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Detective Fiction in Spain Through the Works of García Pavón, Cain, Vázquez Montalbán and Thompson
UNIVERSIDAD AUTÓNOMA DE MADRID FACULTAD DE FILOSOFÍA Y LETRAS Programa de Doctorado en Estudios Artísticos, Literarios y de la Cultura Ph.D. Dissertation From the Periphery to the Canon: Detective Fiction in Spain Through the Works of García Pavón, Cain, Vázquez Montalbán and Thompson. An Application of Polysystem Theories of Translation. By: Isabel Palomo Merino Directed by: Dr. Javier Ortiz García, Universidad Autónoma de Madrid Madrid, 2017 Dissertation Abstract – Universidad Autónoma de Madrid From the Periphery to the Canon: Detective Fiction in Spain Through the Works of García Pavón, Cain, Vázquez Montalbán and Thompson. An Application of Polysystem Theories of Translation. Isabel Palomo Merino Directed by: Dr. Javier Ortiz García, Universidad Autónoma de Madrid Madrid, 2017 Detective fiction has become one of the most popular genres in our present times; but why and how did detective fiction become so popular in Spain? This dissertation studies the development of the genre of detective fiction in Spain, written both by Spanish writers and as translations from American authors, framed within the historical period that extends from the Franco Regime up to our present days. It was during the dictatorship that translations of foreign detective fiction started to reach the country and a sense of collective imagination on the topic began to be created, influenced also by the movie adaptations that reached Spain, by the numerous pseudotranslations, and by journals like El Caso. The foreign model of detective fiction was adopted by national writers who re- created it within a new context: classic detective fiction influenced the work of Francisco García Pavón, and hardboiled detective fiction –analyzed through the works of James M. -
Authors Series Title the Legend of Eli Rachel Aaron Monpress the Spirit Thief the Legend of Eli Rachel Aaron Monpress the Spirit Rebellion Frank W
authors series title The Legend of Eli Rachel Aaron Monpress The Spirit Thief The Legend of Eli Rachel Aaron Monpress The Spirit Rebellion Frank W. Abagnale Catch Me If You Can The Dark Sun: Lynn Abbey Chronicles of Athas The Brazen Gambit The Dark Sun: Lynn Abbey Chronicles of Athas Cinnabar Shadows The Dark Sun: Lynn Abbey Chronicles of Athas The Rise and Fall of a Dragonking Edwin A. Abbott Flatland Joe Abercrombie The Heroes Joe Abercrombie The First Law The Blade Itself Joe Abercrombie The First Law Before They Are Hanged Joe Abercrombie The First Law Last Argument of Kings Dan Abnett Torchwood Border Princes Dan Abnett Gaunt's Ghosts First and Only Susan Abulhawa Mornings in Jenin Chinua Achebe Things Fall Apart Rick Acker When the Devil Whistles Peter Ackroyd Albion: The Origins of the English Imagination Peter Ackroyd The House of Doctor Dee C. T. Adams, Cathy Clamp A Tale of the Sazi Hunter's Moon C. T. Adams, Cathy Clamp A Tale of the Sazi Moon's Web C. T. Adams, Cathy Clamp A Tale of the Sazi Captive Moon C. T. Adams, Cathy Clamp A Tale of the Sazi Howling Moon C. T. Adams, Cathy Clamp A Tale of the Sazi Moon's Fury C. T. Adams, Cathy Clamp A Tale of the Sazi Timeless Moon C. T. Adams, Cathy Clamp A Tale of the Sazi Cold Moon Rising C. T. Adams, Cathy Clamp A Tale of the Sazi Serpent Moon C. T. Adams, Cathy Clamp Thrall Touch of Evil C. T. Adams, Cathy Clamp Thrall Touch of Darkness Douglas Adams Last Chance to See Douglas Adams Dirk Gently Series Dirk Gently's Holistic Detective Agency Douglas Adams Dirk Gently Series The -
Política De Desenvolupament De La Col·Lecció Del Fons Especial De Gènere
Biblioteca la Bòbila fons especial de gènere negre i policíac Les cobertes originals de les novel·les de Jim Thompson gènerenegre, 28 El fons especial, 28 L’Hospitalet, gener de 2017 Amb motiu de l'exposició "40 anys sense BIBLIOTECA LA BÒBILA Jim Thompson", la Biblioteca la Bòbila Pl. de la Bòbila, 1 presenta la col·lecció de cobertes originals 08906 L’Hospitalet de les novel·les de Jim Thompson, extretes Tel. 934 807 438 del magnífic blog Arte salvaje, realitzat per [email protected] l'editorial Es Pop el 2014 arrel de la HORARIS publicació en castellà de la biografia Arte tardes: de dilluns a divendres, de 15.30 a 20.30 h. salvaje: una biografía de Jim Thompson, de matins: dimecres, dijous i dissabtes, de 10 a 13.30 h. Robert Polito. TRANSPORTS Metro: L5 Can Vidalet Trambaix: T1, T2, T3 Ca n’Oliveres Bus: LH2, EP1 Biblioteca la Bòbila FONS ESPECIAL DE GÈNERE NEGRE I POLICÍAC Cobertes de Jim Thompson 2 gènerenegre, 28 1 2 3 4 5 6 7 8 9 Cobertes de Jim Thompson 3 gènerenegre, 28 10 11 12 13 14 15 16 17 18 Cobertes de Jim Thompson 4 gènerenegre, 28 19 20 21 22 23 24 25 26 27 Cobertes de Jim Thompson 5 gènerenegre, 28 28 29 30 31 32 33 34 35 36 Cobertes de Jim Thompson 6 gènerenegre, 28 37 38 39 40 41 42 43 44 Cobertes de Jim Thompson 7 gènerenegre, 28 1. NOW AND ON EARTH (Aquí y ahora) Primera edició. New York: Modern Age, 1942. -
Bio-Bibliographie
Bio-Bibliographie Alle Rechte vorbehalten. Alle Angaben ohne Gewähr. © Diogenes Verlag AG www.diogenes.ch e-mail: [email protected] Diogenes Bio-Bibliographie Jim Thompson James Myers Thompson – seine ersten Erzählungen erschienen unter seinem vollständigen Namen oder unter Pseudonymen –, geboren am 27. September 1906 in Anadarko, Oklahoma. Mit 14 Jahren begann er zu schreiben und verkaufte als 15-Jähriger seine erste Kriminalgeschichte. Während seiner Studienjahre veröffentlichte er regelmäßig Geschichten in Pulp-Magazinen wie True Detective, später schrieb er auch für die New York Daily News und Los Angeles Times Mirror. Außerdem war er für kurze Zeit Chefredakteur des Saga Magazine. 1931 lernte er seine spätere Frau Alberta kennen, im gleichen Jahr heirateten die beiden. Aus der Ehe gingen drei Kinder hervor. 1942 erschien sein erster Roman Now and on Earth, doch literarische Anerkennung erlangte er erst 1952 mit der Veröffentlichung von The Killer Inside Me. Danach arbeitete er mehrere Jahre als Drehbuchautor in Hollywood und schrieb u.a. für Stanley Kubrick das Drehbuch zu The Killing (1956) und zu Paths of Glory (1957). Jim Thompson starb am 7. April 1977. Werke Romane Always to Be Blessed · Roman. 1932 (verschollen) Now and on Earth · Roman. 1942 Heed the Thunder · Roman. 1946 Diogenes · Bio-Bibliographie Jim Thompson Seite 2 Nothing More Than Murder · Roman. 1949 Nichts als Mord Aus dem Amerikanischen von Olaf Krämer Frankfurt/Berlin: Ullstein, 1989 Es war bloß Mord (Neuübersetzung) Aus dem Amerikanischen von Thomas Stegers Zürich: Diogenes, 1995 (detebe 22841) The Killer Inside Me · Roman. 1952 Liebling, warum bist du so kalt Aus dem Amerikanischen von Klaus von Schwarz München: Heine, 1970 Der Mörder in mir Aus dem Amerikanischen von Ute Tanner Frankfurt/Berlin/Wien: Ullstein, 1982 Neuausgabe zusammen mit Getaway und 1280 schwarze Seelen, ebd., 1988 Der Mörder in mir (überarbeitete Neuausgabe) Aus dem Amerikanischen von Ute Tanner und Ulrike Wasel Zürich: Diogenes, 1992 (detebe 22508) Cropper’s Cabin · Roman. -
Uncle Hugo's Science Fiction Bookstore Uncle Edgar's Mystery Bookstore 2864 Chicago Avenue, Minneapolis, MN 55407
Uncle Hugo's Science Fiction Bookstore Uncle Edgar's Mystery Bookstore 2864 Chicago Avenue, Minneapolis, MN 55407 Newsletter #107 September - November 2014 Hours: M-F 10 am to 8 pm Sat. 10 am to 6 pm Sun. Noon to 5 pm Uncle Hugo's 612-824-6347 Uncle Edgar's 612-824-9984 Fax 612-827-6394 E-mail: [email protected] Website: www.UncleHugo.com Parking Metered parking (25 cents for 20 minutes) is available in front of the store. Meters are enforced 8am-6pm Monday through Saturday (except for federal holidays). Note the number on the pole you park by, and pay at the box located between the dental office driveway and Popeyes driveway. The box accepts quarters, dollar coins, and credit cards, and prints a receipt that shows the expiration time. Meter parking for vehicles with Disability License Plates or a Disability Certificate is free. (Rates and hours shown are subject to change without notice - the meters are run by the city, not by us.) Free parking is also available in the dental office lot from 5pm-8pm Monday through Thursday, and all day Friday, Saturday, and Sunday. Author Events (at Uncle Hugo's) Sunday, October 12, 1-2pm: William Alexander - Ambassador and Kelly Barnhill - The Witch's Boy Saturday, November 1, 1-2pm: Kelly McCullough - Drawn Blades Holiday Schedule Monday, September 1: Closed Thursday, November 27: Closed Award News The Mythopoeic Fantasy Award for Adult Literature went to The Golem and the Jinni by Helene Wecker ($15.99); the Mythopoeic Fantasy Award for Children's Literature went to Doll Bones by Holly Black ($16.99). -
Cujo, One of the Best Dogs, Ever
RETEND I’M SITTING ACROSS FROM YOU. I’m smiling. On shitty grey, beer-stained carpet that I had before, but it’s smooth. I’ve the outside, I’m calm, affable. Inside, I’m deeply angry. mentioned this to all my guests. No one’s impressed. My kite’s been in a tree. As of late, there’s been a Last issue, after picking up the mail and on my way to drop P seemingly endless chain of mishaps. off our master copy at the printers, I pulled in front of a car, and I wanted the little last bit of honey out of the squeeze whanged its front bumper completely off. The lady, understandably, bottle. The lid leaked and honey slowly oozed out on the other side was pissed. It was totally my fault. I spent the next three weeks in of the counter. A week later, I found out that the high rotation section junk yards. With the help of many good friends, (Thanks Chris and of my records were sticky. Not an entirely awesome way to pull out Brandy. Thanks Bruce.) I got all the parts and totally boy scouted it. a Regulations record; sticking to Otis Redding, then plopping onto The replacement was better than the original. At the end, it was about the ground. 1/10th of what it would have cost if I had taken it to a body shop. I’ve been battling cockroaches and termites for the past six years Getting back to zero is an accomplishment in and of itself. -
Films in Verband Met De Blacklist 503 De Blacklist 515 DEEL 1
Tout ce qu’il éditait avait le souffle de la liberté. Inscriptie op de grafsteen van uitgever Eric Losfeld (Moeskroen 1922-Parijs 1979) Walter A.P. Soethoudt DUISTER VERLEDEN DEEL I Pulpfiction schrijvers films noirs communistenjagers © Copyright & verantwoordelijke uitgever Walter A.P. Soethoudt INHOUD DEEL 1 9 Pulpfiction schrijvers en films noirs Begincredits 11 Zo heb ik mijn noir het liefst 15 William Riley Burnett: Je naam ben ik vergeten, maar je films vergeet ik nooit meer 27 Gerald Kersh: De man zonder schaduw 71 Mickey Spillane: De kauwgom van de Amerikaanse literatuur 83 Jack Finney: Een man voor alle seizoenen 91 Peter Cheyney: woont in een duistere straat 107 William P. McGivern: Niet mals voor flikken 127 David Goodis: De maan in de goot 147 Elisabeth Sanxay Holding: Ten onrechte vergeten 175 Jim Thompson: In Hollywood en elders 187 Abraham Grace Merritt: Verloren beschavingen en afschuwelijke monsters 209 Dorothy B. Hughes: Buitenstaanders en geobsedeerde eenzaten 217 Edna Sherry: Nagelbijters en plotse angst 229 Ethel Lina White: Had ik het maar geweten 235 George Vincent Higgins: De Balzac van de Boston onderwereld 251 Henry Edward Hellseth: Reis naar het zwarte gat 261 DEEL 2 269 Schuldig wegens eigen mening Rood, sla dood 271 Vooraf 279 William Gresham: Nachtmerries te koop Helen Joy Davidman: Dichter en bekeerlinge 289 Kenneth Fearing: De belangrijkste poëet van de Amerikaanse Grote Depressie 299 Nelson Algren: Een man die zich niet bukt om een dollar op te rapen is een huichelaar 321 Edward Ewell Anderson: Hongerlijders en bankrovers 349 Ira Wolfert: Communist door associatie 363 Albert Isaac Bezzerides: Iedereen houdt van appels, alleen dokters niet 369 De Hollywood Ten Dalton Trumbo 381 John Howard Lawson 397 Albert Maltz 417 Samuel Ornitz 433 Ring Lardner jr. -
BOOKNEWS from ISSN 1056–5655, © the Poisoned Pen, Ltd
BOOKNEWS from ISSN 1056–5655, © The Poisoned Pen, Ltd. 4014 N. Goldwater Blvd. Volume 26, Number 8 Scottsdale, AZ 85251 August Booknews 2014 480-947-2974 [email protected] tel (888)560-9919 http://poisonedpen.com Another Awesome August… Part 1 AUTHORS ARE SIGNING… Some Events will be webcast at http://new.livestream.com/poisonedpen. SUNDAY AUGUST 3 2:00 PM Military SciFi WEDNESDAY AUGUST 13 7:00 PM 10th Sigma Force Party Weston Ochse signs Grunt Life (Solaris $7.99) A Task Force James Rollins signs The 6th Extinction (Morrow $27.95) Ombra Novel THURSDAY AUGUST 14 7:00 PM MONDAY AUGUST 4 7:00 PM Cochise Country Crime Robert K. Tanenbaum signs Fatal Conceit (Free Press $26) JA Jance signs The Remains of Innocence (Morrow $26.99) Butch Karp Joanna Brady Jance also appears with us at 3:00PM Tuesday August 5 at the TUESDAY AUGUST 19 7:00 PM Taiwan Thriller Tempe Library, 3500 S. Rural Road Tempe, AZ 85282 Ed Lin signs Ghost Month (Soho $26.95) Starts a series with Jing-nan TUESDAY AUGUST 5 7:00 PM Publication Day Party Spencer Quinn signs Paw and Order (Atria $25) Chet the Dog WEDNESDAY AUGUST 20 7:00 PM Edgy Suspense and Bernie Little, PI, do DC Emily Arsenault signs What Strange Creatures (Harper $14.99) Elizabeth Little signs Dear Daughter (Viking $26.95) First WEDNESDAY AUGUST 6 7:00 PM Adventure! Mystery Pick Douglas Preston signs Lost Island (Grand Central $27) Gideon Crew #3, a cross between Clive Cussler and Michael Crichton. THURSDAY AUGUST 21 7:00 PM Southwestern Duo Signed also by Lincoln Child who joins us via Skye Susan Slater signs Rollover (Poisoned Pen $24.95) August Surprise Me Pick—a caper! THURSDAY AUGUST 7 7:00 PM Suspense! Reavis Wortham signs Vengeance Is Mine (Poisoned Pen Linwood Barclay signs No Safe House (NAL $25.95 Aug. -
Black Lizard Press Archive, 1977-1994
http://oac.cdlib.org/findaid/ark:/13030/tf3d5n99jh No online items Guide to the Black Lizard Press Archive, 1977-1994 Processed by Special Collections staff; machine-readable finding aid created by Steven Mandeville-Gamble Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] URL: http://library.stanford.edu/spc © 1998 The Board of Trustees of Stanford University. All rights reserved. Guide to the Black Lizard Press Special Collections M0932 1 Archive, 1977-1994 Guide to the Black Lizard Press Archive, 1977-1994 Collection number: M0932 Department of Special Collections and University Archives Stanford University Libraries Stanford, California Contact Information Department of Special Collections Green Library Stanford University Libraries Stanford, CA 94305-6004 Phone: (650) 725-1022 Email: [email protected] URL: http://library.stanford.edu/spc Processed by: Special Collections staff Date Completed: 1997 Encoded by: Steven Mandeville-Gamble © 1998 The Board of Trustees of Stanford University. All rights reserved. Descriptive Summary Title: Black Lizard Press Archive, Date (inclusive): 1977-1994 Collection number: Special Collections M0932 Creator: Black Lizard Press Extent: 2.5 linear ft. Repository: Stanford University. Libraries. Dept. of Special Collections and University Archives. Language: English. Access Restrictions None. Publication Rights Property rights reside with the repository. Literary rights reside with the creators of the documents or their heirs. To obtain permission to publish or reproduce, please contact the Public Services Librarian of the Dept. of Special Collections. Provenance Purchased, 1997. Preferred Citation: [Identification of item] Black Lizard Press Archive, M0932, Dept. of Special Collections, Stanford University Libraries, Stanford, Calif. -
Introduction
Notes Introduction 1. Martin Rowson, The Waste Land (Harmondsworth, Middx.: Penguin, 1990), jacket copy. 2. Raymond Chandler, ‘The Simple Art of Murder’, Atlantic Monthly, Decem- ber 1944, quoted by Tom Hiney, Raymond Chandler: a Biography (London: Vintage, 1997), p. 101. 3. Malcolm Bradbury and James McFarlane (eds), Modernism 1890–1930 (Harmondsworth, Middx.: Penguin, 1976, 1985), p. 26; Scott R. Christian- son, ‘A Heap of Broken Images . .’, in Ronald G. Walker and June M. Frazer (eds), The Cunning Craft: Original Essays on Detective Fiction and Contempo- rary Literary Theory (Macomb: Western Illinois University Press, 1990), pp. 141–7, considers affinities between hard-boiled detective novels and Eliot’s Waste Land, emphasising setting, narrative fragmentation, the representa- tion of the meaninglessness of modern life and the subjective, oppositional nature of hard-boiled popular modernism. 4. Ginette Vincendeau, ‘Noir is Also a French Word’, in Ian Cameron (ed.), The Movie Book of Film Noir (London: Studio Vista, 1992), p. 52, quoting Raymond Borde and Etienne Chaumeton, Panorama du Film Noir Américain (Paris: Éditions de Minuit, 1955). 5. James Naremore, More Than Night: Film Noir in its Contexts (Berkeley: Uni- versity of California Press, 1998), pp. 38 and 48. 6. Malcolm Bradbury and Howard Temperley, Introduction to American Studies (London: Longman, 1981, 1998), p. 46. See also Jon Tuska, Dark Cinema: American Film Noir in Cultural Perspective (Westport: Greenwood Press, 1984), p. 152. Tuska argues that noir is in effect an anti-generic movement, that is, implicitly a critique of the escapist fare offered by more traditional Hollywood genres. This contrast between more traditional genres and noir is neatly captured in the two Muse figures at the end of the Coen brothers’ 1991 film, Barton Fink – the picture-postcard girl of romance on the one hand and, on the other, the severed head of Audrey, noir victim and inspiration. -
Part II 1945–70 90 the Noir Thriller
Part II 1945–70 90 The Noir Thriller The years immediately following the end of World War Two marked the start of a crucial phase in the creation, definition and popularising of both literary and cinematic noir. There were several concurrent de- velopments: the Hollywood production of a growing number of pes- simistic, downbeat crime films, the postwar release in Europe of a large backlog of American films, the publication in France of a new series of crime novels and the appearance in America of a new kind of book, the paperback original. Films released in America just before the end of the war, such as Billy Wilder’s Double Indemnity and Edward Dmytryk’s Murder, My Sweet (both 1944), were taken as evidence, when they appeared in France, that ‘the Americans are making dark films too’.1 In 1945, under the editorship of Marcel Duhamel, Gallimard started pub- lishing its translations of British and American crime novels in the Série Noire. In 1946, echoing the Gallimard label, the French critics Nino Frank and Jean-Pierre Chartier wrote the two earliest essays to identify a departure in film-making, the American ‘film noir’. Although they were not thought of in the United States as films noirs (the French label did not become widely known there until the 1970s), numerous postwar Hollywood movies seemed to confirm the French judgement that a new type of American film had emerged, very different from the usual studio product and capable of conveying an impression ‘of certain disagree- able realities that do in truth exist’.2 The Hollywood releases of 1945 included Edgar G. -
RFAEPK2-2014Rev02.Pdf
RADIO FREE ALBEMUTH - Press Notes SYNOPSIS: Philip K. Dick’s most prophetic and autobiographical novel was published after his death. Dick made himself one of the major characters in this story of an alternate past reality in which Richard F. Fremont, a Nixon-like President has managed to cling to power into a fifth term of office while hunting down a shadowy terrorist organization. Nick Brady, a record store clerk in Berkeley, begins to receive messages and visions from a mysterious and God-like source from the star system Albemuth, that he dubs VALIS – for Vast Active Living Intelligent System. When offered a high-paying music industry job, Nick, along with his wife Rachel and best friend, Philip K. Dick, a science fiction writer, move down to Los Angeles and find themselves drawn into an extraterrestrial plot to bring down Fremont’s totalitarian regime with the subliminal power of music. Though fictional, the story was inspired by Philip K. Dick’s own actual visionary experiences and possible contact with what he believed might be a higher extra-terrestrial intelligence. FILMMAKERS: Novelist, Radio Free Albemuth..........................................Philip K. Dick Director, Writer, Producer..................................................John Alan Simon Producer............................................................................Dale Rosenbloom Producer............................................................................Stephen Nemeth Producer............................................................................Elizabeth