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LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting -
Writing About Comics and Copyright
CREATe Working Paper 2013/9 (December 2013) Writing About Comics and Copyright Authors Ronan Deazley Jason Mathis University of Glasgow www.jasonmathis.ca [email protected] [email protected] Initially released as a pre-publication edition privately printed for the authors, limited to a print run of 200 copies. CREATe Working Paper Series DOI: 10.5281/zenodo.8379. This release was supported by the RCUK funded Centre for Copyright and New Business Models in the Creative Economy (CREATe), AHRC Grant Number AH/K000179/1. 1 WRITING ABOUT COMICS AND COPYRIGHT Ronan Deazley and Jason Mathis Copyright © 2013 Ronan Deazley and Jason Mathis [ii] For Moira and Ruby [iii] [iv] TABLE OF CONTENTS Introduction 1 Comics scholarship and clearing rights 3 What is a ‘work’? 6 Insubstantial copying 12 Criticism and review 16 Current proposals for reform 20 Conclusion 23 30 Afterword / Manifesto 28 Notes [v] [1] [2] COMICS SCHOLARSHIP AND CLEARING RIGHTS Academics who research and write about the visual world often complain about the way in which copyright law can hinder their scholarly endeavours, and with good reason. Writing about visual work without reproducing that work is an impoverished exercise, for both writer and reader. But, reproducing visual material can trigger concerns on the part of the conscientious author or – more often – demands on the part of the publisher about the need to secure copyright permission. In this respect, comics scholarship is - ing rights for publication can be frustrating and time-consuming, andno different academic from publishers any other often field manage of visual the or cultural business studies. -
American Fantastic Tales
AMERICAN FANTASTIC TALES TERROR AND THE UNCANNY FROM POE TO THE PULPS Peter Stmub, editor THE LIBRARY OF AMERICA digitalisiert durch: American fantastic tales IDS Luzern 2009 Contents Introduction xi Charles Brockden Brown Somnambulism: A Fragment i Washington Irving The Adventure of the Gerinan Student 21 Edgar Allan Poe Berenice 27 Nathaniel Hawthorne Young Goodman Brown 35 Herman Melville The Tartarus of Maids 49 Fitz-James O'Brien What Was It? 63 Bret Harte The Legend of Monte del Diablo 77 Harriet Prescott Spofford The Moonstone Mass 90 W. C. Morrow His Unconquerable Enemy 102 Sarah Orne Jewett In Dark New England Days 112 Charlotte Perkins Gilman The Yellow Wall Paper 131 Stephen Crane The Black Dog 148 Kate Chopin Ma'a?ne Pelagie 153 John Kendrick Bangs Thurlow's Christmas Story 162 Robert W. Chambers The Repairer of Reputations 177 Ralph Adams Cram The Dead Valley 210 Madeline Yale Wynne The Little Room 219 Gertrude Atherton The Striding Place 232 Vlll CONTENTS Emma Francis Dawson An Itinerant House 238 Mary Wilkins Freeman Luella Miller 255 Frank Norris Grettir at Thoi-hall-stead 269 Lafcadio Hearn Yuki-Onna 282 F. Marion Crawford For the Blood Is the Life 286 Ambrose Bierce The Moonlit Road 302 Edward Lucas White Lukundoo 312 Olivia Howard Dunbar The Shell of Sense 326 Henry James The Jolly Corner 337 Alice Brown Golden Baby 371 Edith Wharton Afterward 386 Willa Catlier Consequences 416 Ellen Glasgow The Shadowy Third 436 Julian Hawthorne Absolute Evil 460 Francis Stevens Unseen—Unfeared 493 F. Scott Fitzgerald The Curious Case of Benjamin Button 510 Seabury Quinn The Curse of Everard Maundy 536 Stephen Vincent Benet The King of the Cats 568 David H. -
English-Language Graphic Narratives in Canada
Drawing on the Margins of History: English-Language Graphic Narratives in Canada by Kevin Ziegler A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Doctor of Philosophy in English Waterloo, Ontario, Canada, 2013 © Kevin Ziegler 2013 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract This study analyzes the techniques that Canadian comics life writers develop to construct personal histories. I examine a broad selection of texts including graphic autobiography, biography, memoir, and diary in order to argue that writers and readers can, through these graphic narratives, engage with an eclectic and eccentric understanding of Canadian historical subjects. Contemporary Canadian comics are important for Canadian literature and life writing because they acknowledge the importance of contemporary urban and marginal subcultures and function as representations of people who occasionally experience economic scarcity. I focus on stories of “ordinary” people because their stories have often been excluded from accounts of Canadian public life and cultural history. Following the example of Barbara Godard, Heather Murray, and Roxanne Rimstead, I re- evaluate Canadian literatures by considering the importance of marginal literary products. Canadian comics authors rarely construct narratives about representative figures standing in place of and speaking for a broad community; instead, they create what Murray calls “history with a human face . the face of the daily, the ordinary” (“Literary History as Microhistory” 411). -
2019 27Th Annual Poets House Showcase Exhibition Catalog
2019 27th Annual Poets House Showcase Exhibition Catalog Poets House | 10 River Terrace | New York, NY 10282 | poetshouse.org ELCOME to the 2019 Poets House Showcase, our annual, all-inclusive exhibition of the most recent poetry books, chapbooks, broadsides, artists’ books, and multimedia works published in the United States and W abroad. This year marks the 27th anniversary of the Poets House Showcase and features over 3,300 books from more than 800 different presses and publishers. For 27 years, the Showcase has helped to keep our collection current and relevant, building one of the most extensive collections of poetry in our nation—an expansive record of the poetry of our time, freely available and open to all. Building the Exhibit and the Poets House Library Collection Every year, Poets House invites poets and publishers to participate in the annual Showcase by donating copies of poetry titles released since January of the previous year. This year’s exhibit highlights poetry titles published in 2018 and the first part of 2019. Books have been contributed by the entire poetry community, from the publishers who send on their titles as they’re released, to the poets who mail us signed copies of their newest books, to library visitors donating books when they visit us. Every newly published book is welcomed, appreciated, and featured in the Showcase. The Poets House Showcase is the mechanism through which we build our library: a comprehensive, inclusive collection of over 70,000 poetry works, all free and open to the public. To make it as extensive as possible, we reach out to as many poetry communities and producers as we can, bringing together poetic voices of all kinds to meet the different needs and interests of our many library patrons. -
Fafnir – Nordic Journal of Science Fiction and Fantasy Research Journal.Finfar.Org
Fafnir – Nordic Journal of Science Fiction and Fantasy Research journal.finfar.org Golems in the New World Matt Reingold Abstract: This essay considers the ways that the legend of the Jewish Golem has been used in two recent graphic novels. The original legends of the Golem presented him as a creature that would protect the Jews of Prague against anti- Semitism and persecution in the 16th century, while leaving open the possibility that he could return again in the future. Both James Sturm’s The Golem’s Mighty Swing and Jorge Zentner and Rubén Pellejero’s The Silence of Malka make use of many of the original tropes of the Golem narrative, but by making significant changes to the story including location, time period, and even what a Golem is, the texts offer new ways of understanding the Golem legend. These narratives suggest that despite immense progress for global Jewry since the 16th century, a Golem – albeit a new one – is still needed to protect Jews, sometimes even from themselves. Keywords: Golems, James Sturm, Golem’s Mighty Swing, The Silence of Malka, Jorge Zentner and Rubén Pellejero, graphic novels In a May 2009 article in the New York Times, reporter Dan Bilefsky identified a revival in Golem culture in Prague. In his visit to the city, he found Golem hotels, Golem figurines and action figures, a musical about the Golem, and even Golem-themed restaurants serving non-kosher foods like the “crisis special”, a roast pork and potato dish. In her analysis of the renewed interest in Prague’s legendary creature, Eva Bergerova, director of the Golem play, sees in the Golem a “projection of society’s … fears and concerns. -
Drawn & Quarterly |
DRAWN & QUARTERLY WINTER 2019 OFF SEASON JAMES STURM THIS WOMAN’S WORK JULIE DELPORTE CREDO: THE ROSE WILDER lANE storY PETER BAGGE LEAVING RICHARD’S VALLEY MICHAEL DEFORGE kitaro’S yOKAI battLES SHIGERU MIzUkI WALT AND SKEEZIX 1933-1934: VOLUME 7 FRANk kING EDITED BY CHRIS WARE AND JEET HEER OFF SEASON james sturm Rage. Depression. Divorce. Politics. Love. A visceral story that you can see, taste, and feel How could this happen? The question of A truly human experience, Off Season 2016 becomes deeply personal in James displays Sturm’s masterful pacing and Sturm’s riveting graphic novel Off Season, storytelling combined with conscious which charts one couple’s divisive sepa- and confident growth as the celebrated ration through the fall of 2016—during cartoonist and educator moves away from Bernie’s loss to Hillary, Hillary’s loss to historical fiction to deliver this long-form Trump, and the disorienting months narrative set in contemporary times. that followed. Originally serialized on Slate, this We see a father navigating life as a expanded edition turns timely vignettes single parent and coping with the disin- into a timeless, deeply affecting account tegration of a life-defining relationship. of one family and their off season. Amid the upheaval are tender moments with his kids—a sleeping child being PRAISE FOR jAMES STURM carried in from the car, Christmas morn- “Mr. Sturm knows when to let the images ing anticipation, a late-night cookie after speak for themselves.”—New York Times a temper tantrum—and fallible humans drenched in palpable feelings of grief, “James Sturm’s graphic narratives are rage, loss, and overwhelming love. -
Writing About Comics
NACAE National Association of Comics Art Educators English 100-v: Writing about Comics From the wild assertions of Unbreakable and the sudden popularity of films adapted from comics (not just Spider-Man or Daredevil, but Ghost World and From Hell), to the abrupt appearance of Dan Clowes and Art Spiegelman all over The New Yorker, interesting claims are now being made about the value of comics and comic books. Are they the visible articulation of some unconscious knowledge or desire -- No, probably not. Are they the new literature of the twenty-first century -- Possibly, possibly... This course offers a reading survey of the best comics of the past twenty years (sometimes called “graphic novels”), and supplies the skills for reading comics critically in terms not only of what they say (which is easy) but of how they say it (which takes some thinking). More importantly than the fact that comics will be touching off all of our conversations, however, this is a course in writing critically: in building an argument, in gathering and organizing literary evidence, and in capturing and retaining the reader's interest (and your own). Don't assume this will be easy, just because we're reading comics. We'll be working hard this semester, doing a lot of reading and plenty of writing. The good news is that it should all be interesting. The texts are all really good books, though you may find you don't like them all equally well. The essays, too, will be guided by your own interest in the texts, and by the end of the course you'll be exploring the unmapped territory of literary comics on your own, following your own nose. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Directing For A Comedy Series A.P. Bio Handcuffed May 16, 2019 Jack agrees to help Mary dump her boyfriend and finds the task much harder than expected, meanwhile Principal Durbin enlists Anthony to do his dirty work. Jennifer Arnold, Directed by A.P. Bio Nuns March 14, 2019 As the newly-minted Driver's Ed teacher, Jack sets out to get revenge on his mother's church when he discovers the last of her money was used to buy a statue of the Virgin Mary. Lynn Shelton, Directed by A.P. Bio Spectacle May 30, 2019 After his computer breaks, Jack rallies his class to win the annual Whitlock's Got Talent competition so the prize money can go towards a new laptop. Helen and Durbin put on their best tuxes to host while Mary, Stef and Michelle prepare a hand-bell routine. Carrie Brownstein, Directed by Abby's The Fish May 31, 2019 When Bill admits to the group that he has Padres season tickets behind home plate that he lost in his divorce, the gang forces him to invite his ex-wife to the bar to reclaim the tickets. Betsy Thomas, Directed by After Life Episode 2 March 08, 2019 Thinking he has nothing to lose, Tony contemplates trying heroin. He babysits his nephew and starts to bond -- just a bit -- with Sandy. Ricky Gervais, Directed by Alexa & Katie The Ghost Of Cancer Past December 26, 2018 Alexa's working overtime to keep Christmas on track. But finding her old hospital bag stirs up memories that throw her off her holiday game. -
Lamplight-V1i1.Pdf
Editor’s Note Hello, hello! It occurred to me that in this new age of digital marketing and online sales that one of the most basic elements to a magazine was going to be missed: flipping through a copy on the newsstand. So here is a taste, if you will, of what you can find in LampLight. Our first issue, which is free, presented here as it would be in print This is the actual layout file used for our print edition (minus this note, of course), allowing you an idea of what you’ll get in the paper copies I hope you’ll enjoy this issue, and check out more of them. We’ve had Mercedes Yardley, Mary SanGiovanni, Kealan Patrick Burke, Normal Prentiss and more, all featured in LampLight. Thank you for reading LampLight Magazine. -j Jacob Haddon January 2015 http://lamplightmagazine.com LampLight Table of Contents A Quarterly Magazine Featured Artist, Robert Ford of Dark Fiction Early Harvest 1 Interview with Jeff Heimbuch 7 Volume 1 Issue 1 Fiction September 2013 The Kelp - William Meikle 11 Elgar’s Zoo - Nathan Yocum 19 Published by Apokrupha No Victims - Rahul Kanakia 27 Memories of the Knacker's Yard - Ian Creasey 31 Summer Break - Mandy DeGeit 44 Jacob Haddon, Editor Katie Winter, Assistant Editor Serial Novella - Kevin Lucia Paula Snyder, Cover and And I Watered It With Tears, Part I 46 Masthead Design ISBN: 978-1493585915 Shadows in the Attic - J.F. Gonzalez Reprint Anthologies 52 All stories copyright respective author, 2012 LampLight Classics An Occurrence at Owl Creek Bridge - lamplightmagazine.com Ambrose Bierce 57 apokrupha.com Writer’s Bios 64 Follow us on Facebook Subscriptions facebook.com/lamplightmagazine Would you like LampLight sent to you in your email? Or on Twitter For $10 a year (that’s 4 issues!) get LampLight sent to you directly twitter.com/lamplightmag in any ebook format. -
Fall 2014 Columbia Magazine Collaborations 45 Startups
FALL 2014 COLUMBIA MAGAZINE COLLABORATIONS 45 STARTUPS. 1 GARAGE. C1_FrontCover_v1.indd C1 10/1/14 4:41 PM ChangeCHANGETHEWORLD lives, On October 29, join Columbians around the globe for 24 hours of giving back, connecting, and chances to win matching funds for your favorite school or program. Changing Lives That Change The World givingday.columbia.edu #ColumbiaGivingDay C2_GivingDay.indd C2 9/30/14 5:45 PM CONTENTS Fall 2014 12 44 26 DEPARTMENTS FEATURES 3 Letters 12 Start Me Up By Rebecca Shapiro 6 Primary Sources The new Columbia Startup Lab in SoHo is open Darwin in plain English . Gail Sheehy’s New York for business. We visit some young entrepreneurs to memories . Eric Holder goes to Ferguson see what clicks. 8 College Walk 22 Streams and Echoes Grab your coat and get your stethoscope . By Tim Page Decanterbury tales . Kenneth Waltz: The composer Chou Wen-chung, featured this fall as one A remembrance of the Miller Theatre’s “Composer Portraits,” has been connecting East and West for more than sixty years. 48 News Amale Andraos named dean of GSAPP . 26 The Professor’s Last Stand Columbia gives seed grants to overseas research By David J. Craig projects . Brown Institute for Media Innovation US historian Eric Foner is trying something new before opens its doors . Columbia Secondary School he retires: he’s fi lming a massive open online course, graduates its fi rst class . David Goldstein or MOOC. Call it a Lincoln login. recruited to head new genomics institute . Bollinger’s term extended 34 Rewired By Paul Hond 53 Newsmakers Law professor Tim Wu, the coiner of “net neutrality,” entered New York’s lieutenant-governor race to change 55 Explorations politics. -
2019 27Th Annual Poets House Showcase Exhibition Catalog
2019 27th Annual Poets House Showcase Exhibition Catalog Poets House | 10 River Terrace | New York, NY 10282 | poetshouse.org ELCOME to the 2019 Poets House Showcase, our annual, all-inclusive exhibition of the most recent poetry books, chapbooks, broadsides, artists’ books, and multimedia works published in the United States and abroad. This year marks the 27th anniversary of the Poets House Showcase and features over 3,300 books from more than 800 different presses and publishers. For 27 years, the Showcase has helped to keep our collection Wcurrent and relevant, building one of the most extensive collections of poetry in our nation—an expansive record of the poetry of our time, freely available and open to all. Building the Exhibit and the Poets House Library Collection Every year, Poets House invites poets and publishers to participate in the annual Showcase by donating copies of poetry titles released since January of the previous year. This year’s exhibit highlights poetry titles published in 2018 and the first part of 2019. Books have been contributed by the entire poetry community, from the publishers who send on their titles as they’re released, to the poets who mail us signed copies of their newest books, to library visitors donating books when they visit us. Every newly published book is welcomed, appreciated, and featured in the Showcase. The Poets House Showcase is the mechanism through which we build our library: a comprehensive, inclusive collection of over 70,000 poetry works, all free and open to the public. To make it as extensive as possible, we reach out to as many poetry communities and producers as we can, bringing together poetic voices of all kinds to meet the different needs and interests of our many library patrons.