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Herb Aach Biography

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Herb Aach Biography ARTIST BROCHURE Decorate Your Life™ ArtRev.com Herb Aach Herb Aach was recognized by the New York art scene of the 1960s-80s for his individual and unique use of color. Born in Cologne, Germany in 1923, Aach studied painting as a young boy with expressionist Ludwig Meidner (1884-1966), for whom he also served as atelier boy, until Nazi persecution forced his immediate family to flee to New York, where he arrived in 1938. He enlisted in the U.S. Army in 1942 and became a United States citizen in 1943. The Army sent him back to Europe where he later served in Military Government in Kassel, Germany. Upon his return to New York in 1946, he resumed his art studies at The Brooklyn Museum Art School with John Ferren and Rufino Tamayo. He would always consider himself an American painter. In 1948, after marrying, he moved to Mexico for two years to study art at the Escuela de Pintura y Escultura in Mexico City. It was in this period that, in part due to the influence of John Ferren, Aach acquired the strong preoccupation with color that shaped the rest of his career. For nearly 10 years, between 1954 and 1963, he experimented with and consolidated his thinking about color, developing a style he called color expressionism in the relative isolation of Hazleton, PA, where while formulating paints for the Art Crayon Company, he gained access to otherwise unobtainable pigments. A note on the back of one painting from this period reads "This is most likely the first painting to use the new Monastral reds, yellow, and blue shades, developed by Dupont. Pigments were lab samples prior to plant production given to me and began use on April 30, 1958." He made his own paints and packed them with pigment, and by the mid 1960s, because of their intensity and inner light, he turned to fluorescent pigments. Aach continued to develop these ideas on his return to New York in 1963. He began teaching at Queens College in 1965, where he taught studio courses and color theory. Seeking a purer framework in which to explore color relationships, Aach abandoned the sensuous brush strokes of his earlier paintings and began working with larger regions of color (see "Three Muses"). He quickly became a favorite of students and was featured in the 1968 yearbook in a special section entitled "We love you Mr. Aach!" By 1969, he began working out a theory of color through experiments that featured large series of paintings whose colors and shapes were programmed. Color relationships were central, built on innate physiological predispositions, and color was therefore too important to waste as a mere "label" for establishing objectural references. He credited as influences the impressionists, post-impressionists, and expressionists (thus, e.g., Bonnard Country), whom he revered as having first liberated color from form and subject matter. He also cited Giotto, whose "dry, matter of fact, but not local" color was both non-personal and non-intuitive. Aach produced a major book in 1971 as American editor and translator of the Matthei edition of Goethe's Color Theory, and a major series of paintings in 1974 based on his color theory (see "Precession of the Equinoxes"). Interested in a fresco-like Giotto surface, he grounded his canvases with thin layers of gesso. Despite the sharp lines between color regions and the optics of joining fluorescent hues, Aach did not feel these were "hard edge" paintings. Instead he believed the edges were overpowered by his highly saturated volumetric colors. As the 1970s progressed, Aach took part in a broad range of activities. He participated in a series of trips to East Germany under the aegis of IREX (International Research and Exchanges Board) to encourage cultural exchanges with the West, against the backdrop of the ongoing politics of "detente." This gave him the opportunity to study at the Goethe archives in Weimar. He took up an interest in Gothic rose windows. In New York, dissatisfied with the dull and fading blue color used to paint bridges throughout the city, he agitated authorities to use a more uplifting palette. The Madison Avenue bridge on 138th street was ultimately painted lavender on his recommendation, inviting it to be seen as a light and lacy construction rather than as a massive steel bulk, emphasized by the drab blue. In 1979 Aach was diagnosed with cancer. Though weakened by disease, he maintained his busy teaching and travel activities, and when painting became too difficult he still continued to draw (go here for drawings). He died in 1985. Copyright Notice: This document was generated on ArtRev.com on 9/26/2021 11:49:06 PM (U.S. Eastern Time Zone) - Copyright 2021 ArtRev.com, Inc. All Rights Reserved. The entire contents of this brochure is the property of ArtRev.com and/or its content suppliers. You may not modify, copy, reproduce, republish, or distribute any portion of this brochure without the prior express written consent of ArtRev.com, Inc. Authenticity & Price Match Guarantee: Shop with confidence. ArtRev.com is proud to be the first online art retailer to offer a " lifetime authenticity guarantee " with every limited edition or original work of art. Most limited edition and original artworks ship with a Certificate of Authenticity free of charge. This certificate is an official and valuable document that most insurance companies require in order to insure artworks against damage or theft. ArtRev.com will make every possible attempt to match or beat the advertised price of any major Internet competitor, art gallery, or frame shop; given that they are authorized to sell the item from the publisher or artist, and have the exact item in stock available for immediate sale. Disclaimer: The biography shown in this brochure is not meant to be a complete and comprehensive exploration of the life of the featured artist and is not guaranteed to be up-to-date. While information provided about each artist is carefully studied and reviewed prior to publishing; ArtRev.com assumes no liability for the content provided on this page. Biography Last Updated on 5/23/2009 1:56:00 PM. Please let us know if any information is out-of-date or inaccurate..
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