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Art Exhibition 30 Oct - 1 Nov 2020 King’S College, Golf Ave, Ōtāhuhu
Art Exhibition 30 Oct - 1 Nov 2020 King’s College, Golf Ave, Ōtāhuhu. www.kingscollegeartexhibition.co.nz Proudly sponsored by Programme [ OF EVENTS ] CONCERNS SURROUNDING COVID-19 THE FRIENDS OF KING’S COLLEGE HAVE GREAT As much as we are excited to present the 17th PLEASURE IN WELCOMING YOU TO THIS YEAR’S ART annual King’s College Art Exhibition proudly EXHIBITION. sponsored by Luxury LAS, The Friends Association and King’s College are committed to ensuring the health and wellbeing of our community. This remains the foremost concern in Friday 30 October relation to events and gatherings. As such, please / 6.30pm – 10pm keep an eye out for further communications in OPENING NIGHT COCKTAIL PARTY / relation to the Art Exhibition. FIRST CHANCE TO PURCHASE ART. IN THE EVENT OF A CANCELLATION: Saturday 31 October If new restrictions arise which prohibit the safe and practical delivery of the event, the Art / Free Admission 10am–4pm Exhibition Committee will make an official ART EXHIBITION, CAFÉ AND ART BOX OPEN. announcement at the earliest possible date. We have the ability to transition to an online market place where the entire collection of the Art Sunday 1 November Exhibition will be available for purchase. / Free Admission 10am–3pm ART EXHIBITION, CAFÉ AND ART BOX OPEN. / 3.30pm - 6pm ALL PURCHASED ART TO BE COLLECTED. THIS CATALOGUE CONTAINS A SMALL SAMPLE OF THE ARTWORKS FOR SALE OVER THE WEEKEND. TO VIEW MORE ART WORKS, PLEASE VISIT WWW.KINGSCOLLEGEARTEXHIBITION.CO.NZ FOLLOW US ON SOCIAL MEDIA Front cover artwork: @kingscollegeartexhibition Mandy Rodger #kingscollegeartexhibition2020 By Diverse Means Acrylic on canvas 1000mm x 1000mm $1,550 Marina de Wit Catherine Parr (Detail) Photography, fine art giclée print 1046mm x 851mm $1,250 Left: Sue Reidy Virulent Undercurrent Acrylic and mixed media on canvas 750mm x 750mm $2,900 [ WELCOME FROM ] The Headmaster Ben Foster Zac, 2020 Aluminium, waterborne IT WILL SOON BE MY PLEASURE TO INTRODUCE ANOTHER automotive paint SUCCESSFUL KING’S COLLEGE ART EXHIBITION. -
Ryan Trecartin Bibliography
RYAN TRECARTIN BIBLIOGRAPHY Selected Monographs: 2019 Costa, Chiara, ed., Lizzie Fitch/Ryan Trecartin: Whether Line, published by Fondazione Prada, Milan, Italy, 2019 2015 Biesenbach, Klaus, Ellen Blumenstein, Stuart Comer, Laura Hoptman, and Thomas Miessgang, Lizzie Fitch/Ryan Trecartin: Site Visit, published by Walther König, Cologne, Germany, 2015 Luckraft, Paul, Maitreyi Maheshwari and Isabel Venero, eds., Fitch/Trecartin: Priority Innfield, published by Zabludowicz Collection, London, UK, 2015 2014 Marta, Karen, and Brian Roettinger, eds., Ryan Trecartin: Yet, published by Ullens Center for Contemporary Art, Beijing, China, and Walther König, Cologne, Germany, 2014 2011 Cornell, Lauren, Jeffrey Deitch, Lizzie Fitch, Kevin McGarry, Linda Norden, and Cindy Sherman, Ryan Trecartin published by Rizzoli, New York, NY, 2011 2008 McGarry, Kevin, I-Be Area, published by Hammer Museum, Los Angeles, CA, 2008 [exhibition brochure] Selected Catalogues and Publications: 2020 Brugger, Ingried and Bettina M. Busse, The Cindy Sherman Effect, published by Schirmer/Mosel, Munich, Germany 2020, pp. 56 – 57 [ill.] 2019 Biesenbach, Klaus and Bettina Funcke, eds., MoMA PS1: A History, published by The Museum of Modern Art, New York, NY, 2019, pp. 252 – 253 [ill.] 2018 Respini, Eva, ed., Art in the Age of the Internet, 1989 to Today, published by The Institute of Contemporary Art/Boston, Boston, MA, and Yale University Press, New Haven, CT, 2018, pp. 266 – 269 [ill.] Still Human, published by Rubell Family Collection, Miami, FL, 2018 2017 Phillips, Lisa, ed., 40 Years New, published by New Museum, New York, NY, and Phaidon Press, London, UK, 2017, p. 190 [ill.] Aarnio, Eija, Leevi Haapala, and Jari-Pekka Vanhala, eds., ARS 17: Hello World!, published by Kansalisgalleria, Helsinki, Finland, 2017, pp. -
Svět Jiné Hudby
Zdeněk K. Slabý, Petr Slabý Kniha vychází s laskavou podporou a za finančního přispění Ministerstva kultury České republiky © Zdeněk K. Slabý, Petr Slabý, 2007 © VOLVOX GLOBATOR, 2007 ISBN 978-80-7511-183-8 Vydalo nakladatelství & vydavatelství Volvox Globator Štítného 17, 130 00 Praha 3 www.volvox.cz jako svou 781. publikaci Obálka a grafická úprava Karel Haloun Odpovědný redaktor Ondřej Sýkora E-knihahttps://purehtml.cz Vydání první, Praha 2007 Adresa knihkupectví Volvox Globator: Štítného 16, 13000 Praha 3-Žižkov Předmluva aneb Alternativní verze doslovu Na počátku mé práce na tomto dílu Světa jiné hudby byla dvě slova. A ta slova byla Sun Ra. O něm jsem místopřísežně v nejrůznějších médiích slíbil, že ve druhém dílu napíšu stěžejní článek, a vrátilo se mi to jako bumerang. Toho jsem tedy dosáhl, i když by si tento zcela zásadní muzikant zasloužil celou knihu o několika tisících stránek. Přesto studium jeho odkazu pro mě znamenalo otevření dalších dimenzí pro další bádání a pochopení zcela nových věcí. Řada textů vznikla díky možnosti navštívit některé věhlasné světové festivaly, které se věnují alternativní hudbě a neberou ji jako okrajovou záležitost, ale šanci pro poznávání současných trendů. Byla to příležitost blíže poznat řadu umělců a v neposlední řadě pochopit fakt, že takzvaná „alternativa“ je otevřena každé vstřícné duši. A věřte, že na tyto akce v Rakousku či Francii chodí číratí punkáči i zasloužilí důchodci v oblecích a vytváří společnou komunitu lidí, kteří v jakémkoliv věku hledají nové impulsy a mají mnoho společného - totiž právě ono hledání. Tímto bych chtěl poděkovat jejich organizátorům. Opět se čtenáři i kritici budou ptát, proč zde to a tohle zrovna chybí, i když je to trendy nebo klasika nos plus ultra, a proč jsou zde zastoupeni relativně marginální muzikanti či soubory a proč zde relativně malý prostor dostala tentokrát domácí scéna. -
Stanford Auctioneers Pop, Modern, Contemporary Art & Photography
Stanford Auctioneers Pop, Modern, Contemporary Art & Photography Saturday – September 19th, 2015 www.stanfordauctioneers.com | [email protected] 1: JEAN-MICHEL BASQUIAT - Oil pastel and crayon on paper USD 20,000 - 25,000 Jean-Michel Basquiat (American, 1960-1988). "Babylonians". Oil pastel and crayon on paper. c1984. "Signed" in the image with the artist's trademark "crown" logo. Fine condition - as drawn. Provenance: Estate of a private collector, New York City, acquired directly from the artist. Image copyright © Artists Rights Society (ARS), New York. Overall size: 11 5/8 x 16 1/2 in. (295 x 419 mm). [28746] |12000| {R100} (TL3) uzzzz~uozzz 2: JEAN-MICHEL BASQUIAT - Color offset lithograph USD 1,200 - 1,500 Jean-Michel Basquiat (American, 1960-1988). "Dog Bite [postcard edition]". Color offset lithograph. 1983. Signed in black marker. Edition unknown. Wove paper. The full sheet. Fine impression. Fine condition. The painting is in the collection of the Museum Boymans-van-Beuningen, Rotterdam. Image copyright © Artists Rights Society (ARS), New York. Overall size: 4 1/8 x 6 in. (105 x 152 mm). [28720] |800| {R100} (TL1) tuzz~tozz 3: JEAN-MICHEL BASQUIAT - Color lithograph USD 2,000 - 2,500 Jean-Michel Basquiat (American, 1960-1988). "Hamlet". Color lithograph. 1987. Signed in black marker, lower left. Edition unknown, probably very small. Very light cream wove paper. The full sheet. Fine impression. Very good condition. Basquiat posters are rare. We have located only 11 auction sales of his "lifetime" posters at auction, and not our example, which has not been offered before at auction. Issued for the Hartford Stage's production of Shakespeare's "Hamlet" which ran from October 3 to November 7, 1987, Hartford, Connecticut. -
School of Art 2006–2007
ale university May 10, 2006 2007 – Number 1 bulletin of y Series 102 School of Art 2006 bulletin of yale university May 10, 2006 School of Art Periodicals postage paid New Haven, Connecticut 06520-8227 ct bulletin of yale university bulletin of yale New Haven Bulletin of Yale University The University is committed to basing judgments concerning the admission, education, and employment of individuals upon their qualifications and abilities and affirmatively seeks to Postmaster: Send address changes to Bulletin of Yale University, attract to its faculty, staff, and student body qualified persons of diverse backgrounds. In PO Box 208227, New Haven ct 06520-8227 accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against any individual on PO Box 208230, New Haven ct 06520-8230 account of that individual’s sex, race, color, religion, age, disability, status as a special disabled Periodicals postage paid at New Haven, Connecticut veteran, veteran of the Vietnam era, or other covered veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation. Issued seventeen times a year: one time a year in May, November, and December; two times University policy is committed to affirmative action under law in employment of women, a year in June; three times a year in July and September; six times a year in August minority group members, individuals with disabilities, special disabled veterans, veterans of the Vietnam era, and other covered veterans. Managing Editor: Linda Koch Lorimer Inquiries concerning these policies may be referred to Valerie O. -
Nathalie Djurberg B
Nathalie Djurberg b. 1978, Lysekil, Sweden Lives and works in Berlin, Germany Education MFA, Malmö Art Academy, Sweden 1997-2002 Hovedskous Art School, Gothenburg, Sweden 1995-1997 Folkuniversitetet, Basic Art Education, Gothenburg, Sweden 1994-1995 Solo Exhibitions 2010 Snakes know it’s yoga, Giò Marconi, Milan, Italy; Kestnergesellschaft, Hannover, Germany; Museum Boijmans Van Beuningen, Rotterdam, The Netherlands; Kunstforeningen GL STRAND, Copenhagen, Denmark Natural History Museum, Basel, Switzerland Kristianstad Konsthall, Kristianstad, Sweden 2009 Museum Anna Nordlander, Nordanå, Skellefteå, Sweden Turn Into Me, OMA Prada Transformer, Seoul, South Korea Prospectif Cinéma, Centre Pompidou, Paris, France Frye Art Museum, Seattle, WA 2008 Zach Feuer Gallery, New York, NY Hammer Projects, Hammer Museum, Los Angeles, CA Santa Barbara Contemporary Arts Forum, Santa Barbara, CA BASE 103, Sammlung Goetz Museum, Munich, Germany Turn Into Me, Fondazione Prada, Milan, Italy Gotlands Konstmuseum, Visby, Sweden Sint-Lukasgalerie, Brussels, Belgium Spaceda, Seoul, South Korea 2007 Brown Gallery, London, UK Kunsthalle Winterthur, Switzerland Denn es ist Schön zu Leben [Because It Is Wonderful To Live], Project Space - Kunsthalle Wien, Vienna, Austria 2006 Beckers Konstnärsstipendiat 2006, Färgfabriken, Stockholm, Sweden Zach Feuer Gallery, New York, NY MAXXI Museum, Rome, Italy 2005 Because it is wonderful to live, Artprojx at Prince Charles Cinema, London, UK Animated Films, Jönköpings Museum, Jönköping, Sweden The 1st at Moderna: Nathalie Djurberg, Moderna Museet, Stockholm, Sweden Why do I have this Urge to Do these Things Over and Over Again?, Giò Marconi, Milan, Italy Videostafett: Nathalie Djurberg, Gävle Konstcenter, Gävle, Sweden Down For Me Is Up, Mogadishni CPH, Copenhagen, Denmark Projektrum, Arnstedt & Kullgren, Båstad, Sweden 2004 Tiger Licking Girl’s Butt, Färgfabriken, Stockholm, Sweden PS. -
Vol. 15, No. 2 February 2011 You Can’T Buy It
ABSOLUTELY FREE Vol. 15, No. 2 February 2011 You Can’t Buy It Tony Morano Vicky McLain John Johnson Patz Fowle Beth Wicker Robert Feury Barbara and Ed Streeter Lori Kaim Selected works from the exhibit, A Celebration of Many Talents: Artisans of the Cotton Trail & the Tobacco Trail, on view through March 4, 2011 at the Art Trail Gallery in Florence, SC. StephenJonathan Scott Green Young Beach Twins Acrylic 10.25 x 14.25 inches Red Lips Acrylic 10.25 x 14.25 inches Prayer Book Dry Brush 27.25 x 15.75 inches SmallFeaturing Works New WorkShow For additional information contact the gallery at 843•842•4433 or to view complete exhibition www.morris-whiteside.cowww.morris-whiteside.comm Morris & Whiteside Galleries 220 Cordillo Parkway • Hilton Head Island • South Carolina • 29928 • 843.842.4433 Page 2 - Carolina Arts, February 2011 Carolina Arts, is published monthly by Shoestring Publishing new online version of the paper - lower Company, a subsidiary of PSMG, Inc. Copyright© 2011 by by Tom Starland, Editor and Publisher ad rates and equal coverage and distribu- PSMG Inc. It also publishes the blog Carolina Arts Unleashed Editorial and Carolina Arts News, Copyright© 2011 by PSMG, Inc. All tion of the paper. Everyone has the same rights reserved by PSMG, Inc. or by the authors of articles. access to the same one copy of the paper Reproduction or use without written permission is strictly prohibited. Carolina Arts is available online at (www.CarolinaArts. we are producing. Unfortunately, as I com). Mailing address: P.O. Drawer 427, Bonneau, SC 29431. -
Freier Download BA 44 Jazz Als
BAD ALCHEMY 44 MC 1 2 NEW CONCEPTIONS OF JAZZ ? Wenn ich mir klar gemacht hätte, dass der Personenkreis der zwischen 14- und 24-Jährigen nur ca. 12% meiner deutschen Zeitgenossen ausmacht (sich in der Kriminalstatistik aber mit über 30% breit macht!), hätte ich mir von dieser vorlauten Minderheit nicht so lange die Sonne verstellen zu lassen. Sollen sie sich doch um ihre poppigen Spielsachen prügeln, BA als ein sich an Alle richtendes Organ braucht den dafür entsprechend weiten Horizont. Für Rock bin ich aber noch zu jung, für Pop und Club- Electro zu alt, für's Allerlei aus Aller-Welt zu bodenständig, für Klassik zu sehr Prolet, bleibt eigentlich nur >Jazz (und anderes)< als Musik für mich und meinesgleichen. Aber ist der >Jazz< von heute, vom gehypeten Hochglanz- bis zum Wasch-mich-aber-mach-mich-nicht-nass-Indie-Dschäss, nicht auch bloß ein polystilistisches Wiederkäuen des Dagewesenen, ein entropisches Schnorren vom Abraum der Jazz- Histoire, ein Refugium für Schmocks? Nur noch Acid und Latin und Fusion und Salsa nach Anything-goes- Rezepten, Jazz goes House, Jazz meets Klezmer, Imaginary Balkan, mystifiziertes Mittelalter? 'Nu' & 'Nova', war das auch mal etwas anderes als ein marktschreierisches Etikett aus der Medienhuren- und Raffbranche, die ihre auf 'now' geschminkten alten Zauseleien auf den globalen Basars zu verhökern versucht? Wie schrieb einst Rolf Niemczyk so schön: "Aus der großen Hexenküche der Popmusik ent- steht mal wieder etwas NEUES. Wie NEU, darüber muß/kann gestritten werden." (Spex 5/89) Wo verbirgt sich nun das Unerhörte mit einer Halbwertzeit, die eine Modesaison überdauert? Wo finde ich Zeitgemäßes, gar Zukunftsweisendes in einer Musik, die ihre besten Tage vor dem 'New Thing' der 60er hatte, wie die Traditionalisten diktieren. -
Keren Cytter
KEREN CYTTER DER SPIEGEL FOUR SEASONS SOMETHING HAPPENED PEACOCKS KEREN CYTTER A | PASSATGE MERCADER, 18. 08008 BARCELONA T | (0034) 93 215 70 51 F | (0034) 93 487 35 52 W| w w w . e s t r a n y d e l a m o t a . c o m E | g a l e r i a @ e s t r a n y d e l a m o t a . c o m O | MONDAY – FRIDAY 10.30-13.30 / 16.30-20.30 ENGLISH D | 19/09/09 – 31/10/09 A story should have a beginning, a middle, and an end... but not necessarily in that order. Jean-Luc Godard Keren Cytter (Tel Aviv, 1977) is a world-renowned artist, as shown by her receipt, in 2006, of the Baloise Art Statement (Art Basel) prize which has led to her taking part in a variety of international exhibitions, such as the 53rd Biennale di Venezia, and to be a runner-up in the Neue Kunst awards organised by the Nationalgalerie in Berlin. Her polymorphic production consists, above all, of the development of written ideas, including formats such as novels, screenplays, opera librettos, drawings and, for some time her most prolific format, audiovisual works, which are closer to film-making than to video art. This is because Cytter uses audiovisual language, literature, theory, musical and symbolic references and clichés; an amalgam of references which help construct her ideas, which she then deploys through fictions. She does this mainly through videographic production – notably following her time at De Ateliers stichting 63 Amsterdam (2002-2004) – writing screenplays like music rather than like stories, unstringing time into layers. -
Guide to the Colin De Land, American Fine Arts, Co., and Pat Hearn Gallery Archives MSS.008 Finding Aid Prepared by Ryan Evans; Collection Processed by Ryan Evans
CCS Bard Archives Phone: 845.758.7567 Center for Curatorial Studies Fax: 845.758.2442 Bard College Email: [email protected] Annandale-on-Hudson, NY 12504 Guide to the Colin de Land, American Fine Arts, Co., and Pat Hearn Gallery Archives MSS.008 Finding aid prepared by Ryan Evans; Collection processed by Ryan Evans. This finding aid was produced using the Archivists' Toolkit March 31, 2017 Describing Archives: A Content Standard Guide to the Colin de Land, American Fine Arts, Co., and Pat Hearn Gallery Archives Table of Contents Summary Information..................................................................................................................................3 Biographical/Historical note.........................................................................................................................4 Scope and Contents note........................................................................................................................... 5 Arrangement note....................................................................................................................................... 7 Administrative Information...........................................................................................................................8 Related Materials........................................................................................................................................ 8 Controlled Access Headings.......................................................................................................................8 -
16 September 2017– 7 January 2018
16 September 2017– 41 Franklin Street [email protected] 1 Stamford, CT 06901 www.franklinstreetworks.org 2 7 January 2018 “I hear it everywhere I go” is sponsored, in part, by Aquarion Water Company, the City of Stamford Community Arts Partnership Program, Connecticut Office of the Arts, and The Andy Warhol Foundation for the Visual Arts. 16 September 2017– 7 January 2018 Exhibiting Artists: Alex Bag, Michael Blake, Nayland Blake, Jen DeNike, Jonah Freeman & Justin Lowe, Rashid Johnson, Adam McEwen, Rodney McMillian, Tameka Norris, Cheryl Pope, Mikel Rouse, Melissa Vandenberg 3 Curated by Terri C Smith Introduction Terri C Smith, Creative Director, Franklin Street Works I HEAR IT EVERYWHERE I GO Running errands for the installation of “I hear it everywhere I go” in early September, I found myself in the small lobby of a locally owned glass company in Fairfield, Connecticut. The receptionist was on the phone when I arrived, methodically drawing key pieces of information out of the customer. When she hung up and began helping me, a man walked in to pick up his order. They seemed to know each other pretty well. He asked her how she was doing and, honestly, I don’t remember what she said. When she asked him the same question, he said, “Livin’ the dream” with humor and good-natured sarcasm in his voice. She replied, “Yeah, we’re all living the dream,” adding another generous helping of sarcasm, and then followed up with “or we’re all pretending to.” I I was struck by how this quick exchange articulated with poetic efficiency the disconnect between the promise metal objects (blockade barriers, baskets, walkers), and of the American Dream and its lived reality. -
Press Release If Communication Design Award 2009
PRESS KIT iF communication design award 2009 Contents PRESS INFORMATION [1] Press release iF communication design award 2009 PRESS INFORMATION [2] The 30 iF gold awards | Statements from the jury iF press office Cologne | Hannover Silke Becker, Sandy Pfeßdorf Claudia Neumann Communication GmbH Eigelstein 103-113 50668 Cologne Germany phone: +49.221.913949-0 fax: +49.221.913949-19 [email protected] www.ifdesign.de For further information: iF International Forum Design GmbH Anja Kirschning, Carmen Wille Messegelände 30521 Hannover/Germany phone +49.511.89-32403/-438 fax +49.511.89-32425 [email protected] [email protected] www.ifdesign.de Contact for editorial teams: iF press office Cologne | Hannover Claudia Neumann Communication GmbH Silke Becker, Sandy Pfeßdorf Eigelstein 103-113 50668 Cologne/Germany phone +49.221.913949-0 fax +49.221.913949-19 [email protected] PRESS RELEASE [1] Hannover/Munich, August 28, 2009 Fascinating, impressive and as though under a floating cloud: The breathtaking architecture of BMW World in Munich offered the perfect ambiance for the presentation of the iF communication design award 2009. Host and iF Managing Director Ralph Wiegmann was delighted to present the winners of the 30 iF gold awards with their trophies - and to offer the guests an exciting awards ceremony in an impressive ambiance. Bettina Cramer (SAT 1) once again moderated the awards presentation. Several hundred guests from the advertising, media, financial and design fields applauded the recipients of the 30 golden iF sculptures. A total of 1,367 entries (2008: 1,290 entries) competed in this year’s iF communication design award.