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73Rd-Nominations-Facts-V2.Pdf
FACTS & FIGURES FOR 2021 NOMINATIONS as of July 13 does not includes producer nominations 73rd EMMY AWARDS updated 07.13.2021 version 1 Page 1 of 20 SUMMARY OF MULTIPLE EMMY WINS IN 2020 Watchman - 11 Schitt’s Creek - 9 Succession - 7 The Mandalorian - 7 RuPaul’s Drag Race - 6 Saturday Night Live - 6 Last Week Tonight With John Oliver - 4 The Marvelous Mrs. Maisel - 4 Apollo 11 - 3 Cheer - 3 Dave Chappelle: Sticks & Stones - 3 Euphoria - 3 Genndy Tartakovsky’s Primal - 3 #FreeRayshawn - 2 Hollywood - 2 Live In Front Of A Studio Audience: “All In The Family” And “Good Times” - 2 The Cave - 2 The Crown - 2 The Oscars - 2 PARTIAL LIST OF 2020 WINNERS PROGRAMS: Comedy Series: Schitt’s Creek Drama Series: Succession Limited Series: Watchman Television Movie: Bad Education Reality-Competition Program: RuPaul’s Drag Race Variety Series (Talk): Last Week Tonight With John Oliver Variety Series (Sketch): Saturday Night Live PERFORMERS: Comedy Series: Lead Actress: Catherine O’Hara (Schitt’s Creek) Lead Actor: Eugene Levy (Schitt’s Creek) Supporting Actress: Annie Murphy (Schitt’s Creek) Supporting Actor: Daniel Levy (Schitt’s Creek) Drama Series: Lead Actress: Zendaya (Euphoria) Lead Actor: Jeremy Strong (Succession) Supporting Actress: Julia Garner (Ozark) Supporting Actor: Billy Crudup (The Morning Show) Limited Series/Movie: Lead Actress: Regina King (Watchman) Lead Actor: Mark Ruffalo (I Know This Much Is True) Supporting Actress: Uzo Aduba (Mrs. America) Supporting Actor: Yahya Abdul-Mateen II (Watchmen) updated 07.13.2021 version 1 Page -
RANGO (PG) Ebert: Users: You: Rate This Movie Right Now
movie reviews Reviews Great Movies Answer Man People Commentary Festivals Oscars Glossary One-Minute Reviews Letters Roger Ebert's Journal Scanners Store News Sports Business Entertainment Classifieds Columnists search RANGO (PG) Ebert: Users: You: Rate this movie right now GO Search powered by YAHOO! register You are not logged in. Log in » Subscribe to weekly newsletter » times & tickets Rango in theaters The Adjustment Bureau Fandango BY ROGER EBERT / March 2, 2011 I Will Follow Search movie Ip Man 2 showtimes and buy "Rango" is some kind of a Rango tickets. miracle: An animated Take Me Home Tonight comedy for smart cast & credits moviegoers, wonderfully more current releases » about us With the voices of: made, great to look at, one-minute movie reviews wickedly satirical, and About the site » (gasp!) filmed in glorious 2- Rango/Lars Johnny Depp D. Its brilliant colors and Beans Isla Fisher still playing Site FAQs » startling characters spring Priscilla Abigail Breslin from the screen and remind The Adjustment Bureau Contact us » Mayor Ned Beatty us how very, very tired we Roadkill Alfred Molina All Good Things are of simpleminded little Another Year Email the Movie Jake Bill Nighy characters bouncing around Barney's Version Answer Man » Doc/Merrimack Stephen Root dimly in 3-D. Biutiful Balthazar Harry Dean Stanton Blue Valentine This is an inspired comic Bad Bill Ray Winstone Casino Jack on sale now Western, deserving Cedar Rapids comparison with "Blazing Paramount Pictures presents a film Certifiably Jonathan Saddles," from which it directed by Gore Verbinski. Written The Company Men Country Strong borrows a lot of farts. -
Timothy Olyphant BACK PAGE BACK Anders Krusberg Anders
96 5 Minutes with… “Deadwood” star Timothy Olyphant BACK PAGE BACK Anders Krusberg Anders How did you react when you heard they wanted to There is a lot of social commentary that comes turn the series into a movie? with Deadwood, corruption being one of those I thought this could work. I love High School commentaries. reunions, but I am not interested in repeating myself The story is rather timeless and can really take place over and over. So, for me it was important that at any time. It is essentially about the passage of we didn’t just repeat what we had done already. time, how change to the community is going to bring I wanted to know what the value of this exercise conflict, and how the community handles that kind really is. of change. It feels like a very modern story to me. Was it fun to go back? Was it difficult to revisit Westerns never really go out of fashion…what do Seth Bullock, a character that made you famous? you think the secret is? Well, of course. It’s not every day that you can go They are modern plays of morality. Most stories you back to something you started ten years ago. It’s a can’t remember. But the best Westerns keep you up trip! It’s a very rewarding process. You like to think at night. I think they resonate with people. you are better today than you were ten years ago, If you could go back to that era and live in those right? All those thoughts were going through my times, would you? mind. -
Educational and Therapeutic Impact of Contemporary Animated Film Characters on the Viewer
Konteksty Pedagogiczne 2(11)/2018, s. 151–163 DOI: 10.19265/KP.2018.211151 www.kontekstypedagogiczne.pl Joanna Mytnik [email protected] University of Bialystok ORCID iD: 0000-0003-3924-8188 Educational and therapeutic impact of contemporary animated film characters on the viewer Introduction From the beginning of its existence, films have been evoking interest and giving inspiration. A motion picture has been a tool for many practition- ers. Educators, psychologists, therapists, and animators have long appreci- ated and used film art in their work. Considering the increasing pervasion of the mass media into human life, its presence in many aspects of human functioning, it is necessary to pay close attention to the power of its influ- ence. It is worth noting that the products of popular culture do not only carry risks. Films created for commercial purposes also serve higher purposes, not just entertainment. Being easier in perception for the viewer at any age (through the frequency of contact with this cultural product), it can influence their emotions more strongly, encourage deeper mental work and stimulate reflection. In this article I would like to focus primarily on the possibilities of supporting upbringing and human development, referring to the assump- tions of film therapy (Kozubek, 2016). According to Depta, “the starting point of educational work with a film should be the use of such films that are most popular among young viewers while increasing their cognitive horizons” (Depta, 1983, p. 165). The potential of contemporary animated films seems to be indisputable in this respect, as will be demonstrated by the analysis of the main factor of their influence on the viewer, namely film heroes. -
Emmy Nominations
2021 Emmy® Awards 73rd Emmy Awards Complete Nominations List Outstanding Animated Program Big Mouth • The New Me • Netflix • Netflix Bob's Burgers • Worms Of In-Rear-Ment • FOX • 20th Century Fox Television / Bento Box Animation Genndy Tartakovsky's Primal • Plague Of Madness • Adult Swim • Cartoon Network Studios The Simpsons • The Dad-Feelings Limited • FOX • A Gracie Films Production in association with 20th Television Animation South Park: The Pandemic Special • Comedy Central • Central Productions, LLC Outstanding Short Form Animated Program Love, Death + Robots • Ice • Netflix • Blur Studio for Netflix Maggie Simpson In: The Force Awakens From Its Nap • Disney+ • A Gracie Films Production in association with 20th Television Animation Once Upon A Snowman • Disney+ • Walt Disney Animation Studios Robot Chicken • Endgame • Adult Swim • A Stoopid Buddy Stoodios production with Williams Street and Sony Pictures Television Outstanding Production Design For A Narrative Contemporary Program (One Hour Or More) The Flight Attendant • After Dark • HBO Max • HBO Max in association with Berlanti Productions, Yes, Norman Productions, and Warner Bros. Television Sara K. White, Production Designer Christine Foley, Art Director Jessica Petruccelli, Set Decorator The Handmaid's Tale • Chicago • Hulu • Hulu, MGM, Daniel Wilson Productions, The Littlefield Company, White Oak Pictures Elisabeth Williams, Production Designer Martha Sparrow, Art Director Larry Spittle, Art Director Rob Hepburn, Set Decorator Mare Of Easttown • HBO • HBO in association with wiip Studios, TPhaeg eL o1w Dweller Productions, Juggle Productions, Mayhem Mare Of Easttown • HBO • HBO in association with wiip Studios, The Low Dweller Productions, Juggle Productions, Mayhem and Zobot Projects Keith P. Cunningham, Production Designer James F. Truesdale, Art Director Edward McLoughlin, Set Decorator The Undoing • HBO • HBO in association with Made Up Stories, Blossom Films, David E. -
ENTERTAINMENT Company Town the BUSINESS BEHIND the SHOW « Previous Post | Company Town Home | Next Post » FX's 'Lawman' Shoots Locally
ENTERTAINMENT Company Town THE BUSINESS BEHIND THE SHOW « Previous Post | Company Town Home | Next Post » FX's 'Lawman' shoots locally October 27, 2009 | 9:00 am The new FX TV show "Lawman," about a U.S. marshal, is set in Kentucky. But the series, produced by Sony Pictures Television, will begin shooting on Wednesday -- thousands of miles away from the Bluegrass State. The drama, which stars Timothy Olyphant and is based on the short story by Elmore Leonard, will premiere in February (Not to be confused with A&E's "Steven Seagal: Lawman," which premieres in December). The series could easily have been filmed in Pittsburgh, where the pilot episode was shot. Instead, it has made its home in the L.A. suburb of Santa Clarita, thanks to a $4-million state tax credit the series will receive for the first season under California's new film incentive program. "We are extremely grateful that this new program allows us to keep the series here,'' said Ed Lammi, executive vice president of production for Sony Pictures Television. "Lawman" is among 36 film and TV productions set to shoot in-state (mostly in the L.A. area) in the fourth quarter of 2009 as a result of California's new film and TV production incentive. In all, 50 productions have qualified to receive about $100 million in tax credits since the program debuted in July. The state allocated $500 million over a five-year period. The program offers up to a 20% to 25% tax credit for TV series that relocate to California, new TV series produced for basic cable, movies of the week and feature films that cost less than $75 million. -
Dangerio, Alan
Alan Dangerio Hair Stylist IATSE LOCAL 706 & 798 FEATURE FILMS (Partial Credits): Train Wreck makeup department head – Universal Pictures Dir: Judd Apatow – UPM: Dana Robin Cast: Tilda Swinton, Amy Schumer, Brie Larson, Bill Hader, LeBron James Run All Night Department Head – Warner Bros. Dir: Jaume Collet-Serra – UPM: Ray Quinlan Cast: Joel Kinnaman, Ed Harris, Vincent D’Onofrio, Common, Genesis Rodriquez Seventh Son Hairstylist for Julianne Moore – Universal Pictures Dir: Sergei Bodrov – LP: Brent O’Connor Maps to the Stars Hairstylist for Julianne Moore – Prospero PIctures Dir: David Cronenberg – LP: Joseph Boccia This is Where I Leave Department Head –Warner Bros. You Dir: Shawn Levy – LP: Mary McLaglen Cast: Rose Byrne, Tina Fay, Jane Fonda, Connie Britton, Timothy Olyphant Winter’s Tale Department Head –Warner Bros. Dir: Akiva Goldsman – LP: Mike Tadross Cast: Jennifer Connelly, Colin Farrell, Russell Crowe, Jessica brown Findlay Carrie Hairstylist for Julianne Moore – Screen Gems Dir: Kimberly Peirce – UPM: Dennis Chapman Vamps Hairstylist for Sigourney Weaver – Red Hour Films Dir: Amy Heckerling – UPM: Adam Brightman The Odd Life of Department Head –Walt Disney Studios Timothy Green Dir: Peter Hedges – UPM: John Cameron Cast: Jennifer Garner, Joel Edgerton, Rosemarie DeWitt, Dianne Wiest Love and Other Drugs Hairstylist for Anne Hathaway – Fox Dir: Ed Zwick – UPM: Pieter Jan Brugge The Sorcerer’s Department Head – Walt Disney Studios Apprentice Dir: John Turteltaub – LP: Barry Waldman Cast: Monica Bellucci, , Teresa Palmer, Jay -
SPECIAL THANK YOU Mo V I E B:11” S:10” Gu I D E T:11” 2017 MOVIE GUIDE
SPECIAL THANK YOU Mo v i e B:11” S:10” Gu i d e T:11” 2017 MOVIE GUIDE - Amityville: The Awakening (1/6) Directed by Franck Khalfoun - Starring Bella Thorne, Jennifer Jason Leigh, Jennifer Morrison - Mena (1/6) Directed by Doug Liman - Starring Tom Cruise, Jesse Plemons - Underworld: Blood Wars (1/6) Directed by Anna Foerster - Starring Theo James, Kate Beckinsale, Charles Dance, Tobias Menzies - Hidden Figures (1/13) JANUARY Directed by Theodore Melfi -Starring Taraji P. Henson, Octavia Spencer, Kirsten Dunst, Jim Parsons, Kevin Costner - Live By Night (1/13) Directed by Ben Affleck - Starring Zoe Saldana, Scott Eastwood, Ben Affleck, Elle Fanning, Sienna Miller - Monster Trucks (1/13) Directed by Chris Wedge - Starring Jane Levy, Amy Ryan, Lucas Till, Danny Glover, Rob Lowe B:11” S:10” T:11” - The Founder (1/20) Directed by John Lee Hancock - Starring Michael Keaton - The Resurrection of Gavin Stone (1/20) Directed by Dallas Jenkins - Starring Nicole Astra, Brett Dalton - Split (1/20) Directed by M. Night Shyamalan - Starring James McAvoy, Anya Taylor Joy - Table 19 (1/20) Directed by Jeffrey Blitz - Starring Anna Kendrick, Craig Robinson, June Squibb, Lisa Kudrow - xXx: The Return of Xander Cage (1/20) Directed by D.J. Caruso - Starring Toni Collette, Vin Diesel, Tony Jaa, Samuel L. Jackson - Bastards (1/27) Directed by Larry Sher - Starring Glenn Close, Ed Helms, Ving Rhames, J.K. Simmons, Katt Williams, Owen Wilson - A Dog’s Purpose (1/27) Directed by Lasse Hallstrom - Starring Peggy Lipton, Dennis Quaid, Britt Robertson - The Lake (1/27) Directed by Steven Quale - Starring Sullivan Stapleton - Resident Evil: The Final Chapter (1/27) Directed by Paul W.S. -
Attila Szalay
CRAIG WOOD, ACE EDITOR FEATURES: THE ETERNALS Marvel Prod: Kevin Feige, Nat Moore Dir: Chloe Zhao MALEFICENT 2 (Shared Credit) Disney Prod: Joe Roth, Jeffrey Kirschenbaum Dir: Joachim Ronning ANTMAN AND THE WASP (Shared Credit) Marvel Prod: Kevin Feige, Victoria Alonso Dir: Peyton Reed GUARDIANS OF THE GALAXY 2 (Shared Credit) Marvel Prod: Kevin Feige, Victoria Alonso Dir: James Gunn THE GREAT WALL Legendary Pictures Prod: Bennett Walsh, Jon Jashni Dir: Yimou Zhang TOMORROW LAND Disney Prod: Brigham Taylor, Jeffrey Chernov Dir: Brad Bird GUARDIANS OF THE GALAXY (Shared Credit) Marvel Prod: Kevin Feige, Victoria Alonso Dir: James Gunn *Nomination A.C.E. (Eddie) Award for Best Edited Feature Film (Comedy or Musical), 2015 CUT BANK (Shared Credit) Untitled Entertainment Prod: Dan Cohen, J.M. Logan Dir: Matt Shakman THE LONE RANGER Walt Disney Pictures Prod: Jerry Bruckheimer, Ted Elliot Dir: Gore Verbinski 47 RONIN Universal Pictures Prod: Eric McLeod, Scott Stuber Dir: Carl Rinsch RANGO Paramount Pictures Prod: John Logan, Gore Verbinski Dir: Gore Verbinski *A.C.E. Award (Eddie) for Best Edited Animated Feature Film, 2012 NIM’S ISLAND Summit Entertainment Prod: Paula Mazur, Stephen Jones Dir: Jennifer Flackett, Mark Levin THE BURNING PLAIN Parkes / MacDonald Prod: Laurie MacDonald, Walter Parkes Dir: Guillermo Arriaga Productions NEVER BACK DOWN (Additional Editor) Summit Entertainment Prod: Craig Baumgarten, David Zelon Dir: Jeff Wadlow PIRATES OF THE CARIBBEAN 3 Disney/ Buena Vista Prod: Jerry Bruckheimer, Eric McLeod Dir: Gore Verbinski AT WORLD’S END (Co-Editor) *Nomination A.C.E. (Eddie) Award for Best Edited Feature Film (Comedy or Musical), 2008 PIRATES OF THE CARIBBEAN 2: Disney/ Buena Vista Prod: Jerry Bruckheimer, Chad Oman Dir: Gore Verbinski DEAD MAN’S CHEST (Co-Editor) *Nomination A.C.E. -
Second Takes in Recognition of the Ways in Which the Sequel Recapitulates Features of an “Original,” but Additionally Offers Something New to Its Source
Introduction CAROLYN JESS-COOKE AND CONSTANTINE VEREVIS TONIGHT’S SCHEDULE FOR A LOCAL cinema reads as follows: Die Hard 4.0 (15) Hostel Part II (18) Directed by: Len Wiseman Directed by: Eli Roth Starring: Bruce Willis, Timothy Starring: Bijou Phillips, Lauren Olyphant, Maggie Q German, Roger Bart 11:00 13:50 17:10 20:10 21:20 21:30 Fantastic Four: Rise of the Silver Ocean’s Thirteen (PG) Surfer (PG) Directed by: Steven Soderbergh Directed by: Tim Story Starring: George Clooney, Brad Pitt, Starring: Ioan Gruffudd, Jessica Alba, Matt Damon Chris Evans 20:50 11:00 13:20 15:30 Pirates of the Caribbean: At Harry Potter and the Order of the World’s End (12A) Phoenix (12A) Directed by: Gore Verbinski Directed by: David Yates Starring: Johnny Depp, Orlando Starring: Daniel Radcliffe, Emma Bloom, Keira Knightley Watson, Rupert Grint 17:50 10:30 11:00 11:30 12:00 13:00 13:30 14:00 14:30 15:00 16:00 16:30 17:00 Shrek the Third (U) 17:30 18:00 19:00 19:30 20:00 20:30 Directed by: Chris Miller 21:00 Starring: Mike Myers, Eddie Murphy, Cameron Diaz 11:10 11:40 12:20 12:50 13:40 14:40 15:10 15:40 16:10 16:50 17:20 18:10 18:40 19:10 19:50 20:201 1 © 2010 State University of New York Press, Albany 2 Carolyn Jess-Cooke and Constantine Verevis TRIKINGLY, EVERY FILM LISTED here is a sequel. This being summer of 2007, it is not unusual for sequels to hold a strong cinematic Spresence—but every screening? And, looking at fi lm releases sched- duled for the coming months, the horizon is fi lled with sequels. -
Jillian Amburgey
JILLIAN AMBURGEY Digital Script Supervisor IATSE local #161 Script Supervisor Jillian Amburgey has over thirty years in the business extending over East and West Coasts and internationally. Jillian is creator of Zen Continuity, a digital scripting program which shows sustaining power and a tough relevancy in a challenging new area of digital. Jillian traveled the world extensively by 15 and has her Graduate Degree from U of Florida, with a Minor in TV- Film. She got her start in the business Script Supervising for Music Videos and Commercials. Jillian relocated from Los Angeles to Florida to work at Universal Studios and Disney/MGM Studios. She later followed the incentive programs to Los Angeles, North Carolina, New Orleans, Europe and Vancouver before settling in to Atlanta in 2010. Jillian believes in giving back by educating an iATSE intern yearly, taught at Full Sail Film School and UCF, and retains a Lecture position at The Maine Media Workshop and Western Carolina University teaching Script Continuity Advantages To Directing and her program Zen Continuity. Jillian has one of the best work ethics in the business. She is calm, focused, efficient, quiet yet confident to speak up when needed and a pleasure to work with. Atlanta based with her champion Golden Retrievers, Jillian is always happy to travel for work. Production Director/Producer /Production Company Feature films (partial list): JERRY AND MARGE GO LARGE (Annette Benning, Bryan Cranston) David Frankel / Gil Netter / Gil Netter Prods. BLACK WIDOW (Action/Skydiving Unit, Atlanta) -
Red and White on the Silver Screen: the Shifting Meaning and Use of American Indians in Hollywood Films from the 1930S to the 1970S
RED AND WHITE ON THE SILVER SCREEN: THE SHIFTING MEANING AND USE OF AMERICAN INDIANS IN HOLLYWOOD FILMS FROM THE 1930s TO THE 1970s a dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Bryan W. Kvet May, 2016 (c) Copyright All rights reserved Except for previously published materials Dissertation Written by Bryan W. Kvet B.A., Grove City College, 1994 M.A., Kent State University, 1998 Ph.D., Kent State University, 2015 Approved by ___Kenneth Bindas_______________, Chair, Doctoral Dissertation Committee Dr. Kenneth Bindas ___Clarence Wunderlin ___________, Members, Doctoral Dissertation Committee Dr. Clarence Wunderlin ___James Seelye_________________, Dr. James Seelye ___Bob Batchelor________________, Dr. Bob Batchelor ___Paul Haridakis________________, Dr. Paul Haridakis Accepted by ___Kenneth Bindas_______________, Chair, Department of History Dr. Kenneth Bindas ___James L. Blank________________, Dean, College of Arts and Sciences Dr. James L. Blank TABLE OF CONTENTS…………………………………………………………………iv LIST OF FIGURES………………………………………………………………………v ACKNOWLEDGEMENTS……………………………………………………………...vii CHAPTERS Introduction………………………………………………………………………1 Part I: 1930 - 1945 1. "You Haven't Seen Any Indians Yet:" Hollywood's Bloodthirsty Savages……………………………………….26 2. "Don't You Realize this Is a New Empire?" Hollywood's Noble Savages……………………………………………...72 Epilogue for Part I………………………………………………………………..121 Part II: 1945 - 1960 3. "Small Warrior Should Have Father:" The Cold War Family in American Indian Films………………………...136 4. "In a Hundred Years it Might've Worked:" American Indian Films and Civil Rights………………………………....185 Epilogue for Part II……………………………………………………………….244 Part III, 1960 - 1970 5. "If Things Keep Trying to Live, the White Man Will Rub Them Out:" The American Indian Film and the Counterculture………………………260 6.