DOCSLIB.ORG

EX Voice Name List

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
EX Voice Name List J E F G 1 Contents Combinations ........................... 3 Drum kits................................ 19 GM Drum kits ......................... 36 Bank A ...................................... 3 000: Standard Kit 1 ................. 19 144: STANDARD ..................... 36 Bank B ...................................... 3 001: Standard Kit 2 ................. 19 145: ROOM ............................. 36 Bank C ...................................... 3 002: Processed Kit ................. 19 146: POWER .......................... 36 Bank D ...................................... 4 003: Jazz/Brush Kit ................. 20 147: ELECTRONIC ................. 36 Bank H ...................................... 4 004: House Kit ........................ 20 148: ANALOG ......................... 36 Bank I ........................................ 5 005: Tricky Kit.......................... 20 149: JAZZ ............................... 37 Bank J ....................................... 5 006: Drum'n'Bass Kit .............. 21 150: BRUSH ........................... 37 Bank K ...................................... 5 007: Hip Hop Kit ..................... 21 151: ORCHESTRA ................. 37 Bank L ....................................... 6 008: Psycho Kit ....................... 21 152: SFX ................................. 37 Bank M ...................................... 6 009: Percussion Kit ................. 22 010: Orchestra&Ethnic ........... 22 Preset Arpeggio Patterns / Programs ................................. 7 011: Cymbals Catalog ............ 22 User Arpeggio Patterns ........... 38 Bank A ...................................... 7 012: BD&SD Catalog 1 ........... 23 Bank B ...................................... 7 013: BD&SD Catalog 2 ........... 23 Template Songs....................... 40 Bank C ...................................... 7 014: 01/W Total Kit .................. 23 015: 01/W Producer's ............. 24 Bank D ...................................... 8 Preset Patterns ........................ 40 Bank G / g(1)...g(9) / g(d): ROM ........ 8 016: Hard Core Kit .................. 24 Bank H ...................................... 9 017: ModernRockKit ............... 24 Demo Songs ........................... 40 Bank I ...................................... 10 018: Electro Kit 2 .................... 25 Bank J ..................................... 10 019: Under Hard Kit ............... 25 If the EXB-MOSS is installed ......... 40 Bank K .................................... 10 020: Nu Pop Kit ....................... 25 Bank L ..................................... 11 021: Voice Drum Set ............... 26 Bank M .................................... 11 022: Junkyard Kit .................... 26 Bank N .................................... 12 023: Voice Catalog .................. 26 024: Beat Box Kit .................... 27 Multisamples .......................... 12 025: Lounge Kit....................... 27 ROM ........................................ 12 026: TekNo Kit 1...................... 27 Piano ....................................... 13 027 :TekNo Kit 2 ..................... 28 New1 ....................................... 13 028: Trance Kit 1 ..................... 28 New2 ....................................... 13 029: Trance Kit 2 ..................... 28 Best ......................................... 14 030: Hard Kit 1 ........................ 29 OrchS ...................................... 14 031: Hard Kit 2 ........................ 29 OrchB ...................................... 14 032: Pumpin' Kit ...................... 29 Vint .......................................... 14 033: PhatBoy Kit ..................... 30 Synth ....................................... 15 034: Nu Trix Kit ....................... 30 035: Xtreme Kit ....................... 30 036: Grand Slam Kit ............... 31 Drumsamples ......................... 15 ROM ........................................ 15 037:Techno Perc ..................... 31 Best ......................................... 16 038:EXB Orch. Kit 1 ............... 31 OrchS ...................................... 17 039: EXB Orch. Kit 2............... 32 OrchB ...................................... 18 040: ROM Orch. Kit................. 32 Vint .......................................... 18 041: Harp Kit(maj) .................. 32 Synth ....................................... 18 042: Harp Kit(min) .................. 33 043: Major Hit Kit .................... 33 044: Minor Hit Kit .................... 33 045: EXB Cymbals set............ 34 128: Trance/GarageKit ............ 34 129: Big Trouble Kit ................. 34 130: Electro Kit 1 .................... 35 131: Wacky FX Kit .................. 35 2 Combinations Bank A Bank B Bank C # Name Category #Name Category #Name Category #Name Category #Name Category A000 The Piano 00 A064 Mellow Piano Pad 00 B000 Stereo Piano 00 B064 Soft Piano Pad 00 C000 The Ballade 00 A001 Film Sound Track 05 A065 Strings & Reeds 05 B001 Velo Orch. SW1 05 B065 From pp To ff 05 C001 EXP Power Orch. 05 A002 Wave Sequencer 3 09 A066 Millennium Pad 2 09 B002 RHYTHMWAVE 09 B066 Arp Factory 2 09 C002 Analog Theme 09 A003 IBIZA Sunrise 14 A067 Paradise Cycle 14 B003 Psy-Trance 14 B067 Trancy Euphoria 14 C003 IBIZA Midnight 14 A004 Urban Nature RnB 12 A068 }Future Child{ 12 B004 Security Code 12 B068 OAB Techno 12 C004 Filter Muzik 12 A005 - Boesy Hop - 12 A069 Starlight 12 B005 Groovin'A'Bass 12 B069 70's FM Station 12 C005 Swing Flavor 12 A006 Desert Winds 06 A070 Song Of Angels 1 06 B006 Rhythm Of Asia 06 B070 Isle Of Indigo 06 C006 East Wind 06 A007 EXP Film Strings 03 A071 All Strings Sect 03 B007 Dynamic Strings 03 B071 String Concerto 03 C007 Attack & Thread 03 A008 T2000 10 A072 POLY E.D.G KEY 10 B008 Cosmic Sweeper 10 B072 Vintage Strings 10 C008 Analog 101 10 A009 Think Pad 08 A073 VocalPadLand 08 B009 *Pad Tropolis* 08 B073 Electronic Dream 08 C009 Deep Aqua Pad 08 A010 After Life 02 A074 Vaderian Bells 02 B010 Bellidescope 02 B074 Luna Lumina 02 C010 Vibe & StringBed 02 A011 Hawaii 5-0 Horns 04 A075 SFZ Brass Ens. 04 B011 Big Bad Brass 1 04 B075 Full mf Brass 1 04 C011 Big Jazz Band 04 A012 RnB Splits 11 A076 SoprSax & AcBass 11 B012 Samba D's Accent 11 B076 Milestro 11 C012 Who Loves You? 11 A013 Angelic Guitar 07 A077 Strumming Guitar 07 B013 My Sassy Guitar 07 B077 12-Strings 07 C013 C.Guitar Knobs 07 A014 Organ Groove/SW2 01 A078 60sOrgan(K1-4) 01 B014 Old Wheelin` CX3 01 B078 Super Jazz Organ 01 C014 Manual-Split 01 A015 Smash Hits 15 A079 Yo,Wasup Dude! 15 B015 Massiv KAOS Kit 15 B079 Trance Split 15 C015 E054d 13 A016 Tays~T~EP 00 A080 Studio E.Piano 00 B016 Hip Hop Clav 2 00 B080 Clavicoder 00 C016 Damper Wah Clav 00 A017 Strings&Winds 2 05 A081 Eng. Horn & Bows 05 B017 DramaticSndTrack 05 B081 Film Tools 05 C017 Dynamic Orch. 2 05 A018 Morphed Dream 09 A082 **Weightless** 09 B018 Xover Frequency 09 B082 Polyaction 09 C018 ErraJ si Gnivil 09 A019 FunkyDancer 14 A083 Funky Lump 14 B019 Real Steppers 14 B083 Funky Moves 14 C019 Garage'r'us! 14 A020 Ambient Funk 12 A084 Deep Jungle 12 B020 Nu Cyber Breaks 12 B084 Stationary Split 12 C020 Motion@D'n'B 12 A021 Solitary Jam 12 A085 - Groovy Jam - 12 B021 Goa Abduction 12 B085 >GROOVE.COM< 12 C021 Bs&Whirly Split1 12 A022 Irish Movie 06 A086 Irish Rover 06 B022 Tribal Dancer 06 B086 Accordion (SW) 06 C022 African Nights 06 A023 Violin Section 03 A087 Spicc.Camera Str 03 B023 AfterRainStrings 03 B087 Double Concerto2 03 C023 Small Str Ens. 1 03 A024 EnsembSynPizz 10 A088 Analog Clavical 10 B024 Mr.Trancer 10 B088 LFO Bit Poly 10 C024 UltimateAnaPizz 10 A025 Tekno Overture 08 A089 True Alien Love 08 B025 Universal Choir 08 B089 Love to Play Pad 08 C025 MassTrance Pad 08 A026 Bells&Str (Arp) 02 A090 ChristmasStrings 02 B026 Orch.Pad & Bells 02 B090 Bells Of Glass 02 C026 FirstSnowFlakes 02 A027 Wind Orchestra 04 A091 Lots o' Flutes 04 B027 DoubledOrchBrass 04 B091 HybridOrch.Brass 04 C027 Woods Soloists 04 A028 IBIZA Sunset 11 A092 Underwork 11 B028 Psycho Electro 11 B092 Hidden Rhythm 11 C028 Modern Machine 11 A029 Lute Concerto 07 A093 Acoustics & Str 07 B029 WichitaFalls Gtr 07 B093 Alchemy Layer 07 C029 Classical Guitar 07 A030 Ballad Organ 01 A094 Old Jazz CX3 01 B030 The Big Opera 01 B094 Pipes&Choir SW 01 C030 Upper&Lower Org. 01 A031 Swallow Attack 13 A095 Trash Aliens 13 B031 Chord Hold 13 B095 Haunted House 13 C031 Major Fantasy 15 A032 Power Piano Pad 00 A096 Steel&HumanCords 00 B032 GrandPiano n Str 00 B096 Mega Keys 00 C032 Piano&Strings 2 00 A033 Warm Orchestra 05 A097 RedCanyon Split 05 B033 Choral Symphony 05 B097 DynOrchestra 1 05 C033 Orchestra ff 05 A034 Sequence Pad 09 A098 The Lost Sea 09 B034 Sunrise @ IBIZA 09 B098 AssimilatedArps 09 C034 The Orion Nebula 09 A035 ::Pure Energy:: 14 A099 Trance Anthem 14 B035 Urban Sweet RnB 12 B099 Goanna... 14 C035 ] Electrified [ 14 A036 Bs&Whirly Split2 12 A100 Village Queen 12 B036 AC Gtr Pops 12 B100 Trance Power 12 C036 Century Elektro 12 A037 Split CX3 (Knbs) 12 A101 Jazzy CX3 Split 12 B037 Gig Split 12 B101 Clavi-Jammer 12 C037 Radio Ribbonizer 12 A038 Song Of Angels 2 06 A102 World Atmosphere 06 B038 New Age Orch. 05 B102 Classic Combi 05 C038 Adventure 05 A039 Oct VlinVlaCelli 03 A103 Bowed Strings 03 B039 30 Strings 03 B103 Allegro Strings 03 C039 Trem Bows <vel> 03 A040 Unison Poly 10 A104 Huge Ober Sweep 10 B040 Ghost Planet 10 B104 Syzzle Synth 10 C040 High Sync Lead 10 A041 Deep Vox Pad 08 A105 Breath Monster 08 B041 Harp&Voice Pad 08 B105 <Analog World> 08 C041 Box Office 05 A042 Auto Mallets 2 02 A106 VelocityMallets 02 B042 Emtim Bells
Load more

Recommended publications
  • Hey There Ladies! Time to Move on from Composers to Instruments
    Hey there ladies! Time to move on from composers to instruments… after all… someone had to play the music that those guys wrote! So first you will be introduced to the four families and their instruments, then the orchestra and its layout. There are some worksheets you must complete to help you familiarise yourself with this work. No need to submit. We will mark once back at school. There are also plenty of awesome videos on YouTube where they show you how these instruments are made. So if you can (not compulsory!) go check it out! Type in: How ……. (instrument) is made Missing you lots! Stay healthy and safe! Mrs. fin Instrument families All instruments are divided into four different categories, based on: String Brass Instruments Instruments Woodwind Percussion Instruments Instruments Find the Instrument instruments Wordsearch listed below the wordsearch Flute Harmonica Recorder Oboe Trombone Guitar Viola Cornet Saxophone Bazooka Accordian Trumpet Panpipe Clarinet Bagpipe Zither Piccalo Ocarina Fiddle Snare The smaller the instrument, the Brass higher it plays. Instruments The bigger the instrument the lower it plays. A brass instrument is a musical instrument that you play by vibrating your lips into a mouthpiece (that is placed against your mouth) to pro- duce high or low notes (this is called buzzing). No sound will come out if you just blow air through it! Interestingly, it does not matter whether the instrument are made of brass, as long as it works the way explained above. Brass instruments can be gold, rose gold or silver in colour. Trombone List any other instruments considered to be Brass Instruments French Horn Trumpet Tuba Single reed: Clarinet, Woodwind Saxophone Instruments Double reed: Oboe, Bassoon Woodwinds are a type of musical instrument that produces sound when a musician blows air into or across the mouthpiece.
    [Show full text]
  • Note About the Drumsets Almost All Drum Sets Use Layer 1 for the Bass Drums, Layer 2 for the Snares, Layer 3 for the Rest, Layer 4 for Only the Hi-Hats
    Intro The Techno Synth Construction Yard 32 MB ROM is a stunning collection of great new sounds designed for the dance, ambient and techno producer or artist. European sound designer Rob Papen has assembled over 600 of his best samples and coupled them with the Proteus 2000’s ultra-powerful synth engine to create a sound set like you’ve never heard before! Proteus’ 12 knob controllers let you tweak sounds to your heart’s content. Presets can morph into completely new sounds and textures at the touch of your fingers. Explore the presets by pressing the Audition button! The Techno Synth Construction Yard includes 136 spankin’ new RIFFs which you can use as backing tracks in your music. Note about the Drumsets Almost all drum sets use Layer 1 for the Bass Drums, Layer 2 for the Snares, Layer 3 for the rest, Layer 4 for only the hi-hats. This means also that the open hi-hat and closed hi-hat work together like real drums! This layering is also useful when using separate outputs or adding FX In the basic setting of the presets the knob control- lers for FX-A and B work only on Layer 2 (snares) and Layer 3 (rest of percussion and drums). Layer 1 and Layer 4 will stay dry for the FX-A knob (K). The non-GM sets have extra Bass and Snare Drums in each kit. Also Note: Many presets have a drum kit located at C-2 to A#1. 2 E-MU Systems TEKNO-Snyth 2 10/28/99, 4:36 PM Note about the MIDI G and MIDI H Controllers Almost all presets use clocked LFOs (MIDI G and MIDI H) to make the sound sync with your song.
    [Show full text]
  • Chorusing and Flanging Effects on The
    . The Independent News Magazine for Ensoniq Users Inthis issue Chorusing and Flanging Effects on the SQs - The Plot Thickens Articles: Clark Salisbury Chorusing and Flanging on the SQs Clark Salisbury cover give the impression that the original signal is echoing. This simple approach yields the DP/4 Specifications original signal and a single echo. If one Ensoniq " 9 wishes to create the sound of multiple (More) "Hidden Waves" on the VFX echoes, one need only route the delayed sig- Walter Cooper ". 14 nal back into the delay itself. This delayed signal is then again delayed, yielding a Sample Variations second echo, and since the output of the William PonJ ".. 15 delay is routed back to its own input, this Pickin' on EPS Bass Sounds second echo is again delayed, and so on. TomShear " 17 The process of routing a delayed signal Welcome to this month's installment of back into the delay is referred to as Reviews: "Programming The SQ When You Should "regeneration" or "feedback." Le Cover Dust Covers Be Looking For A Real Job." So far we've Steve VincenJ 4 talked about how to route voices to the ef- If this regenerated signal is routed back into fects busses and how to work with the the delay at full intensity, however, the Basement Tapes: G2 Daniel Mandel 6 reverb parameters to customize reverb ef- echoes will continue to multiply at full fects. This time out, let's move on to some volume until the sound finally becomes a I Jazz Through MIDI of the other on-board effects.
    [Show full text]
  • Hand Claps, Orchestra Hits, and the Production of Popular Music
    Cult Sound Studies: Hand Claps, Orchestra Hits, and the Production of Popular Music Paul Harkins is a lecturer in music at Edinburgh Napier University. His research is about the history and use of digital technologies in popular music and his book, Digital Sampling, is due to be published by Routledge. Other research interests include copyright, mash-ups, and the music industries. His academic writing has been published in Popular Music, Popular Music & Society, IASPM@Journal, Journal on the Art of Record Production, and Reseaux. [email protected] Brockhaus, Immanuel. Cult Sounds. http://www.cult-sounds.com Writing about popular music has often caused problems for scholars attempting to make sense of its sounds. Sociologists have been accused of failing to take them seriously by focusing on the contexts of production, distribution, and consumption and ignoring the ‘text’. Treating music as a text, though, has created its own issues as musicologists use the tools of musical analysis to look at lyrics and notes, things that are easy to write down or notate. Since the turn of the century, there have been a number of developments that have impacted on how scholars approach the sounds of popular music: the Art of Record Production (ARP) conference, which started in 2005, brought together those researching music within the academy, sound engineers starting PhDs, and record producers with books to promote. Moreover, the growth of Sound Studies as an interdisciplinary field has led to an increased focus on the production of sound itself, often outwith the contexts of music making and popular music.
    [Show full text]
  • Hey Ladies! Time to Move on from Composers to Instruments… After All
    Hey ladies! Time to move on from composers to instruments… after all… someone had to play the music that those guys wrote! So first you will be introduced to the four families and their instruments, then the orchestra and its layout. There are some worksheets you must complete to help you familiarise yourself with this work. We will mark it at our lesson in 2 weeks time. There are also plenty of awesome videos on YouTube where they show you how these instruments are made. So if you want to, (not compulsory!) go check it out! Type in: How ……. (instrument) is made I have also included African and Indian Music as well as Western Form (Sonata Form, Concerto and Symphony) Stay healthy and safe! Mrs. fin Instrument families All instruments are divided into four different categories, based on: String Brass Instruments Instruments Woodwind Percussion Instruments Instruments Find the Instrument instruments Wordsearch listed below the wordsearch Flute Harmonica Recorder Oboe Trombone Guitar Viola Cornet Saxophone Bazooka Accordian Trumpet Panpipe Clarinet Bagpipe Zither Piccalo Ocarina Fiddle Snare The smaller the instrument, the Brass higher it plays. Instruments The bigger the instrument the lower it plays. A brass instrument is a musical instrument that you play by vibrating your lips into a mouthpiece (that is placed against your mouth) to pro- duce high or low notes (this is called buzzing). No sound will come out if you just blow air through it! Interestingly, it does not matter whether the instrument are made of brass, as long as it works the way explained above.
    [Show full text]
  • KROSS Voice Name List
    Voice Name List 1 Table of Contents Programs . .3 27(INT): Percussion Kit. 49 Category: PIANO . .3 28(INT): Orchestra&Ethno Kit . 50 Category: E.PIANO . .4 29(INT): BD&SD Catalog 1. 52 Category: ORGAN . .5 30(INT): BD&SD Catalog 2. 53 Category: BELL. .6 31(INT): Cymbal Catalog . 54 Category: STRINGS . .7 32(INT): Rock Kit 1 Mono. 55 Category: BRASS . .8 33(INT): Jazz Kit Mono . 56 Category: SYNTH LEAD . .9 34(INT): Wild Kit . 57 Category: SYNTH PAD . 10 35(INT): Breakin' Kit. 58 Category: GUITAR . 11 36(INT): R'n'B Kit. 59 Category: BASS . 12 37(INT): Trapper Kit. 60 Category: DRUM/SFX. 13 38(INT): Bigroom Kit . 61 39(INT): Tropical Kit . 62 Combinations. 15 40(INT): JazzyHop Kit . 63 Category: PIANO . 15 41(INT): Japanese Catalog . 64 Category: E.PIANO . 15 Category: ORGAN . 15 GM Drum Kits . 65 Category: BELL. 16 58(GM): STANDARD . 65 Category: STRINGS . 16 59(GM): ROOM . 66 Category: BRASS . 16 60(GM): POWER . 67 Category: SYNTH LEAD . 17 61(GM): ELECTRONIC . 68 Category: SYNTH PAD . 17 62(GM): ANALOG. 69 Category: GUITAR . 18 63(GM): JAZZ . 70 Category: BASS . 18 64(GM): BRUSH. 71 Category: DRUM/SFX. 19 65(GM): ORCHESTRA . 72 66(GM): SFX. 73 Favorites . 20 FAVORITES- A . 20 Preset Arpeggio Patterns/User Arpeggio Patterns 74 FAVORITES- B . 20 FAVORITES- C . 20 Drum Track Patterns/Pattern Presets. 79 FAVORITES- D. 20 Template songs . 82 Drum Kits. 21 P00: Pop . 82 P01: Rock . 82 00(INT): Basic Kit 1. 21 P02: Jazz . 82 01(INT): Basic Kit 2.
    [Show full text]
  • Leseprobe (PDF)
    2017-06-19 15-53-01 --- Projekt: transcript.anzeigen / Dokument: FAX ID 012c464244629032|(S. 1- 2) VOR3891.p 464244629040 Aus: Immanuel Brockhaus Kultsounds Die prägendsten Klänge der Popmusik 1960-2014 August 2017, 450 Seiten, kart., 44,99 €, ISBN 978-3-8376-3891-2 Einzelsounds prägen die Geschichte der Popmusik. Der Clap Sound, der Synthesizer-Bass, der Klang eines DX 7 E-Pianos oder Auto-Tune sind genuine Popsounds und stehen in hohem Maße für die Identifizierung von Stilen. Immanuel Brockhaus analysiert erstmals umfassend prägende Einzelsounds in ihrem Ent- stehungs- und Entwicklungskontext und liefert damit Einblicke in Technologie, Anwen- dungspraxis und Ästhetik von Kultsounds sowie den damit verbundenen Netzwerken. Interviews mit Roger Linn, Boris Blank, And.Ypsilon und vielen anderen bekannten Akteu- ren ergänzen die Studie und verdeutlichen die Popularität und Komplexität von Sounds und Soundeffekten. Immanuel Brockhaus (Dr. phil.), geb. 1960, lehrt Popkultur mit Schwerpunkt Musiktech- nologie an der Hochschule der Künste Bern, Schweiz. Der Pianist und Komponist forscht im Bereich Sound Studies und Kulturwissenschaften. Weitere Informationen und Bestellung unter: www.transcript-verlag.de/978-3-8376-3891-2 © 2017 transcript Verlag, Bielefeld 2017-06-19 15-53-01 --- Projekt: transcript.anzeigen / Dokument: FAX ID 012c464244629032|(S. 1- 2) VOR3891.p 464244629040 Inhalt Abstract | 11 Danksagung | 13 Einleitung | 15 TEIL 1: TERMINOLOGIE DES SOUNDBEGRIFFES UND DIE KATEGORISIERUNG VON SOUND 1 Vom Klang zum Sound | 33 1.1 Vom Begriff
    [Show full text]
  • Czech Music in Nebraska
    Czech Music in Nebraska Ceska Hudba v Nebrasce OUR COVER PICTURE The Pavlik Band of Verdigre, Nebraska, was organized in 1878 by the five Pavlik brothers: Matej, John, Albert, Charles and Vaclav. Mr. Vaclav Tomek also played in the band. (Photo courtesy of Edward S. Pavlik, Verdigre, Neraska). Editor Vladimir Kucera Co-editor DeLores Kucera Copyright 1980 by Vladimir Kucera DeLores Kucera Published 1980 Bohemians (Czechs) as a whole are extremely fond of dramatic performances. One of their sayings is “The stage is the school of life.” A very large percentage are good musicians, so that wherever even a small group lives, they are sure to have a very good band. Ruzena Rosicka They love their native music, with its pronounced and unusual rhythm especially when played by their somewhat martial bands. A Guide to the Cornhusker State Czechs—A Nation of Musicians An importantCzechoslovakian folklore is music. Song and music at all times used to accompany man from the cradle to the grave and were a necessary accompaniment of all important family events. The most popular of the musical instruments were bagpipes, usually with violin, clarinet and cembalo accompaniment. Typical for pastoral soloist music were different types of fifes and horns, the latter often monstrous contraptions, several feet long. Traditional folk music has been at present superseded by modern forms, but old rural musical instruments and popular tunes have been revived in amateur groups of folklore music or during folklore festivals. ZLATE CESKE VZPOMINKY GOLDEN CZECH MEMORIES There is an old proverb which says that every Czech is born, not with a silver spoon in his mouth, but with a violin under his pillow.
    [Show full text]
  • May 1941) James Francis Cooke
    Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 5-1-1941 Volume 59, Number 05 (May 1941) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 59, Number 05 (May 1941)." , (1941). https://digitalcommons.gardner-webb.edu/etude/250 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. M . N»J " '** fifty jM( * 'H it' » f A f ’\Jf ? I» ***v ASCAP STATES ITS POLICY OF CO-OPERATION WITH ALL MUSIC EDUCATORS, ASSOCIATIONS, AND RELATED GROUPS: music educators, teachers, _, HERE HAS BEEN some misunderstanding upon the part of institutions, and others, music of our members has been withdrawn by ASCAP from use by X to the effect that the copyrighted educational and civic programs. This is not the fact. broadcasters in non-commercial religious, stations (network controlled) will not permit The radio networks and most of the important to be per- by any member of ASCAP, regardless of the nature of the formed on their airwaves, any music composed and presented by a church, school, club, civic group, or music program, even if entirely non-commercial, students or classes.
    [Show full text]
  • Medium of Performance Thesaurus for Music
    A clarinet (soprano) albogue tubes in a frame. USE clarinet BT double reed instrument UF kechruk a-jaeng alghōzā BT xylophone USE ajaeng USE algōjā anklung (rattle) accordeon alg̲hozah USE angklung (rattle) USE accordion USE algōjā antara accordion algōjā USE panpipes UF accordeon A pair of end-blown flutes played simultaneously, anzad garmon widespread in the Indian subcontinent. USE imzad piano accordion UF alghōzā anzhad BT free reed instrument alg̲hozah USE imzad NT button-key accordion algōzā Appalachian dulcimer lõõtspill bīnõn UF American dulcimer accordion band do nally Appalachian mountain dulcimer An ensemble consisting of two or more accordions, jorhi dulcimer, American with or without percussion and other instruments. jorī dulcimer, Appalachian UF accordion orchestra ngoze dulcimer, Kentucky BT instrumental ensemble pāvā dulcimer, lap accordion orchestra pāwā dulcimer, mountain USE accordion band satāra dulcimer, plucked acoustic bass guitar BT duct flute Kentucky dulcimer UF bass guitar, acoustic algōzā mountain dulcimer folk bass guitar USE algōjā lap dulcimer BT guitar Almglocke plucked dulcimer acoustic guitar USE cowbell BT plucked string instrument USE guitar alpenhorn zither acoustic guitar, electric USE alphorn Appalachian mountain dulcimer USE electric guitar alphorn USE Appalachian dulcimer actor UF alpenhorn arame, viola da An actor in a non-singing role who is explicitly alpine horn USE viola d'arame required for the performance of a musical BT natural horn composition that is not in a traditionally dramatic arará form. alpine horn A drum constructed by the Arará people of Cuba. BT performer USE alphorn BT drum adufo alto (singer) arched-top guitar USE tambourine USE alto voice USE guitar aenas alto clarinet archicembalo An alto member of the clarinet family that is USE arcicembalo USE launeddas associated with Western art music and is normally aeolian harp pitched in E♭.
    [Show full text]
  • TRITON Extreme Voice Name List
    J E F G 1 Contents Combinations ........................... 3 Drum kits................................ 19 GM Drum kits ......................... 36 Bank A ...................................... 3 000: Standard Kit 1 ................. 19 144: STANDARD ..................... 36 Bank B ...................................... 3 001: Standard Kit 2 ................. 19 145: ROOM ............................. 36 Bank C ...................................... 3 002: Processed Kit ................. 19 146: POWER .......................... 36 Bank D ...................................... 4 003: Jazz/Brush Kit ................. 20 147: ELECTRONIC ................. 36 Bank H ...................................... 4 004: House Kit ........................ 20 148: ANALOG ......................... 36 Bank I ........................................ 5 005: Tricky Kit .......................... 20 149: JAZZ ............................... 37 Bank J ....................................... 5 006: Drum'n'Bass Kit .............. 21 150: BRUSH ........................... 37 Bank K ...................................... 5 007: Hip Hop Kit ..................... 21 151: ORCHESTRA ................. 37 Bank L ....................................... 6 008: Psycho Kit ....................... 21 152: SFX ................................. 37 Bank M ...................................... 6 009: Percussion Kit ................. 22 010: Orchestra&Ethnic ........... 22 Preset Arpeggio Patterns / Programs ................................. 7 011: Cymbals Catalog ...........
    [Show full text]
  • In Search of the Golden Age Hip-Hop Sound (1986–1996)
    In Search of the Golden Age Hip-Hop Sound (1986–1996) BEN DUINKER Department of Music Theory, Schulich School of Music, McGill University DENIS MARTIN Department of Sound Recording, Schulich School of Music, McGill University ABSTRACT: The notion of a musical repertoire’s “sound” is frequently evoked in journalism and scholarship, but what parameters comprise such a sound? This question is addressed through a statistically-driven corpus analysis of hip-hop music released during the genre’s Golden Age era. The first part of the paper presents a methodology for developing, transcribing, and analyzing a corpus of 100 hip-hop tracks released during the Golden Age. Eight categories of aurally salient musical and production parameters are analyzed: tempo, orchestration and texture, harmony, form, vocal and lyric profiles, global and local production effects, vocal doubling and backing, and loudness and compression. The second part of the paper organizes the analysis data into three trend categories: trends of change (parameters that change over time), trends of prevalence (parameters that remain generally constant across the corpus), and trends of similarity (parameters that are similar from song to song). These trends form a generalized model of the Golden Age hip-hop sound which considers both global (the whole corpus) and local (unique songs within the corpus) contexts. By operationalizing “sound” as the sum of musical and production parameters, aspects of popular music that are resistant to traditional music-analytical methods can be considered. Submitted 2016 September 16; accepted 2016 December 3. KEYWORDS: corpus study, sound, Golden Age hip-hop, music production, empirical musicology THIS paper explores the concept of describing a musical repertoire by its characteristic sound.
    [Show full text]