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Art Exhibition 30 Oct - 1 Nov 2020 King’S College, Golf Ave, Ōtāhuhu
Art Exhibition 30 Oct - 1 Nov 2020 King’s College, Golf Ave, Ōtāhuhu. www.kingscollegeartexhibition.co.nz Proudly sponsored by Programme [ OF EVENTS ] CONCERNS SURROUNDING COVID-19 THE FRIENDS OF KING’S COLLEGE HAVE GREAT As much as we are excited to present the 17th PLEASURE IN WELCOMING YOU TO THIS YEAR’S ART annual King’s College Art Exhibition proudly EXHIBITION. sponsored by Luxury LAS, The Friends Association and King’s College are committed to ensuring the health and wellbeing of our community. This remains the foremost concern in Friday 30 October relation to events and gatherings. As such, please / 6.30pm – 10pm keep an eye out for further communications in OPENING NIGHT COCKTAIL PARTY / relation to the Art Exhibition. FIRST CHANCE TO PURCHASE ART. IN THE EVENT OF A CANCELLATION: Saturday 31 October If new restrictions arise which prohibit the safe and practical delivery of the event, the Art / Free Admission 10am–4pm Exhibition Committee will make an official ART EXHIBITION, CAFÉ AND ART BOX OPEN. announcement at the earliest possible date. We have the ability to transition to an online market place where the entire collection of the Art Sunday 1 November Exhibition will be available for purchase. / Free Admission 10am–3pm ART EXHIBITION, CAFÉ AND ART BOX OPEN. / 3.30pm - 6pm ALL PURCHASED ART TO BE COLLECTED. THIS CATALOGUE CONTAINS A SMALL SAMPLE OF THE ARTWORKS FOR SALE OVER THE WEEKEND. TO VIEW MORE ART WORKS, PLEASE VISIT WWW.KINGSCOLLEGEARTEXHIBITION.CO.NZ FOLLOW US ON SOCIAL MEDIA Front cover artwork: @kingscollegeartexhibition Mandy Rodger #kingscollegeartexhibition2020 By Diverse Means Acrylic on canvas 1000mm x 1000mm $1,550 Marina de Wit Catherine Parr (Detail) Photography, fine art giclée print 1046mm x 851mm $1,250 Left: Sue Reidy Virulent Undercurrent Acrylic and mixed media on canvas 750mm x 750mm $2,900 [ WELCOME FROM ] The Headmaster Ben Foster Zac, 2020 Aluminium, waterborne IT WILL SOON BE MY PLEASURE TO INTRODUCE ANOTHER automotive paint SUCCESSFUL KING’S COLLEGE ART EXHIBITION. -
Internationalization of Contemporary
INTRODUCTION International experience and professional contacts are important for artists. Historically, western artists have gathered in vibrant art centers such as Paris, New York, London, and Berlin, and continue to do so. Nevertheless, international exchange on a more local level is also important. For example, contacts and exchanges between Sweden and Finland are, and have been tight for centuries. The two countries’ geographical proximity, a joint 700 years long history, and a widely established Nordic cooperation in general are some explanations for mutual interests, also in an increasingly globalized world.1 Finnish art and culture has a strong position in Sweden in many ways, for example, through a cultural institution, Finlandsinstitutet, in Stockholm, but Finnish artists also exhibit at Swedish art institutions, that is, Swedish art museums and art galleries.2 Purpose This thesis examines the internationalization of Finnish contemporary artists who have exhibited in Sweden. The focus is on their exhibitions at art institutions in Sweden, covering the period 2004–2013. By mapping the artists’ international contacts, I aim to investigate the processes that made these exhibitions possible, and in particular to uncover the contacts leading to exhibitions in Sweden. Questions I explore are: How do different actors, networks, collaborations, and the field of artistic production look like when Finnish art is exported to Sweden for exhibition purposes? What factors lead to that a younger generation of Finnish artists exhibits their art in Sweden? Scope In order to keep the thesis within reasonable limits, I will focus on art exhibitions at art institutions in Sweden, thus excluding commercial art galleries. -
Jesper Just Biography
JESPER JUST BIOGRAPHY Jesper Just Born in 1974 in Copenhagen, Denmark. Lives and works in New York EDUCATION 1997-2003 The Royal Danish Academy of Fine Arts. REPRESENTED BY Galleri Nicolai Wallner, Copenhagen Galerie Emmanuel Perrotin, Paris James Cohan Gallery, New York SOLO EXHIBITIONS 2011 ––– This Nameless Spectacle, MAC/VAL, Vitry-sur-Seine, France A Vicious Undertow, Single-Chanel Series, Des Moines Art Center, Des Moines, IA, USA John Curtin Gallery, Perth, Australia This Nameless Spectacle, BALTIC Centre for Contemporary Art, Gateshead, UK Photo Spring, Beijing, China MAP, Mobile Art Production, Stockholm, Sweden Le Mois de la Photo à Montréal, Montréal, Canada 2010 ––– ARTscape: Denmark – Jesper Just, Galerija VARTAI, Vilnius, Lithuania Jesper Just: Romantic Delusions, Tampa Museum of Art, Tampa, FL, USA 2009 ––– Invitation to Love, Kunstnernes Hus, Oslo, Norway Jesper Just, Centro de Arte Moderna José de Azeredo Perdigão - Fundação Calouste Gulbenkian, Lisbon, Portugal Tromsø Gallery of Contemporary Art, Norway 2008 ––– Romantic Delusions, Galerie Emmanuel Perrotin, Paris, France Romantic Delusions, Brooklyn Museum of Art, Brooklyn, NY, USA Romantic Delusions, U-turn / Kunsthallen Nikolaj, Copenhagen, Denmark A Voyage in Dwelling, Victoria Miro Gallery, London, England Jesper Just, La Casa Encendida, Madrid, Spain 2007 ––– A Vicious Undertow, Perry Rubenstein Gallery, New York Jesper Just, Kunsthalle Wien (Museumsquartier), Vienna Jesper Just, SMAK Stedelijk Museum voor Actuele Kunst, Gent Belgium Jesper Just, Witte de With Center -
Ryan Trecartin Bibliography
RYAN TRECARTIN BIBLIOGRAPHY Selected Monographs: 2019 Costa, Chiara, ed., Lizzie Fitch/Ryan Trecartin: Whether Line, published by Fondazione Prada, Milan, Italy, 2019 2015 Biesenbach, Klaus, Ellen Blumenstein, Stuart Comer, Laura Hoptman, and Thomas Miessgang, Lizzie Fitch/Ryan Trecartin: Site Visit, published by Walther König, Cologne, Germany, 2015 Luckraft, Paul, Maitreyi Maheshwari and Isabel Venero, eds., Fitch/Trecartin: Priority Innfield, published by Zabludowicz Collection, London, UK, 2015 2014 Marta, Karen, and Brian Roettinger, eds., Ryan Trecartin: Yet, published by Ullens Center for Contemporary Art, Beijing, China, and Walther König, Cologne, Germany, 2014 2011 Cornell, Lauren, Jeffrey Deitch, Lizzie Fitch, Kevin McGarry, Linda Norden, and Cindy Sherman, Ryan Trecartin published by Rizzoli, New York, NY, 2011 2008 McGarry, Kevin, I-Be Area, published by Hammer Museum, Los Angeles, CA, 2008 [exhibition brochure] Selected Catalogues and Publications: 2020 Brugger, Ingried and Bettina M. Busse, The Cindy Sherman Effect, published by Schirmer/Mosel, Munich, Germany 2020, pp. 56 – 57 [ill.] 2019 Biesenbach, Klaus and Bettina Funcke, eds., MoMA PS1: A History, published by The Museum of Modern Art, New York, NY, 2019, pp. 252 – 253 [ill.] 2018 Respini, Eva, ed., Art in the Age of the Internet, 1989 to Today, published by The Institute of Contemporary Art/Boston, Boston, MA, and Yale University Press, New Haven, CT, 2018, pp. 266 – 269 [ill.] Still Human, published by Rubell Family Collection, Miami, FL, 2018 2017 Phillips, Lisa, ed., 40 Years New, published by New Museum, New York, NY, and Phaidon Press, London, UK, 2017, p. 190 [ill.] Aarnio, Eija, Leevi Haapala, and Jari-Pekka Vanhala, eds., ARS 17: Hello World!, published by Kansalisgalleria, Helsinki, Finland, 2017, pp. -
Nathalie Djurberg & Hans Berg
NATHALIE DJURBERG & HANS BERG 25 JANUARY – 26 APRIL 2020 Nathalie Djurberg & Hans Berg, It Will End in Stars, 2018, virtual reality. Courtesy of the artist and Acute Art. It Will End in Stars (2018) is an immersive virtual reality experience combining Nathalie Djurberg’s distinctive sculpted figures with black and white charcoal drawings, text, and an un- settling soundtrack by Hans Berg. The work is a continuation of Djurberg’s interest in archetypal landscapes, evoking fairy tales first encountered in childhood. Viewers begin their journey deep in a forest, entering a clearing to discover a wooden cabin. Inside, a wolf sits in front of a glowing fire – the building’s chintz interior undercut by a creeping sense of unease. Hand-written text, which appears hanging in mid-air, conveys the wolf’s thoughts, merging digital technology with an aesthetic closer to silent cinema. He describes the virtual environment as the ‘shadowside’, delivering a confession that merges themes common in Djurberg’s practice; fear, guilt and animalistic impulse. Leipziger Strasse 60 T +49 30 921 062 460 [email protected] D 10117 Berlin www.jsc.art Painstakingly scanned and animated, Djurberg’s creature is responsive, meeting the viewer’s gaze and responding to their movements. The effect is disconcerting; we are uncomfortably aware of our status as watched intruder. Around the room, objects become portals into alternate dimen- sions: a skull becomes a route into a kaleidoscopic environment, while a shadowy enclave of the cabin opens out into a cavernous animated temple. This dream-like vision ends in a sprawling star-scape, removing any sense of time and space through a suggestion of infinity. -
Svět Jiné Hudby
Zdeněk K. Slabý, Petr Slabý Kniha vychází s laskavou podporou a za finančního přispění Ministerstva kultury České republiky © Zdeněk K. Slabý, Petr Slabý, 2007 © VOLVOX GLOBATOR, 2007 ISBN 978-80-7511-183-8 Vydalo nakladatelství & vydavatelství Volvox Globator Štítného 17, 130 00 Praha 3 www.volvox.cz jako svou 781. publikaci Obálka a grafická úprava Karel Haloun Odpovědný redaktor Ondřej Sýkora E-knihahttps://purehtml.cz Vydání první, Praha 2007 Adresa knihkupectví Volvox Globator: Štítného 16, 13000 Praha 3-Žižkov Předmluva aneb Alternativní verze doslovu Na počátku mé práce na tomto dílu Světa jiné hudby byla dvě slova. A ta slova byla Sun Ra. O něm jsem místopřísežně v nejrůznějších médiích slíbil, že ve druhém dílu napíšu stěžejní článek, a vrátilo se mi to jako bumerang. Toho jsem tedy dosáhl, i když by si tento zcela zásadní muzikant zasloužil celou knihu o několika tisících stránek. Přesto studium jeho odkazu pro mě znamenalo otevření dalších dimenzí pro další bádání a pochopení zcela nových věcí. Řada textů vznikla díky možnosti navštívit některé věhlasné světové festivaly, které se věnují alternativní hudbě a neberou ji jako okrajovou záležitost, ale šanci pro poznávání současných trendů. Byla to příležitost blíže poznat řadu umělců a v neposlední řadě pochopit fakt, že takzvaná „alternativa“ je otevřena každé vstřícné duši. A věřte, že na tyto akce v Rakousku či Francii chodí číratí punkáči i zasloužilí důchodci v oblecích a vytváří společnou komunitu lidí, kteří v jakémkoliv věku hledají nové impulsy a mají mnoho společného - totiž právě ono hledání. Tímto bych chtěl poděkovat jejich organizátorům. Opět se čtenáři i kritici budou ptát, proč zde to a tohle zrovna chybí, i když je to trendy nebo klasika nos plus ultra, a proč jsou zde zastoupeni relativně marginální muzikanti či soubory a proč zde relativně malý prostor dostala tentokrát domácí scéna. -
Manus Pagecv 4
Helgi Þorgils Friðjónsson born : 7th. March l953, Búðardalur, Dalasýsla, Iceland. Adress: Rekagrandi 8, lO7 Reykjavík, Iceland. tel: + 354 55 18797. Studio: Brautarholt 18, 105 Reykjavík. tel/fax: + 354 55 1O2O2 e mail : [email protected] Education: Icelandic Colege of art and craft, Reykjavík, 1971 – 1976. De Vrije Academie, Haag, Holland, 1976 – 1977. Jan van Eyck Academie, Maastricht, Holland, 1977 – 1979. One man exhibitions: 2013 Gerdarsafn, Kopavogur Art Gallery, Kopavogur. / Stalke, Sonnerup, Danmark. 2012 EG SE, For V. Brauner, A surreal atopos 1, Gallery Arkitektvägen 44, Stockholm, Sweden. / Manngerdir (Portret), Galleri Stafn, Reykjavik. / Familytree, with Holger Bunk and Lars Ravn, ASI Museum, Reykjavik. 2011 Hringekjuþrahyggja, with Birgir Snaebjorn Birgisson and Helgi Hjaltalin Eyjolfsson, Galleri Stafn, Reykjavik. / Fyrir Jean Leon Gerome, Galleri Listamenn, Reykjavik. 2010 Angurværð í minni, with Amelie Von Wulffen, Birgir Snæbjörn Birgisson, Helgi Hjaltalín Eyjólfsson, Listasafn Íslands / The National Art Gallery, Reykjavík. / Stripped away, Tintype Gallery, London 2009 Galerie Caesar, Oloumouc, Czech Republik. / Religious Dream (with Robert Devriendt), Galery Duet, Varese, Italy. 2008 Gallerí Terpentine, Reykjavik, Iceland. / Human Nature – Telling the Truth, Nord Atlantis Brygge, Köbenhavn, Danmark. 2007 Leifsbud ( with Einar Falur Ingolfsson ), Budardal, Dalasysla, Iceland. / H. Th. F. meets H. C. Andersen, Populus Tremula, Akureyri, Iceland. / Seal, Gallery Start Art, Reykjavik, Iceland. 2006 Galerie Leger, Malmö, Sweden. / Skard, Galleri Amina (with Einar Falur Ingólfsson), Reykljavik, Iceland. / Viaggio in Islanda, Galery Duet (with Salvo), Varese, Italy. 2005 Galerie der Stadt Salzburg im Mirabellgarten (with Eggert Petursson), Austria / The Beauty of Mwelancoly, Akureyri Art Museum, Akureyri, Iceland. / ASI Museum, Reykjavik, Iceland. / 101 Galleri, Reykjavik, Iceland. 2004 Sleeper Gallery, Edinburgh, Scotland. -
Stanford Auctioneers Pop, Modern, Contemporary Art & Photography
Stanford Auctioneers Pop, Modern, Contemporary Art & Photography Saturday – September 19th, 2015 www.stanfordauctioneers.com | [email protected] 1: JEAN-MICHEL BASQUIAT - Oil pastel and crayon on paper USD 20,000 - 25,000 Jean-Michel Basquiat (American, 1960-1988). "Babylonians". Oil pastel and crayon on paper. c1984. "Signed" in the image with the artist's trademark "crown" logo. Fine condition - as drawn. Provenance: Estate of a private collector, New York City, acquired directly from the artist. Image copyright © Artists Rights Society (ARS), New York. Overall size: 11 5/8 x 16 1/2 in. (295 x 419 mm). [28746] |12000| {R100} (TL3) uzzzz~uozzz 2: JEAN-MICHEL BASQUIAT - Color offset lithograph USD 1,200 - 1,500 Jean-Michel Basquiat (American, 1960-1988). "Dog Bite [postcard edition]". Color offset lithograph. 1983. Signed in black marker. Edition unknown. Wove paper. The full sheet. Fine impression. Fine condition. The painting is in the collection of the Museum Boymans-van-Beuningen, Rotterdam. Image copyright © Artists Rights Society (ARS), New York. Overall size: 4 1/8 x 6 in. (105 x 152 mm). [28720] |800| {R100} (TL1) tuzz~tozz 3: JEAN-MICHEL BASQUIAT - Color lithograph USD 2,000 - 2,500 Jean-Michel Basquiat (American, 1960-1988). "Hamlet". Color lithograph. 1987. Signed in black marker, lower left. Edition unknown, probably very small. Very light cream wove paper. The full sheet. Fine impression. Very good condition. Basquiat posters are rare. We have located only 11 auction sales of his "lifetime" posters at auction, and not our example, which has not been offered before at auction. Issued for the Hartford Stage's production of Shakespeare's "Hamlet" which ran from October 3 to November 7, 1987, Hartford, Connecticut. -
Dolven AK Bio (AWG)
ANTHONY WILKINSON A K DOLVEN Lives and works in Oslo and Lofoten, Norway. 1953 Born in Oslo 1972–1973 École des Beaux-Arts Aix-en-Provence 1978–1979 École National Supérieur des Beaux-Arts, Paris 1982–1986 Statens Kunstakademi, Oslo 1987–1988 Norwegian Ministry of Foreign Affairs grant, Künstlerhaus Bethanien, Berlin Selected Solo Exhibitions (*forthcoming) 2021 The New National Museum, Oslo, Norway* (Retrospective exhibition) 2019 Trondheim Kunstmuseum, Trondheim, Norway* 2018 Galerie Anhava, Helsinki, Finland* 2017 what do i do with the world, Galleri Bo Bjerggaard, Copenhagen, Denmark 2016 A Other Teenager, OSLcontemporary, Oslo, Norway ahead, Svalbard Kunsthalle, Longyearbyen, Norway 2015 please return, IKON Gallery, London, UK 2014 teenagers lifting the sky, Wilkinson Gallery, London, UK 2013 when I discovered the end I wanted to live really long , Kunsthall 44 Moen –Rene Block, Moen, Denmark 2011 Shining Light, Galleri Elverket, Ekenas, Finland change my way of seeing Part II, Galleri MGM, Oslo, Norway change my way of seeing Part I, Galleri MGM, Oslo, Norway vertical on my own, Galleri Bo Bjerrgaard, Copenhagen, Denmark 2010 the day the sky became my ground, Sörlandets Kunstmuseum, Norway looking for balance, Platform China, Beijing, China the day the sky became my ground, Wilkinson Gallery, London, UK 2009 ahead, Nordnorsk Kunstmuseum, Tromsø, Norway Just another shadow, Stanley Picker Gallery, Kingston Upon Thames, UK 2007 Værker, Galleri Bo Bjerggaard, Copenhagen, Denmark bring me back, Galerie Anhava, Helsinki, FInland what -
Matts Leiderstam
Matts Leiderstam Born 1956 in Gothenburg, Sweden Lives and works in Stockholm, Sweden Matts Leiderstam Panel (57), 2020 Oil and acrylic on poplar panel 29 x 38 cm 11 3/8 x 15 in. Matts Leiderstam Panel (61), 2020 Oil and acrylic on poplar panel 37 x 51 cm 14 5/8 x 20 1/8 in. Matts Leiderstam Panel (55), 2020 Oil and acrylic on poplar panel 37 x 45 cm 14 5/8 x 17 3/4 in. Matts Leiderstam Panel (48), 2020 Oil and acrylic on poplar panel 49 x 69 cm 19 1/4 x 27 1/8 in. Matts Leiderstam Panel (47), 2020 Oil and acrylic on poplar panel 34 x 49 cm 13 3/8 x 19 1/4 in. Matts Leiderstam Panel (60), 2020 Oil and acrylic on poplar panel 37 x 51 cm 14 5/8 x 20 1/8 in. Matts Leiderstam Panel (59), 2020 Oil and acrylic on poplar panel 37 x 51 cm 14 5/8 x 20 1/8 in. Matts Leiderstam Archived (Bloom), 2020 File cover, inkjet print and crayon on "Svenskt Arkiv" A4 paper 37 x 52 cm 14 5/8 x 20 1/2 in. Note: inc. frame Matts Leiderstam Archived (The Edges), 2020 File cover, inkjet print and crayon on "Svenskt Arkiv" A4 paper 37 x 52 cm 14 5/8 x 20 1/2 in. Note: incl. frame Matts Leiderstam Archived (Meetings), 2020 File cover, inkjet print and crayon on "Svenskt Arkiv" A4 paper 37 x 52 cm 14 5/8 x 20 1/2 in. -
“The Future Generation Art Prize @ Venice” Collateral Event of the 54Th International Art Exhibition – La Biennale Di Venezia
“The Future Generation Art Prize @ Venice” Collateral Event of the 54th International Art Exhibition – la Biennale di Venezia The PinchukArtCentre and the Victor Pinchuk Foundation are proud to present the exhibition “The Future Generation Art Prize @ Venice”, featuring 19 artists from 18 different countries who were shortlisted in the first global art prize competition. The project — an official Collateral Event of the 54th International Art Exhibition - la Biennale di Venezia — will be on view at the Palazzo Papadopoli from 4 June till 7 August, 2011. The hours are 10:00 – 18:00 daily (closed on Mondays). The exhibition showcases 19 independent artists’ statements, including the winners, Cinthia Marcelle (Main Prize), Nicolae Mircea (Special Prize) and Artem Volokytin, the first winner of the PinchukArtCentre Prize in 2009. This complex and dynamic view of a new generation of artists will be a major contribution to the 54th International Art Exhibition – la Biennale di Venezia, “ILLUMInations,” whose title literally draws attention to the importance of global artistic developments. With its strength and innovative profile, “The Future Generation Art Prize @ Venice” embodies this forward thinking. Of the groups of works to be shown, 13 were made especially for the Future Generation Art Prize, and 7 will be given their premieres in Venice. The artists in the exhibition are: Ziad Antar, Lebanon; Fikret Atay, Turkey; Cao Fei, China; Keren Cytter, Israel; Nathalie Djurberg, Sweden; Nicholas Hlobo, South Africa; Clemens Hollerer, Austria; Runo Lagomarsino, Sweden; Cinthia Marcelle, Brazil; Mircea Nicolae, Romania; Ruben Ochoa, United States; Wilfredo Prieto, Cuba; Katerina Seda, Czech Republic; Guido van der Werve, Netherlands; Nico Vascellari, Italy, Jorinde Voigt, Germany; Artem Volokytin, Ukraine; Emily Wardill, United Kingdom; Hector Zamora, Mexico. -
程鶔窣٥䗞 倛㢵㜉 Thordis Adalsteinsdottir
Adalsteinsdottir 程鶔窣٥䗞⚸倛㢵㜉 Thordis 1975 欰倴ⱺ䃋ꨮ⯘꧉笞⯘ Born in Reykjavı́k, Iceland 2001-2003 秣秉鋕錏谁遯㷸ꤎ繡遯焚㡦 School of Visual Arts, MFA Program, New York 1999-2000 銯棵暆䊼㝱ꥑ秝㣐㷸 Universidad de Barcelona 1966-1999 ⱺ䃋谁遯㷸ꤎ繡遯㷸㡦 Icelandic Academy of Arts, BFA Program 栽栁莅㷸遯䧭㽠 Honors/Awards/Lectures 2013-2014 Artist in residence and guest lecturer at Chiang Mai University, Thailand 2013 Socrates Sculpture Park, Emerging Artist Fellowship Award and Residency 2012 NYFA fellowship award 2011 Gudmunduverdlaunin, Awarded by the Reykjavik Art Museum 2010 Three Month Teaching Fellowship at the Icelandic Art Academy 2008 Carnegie Art Award, Travelling Europian Exhibition 2008 Two Years Stipendum from The Icelandic Government (Icelandic Artist fund) 2007 Lecture, FAU, Florida 2007 Lecture, studio visits, University of Tennessee, Knoxville Tennessee 2006 Art Omi NY Residency 2006 Lecture, Icelandic academy of arts, Iceland 2005 Round table discussion, Studio visits, University of Winnipeg, Canada 2004 Annual Penninn Award, Reykjavik, Iceland 1998 Prize won for Interactive Car Sculpture, at Stockholm culture city 1998 1998 Lecture at Aalborg art school, Denmark 礶鼇⦐㾝 Solo exhibitions 2016 շOther Voices, Other Roomsո, Nunu Fine Art, Taipei 2015 շWilling to go onո, Stux Gallery, New York շHarden Your Heartո, Listasalur Mosfellsbæjar, Mosfellsbær, Iceland շCome Closer When the Ground is Wetո, Specta Galleri, Copenhagen 2014 շAndraո, Art Gallery of Faculty of Fine Arts, Chiang Mai Thailand 2012 շCall On Me With Your Softnessո, Stux Gallery, New York 2011 շStudiesո, Specta