Stuart Rosenberg Фільм ÑÐ​ ¿Ð¸ÑÐ​ ¾Ðº (фільмографіÑ)​

Total Page:16

File Type:pdf, Size:1020Kb

Stuart Rosenberg Фільм ÑÐ​ ¿Ð¸ÑÐ​ ¾Ðº (фільмографіÑ)​ Stuart Rosenberg Фільм ÑÐ​ ¿Ð¸ÑÐ​ ¾Ðº (фільмографіÑ)​ I Shot an Arrow into the Air https://uk.listvote.com/lists/film/movies/i-shot-an-arrow-into-the-air-2639451/actors Fame Is the Name of the Game https://uk.listvote.com/lists/film/movies/fame-is-the-name-of-the-game-5432881/actors Let's Get Harry https://uk.listvote.com/lists/film/movies/let%27s-get-harry-1110245/actors Murder, Inc. https://uk.listvote.com/lists/film/movies/murder%2C-inc.-1124085/actors My Heroes Have Always Been https://uk.listvote.com/lists/film/movies/my-heroes-have-always-been-cowboys-12126396/actors Cowboys The April Fools https://uk.listvote.com/lists/film/movies/the-april-fools-1304524/actors The Laughing Policeman https://uk.listvote.com/lists/film/movies/the-laughing-policeman-1907536/actors Mute https://uk.listvote.com/lists/film/movies/mute-2749057/actors Run for Your Life https://uk.listvote.com/lists/film/movies/run-for-your-life-3298256/actors WUSA https://uk.listvote.com/lists/film/movies/wusa-3564816/actors He's Alive https://uk.listvote.com/lists/film/movies/he%27s-alive-5688567/actors Move https://uk.listvote.com/lists/film/movies/move-6926481/actors Love and Bullets https://uk.listvote.com/lists/film/movies/love-and-bullets-761688/actors The Big Story https://uk.listvote.com/lists/film/movies/the-big-story-7717809/actors Brubaker https://uk.listvote.com/lists/film/movies/brubaker-798239/actors Question 7 https://uk.listvote.com/lists/film/movies/question-7-826387/actors Pocket Money https://uk.listvote.com/lists/film/movies/pocket-money-945735/actors БаÑÐ​ µÐ¹Ð½ https://uk.listvote.com/lists/film/movies/%D0%B1%D0%B0%D1%81%D0%B5%D0%B9%D0%BD- потопельникі %D0%BF%D0%BE%D1%82%D0%BE%D0%BF%D0%B5%D0%BB%D1%8C%D0%BD%D0%B8%D0%BA%D1%96%D0%B2-1119142/actors в Подорож https://uk.listvote.com/lists/film/movies/%D0%BF%D0%BE%D0%B4%D0%BE%D1%80%D0%BE%D0%B6- проклÑÑ​ ‚их %D0%BF%D1%80%D0%BE%D0%BA%D0%BB%D1%8F%D1%82%D0%B8%D1%85-284917/actors Жах ÐÐ​ ¼Ñ–тивілÑ​ https://uk.listvote.com/lists/film/movies/%D0%B6%D0%B0%D1%85-%D0%B0%D0%BC%D1%96%D1%82%D0%B8%D0%B2%D1%96%D0%BB%D1%8F- (фільм, 1979) %28%D1%84%D1%96%D0%BB%D1%8C%D0%BC%2C-1979%29-472512/actors Хрещений https://uk.listvote.com/lists/film/movies/%D1%85%D1%80%D0%B5%D1%89%D0%B5%D0%BD%D0%B8%D0%B9-%D0%B1%D0%B0%D1%82%D1%8C%D0%BA%D0%BE- батько Грінві %D0%B3%D1%80%D1%96%D0%BD%D0%B2%D1%96%D1%87-%D0%B2%D1%96%D0%BB%D0%BB%D0%B5%D0%B4%D0%B6-583221/actors ч-Вілледж ХолоРhttps://uk.listvote.com/lists/film/movies/%D1%85%D0%BE%D0%BB%D0%BE%D0%B4%D0%BD%D0%BE%D0%BA%D1%80%D0%BE%D0%B2%D0%BD%D0%B8%D0%B9- ´Ð½Ð¾ÐºÑ€Ð¾Ð²Ð½Ð¸Ð¹ Люк %D0%BB%D1%8E%D0%BA-684150/actors.
Recommended publications
  • Museum of the Moving Image Presents Comprehensive Terrence Malick Retrospective
    FOR IMMEDIATE RELEASE MUSEUM OF THE MOVING IMAGE PRESENTS COMPREHENSIVE TERRENCE MALICK RETROSPECTIVE Moments of Grace: The Collected Terrence Malick includes all of his features, some alternate versions, and a preview screening of his new film A Hidden Life November 15–December 8, 2019 Astoria, New York, November 12, 2019—In celebration of Terrence Malick’s new film, the deeply spiritual, achingly ethical, and politically resonant A Hidden Life, Museum of the Moving Image presents the comprehensive retrospective Moments of Grace: The Collected Terrence Malick, from November 15 through December 8. The films in the series span a period of nearly 50 years, opening with Malick’s 1970s breakthroughs Badlands (1973) and Days of Heaven (1978), through his career-revival masterworks The Thin Red Line (1998) and The New World (2005), and continuing with his 21st- century films—from Cannes Palme d’Or winner The Tree of Life (2011); the trio of To the Wonder (2012), Knight of Cups (2015), and Song to Song (2017); and sole documentary project Voyage of Time (2016)—through to this year’s A Hidden Life. Two of these films will be presented in alternate versions—Voyage of Time and The New World—a testament to Malick’s ambitious and exploratory approach to editing. In addition to Malick’s own feature films, the series includes Pocket Money (1972), an ambling buddy comedy with Lee Marvin and Paul Newman, which he wrote (but did not direct), and Thy Kingdom Come (2018), the documentary featurette shot on the set of To the Wonder by photographer Eugene Richards.
    [Show full text]
  • 80S 90S Hand-Out
    FILM 160 NOIR’S LEGACY 70s REVIVAL Hickey and Boggs (Robert Culp, 1972) The Long Goodbye (Robert Altman, 1973) Chinatown (Roman Polanski, 1974) Night Moves (Arthur Penn, 1975) Farewell My Lovely (Dick Richards, 1975) The Drowning Pool (Stuart Rosenberg, 1975) The Big Sleep (Michael Winner, 1978) RE- MAKES Remake Original Body Heat (Lawrence Kasdan, 1981) Double Indemnity (Billy Wilder, 1944) Postman Always Rings Twice (Bob Rafelson, 1981) Postman Always Rings Twice (Garnett, 1946) Breathless (Jim McBride, 1983) Breathless (Jean-Luc Godard, 1959) Against All Odds (Taylor Hackford, 1984) Out of the Past (Jacques Tourneur, 1947) The Morning After (Sidney Lumet, 1986) The Blue Gardenia (Fritz Lang, 1953) No Way Out (Roger Donaldson, 1987) The Big Clock (John Farrow, 1948) DOA (Morton & Jankel, 1988) DOA (Rudolf Maté, 1949) Narrow Margin (Peter Hyams, 1988) Narrow Margin (Richard Fleischer, 1951) Cape Fear (Martin Scorsese, 1991) Cape Fear (J. Lee Thompson, 1962) Night and the City (Irwin Winkler, 1992) Night and the City (Jules Dassin, 1950) Kiss of Death (Barbet Schroeder 1995) Kiss of Death (Henry Hathaway, 1947) The Underneath (Steven Soderbergh, 1995) Criss Cross (Robert Siodmak, 1949) The Limey (Steven Soderbergh, 1999) Point Blank (John Boorman, 1967) The Deep End (McGehee & Siegel, 2001) Reckless Moment (Max Ophuls, 1946) The Good Thief (Neil Jordan, 2001) Bob le flambeur (Jean-Pierre Melville, 1955) NEO - NOIRS Blood Simple (Coen Brothers, 1984) LA Confidential (Curtis Hanson, 1997) Blue Velvet (David Lynch, 1986) Lost Highway (David
    [Show full text]
  • Spotlight Features and Shines the Spotlight on Hollywood Blockbusters, Award Winners and Memorable Movies
    June 2015 HDNet Movies delivers the ultimate movie watching experience – uncut - uninterrupted – all in high definition. HDNet Movies showcases a diverse slate of box-office hits, iconic classics and award winners spanning the 1950s to 2000s. HDNet Movies also features kidScene, a daily and Friday Night program block dedicated to both younger movie lovers and the young at heart. For complete movie schedule information, visit www.hdnetmovies.com. Follow us on Twitter: @HDNetMovies and on Facebook. Each Month HDNet Movies rolls out the red carpet Spotlight Features and shines the spotlight on Hollywood Blockbusters, Award Winners and Memorable Movies The Big Lebowski Glory rd th June 3 , 7:30pm June 10 , 8:10pm Starring Jeff Bridges, John Goodman, Julianne Moore. Starring Matthew Broderick, Denzel Washington, Directed by Joel Coen Cary Elwes. Directed by Edward Zwick Black Hawk Down Highlander st June 1 , 8:45pm June 6th, 8:00pm Starring Josh Harnett, Ewan McGregor, Tom Starring Christopher Lambert, Roxanne Hart, Sean Sizemore. Directed by Ridley Scott Connery. Directed by Russell Mulcahy Flight of the Phoenix (Premiere) Tears of the Sun th June 6 , 6:05pm June 10th 5:35pm Starring Dennis Quaid, Tyrese Gibson, Giovanni Ribisi. Starring Bruce Willis, Monica Bellucci, Cole Hauser. Directed by John Moore Directed by Antoine Fuqua Make kidScene your destination every day. Check program schedule or www.hdnetmovies.com for all scheduled broadcasts. Annie Like Mike 2 Starring Albert Finney, Carol Burnett, Tim Curry. Starring Jascha Washington, Kel Mitchell, Michael Beach. Directed by John Huston Directed by David Nelson Aquamarine Muppets Take Manhattan Starring Emma Roberts, Joanna Levesque, Sara Featuring voices of Jim Henson, Frank Oz and starring Paxton.
    [Show full text]
  • Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
    doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer
    [Show full text]
  • DVD Profiler
    101 Dalmatians II: Patch's London Adventure Animation Family Comedy2003 74 minG Coll.# 1 C Barry Bostwick, Jason Alexander, The endearing tale of Disney's animated classic '101 Dalmatians' continues in the delightful, all-new movie, '101 Dalmatians II: Patch's London A Martin Short, Bobby Lockwood, Adventure'. It's a fun-filled adventure fresh with irresistible original music and loveable new characters, voiced by Jason Alexander, Martin Short and S Susan Blakeslee, Samuel West, Barry Bostwick. Maurice LaMarche, Jeff Bennett, T D.Jim Kammerud P. Carolyn Bates C. W. Garrett K. SchiffM. Geoff Foster 102 Dalmatians Family 2000 100 min G Coll.# 2 C Eric Idle, Glenn Close, Gerard Get ready for outrageous fun in Disney's '102 Dalmatians'. It's a brand-new, hilarious adventure, starring the audacious Oddball, the spotless A Depardieu, Ioan Gruffudd, Alice Dalmatian puppy on a search for her rightful spots, and Waddlesworth, the wisecracking, delusional macaw who thinks he's a Rottweiler. Barking S Evans, Tim McInnerny, Ben mad, this unlikely duo leads a posse of puppies on a mission to outfox the wildly wicked, ever-scheming Cruella De Vil. Filled with chases, close Crompton, Carol MacReady, Ian calls, hilarious antics and thrilling escapes all the way from London through the streets of Paris - and a Parisian bakery - this adventure-packed tale T D.Kevin Lima P. Edward S. Feldman C. Adrian BiddleW. Dodie SmithM. David Newman 16 Blocks: Widescreen Edition Action Suspense/Thriller Drama 2005 102 min PG-13 Coll.# 390 C Bruce Willis, Mos Def, David From 'Lethal Weapon' director Richard Donner comes "a hard-to-beat thriller" (Gene Shalit, 'Today'/NBC-TV).
    [Show full text]
  • Film Locations in San Francisco
    Film Locations in San Francisco Title Release Year Locations A Jitney Elopement 1915 20th and Folsom Streets A Jitney Elopement 1915 Golden Gate Park Greed 1924 Cliff House (1090 Point Lobos Avenue) Greed 1924 Bush and Sutter Streets Greed 1924 Hayes Street at Laguna The Jazz Singer 1927 Coffee Dan's (O'Farrell Street at Powell) Barbary Coast 1935 After the Thin Man 1936 Coit Tower San Francisco 1936 The Barbary Coast San Francisco 1936 City Hall Page 1 of 588 10/02/2021 Film Locations in San Francisco Fun Facts Production Company The Essanay Film Manufacturing Company During San Francisco's Gold Rush era, the The Essanay Film Manufacturing Company Park was part of an area designated as the "Great Sand Waste". In 1887, the Cliff House was severely Metro-Goldwyn-Mayer (MGM) damaged when the schooner Parallel, abandoned and loaded with dynamite, ran aground on the rocks below. Metro-Goldwyn-Mayer (MGM) Metro-Goldwyn-Mayer (MGM) Warner Bros. Pictures The Samuel Goldwyn Company The Tower was funded by a gift bequeathed Metro-Goldwyn Mayer by Lillie Hitchcock Coit, a socialite who reportedly liked to chase fires. Though the tower resembles a firehose nozzle, it was not designed this way. The Barbary Coast was a red-light district Metro-Goldwyn Mayer that was largely destroyed in the 1906 earthquake. Though some of the establishments were rebuilt after the earthquake, an anti-vice campaign put the establishments out of business. The dome of SF's City Hall is almost a foot Metro-Goldwyn Mayer Page 2 of 588 10/02/2021 Film Locations in San Francisco Distributor Director Writer General Film Company Charles Chaplin Charles Chaplin General Film Company Charles Chaplin Charles Chaplin Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Metro-Goldwyn-Mayer (MGM) Eric von Stroheim Eric von Stroheim Warner Bros.
    [Show full text]
  • Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
    INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
    [Show full text]
  • The Reel Prison Experience
    SMU Law Review Volume 55 Issue 4 Article 7 2002 "Failure to Communicate" - The Reel Prison Experience Melvin Gutterman Follow this and additional works at: https://scholar.smu.edu/smulr Recommended Citation Melvin Gutterman, "Failure to Communicate" - The Reel Prison Experience, 55 SMU L. REV. 1515 (2002) https://scholar.smu.edu/smulr/vol55/iss4/7 This Article is brought to you for free and open access by the Law Journals at SMU Scholar. It has been accepted for inclusion in SMU Law Review by an authorized administrator of SMU Scholar. For more information, please visit http://digitalrepository.smu.edu. "FAILURE To COMMUNICATE ' t THE REEL PRISON EXPERIENCE Melvin Gutterman* I. INTRODUCTION HE academic legal community has failed to appropriately recog- nize the images of law depicted by Hollywood as a legitimate and important subject for scholarly review.' Movies have the capacity to "open up" the discussion of contemporary legal issues that conven- tional legal sources ignore. 2 Although different from the normative legal theory of study, movies provide a rich portrait of popular jurisprudence of legal values.3 A fundamental paradox of many notable films is their inability to simultaneously achieve both scholastic acceptance and artistic achievement, at least equal to other media. 4 Movies are very powerful and can, through the use of provocative images, explore controversial themes and evoke passions that can affect even the most tightly closed minds. 5 The exclusion of films' celebrated images from academic study has its cost. There is, for example, a prevalent belief that life in prison is too t In the most celebrated colloquy in the movie Cool Hand Luke, the Captain as he stands over the defiant convict Luke asserts, "[w]hat we've got here is failure to communicate." What the Captain actually demands is that Luke totally capitulate to the contemptible prison system he embodies.
    [Show full text]
  • Ftc-2018-0048-D-0042-155313.Pdf (1.35
    20 August 2018 Federal Trade Commission Office of the Secretary 600 Pennsylvania Avenue NW Suite CC-5610 (Annex C) Washington, D.C. 20580 Dear Chairman Simons and Commissioners Ohlhausen, Phillips, Chopra, and Slaughter: We submit this filing in response to the Federal Trade Commission’s request for comments in anticipation of the “Competition and Consumer Protection in the 21st Century Hearings” (Project Number P181201) later this year. In these comments, we are pleased to share our thoughts in response to the suggested topics related to competition and consumer protection issues in communication, information, and media technology networks, as well as the role of intellectual property and competition policy in promoting innovation. CreativeFuture is a coalition of Americans who create – over 540 organizations and companies and over 190,000 individuals. We make our living creating in film, television, music, book publishing, and photography. Our nation’s creative economy, the world’s best, is under siege by digital piracy because ever-evolving technologies facilitate the unauthorized duplication and distribution of our valuable creative works – among them, internet platforms, that wittingly or unwittingly serve the interests of illegal enterprises around the world. In short, our creative communities are victimized by the unfair, deceptive, and anticompetitive practices that continue to be rampant on the internet and are facilitated by a variety of large internet platforms. While the internet has undoubtedly had significant benefits for many creatives, ultimately the current situation has not only hurt the creative communities, but has also harmed consumers and the public good. A large number of Americans agree that the government must act to keep Silicon Valley in check.
    [Show full text]
  • The Carol Autorino Center Presents: Magic Time: the “Business” of Jack Lemmon, a Film Series Tribute
    FOR IMMEDIATE RELEASE – February 2, 2012 Contact: Cynthia A. Mariani, Director of Marketing and Communications Telephone: 860.231.5387 E-mail: [email protected] The Carol Autorino Center Presents: Magic Time: The “Business” of Jack Lemmon A Film Series Tribute WEST HARTFORD, CONN. - Throughout his career, award-winning actor Jack Lemmon was known for his ability to portray characters who resonated with his audiences. A program of three films explores Jack Lemmon’s portrayal of the American businessman and the themes that resound with our current economy. The films in this tribute are Save the Tiger (1973) rated R, The April Fools (1969) rated PG, and Glengarry Glen Ross (1992) rated R. Save the Tiger will be shown on Tuesday, February 14, 2012; The April Fools on Monday, February 27, 2012; and Glengarry Glen Ross on Monday, March 5, 2012. Lectures or panel discussions at 6:15 p.m. will precede each film. All films will begin at 7:00 p.m. in the Bruyette Athenaeum’s Hoffman Auditorium. General Seating. The dates and order of the films have changed since originally announced. Tickets for each film are $15 for adults and $10 for senior citizens. For ticket information, please call the Frances Driscoll Box Office at 860.231.5555 or place orders online at www.sjc.edu/arts. The film series is part of the Bruyette Athenaeum Performing Arts Series, in cooperation with the Jack Lemmon family, the Theater department at Eastern Connecticut State University and the Film Studies department at Wesleyan University. Tuesday, February 14, 2012: Save the Tiger (1973) Struggling executive Harry Stoner (Jack Lemmon) cannot seem to catch a break in the current economy.
    [Show full text]
  • Reel Images: Representations of Adult Male Prisons by the Film Industry
    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 7-15-2009 Reel Images: Representations of Adult Male Prisons by the Film Industry Melissa E. Fenwick University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Fenwick, Melissa E., "Reel Images: Representations of Adult Male Prisons by the Film Industry" (2009). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/1962 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Reel Images: Representations of Adult Male Prisons by the Film Industry by Melissa E. Fenwick A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of Criminology College of Behavioral and Community Sciences University of South Florida Co- Major Professor: Michael J. Lynch, Ph.D. Co- Major Professor: Wilson R. Palacios, Ph.D. Lorie Fridell, Ph.D. Jennifer Friedman, Ph.D. Date of Approval: July 15, 2009 Keywords: incarceration, social constructionism, movies, media, propaganda, newsmaking, criminology © Copyright 2009, Melissa E. Fenwick Dedication I dedicate this manuscript to my mother, Corinne F. Fenwick. You instilled in me a love of reading and of education. You are my light, and you always help me to remember to let my life speak. I miss you with all of my heart and my soul. I love you very much, and without you none of this would have been possible.
    [Show full text]
  • The Reel Prison Experience Melvin Gutterman
    SMU Law Review Volume 55 | Issue 4 Article 7 2002 "Failure to Communicate" - The Reel Prison Experience Melvin Gutterman Follow this and additional works at: https://scholar.smu.edu/smulr Recommended Citation Melvin Gutterman, "Failure to Communicate" - The Reel Prison Experience, 55 SMU L. Rev. 1515 (2002) https://scholar.smu.edu/smulr/vol55/iss4/7 This Article is brought to you for free and open access by the Law Journals at SMU Scholar. It has been accepted for inclusion in SMU Law Review by an authorized administrator of SMU Scholar. For more information, please visit http://digitalrepository.smu.edu. "FAILURE To COMMUNICATE ' t THE REEL PRISON EXPERIENCE Melvin Gutterman* I. INTRODUCTION HE academic legal community has failed to appropriately recog- nize the images of law depicted by Hollywood as a legitimate and important subject for scholarly review.' Movies have the capacity to "open up" the discussion of contemporary legal issues that conven- tional legal sources ignore. 2 Although different from the normative legal theory of study, movies provide a rich portrait of popular jurisprudence of legal values.3 A fundamental paradox of many notable films is their inability to simultaneously achieve both scholastic acceptance and artistic achievement, at least equal to other media. 4 Movies are very powerful and can, through the use of provocative images, explore controversial themes and evoke passions that can affect even the most tightly closed minds. 5 The exclusion of films' celebrated images from academic study has its cost. There is, for example, a prevalent belief that life in prison is too t In the most celebrated colloquy in the movie Cool Hand Luke, the Captain as he stands over the defiant convict Luke asserts, "[w]hat we've got here is failure to communicate." What the Captain actually demands is that Luke totally capitulate to the contemptible prison system he embodies.
    [Show full text]