Quando Menos É Mais Um Pacote Muito Promissor
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
CB-1990-03-31.Pdf
TICKERTAPE EXECUTIVES GEFFEN’S NOT GOOFIN’: After Dixon. weeks of and speculation, OX THE rumors I MOVE I THINK LOVE YOU: Former MCA Inc. agreed to buy Geffen Partridge Family bassist/actor Walt Disney Records has announced two new appoint- Records for MCA stock valued at Danny Bonaduce was arrested ments as part of the restructuring of the company. Mark Jaffe Announcement about $545 million. for allegedly buying crack in has been named vice president of Disney Records and will of the deal followed Geffen’s Daytona Beach, Florida. The actor develop new music programs to build on the recent platinum decision not to renew its distribu- feared losing his job as a DJ for success of The Little Mermaid soundtrack. Judy Cross has tion contract with Time Warner WEGX-FM in Philadelphia, and been promoted to vice president of Disney Audio Entertain- Inc. It appeared that the British felt suicidal. He told the Philadel- ment, a new label developed to increase the visibilty of media conglomerate Thom EMI phia Inquirer that he called his Disney’s story and specialty audio products. Charisma Records has announced the appointment of Jerre Hall to was going to purchase the company girlfriend and jokingly told her “I’m the position of vice president, sales, based out of the company’s for a reported $700 million cash, going to blow my brains out, but New York headquarters. Hall joins Charisma from Virgin but David Geffen did not want to this is my favorite shirt.” Bonaduce Records in Chicago, where he was the Midwest regional sales engage in the adverse tax conse- also confessed “I feel like a manager. -
I AM BRIAN WILSON Brian Wilson October 11Th, 2016
I AM BRIAN WILSON Brian Wilson October 11th, 2016 OVERVIEW: As a cofounding member of The Beach Boys in the 1960s, Brian Wilson created some of the most groundbreaking and timeless music ever recorded. Derailed in the 1970s by mental illness, excessive drug use, and the shifting fortunes of the band’s popularity, Wilson came back again and again over the next few decades, surviving and ultimately thriving. In his memoir entitled I Am Brian Wilson, he details the exhilarating highs and lows of his life from his failing memory, including the sources of his creative inspiration throughout the decades. - - - - - - - - - EARLY LIFE: Brian Wilson was born on June 20th, 1942 to Audree and Murry Wilson. Growing up in Hawthorne, California, Wilson exhibited unusual musical abilities, such as being able to hum the melody from When the Caissons Go Rolling Along after only a few verses had been sung by his father before the age of one. Surprisingly, a few years later, he was discovered to have diminished hearing in his right ear. The exact cause of this hearing loss is unclear, though theories range from him simply being born partially deaf to a blow to the head from his father, or a neighborhood bully, being to blame. While Wilson’s father was a reasonable provider, he was often abusive. A minor musician and songwriter, he also encouraged his children in this field in numerous ways. At an early age, Brian was given six weeks of lessons on a toy accordion and, at seven and eight, sang solos in church with a choir. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
Marie Booth: Soprano, Actor, Entertainer
TheThe ViewViewView October 2019 Marie Booth: Soprano, Actor, Entertainer Story on Page 22 Photo by Robert DeLaurenti CONTACT INFORMATION SUN CITY SHADOW HILLS Sun City Shadow Hills Community Association COMMUNITY ASSOCIATION 80-814 Sun City Boulevard, Indio, CA 92203 Hours of Operation www.scshca.com · 760-345-4349 Association Office Homeowner Association (HOA). Ext. 1 Monday – Friday · 9 AM – 12 PM, 1 – 4 PM Montecito Clubhouse Fax . 760-772-9891 First Saturday of the Month · 8 AM – 12 PM Montecito Clubhouse . Ext. 2120 Lifestyle Desk Montecito Fitness Center . Ext. 2111 Daily · 8 AM – 5 PM Santa Rosa Clubhouse Fax. 760-342-5976 Montecito Clubhouse Daily · 6 AM – 10 PM Santa Rosa Clubhouse. Ext. 2201 Shadow Hills Golf Club South . Ext. 2305 Montecito Fitness Center Daily · 5 AM – 8 PM Shadow Hills Golf Club North . Ext. 2211 Santa Rosa Clubhouse Shadows Restaurant . Ext. 2311 Daily · 6 AM – 9 PM Jefferson Front Gate (Phases 1 & 2) . 760-345-4458 Shadows Restaurant Avenue 40 Front Gate (Phase 3) . 760-342-4725 Sunday – Thursday · 8 AM – 6 PM Rich Smetana, General Manager Friday & Saturday · 8 AM – 8 PM Breakfast · 8 – 11 AM [email protected] . Ext. 2102 Lunch · 11 AM – 5 PM Tyler Ingle, Controller Dinner · 5 PM – 8 PM [email protected]. Ext. 2203 Happy Hour · 3 – 6 PM Bob Pantanella, Community Safety Director Golf Snack Bar [email protected] . Ext. 2202 Daily · 6 – 11 AM Jesse Barragan, Facilities Maintenance Director Santa Rosa Bistro [email protected] . Ext. 2403 Daily · 6 AM – 3 PM Connie King, Lifestyle Director Montecito Café [email protected] . -
Ocean Way Studios
OceaOceannnn WWWaWaaayyyy Studios ダイナミック・ルームモデリング Ocean WWWayWayayay StudioStudioへようへようへようここここそそそそ!!!! ——— 世界初のダイナミック・ルームモデリング・プラグイン Universal AudioとAllen Sidesの共同開発による“Ocean Way Studios”プラグインは、 音響空間エミュレーションを行うことによって空間の響きを新しく書き換えます。ルー ム、マイクとソース・モデリングの要素を組み合わせることでOcean Way Studioプラグ インは、スタンダードなインパルス・レスポンス(IR)プレーヤーやリバーブで行えるエ フェクトの範囲を越えた効果を得られます。 ― 世界で最も有名なレコーディング・ス タジオの1つ“Ocean Way Studios”の本格的な音響特性のコピーを手に入れることが できます。 Ocean Way Studiosプラグインは、まるでCalifornia州のHollywoodにあるOcean Way Recording(以前は、United/Western Recordersの一部署) のスタジオを無制限で予 約するように使用できます。このプラグインは、現代レコーディングのパイオニアで Universal Audioの創設者、M.T. “Bill” Putnamによって設計され、造られた、美しくバ ランスのとれた非常に高性能なルームでレコーディングしているかのようなサウンド に必要なすべてをユーザーのサウンドにを提供します。 その上、Ocean Way プラグインは、Allen Sides個人のマイク・コレクションから価格に して250,000ドル相当の厳選されたビンテージ・マイクにバーチャルアクセスを提供しま す。 ― そのマイクを別々に3つのステレオマイク・ペアとしてスタジオ・スペースの中 で自由にセッティングすることができます。 UA独自のダイナミックなルームモデリングは、ルームアンビエンスを処理し直すDSP と、特別な測定技術を組み合わせて開発されました。その結果、Ocean Wayの象徴 的なスタジオルームAとBの完璧な再現を行うことが可能となりました。その特化した キャラクターによってOcean Ways Studiosプラグインは、伝説的なサウンドを生み出 したこのスペースをユーザーが使用できるように開発しました。 Allen Sidesのマイク・セットアップは、このプラグインの目玉です。彼のマイクによって 各ルームとソースタイプ別の理想的なマイクの選択や配置をキャプチャーし、Ocean Way Studioの基本的なサウンドを作成します。サイズ氏によって選ばれた位置はディ スクリート楽器や、ボーカル等のソース選択を各スタジオによって利用でき、それぞ れが固有の分散パターンを再現するように設計されています。 UAD Powered Plug -Ins Manual - 263 - Chapter 28: Ocean Way Studios これにより、Michael Jackson、Madonna、U2、Ray Charles、Radiohead、Beck、Tom Petty、The Rolling Stonesを始めとする多くのミュージシャンがレコーディングで使用 したセットアップを再現する事ができます。 各部屋のコンソールも全体的なサウンドに組込まれています。スタジオAではOcean Way RecordingsでモディファイしたFocusrite ISA 110コンソール、スタジオBには、有 名なPutnam/Dalconによるカスタムモディファイ・コンソールを使用しています。 -
Salem Leaving Takoma Park
Salem Leaving Takoma Park ~ 43 Years of John Fahey ~ The John Fahey Catalog From The International Fahey Committee Chris Downes, Paul Bryant, Malcolm Kirton, Tom Kremer Thanks to Mitchell Wittenberg and Glenn Jones DISCOGRAPHY...................................................................................................................................................... 4 SUMMARY ............................................................................................................................................................. 4 TRACK LISTING...................................................................................................................................................... 6 THE FONOTONE SESSIONS 1958-1962 ............................................................................................................... 6 BLIND JOE DEATH 1959/1964/1967 ..................................................................................................................... 8 DEATH CHANTS, BREAKDOWNS, AND MILITARY WALTZES 1964/1967........................................................ 8 THE DANCE OF DEATH AND OTHER PLANTATION FAVORITES 1964/67 .................................................... 9 THE TRANSFIGURATION OF BLIND JOE DEATH 1965 ................................................................................... 9 THE EARLY YEARS (FONOTONE) 1965 ............................................................................................................ 10 GUITAR VOLUME 4 THE GREAT SAN BERNARDINO BIRTHDAY -
An Assessment of Psychoacoustical Models in The
Abstract A simple system for recognizing music is presented, based on various musical descriptors, num- bers that describe some aspect of the music. Various descriptors are discussed; in particular, a novel descriptor, the floor-1 cepstral coefficient (F1CC) measure, a refinement of MFCCs based on the Vorbis psychoacoustical model is presented and evaluated. Also, various forms of statistical dimensionality reduction, among them PCA and LDA, are considered in the present context. Finally, a few directions for future work are discussed. vii viii Acknowledgments First of all, I would like to thank my advisor Jan Tro, who patiently provided feedback and guidance over the course of the entire semester. However, several other people have played important roles: Greg Maxwell originally proposed the idea that eventually led to the develop- ment of F1CCs, and Chris Montgomery provided helpful guidance on the internals of the Vorbis encoder. Mette Langaas helped with various insights on statistics, in particular dimensionality reduction. H˚avard Midtkil provided his entire music collection in FLAC format as data mate- rial, saving countless hours of ripping labor. Finally, Rune Holm and Magne Mæhre proofread the manuscript at various stages, providing invaluable feedback, corrections and suggestions. ix x Contents Abstract vii Acknowledgments ix Contents xi 1 Introduction 1 1.1 MusicInformationRetrieval . ....... 1 1.2 Aimofstudy ...................................... 2 1.3 Structure ....................................... 2 1.4 Previouswork.................................... 2 2 Audio descriptors 5 2.1 Motivation ...................................... 5 2.2 Formaldescription ............................... .... 5 2.3 Desiredproperties ............................... .... 6 2.4 Distortionandnoise .............................. .... 7 2.5 Choiceofsourcefragment . ..... 9 2.6 Basicmusicaldescriptors . ...... 9 2.7 Humandescriptors ................................ 13 3 Mel frequency cepstral coefficients (MFCC) 15 3.1 Psychoacoustical motivation . -
Historic Resources Survey Report Hollywood Redevelopment Plan Area
Historic Resources Survey Report Hollywood Redevelopment Plan Area Prepared for: CRA/LA, a Designated Local Authority Prepared by: Architectural Resources Group, Los Angeles, CA GPA Consulting, Los Angeles, CA Historic Resources Group, Pasadena, CA January 28, 2020 Table of Contents Project Overview 1 Survey Methodology Summary 1 Project Team 3 Survey Area 3 Survey Methodology 8 Designated Resources 10 Historic Context 11 Summary of Findings 54 Summary of Property Types 54 Summary of Contexts and Themes 60 Recommendations for Further Study 89 Selected Bibliography 90 Appendices Appendix A: Individual Resources Appendix B: Non‐Parcel Resources Appendix C: Historic Districts and Planning Districts Appendix D: Designated Resources Appendix E: Survey Maps Project Overview This Historic Resources Survey Report (Survey Report) has been completed for CRA/LA, a Designated Local Authority, for the Hollywood Redevelopment Project Area. This project was undertaken from July 2018 to January 2020 by Architectural Resources Group (ARG), GPA Consulting (GPA), and Historic Resources Group (HRG). This Survey Report provides a summary of the work completed, including a description of the Survey Area; an overview of the field methodology; a summary of relevant contexts, themes, and property types; recommendations for future study; and complete lists and maps of all designated and recorded resources. The report is intended to be used in conjunction with the SurveyLA Field Results Master Report (Master Report), which provides a detailed discussion of SurveyLA methodology and explains the terms used in this report and associated appendices. The Master Report, Survey Report, and appendices are available online at www.surveyla.org. Survey Methodology Summary While this project was not formally completed as part of SurveyLA, it utilized SurveyLA technology and methodology to ensure that the findings enumerated herein are consistent with those of the rest of the Hollywood Community Plan Area (CPA) and elsewhere within the City of Los Angeles. -
The Hornet, 1923 - 2006 - Link Page Previous Volume 70, Issue 16 Next Volume 70, Issue 18
Cash: Hooked: Candidates Cowboy FULLERTON COLLEGE follow the Junkies change money trail their tune Page/3 Page/6 I ORNET Tempers flare over budget decisions Three instructional divisions to be eliminated By Stephen Parker ing leaflets to all in attendance. Managing Editor Dean of Biological Sciences Allen Brown then ex- plained the process used to arrive at the realignment After months of deliberating over budget-cut propos- decision, discussing alternative proposals and why they als, the Planning & Consultative Council cast a final vote were not acceptable. on Monday, Feb. 24 to realign instructional divisions. "We had a warning last Spring that we were headed for Their recommendation was accepted by President Philip a rocky shore," Brown said. Borst the same day. Addressing efforts by the deans to reconsider the In order to trim $797,000 from the campus general proposals, Brown commented, "I'd like to say their fund budget, this proposal will eliminate three instruc- empassioned information had an impact It did, emotion- tional divisions including Communications, Physical ally." Science, and Applied Design and Human Studies . Clas- However, he asserted that a decision had to be settled sified employees, as well as the three division deans, will upon before the March 15 deadline. lose their positions. According to Vice President of Ad- Defiantly, Journalism Professor Larry Taylor asked ministrative Services Andrew DeCraene, those who are why the council had not recommended cuts in release affected will be offered positions elsewhere on campus, time for smaller divisions. or in the district. As Brown began to answer, Taylor interrupted, "This A memorandum was distributed to staff members of sounds Mickey Mouse, because money is money! I have the affected divisions on Tuesday, Feb. -
The Recording Sessions
Bob Dylan: The Recording Sessions by Michael Krogsgaard, compiled from files available at http://www.punkhart.com/dylan/sessions.html 1 2 Some general information regarding the different sources made available for the study: 1. The Columbia Studios Recording Diaries are books, which for each day of the year (since 1941) list every planned session in the different studios. Information includes: time of the day, name of the studio, name of the producer and the engineers and the name of the artist. For the New York studios one diary is missing, that which covers the period January 1967 to December 1970. For the Nashville studios, the diary for the period 1969 to 1971 is missing. 2. Recording Sheets are lists made during each session and put into each tape box. The sheet records the date, the studio, the artist, which tracks were recorded and the CO number (Columbia's own reference number) for each composition (of which, more later). Each recorded take is marked as complete (C), with a short false start(b) or a long false start (B). It is indicated on these sheet which takes are removed to other tapes for further use. 3. The Tape Boxes themselves also usually contain information about each take and which takes are removed for further use. 4. CO Cards contain information about the CO (CO=Columbia) number and title for each composition and usually also the recording date. The CO numbers are basically a secure identification of each composition but they are not always chronological (for instance: the CO numbers for songs recorded in Nashville are generally higher than CO numbers for songs recorded at the same time in New York), and, confusingly, sometimes one composition has several CO numbers, especially (but not always) if it has been recorded several times at different sessions. -
COWBOY JUNKIES in the EVENT GALLERY at BETHEL WOODS on SATURDAY, JULY 28 Tickets on Sale May 4Th at 10 AM
FOR IMMEDIATE RELEASE Media Contact: Lauren Jahoda Photos available upon request 845.583.2193 [email protected] A MIDSUMMER NIGHT WITH THE COWBOY JUNKIES IN THE EVENT GALLERY AT BETHEL WOODS ON SATURDAY, JULY 28 Tickets On Sale May 4th at 10 AM April 27, 2018 (BETHEL, NY) – The intimate Event Gallery at Bethel Woods Center for the Arts will host alternative country/blues/folk rock band Cowboy Junkies on Saturday, July 28 at 8:00 p.m. Located at the historic site of the 1969 Woodstock festival in Bethel, NY, reserved seating tickets will go on-sale to the general public on Friday, May 4th at 10:00 a.m. at www.BethelWoodsCenter.org Plus, start the evening off with a pre-concert, multi-course farm-to-table dinner presented by Bethel Woods’ own Executive Chef Armand Vanderstighel, taking place in the Market Sheds. Doors open at 5:30 PM and family-style service begins with the first course served at 6:00 PM. The exclusive menu is available at www.BethelWoodsCenter.Org. About Cowboy Junkies: Cowboy Junkies released The Wilderness, Volume 4 of The Nomad Series on March 27, 2012, marking the conclusion of an ambitious schedule of four releases over an 18-month period. The group’s Michael Timmins says of the new CD, “The title, The Wilderness, in some odd way seemed to define what these songs were actually “about”: fragility, emptiness, loneliness, beauty, chance, loss, desperation – the delicate balancing act that makes up a life. They are about being lost in the wilderness of age, the wilderness of parenthood, in the wilderness of just trying to find meaning and substance, happiness and truth in ones day to day life. -
City Council Regular Meeting Tuesday, May 20, 2014 5:00 PM City Council Chambers
City Council Regular Meeting Tuesday, May 20, 2014 5:00 PM City Council Chambers 4:00 PM Adjourned Regular Meeting - Closed Session Mayor Amy Howorth Mayor Pro Tem Wayne Powell Councilmember Mark Burton Councilmember Tony D'Errico Councilmember David J. Lesser Executive Team Bruce Moe, Acting City Manager Quinn Barrow, City Attorney Robert Espinosa, Fire Chief Bruce Moe, Finance Director Cathy Hanson, Human Resources Director Tony Olmos, Public Works Director Eve R. Irvine, Police Chief Liza Tamura, City Clerk Mark Leyman, Parks & Recreation Director Richard Thompson, Community Development Director MISSION STATEMENT: The City of Manhattan Beach is dedicated to providing exemplary municipal services, preserving our small beach town character and enhancing the quality of life for our residents, businesses and visitors. May 20, 2014 City Council Meeting Page 1 of 273 May 20, 2014 City Council Meeting Agenda Packet Agenda Item No. Starting Page Ending Page AGENDA 1 8 1 9 10 2 11 12 3 13 104 4 105 122 5 123 150 6 151 162 7 163 273 May 20, 2014 City Council Meeting Page 2 of 273 City Council Agenda Final May 20, 2014 BELOW ARE THE AGENDA ITEMS TO BE CONSIDERED. THE RECOMMENDED COUNCIL ACTION IS LISTED IMMEDIATELY AFTER THE TITLE OF EACH ITEM IN BOLD CAPITAL LETTERS. A. PLEDGE TO THE FLAG 5 MINUTES B. ROLL CALL 1 MINUTE C. CERTIFICATION OF MEETING NOTICE AND AGENDA POSTING 1 MINUTE I, Liza Tamura, City Clerk of the City of Manhattan Beach, California, state under penalty of perjury that this notice/agenda was posted on Wednesday, May 14, 2014, on the City's Website and on the bulletin boards of City Hall, Joslyn Community Center and Manhattan Heights.