Helen & Marc Younger [email protected] POTTER
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Fabulous Original Freddy Artwork by Wiese 152
914.764.7410 Pg 22 Aleph-Bet Books - Catalogue 90 FABULOUS ORIGINAL FREDDY ARTWORK BY WIESE 152. (BROOKS,WALTER). FREDDY THE PIG ORIGINAL ART. Offered here is RARE BROWN TITLE an original pen and ink drawing by Wiese that appears on page 19 of Wiggins for AS GOLDEN MACDONALD President (later re-issued as Freddy the Politician). The image measures 8” wide 156. [BROWN,MARGARET WISE]. BIG x 12.5” high mounted on board and is signed. The caption is on the mount and DOG LITTLE DOG by Golden Macdonald. reads” Good morning , Sir, What can we do for you?” Depicted are John Quincy Garden City: Doub. Doran (1943). 4to Adam and Jinx along with the hatted horse and they are addressing a bearded (9 1/4” square), cloth, Fine in dust wrapper man in a hat. Original Freddy work is rare. $2400.00 with some closed edge tears. 1st ed.. The story of 2 Kerry Blue terriers, written by Brown using her Golden Macdonald pseudonym. Illustrated by Leonard Weisgard and printed in the Kerry Blue color of the real dogs. One of her rarest titles. $450.00 LEONARD WEISGARD ILLUSTRATIONS 157. BROWN,MARGARET WISE. GOLDEN BUNNY. NY: Simon & Schuster (1953). Folio, glazed pictorial. boards, cover rubbed else VG. 1st ed. The title story plus 17 other stories and poems by Brown, illustrated by LEONARD WEISGARD with fabulous rich, full page color illustrations covering every page. A Big Golden Book. $200.00 158. BROWN,PAUL. HI GUY THE CINDERELLA HORSE. NY: Scribner (1944 A). 4to, cloth, Fine in sl. worn dust wrapper. -
Edmund Dulac
Edmund Dulac JONKERS RARE BOOKS EDMUND DULAC JONKERS RARE BOOKS 1. Stories From The Arabian Nights Retold by Laurence Housman DULAC, Edmund Hodder and Stoughton, 1907. First Dulac edition, Edition de Luxe. Number 188 of 350 deluxe copies signed by Edmund Dulac. 4to. Full white vellum with gilt lettering and vignettes in blue and gold. Top edge gilt and others untrimmed. Printed on hand made paper. Colour frontis and 49 other colour plates all mounted onto grey art paper and protected by captioned tissue guards. A near fine, bright copy of Dulac’s first major gift book. Vellum uncommonly clean, occasional spots of foxing to the tissue guards. [39778] £2,750 This book is Dulac’s first major commission. It is an impressive volume, including stories from the Arabian Nights, such as Ali Baba and the Forty Thieves and The King of the Ebony Isles. The publishers commis- sioned Dulac with the aim of competing for market share with the books illustrated by Arthur Rackham. This deluxe version of the Christmas Gift Book showed what a good choice they made. Dulac’s colour palette of deep blue shades is a triumph, transporting the reader to the sultry evenings of the Middle East. EDMUND DULAC JONKERS RARE BOOKS 2. Stories From The Arabian Nights Retold by Laurence Housman DULAC, Edmund Hodder and Stoughton, 1907. First edition. 4to. Brown buckram with embossed decoration in gilt and blue. Colour frontis and 49 other colour plates all mounted onto grey art paper and protected by captioned tissue guards. The pates are fresh and crisp, not creasing, although one has a tiny corner scuff. -
Making Amusement the Vehicle of Instruction’: Key Developments in the Nursery Reading Market 1783-1900
1 ‘Making amusement the vehicle of instruction’: Key Developments in the Nursery Reading Market 1783-1900 PhD Thesis submitted by Lesley Jane Delaney UCL Department of English Literature and Language 2012 SIGNED DECLARATION 2 I, Lesley Jane Delaney confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. ––––––––––––––––––––––––––––––––––––––– ABSTRACT 3 ABSTRACT During the course of the nineteenth century children’s early reading experience was radically transformed; late eighteenth-century children were expected to cut their teeth on morally improving texts, while Victorian children learned to read more playfully through colourful picturebooks. This thesis explores the reasons for this paradigm change through a study of the key developments in children’s publishing from 1783 to 1900. Successively examining an amateur author, a commercial publisher, an innovative editor, and a brilliant illustrator with a strong interest in progressive theories of education, the thesis is alive to the multiplicity of influences on children’s reading over the century. Chapter One outlines the scope of the study. Chapter Two focuses on Ellenor Fenn’s graded dialogues, Cobwebs to catch flies (1783), initially marketed as part of a reading scheme, which remained in print for more than 120 years. Fenn’s highly original method of teaching reading through real stories, with its emphasis on simple words, large type, and high-quality pictures, laid the foundations for modern nursery books. Chapter Three examines John Harris, who issued a ground- breaking series of colour-illustrated rhyming stories and educational books in the 1810s, marketed as ‘Harris’s Cabinet of Amusement and Instruction’. -
Hail to the Caldecott!
Children the journal of the Association for Library Service to Children Libraries & Volume 11 Number 1 Spring 2013 ISSN 1542-9806 Hail to the Caldecott! Interviews with Winners Selznick and Wiesner • Rare Historic Banquet Photos • Getting ‘The Call’ PERMIT NO. 4 NO. PERMIT Change Service Requested Service Change HANOVER, PA HANOVER, Chicago, Illinois 60611 Illinois Chicago, PAID 50 East Huron Street Huron East 50 U.S. POSTAGE POSTAGE U.S. Association for Library Service to Children to Service Library for Association NONPROFIT ORG. NONPROFIT PENGUIN celebrates 75 YEARS of the CALDECOTT MEDAL! PENGUIN YOUNG READERS GROUP PenguinClassroom.com PenguinClassroom PenguinClass Table Contents● ofVolume 11, Number 1 Spring 2013 Notes 50 Caldecott 2.0? Caldecott Titles in the Digital Age 3 Guest Editor’s Note Cen Campbell Julie Cummins 52 Beneath the Gold Foil Seal 6 President’s Message Meet the Caldecott-Winning Artists Online Carolyn S. Brodie Danika Brubaker Features Departments 9 The “Caldecott Effect” 41 Call for Referees The Powerful Impact of Those “Shiny Stickers” Vicky Smith 53 Author Guidelines 14 Who Was Randolph Caldecott? 54 ALSC News The Man Behind the Award 63 Index to Advertisers Leonard S. Marcus 64 The Last Word 18 Small Details, Huge Impact Bee Thorpe A Chat with Three-Time Caldecott Winner David Wiesner Sharon Verbeten 21 A “Felt” Thing An Editor’s-Eye View of the Caldecott Patricia Lee Gauch 29 Getting “The Call” Caldecott Winners Remember That Moment Nick Glass 35 Hugo Cabret, From Page to Screen An Interview with Brian Selznick Jennifer M. Brown 39 Caldecott Honored at Eric Carle Museum 40 Caldecott’s Lost Gravesite . -
Download Article
Advances in Social Science, Education and Humanities Research, volume 368 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019) Edmund Dulac's Book Graphics and the Problem of Orientalism in British Illustration of Edwardian Era and the Second Decade of XXth Century Dmitry Lebedev Department of Modern and Contemporary Western Art State Institute for Art Studies (SIAS) Moscow, Russia E-mail: [email protected] Abstract—At the turn of the XIX-XX centuries, Europe- of oriental XIXth and early XXth century artists. Though in wide enthusiasm about the Eastern art, which varied from reality the term is much more layered, because it Iranian miniature to Japanese engraving, led to the popularity incorporates not only the use of Oriental motifs, but also a of many artists whose works were impacted by Orientalism. In deep imitation of the style and composition of the Eastern art, these circumstances, large London publishers, annually understanding of their narrative and coloristic structures. The producing luxury gift books for Christmas, trying to adjust to use of this art and its achievements sometimes even led to the mass excitement around the Eastern art, invited young and new artistic forms arising from a synthesis of cultures. promising graphic artists to illustrate these publications. Among the invited artists who actively cooperated with such In the mid-nineteenth century Eastern countries were publishers was the outstanding French-English illustrator represented in the European paintings in the classical Edmund Dulac (1882-1953). The article reveals one of the key (academic) manner that was understandable and clear to the aspects of Dulac's oeuvre. -
A Victorian Artists Haven. Wormley and Sandhills
Walk 5 A Victorian Artists’ Haven Wormley and Sandhills Map: OS Explorer 133 – Haslemere & Petersfield Scale 1:25,000 Start: Park in New Road on single yellow line after 10 am or in the station car park (there is a charge). Alternatively park in Brook Road or come by train. Grid Ref: New Road: SU957378 Distance: 5km/3 mile over easy terrain using both the public roads (with and without pavements) and public footpaths that can be muddy in wet weather. Please Note: All the properties mentioned on this walk are privately owned and permission has not been requested to walk on their land. 1 Walk 5 A Victorian Artists’ Haven Wormley and Sandhills Directions No artistic colony can ever have been more agreeable than the little community that flourished at Witley in the second half of the 19th Century. Of the 25 distinguished writers and painters who lived in this area between 1860 and 1905 over half of them resided in this small area in the south of the parish, attracted down from London with the arrival of the railways. With your back to the A283 walk up New Road to Combe Lane, cross over and proceed ahead to Witley station. Proceed to the top of the station car park and take the public footpath over the railway line and continue ahead over a cross roads. When the footpath meets a road turn left. Redlands is on your left. Arthur Melville RWS, ARSA (1855-1904) rented the house from his friend Walford Graham Robertson. The Studio is next to Redlands. -
Edmund Evans Collection
EDMUND EVANS COLLECTION Edmund Evans collection ................................................................................................... 4 Biographical sketch ......................................................................................................... 4 Scope and content ........................................................................................................... 4 Custodial history ............................................................................................................. 5 Related material in the Osborne Collection .................................................................... 5 Series and Items .................................................................................................................. 6 Series 1: The Alphabet of Flowers for Good Children .................................................. 6 The Alphabet of Flowers/for Good Children .............................................................. 6 A for anemones… ....................................................................................................... 6 B for the blue-bell… ................................................................................................... 6 C for convolvulus… .................................................................................................... 6 D is the daisy… ........................................................................................................... 6 E is the eglantine briar… ........................................................................................... -
The American Antiquarian Society Blog the Tempest Over “The Baby’S Opera”
the American Antiquarian Society blog The Tempest Over “The Baby’s Opera” January 4th, 2013 by Laura Wasowicz McLoughlin Brothers chromolithographed version of "I Saw Three Ships." Nineteenth-century American publisher McLoughlin Brothers pioneered the use of chromolithography in the production of color picture books starting in the 1860s. Until that point, most children’s books were illustrated with wood engravings that were locked into the printing press form along with set type. Coloring these images generally entailed using hand- colored stencils or employing a system of printing with wood blocks inked with colors–a system that was labor intensive and frustrating, due to the wood block’s tendency to wear down over time. By the early 1860s, ephemera printers discovered how to easily transfer wood-engraved images to more durable lithographic stones that could be mounted onto steam presses for mass production. McLoughlin Brothers was among the earliest American children’s book publishers to experiment with the new chromolithographic technology. By the 1870s, McLoughlin Brothers also developed a notorious reputation as a publisher of unauthorized reissues of British picture books, including those issued by English picture book publisher Frederick Warne & Co., whose books were imported from London by Scribner, Welford, and Armstrong–a branch of Charles Scribner and Company. It is probably no accident that a vitriolic letter penned by English illustrator Walter Crane attacking the McLoughlin Bros.’ gaudy and unauthorized reproduction of his Baby’s Opera appeared in the September 1877 issue of Scribner’s Monthly. 1 Original version published in London by George Routledge & Sons; illustrated by Walter Crane, with color printed wood engravings by Sir Edmund Evans. -
Children's Literature Peter Harrington
Peter Harrington Catalogue 87 Peter Harrington london CHILDREN’S LITERATURE 1 Catalogue 87 Index of names (references are to item numbers) Adams, Richard 1 Feilden, Helen Arbuthnot 50 Larson, Eric 47 Saville, Malcolm 206 Adamson, George 88 Ferguson, Norm 44 Laurencin, Marie 100 Schindelman, Joseph 33 Ainslie, Kathleen 2 Fitzgerald, Edward 56 Ledyard, Addie 29 Sears, Ted 44 Alcott, Louisa M. 3 Fitzgerald, Shafto Justin Adair 154 Leech, John 43 Sendak, Maurice 207–211 Andersen, Hans Christian 60, 127, 193 Fleming, Ian 66 Leigh, Howard 90 Seuss, Dr. 212–217 Anderson, Ken 47 Ford, H. J. 94–98 Leighton, Clare 101 Sewell, Anna 218 Arlen, Harold 13 Ford, Julia Ellsworth 171 Lewis, C. S. 102, 103, 104 Shakespeare, William 163, 175, 183 Ashley, Doris 4 Fortnum, Peggy 22 Liddell, Alice 51 Sharrocks, Burgess 20 Atenico, Xavier 47 Foster, Myles B. 73 Lloyd, R. J. 89 Shepard (later Knox), Mary 117, 244 Peter Harrington Attwell, Mabel Lucy 4 Frost, A. B. 79 Lofting, Hugh 105, 106 Shepard, E. H. 114–117, 119, 120, 219, 220 london Austin, Sarah 25 Gail, Otto Willi 67 Lounsbery, John 47 Sindall, Alfred 90 Awdry, Wilbert Vere 5, 6, 7 Galsworthy, Ada 10 Lucas, E. V. 219 Skinner, Ada M. & Eleanor M. 226 Balthus (Balthasar Klossowski de Rola) 8 Garner, Alan 68 Lucas, Mrs Edgar 165 Smith, Dodie 221 Bannerman, Helen 9 Geisel, Theodor 212–217 McCormick, A. D. 87 Smith, Jessie Wilcox 222–226 Barraud, George 123 Geromini, Gerry 47 Macfarlane, John 53 Smith, Paul J. 44 Barry, J. Arthur 156 Gibbons, Stella 69 Mackenzie, Thomas 107 Snicket, Lemony 227 Barrie, J. -
Keys Fine Art Auctioneers Palmers Lane Aylsham Two Day Books & Ephemera Sale Norwich NR11 6JA United Kingdom Started Aug 25, 2016 10:30Am BST
Keys Fine Art Auctioneers Palmers Lane Aylsham Two Day Books & Ephemera Sale Norwich NR11 6JA United Kingdom Started Aug 25, 2016 10:30am BST Lot Description J R R TOLKIEN: THE HOBBIT OR THERE AND BACK AGAIN, illustrated David Wenzel, Forestville, Eclipse Books, 1990, limited 1 edition de-luxe (600), signed by the illustrator and numbered, original pictorial cloth gilt, dust wrapper, original silk lined solander box gilt J R R TOLKIEN AND DONALD SWANN: THE ROAD GOES EVER ON - A SONG CYCLE, London 1968, 1st edition, original paper 2 covered boards, dust wrapper J R R TOLKIEN: THE ADVENTURES OF TOM BOMBADIL, illustrated Pauline Baynes, London, 1962, 1st edition, original pictorial 3 paper-covered boards, dust wrapper J R R TOLKIEN: THE LORD OF THE RINGS, illustrated Alan Lee, North Ryde, Harpercollins, Australia, 1991, centenary limited edition 4 (200) numbered and signed by the illustrator, 50 coloured plates plus seven maps (of which one double page) as called for, original quarter blue morocco silvered, all edg ...[more] J R R TOLKIEN, 3 titles: THE LORD OF THE RINGS, London 1969, 1st India paper de-luxe edition, 1st impression, 3 maps (of which 2 5 folding) as called for, original decorative black cloth gilt and silvered (lacks slip case); THE HOBBIT OR THERE AND BACK AGAIN, 1986 de-luxe edition, 4th impression, orig ...[more] J R R TOLKIEN: THE HOBBIT OR THERE AND BACK AGAIN, 1976, 1st de-luxe edition, coloured frontis plus 12 coloured plates plus 6 two double page maps as called for, original decorative black cloth gilt and silvered, -
Cantor Lectures the History and Practice
SY L L A BUS . LE E C T UR I . Histor 145 0— 1800 T h e o f — T s s— I d y . invention printing ype of the early printer ntro uction of ‘ iIlustratio ns d d a nd — Th e l 6th C erio d t s — N ew , woo cut bor ers initials entury a p of grea expan ion styles of type— Popular boo ks— The 17th C entury n o t favourable to the artistic develo pment o f the art— The pamphlet an d the n ewspaper supreme— Rigorous press laws— The 18 th C entury Rev ival C — G and — B B d D d — B and W d aslon type reat printers their styles askerville , o oni , i ot , Ibarra ewick oo a engr ving . LE T E C UR II . - Tire 19 th C en tur 1801 du — S e ss— T e 1801—40 y. In no machine pro ction tanhop pre ype fac s — - — Revival of o ld style printing and C aslon type Machine made paper Development of the printing a — — m chine Invention of photography Attempts at colour printing . I I I LE C TURE . I — The 19th and 2 0th C enturies con tinued W d u S t - . oo c ts of the ixties Inven ion of the half tone — — Revival of hand-press work for artistic production E ffect o f revival o n commercial work Type s ‘ ’ an - — d type founders Recent inventions in illustration . E E V L C TUR I . -
The Isseido Booksellers
THE ISSEIDO BOOKSELLERS 17 1010051 810332920071 Orientalia, Manuscripts, Prints, Photogrphy, Drawing, and Maps 810332920076 光 Hyakumanto Darani. The Hyakumanto Pagoda was made by the empress Shotoku-Tenno (R/ 765-769) of instruction in the 8th century. A turned wood stupa with cylindrical tiers and knop finial (21cm. high, 11cm. diameter), Sourin-Darani, 33.5cm. long, 5.6cm. high, most columns with five characters, the wood or copper printed text being a prayer of thanksgiving to the Buddha for the Imperial victory over The Emi Oshikatsu (Fujiwara Nakamaro) faction in 764 AD. Housed in a modern wooden box, some wood tire slightly broken. Prayer scroll, partly wormed and chipped. US$46,000.- 2 和 3 図 三郎 Anoymous. A Picture Scroll of Seven Islands of Izu District. C. Kitagawa Utamaro, artist. Yadoya no Meshimori, editor. Ansei 2nd. (1855). Long scroll, size 37.8cm high, 22 hand colored Wakaebisu. Kansei 1 (1789). Tsutaya Juzaburo, publisher. A drawings. landscapes, local customs and products US$8,000.- picture book of comic tanka.1 volume. (First impression). Size 26 x 18.8cm. 5 color wood-block printed illustrations. US$60,000.- 4 のさ 19 Anoymous. A Manuscript scroll of Ihaya No Soushi. A story of a princess and the nobility at 16th century. No date, early Edo period, c.17th century, 3 scrolls, 19 hand colored illustrations. With lacker wooden box. US$75,000.- THE ISSEIDO BOOKSELLERS www.isseido-books.co.jp 5 北者絵 北一画 天頃(1833-35)刊 山本屋吉版 5 Katsushika Hokusai, artist. Hokusai Mushae Soroe. (A Set of Samurai Prints). No date, ca.