Terri Ivens SAG FILM Director 86 MELROSE AVE

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Terri Ivens SAG FILM Director 86 MELROSE AVE. Supporting Lili Matta THE LAST EXORCIST Lead Robin Bain COVEN Lead Margret Malandruccolo GROWING UP Supporting Annabelle K. Frost UNTOLD Lead G. M. Garcia PIRANHACONDA Lead Roger Corman/Jim Wynorski HAPPENSTANCE Lead Brad Carlson/Eddie Schmidt IN THE HEAT OF PASSION Supporting Rodman Flender POINT BLANK Supporting Matt Earl Beesley STORYTELLING Supporting Paul Dalio CHICKS DIG GAY GUYS Supporting Nathan Apel MARKED FOR DEATH Supporting Dwight H. Little TRANCERS IV & V Lead David Nutter JIMMY HOLLYWOOD Supporting Barry Levinson TELEVISION – Partial List DEADLY MATRIMONY (MOVIE) Supporting LIFETIME THE AGENCY (PILOT) Series Regular CW THE BAY Series Regular AMAZON HOTEL DU LOONE Series Regular BRAT/YOUTUBE TAINTED DREAMS Series Regular AMAZON BACK STABBER Recurring AMAZON ALL MY CHILDREN Contract Role ABC THE BAREFOOT EXECUTIVE (MOVIE) Lead ABC THERE WAS A LITTLE BOY (MOVIE) Lead CBS BREAST MEN (MOVIE) Supporting HBO BOY MEETS WORLD Guest Star ABC CIVIL WARS Guest Star ABC THE BYRDS OF PARADISE Guest Star NBC MELROSE PLACE Guest Star FOX ENEMIES (PILOT) Series Regular FOX SECRET AGENT MAN Guest Star UPN THIS LIFE (PILOT) Guest Star NBC WAKE, RATTLE AND ROLL Series Regular NICKELODEON MARRIED WITH CHILDREN Guest Star FOX LIFE GOES ON Recurring ABC COACH Guest Star ABC BOYS WILL BE BOYS Series Regular FOX MEDICINE BALL Series Regular FOX TRAINING – Andrew Magarian and John Homa MANAGEMENT – TORQUE ENTERTAINMENT – PETER SCOTT 310.576.6025 AQUA TALENT – COURTNEY PELDON – 310.859.8889 .

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Sundance Institute Presents Institute Sundance U.S
1 Check website or mobile app for full description and content information. description app for full Check website or mobile #sundance • sundance.org/festival sundance.org/festival Sundance Institute Presents Institute Sundance The U.S. Dramatic Competition Films As You Are The Birth of a Nation U.S. Dramatic Competition Dramatic U.S. Many of these films have not yet been rated by the Motion Picture Association of America. Read the full descriptions online and choose responsibly. Films are generally followed by a Q&A with the director and selected members of the cast and crew. All films are shown in 35mm, DCP, or HDCAM. Special thanks to Dolby Laboratories, Inc., for its support of our U.S.A., 2016, 110 min., color U.S.A., 2016, 117 min., color digital cinema projection. As You Are is a telling and retelling of a Set against the antebellum South, this story relationship between three teenagers as it follows Nat Turner, a literate slave and traces the course of their friendship through preacher whose financially strained owner, PROGRAMMERS a construction of disparate memories Samuel Turner, accepts an offer to use prompted by a police investigation. Nat’s preaching to subdue unruly slaves. Director, Associate Programmers Sundance Film Festival Lauren Cioffi, Adam Montgomery, After witnessing countless atrocities against 2 John Cooper Harry Vaughn fellow slaves, Nat devises a plan to lead his DIRECTOR: Miles Joris-Peyrafitte people to freedom. Director of Programming Shorts Programmers SCREENWRITERS: Miles Joris-Peyrafitte, Trevor Groth Dilcia Barrera, Emily Doe, Madison Harrison Ernesto Foronda, Jon Korn, PRINCIPAL CAST: Owen Campbell, DIRECTOR/SCREENWRITER: Nate Parker Senior Programmers Katie Metcalfe, Lisa Ogdie, Charlie Heaton, Amandla Stenberg, PRINCIPAL CAST: Nate Parker, David Courier, Shari Frilot, Adam Piron, Mike Plante, Kim Yutani, John Scurti, Scott Cohen, Armie Hammer, Aja Naomi King, Caroline Libresco, John Nein, Landon Zakheim Mary Stuart Masterson Jackie Earle Haley, Gabrielle Union, Mike Plante, Charlie Reff, Kim Yutani Mark Boone Jr.
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Copyright ©2012 Academy of Motion Picture Arts and Sciences. “Oscar,” “Academy Award,” and the Oscar statuette are registered trademarks, and the Oscar statuette the copyrighted property, of the Academy of Motion Picture Arts and Sciences. The accuracy, completeness, and adequacy of the content herein are not guaranteed, and the Academy of Motion Picture Arts and Sciences expressly disclaims all warranties, including warranties of merchantability, fi tness for a particular purpose and non-infringement. Any legal information contained herein is not legal advice, and is not a substitute for advice of an attorney. All rights reserved under international copyright conventions. No part of this document may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system without permission in writing from the publisher. Published by the Academy of Motion Picture Arts and Sciences Inquiries should be addressed to: Science and Technology Council Academy of Motion Picture Arts and Sciences 1313 Vine Street, Hollywood, CA 90028 (310) 247-3000 http://www.oscars.org Printed in the United States of America Library of Congress Cataloging-in-Publication Data The Digital Dilemma 2 Perspectives from Independent Filmmakers, Documentarians and Nonprofi t Audiovisual Archives 1. Digital preservation – Case Studies. 2. Film Archives – Technological Innovations 3. Independent Filmmakers 4. Documentary Films 5. Audiovisual I. Academy of Motion Picture Arts and
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