DOCSLIB.ORG

Nirmalanjali-Sahaj Song Book

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Nirmalanjali-Sahaj Song Book 2008 Nirmalanjali-Sahaj Song Book Sita Team Content 1 HINDI ......................................................................... 5 1.1 AJIB DASTA HAI YE .................................................................................. 5 1.2 APNE DIL ME ............................................................................................. 6 1.3 ARATI NIRMALA MATA ............................................................................. 7 1.4 AWAZ UTHAENGE..................................................................................... 9 1.5 BHAR DE IT NI .........................................................................................11 1.6 BINATI SUNIYE .........................................................................................13 1.7 DARSHAN DEVO MA .................................................................................14 1.8 DENE KO VARDAN. (Shrirampur style) ................................................15 1.9 DURGATI HARNI DURGA AMBE ...............................................................16 1.10 GHANE GHANE JANGLA (Punjabi song) ...............................................18 1.11 HAMKO MAN KI SHAKTI DENA ................................................................19 1.12 HAME MA SE PYAR KITNA .......................................................................20 1.13 HARI BOL .................................................................................................22 1.14 HE NIRMALA MA, HE NIRMALA MA .........................................................23 1.15 JAI MANGALAMURTI ................................................................................25 1.16 JAY GANESH, JAY GANESH ....................................................................26 1.17 JAY GANESH JI KI MA AMBE ...................................................................27 1.18 JAY JAY NIRMALA MA .............................................................................29 1.19 KHOJE TU JISE (Urdu song) .................................................................30 1.20 KYU JAE KAHA .........................................................................................31 1.21 MATA, HO MATA .....................................................................................32 1.22 NAMAMI SHRI GANRAAJ DAYAL ..............................................................34 1.23 NIRGUN NIRMAL NISHPAPA MA ..............................................................35 1.24 NIRMALA MA KAHIYE ...............................................................................36 1.25 PYAR BHARE ............................................................................................37 1.26 RAGHUPATI RAM .....................................................................................39 1.27 SABKO DUA DENA ....................................................................................41 1.28 SHANKAR BHOLE BHALE .........................................................................43 1.29 SHRI JAGDAMBE AI RE ............................................................................45 1.30 SWAGAT AGAT SWAGATAM ....................................................................47 1.31 SWAGATAM PARAM PUJYA MATAJI .......................................................48 1.32 TERE HI GUN GATE HAI ..........................................................................49 1.33 TERI JAYJAYKAR HO ...............................................................................51 1.34 TERI JYOT JALE ......................................................................................52 1.35 VANDNA VANDNA ....................................................................................53 2 MARATHI ................................................................. 54 2.1 ADIMAYA AMBABAI ............................................................................54 2.2 AMHI BI GHADALO ..............................................................................55 2.3 AMHI MATAJINCHYA CHARNASIALO ..............................................56 2.4 ANDHAR PHAR AHE .............................................................................57 2.5 BHAY KAY TAYA .................................................................................59 2.6 BRAMHA SHODHILE ............................................................................60 2.7 GAJANANA SHRI GANRAYA ..............................................................62 2.8 GAN NAYAKA SHUBHDAYAKA .........................................................63 2.9 GURU EK JAGI TRATA .........................................................................64 2.10 GURU TOTZ MHANAVI KHARA MAZHA ..........................................65 2.11 HASAT ALI NIRMAL AI ........................................................................66 2.12 HE ADI MA, HE ANTI MA .....................................................................67 2.13 HE PREM MURT JAGI ALE ...................................................................69 2.14 KESHAVA MADHAVA ..........................................................................70 2.15 MARANCHE MELE ................................................................................71 2.16 MATAJINCHE SWAPNA........................................................................72 2.17 MATECHE GONDHARI .........................................................................74 2.18 MAULINE THOTHAVILE DAAR ..........................................................75 2.19 NAMAN NIRMALA MATA ....................................................................76 2.20 NAMO NAMO MARIA ...........................................................................78 2.21 NAMOSTUTE NAMOSTUTE NAMOSTUTE ........................................79 2.22 NIRMALA, KITI VARNAVI TUJHIG. STHUTI .....................................80 2.23 OMKAAR PRADHAAN RUP GANESHANCHE ....................................82 2.24 OMKAAR SWARUPA ............................................................................83 2.25 POWADA ................................................................................................85 2.26 PRATHAM TULA VANDITO KRUPALA ..............................................87 2.27 SHRI HANUMAN STHUTI .....................................................................88 2.28 TUJHYA PUJANI ARCHANI ..................................................................90 2.29 TUZHE RUP PAHUNIYA .......................................................................92 2.30 UGHAD SAHASTRAAR MATE .............................................................93 2.31 VANDAN. KARUYA MATAJILA ..........................................................95 2.32 VRINDAVANI VENU .............................................................................96 2.33 ZULZUL VAHE .......................................................................................97 3 SANSKRIT.................................................................. 98 3.1 AI GIRI NANDINI ...................................................................................98 3.2 ATMASHTKAM .................................................................................... 103 3.3 GANESH STHUTI ................................................................................. 104 3.4 GANESHA GANESHA .......................................................................... 105 3.5 GURU STUTI......................................................................................... 106 3.6 JAY GANRAYA , SHRI GAN.RAYA .................................................. 107 3.7 JAY JAY BHAVANI.............................................................................. 108 3.8 MAHALAKSHMI STOTRAM ............................................................... 110 3.9 MATAJI BOLO ...................................................................................... 112 3.10 SANSKRIT SHLOKAS (Marriage ceremony) ....................................... 113 3.11 SARVAMANGALA ............................................................................... 114 3.12 Tatah Kim Tatah Kim ............................................................................. 116 3.13 VISHWA VANDITA ............................................................................. 118 3.14 YA DEVI SARVA BHUTESHU ............................................................ 120 4 URDU ...................................................................... 122 4.1 ALI MAULA ALI DAM DAM ............................................................... 122 4.2 ALLAH HU ............................................................................................ 123 4.3 NA TO CHHALKE NA GHATE ............................................................ 125 4.4 KAAM JISKA FAKAT.YE .................................................................... 127 4.5 Must Qalandar ........................................................................................ 128 4.6 NA TO CHHALKE NA GHATE ............................................................ 130 4.7 KHOJE TU JISE (Urdu song) ............................................................... 132 4.8 SAJ.DE KAR.NE JHUKE....................................................................... 133 4.9 MUZ.RIM ADIL HO GAYE HAI (Urdu song) ...................................... 134 1 HINDI 1.1 AJIB DASTA HAI YE AJIB. DAS.TA HAI YE KAHA SHURU, KAHA KHATAM (Chorus, x2) YE MANZILE SAHAJ. KI SHRI MATAJI KE SAMJHE HAM LA, LA, LA, LA, LA, LA,... YE ROSHINI KE SATH. KYU ) DHUA UTHA CHIRAG. SE ) (x2) YE KHWAB. DEKH.TE
Load more

Recommended publications
  • In the Name of Krishna: the Cultural Landscape of a North Indian Pilgrimage Town
    In the Name of Krishna: The Cultural Landscape of a North Indian Pilgrimage Town A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Sugata Ray IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Frederick M. Asher, Advisor April 2012 © Sugata Ray 2012 Acknowledgements They say writing a dissertation is a lonely and arduous task. But, I am fortunate to have found friends, colleagues, and mentors who have inspired me to make this laborious task far from arduous. It was Frederick M. Asher, my advisor, who inspired me to turn to places where art historians do not usually venture. The temple city of Khajuraho is not just the exquisite 11th-century temples at the site. Rather, the 11th-century temples are part of a larger visuality that extends to contemporary civic monuments in the city center, Rick suggested in the first class that I took with him. I learnt to move across time and space. To understand modern Vrindavan, one would have to look at its Mughal past; to understand temple architecture, one would have to look for rebellions in the colonial archive. Catherine B. Asher gave me the gift of the Mughal world – a world that I only barely knew before I met her. Today, I speak of the Islamicate world of colonial Vrindavan. Cathy walked me through Mughal mosques, tombs, and gardens on many cold wintry days in Minneapolis and on a hot summer day in Sasaram, Bihar. The Islamicate Krishna in my dissertation thus came into being.
    [Show full text]
  • Contextual Water Targets Pilot Study Noyyal-Bhavani River Basin, India
    CONTEXTUAL WATER TARGETS PILOT STUDY NOYYAL-BHAVANI RIVER BASIN, INDIA May 2019 Ashoka Trust for Research in Ecology and the Environment (ATREE) 1 Bangalore, India This publication is based on the project report submitted to the Pacific Institute, USA as the result of the study on contextual water targets in the Noyyal-Bhavani river basin, India. Study duration: October 2018 to April 2019 Financial support: Pacific Institute, USA Additional financial support: World Wide Fund for Nature-India (WWF-India). Authors: Apoorva R., Rashmi Kulranjan, Choppakatla Lakshmi Pranuti, Vivek M., Veena Srinivasan Suggested Citation: R. Apoorva, Kulranjan, R., Pranuti, C. L., Vivek, M., and Srinivasan, V. 2019. Contextual Water Targets Pilot Study: Noyyal-Bhavani River Basin. Bengaluru. Ashoka Trust for Research in Ecology and the Environment (ATREE). Front-cover Photo Caption: Noyyal outflows from the Orathupalayam dam, which had become a reservoir of polluted water for years. Front-cover Photo Credit: Apoorva R. (2019) Back-cover Photo Caption: Untreated sewage in a drain flows towards the River Noyyal near Tiruppur city, Tamil Nadu Back-cover Photo Credit: Rashmi Kulranjan (2019) Acknowledgement: We are grateful to Mr. Ganesh Shinde from ATREE for his help and guidance related to land use classification and GIS maps in this project. We would like to thank all the participants of the project consultative meeting held in Coimbatore in March 2019 for sharing their ideas and contributing to the discussion. We are thankful to Ms. Upasana Sarraju for proofreading
    [Show full text]
  • South-Indian Images of Gods and Goddesses
    ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh.
    [Show full text]
  • Reg. No Name in Full Residential Address Gender Contact No. Email Id Remarks 9421864344 022 25401313 / 9869262391 Bhaveshwarikar
    Reg. No Name in Full Residential Address Gender Contact No. Email id Remarks 10001 SALPHALE VITTHAL AT POST UMARI (MOTHI) TAL.DIST- Male DEFAULTER SHANKARRAO AKOLA NAME REMOVED 444302 AKOLA MAHARASHTRA 10002 JAGGI RAMANJIT KAUR J.S.JAGGI, GOVIND NAGAR, Male DEFAULTER JASWANT SINGH RAJAPETH, NAME REMOVED AMRAVATI MAHARASHTRA 10003 BAVISKAR DILIP VITHALRAO PLOT NO.2-B, SHIVNAGAR, Male DEFAULTER NR.SHARDA CHOWK, BVS STOP, NAME REMOVED SANGAM TALKIES, NAGPUR MAHARASHTRA 10004 SOMANI VINODKUMAR MAIN ROAD, MANWATH Male 9421864344 RENEWAL UP TO 2018 GOPIKISHAN 431505 PARBHANI Maharashtra 10005 KARMALKAR BHAVESHVARI 11, BHARAT SADAN, 2 ND FLOOR, Female 022 25401313 / bhaveshwarikarmalka@gma NOT RENEW RAVINDRA S.V.ROAD, NAUPADA, THANE 9869262391 il.com (WEST) 400602 THANE Maharashtra 10006 NIRMALKAR DEVENDRA AT- MAREGAON, PO / TA- Male 9423652964 RENEWAL UP TO 2018 VIRUPAKSH MAREGAON, 445303 YAVATMAL Maharashtra 10007 PATIL PREMCHANDRA PATIPURA, WARD NO.18, Male DEFAULTER BHALCHANDRA NAME REMOVED 445001 YAVATMAL MAHARASHTRA 10008 KHAN ALIMKHAN SUJATKHAN AT-PO- LADKHED TA- DARWHA Male 9763175228 NOT RENEW 445208 YAVATMAL Maharashtra 10009 DHANGAWHAL PLINTH HOUSE, 4/A, DHARTI Male 9422288171 RENEWAL UP TO 05/06/2018 SUBHASHKUMAR KHANDU COLONY, NR.G.T.P.STOP, DEOPUR AGRA RD. 424005 DHULE Maharashtra 10010 PATIL SURENDRANATH A/P - PALE KHO. TAL - KALWAN Male 02592 248013 / NOT RENEW DHARMARAJ 9423481207 NASIK Maharashtra 10011 DHANGE PARVEZ ABBAS GREEN ACE RESIDENCY, FLT NO Male 9890207717 RENEWAL UP TO 05/06/2018 402, PLOT NO 73/3, 74/3 SEC- 27, SEAWOODS,
    [Show full text]
  • Hindu Students Organization Sanātana Dharma Saṅgha
    Hindu Students Organization Sanātana Dharma Saṅgha Table of Contents About HSO 1 Food for Thought 2 Pronunciation Guide 3 Opening Prayers 4 Gaṇesh Bhajans 6 Guru and Bhagavān Bhajans 9 Nārāyaṇa Bhajans 11 Krishṇa Bhajans 13 Rāma Bhajans 23 Devī Bhajans 27 Shiva Bhajans 32 Subramaṇyam Bhajans 37 Sarva Dharma Bhajans 38 Traditional Songs 40 Aartīs 53 Closing Prayers 58 Index 59 About HSO Columbia University’s Hindu Students Organization welcomes you. The Hindu Students Organization (HSO) is a faith-based group founded in 1992 with the intent of raising awareness of Hindu philosophies, customs, and traditions at Columbia University. HSO's major goals are to encourage dialogue about Hinduism and to provide a forum for students to practice the faith. HSO works with closely with other organizations to host joint events in an effort to educate the general public and the Columbia community. To pursue these goals, HSO engages in educational discussions, takes part in community service, and coordinates religious and cultural events including the following: Be the Change Day Navaratri Diwali Saraswati/Ganesh Puja Study Breaks Lecture Events Shruti: A Classical Night Holi Weekly Bhajans and Discussion Circle/Bhajans Workshop Interfaith Events Interviews to become a part of HSO’s planning board take place at the start of the fall semester. If you are interested in joining our mailing list or if you would like to get in touch with us, email us at [email protected] or visit us at http://www.columbia.edu/cu/hso/! 1 Food For Thought Om - “OM - This Imperishable Word is the whole of this visible universe.
    [Show full text]
  • Bhajan Blast 7 Lyrics
    Bhajan Blast 7 Sunday, July 28, 2013 7 - 8 pm Pacific Lyrics 1. DAMARU BHAJEY Dum Dum Dum Dum Damaru Bhajey (2X) Hara Bhola Natha Siva Shambho Bhajey (2X) Ghana Ghana Ghana Ghana Ghanta Bhajey (2X) Hara Gauri Natha Siva Shambho Bhajey (2X) Hara Sai Natha Siva Shambho Bhajey (2X) Chant the name of the easy-to-please and kind-hearted Lord Siva, whose drum beats “Dum Dum Dum” and whose bells toll “Ghana Ghana Ghana.” Destroy sins by worshipping Lord Sai Natha, Gauri Natha, Siva and Shambo. 2. JAI JAI DURGA Jai Jai Durga, Jai Bhavani (2X) Shambhavi Shankari Jai Dayani (2X) Repeat above two lines Raise arms for next line Jai Jagadambe Maha Kalike (2X) Shambhavi Shankari Jai Dayani (2X) Jai Jai Durga, Jai Bhavani (2X) Shambhavi Shankari Jai Dayani (2X) Raise arms for next line Jai Jaga Janani Jaya Mangaleye Shambhavi Shankari Jai Dayani Hail to Durga! Bestower of devotion, bringer of auspiciousness. 1 3. AARTI OM NAMO BHAGAVATE Om Namo Bhagavate Vasudevaya (2x) Om Namo Bhagavate Vasudevaya (2x) Praises to the Lord Vasudeva, who is Krishna, the one who is immanent in all. 4. NAMAMI SHANKARA UMA MAHESHWARA Namami Shankara Uma Maheshwara (2X) Bhavani Shankara Shivani Shankara (2X) Namami Shankara Uma Maheshwara (2X) Paravati Shankara Pashupati Shankara (2X) Mauliswara Siva Gauri Shankara (2X) I bow to Thee, O Shankara, the lord of Uma (Divine Mother). Shankara, you are the lord of Universal Mother Durga (Bhavani) & Parvati (Shivani). O Siva, who is all auspiciousness to set us free from the bondage of earthly life, I bow to Thee.
    [Show full text]
  • Academy of Television Arts & Sciences
    ACADEMY OF TELEVISION ARTS & SCIENCES ® GRAPHIC STANDARDS ©ATAS/NATAS TABLE OF CONTENTS 3 Introduction 4 Our Logo Versus a Photograph of the Emmy® Award 5 Using the Television Academy and Emmy Name 6 The Television Academy Logo 7 Television Academy Logo Sizes 8 Logo Colors 9 More About the Logo 10 Whitespace Around the Logo 11 Text Wrap Around the Logo 12 Placement Examples 13-14 The Emmy as a Design Element 15 Cropping the Emmy 16-18 Television Academy Typefaces 19 Approvals 3 GRAPHIC STANDARDS The Television Academy is television. MANUAL The purpose of this Graphics Standards Manual is to set forth guidelines that will assist you in applying the Academy of Television Arts & Sciences logo to all communications including stationery, signage, mailings, invitations, advertising, brochures, motion graph- ics and online. Guided by the identity system presented here, you will be able to craft communications aligned with the Television Academy’s brand. Please note the Academy of Television Arts & Sciences only governs the Primetime Emmy® Awards. The Daytime, Sports and News Emmy Awards and International Emmys are governed from separate offices in New York. It is essential to maintain the integrity of the Television Academy’s identity through con- sistent implementation of this identity program across all applications. This identity is a graphic signature that enhances our image, reaffirms our relationships with constituents and increases awareness of our brand among the entertainment community at large. It conveys the organization’s core attributes and creates value in the marketplace. It is the primary symbol of the Television Academy’s brand and delivers the message that the Academy of Television Arts & Sciences stands for all that is great about television, the people who create it, and the cultural images it projects.
    [Show full text]
  • Clicking Here
    1 The Alphabet Board A Collection of Sayings of AVATAR MEHER BABA Compiled by Chris Maier This collection © 2014 by Chris Maier. See pp. 2-4 for further copyright information. 2 Preface Words can clarify or confuse; they’ve always had this dual identity, but in this “Information Age” words have proliferated to such an extent that mankind seems in danger of drowning in a sea of verbiage. Inasmuch as we depend on words, we need those which give meaning to our lives; we need, ideally, words defined by God! And—thank God!—we have them. For although He kept silent for forty-four years, Avatar Meher Baba spoke to us through His alphabet Board, His flying fingers giving the true meaning of everything from Art to Zero—all the while pointing us away from words, towards His silence and the unnamable mystery of His Love. Note: When “you” is referred to in a quote from Meher Baba, it is sometimes a general and at other times a specific “you,” but if the gist of the message seemed generally applicable, it is quoted without indicating who was being addressed. Omissions are noted by ellipsis points (…), paragraph breaks are omitted, editor’s interpolations are enclosed in brackets, and spellings and capitalization are rendered as in the source text: thus, for instance, Baba is sometimes “me” and sometimes “Me,” God is “he” or “He,” and so on. SOURCES The words of Meher Baba are copyright by the Avatar Meher Baba Perpetual Public Charitable Trust (AMBPPCT), Kings Road, Ahmednagar, M.S. 414001, India.
    [Show full text]
  • JAY MANGALAMURTI (Aarti to Shri Ganesha)
    Aartis 1 JAY MANGALAMURTI (Aarti to Shri Ganesha) Sukha Karta Dukha Harta Varta Vighnachi You are the One who offers happiness and removes sorrows at the time of danger. Nurvi Purvi Prem Krupa Jayachi You offer tender lots of love and blessings Sarvangi Sunder Uti Shendurachi You have red paste on Your body Kanthi Jhalke Mal Mukta Falanchi and wear a pearl necklace. Chorus: Jai Dev., Jai Dev., Jai Mangalamurti Victory to You, most auspicious One! Darshan Matre Mana Kamana Purti Even by Your glance You fulfill the desires in our minds. Jai Dev., Jai Dev. Victory, O God! Ratna Khachita Fara Tuza Gauri Kumara The Goddess Gauri is present by Your side Chandanachi Uti Kumkum Keshara Bedecked with gems and jewellery. Hire Jadita Muguta Shobhato Bara The diamond studded crown on Your head adds to Your gracefulness, Runjhunti Nupure Charni Ghagariya The anklets on Your feet make heavenly music. Lambodar Pitambar Fanivar Bandhana I always have in mind Your long belly, Your pitambar (silk dhoti), Kundalini on Your stomach Saral Sonda Vakratunda Trinayana Your straight trunk, Your innocent face with its three eyes. Das. Ramacha Vat. Pahe Sadana The servant of Shri Rama is waiting for You in this house (body). Sankashti Pavave Nirvani Rakshave Please protect us from calamities and sorrows. O Highest amongst Gods, we bow to You! Survar Vandana Aartis 2 ARATI NIRMALA MATA Chorus: Arati Nirmala Mata ) Aarti to Mother Nirmala > Charni Thevila Me Mata ) (x2) I have surrendered to You Arati Nirmala Mata Aarti to Mother Nirmala Adi Shakti Kundalini Oh Primordial power of the Kundalini who Sarva Vishwachi Janani is the Mother of the Universe Nirguna He Rupa Tuzhe Your form is beyond the Gunas and now Zahli Saguna Tu Ata You have become Saguna (of good qualities).
    [Show full text]
  • Db:Scanner (Band)"Stephan O'mallie"@En"Maurycy "Mauser" Stefanowicz"@En "Wildeþrýð"@En Db:Nihilist (Band) "Dave Edwards"@En "Ashish Kumar"@Endb:Krieg (Band) "W.D
    db:Amalie_Bruun "Dominik Immler"@en "Frater D."@en * Gunnar* Egill Þór* Birkir* Hafþór* Næturfrost "Simon O'Laoghaire"@en db:Kimmo_Heikkinen "Uri Zelcha"@en db:1349_(band) db:Dan-Ola_Persson "Itzik Levy"@en db:The_Kovenant "Zorugelion"@en "Derek MacAmhlaigh"@en db:Lord_Morbivod db:Zonata "Goran Paleka"@en "Johan Elving"@en "Damir Adžić"@en "Ines Tančeva"@en db:Alan_Averill "Elvorn"@en "Enrique Zúñiga Gomez"@en "Nick Oakes"@en db:Marcela_Bovio "Frank Calleja"@en "Miroslav Branković"@en "Maxime Aneca - Guitar"@en "*Lex Icon*Pzy-Clone*Hellhammer*Angel*Sverd"@en db:Alejandro_Mill%C3%A1n Ines Tan?eva "Cremator , Fermentor"@en Alejandro Díaz "MasterMike"@en "Maria "Tristessa" Kolokouri"@en "Martijn Peters"@en "Ivan Vasić"@en "Filip Letinić"@en "Eduardo Falaschi"@en A. db:Viathyn Bart Teetaert - Vocals "Lior Mizrachi"@en "Nikola Mijić"@en "Loke Svarteld"@en "Koen De Croo - Bass"@en "Chris Brincat"@en "Duke"@en db:The_Kovenant "Demian Tiguez"@en "*Tomislav Crnkovic*Dave Crnkovic*Jacob Wright*Alex Kot"@en "Fermentor Cremator , Fermentor"@en db:Lori_Linstruth Ivan Kutija "César Talarico"@en "Eden Rabin"@en db:Alex_Losbäck "Artyom"@en "Sami Bachar"@en "Marchozelos"@en "Morten"@en "* Wagner Lamounier* Roberto Raffan* Jairo Guedz* Max Cavalera* Igor Cavalera* Jean Dolabella"@en Lazar Zec - Guitar "Dave Hampton"@en "Wellu Koskinen"@en "VnoM"@en db:Sabbat_(Japanese_band) "* Christofer Johnsson* Thomas Vikström* Johan Koleberg* Nalle "Grizzly" Påhlsson* Christian Vidal* Lori Lewis"@en db:Arjen_Anthony_Lucassen "Mića Kovačević"@en "Roberto Raffan"@en db:Memnock db:Henrik_Carlsson db:Throllmas "Lazar Zec - Guitar"@en "Chris Calavrias"@enEric Hazebroek "Mathias"* PauloSchlegl"@en Jr.* Andreas Kisser* Derrick Green* Eloy Casagrande"@en"Yatziv Caspi"@en "Erkki Silvennoinen"@en "Gaahnt, Nattulv, Bahznar, Dermorh"@en "Marco Cecconi"@en Antti Kilpi "Gezol"@en Koen De Croo - Bass Elizabeth Toriser "Ze'ev Tananboim"@en db:Jukka_Kolehmainen J.
    [Show full text]
  • Bala Bhavan Bhajans Contents
    Bala Bhavan Bhajans 9252, Miramar Road, San Diego, CA 92126 www.vcscsd.org Bala Bhavan Bhajans Contents GANESHA BHAJANS .................................................................................................. 5 1. Ganesha Sharanam, Sharanam Ganesha ............................................................ 5 2. Gauree Nandana Gajaanana ............................................................................... 5 3. Paahi Paahi Gajaanana Raga: Abheri .......................................... 5 4. Shuklambaradharam ........................................................................................... 5 5. Ganeshwara Gajamukeshwara ........................................................................... 6 6. Gajavadana ......................................................................................................... 6 7. Gajanana ............................................................................................................. 6 8. Ga-yi-yeh Ganapathi Raga: Mohana ........................................ 6 9. Gananatham Gananatham .................................................................................. 7 10. Jaya Ganesha ...................................................................................................... 7 11. Jaya Jaya Girija Bala .......................................................................................... 7 12. Jaya Ganesha ...................................................................................................... 8 13. Sri Maha Ganapathe ..........................................................................................
    [Show full text]
  • Avatar Merer Baba
    An Introductory Sketch THE LIFE AND WORK OF AVATAR MERER BABA A. C. S. CHARI Third {Revised) Edition June, 1966 CALCUTTA Published by: A. C. S. CHARI, Komala Vilas, 73, Rashbehari Avenue, CALCUTTA—26 (INDIA) First Edition: February, 1962 Second (Revised) Edition: November, 1962 Third ( Revised) Edition: June, 1966 HOW TO LOVE GOD "To love God in the most practical way is to love our fellow-beings. If we feel for others in the same way as we feel for our own dear ones, we love God. "If, instead of seeing faults in others, we look within our selves, we are loving God. "If, instead of robbing others to help ourselves, we rob our selves to help others, we are loving God. "If we suffer in the sufferings of others and feel happy in the happiness of others, we are loving God. "If, instead of worrying over our own misfortunes, we think of ourselves more fortunate than many many others, we are loving God. "If we endure our lot with patience and contentment, ac cepting it as His Will, we are loving God. "If we understand and feel that the greatest act of devotion and worship to God is not to hurt or harm any of His beings, we are loving God. "To love God as He ought to be loved, we must live for God and die for God, knowing that the goal of life is to love God, and find Him as our own Self". — MEHER BABA "God is for those who are not for themselves" 'Although I take birth for all mankind, fortunate are those who love Me while I am still on earth" — MEHER BAB A i-70050/ AN INTRODUCTORY SKETCH ON THE LIFE AND WORK OF AVATAR MEHER BABA (By Mr.
    [Show full text]