School of Art 2005–2006

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School of Art 2005–2006 ale university May 10, 2005 2006 – Number 1 bulletin of y Series 101 School of Art 2005 bulletin of yale university May 10, 2005 School of Art Periodicals postage paid New Haven, Connecticut 06520-8227 ct bulletin of yale university bulletin of yale New Haven Bulletin of Yale University The University is committed to basing judgments concerning the admission, education, and employment of individuals upon their qualifications and abilities and affirmatively seeks to Postmaster: Send address changes to Bulletin of Yale University, attract to its faculty, staff, and student body qualified persons of diverse backgrounds. In PO Box 208227, New Haven ct 06520-8227 accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against any individual on PO Box 208230, New Haven ct 06520-8230 account of that individual’s sex, race, color, religion, age, disability, status as a special disabled Periodicals postage paid at New Haven, Connecticut veteran, veteran of the Vietnam era, or other covered veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation. Issued seventeen times a year: one time a year in May, November, and December; two times University policy is committed to affirmative action under law in employment of women, a year in June; three times a year in July and September; six times a year in August minority group members, individuals with disabilities, special disabled veterans, veterans of the Vietnam era, and other covered veterans. Managing Editor: Linda Koch Lorimer Inquiries concerning these policies may be referred to Valerie O. Hayes, Director of the Editor: David J. Baker Office for Equal Opportunity Programs, 104 W. L. Harkness Hall, 203.432.0849. Editorial and Publishing Office: 175 Whitney Avenue, New Haven, Connecticut In accordance with both federal and state law, the University maintains information con- Publication number (usps 078-500) cerning current security policies and procedures and prepares an annual crime report con- cerning crimes committed within the geographical limits of the University. Upon request Printed in Canada to the Office of the Secretary of the University, PO Box 208230, New Haven ct 06520-8230, 203.432.2310, the University will provide such information to any applicant for admission. The closing date for material in this bulletin was April 2, 2005. The University reserves the right to withdraw or modify the courses of instruction or to In accordance with federal law, the University prepares an annual report on participation change the instructors at any time. rates, financial support, and other information regarding men’s and women’s intercollegiate athletic programs. Upon request to the Director of Athletics, PO Box 208216, New Haven ©2005 by Yale University. All rights reserved. The material in this bulletin may not be ct 06520-8216, 203.432.1414, the University will provide its annual report to any student or reproduced, in whole or in part, in any form, whether in print or electronic media, without prospective student. written permission from Yale University. For all other matters related to admission to the School of Art, please telephone the Admissions Office, Content 203.432.2600. Questions regarding the editorial content of this publication may be referred to Patricia Ann DeChiara, Director of Academic Affairs, Yale School of Art. Telephone Numbers at the Yale School of Art Dean’s Office 203.432.2606 Inquiries Academic Affairs 203.432.2600 All inquiries regarding admission to graduate programs in art and requests for application Financial Affairs 203.432.2605 forms should be addressed to the Office of Academic Affairs, Yale School of Art, 1156 Chapel Graphic Design and Photography Street, PO Box 208339, New Haven ct 06520-8339, or telephone 203.432.2600. (School of Faculty Offices 203.432.2622 Art bulletins are mailed through periodicals postage and usually take at least three weeks to Design Studios 203.432.2626 reach their destinations. If first-class postage is preferred, please send $2 with your request.) Darkrooms 203.432.2611 Painting/Printmaking, 353 Crown Street The text has been printed on recycled paper. Faculty Offices 203.432.9109 Ground-Floor Studios 203.432.9143 First-Floor Studios 203.432.2616 Second-Floor Studios 203.432.1208 Printshop 203.432.2614 Sculpture Studios, Hammond Hall, 14 Mansfield Street 203.432.5286 Faculty Offices 203.432.9109 School of Art 2005–2006 bulletin of yale university Series 101 Number 1 May 10, 2005 er sh Fi et Stre nner tis Ca ur y C m lla Be treet Cottage S ty ni d vi l an 59 Di o u 4 ho rq l f Sc a e o c M ap te si Ch itu u st M In ed cr DQ Sa S reet Lawrence St yale university campus north l na io at se s rn ou tt te H e e In B us Ho y S le t ee b er ry . r a o R G L l itn at al al Le rv o i H e n or h bs et m rs O a wards Stre e n Ed M Ma S le t b t r a c e in je P ta ro e r us P t o S d s o n p Fo e ge e rd a c a ar t G G S ge t a r S sh al e n- ar ic e o M n t rs ta n ie Bo e P Bishop Street rd t Ga ree 40 s St 3 ard 0 t ab dw 36 gh L E ri ar 0 W le 38 uc 54 L N 1 19 g A 0 n E > ce 3 of di Pla ss ry il side la ist Bu Hill C m h he rc NORTH 4 C ea 50 t 1 es 3 gh 3 R ri ar Hum W le t phrey Street c es Nu W b e try La 0 lin is 31 K em Ch b La er nt Ce n s io as at y g B rm og lin ry fo ol er ist In n 6 St m ch es 27 e Te ic Ch rv b e a ab S 1 y L L 2 ne bs 2 it ib h ue 54 e G W n 2 in y ve ge Kl og A ra et ol a tre Bi er G d S ow lan T od 30 ne Wo 2 oa s Sl ic b ys b La Ph La ne y li og K ol Ge - ge s Sa er w e W 10 Bo ag l h 2 al -S t H n n i o la t et rs P n e e re i er y t P 4 d y S ow 5 o on P 19 al ab m A 81 t v pt 2 of n Pe eu 1 m 20 s e us e s m n Co a n M l u C iro nv ce e E en 75 ci r 1 P S te r en o C t s 55 e p n 1 e s e r r ll o t a c sb g t O S In bs r nk S La 8 e i t 5 t R r 1 s e w b M e o e s h a t t n rc e a t W n Stre v o s E H l e f hem ll l i Sac n a a e e atso H H r ld W t ter S W S Cen i t n n r s l c e r h e 0 de 1 o e 7 5 c s t un f t t o o n n l i er F l o e ch l o m a L A a h e b ll s v 0 0 H Sc ag in a t’ en 8 4 an te H en Br u 1 M S id adley Street e es n Pr se t o 6 u e s 4 o e ld s H r a n t dd n o S y o m u ar D l M r om 4 o b 2 37 t Li C 1 s i 00 r 1 8 B 3 ad ll gr s Ha er on 35 nd si nd U is l r o ace dm al te m ct Pl A H n ) m 4 spe ce in e 5 Ha Pro ct Lu w C 00 e ll ll se 2 et sp Ha A o r tre ro 0 R te k S P ce 3 af oc 8 a ( L Pl 7 2 from I-91 28 87 Can 9 7 8 H al S 7 42 t i 4 re et l e tre l t S h bull 24 3 Trum o -4 43 g u 2 in s 43 e r e t ee ua s n A d e gi ch lth l ra ic En ar v a es n al 5 g rv e e r se g H ic le H 5 e Se GROVE STREET Re in n rv e ey 58 nd r d u e H l e il S d U re Bu e Ha a CEMETERY n C tso Wa 5 ll et 40 Ha Le r ve li 5 Audubon Street O 1 b e on La c ct n a e o l B s P s m a ie a M W e v h 6 a n h k 2- D u a 0 D i 1 b t L a n L e P y T n r 6 e a 9 e o A m - m n r 0 c A s v a e 9 a s p e L t l p n e h e d n e P c m n r l w c a e C e n l e y u e e u t t n e N id ir r n e r s n K a S it a e S W e ld h s t R S t u e W e u l r f v l t r o n l q a r H e e l o e H e e s a r r S S 0 e o H G a e e S 7 R u 3 t k t t S q r S e o yn y Y al a ne tr P it n ty Grove Street h Ce er si W m w er s y Po t iv on G an n m 5 Pl U m 26 Co 0 25 y y th se o t l ol an im h ia y g o m T ig nc S a lin HEW W l li w a IS w of r e ITT al il D in O 6 k l te te k H S F d 4 r al a S gs ec t n 2 s a H du w n n en a n P e a s a di ei y QUAD e d s ki rs r ie L il B ar dg 3 tu ce p r o G d u br ri 49 S vi m e M tu B Li b r ey s To w S od Se tn ie y o o hi it a e T W l W an R us al m o H Hu er H Wall Street nt Continued on next page Ce ra ue z s g l 90 0 66 E le y ra ll ke - 8 ti ff le p a c ll 82 a S O s ic e S H oe a fk y y’ us y rk t H li a or M ar e S S 0 dw r M r B H 32 e a te ib L L al ro a L ng CC W 1 Y e B he rli l 45 or T te ia st S or k r g m ry oo te in e ra CROSS CAMPUS e B en rit n M ib al B t L t W r C W tio Y ss Tru o - 43 g u 32 in s 4 e r e t ee ua s n A d e gi ch lth l ra ic En ar v a es n al 5 g rv e e r se g H ic le H 5 e Se GROVE STREET Re in n rv e ey 58 nd r d u e H l e il S d U re Bu e Ha a CEMETERY n C tso Wa 5 ll et 40 Ha Le r ve li 5 Audubon Street O 1 b e on La c ct n a e o l B s P s m a ie a M W e v h 6 a n h k 2- D u a 0 D i 1 b t L a n L e P y T n r 6 e a 9 e o A m - m n r 0 c A s v a 9 a s p e L te l p n e h e d n e P c m n r l w c e C e n la e y u e e u t t n e N id ir r n e r s n K a S it a e S W e ld h s t R S t u e e u l r f W v l t r o n l q a r H e e l o e H e e s a r r S S 0 e o H G a e e S 7 R u 3 t k t t S q r S e o l yn ey Y a Pa tn tr Grove Street hi en r ity W C e rs m ow ve ns y P nt ni o G la U m 65 P om 2 C 50 y 2 y th se o t l ol an im h ia y g o m T ig nc S a f lin HEWIT W l li w a IS w o r e T al il D in O 6 k l te te k H S F d 4 r al a S gs ec t n 2 s a H du w n n en a n P e a s a i ei y QUAD e d s ki rs r ie L ild B ar dg 3 tu ce p r o G d u br ri 49 S vi m e M tu B Li b r ey s To w S od Se tn ie y o o hi it a e T W l W an R us al m o H Hu er H Wall Street nt Ce ra ue z s g l 90 0 66 E le y ra ll ke 2- 8 ti ff le p a c ll 8 a S O s ic e S H oe a fk y y’ us y rk t H li a or M ar e S S 0 dw r M r B H 32 e a te ib g L L al ro a L n CC W 1 yale university campus south & yale medical center Y e B he rli l 45 or T te ia t S or ks r g m ry oo te in e ra CROSS CAMPUS e B en rit n M ib al B t L t ro C W io Y s t W t s e a e ha d r c h e e w o r e l u g e e le a f r t i P 2 r y t e 0 r y r A s e L t 3 t ve In ll t n e S u a S S e r H r t o e t e e i h i l S r s r g d i e c V p l t r n n n k ul y u e n r 3 u e e a b l o H l 4 m e h C r o l 1 h m rk al a 9 e Y u 4 O H T Tr Be C 1 C n io at Elm Street St ce e ffi e ll Elm Street al O fe te Y st ur at el Po - D B ap an h s 4 k m C a l 25 o an t om e ro L gh am h ap yb ri rn .
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  • Luis Gispert
    LUIS GISPERT Born 1972 | Lives and works in Brooklyn NY, USA EDUCATION 2001 MFA, Sculpture, Yale University, New Haven CT, USA 1996 BFA, Film, The School of the Art Institute of Chicago IL, USA 1994 Miami Dade College FL, USA SOLO EXHIBITIONS 2017 Landline | MAKASIINI CONTEMPORARY, Turku, Finland 2016 Between Us and The World | Zidoun-Bossuyt, Luxembourg 2015 Aqua Regia | Moran Bondaroff Gallery, Los Angeles CA, USA Block Watcing | Landmarks, University of Texas at Austin, Austin Texas TX, USA 2014 Reckon Without | Mallorca Landings, Palma de Mallorca, Spain Tender Game | David Castillo Gallery, Miami FL, USA 2013 Antena | Mendes Wood Galllery, São Paulo, Brazil 2012 All Oyster, No Pearl | OHWOW Gallery, Los Angeles CA, USA Pin, Pan, Pun | Rhona Hoffman Gallery, Chicago IL, USA 2011 Decepcion | Mary Boone Gallery, New York NY, USA Decepcion | Mallorca Landings, Palma de Mallorca, Spain Centre Cultural Contemporani Pelaires, Palma de Mallorca, Spain 2010 Galerie Zidoun, Luxembourg 2009 Luis Gispert | Museum of Contemporary Art, North Miami FL, USA Rhona Hoffman Gallery, Chicago IL, USA Otereo Plassert Gallery, Los Angeles CA, USA 2008 Heavy Manner | Fredric Snitzer Gallery, Miami FL, USA El Mundo Es Tuyo (the world is yours) | Zach Feuer Gallery El Mundo Es Tuyo (the world is yours) | Mary Boone Gallery, New York NY, USA 2005 Luis Gispert & Jeffrey Reed: Stereomongrel | The Whitney Museum, New York NY, USA Luis Gispert & Jeffrey Reed: Stereomongrel | Zach Feuer Gallery (LFL), New York NY, USA Luis Gispert & Jeffrey Reed: Stereomongrel |
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  • School of Art 2016–2017
    BULLETIN OF YALE UNIVERSITY BULLETIN OF YALE BULLETIN OF YALE UNIVERSITY Periodicals postage paid New Haven ct 06520-8227 New Haven, Connecticut School of Art 2016–2017 School of Art 2016–2017 BULLETIN OF YALE UNIVERSITY Series 112 Number 1 May 15, 2016 BULLETIN OF YALE UNIVERSITY Series 112 Number 1 May 15, 2016 (USPS 078-500) The University is committed to basing judgments concerning the admission, education, is published seventeen times a year (one time in May and October; three times in June and employment of individuals upon their qualifications and abilities and a∞rmatively and September; four times in July; five times in August) by Yale University, 2 Whitney seeks to attract to its faculty, sta≠, and student body qualified persons of diverse back- Avenue, New Haven CT 0651o. Periodicals postage paid at New Haven, Connecticut. grounds. In accordance with this policy and as delineated by federal and Connecticut law, Yale does not discriminate in admissions, educational programs, or employment against Postmaster: Send address changes to Bulletin of Yale University, any individual on account of that individual’s sex, race, color, religion, age, disability, PO Box 208227, New Haven CT 06520-8227 status as a protected veteran, or national or ethnic origin; nor does Yale discriminate on the basis of sexual orientation or gender identity or expression. Managing Editor: Kimberly M. Go≠-Crews University policy is committed to a∞rmative action under law in employment of Editor: Lesley K. Baier women, minority group members, individuals with disabilities, and protected veterans. PO Box 208230, New Haven CT 06520-8230 Inquiries concerning these policies may be referred to Valarie Stanley, Director of the O∞ce for Equal Opportunity Programs, 221 Whitney Avenue, 3rd Floor, 203.432.0849.
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  • THE SHAPE-SHIFTER How Lynda Benglis Left the Bayou and Messed with with the Establishment
    THE SHAPE-SHIFTER How Lynda Benglis left the bayou and messed with with the establishment BY M.H. MILLER Senior Editor You notice her face first. This is odd, because she’s nude, her body bronzed and oiled, with one wiry arm holding a large dou- ble-sided dildo between her legs. Her eyes aren’t even in play; a pair of white sunglasses covers them. The focus is really on her face, framed by an androgynous hairstyle that could have been cut and pasted from the cover of David Bowie’s Aladdin Sane. Her eyebrows are shaved. Her expression, to the extent that it’s readable, rests somewhere between a smirk and a grimace. Lynda Benglis was about to turn 33, and she wanted her nude self-portrait to run alongside a feature article about her by Robert Pincus-Witten in the November 1974 issue of Artforum. John Coplans, Artfo- rum’s editor, wouldn’t allow that, so her dealer at the time, Paula Cooper Gallery, took out an ad, which cost $2,436. Benglis paid for it, which involved a certain amount of panic. In the middle of October, as the issue was getting ready to go to the printer, she reached out to Cooper, frantically trying to track down collectors with outstanding payments so she could put the money toward the ad. “Everyone seems out to get me,” she wrote. Benglis’s ad might have been written off as a quirky footnote for an artist who would go on to become a pioneer of contemporary art in numerous guises, from video to sculpture to painting and beyond.
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