Rolf Thiele Ç”Μå½± Ä¸²È¡Œ (Å¤§Å…¨)

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Rolf Thiele ç”µå½± ä¸²è¡Œ (å¤§å…¨) Who Wants to Sleep? https://zh.listvote.com/lists/film/movies/who-wants-to-sleep%3F-1169640/actors Black-White-Red Four https://zh.listvote.com/lists/film/movies/black-white-red-four-poster-1171550/actors Poster The New Adventures https://zh.listvote.com/lists/film/movies/the-new-adventures-of-snow-white-14506292/actors of Snow White Come Now, My Dear https://zh.listvote.com/lists/film/movies/come-now%2C-my-dear-little-bird-14835254/actors Little Bird Once a Greek https://zh.listvote.com/lists/film/movies/once-a-greek-1546284/actors DM-Killer https://zh.listvote.com/lists/film/movies/dm-killer-15804327/actors The Gentlemen https://zh.listvote.com/lists/film/movies/the-gentlemen-15805745/actors Eva https://zh.listvote.com/lists/film/movies/eva-1749610/actors Women in Hospital https://zh.listvote.com/lists/film/movies/women-in-hospital-18624246/actors Lulu https://zh.listvote.com/lists/film/movies/lulu-1877191/actors Venusberg https://zh.listvote.com/lists/film/movies/venusberg-19310766/actors Moral 63 https://zh.listvote.com/lists/film/movies/moral-63-1947118/actors Slap in the Face https://zh.listvote.com/lists/film/movies/slap-in-the-face-2016741/actors Mamitschka https://zh.listvote.com/lists/film/movies/mamitschka-20182075/actors Beloved Life https://zh.listvote.com/lists/film/movies/beloved-life-20653298/actors You Don't Shoot at https://zh.listvote.com/lists/film/movies/you-don%27t-shoot-at-angels-20731374/actors Angels The Barrings https://zh.listvote.com/lists/film/movies/the-barrings-20814451/actors Labyrinth https://zh.listvote.com/lists/film/movies/labyrinth-20814608/actors Temptation in the https://zh.listvote.com/lists/film/movies/temptation-in-the-summer-wind-20814792/actors Summer Wind The Day Before the https://zh.listvote.com/lists/film/movies/the-day-before-the-wedding-21646287/actors Wedding Rosemary's Daughter https://zh.listvote.com/lists/film/movies/rosemary%27s-daughter-2166939/actors Skandal in Ischl https://zh.listvote.com/lists/film/movies/skandal-in-ischl-2291479/actors Beloved Augustin https://zh.listvote.com/lists/film/movies/beloved-augustin-26715222/actors The Mad Bomberg https://zh.listvote.com/lists/film/movies/the-mad-bomberg-2675151/actors Come to Vienna, I'll Show You https://zh.listvote.com/lists/film/movies/come-to-vienna%2C-i%27ll-show-you-something%21-27825549/actors Something! Friederike von Barring https://zh.listvote.com/lists/film/movies/friederike-von-barring-30166539/actors WÃ¤lsungenblut https://zh.listvote.com/lists/film/movies/w%C3%A4lsungenblut-3819291/actors She https://zh.listvote.com/lists/film/movies/she-3829981/actors Undine 74 https://zh.listvote.com/lists/film/movies/undine-74-47158632/actors The Love Keys https://zh.listvote.com/lists/film/movies/the-love-keys-47158750/actors å¥³å© ç½—æ– https://zh.listvote.com/lists/film/movies/%E5%A5%B3%E5%AD%A9%E7%BD%97%E6%96%AF%E7%8E%9B%E4%B8%BD- ¯çŽ›ä¸½ 1169823/actors æ‰˜å°¼å¥¥Â·å…‹ç½ https://zh.listvote.com/lists/film/movies/%E6%89%98%E5%B0%BC%E5%A5%A5%C2%B7%E5%85%8B%E7%BD%97%E6%A0%BC- —æ ¼ 7821502/actors.

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German Films Quarterly 2 · 2004
German Films Quarterly 2 · 2004 AT CANNES In Competition DIE FETTEN JAHRE SIND VORBEI by Hans Weingartner FULFILLING EXPECTATIONS Interview with new FFA CEO Peter Dinges GERMAN FILM AWARD … and the nominees are … SPECIAL REPORT 50 Years Export-Union of German Cinema German Films and IN THE OFFICIAL PROGRAM OF THE In Competition In Competition (shorts) In Competition Out of Competition Die Fetten Der Tropical Salvador Jahre sind Schwimmer Malady Allende vorbei The Swimmer by Apichatpong by Patricio Guzman by Klaus Huettmann Weerasethakul The Edukators German co-producer: by Hans Weingartner Producer: German co-producer: CV Films/Berlin B & T Film/Berlin Thoke + Moebius Film/Berlin German producer: World Sales: y3/Berlin Celluloid Dreams/Paris World Sales: Celluloid Dreams/Paris Credits not contractual Co-Productions Cannes Film Festival Un Certain Regard Un Certain Regard Un Certain Regard Directors’ Fortnight Marseille Hotel Whisky Charlotte by Angela Schanelec by Jessica Hausner by Juan Pablo Rebella by Ulrike von Ribbeck & Pablo Stoll Producer: German co-producer: Producer: Schramm Film/Berlin Essential Film/Berlin German co-producer: Deutsche Film- & Fernseh- World Sales: Pandora Film/Cologne akademie (dffb)/Berlin The Coproduction Office/Paris World Sales: Bavaria Film International/ Geiselgasteig german films quarterly 2/2004 6 focus on 50 YEARS EXPORT-UNION OF GERMAN CINEMA 22 interview with Peter Dinges FULFILLING EXPECTATIONS directors’ portraits 24 THE VISIONARY A portrait of Achim von Borries 25 RISKING GREAT EMOTIONS A portrait of Vanessa Jopp 28 producers’ portrait FILMMAKING SHOULD BE FUN A portrait of Avista Film 30 actor’s portrait BORN TO ACT A portrait of Moritz Bleibtreu 32 news in production 38 BERGKRISTALL ROCK CRYSTAL Joseph Vilsmaier 38 DAS BLUT DER TEMPLER THE BLOOD OF THE TEMPLARS Florian Baxmeyer 39 BRUDERMORD FRATRICIDE Yilmaz Arslan 40 DIE DALTONS VS.
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H En R I-G Eo R G Es C Lo U Z O
FLICKER ALLEY in association with MK2 presents A Lobster Films | France 2 Cinema Production WINNER, CÉSAR AWARD BEST DOCUMENTARY 35TH ANNUAL CÉSAR AWARDS 2010 INTERNATIONAL JURY AWARD BEST DOCUMENTARY SÃO PAULO INTERNATIONAL FILM FESTIVAL 2009 OFFICIAL SELECTION OUT OF COMPETITION T’S FESTIVAL DE CANNES 2009 OUZO HENRI-GEORGES CL ROMY SCHNEIDER A MASTER FILMMAKER’S UNFINISHED DREAM SERGE REGGIANI BÉRÉNICE BEJO JACQUES GAMBLIN FLICKER ALLEY in association with MK2 PRESENTS A LOBSTER FILMS | FRANCE 2 CINÉMA DISTRIBUTED BY: PRODUCTION FLICKER ALLEY PO Box 931762 Los Angeles, CA 90093 www.flickeralley.com PUBLICITY CONTACT: A SERGE BROMBERG AND RUXANDRA MEDREA FILM JEFF MASINO BASED ON AN ORIGINAL IDEA BY SERGE BROMBERG A FILM WRITTEN AND DIRECTED USING RUSHES FROM Office: (323) 878 0508 HENRI-GEORGES CLOUZOT’S INFERNO Fax: (323) 843 9367 ORIGINAL SCREENPLAY BY HENRI-GEORGES CLOUZOT, Email: [email protected] JOSÉ-ANDRÉ LACOUR AND JEAN FERRY RUNTIME: 94 MINUTES FRANCE, 2009, 35mm, HD, DIGIBETA, BETA SP, DVD FOR BOOKINGS PLEASE CONTACT: JESSICA ROSNER OPENS NEW YORK & LOS ANGELES Office: (212) 627 1785 JULY 2010 Mobile: (224) 545 3897 PHOTOS AND PRESS NOTES ARE AVAILABLE AT: [email protected] www.clouzotsinferno.com A LEGENDARY FILM In 1964, Henri-Georges Clouzot chose Romy Schneider, age 26, and Serge Reggiani, 42, to be the stars of INFERNO. It was an enigmatic and original project with an unlimited budget that was to be a cinematic “event” upon its release. But after three weeks of shooting, things took a turn for the worse. The project was stopped, and the images, which were said to be “incredible”, would remain unseen.
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Quarterly 1 · 2006
German Films Quarterly 1 · 2006 AT BERLIN In Competition ELEMENTARTEILCHEN by Oskar Roehler DER FREIE WILLE by Matthias Glasner REQUIEM by Hans-Christian Schmid PORTRAITS Gregor Schnitzler, Isabelle Stever, TANGRAM Film, Henry Huebchen SHOOTING STAR Johanna Wokalek SPECIAL REPORT Germans in Hollywood german films quarterly 1/2006 focus on 4 GERMANS IN HOLLYWOOD directors’ portraits 12 PASTA LA VISTA, BABY! A portrait of Gregor Schnitzler 14 FILMING AT EYE LEVEL A portrait of Isabelle Stever producer’s portrait 16 BLENDING TRADITION WITH INNOVATION A portrait of TANGRAM Filmproduktion actors’ portraits 18 GO FOR HUEBCHEN! BETWEEN MASTROIANNI AND BRANDO A portrait of Henry Huebchen 20 AT HOME ON STAGE AND SCREEN A portrait of Johanna Wokalek 22 news in production 28 AM LIMIT Pepe Danquart 28 DAS BABY MIT DEM GOLDZAHN Daniel Acht 29 DAS DOPPELTE LOTTCHEN Michael Schaack, Tobias Genkel 30 FC VENUS Ute Wieland 31 FUER DEN UNBEKANNTEN HUND Dominik Reding, Benjamin Reding 31 HELDIN Volker Schloendorff 32 LEBEN MIT HANNAH Erica von Moeller 33 LIEBESLEBEN Maria Schrader 34 MARIA AM WASSER Thomas Wendrich 35 SPECIAL Anno Saul 36 TANZ AM UFER DER TRAEUME Cosima Lange 36 TRIP TO ASIA – DIE SUCHE NACH DEM EINKLANG Thomas Grube new german films 38 3° KAELTER 3° COLDER (NEW DIRECTOR’S CUT) Florian Hoffmeister 39 12 TANGOS – ADIOS BUENOS AIRES Arne Birkenstock 40 89 MILLIMETER 89 MILLIMETRES Sebastian Heinzel 41 AFTER EFFECT Stephan Geene 42 BLACKOUT Maximilian Erlenwein 43 BUONANOTTE TOPOLINO BYE BYE BERLUSCONI! Jan Henrik Stahlberg 44 CON GAME Wolf
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Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. ProQuest Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. WHO CARES WHODUNIT? ANTI-DETECTION IN WEST GERMAN CINEMA DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Yogini Joglekar, M.A. ***** The Ohio State University 2002 Dissertation Committee: Approved by Professor John Davidson, Adviser Professor Anna Grotans Adviser Professor Linda Mizejewski ic Languages and Literatures Graduate Program Reproduced with permission of the copyright owner.
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Titel Kino 1/2003
EXPORT-UNION OF GERMAN CINEMA 1/2003 AT BERLIN in Competition DER ALTE AFFE ANGST by Oskar Roehler GOOD BYE, LENIN! by Wolfgang Becker LICHTER by Hans-Christian Schmid RESISTANCE & PROVOCATION Directors’ Portraits of Helga Reidemeister & Rosa von Praunheim SHOOTING STAR Daniel Bruehl SPECIAL REPORT Children’s Film in Germany Kino (photo © Prokino) “ Distant Lights ” Zbigniew Zamachowski Zbigniew in GERMAN CINEMA KINO1/2003 4 focus on CHILDREN’S FILM IN GERMANY directors’ portraits 14 RESISTANCE IS THE ’SECRET OF JOY’... A portrait of Helga Reidemeister 15 THE IMPORTANCE OF BEING PROVOCATIVE A portrait of Rosa von Praunheim producer’s portrait 18 UBIQUITOUS IS HIS MIDDLE NAME A portrait of Peter Rommel Productions actor’s portrait 20 SHOOTING STAR A portrait of Daniel Bruehl 22 KINO news in production 26 BLINDGAENGER Bernd Sahling 26 FARLAND Michael Klier 27 HERR LEHMANN Leander Haussmann 28 HITLERS JUEDISCHE SOLDATEN Heike Mundzeck 28 LAUTLOS Mennan Yapo 29 NORTHERN STAR Felix Randau 30 PFARRER BRAUN Martin Gies 30 SCHATTEN DER ZEIT Florian Gallenberger 31 SCHUSSANGST Dito Tsintsadze 32 SECRETS OF SIBERIA Frank Mueller 32 SUPERTEX – EINE STUNDE IM PARADIES Jan Schuette 33 TAL DER AHNUNGSLOSEN Branwen Okpako the 100 most significant german films (part 8) 34 DER LETZTE MANN THE LAST LAUGH AT BERLIN F.W. MURNAU Friedrich Wilhelm Murnau RETROSPECTIVE 35 ROTATION Wolfgang Staudte 36 WIR WUNDERKINDER AREN’T WE WONDERFUL? Kurt Hoffmann 37 DAS WACHSFIGURENKABINETT WAXWORKS Paul Leni 38 MAEDCHEN IN UNIFORM GIRLS IN UNIFORM Leontine Sagan new german films 40 DER ALTE AFFE ANGST AT BERLIN ANGST IN COMPETITION Oskar Roehler 41 DEVOT AT BERLIN DEVOTED PANORAMA Igor Zaritzki 42 EPSTEINS NACHT EPSTEIN’S NIGHT Urs Egger 43 EROTIC TALES: NR.
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HOMMAGE an NADJA TILLER Der Film Das Mädchen Rosemarie (1958) Machte Nadja Tiller Zum Star
HOMMAGE AN NADJA TILLER Der Film Das Mädchen Rosemarie (1958) machte Nadja Tiller zum Star. Sie wurde im bundesrepublikanischen Film der 1950er und 1960er Jahre zur Ikone der femme fatale – schön und verführe- risch, fremdartig und rätselhaft. Dass Nadja Tiller eine moderne und künstlerische Schauspielerin war, geriet dabei weitgehend aus dem Blick. Die Hommage, die von der Filmhistorikerin Renata Helker kuratiert wurde, gewährt Einblicke in die verschiedenen Rollenprofile Nadja Tillers in deutschsprachigen und europäi- schen Filmen und zeigt, dass die Schauspielerin sich weder vom Kino noch vom Publikum vereinnahmen ließ. Das Mädchen Rosemarie HOMMAGEAN NADJATILLER 27 HOMMAGE AN NADJA TILLER Die Barrings BRD 1955, R: Rolf Thiele, D: Nadja Tiller, Dieter Borsche, Lil Dagover, Paul Hartmann, Heinz Hilpert, 107‘ | 35 mm Mit keinem anderen Regisseur hat Nadja Tiller mehr Filme gedreht als mit Rolf Thiele. Die Barrings ist der zweite von insgesamt zehn gemeinsamen Filmen. Zum ersten Mal erhielt die Schauspielerin hier eine Rolle, in der sie ihr komplexes darstellerisches Profil beweisen konnte. Die Verfilmung des gleichnamigen, populären Familienromans von William von Simpson spielt in Ostpreußen um die Jahrhundertwende: Zwei grund- verschiedene Familien stehen einander gegenüber – die solide wirtschaf- tenden Barrings und die leichtlebigen von Eyffs. Gerda von Eyff (Nadja Tiller), die schöne, kapriziöse Tochter, heiratet den melancholischen Fried (Dieter Borsche), den einzigen Nachkommen der traditionsbewussten Fami- lie der Barrings. Ihre extravaganten Lebensansprüche führen dazu, dass sie leichtsinnig Gut und Vermögen der Familie verschwendet, ihr Ehemann Fried von Barring vermag den wirtschaftlichen Ruin nicht zu verhindern. Zu spät erkennt er den wahren Charakter seiner Frau. Nadja Tiller »ist nicht nur eine aparte Erscheinung, sie besticht auch durch eine überraschende Wandlungsfähigkeit, die sie als Charakterspielerin von Rang ausweist.
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Cinematic Histospheres on the Theory and Practice of Historical Films Rasmus Greiner Cinematic Histospheres Rasmus Greiner Cinematic Histospheres
Cinematic Histospheres On the Theory and Practice of Historical Films Rasmus Greiner Cinematic Histospheres Rasmus Greiner Cinematic Histospheres On the Theory and Practice of Historical Films Dr. Rasmus Greiner Inst. f. Kunstwissenschaft – Filmwissenschaft – Kunstpädagogik Universität Bremen Bremen, Germany SKY WITHOUT STARS: neue deutsche Filmgesellschaft mbH / Beta Film, screenshots (cover, 1.1–1.4, 2.1–2.6, 3.1, 3.2, 4.1–4.4, 5.2–5.15, 6.1–6.8, 7.5)—KU’DAMM 56: UFA Fiction GmbH, screenshots (2.7-2.10, 3.3-3.7, 5.1, 5.16, 5.17, 5.19–5.23, 6.11–6.18, 8.1)—YEARS OF HUNGER: Jutta Brückner-Filmproduktion / ZDF, screenshots (2.11–2.16, 6.9, 6.10, 7.3, 7.6) – Berlin 1967: Manfred Niermann, Commons Wikimedia CC-BY-SA-4.0 (5.18)—THE PIANO: Jan Chapman Production, screenshots (7.1, 7.2)—THE RULES OF THE GAME: Nouvelle Édition Française, screenshot (7.4) ISBN 978-3-030-70589-3 ISBN 978-3-030-70590-9 (eBook) https://doi.org/10.1007/978-3-030-70590-9 © The Editor(s) (if applicable) and The Author(s) 2021. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence and indicate if changes were made.
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Historical Dictionary of German Cinema
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Verleihkopien
Mitglied der Fédération D FF – Deutsches Filminstitut & Tel.: +49 (0)611 / 97 000 10 www.dff.film Wiesbadener Volksbank Internationale des Archives Filmmuseum e.V. Fax: +49 (0)611 / 97 000 15 E-Mail: wessolow [email protected] IBAN: D E45510900000000891703 du Film (FIAF) Filmarchiv BIC: WIBADE5W XXX Friedrich-Bergius-Stra ß e 5 65203 Wiesbaden 8 / 2019 Verleihkopien Eine Auswahl aus unserem Archiv-Bestand Wir bieten16mm und 35mm Filmkopien, sowie DVDs und DCPs für den nichtkommerziellen Verleih an. Die angegebenen Preise verstehen sich pro Vorführung (zzgl. 7% MwSt. und Transportkosten). * Preis ohne Vorführrechte; Details erfragen Sie bitte im Filmarchiv Darüber hinaus stehen Ihnen noch weitere Filme zur Verfügung. Auskunft über den technischen Zustand der Kopien erhalten Sie im Filmarchiv. Erläuterung viragiert = ganze Szenen des Films sind monochrom eingefärbt koloriert = einzelne Teile des Bildes sind farblich bearbeitet ohne Angabe = schwarz/weiß restauriert = die Kopie ist technisch bearbeitet rekonstruiert = der Film ist inhaltlich der ursprünglichen Fassung weitgehend angeglichen Kurz-Spielfilm = kürzer als 60 Minuten russ./ eUT = russisch mit englischen Untertiteln dtUT = mit deutschen Untertiteln dt.vorh./engl.vorh. = deutsche oder englische Zwischentitel-Liste vorhanden Einige der Stummfilme sind auch mit Musik vorhanden Zwischen- Stummfilm Titel / Land / Jahr Regie / Darsteller Titel / Format Preis € Tonfilm Sprache Abend der Gaukler Regie: Ingmar Bergman GYKLARNAS AFTON Tonfilm Darsteller: Harriet Andersson Hasse Ekman deutsch
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Quarterly 3 · 2005
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Historical Dictionary of German Cinema
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Lesbian Traces in Film
1 Lesbian Traces in Film The following discourse offers a short overall view on film productions1 in German which cast lesbians and / or show relationships between women – whatever their lever emancipation. Therefore exemplary films have been elected from different decades and then shortly explained concerning their meaning in lesbian film history. Films that – because of their form or origin – cannot be found in the list2 will be mentioned in the footnotes with their place of making and time, their director and script (D and B) and if possible with their predecessors. In case the date of their first showing should be relevant for their evaluation and if these dates are available they will be mentioned. 1.1 From the Beginning to 1933 During the first years of film history attraction between women in German silent films only occurred by way of a hint and could easily be missed at the margin and mainly in breeches parts3. Out of need or maybe also as an humorous attempt of deception a woman puts on men’s clothes (breeches) to be able to act in a certain situation or treat a certain person differently from what would be dictated by her role as a woman.4 In the course of action between the woman in breeches and a traditionally dressed woman, the latter usually tricked by the “breeches”, even a kiss could happen (Zapatas Bande, Urban Gad, 1914) or just a flirtation attraction with the eyes (Ich möchte kein Mann sein [I don't want to be a Man], Ernst Lubitsch, 1918). Both disappear at the latest when the real gender is revealed and with this the 1 I shall restrict myself - with only a few exceptions – on narrative fictional films which are longer than 40 minutes.
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