FL Duke University, Durham, NC Radford University Art Museum, Radford, VA Valdosta State University, Valdosta, GA East Carolina University, Greenville, NC Rhodes College, Memphis, TN Vanderbilt University, Nashville, TN Eastern Kentucky University, Richmond, KY Ringling School of Art and Design, Sarasota, FL Virginia Commonwealth University, Elizabeth City State University, Elizabeth City, NC Rollins College, Winter Park, FL Sculpture Department, Richmond, VA Emory University, Atlanta, GA Savannah College of Art and Design, Virginia Polytechnic Institute and State University, Savannah & Atlanta, GA Flagler College, St. Augustine, FL Blacksburg, VA Shorter College , Rome, GA Florida International University, Miami, FL Virginia Western Community College, Roanoke, VA South Carolina State University, Orangeburg, SC Florida State University, Tallahassee, FL Virginian Commonwealth University, Richmond, VA State University of West Georgia, Carrollton, GA Francis Marion University, Florence, SC Wake Forest University, Winston-Salem, VA Stetson University, Deland, FL Furman University, Greenville, SC Washington and Lee University, Lexington, VA Tidewater Community College, Visual Arts Center George Mason University, Fairfax, VA Watkins College of Art and Design, Nashville, TN Portsmouth, VA Georgetown College, Georgetown, KY Wesleyan College, Macon, GA Troy University, Troy, AL Georgia College & State University, Milledgeville, GA West Virginia University, Morgantown, WV Tulane University, Newcomb College, New Orleans, LA Georgia Southern University, Statesboro, GA Western Kentucky University, Bowling Green, KY University of Arkansas at Little Rock, Little Rock, AR Georgia State University, Atlanta, GA Winston-Salem State University, Winston-Salem, NC University of Alabama at Birmingham, Birmingham, AL Hampton University, Hampton, VA University of Alabama in Huntsville, Huntsville, AL

2007 SECAC in Charleston, West Virginia SECAC will meet October 17-20, 2007, in Charleston, West Virginia. This will be SECAC’s first time to meet in the Mountain State. Marshall University and West Virginia University are co-hosting the meeting in Charleston, the capitol city of West Virginia. The Charleston Marriott, our conference hotel, is centrally located and is about 10 minutes from Yeager Regional Airport. Charleston is located on Interstates 64 and 77 and, though on the northern reaches of the Southeast, is easily reached by car.

21 Conference Schedule At A Glance Visual Resources Reception/Meeting Art Departments at HBCU’s Exhibitions as Catalysts for New Art Wed, Oct. 25 Old Gym 206 Black Cultural Ctr. 118 SLC - Boardroom 1:00 - 3:00 p.m. Art & Archaeology of Asia Irreconcilable Differences: Religion Madness and Creativity SECAC Executive Committee Meeting ISAC 220 Schulman Ctr. SLC - Meeting Rm. 1-2 Boardroom, Student Life Center 3:30 p.m. 12:00 - 2:00 p.m. Art History Courses are Contemp. 4:00 - 7:00 p.m. SECAC Artist Fellowship Committee, Lunch, Student Life Center HIS - Centennial Rm. A-B SECAC Board Meeting Boardroom, ISAC 238 SLC – Ballrooms A-C Open Session: Graduate Papers Student Life Center HIS - Centennial Rm. C 4:15 - 5:30 p.m. 2:15 - 3:30 p.m. 7:00 - 10:00 p.m. Featured Conference Speaker Walking Tour of Vanderbilt Campus Representation in Early Modern Courts Opening Receptions Bagley, Goldberg Lecture, Art History ISAC Tower Old Gym 206 Ingram Studio Arts Center SLC - Ballroom B-C Keeping Pace with Digital (Houghton, 2:15 - 4:00 p.m. Sessions McGovern), ISAC 220 6:45-9:45 p.m. 4:45 - 6:30 Arts of Medieval Period: Honoring Pre-registered Attendees May Pick National Recognition: Elusive Concept Popovich, SLC Boardroom The Art of Graduate School, ISAC 308 Up Registration Packets Frist Center War is a Force – Gives Art Meaning 10:00 - 11:45 Sessions Registration Desk, Ingram Studio 6:45 - 8:00 p.m. SLC Meeting Rm. 1-2 Job Hunting Workshop Arts Center Conference Reception, Frist Center SECAC Art Ed Policy Meeting SLC - Meeting Rm. 1-2 SLC Meeting Rm. 3 Students & Teachers: African Am. Art 8:00 - 10:00 p.m. SLC - Ballroom A Thurs., Oct. 26 Reception for SECAC/MACAA Architecture’s Narrative Membership Show, Parthenon HIS - Centennial Rm. C Role of Art in Healthcare Settings 7:00 a.m. - 4:00 p.m. Animal Images in Art of South SLC - Boardroom Conference Registration, LeQuire presentations about Athena HIS - Centennial Rm. A-B Economics of Art Production: Middle Ingram Studio Arts Center Grant Opportunities, Old Gym 206 Ages, HIS - Centennial Rm. C 8:00 - 9:45 a.m. Sessions Fri., Oct. 27 Ambushed II, ISAC 220 Gestures and their Meanings Art in Community, SLC - Ballroom B HIS - Centennial Rm. A-B 7:00 a.m. - 4:00 p.m. Brave New World, Teaching Photo Baroque Tendencies in Contemporary Conference Registration ISAC 304 Sapeva Disegnare, Old Gym 206 Ingram Studio Arts Center Art, SLC - Ballroom C Creative Process, Art & Design Nam June Paik vs. Matrix, ISAC 220 Metavisuality in the Visual Arts 8:00 - 9:45 a.m. Sessions ISAC 308 Nudes, Dudes, Prudes: Figure Drawing SLC - Boardroom This Isn’t Kansas Anymore: Design Latin American Identities ISAC 304 SLC - Ballroom A Black Cultural Ctr., Rm 118 Defining Abstraction in 1930s Architecture, Sculpture, Landscape SLC - Meeting Rm. 1-2 Impermanence Panel, SLC - Ballroom B 4:15 - 5:45 p.m. ISAC 308 ChromOrgasm, SLC - Ballroom C Featured Conference Speaker Fine Arts Documentation 11:00 a.m. - 1:00 p.m. Eleanor Heartney, Art Criticism SLC - Meeting Rm. 3 A Digital Portfolio Standard MACAA Board Meeting SLC - Boardroom SLC - Ballrooms A-C SLC - Meeting Rm. 3 Underground Currents/Renegade Drawing, HIS - Centennial Rm. A-B Alliance Between Art & Fashion 6:00 - 7:30 p.m. Receptions 11:45 a.m. - 12:45 p.m. SLC - Meeting Rm. 1-2 Sarratt Gallery Derryberry exhibition, Lunch on Your Own Art History Without Walls Teaching Art Appreciation 2005 SECAC Fellowship Old Gym 206 SLC - Meeting Rm. 3 Chris Drury exhibition 1:00 - 2:00 p.m. Old Gym, Fine Arts Gallery Featured Conference Speaker Instructional Strategies, ISAC 304 Renaissance in Word & Image Christian Moeller, Artist HIS - Centennial Rm. A-B Next Generation of Art Historians 7:30 - 9:30 p.m. Reception SLC – Ballrooms A - C Fisk University Aaron Douglas Issues in Art of Ancient World ISAC 220 Murals and Gallery 2:15 - 3:30 p.m. HIS - Centennial Rm. C Propaganda Now, ISAC 308 Walking Tour of Vanderbilt Campus Art and the Silver Screen, Old Gym 206 ISAC Tower 10:00 - 11:45 a.m. Sessions International Collaboration, ISAC 220 Sat., Oct. 28 Role of New Media in Fine Arts 2:15 - 4:00 p.m. Sessions Helicopter Parents, SLC - Ballroom C SLC - Boardroom Next Generation of Artists, ISAC 304 7:00 a.m. Conference Registration Art Encounters of the First Kind Late 20th C American Art Drawing: Material Articulation, ISAC 308 Ingram Studio Arts Center SLC - Boardroom SLC - Meeting Rm. 1-2 African Americans & Visual Art Disability & Visual Culture Open Session: Undergraduate Papers Black Cultural Ctr. 118 8:00 - 11:45 a.m. SLC - Meeting Rm. 1-2 HIS - Centennial Rm. C College Board – Workshop for AP 9:00 - 11:45 a.m. Studio Art, SLC - Ballroom B Career Development Workshop New Sculptural Paradigm Ask the Experts: VRC, ISAC - 238 – Mentoring, HIS - Parthenon Rm. HIS - Centennial Rm. A-B College Board – Workshop for AP Art Encaustic Demonstration, ISAC - Outside History, SLC - Ballroom C Defining Family, HIS - Centennial Rm. C Teaching with Technology, Old Gym 206 9:00 a.m - Noon Glazing Workshop: Cone 6 Ceramic Art of Bookmaking in 21st Century Divas & Iron Chefs of Encaustic Downtown Nashville Architectural Tour Work, ISAC 130 HIS - Centennial Rm. A-B ISAC 220 Bus leaves ISAC at 9:00 a.m. The Artists’s Imperative, ISAC 220 Critiquing Frankenstein’s Body 9:00 a.m. - Noon Downtown Nashville Architectural Tour ISAC 304 10:00 - 11:45 a.m. Sessions Resisting the 97%, ISAC 304 Political Art, SLC - Boardroom Bus leaves ISAC at 9:00 a.m. Spirituality in Postmodern Art, ISAC 308 Top Ten Art School Gripes, ISAC 308 American Art and American Power 9:00 a.m. - 12:45 p.m. 12:00 - 2:00 p.m. SLC - Meeting Rm. 1-2 MTSU Art Buildng Tour 4:15 - 5:45 p.m. Lunch, Student Life Center Teaching Art Appreciation Bus leaves ISAC at 9:00 a.m. SECAC Members Meeting SLC - Ballrooms A-C SLC - Meeting Rm. 3 SLC - Boardroom 9:10 a.m. - 12:30 p.m. 2:15 - 4:00 p.m. Sessions Royal Court to Convent Hatch Show Print Tours (four scheduled) 5:00 - 8:00 p.m. Free Speech In Art HIS - Centennial Rm. A-B Shuttle leaves ISAC at 9:10, 10:05, Various Nashville Art Openings SLC - Boardroom Questioning Masculinity, Old Gym 206 10:50, 11:35 7:00 - 9:00 p.m. Medieval Art, SLC - Meeting Rm 1-2 Art Education Forum IV Panel, ISAC 220 8:00 - 9:45 Sessions Portfolio Share: Honky Tonkin’ Contemporary Folk Art Methods of Critique, ISAC 304 ISAC 220 Situations and Interventions, ISAC 304 HIS - Centennial Rm. A-B East Meets West: Cultural Conflict Studio Art: Devil or Angel?, ISAC 308 Rock Art II, HIS - Centennial Rm. C SLC - Ballroom A