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JANUARY 2020 DGA MONTHLY PRINT JANUARY 2020 FEBRUARY 2020 The OfficialMARCH 2020 News & Events Magazine of the Directors Guild of America JANUARY 2020 FEBRUARY 2020 MARCH 2020 FEBRUARY 2020 JANUARY 2020 DGA and AMPTP Agree to Begin Contract Negotiations MARCH 2020 SCHEDULE FEBRUARY 2020 JANUARY 2020 nd MARCH 2020 72 2019 Nominees for Outstanding DGA Announces Awards for Directorial Achievement in Service and Achievement: FEBRUARY 2020 Theatrical Feature Film Duncan S. Henderson Frank Capra Achievement Award MARCH 2020 JOHAN RENCK NICOLE BILL HADER SPIKE JONZE Movies For Television KASSELL Comedy Series Commercials and Limited Series Dramatic Series Arthur E. Lewis FEBRUARY 2020 Franklin J. Schaffner Achievement Award 72nd BONG SAM MARTIN MARCH 2020 JOON HO MENDES SCORSESE Parasite 1917 The Irishman JAMES BURROWS DON ROY KING & ANDY FISHER Variety/Talk/News/ WINNERS Variety/Talk/News/ Sports – Series Sports – Specials FEBRUARY 2020 MARCH 2020 SAM MENDES JASON COHEN AMY SCHATZ ALMA HAR’EL STEVEN BOGNAR and Reality Programs Children’s First-Time Feature JULIA REICHERT Outstanding Directorial Achievement Programs Film Director Documentary QUENTIN TAIKA in Theatrical Feature Film TARANTINO WAITITI Once Upon a Time... Jojo Rabbit in Hollywood In Memoriam Former DGA President Also in this Issue: Gene Reynolds BA/FLTTA 2020 Negotiations Update • 72nd DGA Awards Voting Information 1923-2020 • DGA Membership Meeting in Chicago • The Craft of the Director: Lesli Linka Glatter • EDSC, WSC & Latino Committees Host Events • January Screenings, Meetings and Events 0C1 COVER.indd 1 2/10/20 3:21 PM 0C1 FEB COVER.indd 1 1/13/20 5:55 PM DGAMonthlyCover_January2020_FinalFixed.indd 1 12/13/19 12:23 PM Space Art Mailing Reservation Deadline Date 2020 May 2020 Apr 3 Apr 10 Apr 15 June 2020 May 1 May 8 May 13 July 2020 June 4 June 9 June 15 Aug 2020 July 6 July 10 July 15 Sept 2020 Aug 5 Aug 10 Aug 13 Oct 2020 Sept 3 Sept 10 Sept 15 Nov 2020 Oct 6 Oct 9 Oct 14 Dec 2020 Nov 2 Nov 6 Nov 12 • DGA Monthly is published monthly • Premium Positions are available on a first-come, first-served basis • Mailing dates are subject to slight variations IngleDodd Media | Your Industry Connection | 310.207.4410 | [email protected].

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Deborah Barylski
DEBORAH BARYLSKI CASTING DIRECTOR (310) 314-9116 (h) SELECTED CREDITS (310) 795-2035 (c) FEATURE FILMS [email protected] PASTIME* Prod: Robin Armstrong, Eric Young Dir: R. Armstrong *Winner, Audience Award, Sundance MOVIES FOR TELEVISION ALLEY CATS STRIKE (Disney Cannel) Execs: Carol Ames, Don Safran, Michael Cieply Dir: Rod Daniel A PLACE TO BE LOVED (CBS) Exec. Producer: Beth Polson Dir: Sandy Smolan A MESSAGE FROM HOLLY (CBS) Exec. Producer: Beth Polson Dir: Rod Holcomb BACK TO THE STREETS OF SF (NBC) Exec. Producer: Diana Kerew, M. Goldsmith Dir: Mel Damski GUESS WHO'S COMING FOR XMAS? Exec. Producer: Beth Polson Dir: Paul Schneider TELEVISION: PILOT & SERIES *Winner, EMMY and Artios Awards for Casting for a Comedy Series, 2004 **Artios Award nomination SAINT GEORGE Execs: M.Williams,D. McFadzean,G.Lopez,M.Rotenberg Lionsgate/FX BACK OF THE CLASS Execs: Hugh Fink, Porter, Dionne, Weiner Nickelodeon DIRTY WORK (Won New Media Emmy) Execs: Zach Schiff-Abrams, Jackie Turnure, A. Shure Fourth Wall Studios THE MIDDLE Execs: Eileen Heisler, DeAnn Heline Warners/ABC UNTITLED DANA GOULD PROJECT Execs: D. Gould, Mike Scully, T. Lassally, D. Becky Warners/ABC THE EMANCIPATION OF ERNESTO Execs: Emily Kapnek, Wilmer Valderama 20th/Fox STARTING UNDER Exec. Bruce Helford/Mohawk Warners/Fox HACKETT Execs: Sonnenfeld, Moss, Timberman, Carlson Sony/FBC NICE GIRLS DON’T GET THE CORNER OFFICE. Execs: Nevins, Sternin, Ventimilia Imagine & 20th/ABC THE WAR AT HOME Exec. Rob Lotterstein, M.Schultheis, M.Hanel 20th/Warners/Fox KITCHEN CONFIDENTIAL Execs: D. Star, D. Hemingson, & New Line Fox/FBC THE ROBINSON BROTHERS Exec. Mark O’Keefe, Adelstein, Moritz,Parouse 20th/ORIGINAL/FBC ARRESTED DEVELOPMENT* Exec.
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Ard Parties Are Affected by Ban May Liquidate 2Nd Tract of Nursery
H Complete Local News Of A Population Of THE WEATHER 1 8 ,5 2 4 Increasing cloudiness farmer today i 1»t.r»l . Meeea d m mm rotten J.eau-y/l. im . .t t1i. Foit Ogle, .t num^th, N .„ U rM f, StmcsB H r«r*rr MM -t'Tmr-’ ^ VIIr -N o ,,,,S5 .3 - H.lO. SipE, N. J., TH-URSDA^MARCH-<^»M-1- mtWBfAPKK______ uF Tir* TmvNBiin* op miLSitt k -P-M eE-FlVE-.CENTS- ard Parties Are Eyeglass Lens To Sing In Baptist Church Moves To Help Solves Theft Flood Control May Liquidate 2nd Leads To Arrest O f Kearny Affected By Ban P&scoe Seeks Diversion Man For Taking Police Of Highway Funds For Tract Of Nursery Auto January 31 Project In County mbling Causes Can- pence last InUMAJi jQfilinqiiftnrtos O f feT7 ftOft closed’ an outstanding piece of de Assemblyman Herbert J. Pascoe Mefeean Sponsors idling Two Events tective work by bringing a 25-year- this week moved to. aid in flood con Against Parcel In Best : Pirn K. Owen spoke Tuesday be trol wofk along the Elizabeth River fore the vRo.tary~ Glub.-on how^ the ■oM-youfe-teto-Pmice^0oart^eiHihefli- Daylight Saving Residential Area poiieeatr junuafy 'STr’HtSOTy by^rrtrOducing-a-*biii'''to: • d4'vei-t-$l'Q0^~ ecT r e s u l t o f federal income tax laws work, and 050’ ” State Highway Department mentioned various deductions pos evidence being a single eyeglass lens ]ING AMENDMENT Without any distinguishing mark on funds for this purpose. Pascoe said Congressman Donald H.
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HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007.
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LGBTQ Episodic Television Study Guide
Archive Study Guide: LESBIAN, GAY, BISEXUAL AND TRANSGENDER TELEVISION: SITCOMS AND EPISODIC DRAMAS ARCHIVE STUDY GUIDE The representation of Lesbian, Gay, Bisexual and Transgender (LGBT) communities on television is marked by a history of stereotypes and inexplicable invisibility. By the 1970s, gay media-watch groups communicated their concerns to the television industry and a sense of cooperation began to emerge between the LG BT community and broadcasters. During the 1980s, the AIDS crisis and resulting prejudices ushered in a new era of problematic and offensive portrayals. In the late 1990s, Ellen Degeneres' landmark coming out, (both in real- life, and through the character she portrayed in her sitcom), generated much controversy and discussion, ultimately paving the way for well -developed gay characters in prominent primetime TV roles. Despite such advances, stereotypes continue to resurface and perpetuate, and the full diversity of the LGBT community is more often than not underrepresented in the mass media. This is only a partial list – consult the Archive Research and Study Center for additional titles, including relevant materials held in the Outfest Legacy Collection. HEARST NEWSREEL Hearst Newsreel Footage. Movie Stars Join Circus for Charity! Los Angeles, California (1948-09-04). Wrestling telecasts of the late 1940s and early 1950s often featured flamboyant characters with (implied) gay personas. Features Bob Hope acting as manager of outlandish TV wrestler Gorgeous George, who faces actor Burt Lancaster in a match. Study Copy: VA6581 M Hearst Newsreel Footage. Wrestling from Montreal, Quebec, Canada (1948-10-22). Gorgeous George vs. Pete Petersen. Study Copy: VA8312 M TELEVISION (Please note some titles may require additional lead-time to make available for viewing) 1950s Western Main Event Wrestling.
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Steve Pritzker Papers, 1967-1986
http://oac.cdlib.org/findaid/ark:/13030/kt4489q3bs No online items Finding Aid for the Steve Pritzker papers, 1967-1986 Processed by Arts Special Collections staff; machine-readable by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2004 The Regents of the University of California. All rights reserved. Finding Aid for the Steve Pritzker PASC 44 1 papers, 1967-1986 Title: Steve Pritzker papers Collection number: PASC 44 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 16 linear ft.(38 boxes) Date: 1967-1986 Abstract: Steve Pritzker was a writer and producer whose credits include the television series Room 222, Friends and Lovers, and Silver Spoons. Collection consists of television scripts and production material related to Pritzker's career. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Provenance/Source of Acquisition Gift, 1989. Preferred Citation [Identification of item], Steve Pritzker Papers (Collection PASC 44). Library Special Collections, University of California, Los Angeles.
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Jury Tampering Lands Man in Jail
lsU baseball Zac Person to start against TCU PAGE 6 MINDEN RESS ERALD P -H www.press-herald.com June 18, 2015 | 50 Cents THURSDAY INSIDE webster Crime today Jury tampering lands man Jindal loses appeal in jail on Common Core Officials say suspect lawsuit in state court asked juror questions NEWS PG.2 during selection WHAT’S IN MICHELLE BATES [email protected] A Minden man is behind bars charged with tampering with a jury after a warrant was issued for his arrest. Dominick J. Quatruopo- A BUDGET? lo, 59, of the 8100 block of Dorcheat Road, was arrest- ed Tuesday, June 16, and charged with jury tamper- Sorority ing in a criminal case. Bond was set at $250,000. earns MICHELLE BATES According to reports, [email protected] Quatruopolo was in court awards Tuesday and the warrant With budgets being a hot topic as the leg- was served by Lt. Angela LIFE PG.5 islative session closed and fiscal years E v a n s , approaching an end, there’s been a lot of talk assisted by about cuts and tighter purse strings. D e p u t i e s Why is that? The state just passed a $25 D a n i e l billion budget, and municipalities like Min- White and den are looking a passing a budget in the Eric Roby. millions. The charge State Rep. Gene Reynolds and Minden stems from Mayor Tommy Davis say these cuts and an alleged tighter purse strings come from the fact that incident on QUATRUPOLO much of the money brought April 27 in in is dedicated money – which his court case where he means the money cannot be was charged with domestic spent for any other purpose abuse battery by strangula- than for what it was intended.
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A Tribute to Michael Curtiz 1973
Delta Kappa Alpha and the Division of Cinema of the University of Southern California present: tiz November-4 * Passage to Marseilles The Unsuspected Doctor X Mystery of the Wax Museum November 11 * Tenderloin 20,000 Years in Sing Sing Jimmy the Gent Angels with Dirty Faces November 18 * Virginia City Santa Fe Trail The Adventures of Robin Hood The Sea Hawk December 1 Casablanca t December 2 This is the Army Mission to Moscow Black Fury Yankee Doodle Dandy December 9 Mildred Pierce Life with Father Charge of the Light Brigade Dodge City December 16 Captain Blood The Private Lives of Elizabeth and Essex Night and Day I'll See You in My Dreams All performances will be held in room 108 of the Cinema Department. Matinees will start promptly at 1:00 p.m., evening shows at 7:30 p.m. A series of personal appearances by special guests is scheduled for 4:00 p.m. each Sunday. Because of limited seating capacity, admission will be on a first-come, first-served basis, with priority given to DKA members and USC cinema students. There is no admission charge. * If there are no conflicts in scheduling, these programs will be repeated in January. Dates will be announced. tThe gala performance of Casablanca will be held in room 133 of Founders Hall at 8:00 p.m., with special guests in attendance. Tickets for this event are free, but due to limited seating capacity, must be secured from the Cinema Department office (746-2235). A Mmt h"dific Uredrr by Arthur Knight This extended examination of the films of Michael Only in very recent years, with the abrupt demise of Curtiz is not only long overdue, but also altogether Hollywood's studio system, has it become possible to appropriate for a film school such as USC Cinema.
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A Guild Is Born Dorothy Arzner
80-YEAR ANNIVERSARY The Screen KING VIDOR 1938 >“Women’s dramatic sense is “Directors Guild DOROTHY invaluable to the motion picture was organized industry,” said Dorothy Arzner, solely by ARZNER whose contributions include and for the First Female 80 YEARS STRONG motion picture being the first female member Member 1933 >The formation of the Directors director…. We of the Directors Guild. In early A GUILD Guild had been percolating for a are not anti- Hollywood, Arzner was a typist, number of years. Amid nationwide anything: the screenwriter, editor, and ultimately, director. IS BORN labor unrest in the country, the Guild being She is believed to have developed the boom mic, studios had been squeezing directors formed for the enabling actors to move and speak more easily purpose of both financially and creatively. The first step toward in early talkies. At one time under contract to assisting and Paramount, Arzner is organizing a guild occurred in 1933 outside the Hol- improving the lywood Roosevelt Hotel, after a meeting in which best known for directing director’s work such strong personalities the studios announced a 50 percent across-the-board in the form of pay cut. After the meeting, King Vidor and a handful a collective as Clara Bow, Claudette of directors congregated on the sidewalk and knew body, rather Colbert, Katharine something had to be done. They understood, as Vidor than as an Hepburn, and Joan put it, “We must have a guild to speak [for us], and individual. Crawford in films such not the individual, who can be hurt by standing up as Honor Among Lovers “I worked on my for his rights.” That guild was born in late 1935 and ” (1931) and Christopher first project under Strong (1933).
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The Connection
Alumni Spotlight Page 6 Homecoming Photos Page 10-11 New Mobile App Connection Page 14 A Publication of Lindenwood University for the Alumni Winter 2012 LU to Have Nursing and Allied Health Sciences School … Page 3 President’s Message CONNECTION® EDITOR Scott Queen (’99, ’07) President All Aglow ASSISTANT EDITOR Elizabeth King (’00, ’01) At one of last fall’s Homecoming events, Alumni Board Chair Jan Lewien remarked that I seemed COPY EDITORS/ to glow (her description) during my conversations CONTRIBUTING WRITERS with alumni. I do not doubt her word on that Christopher Duggan (’00, ’12), matter. More than ever, I felt energized – indeed, Rachel Johnson (’04, ’10) effervescent – as I became engaged in discussions Daniel Newton (’09) with many of you. There were several very good reasons for that feeling. OFFICE OF INSTITUTIONAL For one, dozens of you told me of your ADVANCEMENT personal excitement and pleasure regarding Susan Mangels the many accomplishments at the University Vice President for Institutional Advancement over the past several years, including the continuing enhancement of the credentials of our Donna Baber faculty members, many innovative programs, Director of Planned Giving beautification and expansion of the physical plant, and the many quality advances evident throughout the institution. Thank you for your comments! Alumni can be a very Jane Baum (’82) exacting group vis-à-vis the president of their alma mater. So I reveled in the enthusiastic Athletics Development Director endorsement of our past graduates. Was I aglow? You bet I was. No other source of Lauren Clancy (’11) feedback about Lindenwood is more important to me.
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Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.
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Projects in Negotiation '
• c I N E M A G • ki nson p,c, CBCfToronto pub, Sally Swank RECRUITS (RIDE HARD (416) 975 -7161, TV SERIES LIVE FREE) PROJECTS IN NEGOTIATION ' LA LlGNE DE CHALEUR First in a series of short rock documentaries, Feature film shot April 14 to May 17 in Montreal, STRANGER Shot in Toronto and New York from Fall '85 to Florida and Virginia, Montreal shoot began April TeleviSion series for NBC, Shot May 20 for 20 June '86, Footage courtesy of Maurice Smith TRIPWIRE WESTWOOD 29 for 3 weeks, With participation of Telefilm days in Vancouver. exec, p, Edgar J. Scherick, Productions Ltd, p. Robert Connolly music Re Canada, Societe generale du cinema, Radio Gary Hoffman p, Lynn Rainor d, Larry Elikann crurts (Ride Hard Live Free) / Uncle Abe Music PRODUCTIONS CO., FILMS LTD. Quebec, p, Marc Daigle line p. Danny Chalifour d.o.p, Laslo George 1st a,d. Rob Cowan I.p. (CAPAC) artists John Mikl Thor, Sasha Alexan (403) 249-8057 d, Hubert-Yves Rose sc, Hubert-Yves Rose, Lindsay Wagnar, Armand Assante, Doug der pub, Mike Dolgy, Linda Mote Ltd. (416) 968· INC. Micheline Lanctot d,o,p. MiChel Caron I.p, Gab Sheenan p. coord, Karen Stewart writer Au 6344 dlstrlb, Sgt. Rock Music, p.c. Thunder (604) 291-2263 GOLDEN MOUNTAIN rielle Arcand p.c. ACPAV (514) 849-1981 , drey Davis Levin p.c. Edgar Scherick Produc Produc~ons , a division of Americana Entertain tions (604) 683-6111 , ment Inc, (formerly listed as WillOW) ROOM SERVICE TRIPWIRE A made tor television feature set in Vancouver Feature film shot in Toronto from May to June, and Calgary, With participation of Telefilm Feature film slated for November shoot in Van p.
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ON TELEVISION 0, Er
ON TELEVISION 0, Er& INCLUDING 41111._JARY 24-30, 1975 Yr-"4"6-THETELEVISION INDEX VOLM7 iarZ.BER JAN 24195 DITOR: Jerry Leichter PRODUCTION PROGRAMMING TALENT ASSOC ED: Alvin Sullum A'',WATPI.i BUS MGR: 11:arjorie Oxley UNIVERSITY t.51 New York 17 MUrray Hill 2-5910 PUBLISHED BY TELEVISION INDEX, INC. Lt MEEKLY REPORT FETWORIC DEBUTS & nrraM.IGHTS Monday(24) ABC- Pacific Coast Net, Mon thru Fri, 3-3:30pm PST; NET DEBUT; Queen For a Day; from KW-TV(LA), to6ABC net stations live (except laBC-TV(LA).) Spon- sors- P. Lorillard Co (Old Gold Cigarettes) thru Lennen & Newell, Inc; J. A. Folger Co., S. F.(Folger's Coffee) & White King Soap Co, both thru Raymond R. Morgan Cc(LA). Prod & Howard Blake. Jack BaileyMeCefEthis TV version of the long-time radio audience participation show (the current radio program over the Mutual net is an audio tape of the TV program). Queen For a Day made its TV debut in February, 1932. The ABC-TV Pacific Coast net program will be a pick- up of the program from KHJ-TV, over which it seen locally in LA. Sun? '30) 9:30-10pm EST; DEBUT; Stage 7; ON FILM; from WCBS-TV(NY),55stations net, 20 stations delayed. Sponsor- Bristol-Myers Co (All Products) thru Young & Rubicam, Inc(NY); Acct E:ec- Robert Osburn; Agcy. Superv- J. Brooks Emory; Comm Superv- Bill Whitman; Comm Anncr- Joel Aldred (live); most commercials on film. Pkgr & Film Prod- Four Star Productions, Inc.,(at RED Pathe Studios, Culver City,' Cal.); Exec Prod- Don Sharpe; Prod- Warren Lewis; Dirs- Roy Kellino, William Seiter, Alvin Ganzer, Robert Florey, others; Writers- Various; Script Ed- Coles Trapnell, assisted by Helen Madden & Dick Bluel; Casting- Marge McKay.
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