Felix Issue 0297, 1971
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Museum of the Moving Image Presents Comprehensive Terrence Malick Retrospective
FOR IMMEDIATE RELEASE MUSEUM OF THE MOVING IMAGE PRESENTS COMPREHENSIVE TERRENCE MALICK RETROSPECTIVE Moments of Grace: The Collected Terrence Malick includes all of his features, some alternate versions, and a preview screening of his new film A Hidden Life November 15–December 8, 2019 Astoria, New York, November 12, 2019—In celebration of Terrence Malick’s new film, the deeply spiritual, achingly ethical, and politically resonant A Hidden Life, Museum of the Moving Image presents the comprehensive retrospective Moments of Grace: The Collected Terrence Malick, from November 15 through December 8. The films in the series span a period of nearly 50 years, opening with Malick’s 1970s breakthroughs Badlands (1973) and Days of Heaven (1978), through his career-revival masterworks The Thin Red Line (1998) and The New World (2005), and continuing with his 21st- century films—from Cannes Palme d’Or winner The Tree of Life (2011); the trio of To the Wonder (2012), Knight of Cups (2015), and Song to Song (2017); and sole documentary project Voyage of Time (2016)—through to this year’s A Hidden Life. Two of these films will be presented in alternate versions—Voyage of Time and The New World—a testament to Malick’s ambitious and exploratory approach to editing. In addition to Malick’s own feature films, the series includes Pocket Money (1972), an ambling buddy comedy with Lee Marvin and Paul Newman, which he wrote (but did not direct), and Thy Kingdom Come (2018), the documentary featurette shot on the set of To the Wonder by photographer Eugene Richards. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Ftc-2018-0048-D-0042-155313.Pdf (1.35
20 August 2018 Federal Trade Commission Office of the Secretary 600 Pennsylvania Avenue NW Suite CC-5610 (Annex C) Washington, D.C. 20580 Dear Chairman Simons and Commissioners Ohlhausen, Phillips, Chopra, and Slaughter: We submit this filing in response to the Federal Trade Commission’s request for comments in anticipation of the “Competition and Consumer Protection in the 21st Century Hearings” (Project Number P181201) later this year. In these comments, we are pleased to share our thoughts in response to the suggested topics related to competition and consumer protection issues in communication, information, and media technology networks, as well as the role of intellectual property and competition policy in promoting innovation. CreativeFuture is a coalition of Americans who create – over 540 organizations and companies and over 190,000 individuals. We make our living creating in film, television, music, book publishing, and photography. Our nation’s creative economy, the world’s best, is under siege by digital piracy because ever-evolving technologies facilitate the unauthorized duplication and distribution of our valuable creative works – among them, internet platforms, that wittingly or unwittingly serve the interests of illegal enterprises around the world. In short, our creative communities are victimized by the unfair, deceptive, and anticompetitive practices that continue to be rampant on the internet and are facilitated by a variety of large internet platforms. While the internet has undoubtedly had significant benefits for many creatives, ultimately the current situation has not only hurt the creative communities, but has also harmed consumers and the public good. A large number of Americans agree that the government must act to keep Silicon Valley in check. -
14 October 2019 the Honorable Frank Pallone, Chairman The
14 October 2019 The Honorable Frank Pallone, Chairman The Honorable Greg Walden, Ranking Member House Committee on Energy and Commerce 2125 Rayburn House Office Building Washington, DC 20515 Dear Chairman Pallone, Ranking Member Walden, and Members of the Committee: Thank you for holding the Oct. 16, 2019 hearing on the online liability protections in Section 230 of the Communications Decency Act. CreativeFuture is a nonprofit coalition of more than 550 companies and organizations and more than 230,000 individuals from film, television, music, book publishing, photography, and other creative industries. We respectfully request that you include in the record of the hearing this cover letter and the attached documents. The internet is an extraordinary tool. It enables our members – as well as anyone and everyone around the world – to create content and reach audiences like never before. Unfortunately, a lack of accountability on the part of social media companies and online intermediaries is also facilitating piracy of a scale and scope like never before. That piracy and lack of accountability is jeopardizing the ability of creatives to fund and produce their art, and to earn a living. It also jeopardizes the 5.7 million U.S. jobs and $1.3 trillion in GDP that the core copyright industries bring to the U.S. economy. We are therefore grateful to see that not just this Committee, but all of Congress, is carefully examining whether social media companies and online intermediaries are living up to Congress’ expectations in exchange for the liability limitations they enjoy from Section 230, and in Section 512 of the Copyright Act. -
2013 Film Festival Programme
13th BELFAST FILM FESTIVAL 11th-21st April 2013 400 years later... 1 OUR FUNDERS OFFICIAL DRINKS OFFICIAL SPONSOR MEDIA PARTNERS TRAVEL PARTNERS Wishing The Law Society of Northern Ireland success at the VENUE 2013 Annual Conference in Milan PARTNERS ACCOMMODATION PARTNERS Professional Audio Visual Hire & Technical Support for all events. U We will always find the perfect travelwww.thirdsource.co.uk solution [email protected] - t/ 02890 472103 U Complete travel management service * Conferences COMMUNICATIONS U Efficient friendly trained staff * Exhibitions U * Arts Events PARTNER Online booking tool, tailored for your company * Live Concerts U 24/7 service based in Northern Ireland * Video Projections * Awards Ceremonies FLIGHTS HOTELS CAR HIRE TRAINS T: +44 (0) 28 9096 2000 E: [email protected] 2 www.selective-travel.co.uk /ÊUÊ/ÊUÊ/"ÊUÊ , Law Society Ad_A4.indd 1 29/01/2013 15:25 Directors Chairpersons k k Introduction Introduction Spring is here, and to celebrate we are hoisting our Belfast Film Festival hits its official teenage years. BFF13, Belfast Film Festival celluloid flag for 11 designated days in April. We are unlucky for some: the ones who don’t book early and very excited to be showcasing home-grown work and often. As with all teenagers this festival is a cocktail of international film-making talent from 26 countries raging hormones, angst, self –awareness and swagger. across the world. The programme is packed with well established, lesser-seen and exciting first time directing So, what do we have to be cocky about in 2013? Our talent; from Iran to Japan, from Cuba to China, the world Opening Night World Premier, Made In Belfast, from is at your fingertips. -
A Narrative and Stylistic Analysis of Terrence Malick's Films
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 8-2012 All Things Shining: A Narrative and Stylistic Analysis of Terrence Malick's Films C. Clinton Stivers [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Film and Media Studies Commons Recommended Citation Stivers, C. Clinton, "All Things Shining: A Narrative and Stylistic Analysis of Terrence Malick's Films. " PhD diss., University of Tennessee, 2012. https://trace.tennessee.edu/utk_graddiss/1473 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by C. Clinton Stivers entitled "All Things Shining: A Narrative and Stylistic Analysis of Terrence Malick's Films." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in English. Charles J. Maland, Major Professor We have read this dissertation and recommend its acceptance: Christine Holmlund, Mary Papke, Allen Dunn Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) All Things Shining: A Narrative and Stylistic Analysis of Terrence Malick’s Films A Dissertation Presented for The Doctor of Philosophy Degree The University of Tennessee, Knoxville C. -
UCLA UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Schooling, Islamization, and Religious Mobilization in Turkey Permalink https://escholarship.org/uc/item/4z81p8m8 Author Ozgen, Zeynep Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Schooling, Islamization, and Religious Mobilization in Turkey A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Sociology by Zeynep Ozgen 2014 © Copyright by Zeynep Ozgen 2014 ABSTRACT OF THE DISSERTATION Schooling, Islamization, and Religious Mobilization in Turkey by Zeynep Ozgen Doctor of Philosophy in Sociology University of California, Los Angeles, 2014 Professor Rogers Brubaker, Chair Scholars of Islamist mobilization commonly rely on typological explanations to interpret the motivations, strategies, and goals of religious activists. Such explanations often characterize Islamist movements as “political” or “militant” when they contest state power, and as “civil” or “apolitical” when they do not. This dissertation seeks to overcome the prevailing typological tendencies in the literature and to rethink the conventional dichotomies of the political and the social. The dissertation examines a religious pedagogical movement in Turkey that eschews conventional institutions of politics, and focuses, on the surface, on “teaching religion to fellow Muslims.” In doing so, it aims to explain why, how, and with what consequences social movements challenge the state’s monopoly over forming and reforming individuals, their morality, subjectivity, and culture. The dissertation draws on eighteen months of fieldwork in Turkey in formal and clandestine sites of religious socialization and pedagogy, one hundred interviews with key local and national actors, and archival work in national libraries. -
Stuart Rosenberg Фільм ÑÐ ¿Ð¸ÑÐ ¾Ðº (фільмографіÑ)
Stuart Rosenberg Фільм ÑÐ ¿Ð¸ÑÐ ¾Ðº (фільмографіÑ) I Shot an Arrow into the Air https://uk.listvote.com/lists/film/movies/i-shot-an-arrow-into-the-air-2639451/actors Fame Is the Name of the Game https://uk.listvote.com/lists/film/movies/fame-is-the-name-of-the-game-5432881/actors Let's Get Harry https://uk.listvote.com/lists/film/movies/let%27s-get-harry-1110245/actors Murder, Inc. https://uk.listvote.com/lists/film/movies/murder%2C-inc.-1124085/actors My Heroes Have Always Been https://uk.listvote.com/lists/film/movies/my-heroes-have-always-been-cowboys-12126396/actors Cowboys The April Fools https://uk.listvote.com/lists/film/movies/the-april-fools-1304524/actors The Laughing Policeman https://uk.listvote.com/lists/film/movies/the-laughing-policeman-1907536/actors Mute https://uk.listvote.com/lists/film/movies/mute-2749057/actors Run for Your Life https://uk.listvote.com/lists/film/movies/run-for-your-life-3298256/actors WUSA https://uk.listvote.com/lists/film/movies/wusa-3564816/actors He's Alive https://uk.listvote.com/lists/film/movies/he%27s-alive-5688567/actors Move https://uk.listvote.com/lists/film/movies/move-6926481/actors Love and Bullets https://uk.listvote.com/lists/film/movies/love-and-bullets-761688/actors The Big Story https://uk.listvote.com/lists/film/movies/the-big-story-7717809/actors Brubaker https://uk.listvote.com/lists/film/movies/brubaker-798239/actors Question 7 https://uk.listvote.com/lists/film/movies/question-7-826387/actors Pocket Money https://uk.listvote.com/lists/film/movies/pocket-money-945735/actors -
A Phenomenological Approach to the Later Films of Terrence Malick Timothy Keeley Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Fall 5-17-2017 A Phenomenological Approach to the Later Films of Terrence Malick Timothy Keeley Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Continental Philosophy Commons, Film and Media Studies Commons, and the Other Philosophy Commons Recommended Citation Keeley, Timothy, "A Phenomenological Approach to the Later Films of Terrence Malick" (2017). Arts & Sciences Electronic Theses and Dissertations. 1070. https://openscholarship.wustl.edu/art_sci_etds/1070 This Thesis is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS University College Liberal Arts A Phenomenological Approach to the Later Films of Terrence Malick by Timothy J. Keeley, Jr. A thesis presented to The Graduate School of Washington University in partial fulfillment of the requirements for the degree of Master of Liberal Arts May 2017 St. Louis, Missouri © 2017, Timothy J. Keeley, Jr. Table of Contents Acknowledgments..........................................................................................................................iii