EW Hollywood Orchestra Opus Edition User Manual

Total Page:16

File Type:pdf, Size:1020Kb

EW Hollywood Orchestra Opus Edition User Manual USER MANUAL 1.0.5 < CONTENTS HOLLYWOOD ORCHESTRA OPUS EDITION INFORMATION The information in this document is subject to change without notice and does not represent a commitment on the part of East West Sounds, Inc. The software and sounds described in this document are subject to License Agreements and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by East West Sounds, Inc. All product and company names are ™ or ® trademarks of their respective owners. Solid State Logic (SSL) Channel Strip, Transient Shaper, and Stereo Compressor licensed from Solid State Logic. SSL and Solid State Logic are registered trademarks of Red Lion 49 Ltd. © East West Sounds, Inc., 2021. All rights reserved. East West Sounds, Inc. 6000 Sunset Blvd. Hollywood, CA 90028 USA 1-323-957-6969 voice 1-323-957-6966 fax For questions about licensing of products: [email protected] For more general information about products: [email protected] For technical support for products: http://www.soundsonline.com/Support < CONTENTS HOLLYWOOD ORCHESTRA OPUS EDITION CREDITS PRODUCERS Doug Rogers, Nick Phoenix, Thomas Bergersen SOUND ENGINEER Shawn Murphy ENGINEERING ASSISTANCE Jeremy Miller, Ken Sluiter, Bo Bodnar PRODUCTION COORDINATORS Doug Rogers, Blake Rogers, Rhys Moody PROGRAMMING / SOUND DESIGN Justin Harris, Jason Coffman, Doug Rogers, Nick Phoenix SCRIPTING Wolfgang Schneider, Thomas Bergersen, Klaus Voltmer, Patrick Stinson EDITING Justin Harris, Mike DiMattia, Jason Coffman, Andrzej Warzocha, Arne Schulze, Pierre Martin, Spencer Putnam ART DIRECTION Doug Rogers, Blake Rogers, Nick Phoenix, Wolfgang Kundrus, Eike Jonas, Steven Gilmore, Thomas Merkle, Jonas Sellami, Daniel Lepik, Elisabeth Kiviorg OPUS SOFTWARE Wolfgang Kundrus, Wolfgang Schneider, Eike Jonas, Klaus Lebkücher; QA by: Gerrit Hassler Inspiration by: Doug Rogers, Nick Phoenix, Blake Rogers, Rhys Moody, Justin Harris, Jason Coffman ORCHESTRATOR SOFTWARE Tilman Sillescu, Nico Dilz, Wolfgang Schneider, Wolfgang Kundrus; Inspiration by: Doug Rogers, Blake Rogers VIDEO PRODUCTION Blake Rogers USER MANUAL Jason Coffman SPECIAL THANKS Pierre Langer Sonuscore, all of the Musicians, we salute you! DEDICATED TO THE MEMORY OF Rhys Moody < CONTENTS HOLLYWOOD ORCHESTRA OPUS EDITION CONTENTS CHAPTER 1 WELCOME 1.1 HOLLYWOOD ORCHESTRA OPUS EDITION 1.1.1 Brand New Recordings and Reimagined Content 1.1.2 Our Revolutionary New Opus Software Engine 1.1.3 Featuring Hollywood Orchestrator 1.1.4 What’s Included 1.1.5 The Different Opus Editions 1.1.6 Using Opus and Play Together 1.1.7 System Requirements 1.1.8 Sequencer Compatibility 1.2 PRODUCERS AND ENGINEER 1.2.1 Doug Rogers 1.2.2 Nick Phoenix 1.2.3 Thomas Bergersen 1.2.4 Shawn Murphy 1.3 ABOUT EASTWEST 1.3.1 EastWest Sounds 1.3.2 EastWest Studios 1.4 SUPPORT 1.4.1 Live Chat 1.4.2 Online Resources 1.4.3 User Manuals CHAPTER 2 GETTING STARTED 2.1 HOW TO INSTALL 2.1.1 Setup An EastWest Account 2.1.2 Install the Installation Center 2.1.3 Install Opus and Product Support 2.1.4 Activate Hollywood Orchestra Opus Edition 2.1.5 Set the Installation Path 2.1.6 Download Hollywood Orchestra Opus Edition 2.1.7 Update Hollywood Orchestra Opus Edition 2.1.8 Instrument Downloads 2.2 INITIAL SETUP 2.2.1 Welcome to Opus 2.2.2 Audio and MIDI Setup < CONTENTS HOLLYWOOD ORCHESTRA OPUS EDITION 2.3 OPUS PREFERENCES 2.3.1 Audio Engine 2.3.2 Audio Drives 2.3.3 MIDI 2.3.4 Locations 2.3.5 Other 2.4 USER INTERFACE OVERVIEW 2.4.1 Opus User Interface (UI) 2.4.2 Navigation Bar 2.4.3 Browse Page 2.4.4 Play Page 2.4.5 Perform Page 2.4.6 Mix Page 2.4.7 Instrument Rack 2.4.8 Virtual Keyboard 2.4.9 Inspector 2.4.10 System Usage 2.4.11 Menu Options 2.5 PLUGIN WALKTHROUGH 2.5.1 Load Opus as a Plugin 2.5.2 Selecting an Output Configuration 2.5.3 Loading With Effects Off 2.5.4 Loading an Instrument 2.5.5 Using Multi-Outputs 2.5.6 Using Opus as a Multi-Timbral Plugin 2.5.7 Shaping Dynamics and Expression CHAPTER 3 BROWSE 3.1 OVERVIEW OF THE BROWSE PAGE 3.1.1 Description Box 3.1.2 Browse Modes 3.1.3 Database Categories 3.1.4 Sound Previews and Quick Load 3.1.5 Loading Instruments 3.1.6 Individual Instrument Downloads 3.2 THE HOLLYWOOD ORCHESTRA OPUS EDITION 3.2.1 Hollywood Orchestrator 3.2.2 Compatibility Notes For Existing Play Users 3.2.3 Comparing Opus and Play Edition Instruments 3.2.4 Tips When Using the Instrument Database 3.2.5 How to Produce Realistic Performances 3.3 HOLLYWOOD ORCHESTRATOR 3.3.1 How to Load Hollywood Orchestrator < CONTENTS HOLLYWOOD ORCHESTRA OPUS EDITION 3.3.2 How To Load Presets 3.3.3 How to Save Your Own Presets 3.4 HOLLYWOOD HARP 3.4.1 Solo Instrument 3.4.2 Instrument Categories and Types 3.5 HOLLYWOOD SOLO VIOLIN 3.5.1 Solo Instrument 3.5.2 Instrument Categories and Types 3.6 HOLLYWOOD SOLO CELLO 3.6.1 Solo Instrument 3.6.2 Instrument Categories and Types 3.7 HOLLYWOOD STRINGS 3.7.1 Instrument Sections and Ensembles 3.7.2 Instrument Categories and Types 3.8 HOLLYWOOD BRASS 3.8.1 Solo Instruments and Sections 3.8.2 Instrument Categories and Types 3.9 HOLLYWOOD ORCHESTRAL WOODWINDS 3.9.1 Solo Instruments and Sections 3.9.2 Instrument Categories and Types 3.10 HOLLYWOOD ORCHESTRAL PERCUSSION 3.10.1 Solo Instruments and Kits 3.10.2 Instrument Categories and Types CHAPTER 4 PLAY 4.1 OVERVIEW OF THE PLAY PAGE 4.2 THE PLAYER WINDOW 4.2.1 Moods 4.2.2 Center Display 4.2.3 Microphones 4.2.4 Master Channel 4.2.5 Tune 4.2.6 Channel Routing 4.2.7 Stereo Double 4.2.8 Reverb 4.2.9 Envelope 4.2.10 Performance 4.2.11 Note Velocity Sensitivity 4.2.12 MIDI Control 4.3 THE MIDI TOOLS WINDOW 4.3.1 Arpeggiator < CONTENTS HOLLYWOOD ORCHESTRA OPUS EDITION 4.3.2 Chord Scales 4.3.3 Chorder 4.3.4 Glide 4.3.5 Humanizer 4.3.6 MIDI Compressor 4.3.7 MIDI Echo 4.3.8 Pocket Recorder 4.3.9 Restrict to Scale 4.3.10 Transpose 4.4 THE AUTOMATION WINDOW 4.4.1 Automation Parameter 4.4.2 Macro Parameter 4.4.3 MIDI Controller Mapping 4.5 THE ARTICULATIONS WINDOW 4.5.1 How To Use Trigger Options CHAPTER 5 PERFORM 5.1 OVERVIEW OF THE PERFORM PAGE 5.2 HOLLYWOOD ORCHESTRATOR WINDOW 5.2.1 How to Load Hollywood Orchestrator 5.2.2 Overview of the User Interface 5.2.3 The Preset Browser 5.2.5 The Main View 5.2.6 The Mixer View 5.2.7 Exporting MIDI Output 5.2.8 Global Controls 5.3 ZONES WINDOW 5.3.1 Zone Options 5.3.2 Trigger Options 5.4 ALL INSTANCES WINDOW CHAPTER 6 MIX 6.1 OVERVIEW OF THE MIX PAGE 6.1.1 Mix Console 6.1.2 Effects Rack 6.2 OVERVIEW OF EFFECTS 6.2.1 EQ 6.2.2 Dynamics 6.2.3 Distortion 6.2.4 Modulation 6.2.5 Harmonics 6.2.6 Delay < CONTENTS HOLLYWOOD ORCHESTRA OPUS EDITION 6.2.7 Reverb 6.3 MIXING THE HOLLYWOOD ORCHESTRA 6.3.1 Multiple Microphone Mixes < CONTENTS HOLLYWOOD ORCHESTRA OPUS EDITION CHAPTER 1 WELCOME 1.1 HOLLYWOOD ORCHESTRA OPUS EDITION 1.1.1 Brand New Recordings and Reimagined Content 1.1.2 Our Revolutionary New Opus Software Engine 1.1.3 Featuring Hollywood Orchestrator 1.1.4 What’s Included 1.1.5 The Different Opus Editions 1.1.6 Using Opus and Play Together 1.1.7 System Requirements 1.1.8 Sequencer Compatibility 1.2 PRODUCERS AND ENGINEER 1.2.1 Doug Rogers 1.2.2 Nick Phoenix 1.2.3 Thomas Bergersen 1.2.4 Shawn Murphy 1.3 ABOUT EASTWEST 1.3.1 EastWest Sounds 1.3.2 EastWest Studios 1.4 SUPPORT 1.4.1 Live Chat 1.4.2 Online Resources 1.4.3 User Manuals 9 < CONTENTS HOLLYWOOD ORCHESTRA OPUS EDITION 1.1 HOLLYWOOD ORCHESTRA OPUS EDITION Hollywood Orchestra Opus Edition is the highly anticipated expansion to Hollywood Orchestra, the best-selling and most awarded orchestral virtual instrument ever pro- duced. It includes brand new pristine recordings, reimagined original content, and powerful new features, all housed in our new revolutionary Opus software engine. Produced by Doug Rogers and Nick Phoenix, recipients of over 100 international industry Awards, and sound engineered by multiple Academy Award and BAFTA win- ner Shawn Murphy, Hollywood Orchestra Opus Edition is the culmination of years of recording and programming and will set a new industry standard for achieving professional sounding orchestral soundtracks. Hollywood Orchestra Opus Edition comes with the new Opus software and a com- panion product Hollywood Orchestrator, a must-have tool for composers of every skill level who want to achieve that Hollywood blockbuster sound quickly. 1.1.1 Brand New Recordings and Reimagined Content Brand new recordings include a new 18 violin string section for Hollywood Strings, new ensembles for Hollywood Brass and Hollywood Orchestral Woodwinds, plus new string, brass, and wind multi ensembles. “The new 18 violins are an alternate to the first 16 violins of the original library. They have a different sound,” says producer Nick Phoenix, “the players are different. The vibrato is different.
Recommended publications
  • EW Hollywood Orchestra Opus Edition User Manual
    USER MANUAL 1.0.6 < CONTENTS HOLLYWOOD ORCHESTRA OPUS EDITION INFORMATION The information in this document is subject to change without notice and does not represent a commitment on the part of East West Sounds, Inc. The software and sounds described in this document are subject to License Agreements and may not be copied to other media. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by East West Sounds, Inc. All product and company names are ™ or ® trademarks of their respective owners. Solid State Logic (SSL) Channel Strip, Transient Shaper, and Stereo Compressor licensed from Solid State Logic. SSL and Solid State Logic are registered trademarks of Red Lion 49 Ltd. © East West Sounds, Inc., 2021. All rights reserved. East West Sounds, Inc. 6000 Sunset Blvd. Hollywood, CA 90028 USA 1-323-957-6969 voice 1-323-957-6966 fax For questions about licensing of products: [email protected] For more general information about products: [email protected] For technical support for products: http://www.soundsonline.com/Support < CONTENTS HOLLYWOOD ORCHESTRA OPUS EDITION CREDITS PRODUCERS Doug Rogers, Nick Phoenix, Thomas Bergersen SOUND ENGINEER Shawn Murphy ENGINEERING ASSISTANCE Jeremy Miller, Ken Sluiter, Bo Bodnar PRODUCTION COORDINATORS Doug Rogers, Blake Rogers, Rhys Moody PROGRAMMING / SOUND DESIGN Justin Harris, Jason Coffman, Doug Rogers, Nick Phoenix SCRIPTING Wolfgang Schneider, Thomas Bergersen, Klaus Voltmer, Patrick Stinson
    [Show full text]
  • Student's Worksheet 1 Exam Roundup
    Student’s Worksheet 1 Exam Roundup – Unit 1 Warm-up Discuss the following issues with your partner. 1. Do you like listening to instrumental music? Why / Why not? 2. Can you name any famous composers? Have you got a favourite? 3. What is an orchestra? Have you ever been to an orchestral concert? If yes, did you like it? Task 1 Look at the pictures of instruments below and match them with their names. accordion trumpet violin fl ute cello tambourine 1 ............................................ 2 ............................................ 3 ............................................ 4 ............................................ 5 ............................................ 6 ............................................ Task 2 Read the text and answer the questions below. 1. Do you ever watch trailers? Do you like them? Have you ever seen trailers of the fi lms or games mentioned in the text? Two Steps from Hell is an American music- production company that was created in 2006 by 2. Would you like to go to a concert of trailer Nick Phoenix and Thomas Bergersen. The two music? Why / Why not? composers create music mainly for fi lm and computer game trailers – short fi lms that promote a fi lm or a game by showing some interesting scenes included in them. Just think of such titles as Harry Potter, X-Men, Twilight, League of Legends or Mass Effect. If you’ve seen or played any of them, you are sure to have heard Two Steps from Hell. © Macmillan Polska 2014 www.macmillan.pl PHOTOCOPIABLE Student’s Worksheet 2 Exam Roundup – Unit 1 Task 3 POZIOM PODSTAWOWY Kelly and Jack have been to a concert. Listen to their conversation and match the people to the instruments they liked best.
    [Show full text]
  • I AM BRIAN WILSON Brian Wilson October 11Th, 2016
    I AM BRIAN WILSON Brian Wilson October 11th, 2016 OVERVIEW: As a cofounding member of The Beach Boys in the 1960s, Brian Wilson created some of the most groundbreaking and timeless music ever recorded. Derailed in the 1970s by mental illness, excessive drug use, and the shifting fortunes of the band’s popularity, Wilson came back again and again over the next few decades, surviving and ultimately thriving. In his memoir entitled I Am Brian Wilson, he details the exhilarating highs and lows of his life from his failing memory, including the sources of his creative inspiration throughout the decades. - - - - - - - - - EARLY LIFE: Brian Wilson was born on June 20th, 1942 to Audree and Murry Wilson. Growing up in Hawthorne, California, Wilson exhibited unusual musical abilities, such as being able to hum the melody from When the Caissons Go Rolling Along after only a few verses had been sung by his father before the age of one. Surprisingly, a few years later, he was discovered to have diminished hearing in his right ear. The exact cause of this hearing loss is unclear, though theories range from him simply being born partially deaf to a blow to the head from his father, or a neighborhood bully, being to blame. While Wilson’s father was a reasonable provider, he was often abusive. A minor musician and songwriter, he also encouraged his children in this field in numerous ways. At an early age, Brian was given six weeks of lessons on a toy accordion and, at seven and eight, sang solos in church with a choir.
    [Show full text]
  • Music Playlist Class 101, 17-22 Sept 2018 Song Title___
    Music Playlist Class 101, 17-22 Sept 2018 Song Title___________ Artist____________ Album________ Day 1 Session 1 Warm Up Almost Home Mariah Carey Background Pandora – Jesse Cook Radio Warm Up Can’t Stop the Feeling Justin Timberlake Background Pandora – David Arkenstone Radio Day 1 Session 2 Warm Up Rise Up (Miami Beach Rumba Mix) Sunkids C&E Demo The Art of War Steve Jablonsky Battleship Run Free (Instrumental) Two Steps From Hell Unleashed Day 1 Session 3 Warm Up Let’s Go Calvin Harris C&E Practice The Art of war Steve Jablonski Battleship Anumati E.S. Posthumus Makara Ramtha Tighten Down – 101Vers. End Title Bladerunner Vangelis Bladerunner Movie Soundtrack Power Bill Conti Official 1984 Olympic Soundtrack Generation Peter Buffett The Waiting 1 Chronologie Part 4 Jean Michel Jarre Chronologie 3&3 C&E Autobots Reunite Steve Jablonsky Transformers: Age of Extinction Dreams of Fireflies Transiberian Orchestra Dreams of Fireflies 1 Krosah E.S. Posthumus Makara 2 El Dorado Two Steps From Hell Skyworld 3 Archangel Two Steps From Hell Archangel 4 Bastion Two Steps From Hell Classics Vol. 2 5 Test Drive John Powell How to Train Your Dragon 6 Tubular Bells Mike Oldfield Isles of Wonder: 2012 London Games Life Must Have Its Mysteries Hans Zimmer Inferno Background Pandora – David Arkenstone Radio Day 2 Session 1 C&E Star Sky (Instrumental Two Steps From Hell Battlecry Stronger, Faster, Braver Two Steps From Hell Battlecry Cannon In D Minor Two Steps From Hell Battlecry Victory Two Steps From Hell Battlecry The Courage Within Future World Music
    [Show full text]
  • Marie Booth: Soprano, Actor, Entertainer
    TheThe ViewViewView October 2019 Marie Booth: Soprano, Actor, Entertainer Story on Page 22 Photo by Robert DeLaurenti CONTACT INFORMATION SUN CITY SHADOW HILLS Sun City Shadow Hills Community Association COMMUNITY ASSOCIATION 80-814 Sun City Boulevard, Indio, CA 92203 Hours of Operation www.scshca.com · 760-345-4349 Association Office Homeowner Association (HOA). Ext. 1 Monday – Friday · 9 AM – 12 PM, 1 – 4 PM Montecito Clubhouse Fax . 760-772-9891 First Saturday of the Month · 8 AM – 12 PM Montecito Clubhouse . Ext. 2120 Lifestyle Desk Montecito Fitness Center . Ext. 2111 Daily · 8 AM – 5 PM Santa Rosa Clubhouse Fax. 760-342-5976 Montecito Clubhouse Daily · 6 AM – 10 PM Santa Rosa Clubhouse. Ext. 2201 Shadow Hills Golf Club South . Ext. 2305 Montecito Fitness Center Daily · 5 AM – 8 PM Shadow Hills Golf Club North . Ext. 2211 Santa Rosa Clubhouse Shadows Restaurant . Ext. 2311 Daily · 6 AM – 9 PM Jefferson Front Gate (Phases 1 & 2) . 760-345-4458 Shadows Restaurant Avenue 40 Front Gate (Phase 3) . 760-342-4725 Sunday – Thursday · 8 AM – 6 PM Rich Smetana, General Manager Friday & Saturday · 8 AM – 8 PM Breakfast · 8 – 11 AM [email protected] . Ext. 2102 Lunch · 11 AM – 5 PM Tyler Ingle, Controller Dinner · 5 PM – 8 PM [email protected]. Ext. 2203 Happy Hour · 3 – 6 PM Bob Pantanella, Community Safety Director Golf Snack Bar [email protected] . Ext. 2202 Daily · 6 – 11 AM Jesse Barragan, Facilities Maintenance Director Santa Rosa Bistro [email protected] . Ext. 2403 Daily · 6 AM – 3 PM Connie King, Lifestyle Director Montecito Café [email protected] .
    [Show full text]
  • Ocean Way Studios
    OceaOceannnn WWWaWaaayyyy Studios ダイナミック・ルームモデリング Ocean WWWayWayayay StudioStudioへようへようへようここここそそそそ!!!! ——— 世界初のダイナミック・ルームモデリング・プラグイン Universal AudioとAllen Sidesの共同開発による“Ocean Way Studios”プラグインは、 音響空間エミュレーションを行うことによって空間の響きを新しく書き換えます。ルー ム、マイクとソース・モデリングの要素を組み合わせることでOcean Way Studioプラグ インは、スタンダードなインパルス・レスポンス(IR)プレーヤーやリバーブで行えるエ フェクトの範囲を越えた効果を得られます。 ― 世界で最も有名なレコーディング・ス タジオの1つ“Ocean Way Studios”の本格的な音響特性のコピーを手に入れることが できます。 Ocean Way Studiosプラグインは、まるでCalifornia州のHollywoodにあるOcean Way Recording(以前は、United/Western Recordersの一部署) のスタジオを無制限で予 約するように使用できます。このプラグインは、現代レコーディングのパイオニアで Universal Audioの創設者、M.T. “Bill” Putnamによって設計され、造られた、美しくバ ランスのとれた非常に高性能なルームでレコーディングしているかのようなサウンド に必要なすべてをユーザーのサウンドにを提供します。 その上、Ocean Way プラグインは、Allen Sides個人のマイク・コレクションから価格に して250,000ドル相当の厳選されたビンテージ・マイクにバーチャルアクセスを提供しま す。 ― そのマイクを別々に3つのステレオマイク・ペアとしてスタジオ・スペースの中 で自由にセッティングすることができます。 UA独自のダイナミックなルームモデリングは、ルームアンビエンスを処理し直すDSP と、特別な測定技術を組み合わせて開発されました。その結果、Ocean Wayの象徴 的なスタジオルームAとBの完璧な再現を行うことが可能となりました。その特化した キャラクターによってOcean Ways Studiosプラグインは、伝説的なサウンドを生み出 したこのスペースをユーザーが使用できるように開発しました。 Allen Sidesのマイク・セットアップは、このプラグインの目玉です。彼のマイクによって 各ルームとソースタイプ別の理想的なマイクの選択や配置をキャプチャーし、Ocean Way Studioの基本的なサウンドを作成します。サイズ氏によって選ばれた位置はディ スクリート楽器や、ボーカル等のソース選択を各スタジオによって利用でき、それぞ れが固有の分散パターンを再現するように設計されています。 UAD Powered Plug -Ins Manual - 263 - Chapter 28: Ocean Way Studios これにより、Michael Jackson、Madonna、U2、Ray Charles、Radiohead、Beck、Tom Petty、The Rolling Stonesを始めとする多くのミュージシャンがレコーディングで使用 したセットアップを再現する事ができます。 各部屋のコンソールも全体的なサウンドに組込まれています。スタジオAではOcean Way RecordingsでモディファイしたFocusrite ISA 110コンソール、スタジオBには、有 名なPutnam/Dalconによるカスタムモディファイ・コンソールを使用しています。
    [Show full text]
  • Highway to Hell 4. AC/DC - Thunderstruck 5
    1. A Skylit Drive - Rise 2. AC/DC - Are You Ready 3. AC/DC - Highway to Hell 4. AC/DC - Thunderstruck 5. Alice Cooper - Poison 6. Androis - The Fall Of Humanity 7. Audiomachine - Impera 8. Audiomachine - Age of dragons (trailer el Hobbit) 9. Audiomachine - Apollo's Triumph 10. Audiomachine - Blood and Stone (Ivan Torrent remix) 11. Audiomachine - Breath and Life (Digweed remix) 12. Audiomachine - New beginning 13. Audiomachine - Sol Invictus 14. Audiomachine - The Fire Within 15. Audiomachine - The Legend Begins 16. Audiomachine - Tree of Life 17. Auracle Music - Opening Day 18. Auracle Music - Run With The Pack 19. Auracle Music - Stand And Fight 20. Benson Tylor - Valiant Heroes (cut) 21. Black Veil Brides - Fallen Angels 22. Blink 182 - All the Small Things 23. Bon Jovi - It's My Life 24. Bon Jovi - You Give Love a Bad Name 25. Brand X Music Theatrical - Buccaneer Island 26. Brand X Music - World Without End 27. Breaking Benjamin - I Will Not Bow 28. Cult to Follow - Leave It All Behind 29. Daniel Heath - Search for Freedom 30. Deep Purple - Burn 31. Deep Purple - Highway Star 32. David Draiman of Disturbed - Forsaken 33. Disturbed - Enough 34. Disturbed - Haunted 35. Disturbed - I'm Alive 36. Disturbed - Indestructible 37. Disturbed - Leave It Alone 38. Disturbed - Sons of Plunder 39. Disturbed - The Curse 40. Disturbed - The Infection 41. Disturbed - The Light 42. Disturbed - The Night 43. Dragonball Z Budokai - Namek Theme 44. Epic Score - Ride to Glory 45. Alex Gaudino - Watch Out 46. Fall Out Boy - Immortals 47. Fall Out Boy - The Phoenix 48. Foo Fighters - Best of You 49.
    [Show full text]
  • Salem Leaving Takoma Park
    Salem Leaving Takoma Park ~ 43 Years of John Fahey ~ The John Fahey Catalog From The International Fahey Committee Chris Downes, Paul Bryant, Malcolm Kirton, Tom Kremer Thanks to Mitchell Wittenberg and Glenn Jones DISCOGRAPHY...................................................................................................................................................... 4 SUMMARY ............................................................................................................................................................. 4 TRACK LISTING...................................................................................................................................................... 6 THE FONOTONE SESSIONS 1958-1962 ............................................................................................................... 6 BLIND JOE DEATH 1959/1964/1967 ..................................................................................................................... 8 DEATH CHANTS, BREAKDOWNS, AND MILITARY WALTZES 1964/1967........................................................ 8 THE DANCE OF DEATH AND OTHER PLANTATION FAVORITES 1964/67 .................................................... 9 THE TRANSFIGURATION OF BLIND JOE DEATH 1965 ................................................................................... 9 THE EARLY YEARS (FONOTONE) 1965 ............................................................................................................ 10 GUITAR VOLUME 4 THE GREAT SAN BERNARDINO BIRTHDAY
    [Show full text]
  • Historic Resources Survey Report Hollywood Redevelopment Plan Area
    Historic Resources Survey Report Hollywood Redevelopment Plan Area Prepared for: CRA/LA, a Designated Local Authority Prepared by: Architectural Resources Group, Los Angeles, CA GPA Consulting, Los Angeles, CA Historic Resources Group, Pasadena, CA January 28, 2020 Table of Contents Project Overview 1 Survey Methodology Summary 1 Project Team 3 Survey Area 3 Survey Methodology 8 Designated Resources 10 Historic Context 11 Summary of Findings 54 Summary of Property Types 54 Summary of Contexts and Themes 60 Recommendations for Further Study 89 Selected Bibliography 90 Appendices Appendix A: Individual Resources Appendix B: Non‐Parcel Resources Appendix C: Historic Districts and Planning Districts Appendix D: Designated Resources Appendix E: Survey Maps Project Overview This Historic Resources Survey Report (Survey Report) has been completed for CRA/LA, a Designated Local Authority, for the Hollywood Redevelopment Project Area. This project was undertaken from July 2018 to January 2020 by Architectural Resources Group (ARG), GPA Consulting (GPA), and Historic Resources Group (HRG). This Survey Report provides a summary of the work completed, including a description of the Survey Area; an overview of the field methodology; a summary of relevant contexts, themes, and property types; recommendations for future study; and complete lists and maps of all designated and recorded resources. The report is intended to be used in conjunction with the SurveyLA Field Results Master Report (Master Report), which provides a detailed discussion of SurveyLA methodology and explains the terms used in this report and associated appendices. The Master Report, Survey Report, and appendices are available online at www.surveyla.org. Survey Methodology Summary While this project was not formally completed as part of SurveyLA, it utilized SurveyLA technology and methodology to ensure that the findings enumerated herein are consistent with those of the rest of the Hollywood Community Plan Area (CPA) and elsewhere within the City of Los Angeles.
    [Show full text]
  • The Recording Sessions
    Bob Dylan: The Recording Sessions by Michael Krogsgaard, compiled from files available at http://www.punkhart.com/dylan/sessions.html 1 2 Some general information regarding the different sources made available for the study: 1. The Columbia Studios Recording Diaries are books, which for each day of the year (since 1941) list every planned session in the different studios. Information includes: time of the day, name of the studio, name of the producer and the engineers and the name of the artist. For the New York studios one diary is missing, that which covers the period January 1967 to December 1970. For the Nashville studios, the diary for the period 1969 to 1971 is missing. 2. Recording Sheets are lists made during each session and put into each tape box. The sheet records the date, the studio, the artist, which tracks were recorded and the CO number (Columbia's own reference number) for each composition (of which, more later). Each recorded take is marked as complete (C), with a short false start(b) or a long false start (B). It is indicated on these sheet which takes are removed to other tapes for further use. 3. The Tape Boxes themselves also usually contain information about each take and which takes are removed for further use. 4. CO Cards contain information about the CO (CO=Columbia) number and title for each composition and usually also the recording date. The CO numbers are basically a secure identification of each composition but they are not always chronological (for instance: the CO numbers for songs recorded in Nashville are generally higher than CO numbers for songs recorded at the same time in New York), and, confusingly, sometimes one composition has several CO numbers, especially (but not always) if it has been recorded several times at different sessions.
    [Show full text]
  • Hollywood Strings Virtual Instrument Manual
    EastWest/Quantum Leap Hollywood Strings Virtual Instrument Users’ Manual EASTWEST/QUANTUM LEAP HOLLYWOOD STRINGS The information in this document is subject to change without notice and does not rep- resent a commitment on the part of East West Sounds, Inc. The software and sounds described in this document are subject to License Agreements and may not be copied to other media , except for the purpose of copying the data to the personal computer system hard drive of the licensed user. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by East West Sounds, Inc. All product and company names are ™ or ® trademarks of their respective owners. PLAY™ is a trademark of East West Sounds, Inc. © East West Sounds, Inc., 2010. All rights reserved. East West Sounds, Inc. 6000 Sunset Blvd. Hollywood, CA 90028 USA 1-323-957-6969 voice 1-323-957-6966 fax For questions about licensing of products: [email protected] For more general information about products: [email protected] http://support.soundsonline.com Version of July 2010 ii EASTWEST/QUANTUM LEAP HOLLYWOOD STRINGS 1. Welcome 2 About EastWest 3 Producer: Doug Rogers 4 Producer: Nick Phoenix 5 Producer: Thomas Bergersen 6 Sound Engineer: Shawn Murphy 7 Credits 8 How to Use This and the Other Manuals 8 Using the Adobe Acrobat Features 8 The Master Navigation Document 9 Online Documentation and Other Resources Click on this text to open the Master Navigation Document 1 EASTWEST/QUANTUM LEAP HOLLYWOOD STRINGS Welcome About EastWest EastWest (www.soundsonline.com) has been dedicated to perpetual innovation and un- compromising quality, setting the industry standard as the most critically acclaimed producer of Sample CDs and Virtual (software) Instruments.
    [Show full text]
  • Musings on Music and Sound: a Collection
    The National Inspiration Institute Musings on Music and Sound a Collection Erin Adelman | Aja McFarland | Grace Nehls WELCOME TO THE NATIONAL INSPIRATION MUSEUM And our musings on music and sound: A Collection Hours This gallery exhibit is open to the public Monday through Friday 9 am to 8 pm and weekends 11 am to 5pm The Collection Enter through the Student Gallery. The room is a 4,500-square-foot museum space that features changing exhibitions with noted objects, photography, paintings, and other experimental mediums. This collection was edited, compiled, and designed by Erin Adelman, Aja McFarland, and Grace Nehls. Each essay piece used in this book is used with permission by the author. Additional thanks to our contributors. This work is licensed under a Creative Commons CC BY-NC-ND license. 2 The Gallery Map Fantasy 7 5 Natural Ambiance 4 Urban Sound 6 Japanese 1 Contemporary 3 Melancholy 2 Silence 3 THE GALLERY GUIDE Gallery map 4 Curator’s Note 5 MAIN EXHIBITS Fantasy Pink satin ballet shoes | “Pas de Deux” 7 Polyptych painting, oil paint on wood | “Masque in Four Parts” 9 Silver mirror | “Musical Lore” 12 Silver arrow | “Find Your Story in Sound” 14 Natural Ambience Ancient rainstick | “Rainfall: Is It Really Such a Bad Thing?” 18 Modern photograph | “The Power of Yoga Music” 20 Urban Sound | “ Canvas oil painting Coffee Shop Mixtape” 23 Ink on newsprint | “The Sounds of 3018 Armstrong” 25 Japanese Glass | “Music and Inspiration ~ Vignettes” 29 Album | “Contemporary J-punk: A Review Sampler” 31 Contemporary Many mediums (records,
    [Show full text]