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Home , Adolf Dehn, Andrew Wyeth, Ben Shahn, Charcoal (comics), Charles Cajori, Charles Herbert Woodbury

American watercolors pastels and in the COLLECTION OF THE CORCORAN GALLERY OF

by LINDA CROCKER SIMMONS Associate Curator, Prints and Drawings With the assistance of ADRIANNE J. HUMPHREY MARGARET KINZER EDWARD J. NYGREN MARTHA PENNIGAR MARCY SILVER DAVID KNOWLTON TOZER and JAN CLARK JOANNA DeGILIO CAROLGEU IRENE K. PICAR NANI YALE Photographed by Robert Grove Edited by Diana Menkes Designed by Hubert Leckie Layout and production executed by Barbara Leckie Composed by Fototypesetters, Inc., Printed by Garamond/Pridemark Press, Inc., Baltimore Published by the , Washington, D.C. © Corcoran Gallery of Art 1983

Library of Congress Card Number 83-070434 ISBN 0-88675-000-8

Funding provided by the National Endowment for the , the Andrew W. Mellon Foundation, and the Katherine Dulin Folger Publications Fund

Front cover: , Au Grand Prix de , 1887, pastel and on board Contents

ix Content x Acknowledgments xi Introduction xii Guide to the Catalogue 1 Catalogue 271 Index of Artists 277 Index of Donors Dedicated to the Memory of GENE BARO Director, Corcoran Gallery of Art, 1972 Foreword

The American drawings, watercolors, pastels, and of pictures of this class is a matter to which collages of the Corcoran Gallery of Art comprise the Gallery has heretofore given but little at• a rich collection never before published in a tention. Believing that it would add greatly printed catalogue. Thanks to a generous grant to the interest in our collections and that it from the National Endowment for and would broaden the scope of the Gallery, I funding from the Andrew W. Mellon Foundation recommend that the Committee on Works of and the Katherine Dulin Folger Publications Art be authorized to purchase for the Gal• Fund, this first edition should serve as a useful lery, from time to time, the best examples of guide to scholars, connoisseurs, students, and the water colors which can be procured. . . . general public. As the collection continues to That same month 's Hudson grow, as more research is carried on, as we find —Logging was purchased, a work which re• the time to take a second, closer look at individ• mains a gem of the collection. ual works of art, we hope that we can expand and This initiative was broadened to include draw• update the catalogue. ings, pastels, and collages, and for the next eighty The Corcoran's commitment to the collection years works were purchased with funds from the and exhibition of drawings, watercolors, pastels, operating budget, membership revenues, Wom• and collages was ill-defined in the nineteenth cen• 's Committee benefits, and special endow• tury, but it began to evolve in a formal way ments. Gifts from famous collectors, from be• shortly after the Gallery moved from Pennsylva• quests, from spouses and descendents of artists, nia Avenue to its present location at 17th Street and of course from artists themselves flowed into and Avenue. In June 1900 the trustees the Gallery. invited the Society of Washington Artists and the This catalogue is intended as an index to the ef• Washington Water Color Club to hold annual forts of the trustees to follow the plan of 1903. shows in the Corcoran's Hemicycle Gallery. A We have tried to keep production costs low with modest number of purchases for the collection the idea of making the entire collection accessible was made in 1900-1901, and in 1902 a portfolio of to all those interested. As part of the Corcoran's drawings by Andrew Fisher Bunner was gratefully continuing objective to study and to publish its accepted by the trustees. This gift seemed to permanent collection, the trustees offer this latest serve as a stimulus, for the Director, Frederick B. endeavor in the spirit of William Wilson Cor• McGuire, in his report to the trustees of January coran: to encourage America . 19, 1903, called for action: The collections of the Gallery contain but PETER c. MARZIO, Director few in water colors. The purchase November 1982

ix Acknowledgments

ous in their assistance. Edward Nygren, Curator of fort of many collaborating individuals. As project co• Collections, initiated the project and worked to obtain ordinator and as associate curator for this portion of funding. Martha Pennigar, Curatorial Assistant, spent the permanent collection, I want to acknowledge their more than three years examining objects and locating contributions to this long task. much of the information about them. Fern Bleckner, David Tozer, Specialist for Works on Pa• Conservation Assistant, unframed and matted many of per, worked steadily on this project with intelligence, the works. Barbara Moore, Curator of Education, as• devotion, and endless good nature. He participated in sisted in examining works. Adrianne Humphrey of the all parts of the catalogue, being responsible in particu• curatorial staff spent many hours in research and ex• lar for coordinating the photography and production of amination of works and in preparing the manuscript the . for publication. Numerous interns and volunteers generously gave Judy Riley, Registrar, and Lynn Kahler Berg and long hours. Chief among them was Margaret Kinzer, Rebecca Tiger, Assistant Registrars, willingly at• who worked on every aspect of the project and whose tempted to answer all questions. Kathy Kovacs, Archi• energy and wit made the task seem lighter. The fol• vist, Ann Maginnis, Librarian, and their staff mem• lowing volunteers and interns also contributed their bers, Patricia Waters, Kathlebn Robinson, Sherry time: Patricia Waters, Karen Luik, Pamela Chafin, Davids, and Paula De Fazio, provided prompt replies Carol Geu, Emily Klayman, Christine Clemens, Sandy to innumerable requests for information. The special Briscusci, Sarah Huntington, Myriam Springuel, Carol value of the Corcoran Archives proved itself through• Hollander, Meg Golodner, Liz Scott Shatto, Liz Tur- out the project. pit, Jan Clark, Lisa Schwartz, Lynne Berggren, Celia Sarah Borrera, Supervisor, and the staff and volun• Johnson, and Katherine Greene Meyer. teers of the Work Adjustment Training Program, Diana Menkes, editor of the catalogue, was invalua• Alexandria, , contributed their impeccable ble in her thorough and patient pursuit of accuracy services in typing the manuscript. and clarity. Robert Grove, photographer for the cata• The satisfaction of finishing the catalogue is at• logue, remained cheerful throughout the complicated tended by the realization of how many wonderful peo• and painstaking process. ple were brought together by the task. Corcoran staff from several departments were gener• LCS

x Introduction

An inventory of the Corcoran Gallery's nearly 8,000 The greatest strength of the collection lies in the works on was completed in 1982. This catalogue works executed in the years between the 1840s and the documents and illustrates almost a quarter of that in• early . Large portfolios of drawings by such art• ventory—the entire collection of American drawings, ists as , , and watercolors, pastels, and collages—1,784 works by 645 permit study in depth. The collection's artists. These were acquired by the Corcoran over a sizable holdings of works by less-well-known artists— period of 114 years, from the Gallery's founding in Seth Wells Cheney, William P. Babcock, Enoch Wood 1869 through 1982. Perry, Eugene Vail, and James Goodwyn Clonney— The diverse nature of this collection is perhaps its provide similar opportunities. The Hudson River most outstanding, and most interesting, characteristic. School is solidly represented and includes such beauti• Important works by artists are enhanced by the ful renderings as Thomas Doughty's Harper's Ferry company of fine pieces by artists whose names have from Below (22), 's Mount long been forgotten. A sketch carrying a famous signa• Washington from near Bartletts (266), and John Fred• ture may be overshadowed by a brilliant by an erick Kensett's Building by a Dam (227). unknown. In general, the artists are professionals, aca• The mediums of watercolor and pastel are equally demically trained. A small number, however, are ob• well represented for these years. The watercolors The viously amateurs or Sunday painters. Waterfall by John William Hill (80) and Hudson While the mediums of watercolor, gouache, pastel, River—Logging by Winslow Homer (74) are among acrylic on paper, and are well represented, the these artists' finest works. Lovely examples of the pas• collection is especially rich in drawings in pencil, , tel medium can be found in works by William Merritt charcoal, and crayon. Many are sketches or prepara• , Childe Hassam, Everett Shinn, and Thomas tory studies for oils or murals, for bas-reliefs or sculp• Dewing. tures, mediums in which the artists may be more easily From recent times important works include Robert recognized. Sculptors such as Reuben Nakian, Gaston Motherwell's Gesture Paper #2 (1430), Lee Lachaise, and Robert Morris further exhibit in their Bontecou's multiple images of slats and masks (JJnti- drawings the unmistakable style of their three-dimen• titled, 1609), and 's abstraction sional work. (Untitled, 1511). Masterpieces are to be discovered The catalogue is organized chronologically by the throughout the collection. date of birth of the artists, from Benjamin West, born The works on paper at the Corcoran have only be• in 1738, to Jason Harvey, born in 1955. Multiple gun to be explored and studied. It is hoped that the works by the same artist are listed in sequence by the publication of this catalogue will advance the apprecia• date of execution. This organization suggests stylistic tion of these resources and further their use. trends and innovations in American art as well as the development of individual artists. LCS

xi Guide to the Catalogue

General arrangement: The catalogue is organized chronologi• Dimensions: Measurements are given in inches and centime• cally by artists' birthdates. Within each year, entries are ar• ters, height preceding width, with the recto image being de• ranged alphabetically by the artist's name. If an artist is rep• scribed, not the verso. It should be noted that the reader resented by more than one work, these are arranged by date must refer to these dimensions when comparing sizes of of execution, or if this is not known, by style, subject matter, works of art; the photographs are not proportionately sized. or accession number, whichever is the most pertinent. Throughout the catalogue the verso images are oriented with All the American drawings, watercolors, pastels, and col• the viewer's perspective in mind. lages in the collection, both recto (front) and verso (back) Medium: A precise listing of materials and methods is given. sides, are illustrated by a photograph in this catalogue, ex• If a work (other than a collage) has been completely adhered cept for a handful of accessioned sheets which contain only in some manner to a mount, it is described as "laid down." lists of words, jottings, or unidentifiable marks. The latter Inscriptions: All of the artists' inscriptions are included, en• unillustrated items are designated by the symbol •!• . closed in marks. In all cases the original capitaliza• images are presented side by side through• tion, spelling, , and spacing have been preserved. out the catalogue. In some cases the verso images are very (Sic is used only to indicate a word that might appear to be a sketchy, in others they are not. typographical error.) Slashes with space before and after are Artist's name and dates: The first line of each entry gives the used to indicate lineation—the demarcation from one line to artist's name and dates. This line is not repeated for multiple the next. In the rare cases when slashes are used without works by the same artist. If the birthdate is not known, the space before and after, this signifies that the artist himself chronological placement has been determined by the general has written a slash, almost always with dates (e.g., 6/72). date of the style or by the date the artist was known to be The locations of the inscriptions on either the recto or active. A few artists are simply designated "19th century" for verso side of the work of art are given as follows: lack of information. A larger number of 20th-century artists u.l. = upper left u.c = upper center u.r. = upper right have unknown birthdates and are located as appropriately as c.l. = center left ctr. = center c.r. = center right possible. If the birthdate is withheld at the artist's request, 1.1. = lower left I.e. = lower center l.r. = lower right this is signified by the symbol • . In general the inscriptions start with lower right (where the Title and date: If the artist's original title is known or if a majority of artists' names appear) and proceed to the center previously published or historically relevant one has been de• and left. As usual, brackets are used to enclose explications, termined, this is the title entered. If none of these could be guesses, or simply question marks to indicate illegibility. Art• established, the work is given a title derived from an inscrip• ists' names which are recognizable as such but are not pre• tion on the work (in quotation marks) or the subject is sim• cisely written are spelled out in full, without brackets. ply described. Many abstract works of the are Pointed brackets ( ) enclose material which has been crossed labeled "Untitled" either (1) at the artist's suggestion or (2) out or erased. when no title is known; these labels are followed by brief de• scriptions in brackets. Annotations (anything written by anyone other than the The date of execution is given as precisely as possible. In artist) are not recorded unless they provide vital information, general, a time span of several years—e.g., 1930-1935— and then they are distinguished from inscriptions. means that the work was probably completed during one of Source and accession number: The source and manner of ac• those years, not over that five-year period. quisition for each object are given with the Corcoran Gallery accession number. The familial relationship of the donor to Corcoran School of Art: An occasional entry line designates the artist is given when it is known. Groups of ten or more those artists who were known to be students or faculty of the gifts by one donor are so indicated instead of having the Corcoran School of Art. "CSA" is the abbreviation used. name repeated.

xii Catalogue

1 Benjamin West 1738-1820 2 John Singleton Copley 1738-1815 Recto: Jephthah's Daughter Verso 50.7 Three Men [study for and of Verso: Study of Two Figures for Jeph• Gibraltar, 1787-1791, oil on , Na• thah's Daughter tional Gallery, ] 1785-1786 53/i6 x IV2 in. (13.2 x 19.1 cm) 137/s x 223/s in. (35.3 x 56.9 cm) ink and and wash heightened Pencil heightened with white chalk on with Chinese white on blue paper blue-gray paper scored for transfer Museum Purchase, Membership Associ• Museum Purchase 48.10 ation Fund 50.7

John Abbot 1751-1839 William Russell Birch 1755-1834 Figures Clinging to Wreckage [study for Roan Duck ca. 1790 Sweet Briar ca. 1808 Siege and Relief of Gibraltar, 1787- IP/16 x 8^16 in. (28.5 x 22.1 cm) 63/4 x 97/s in. (17.2 x 25.1 cm) 1791, oil on canvas, National Gallery, Watercolor over pencil on white paper Watercolor and pencil on white paper London] 1785-1786 laid down Verso, u.r.: "Mr. Breck Place" 715/i6 x 127/s in. (20.2 x 32.7 cm) Museum Acquisition through a gift of Museum Purchase through a gift of Brown ink on beige paper Mrs. H. S. Black 1981.60 Philip Alexius de Laszlo 1980.81 Gift of Josephine Boardman Crane 56.11

Archibald Robertson 1765-1835 The View from the Springhouse at Echo 'Tails of Potomac" ca. 1800-1810 New York—Hudson River, Mending ca. 1808 6 x 8Vs in. (15.2 x 20.6 cm) Nets March 1804 IV2 x 95/s in. (19 x 24.4 cm) Pencil and watercolor on cream paper ll15/i6 x 1713/i6 in. (30.3 x 45.2 cm) Watercolor, ink, and pencil on cream Recto, l.r.: "Falls of Potomac" written Watercolor and pencil on cream paper paper over faint "Falls of Patomack" Recto, 1.1.: "New York March 1804" Museum Purchase through a gift of C. Museum Purchase through a bequest of Museum Purchase, through a gift of Thomas Claggett, Jr. 1980.82 Mr. and Mrs. Frank B. Kellogg Tucker Spaulding 1981.65 1980.80 1 BACHE (attributed to)

Attributed to Benjamin Franklin Bache 10 Charles Balthazar Julien Fevret de 11 1769-1798 Saint-Memin 1770-1852 Portrait of John Carlisle Herbert 1807 with Fountain ca. 1782 Portrait of George Raleigh Dearborn 20 x 16 in. (50.8 x 40.6 cm) 135/i6 x 8 in. (34.8 x 20.3 cm) ca. 1801-1809 Charcoal heightened with white on pink Pencil with black-brown ink border on 213/s x 165/i6in. (54.3 x 41.4 cm) prepared paper off-white paper Charcoal heightened with white on pink Gift of Thomas A. Herbert and Robert Recto, l.r.: "B. Franklin Fecit / 25 Sep• prepared paper Beverley Herbert in memory of their tember 1782" [not in Benjamin Frank• Museum Purchase 51.37 father, Edward Herbert, and Guy F. lin's hand] Herbert, W. Pinkney Herbert, and R. Museum Purchase through a gift of Beverley Herbert, Sr. 64.18 J. O. La Gorce 52.21

12 13 Member of the Sharpies family early 14 John Rubens Smith 1775-1849 Portrait of Philip Fister 1808 19th century "View of the Second Falls on the 2113/i6 x 16 in. (55.4 x 40.5 cm) Portrait of a Young Gentleman [Allister near Mr. Montgomery's" Charcoal heightened with white on pink Hendrick] early 19th century 12n/i6 x 16V4 in. (32.2 x 41.3 cm) prepared paper 11% x 9 in. (29.5 x 22.9 cm) Watercolor, black ink, and pen on off- Gift of Sarah Craven Eichner Pastel on brown paper white paper 1969.12 Gift of Katherine McCook Knox Recto, I.e. to l.r.: "View of the 2nd 65.31 falls on the Sawkill near Mr. Montgom• ery's"; 1.1.: "J. R. Smith" Gift of Ted Cooper 1981.67

2 EDMONDS

15 B. F. Edmonds 19th century 16 John Vanderlyn 1775-1852 17 Joshua Shaw 1777-1860 "At Cats kill, Greene County, New York" Standing Male [study for The Landscape with Deer, North Carolina 133/s x lliyi6 in. (34 x 31 cm) Landing of Columbus, ca. 1837-1847, ca. 1820 Watercolor, gouache, and black ink and U.S. Capitol] 9 x 13V2 in. (22.8 x 34.3 cm) pen on cream paper laid down 24 x 1813/i6 in. (61 x 47.8 cm) Watercolor and gouache over pencil on Recto, mounting sheet, 1.1.: "B. F. Ed• Charcoal and wash heightened with off-white paper laid down monds"; I.e.: "at Catskill, Greene white on silvery-gray paper Verso of mounting sheet, I.e.: "North County New York" Museum Purchase through a bequest of Carolina / J. Shaw" Museum Purchase through a gift of Mr. and Mrs. George Lathrop Bradley Museum Purchase through a bequest of Rudolph Max Kauffmann 55.37 1980.89 James Parmelee 65.7

18 Thomas Sully 1783-1872 19 Study for of the State of Delaware Recto: Seated Man Holding a Verso 68.28.21 possibly 1859 Verso: Three Sketches: Two Figures and

n 53/4 x 5 /ie in. (14.6 x 14.5 cm) a Rectangular Form Watercolor and brown ink with pen on 813/i6 x 63/i6 in. (22.5 x 15.6 cm) cream paper laid down Recto: black wash over pencil on cream Recto, I.e., on banner: "LIBERTY paper; verso: pencil on cream paper AND [?]" Museum Acquisition, gift of Ruth Sully Museum Acquisition, gift of Ruth Sully Curtis 68.28.21 Curtis 68.28.22

3 MORSE

20 Samuel Finley Breese Morse 1791-1872 21 Alvan Fisher 1792-1863 22 Thomas Doughty 1793-1856 "The Pescatory" September 1834 Landscape [study for View near Spring• "Harper's Ferry from Below" ca. 1827 43/s x 53/i6in. (11.1 x 14.7 cm) field along the River, 1819, 73/i6 x IP/sin. (18.1 x 28.2cm) Pencil, red pencil, brown ink, and pen oil on canvas, Museum] ca. Watercolor, pen, and black ink on on cream paper 1819 cream paper Recto, l.r.: "S. F. B. Morse"; ctr.: 913/i6 x 147/8 in. (25 x 37.7 cm) Recto, 1.1: "Harpers Ferry from below "September 1834"; I.e.: "The Pescatory" Black to gray wash over pencil on / Doughty" Museum Purchase 60.18 cream paper Museum Purchase through a gift of Museum Purchase, Membership Associ• Orme Wilson 64.14 ation Fund 48.15

23 1796-1886 24 Portrait of Commodore John Barry 1830 Dance on the Battery [preliminary study 65/i6 x 53/4in. (16.1 x 14.6 cm) for Dance on the Battery in Presence of Pencil on yellowish-white paper Peter Stuyvesant, 1838, oil on canvas, Recto, l.r.: "A. B. Durand / 1830" Museum of the City of New York] ca. Museum Purchase, Membership Associ• 1838 ation Fund 51.38 1615/i6 x 27Vs in. (43 x 68.9 cm) Charcoal accented with brown and white chalk on blue-gray paper Gift of Mary Bartlett Cowdrey 48.52

25 Paul Lacroix 19th century 26 Unidentified Artist 19th century Recto: "The Bud and the Blossom" Verso 65.12 Fractur Drawing of a House May 12, 1831 157s x ll13/i6 in. (40.3 x 30.4 cm) Verso: Two Sketches: A Duck and a Watercolor, brown ink, and pen on Stag May 12, 1831 cream paper 16 x 1015/i6 in. (40.7 x 27.8 cm) Bud and the Blossom"; 1.1.: " Museum Purchase 64.33 Pencil on heavy tan paper 12 mai 1831" Recto, l.r.: "P. Lacroix"; I.e.: "The Museum Purchase 65.12

4 UNIDENTIFIED

Unidentified Artist 19th century 28 Unidentified Artist 19th century 29 A. Cary 19th centun Drawing of an Eagle Flower Theorem Design for a Monument in Memory of 3 3 4 /8 x 7V8 in. (11.1 x 18 cm) 9 /4 x 9VA in. (24.8 x 23.5 cm) George B. Doane ca. 1842 Black ink and pen on beige paper Watercolor and stencil on cream paper 123/4 x 915/i6 in. (32.4 x 25.2 cm) Museum Purchase 61.28 Gift of Robert Scott Wiles 1973.11 Black ink, pen, and wash on cream pa• per Recto, on monument: "ERECTED / to the memory of / GEORGE B. DOANE, M. D. / youngest son of the late Isaiah / and Hannah Bartlett Doane. / He was born in / De• cember 4, 1793, / Deceased April 13, 1842, / aged 49 [corrected in pencil to 48] years. / As a Son, Brother, Friend, / Citizen, Physician, / a for imita• tion. / The lament of the poor / pro• nounced his Eulogy / 'And in the wreck of human joy / May kneeling faith adore thy will' "; I.e.: "Scale one inch to the Foot"; 1.1.: "A. CARY DEL." Gift of Alice F. Williams 58.4.23

Attributed to George Strickland 1797- 31 David Claypoole Johnston 1799-1865 1851 Slave Auction [preparatory study for "Capitol, Washington" 1837 broadside The House that Jeff Built, 411/i6 x 99/i6 in. (11.9 x 24.3 cm) 1863] 1863 Pencil on cream paper 35/s x 35/s in. (9.2 x 9.2 cm) Recto, 1.1.: "Capitol Washington 1837" Pencil on off-white paper Museum Purchase through a gift of Verso, ctr.: "House that Jeff Built" Rudolph Max Kauffmann 55.35 Museum Purchase 52.1

Hi

33 34 We Won't Discuss It Relaxing Soldier "The Flatboat Candidate Running 93/i6 x 613/i6 in. (23.3 x 17.3 cm) 65/i6 x 8n/i6 in. (16.1 x 22 cm) Against a Snag" Pencil on cream paper Pencil on cream paper scored for trans• 415/i6 x SYs in. (12.6 x 20.6 cm) Verso, ctr.: "D. C. J." fer Pencil on off-white paper Gift of Rudolph Max Kauffmann Verso, ctr.: "D C J" Recto, 1.1. to l.r.: "The flatboat candi• 47.4 Gift of anonymous donor 47.5 date running against a snag"; u.l. to 1.1.: "Don Quixote on his wooden horse" Museum Purchase, Membership Associ• ation Fund 52.2 HARVEY

35 George Harvey 1800-1878 1801-1848 37 "A Gleamy Effect, Hollidaysburg, Sketch of Tree Trunks 1825-1840 Study for "The Mountain Ford" [1846, " ca. 1835-1840 14n/i6 x 103/4 in. (37.4 x 27.3 cm) oil on canvas, Metropolitan Museum of 83/s x 13n/i6 in. (21.3 x 34.7 cm) Black ink, pen, wash, and pencil on Art] ca. 1846 Watercolor and gouache on off-white white paper 63/4 x 93/4 in. (17.1 x 24.9 cm) paper Museum Purchase 49.48 Pencil heightened with white chalk on Recto on original , u.c: "A gray-green paper GLEAMY EFFECT"; I.e.: "HOLLI• Museum Purchase 52.24 DAYSBURG PENSYLVANIA [sic]" Museum Purchase 48.20

38 William A. Wall 1801-1885 Robert Walter Weir 1803-1889 40 New Bedford, ca. 1860- Standing Female Figure [study for Peace On the Doorstep 1870 in War and Peace] ca. 1836 9 x 65/i6 in. (22.8 x 16 cm) 11% x 265/8 in. (29.9 x 67.6 cm) 12 x 813/i6in. (30.6 x 22.4 cm); Brown ink, brush, and wash on cream Watercolor and gouache on cream pa• mounting sheet: 175/i6 x 133/s in. (44 x paper laid down per 34 cm) Recto, 1.1.: "W. A. Wall" Brown ink and pen and wash on cream Gift of Rudolph Max Kauffmann 47.20 Museum Purchase, Membership Associ• paper laid down ation Fund 49.61 Recto of mount, l.r.: "RWW" Museum Purchase, Membership Associ• ation Fund 50.12

41 42 43 Castle on a River Group of Figures Aaron Converting His Staff into a Ser• 9 x 143/i6 in. (22.9 x 36 cm) 63/4 x 93/s in. (17.2 x 23.8 cm) pent Watercolor on off-white paper laid down Charcoal on cream paper 9Vs x 6*/4 in. (24.4 x 15.9 cm) Recto of mount, 1.1.: "For Mrs. Tucker- Museum Purchase, Membership Associ• Brown ink and pencil heightened with man / with Mr. Weirs compliments" ation Fund 50.13 Chinese white on brown paper Museum Purchase, William A. Clark Fund Recto, l.r.: "R.W. Weir" 65.14 Museum Purchase, Membership Associ• ation Fund 50.14 6 MOUNT

44 1807-1868 45 46 View of a Valley with a River and Landscape of a House and Trees, Long Six Sketches of Figure Groups Mountains October 2, 1843 Island, New York December 3, 1866 85/i6 x lOVfc in. (21.1 x 26 cm) 73/4 x 127/i6in. (19.7 x 31.6 cm) 12 x 79/i6 in. (30.5 x 19.1 cm) Pencil on off-white paper Pencil on cream paper Pencil on cream paper Recto, l.r.: "green / Lots, red, green & Recto, u.r.: "warm"; l.r.: "light"; u.l.: Recto, u.r.: " 'Whats poor niggers brown 1843"; ctr.: "S / [shalow?] / red / "o warm green / o warm green"; u.c: going to do' / greys of all colors / in green"; 1.1.: "Oct 2nd 1843" "[5 or S]" contrast with brown / and black"; l.r.: Gift of Norman Hirschl 47.7.3 Gift of Norman Hirshl 47.7.2 "W.S.M. Dec. 3-66 / white coat—light shirt / dark pants, brown bodice / now Jim cut me some / wood—or go without your / dinner"; l.r. on figure: "light"; I.e.: "W. S. M."; I.e. on dress: "gray"; 1.1.: "W.S.M. / Dec. 3d a fine day—" Gift of Norman Hirschl 47.7.1

"Annie" October 7, 1868 4 x 515/i6 in. (10.2 x 15.1 cm) Pencil on cream paper Recto, l.r.: "W.S.M. / Oct. 7th 1868"; u.r.: "Red / Sacque / & Lilac / Skirt."; I.e.: "Annie" Gift of Robert Mclntyre 47.6.1

48 49 50 Seth Eastman 1808-1875 "Boy Reading" "In Prison" "View on the North River ..." 1837 55/i6 x 45/i6 in. (13.5 x 11 cm) 5 x 43/i6 in. (12.7 x 10.7 cm) 43/4 x 9VA in. (12 x 23.5 cm) Brown ink on white paper Black-brown ink and pen on cream pa• Watercolor on cream paper Recto, I.e.: "Boy Reading— / Dark per Recto, right edge: "View on the North Ground / Figures must be my study / Recto, l.r.: "W. S. M"; 1.1.: "In Prison" River from the North West corner / of Boy Sitting in a chair laughing" Gift of Robert Mclntyre 47.6.3 Fort Clinton—West " Gift of Robert Mclntyre 47.6.2 Museum Purchase, Membership Associ• ation Fund 48.58 7 EASTMAN

52 53 Samuel Stillman Osgood 1808-1885 "Fort Putnam" 1837 "Constitution Island and Foundry from Portrait of Caspar L. Spurzheim 4% x WA in. (12 x 23.5 cm) West Point, N.Y." ca. 1837 59/i6 x 415/i6 in. (14.2 x 12.5 cm) 3 Pencil on cream paper 4 /4 x 9Y4 in. (12 x 23.5 cm) Pencil on light-cream paper Recto, l.r.: "31"; 1.1.: "Fort Putnam"; Watercolor on white paper Recto, u.l.: "Spurzheim—drawn by S.S. verso, u.r.: "View from West Point Recto, 1.1.: "Constitution Island and Osgood" looking South" Foundry from West Point N.Y." Gift of Alice F. Williams 58.4.35 Museum Purchase, Membership Associ• Museum Purchase, Membership Associ• ation Fund 48.60 ation Fund 48.59

54 William Brenton Boggs 1809-1875 55 "Fort St. Iago, " ca. 1850 "Arch Rock, Kagosima Bay, " 615/i6 x 10 in. (17 x 25.3 cm) January 1855 Watercolor and pencil on white paper 15 x 99/i6 in. (38.1 x 24.3 cm) Recto, l.r.: "W.B.B."; 1.1.: "Fort St. Pencil heightened with Chinese white Iago / Madeira" on tan paper Gift of Mrs. Edward M. East 48.4 Recto, l.r.: "Arch Rock / Kagosima Bay / Japan, Jany: 1855"; 1.1.: "W.B.B." Gift of Mrs. Edward M. East 48.2

57 "Onjinna, Near Simoda" [Japan] May "Cloetis" 1855 IVie x 11 in. (18.9 x 28 cm) 103/4 x 15 in. (27.2 x 38.2 cm) Watercolor and pencil on white paper Pencil heightened with Chinese white Recto, 1.1.: "Cloetis W B Boggs" on tan paper laid down Gift of Mrs. Edward M. East 48.5 Recto, l.r.: "Onjinna—near Simoda / May 1855 / W B Boggs" Gift of Mrs. Edward M. East 48.3 CHENEY

Seth Wells Cheney 1810-1856 All 17 works by Cheney, entries 58-74, were gifts of Alice F. Williams.

Self-Portrait ca. 1830s Self-Portrait ca. 1830s ll5/8 x 9Vi in. (29.5 x 24.1 cm) ll3/4 x 613/i6. (29.8 x 17.3 cm) Charcoal and stump heightened with Watercolor on cream paper white chalk on tan paper 58.4.3 58.4.4

61 Recto: Self-Portrait ca. 1830s Verso 58.4.11 Portrait of John Cheney ca. 1830s Verso: Profile and Bust of Young Girl ll3/4 x 93/s in. (29.8 x 23.7 cm) ca. 1830s Charcoal and stump heightened with 67/8 x 63/4 in. (17.5 x 17 cm) white chalk on tan paper Pencil on cream paper 58.4.5 58.4.11

Landscape with Trees ca. 1835-1840 Rocky Hillside with Basket, Hat, and Landscape with Ruined Windmill ca. 7Vi6 x 9% in. (17.9 x 23.5 cm) Bonnet ca. 1835-1840 1835-1840 Pencil on off-white paper 9Vs x 129/i6in. (23.3 x 31.9 cm) 93/s x 12V2 in. (23.7 x 31.8 cm) 58.4.2 Pencil on off-white paper Pencil on off-white paper 58.4.6 58.4.7 CHENEY

Seashore with Hut and Beached Row- Facade of a House ca. 1835-1840 boat ca. 1835-1840 123/4 x 93/s in. (32.5 x 23.7 cm) 93/s x 129/i6in. (23.8 x 31.9 cm) Pencil on off-white paper Pencil on off-white paper 58.4.12 58.4.8

68 Recto: Young Woman Leaning on Para• Verso 58.4.9 Portrait of Estelle Anna Lewis [after the pet, Florence 1839 portrait Mrs. Sylvanus D. Lewis by Verso: Outline of Female Torso and Charles Loring Elliot, 1848, oil on can• Fragment of Nude Buttocks 1839 vas, New York Historical Society] 137/s x ll7/8 in. (35.1 x 30 cm) Recto, I.e.: "Florence / 1839"; verso, 4VA x 3V2 in. (10.7 x 8.8 cm) Charcoal and white chalk on gray-tan I.e.: "175" Pencil(?), charcoal, and stump with paper 58.4.9 wash heightened with Chinese white on beige paper 58.4.13b

70 Two Sketches: Landscape in a Medallion Recto: Bust Views of Two Young Verso 58.4.10 and Landscape with Boat Women 145/8 x 10Vs in. (37.2 x 25.7 cm) Verso: Unfinished Landscape Charcoal and pencil on off-white paper 73/i6 x 10 in. (19.8 x 25.4 cm) 58.4.1 Recto: gray and yellow wash over pencil on cream paper; verso: pencil on cream paper 58.4.10 10 CHENEY

71 72 73 Head of a Man Head of a Woman Head of a Young Woman I 297/s x 217/i6 in. (75.9 x 54.3 cm) 30 x 2IV2 in. (76.2 x 54.5 cm) 27 x 213/8 in. (73.5 x 55 cm) Charcoal and stump heightened with Charcoal and stump heightened with Charcoal heightened with white chalk white chalk on ecru paper white chalk on gray-tan paper on beige paper 58.4.16 58.4.18 58.4.19

75 Attributed to Head of a Young Woman II 1811-1893 "St. Cloud" July 2, 1843 30 x 21% in. (76.2 x 54.4 cm) "Weser" August 13, 1842 73/4 x ll15/i6 in. (19.6 x 30.3 cm) Charcoal heightened with white chalk 77/s x 12^2 in. (20 x 31.7 cm) Pencil heightened with Chinese white on beige paper Pencil heightened with Chinese white and brown on gray paper 58.4.20 and cream gouache on light-gray paper Recto, l.r.: "St. Cloud July 2d 1843" Recto, l.r.: "Weser August 13th 1842" Museum Purchase, Membership Associ• Museum Purchase, Membership Associ• ation Fund 49.9 ation Fund 49.8

78 "Birch Boughs, Cats kill Mountains" "Lake of Brienz" late 19th century lighter than the / slopes reflected with July 29, 1856 9n/i6 x 149/i6 in. (24.6 x 36.9 cm) only slight / aproximation [sic] to the 145/i6 x ll13/i6 in. (36.4 x 27.4 cm) Pencil heightened with Chinese white hue, except warm / grays or reddish Pencil on tan paper on beige paper tones / 4 warm gray 5 reddish brown 6 Recto, l.r.: " July Recto, l.r.: "Lake of Brienz August quite [red?] / 7 brownish gray or pur• 29th 1856"; 1.1.: "Birch boughs." 18[?]2"; 1.1.: "1. Pines or firs / 2 inclin• plish 8 gray / 9 clearing delicate green / Museum Purchase, Membership Associ• ing to greenish / 3 summit of mountains 10.[?] or water [?]" ation Fund 49.13 warm purple / greenish at base with Museum Purchase, Membership Associ• bluish shadows / water greenish much ation Fund 49.12 11 UNIDENTIFIED

79 Unidentified Artist 19th century [for• 80 John William Hill 1812-1879 merly John William Casilear] The Waterfall after 1855 Man with a Gun [formerly Huntsman] 165/8 x 1313/i6in. (42.3 x 35.1 cm) lOVs x 615/i6 in. (25.7 x 17.6 cm) Watercolor and gouache on board Pencil on greenish-gray paper Recto, l.r.: "J. W. Hill" Museum Purchase 65.8 Museum Purchase 48.21

James Goodwyn Clonney 1812-1867 All 134 works by Clonney, entries 81- 214, were gifts of J. William Midden- dorf II

81 Recto: Head of a Boy ca. 1830-1835 Verso 1977.53.54 Verso: Unfinished Head of a Boy ca. 1830-1835 7VA x 63/i6 in. (18.4 x 15.7 cm) Pencil on heavy cream paper 1977.53.54

82 83 Bust of a Man ca. 1830-1840 An Elegant Young Lady ca. 1830-1840 93/4 x 7n/i6 in. (24.8 x 19.5 cm) 415/i6 x 6Vi6 in. (12.6 x 15.4 cm) Pencil on cream paper Pencil on heavy cream paper 1977.53.56 1977.53.42

12 CLONNEY

85 Recto: Seated Male Nude, Front View Verso 1977.53.9 for "Bride of Lammermoor" 1830-1835 by Sir Walter Scott ca. 1830-1840 Verso: Reclining Male Nude, Rear View 77/i6 x 67/i6 in. (18.9 x 16.4 cm) 1830-1835 Ink and gray wash with pencil on heavy 8V2 x llVWn. (21.6 x 28.6 cm) cream paper scraped and scored for Pencil on cream paper transfer 1977.53.9 1977.53.72

87 Possibly an Illustration for "Bride of Recto: Lord and Lady Macbeth I Verso 1977.53.6 Lammermoor" by Sir Walter Scott ca. Verso: Sketch of Two Figures [Lord and 1830-1840 Lady Macbeth?] 105/i6x 85/8in. (26.2 x 21.9 cm) 5 x 63/4in. (12.7 x 17.1 cm) Black ink and gray wash with pencil and Pencil on cream paper scraped highlights on cream paper Recto, 1.1.: "L. + L. Macbeth" 1977.53.71 1977.53.6

89 90 Lord and Lady Macbeth II Lord and Lady Macbeth III Sketch of a Child's Left Foot 63/i6 x 77/s in. (15.7 x 20 cm) 12VA x 73/4in. (31.1 x 19.7 cm) 8 x 13V8 in. (20.3 x 33.4 cm) Pencil on cream paper Pencil on cream paper Pencil on prepared(?) off-white paper 1977.53.7 1977.53.8 1977.53.20

13 CLONNEY

92 Recto: Boating Scene Verso 1977.53.30 Two Left Profiles of a Man in a Hat Verso: Lower Left Arm 9 x 83/s in. (22.9 x 21.2 cm) 7Vs x 8Vi6 in. (18.7 x 20.5 cm) Pencil with brown wash on cream paper Pencil on prepared or coated white pa• 1977.53.55 per 1977.53.30

Recto: Five Sketches of a Man Working Verso 1977.53.52 Verso: Man Chopping Down a Tree 13V8 x 8 in. (33.3 x 20.3 cm) Pencil on prepared or coated cream pa• per 1977.53.52

Recto: Black Fiddler Verso 1977.53.31 Two Sketches: A Castle in a Park and Verso: Sketch of Tree Branches Soldiers ca. 1830-1835 SVie x 95/i6 in. (20.5 x 23.6 cm) 65/i6 x 8 in. (16 x 20.3 cm) Pencil on prepared or Pencil on prepared or coated cream pa• 1977.53.31 per 1977.53.36

14 CLONNEY

98 Picturesque Tree near the Shore ca. Two Boys with a Boat ca. 1830-1835 Landscape with Stone Bridge ca. 1830-1835 43/8 x 5Vi in. (11.1 x 14 cm) 1830-1835 87/i6 x 5lA in. (21.4 x 13.3 cm) Pencil on cream paper 4 x 5lA in. (10.1 x 13.3 cm) Pencil on cream paper 1977.53.12 Pencil on off-white paper 1977.53.38 1977.53.13

100 101 A Picturesque Landscape with Two Fig• A Gothic Ruin ca. 1830-1835 Boats at Anchor 183[2?] ures by the Shore ca. 1830-1835 8n/i6 x 63/4in. (22.1 x 17.1 cm) 37/i6 x 415/i6 in. (8.7 x 12.5 cm) 5V8 x 5n/i6 in. (13 x 14.4 cm) Pencil on heavy cream paper Pencil on cream paper Pencil on cream paper 1977.53.35 Recto, l.r.: "J. G. C. 183[2?]" 1977.53.11 1977.53.10

103 104 Portrait of a Man ca. 1835-1840 Portraits of Two Women ca. 1835-1840 Giving to the Poor 103/i6 x 8 in. (25.9 x 20.3 cm) 93/8 x II1/2 in. (23.8 x 29.2 cm) 63/s x 99/i6 in. (16.2 Brown wash on heavy cream paper Pencil on buff paper Graphite on cream paper 1977.53.64 1977.53.138 1977.53.60 CLONNEY

106 107 Two Compositional Sketches of Men in Farmer with Foot on Log [study for In Cattle at a Watering Place ca. 1830- Interiors ca. 1830-1840 the Woodshed, 1838, oil on canvas, Bos• 1840 ll5/8 x 813/i6 in. (29.5 x 22.4 cm) ton Museum of Fine Arts] ca. 1838 51/4 x 9 in. (14 x 22.8 cm) Pencil on cream paper 8V2 x 65/s in. (21.6 x 16.8 cm) Pencil on buff paper 1977.53.59 Pencil on cream 1977.53.45 1977.53.62

109 Recto: Six Sketches Including a Reclin• Verso 1977.53.44 Three Trees ca. 1830-1840 ing Cow, a Landscape, Head of a Child, 1013/i6 x 85/8 in. (27.4 x 21.9 cm) and a Seated Male Nude ca. 1830-1840 Pencil on cream paper Verso: Fragment of a Sketch of a Plow Pencil heightened with charcoal on 1977.53.14 ca. 1830-1840 brown paper 6V4 x 9% in. (15.9 x 23.8 cm) 1977.53.44

111 Two Sketches of Trees ca. 1830-1840 A Glade of Trees ca. 1835-1840 75/8 x 57/s in. (19.3 x 14.9 cm) IIV16 x 91/8 in. (28.1 x 23.2 cm) Pencil and charcoal on cream paper Pencil on cream paper 1977.53.57 1977.53.91

16 CLONNEY

112 113 Recto: Assorted Sketches of Branches Verso 1977.53.76 Sketch of a Treetop ca. 1830-1840 and Foliage ca. 1830-1840 10 x 1574 in. (25.4 x 40 cm) Verso: Two Sketches of a Horse ca. Pencil on cream paper 1830-1840 1977.53.27 107s x 8V2 in. (27.6 x 21.6 cm) Pencil on cream paper 1977.53.76

114 115 Recto: Assorted Sketches Including Verso 1977.53.37 Two Sketches of Branches ca. 1830- Scenes, Trees, and a House ca. 1840 1830-1840 117i6 x 372 in. (28.4 x 8.9 cm) Verso: Assorted Sketches of Foliage Pencil on cream paper ca. 1830-1840 1977.53.26 117i6 x 9Vie in. (28.4 x 23 cm) Pencil on cream paper 1977.53.37

116 111 Recto: Rowboat ca. 1830-1840 Verso 1977.53.28 Solitary Tree I ca. 1839 Verso: Tracing of a Figure, Arm behind 117s x 97s in. (29.5 x 23.8 cm) Head ca. 1830-1840 Pencil on buff paper 713/ie x 9]7i6 in. (19.9 x 25 cm) 1977. 53.116 Pencil on cream paper 1977.53.28

17 CLONNEY

I

Solitary Tree II ca. 1839 Solitary Tree III 1839 Solitary Tree IV ca. 1839 llVs x 9 in. (28.3 x 22.9 cm) llVfc x 9 in. (28.3 x 22.8 cm) ll5/8 x 9% in. (29.5 x 23.8 cm) Pencil on buff paper Pencil on buff paper Pencil on buff paper 1977.53.117 Recto, l.r.: "1839" 1977.53.119 1977.53.118

121 122 123 Solitary Tree V ca. 1839 Solitary Tree VI ca. 1839 Two Trees I ca. 1839 ll5/8 x 93/8 in. (29.5 x 23.8 cm) 11% x 9 in. (28.3 x 22.8 cm) 11% x 93/8 in. (29.5 x 23.8 cm) Pencil on buff paper Pencil on buff paper Pencil on buff paper 1977.53.120 1977.53.121 1977.53.114

Two Trees II ca. 1839 Two Trees III ca. 1839 Landscape with Old Oak Trees and ll5/8 x 93/8 in. (29.5 x 23.8 cm) 9% x 11% in. (23.8 x 29.5 cm) Figures 1839 Pencil on buff paper Pencil on buff paper 9Vie x ll3/i6 in. (23 x 28.4 cm) 1977.53.115 1977.53.122 Pencil on buff paper Recto, l.r.: "1839" 1977.53.94

18 CLONNEY

127 128 129 Rocks 1839 Rocky Shoreline with Trees ca. 1839 River Valley Landscape ca. 1839 9Vi6 x IV/H in. (23 x 28.3 cm) ll15/i6 x 93/i6 in. (30.3 x 23.3 cm) 9% x ll5/8 in. (23.8 x 29.5 cm) Pencil on buff paper Pencil on buff paper Pencil on buff paper Recto, 1.1.: "1839" 1977.53.159 1977.53.151 1977.53.88

130 131 132 /fr'ver Landscape with Two Bridges and Valley Landscape and Sketch of a Tree Valley with River ca. 1839 Sketches of Trees ca. 1839 ca. 1839 9Vie x ll3/i6 in. (23 x 28.4 cm) 93/s x ll5/8 in. (23.8 x 29.5 cm) 93/8 x 11% in. (23.8 x 29.5 cm) Pencil on buff paper Pencil on buff paper Pencil on buff paper 1977.53.149 1977.53.153 1977.53.156

133 134 135 River Landscape with Sailboat ca. 1839 Sketch of Tree Branches 1839 Four Sketches of Trees and Haystacks 9Vi6 x ll3/4 in. (23 x 29.8 cm) 9 x lli/s in. (22.9 x 28.3 cm) ca. 1839 Pencil on brown paper Pencil on buff paper 9% x liy8 in. (23.8 x 29.5 cm) 1977.53.148 Recto, I.e.: "1839" Pencil on cream paper 1977.53.90 1977.53.126

19 CLONNEY

136 Valley from a Hill ca. 1839 Landscape with Fence and Cattle ca. River Landscape with Rowboat ca. 93/h x 11% in. (23.8 x 29.5 cm) 1839 1839 Pencil on cream paper ll7/8 x 9% in. (30.2 x 23.2 cm) 9% x ll5/8 in. (23.8 x 29.5 cm) Recto, ctr. repeated in scattered loca• Pencil on cream paper Pencil on cream paper tions on trees, hills, sky: "L R G M Y" 1977.53.124 1977.53.125 1977.53.127

139 140 141 Tree-Lined River Landscape ca. 1839 Sketch of Trees ca. 1839 Woodland Scene ca. 1839 93/8 x 11% in. (23.8 x 29.5 cm) 9% x 11% in. (23.8 x 29.5 cm) 11% x 9% in. (29.5 x 23.8 cm) Pencil on cream paper Pencil on buff paper Pencil and graphite(?) on buff paper 1977.53.123 1977.53.154 1977.53.157

142 143 144 Assorted Sketches Including Trees and Seven Sketches of Trees ca. 1839 Four Sketches of Trees ca. 1839 a Landscape with House ca. 1839 9% x 11% in. (23.8 x 29.5 cm) 9% x 11% in. (23.8 x 29.5 cm) 9% x 11% in. (23.8 x 29.5 cm) Pencil on buff paper Pencil on buff paper Pencil on buff paper 1977.53.152 1977.53.155 1977.53.150

20 CLONNEY

146 147 Assorted Sketches of Foliage and Figures Two Sketches: A Fallen Tree Trunk and Old Tree Trunk ca. 1839 ca. 1839 Foliage ca. 1839 ll3/i6 x 9i/i6 in. (28.4 x 23 cm) ll5/8 x 93/s in. (29.5 x 23.8 cm) 9Vi6 x lli/s in. (23 x 28.3 cm) Pencil on buff paper. Pencil and graphite(?) on buff paper Pencil on buff paper 1977.53.89 1977.53.158 1977.53.93

149 150 Four Sketches of Branches and Foliage Two Sketches of Branches and Foliage Sketch of Birches ca. 1839 ca. 1839 ca. 1839 llVs x 9 in> (28.3 x 22.8 cm) 11% x 91/16 in. (29.8 x 23.1 cm) ll3/4 x 9Vi6 in. (29.8 x 23 cm) Pencil on buff paper Pencil touched with brown chalk on Pencil on brown paper 1977.53.92 brown paper 1977.53.140 1977.53.73

•HI

152 153 Ten Sketches Including Two Men Danc• Seven Sketches Including Heads, a Man, Portrait of a Man ca. 1840-1850 ing, a Woman Carrying a Baby, a Head a Woman, and Children ca. 1836-1843 lin/i6 x 91/16 in. (29.7 x 23 cm) of a Black Man, and an Old Man and 133/4 x 1013/i6 in. (34.9 x 27.5 cm) Pencil on brown paper Young Woman Walking ca. 1839 Pencil on cream paper 1977.53.1 93/8 x liy8 in. (23.8 x 29.5 cm) 1977.53.61 Pencil on buff paper 1977.53.133 CLONNEY

155 Two Sketches of Male Heads ca. 1840- 156 Sketch of Two Seated Men ca. 1840- 1850 Three Men in a Rowboat ca. 1840- 1850 93/8 x 33/i6 in. (23.9 x 8.1 cm) 1850 9Vi6 x 1P/16 in. (23 x 28.4 cm) Pencil on buff paper 515/i6 x 75/s in. (15 x 19.4 cm) Pencil on buff paper 1977.53.141 Pen, gray ink, and gray and black wash 1977.53.145 with highlights scratched out on cream paper 1977.53.50

158 159 Girl with Young Child in a Swing ca. Two Sketches of a Boy on a Ladder Boy on a Ladder ca. 1840-1850 1840-1850 ca. 1840-1850 8Vfe x 5Vs in. (20.6 x 13 cm) 93/i6 x 6Vie in. (23.3 x 15.4 cm) ll7/8 x 6% in. (30.2 x 15.8 cm) Pencil on cream tracing paper Pencil on buff paper scored for transfer Pencil on buff paper 1977.53.19 1977.53.33 1977.53.18

161 162 Boy Sitting on a Rail ca. 1840-1850 Standing Man with a Grin ca. 1840- Black Man at a Doorway ca. 1840-

7Vi x 4V2 in. (19 x 11.4 cm) 1850 1850 Pencil on brown tracing paper IOV2 x 6 in. (26.7 x 15.2 cm) IIV2 x 43/4 in. (29.2 x 12 cm) 1977.53.34 Pencil on cream tracing paper Black and gray wash over charcoal on 1977.53.63 cream paper 1977.53.65

22 CLONNEY

163 164 165 Standing Black Male ca. 1840-1850 Three-Quarter-Length Sketch of a Two Sketches of a Woman Praying over ll9/i6 x 69/i6 in. (29.4 x 16.7 cm) Woman ca. 1840-1850 a Child ca. 1840-1850 Pencil on cream tracing paper 11% x 9 in. (28.3 x 22.9 cm) ll3/i6 x 9Vie in. (28.4 x 23 cm) 1977.53.66 Pencil on buff paper Pencil on buff paper 1977.53.144 1977.53.131

166 167 Recto: Three Sketches: Woman Seated Verso 1977.53.130 Assorted Sketches Including Seated beside a Table, Woman Praying over a Woman and Rocking Chair Child, and a Hand 8 x 13Vi6 in. (20.3 x 33.2 cm) Verso: Sketch of a Tree Trunk Pencil on prepared(?) off-white paper ll3/i6 x 9Vie in. (28.4 x 23 cm) 1977.53.25 Pencil on cream paper 1977.53.130

168 169 Fragment of a Sheet with Several Recto: Head of a Baby ca. 1840-1850 Verso 1977.53.4 Sketches Including a Woman Reading in Verso: Sketch of a Man ca. 1840-1850 a Rocker ca. 1840-1850 95/i6 x 12% in. (23.6 x 31.1 cm) 97/i6 x 6% in. (23.9 x 15.5 cm) Recto: pencil on brown paper; verso: Pencil on buff paper brown charcoal on brown paper Recto, I.e.: "Elisa" 1977.53.4 1977.53.43

23 CLONNEY

170 171 172 Three Sketches: A Boy in a Chair, a Assorted Sketches of Children Playing Assorted Sketches of Children ca. Child by a Table, and a Woman Bent and Children's Heads ca. 1840-1850 1840-1850 Forward ca. 1840-1850 59/i6 x 9 in. (14.1 x 22.9 cm) 55/s x 9Vi6 in. (14.3 x 23 cm) ll15/i6 x 9Vfc in. (30.3 x 23.2 cm) Pencil on buff paper Pencil on buff paper Brown crayon(?) with stump on brown 1977.53.100 1977.53.48 paper 1977.53.101

173 Recto: Three Sketches: Baby in a High Verso 1977.53.41 Chair, a Whip, and a Head Verso: Sketch of an Unidentified Object 157/8 x 9Vs in. (40.3 x 23.2 cm) Pencil on cream paper 1977.53.41

174 175 Recto: Five Sketches of a Dog ca. Verso 1977.53.113 A Dog 1840-1850 53A x lOVie in. (14.6 x 25.5 cm) Verso: Sketch of a Child, Arms Up• Pencil on brown paper lifted ca. 1840-1850 1977.53.49 95/i6 x 127/i6in. (23.6 x 31.6 cm). Pencil and gray wash with a trace of red chalk on brown paper 1977.53.113 24 CLONNEY

176 Recto: Three Sketches: Horses and a Verso 1977.53.15 Dog and Geometric Forms Verso: Two Sketches: Horses and a Dog and a Man Driving a Cart 93/4 x 715/i6 in. (24.8 x 20.2 cm) Pencil on cream paper 1977.53.15

177 178 Recto: Six Sketches Including a Boy, Verso 1977.53.128 Six Sketches Including a Mother and Mother and Child, a Right Hand, and a Child in Rocking Chair, Figure Groups, Rabbit ca. 1840-1850 and Foliage ca. 1840-1850 Verso: Landscape ca. 1840-1850 93/4 x 715/i6 in. (24.8 x 20.1 cm) 93/i6 x ll15/i6in. (23.3 x 30.3 cm) Pencil on cream paper Pencil on cream paper 1977.53.16 1977.53.128

179 180 Three Sketches: A Pair of Gloves and Recto: Assorted Sketches Including Putti Verso 1977.53.143 Two Figures ca. 1840-1850 and Running Figure ca. 1840-1850 93/s x 115/s in. (23.8 x 29.5 cm) Verso: Five Sketches: Cooking Fires and Pencil on cream paper a Woman with a Pitcher ca. 1840-1850 1977.53.129 11V4 x 9Vie in. (28.6 x 23 cm) Pencil on cream paper 1977.53.143

25 CLONNEY

181 182 Recto: Three Sketches of a Boy Climb• Verso 1977.53.3 Five Sketches Including a Sleeping Dog, ing a Tree ca. 1840-1850 a Wagon, and a Chicken ca. 1840-185( Verso: Sketch of a Woman's Head ca. 93/i6 x ll15/i6in. (23.4 x 30.2 cm) 1840-1850 Pencil on buff paper 9Vi6 x 113/ie in. (23 x 28.4 cm) 1977.53.146 Pencil on buff paper 1977.53.3

183 184 Recto: Assorted Sketches Including Verso 1977.53.139 Six Sketches Including a Man with a Faces of Hound Dogs, Seated Boy, and Rake, a Man Smoking a Pipe, and a Tree Trunk ca. 1840-1850 Seated Figure ca. 1840-1850 Verso: Sketches of Hound Dogs and a 97/i6 x llVs in. (24 x 29.5 cm) Man ca. 1850 Pencil on buff paper Oval: 87s x ll3/8 in. (22.5 x 28.9 cm) 1977.53.134 Pencil on cream paper 1977.53.139

185 186 Recto: Two Sketches: Putto and Two Verso 1977.53.135 Three Sketches: Tapping a Keg and a Men ca. 1840-1850 Wheelbarrow ca. 1840-1850 Verso: Four Sketches of Figures Includ• 93/i6 x ll15/i6 in. (23.3 x 30.3 cm) ing a Black Man ca. 1840-1850 Pencil on buff paper 93/s x 11% in. (23.8 x 29.5 cm) 1977.53.132 Pencil on buff paper 1977.53.135

26 CLONNEY

A Family in a Covered Wagon City Street Scene 715/i6 x 9n/i6 in. (20.2 x 24.6 cm) 73/i6 x 20y8in. (18.2 x 51.5 cm) Pencil on off-white paper Pencil on cream tracing paper (3 frag• Recto: 1.1.: "June [1 or 7] / James G. ments) Clonney Esqr" 1977.53.70 1977.53.21

190 Recto: Assorted Academic Head Studies Verso 1977.53.102 Pastoral Landscape ca. 1840-1850 and Caricatures ca. 1840-1850 9Vie x 113/i6 in. (23 x 28.4 cm) Verso: Two and Six Pencil on buff paper Sketches of Trees ca. 1840-1850 1977.53.137 93/8 x ll5/8 in. (23.8 x 29.5 cm) Recto: brown charcoal and stump; verso: pencil on buff paper 1977.53.102

192 193 Trees Near the Shore ca. 1830-1840 Sketch of Evergreens on a Hill c; Two Sketches of Sailing Boats ca. 7% x 913/i6 in. (20 x 25 cm) 1840-1850 1830-1840 Pencil on cream paper 9Vi6 x lVVie in. (23 x 29.7 cm) 93/i6 x lli5/i6 in. (23.3 x 30.3 cm) 1977.53.58 Graphite on brown paper Gray wash and pencil on buff paper 1977.53.147 1977.53.136 CLONNEY

195 People around a Wagon [possibly a Recto: Polling a Soldier ca. 1841 Verso 1977.53.51 study for Militia Training, 1841, oil on Verso: Polling a Soldier [reverse of canvas, Pennsylvania Academy of the recto scene, study for Militia Training, Fine Arts] ca. 1841 1841, oil on canvas, Pennsylvania Acad• 93/8 x llVg in. (23.8 x 29.5 cm) emy of the Fine Arts] ca. 1841 Pencil on buff paper 63/8 x 9Vi in. (16.3 x 24.1 cm) 1977.53.108 Gray and black wash with pencil on buff paper 1977.53.51

197 Six Sketches of Genre Scenes Including a ^M^^^^!^M^^^if^^^^^SSS^M 1:111 Verso 1977.53.22 Barking Dog [studies for Militia Train• Recto: Eight Sketches Including Two ing, 1841, oil on canvas, Pennsylvania Oxen, a Genre Group, and Children Academy of the Fine Arts] ca. 1841 1843 9% x 11% in. (23.8 x 29.5 cm) Verso: Sketch of Fabric Draped over a Gray and black wash with pencil on Chair 1843 Recto, l.r.: "Clonney / 1843" buff paper 95/i6 x IP/16 in. (23.7 x 29.4 cm) 1977.53.22 1977.53.29 Pencil on buff paper

SHI

199 200 Sketch of a Boy with Hat [study for In Two Sketches: Black Man Dancing and Dancing Feet [related to Black Man the Cornfield, 1844, oil on canvas, Mu• Boy with Hat [study for In the Corn• Dancing, 1977.53.69] ca. 1844 seum of Fine Arts, Boston] ca. 1844 field, 1844, oil on canvas, Museum of 65/8 x 43/i6 in. (16.8 x 10.6 cm) 95/8 x 125/i6 in. (24.3 x 31.3 cm) Fine Arts, Boston] ca. 1844 Pencil on cream tracing paper Charcoal or black chalk on brown paper 139/i6 x 613/i6 in. (34.5 x 17.3 cm) 1977.53.68 1977.53.107 Pencil on cream tracing paper 1977.53.69

28 CLONNEY

201 202 Recto: Black Man Dancing ca. 1844 Verso 1977.53.67 Girl on Sled with Boy and Dog [study Verso: Girl on a Sled [study for The for The Sleigh Ride, ca. 1845, oil on Sleigh Ride, ca. 1845, oil on canvas, canvas, Museum of Fine Arts, Boston] Museum of Fine Arts, Boston] ca. ca. 1845 1845 79/i6 x 13% in. (19.2 x 33.2 cm) 15 x 8 in. (38.1 x 20.3 cm) Pencil on cream paper Pencil on tan tracing paper 1977.53.17 1977.53.67

203 204 Recto: Stile with Rock Wall [study for Verso 1977.53.142 Fishing Scene [possibly a study for The The Sleigh Ride, ca. 1845, oil on canvas, Happy Moment, 1847, oil on canvas, Museum of Fine Arts, Boston] ca. 1845 Museum of Fine Arts, Boston] ca. 1845 Verso: Sketch of Tree Branches ca. 1845 7n/i6 x 13% in. (19.5 x 33.3 cm) 12% x 9 in. (31.7 x 22.8 cm) Pencil on cream paper Pencil heightened with white chalk and 1977.53.24 charcoal on brown paper 1977.53.142

205 206 Attributed to James Goodwyn Clonney 207 Kneeling Boy with Trap [study for The Sketch of a Woman with a Child Figures by an Inn Trappers, 1850, oil on canvas] ca. 1850 713/i6 x 93/4 in. (19.8 x 24.7 cm) 93/4 x 163/i6in. (24.8 x 41.2 cm) ll15/i6x 93/i6in. (30.3 x 23.3 cm) Pencil on cream paper Charcoal on cream paper Pencil on buff paper 1977.53.53 1977.53.32 1977.53.2

29 CLONNEY (attributed to)

208 209 210 Putto Statue Cupid Running through a Landscape Revenge [after a drawing in Charles 43/4 x 33/i6 in. (12 x 8.1 cm) before 1834 Bell, Essay on the Anatomy of Expres- Pencil on heavy cream paper 713/i6 x 6Vie in. (19.8 x 15.4 cm) sion in Painting, London, 1806] 7 1977.53.46 Pencil on cream paper 5V2 x 8 /s in. (13.9 x 22.6 cm) 1977.53.47 Pencil on cream paper 1977.53.5

211 212 213 Two Sketches: Head of a Screaming An Old Woman [after a drawing in Basket with Fabric Man [after a drawing in Charles Bell, Charles Bell, Essay on the Anatomy of 65/s x 6n/i6 in. (16.9 x 17 cm) Essay on the Anatomy of Expression in Expression in Painting, London, 1806] Black chalk or charcoal heightened with Painting, London, 1806] and a Young 6V2 x 513/i6 in. (16.5 x 14.9 cm) white chalk on prepared light-gray- Lady Pencil on cream paper brown paper SVi x 53/s in. (21.6 x 13.7 cm) 1977.53.75 1977.53.39 Pencil on cream paper Verso, u.c: "Miss Clark" 1977.53.74

214 215 Asa B. Sizer 19th century 216 William T. Ranney 1813-1857 A Pair of Shoes and Socks Mounted Horseman in Battle Dragon with His Charger ca. 1830- 57/s x 813/i6 in. (14.9 x 22.4 cm) 6V16 x SVA in. (16.4 x 21 cm) 1840 Charcoal with stump heightened with Pencil on cream paper 413/i6x 69/i6in. (12.2 x 16.7 cm) white chalk on brown paper Verso, I.e.: "drawn by Asa B. Sizer" Pencil and graphite on heavy cream pa• 1977.53.40 [annotation?] per Gift of J. William Middendorf II Recto, l.r.: "R" 1977.53.186 Gift of Claude J. Ranney, grandson of the artist 60.49.2 30 RANNEY

217 218 Recto: Three Fishermen in a Skiff [study Verso 60.49.3 Tooth Extraction for Shad Fishing on the Hudson, 1846, 83/4 x 53/s in. (22.3 x 13.7 cm) oil on canvas, New Britain Museum of Black wash over pencil on cream paper American Art] Recto, l.r.: "W.T.R." Verso: Two Men in a Skiff Gift of Claude J. Ranney, grandson of 43/4 x 7 in. (12 x 17.8 cm) the artist 60.49.1 Recto: black-brown and red ink and pen heightened with Chinese white on tan paper; verso: pencil on tan paper Recto, l.r.: "W.T.jl." Gift of Claude J. Ranney, grandson of the artist 60.49.3

219 Samuel Lancaster Gerry 1813-1891 220 George Loring Brown 1814-1889 Bird on a Flowering Branch Beached Vessel 19 x ll3/i6 in. (48.4 x 28.5 cm) 55/8 x 7Vs in. (14.3 x 18.1 cm) Charcoal and white chalk on gray paper Watercolor on cream paper Recto, l.r.: "[SL?] Gerry" Verso, u.r.: "G. L. Brown del." Museum Purchase 63.35 Gift of Alice F. Williams 58.4.24

221 William E. Winner ca. 1815-1883 222 Hammat Billings 1816-1874 Recto: Self-Portrait and Sketch of Fig• Verso 63.27.3 Battle Charge [possibly sketch for a bas- ures ca. 1880 relief] 1865-1874 Verso: Landscape Sketch ca. 1880 137/i6 x 209/i6 in. (34 x 52.3 cm) 1215/i6 x 103/s in. (32.9 x 26.5 cm) phia Owned by his pupil. A. M. A[re or Black ink wash and pencil heightened Pencil on cream paper ce]hambault" with Chinese white on brown-tinted pa• Annotated 1.1. to l.r.: "Self portrait by Gift of Mrs. James F. M. Stewart per Wm. E. Winner. / about 1880. Philadel- 63.27.3 Museum Purchase, Membership Associ• ation Fund 51.39 31 HUNTINGTON

223 Daniel P. Huntington 1816-1906 224 225 Posterior View of Skeleton July 6, 1848 "Swiftwater" September 21, 1854 Two Landscape Sketches September 5 19% x 12% in. (48.9 x 31.7 cm) ll7/i6 x 1613/i6in. (29.1 x 42.7 cm) and 10, 1859 Pencil and black and white chalk on Pencil heightened with Chinese white 615/i6 x 9u/i6 in. (17.7 x 24.8 cm) brown paper on brown paper Pencil on brown paper Recto, l.r.: "July 6th 1848"; u.r. to l.r.: Recto, 1.1.: "Swiftwater Sep. 21. 54" Recto, I.e.: "From top of Powelton "% IVAIAI 2/A I 3% I 2" written over "Swift River—Sep. 21. 54" House—Newburgh [New York] Sep Museum Purchase, William A. Clark Fund Museum Purchase, William A. Clark Fund 5.59"; 1.1.: "DH from River at Milton / 1969.7.2 1969.7.3 Ferryboat—looking down—Sep 10. 59" Museum Exchange, through a gift of Emily Sargent and Violet Ormond 60.50.1

227 1816-1872 Two Studies for "Sowing the Word" [fe• Building by a Dam male bust and profile] 73/i6 x 10% in. (20.7 x 26.6 cm) 8%6 x 8% in. (20.5 x 20.6 cm) Pencil heightened with scratched areas Pencil and white chalk on blue paper over a rectangle of gradually toned wa• Recto: l.r.: "For Sowing the Word / (A. tercolor on white paper coated with a P. Stokes [8 pictures ?])" white ground Museum Purchase, William A. Clark Recto, 1.1.: " J3C" Fund 1969.7.1 Museum Purchase 48.11

228 Unidentified Artist 19th century [for• 229 Unidentified Artist 19th century 230 Unidentified Artist 19th century merly John Frederick Kensett] Flowering Bush and Desert Plants Mountain Landscape Entrance to Kauterskill Clove 93/8 x 14%6 in. (23.8 x 35.7 cm) 10 x 1313/i6in. (25.4 x 35.1 cm) 7% x 10 in. (18.4 x 25.4 cm) Pencil heightened with Chinese white Pencil on pale-gray paper Watercolor and gouache on cream pa• on gray paper Museum Purchase, Membership Associ• per laid down Museum Purchase, Membership Associ• ation Fund 49.10 Acquired through a gift of Emily Sar• ation Fund 49.7 gent and Violet Ormond 52.25

32 UNIDENTIFIED

231 Unidentified Artist 19th century 232 Unidentified Artist 19th century 233 Unidentified Artist 19th century Mountain Landscape with Lake [Euro• Two Trees Rocks and Surf pean scene?] 14 x 10 in. (35.6 x 25.4 cm) 9 x 133/8 in. (22.9 x 34 cm) 93/s x 12% in. (23.9 x 31.2 cm) Pencil on light-beige paper Pencil heightened with Chinese white Pencil and graphite heightened with Museum Purchase, Membership Associ• on brown paper Chinese white on brown paper ation Fund 49.14 Museum Purchase, Membership Associ• Museum Purchase, Membership Associ• ation Fund 49.16 ation Fund 49.11

Emanuel Leutze 1816-1868 All 21 works by Leutze, entries 235- 255, were gifts of Rear Adm. E. H. C. Leutze, son of the artist.

234 Unidentified Artist 19th century Tree and Two Men with Guns (lGestin" 1839 813/i6 x 9 in. (22.4 x 22.9 cm) 9Vs x 95/s in. (23.1 x 23.4 cm) Pencil on cream paper Pencil and wash on tan paper Recto, l.r.: "Hob[?] / A" Recto, u.r.: "Gestin / 1839." Museum Purchase, Membership Associ• 17.17 ation Fund 49.17

236 237 238 ((St. Peters Church" ca. 1840 "Bacharach" [cathedral ruins] Compositional Study [possibly The Cru• 1013/i6 x 73/4 in. (27.5 x 19.7 cm) September 14, 1841 sader's Return, oil on canvas] ca. Watercolor and pencil 1013/i6 x 15n/i6 in. (27.5 x 39.9 cm) 1840-1850 Recto, u.c: "St. Peters Church" Watercolor and pencil on cream paper 175/s x 25Vs in. (44.7 x 63.9 cm) 17.15 Recto, u.r.: "(E Leutze [erased]) / Watercolor over pencil on light-beige Bacharach Sept 14, 1841" paper 17.12 17.13

33 LEUTZE

240 241 Standing Man in Cap and Coat May >1 Man m Eighteenth-Century Costume Gretchen Murdering Her Child and Pre• 21, 1852 Preaching to Indians Christmas 1852 paratory Study for Same Subject 97s x 5n/i6 in. (23.7 x 14.4 cm) 1215/i6 x 167s in. (32.8 x 42.8 cm) Christmas 1852 Pencil on cream paper (sheet folded vertically) 167s x 1215/i6 in. (42.8 x 32.8 cm) Recto, l.r.: "May 21st 1852" Brown ink and pencil on cream paper (sheet folded horizontally) 17.27 Recto, l.r.: "E. Leutze / Christmas 1852" Brown ink on cream paper 17.8 Recto, I.e.: "E. Leutze Christmas 1852" 17.5

243 244 Study for Central Group, "Westward the "Camp Elsworth—near Alexandria [Vir• Political Cartoon on American Civil Course of Empire Takes Its Way" [mu• ginia], Fire Zuaves" ca. 1860s War—Difficult Son ca. 1860s ral, 1862, U.S. Capitol] 9*716 x 137s in. (25 x 34 cm) 1674 x 207s in. (42.5 x 51.7 cm) 129/i6 x 20 in. (32 x 52.5 cm) Pencil heightened with Chinese white Black ink and pen over pencil on blue- Pencil on gray-green paper on thin tan paper gray paper 17.9 Recto, l.r.: "Camp Elsworth—near Al• Recto, u.l.: "1830-1860 / Noisy"; on exandria / Fire Zuaves / E Leutze" drum: "STATE / RIGHTS"; on puzzle: 17.7 ""; in halo: "UNION FOR EVER"; u.c: "1861- 1862 / Quarlesome" [sic]; on drum: "STAT[E] / RIGHTS"; u.r.: "1863- 1864 / out of Patience"; on drum: "[ST]ATE / RIGH[TS]"; on puzzle: "UNITED"; 1.1.: "1865 / Get up"; I.e.: "1866 / No use / still defyant" [sic]; "1867 / TO BE / CONTINUED / until finished / " 17.10

246 Study for Political Cartoon on American Four Sketches: Three Profiles and the ca. 1860s Head of a Man SVi x 7 in. (21.6 x 17.7 cm) 9*716 x 13*6 in. (25.3 x 34.3 cm) Pencil, brown ink, and pen on blue-gray Pencil on cream paper paper 17.28 17.20

34 LEUTZE

247 248 New York—Street Scene 1859-1868 Profile of a Man's Head after 1865 167/8 x 203/4 in. (42.9 x 52.7 cm) 611/i6 x 5 in. (16.9 x 12.6 cm) Pencil, watercolor, and black ink on Pencil on cream paper (verso printed white paper menu of Fort William Henry Hotel; the 17.11 wine list begins with 1865) 17.18

Recto: Two Cavaliers Verso 17.21 Verso: Sketch of Female Nude 8% x 105/i6 in. (21.2 x 26.2 cm) Pencil on cream paper 17.21

250 251 Recto: Ten Seated Men in Seventeenth- Verso 17.23 Three Sketches: Figures Including a Man Century Costume and Woman in Eighteenth-Century Cos• Verso: Four Sketches: Embracing Man tume and Woman, Goat, and Seated Figures 53/s x 8% in. (13.6 x 20.6 cm) 11% x 12% in. (28.6 x 13.8 cm) Brown ink on cream paper Pencil on cream paper 17.19 17.23

35 LEUTZE

252 253 254 Attributed to Emanuel Leutze Seated Female Figure Girl in European Costume Sitting on Three Sketches: Foliate and Animal 615/i6 x 5n/i6 in. (17.6 x 14.5 cm) Stone Bench Decoration, Standing Man and Woman, Watercolor and pencil on cream paper 133/4 x 103/8 in. (35.1 x 26.5 cm) and a Fountain 17.25 Pencil, graphite(?), and stump on cream 85/i6 x 103/i6 in. (21.2 x 25.9 cm) paper Pencil on off-white paper 17.24 17.14

255 256 Unidentified Artist 19th century [for• Horse merly Emanuel Leutze] W/2 x 149/i6 in. (26.8 x 37.5 cm) Seated Man Painting at Easel Pencil on white paper 127/i6 x 93/s in. (31.5 x 23.8 cm) 17.26 Pencil on off-white paper Recto, 1.1.: [WorM ? I or T ?] X.194

257 Unidentified Artist 19th century [for• merly attributed to Emanuel Leutze] Recto: Man with Cane Seated on Rocks Verso: Interior of Gothic Cathedral 73/4 x HVs in. (19.6 x 28.3 cm) Pencil on tan paper X.193

36 UNIDENTIFIED

258 Unidentified Artist 19th century [for• 259 Rufus King 19th century 260 1820-1910 merly attributed to Emanuel Leutze] Pomegranate Fruit 1867 Hillside with Houses and Figures ca. "Communion Chair for Chapel College 15u/i6 x 1115/16 in. (39.8 x 30.3 cm) 1854-1859 of St. Columba ..." September 6, Black ink, pen, and watercolor on off- 127/8 x 19 in. (32.7 x 48.3 cm) 1849 white paper Pencil on off-white paper 103/i6 x 615/i6 in. (25.9 x 17.6 cm) Recto, l.r.: "Rufus King / '67" Museum Purchase 62.7 Pencil on gray-green paper Museum Purchase 63.20 Recto, u.r.: "Sept. 6— / 49 [M?]. T"; 1.1.: "Communion Chair for Chapel Col• lege of / St. Columba—Holly Park Ws Dublin—[6 or f]" X.266

261 262 Felix O. C. Darley 1822-1888 View of Lake and Houses Blacksmith in the Goldfields 127/8 x 19V8 in. (32.8 x 48.5 cm) 135/i6 x 7u/i6 in. (33.8 x 44.9 cm) Charcoal on off-white paper Black wash over pencil on heavy cream Museum Purchase, Membership Associ• paper ation Fund 53.2 Recto, 1.1.: "F. O. C. Darley fecit" Museum Purchase, Membership Associ• ation Fund 50.30

263 264 Jasper Francis Cropsey 1823-1900 The Scalp-Dance of the Sioux "James McCullough's Leadmill" Leadmill / on the Esopus Creek Sauger- 13% x 1715/i6 in. (35.3 x 45.6 cm) May 24, 1844 ties Ulster Co. N.Y." Brown ink, wash, and pencil on cream 10V2 x 1515/i6 in. (26.7 x 40.5 cm) Museum Purchase, Membership Associ• paper Pencil and gray wash heightened with ation Fund 48.12 Recto, l.r.: "F.O.C. Darley" Chinese white on cream paper Museum Purchase 63.28 Recto, l.r.: "J. F. Cropsey / May 24 1844"; verso, ctr.: "James McCullough's

37 CROPSEY

265 266 "Sherberne Valley" September 2, Recto: "Mount Washington from Near Verso 1977.42 18[52 or 82] Bartletts" [study for View of Mt. Wash• 95/i6 x 127/i6in. (23.7 x 31.6 cm) ington, 1881, oil on canvas, Corcoran Pencil and grayish-brown wash height• Gallery of Art] September 18, 1852 u.r.: "all the outlines of Mt. W to be ened with Chinese white on brown pa• Verso: Unfinished Landscape Sketch kept up higher / so as to elevate the hill per September 18, 1852 to the left"; near ctr. in trees: "d.g. y.g. Recto, l.r.: "Sherberne Valley / J.F.C. / 11^16 x 177/i6 in. (29.7 x 44.3 cm) y.g. pink"; c.l.: "marshy light"; u.L: Sept. 2nd / 18[52 or 82]" Pencil on off-white paper "this outline higher" Museum Purchase, Membership Associ• Recto, l.r.: "Mount Washington from Gift of Mr. and Mrs. John C. Newington ation Fund 48.14 near Bartletts / J.F.C. Sept 18th 1852"; 1977.42

267 "Fort Hamilton, Staten Island" shore black brown grey"; I.e.: January 3, 1854 "warm"; c.r.: "Cedar / BG"; l.r.: SVA x UVA in. (21 x 28.6 cm) "snow / very blue in the light / of the Pencil on cream paper shadows Fort Hamilton / Staten Island Recto, u.c: "Sky mellow hazy blue / / Jan. 3rd 1854"; 1.1.: "Timber warm" warmish grey along the Horizon"; ctr.: Museum Purchase, Membership Associ• "blackish mellow grey water / lighter & ation Fund 48.13 slight tint / green as it comes to the

268 269 1823-1880 Study for "Under the Palisades Opposite Four Sketches of Men January 1847 Hastings" [1895, oil on canvas] 1894 915/i6 x 715/i6 in. (25.4 x 20.2 cm) ll3/i6 x 9Vi in. (28.4 x 24.1 cm) Pencil on tan paper Watercolor on cream paper Recto, l.r.: "Jan [4 over 3?]th 1847"; Recto, I.e.: "J.F.C—Cropsey 1894" 1.1.: "R [A?]/SR [G?]" Museum Purchase 63.34 Gift of the Old Print Shop 49.72.2

38 GIFFORD

270 271 272 Man Seated in a Hitchcock Chair Landscape with Towered Building Head of a Young Man and Assorted December 12, 1854 [steeple?] and Figures Sketches 715/i6 x 47/8in. (20.1 x 12.4 cm) 29/i6 x 21/i6 in. (6.7 x 5.3 cm) 10 x 713/i6in. (25.5 x 19.1 cm) Watercolor and pencil on white paper Brown ink, wash, and pencil on cream Black ink, pen, and pencil on cream pa• Recto, u.l.: "Dec. 12. 54" paper per Gift of Josephine Boardman Crane X.143 Gift of the Old Print Shop 49.72.1 55.38

273 William Morris Hunt 182^1879 274 "Stranded" 1875 Recto: Family Group, Seated Man Verso 51.32 8 x lln/16 in. (20.4 x 29.7 cm) Holding Baby, Kneeling Woman Vine charcoal and stump on off-white Verso: Faint Sketch of a Head paper laid down 129/i6 x lOViein. (31.9 x 25.6 cm) Recto, 1.1.: " AVH / 75"; i.c. on Charcoal and white chalk on gray paper mat board: "STRANDED" Recto, 1.1.: "AVW.H" Museum Purchase, Membership Associ• Museum Purchase, Membership Associ• ation Fund 51.31 ation Fund 51.32

275 Eastman Johnson 1824-1906 276 277 William P. Babcock 1826-1894 Fisherman Portrait of Judge Richard Peters Seated Female Nude ca. 1860-1879 107/8 x 79/i6 in. (27.6 x 19.2 cm) 203/4 x 15 in. (52.6 x 38 cm) 153/i6 x lWs. in. (38.6 x 28.3 cm) Pencil on dark-beige paper Charcoal heightened with white chalk Charcoal and white chalk on blue-gray Museum Purchase 48.22 Recto, I.e.: "Judge Peters / Clerk Su• paper preme Court U. S." Museum Purchase, Membership Associ• Museum Purchase 51.34 ation Fund 51.45

39 BABCOCK

William P. Babcock 1826-1894 All 10 works by Babcock, entries 277- 286, were Museum Purchases through the Membership Association Fund.

Female Nude [?] with Cupid Female Nude [Venus?] with Cupid ca. 1860-1879 Holding Mirror ca. 1860-1879 95/s x 9 in. (24.5 x 22.8 cm) 123/4 x 9Vs in. (32.4 x 25.1 cm) Charcoal on cream paper Charcoal on cream paper 51.50 51.49

280 281 282 Female Nude with Two Cupids Female Nude with Four Cupids Standing Female Nude [Venus?] Drink• ca. 1860-1879 ca. 1860-1879 ing at Fountain ca. 1860-1879 123/4 x Hi/4 in. (32.4 x 28.6 cm) 199/i6 x 15 in. (49.7 x 38 cm) 17»/i6 x 11 in. (44.9 x 27.9 cm) Charcoal on cream paper Charcoal on cream paper Charcoal on cream paper 51.48 51.47 51.52

283 284 285 Standing Female Nude [Venus?] and Female Nude [Venus?], Male Nude Six Nude Bathers ca. 1860-1879 Cupid ca. 1860-1879 [Mars?], and Cupid ca. 1860-1879 127/i6 x 15% in. (31.6 x 38.7 cm) 19% x 127/i6in. (48.6 x 31.6 cm) 123/4 x 195/s in. (32.4 x 49.8 cm) Charcoal on cream paper Charcoal and crayon on cream paper Charcoal heightened with white chalk 51.51 51.50a 51.53

40 BABCOCK

286 287 Christian Schussele 1826-1879 288 Sketches of Female Nude, Drapery, and Design for an Emblem for the United Design for an Emblem for State of South Hand ca. 1860-1879 States of America Carolina 9lA x 125/8 in. (23.5 x 32 cm) 107/i6 x 15n/i6 in. (26.5 x 39.8 cm) 93/i6 x 137/i6 in. (23.3 x 34.1 cm) Charcoal on cream paper Black ink and wash over pencil on Black ink, pen, and wash on heavy 51.46 cream poster board creamy-white paper Recto, l.r.: "C. Schussele"; ctr.: "C.S. Recto, 1.1.: "C. Schussele" UNITED STATES OF AMERICA" Museum Purchase, Membership Associ• Museum Purchase, Membership Associ• ation Fund 51.44 ation Fund 51.43

289 David Johnson 1827-1908 Recto and verso: Study for "Conway, Verso 64.29 Sketch of Tree Trunks ca. 1860s " [1851, oil on canvas, 109/i6 x 147/i6 in. (26.9 x 36.7 cm) Museum of Fine Arts, Boston] Pencil heightened with Chinese white September 29, 1851 transfer; verso: black ink and pen on on tan paper 7n/i6 x 1213/i6 in. (19.6 x 32.5 cm) blue-lined paper Museum Purchase, Membership Associ• Recto: pencil heightened with Chinese Recto, 1.1.: "Conway Sept. 29h 51 N.H." ation Fund 49.15 white on blue-lined paper scored for Museum Purchase 64.29

291 Frank Blackwell Mayer 1827-1899 292 Jarvis McEntee 1828-1891 Study for "Leisure and Labor" [also Recto: "Kauterskill Clove" July 27, Verso 1977.3 called Doing and Dreaming, 1858, oil 1860 on canvas, Corcoran Gallery of Art] Verso: Unfinished Sketch: A Land• ca. 1858 scape [?] July 27, 1860 Recto, 1.1.: "Kauterskill Clove / July IVi x 9n/i6in. (19.1 x 23 cm) 153/s x 1015/i6 in. (38.6 x 27.8 cm) 27—60" Watercolor and pencil on cream paper Pencil heightened with Chinese white Museum Purchase and exchange Museum Purchase 66.24 on cream paper 1977.3

41 MORAN (attributed to)

293 Attributed to Edward Moran 1829- 1901 Recto: Seacoast by Verso 1977.53.185 Sailing by Moonlight ca. 1865-1875 ca. 1865-1875 67s x 43/s in. (17.5 x 11 cm) Verso: Sketch of Elegantly Dressed Graphite and Chinese white on gray pa• Woman ca. 1865-1875 per 45/i6 x 67/s in. (10.9 x 17.4 cm) Gift of J. William Middendorf II Graphite and Chinese white on gray pa• Gift of J. William Middendorf II 1977.53.182 per 1977.53.185

295 296 297 Coastal View with Hut ca. 1870 Two Sailing Standing Male Peasant [Dutch?] ca. 47/8 x 711/i6 in. (12.4 x 19.5 cm) 7u/i6 x 47/s in. (19.5 x 12.4 cm) 1878 Pencil on cream paper Pencil on cream paper 85/s x 65/s in. (22 x 16.8 cm) Gift of J. William Middendorf II Gift of J. William Middendorf II Black ink and pen on cream paper 1977.53.183 1977.53.184 Gift of J. William Middendorf II 1977.53.181

William H. Philip 1829-1882 Sketchbook I 4» Assorted Sketches Including Head and 37 leaves Shoulders of a Man 4 x 7 in. (10 x 17.8 cm) 1972.37.1 Maroon cloth-covered cover; embossed on front: ""; paper label glued l.r. front: "William H. Philip" All sketches pencil on cream paper Sketchbook gift of Lucile S. Cramer

Recto (a): Four Sketches: Sailor and Anchor, Woman and Child, Man in a Landscape, and Group of Figures Verso (b): List of Names 1972.37.2a,b

42 PHILIP

300 301 Sketch of a Startled Horse Recto (a): Bust of a Child Wearing a Verso 1972.37.4b 1972.37.3 Cap Verso (b): Partially Draped Bust of a Child 1972.37.4a,b

Recto (a): Bust of a Man Wearing Eye- Verso 1972.37.5b glasses Verso (b): Sketch of a Group of Figures 1972.37.5a,b

303 304 • Recto (a): Floor Plan Recto (a): Bust of a Man with a Beard II Verso 1972.37.7b Verso (b): Bust of a Man with a Beard I Verso (b): Sketch of Three Figures in an 1972.37.6a,b Interior 1972.37.7a,b PHILIP

305 Recto (a): Three Sketches: Standing Fig- Verso 1972.37.8b ures and a Face Verso (b): Sketch of Rear View of a Robed Figure 1972.37.8a,b

306 307 Bust of a Man with a Beard III Recto (a): Two Sketches of Dogs Verso 1972.37.10b 1972.37.9 Verso (b): Facade of a Nineteenth-Cen• tury Italianate House 1972.37.10a,b

308 Recto (a): Assorted Doodles, Words, and Mathematical Calculations •fr Verso (b): Three Sketches: Floor Plans and a Head of a Woman 1972.37.11a,b

Facade of a Nineteenth-Century Italian- ate House 1972.37.12

44 PHILIP

Recto (a): Bust of a Woman with Tassle Verso 1972.37.13b in Hair Verso (b): Bust of a Man with a Beard IV 1972.37.13a,b

311 312 Recto (a): Head of a Man with Mutton Verso 1972.37.14b Sketch of a Figure Chop Whiskers 1972.37.15 Verso (b): Half-Length of a Seated Child 1972.37.14a,b

Recto (a): Head of a Man I Verso 1972.37.16b Verso (b): Standing Female Figure I [In• dian?] 1972.37.16a,b

45 PHILIP

314 315 Recto (a): Head of a Man II Verso 1972.37.17b Head of a Horse Verso (b): Standing Female Nude 1972.37.18 1972.37.17a,b

316 317 Horses in a Stable Recto (a): Sketch of a Statue of a Verso 1972.37.20b 1972.37.19 Bearded Man Verso (b): Two Sketches of Women 1972.37.20a,b

318 319 Recto (a): Sketch of a Child Verso 1972.37.21b Two Sketches: A Cross at Sunrise or Verso (b): Head of a Man with Curly Sunset and a Storm-Tossed Sailing Ves• Hair and Beard sel 1972.37.21a,b 1972.37.22

46 PHILIP

Recto (a): Half-Length of a Seated Girl Verso 1972.37.23b with a Verso (b): Figure [Christ?] with a Staff and Children 1972.37.23a,b

Recto (a): Group of Birds [quail?] near Verso 1972.37.26b a Fence Verso (b): Sketch of a Bird 1972.37.26a,b PHILIP

Recto (a): Two Birds Verso 1972.37.27b Verso (b): Bust of a Woman I 1972.37.27a,b

325 Recto (a): Bust of a Woman II Verso 1972.37.28b Verso (b): Two Sketches: A Boat and Winged Female Figure 1972.37.28a,b

Recto (a): Two Sketches: Figures in a Verso 1972.37.29b Boat and an Oval Landscape Verso (b): Sketch of a Hunter with Gun and Dog on Point 1972.37.29a,b

48 PHILIP

Recto (a): Robed Man in Pensive Pose Verso 1972.37.30b Verso (b): A Dog 1972.37.30a,b

328 329 Recto (a): Sketch of Dog and Birds in Verso 1972.37.31b Two Sketches: Bust of a Girl and a Rec• Grass tangular Framed Bust of a Man [after an Verso (b): Two Sketches: Head of a oil portrait?] Woman and a Landscape 1972.37.32 1972.37.31a,b

Recto (a): Head of a Man with a Beard Verso 1972.37.33b Verso (b): Two Sketches of Dog's Head 1972.37.33a,b PHILIP

333 William H. Philip 1829-1882 •!• Assorted Doodles and Words Sketchbook II Inscriptions and Assorted Heads 1972.37.36 42 leaves, 2 torn out, 28 blank pages Recto, u.r.: "Sketch Book No 2 / [F?] 4V4 x 5% in. (10.8 x 14.6 cm) P" Green cardboard cover; paper label 1972.38.1 glued l.r. front: "William H. Philip" All sketches pencil on white paper un• less otherwise noted Sketchbook gift of Lucile S. Cramer

335 336 Recto (a): Verso 1972.38.2b Recto (a): Two Sketches: Compositional Verso (b): Assorted Sketches Including a Sketch and with Top Hat Hand Verso (b): List of Names 1972.38.2a,b Recto (a): pencil; verso (b): brown ink and pen 1972.38.3a,b

50 PHILIP

338 Three Sketches: Two Heads of Men and Three Sketches: Two Heads and a Pieta a Seated Man Composition 1972.38.4 1972.38.5

339 340 Recto (a): Four Sketches: Three Heads Verso 1972.38.6b Two Sketches: A Child's Head and a of a Man [Christ?] and an Open Book Profile Verso (b): Sketch of a Man 1972.38.7 Pencil touched with sanguine Conte crayon 1972.38.6a,b

341 342 Man with Hand to Forehead I Recto (a): Two Figure Sketches Verso 1972.38.9b 1972.38.8 Verso (b): Man with Hand to Cheek 1972.38.9a,b

51 PHILIP

343 344 345 Standing Male Nude Two Sketches of Men Seated Man and Woman in an Interior 1972.38.10 1972.38.11 1972.38.12

346 Man Grieving at Bedside of Dead[?] Two Sketches: Man with a Vandyke Woman Beard and Man Seated in a Library 1972.38.13 1972.38.14

Recto (a): Sketches: Three Male Figures Verso 1972.38.15b Verso (b): Seated Old Woman 1972.38.15a,b

52 PHILIP

349 Recto (a): Two Sketches of Heads Verso 1972.38.16b Verso (b): Sketch of a Woman 1972.38.16a,b

352 353 Young Woman Seated beside a Table Recto (a): Two Compositional Sketches Verso 1972.38.20b 1972.38.19 of Figures in a Doorway Verso (b): Compositional Sketch of a Standing Woman 1972.38.20a,b

53 PHILIP

355 Sketch of a Fountain Recto (a): Sketch of a Woman and a Verso 1972.38.22b 1972.38.21 Compositional Sketch Verso (b): Sketch of a Seated Man 1972.38.22a,b

357 Recto (a): Sketch of a Lamentation or Verso 1972.38.23b Head of a Man Pieta Composition 1972.38.24 Verso (b): Sketch of a Seated Man be• side a Globe 1972.38.23a,b

359 Assorted Sketches Including a Head of a Recto (a): Sketch of a Seated Woman Verso 1972.38.26b Man Verso (b): Sketch of a Seated Man, 1972.38.25 Hand Covering His Face 1972.38.26a,b

54 PHILIP

361 362 Compositional Sketch, a Scene from Sketch of a Woman Sketch of a Seated Woman in an Interior Goethe's "Faust" 1972.38.27 1972.38.28 1972.38.29

364 Recto (a): Sketch of a Man, Hand Verso 1972.38.30b Two Sketches: Family Group in a Circle Shading His Eyes and a Woman in an Oval Verso (b): Sketch of a Head of a Man 1972.38.31 1972.38.30a,b

366 Recto (a): Sketch of a Woman Verso 1972.38.32b Sketch of a Seated Woman Verso (b): Sketch of a Standing Man 1972.38.33 1972.38.32a,b

55 PHILIP

367 368 369 Woman Standing beside a Fence Sketches of Two Figures Recto (a): Sketch of a Figure Group, 1972.38.34 1972.38.35 Woman with a Musical Instrument, a Standing Man and a Dog I •fr Verso (b): Two Sketches in Circles Verso (b) upper edge: "Statue [?] Au• gust—Battle Austerlitz / City of Ramses IV. / School of Athens / Egyptian [?] / Monument from my [?] relief / my [?] H—when I not here." 1972.38.36a,b

370 371 372 Head of a Woman Woman Seated on a Sofa Three Sketches of Heads 1972.38.37 1972.38.38 1972.38.39

373 374 Assorted Sketches of Heads Recto (a): Sketch of a Figure Group, Verso 1972.38.41b Pencil and brown ink and pen Woman with a Musical Instrument, a 1972.38.40 Standing Man and a Dog II Verso (b): Two Compositional Sketches and a Face Recto (a): pencil, brown ink, and pen; verso (b): pencil 1972.38.41a,b PHILIP

375 376 Inside back cover: Assorted Sketches of William H. Philip 1829-1882 Inscription, inside front cover: u.c.: Heads, a Light Fixture, and Spiral Sketchbook III "[J. Bork 167c?]" Forms 26 leaves, 17 pages blank 1972.39.1 Recto, u.c.: "C[abo?]let 328—" 3 x 45/8in. (7.6 x 11.7 cm) 1972.38.42 Green cardboard cover; paper label glued l.r. front: "William H. Philip" All sketches except entry 441 (1972.39.4b) pencil on white paper Sketchbook gift of Lucile S. Cramer

377 378 379 Two Sketches of Profiles of Men [cardi• Standing Man Recto (a):Unidentifiable Sketch and In• nals?] in Skullcaps 1972.39.3 scription 1972.39.2 Verso (b): Sketch of a Bridge Recto (a): pencil; verso (b): charcoal Recto (a): "Ge[belon?][?]—San Ro- moaldo / 262[?]" 1972.39.4a,b

380 381 Recto (a): Sketch of a Face Verso 1972.39.5b Sketch of a Standing Male Nude Verso (b): Sketch of a Landscape 1972.39.6 1972.39.5a,b

57 PHILIP

Recto (a): A Square Monument Verso 1972.39.7b [plinth?] in a Garden Verso (b): Sketch of Legs 1972.39.7a,b

Recto (a): Statue of a Lion Verso 1972.39.8b Verso (b): Sketch of a Woman's Head Verso (b), u.c.: "White band with / gold ornament / halfway round the / head" 1972.39.8a,b

384 385 Recto (a): Sketch of a Tree Verso 1972.39.9b Two Sketches of Men Verso (b): Sketch of a Dog 1972.39.10 1972.39.9a,b [1972.39.11: blank ]

58 PHILIP

386 387 Sketch of a Gothic Window Recto (a): Sketch of a Seated Man with Verso 1972.39.13b 1972.39.12 Hat Verso (b): Sketch of a Seated Woman, Face in Shadow 1972.39.13a,b [1972.39.14: blank page]

388 389 390 Recto (a): Blank Sketch of a Head Three Sketches: Head of a Woman, a Verso (b): Sketch of Unidentified Rec• 1972.39.16 Hand, and a Standing Man [latter tangular Object crossed out] 1972.39.15a,b 1972.39.17

391 392 Recto (a): Two Sketches of Heads of * Recto (a): Blank Men Verso (b): Two Sketches: Stairs and Verso (b): Sketch of a Standing Man Head of a Man 1972.39.18a,b 1972.39.19a,b

59 PHILIP

393 394 395 * Recto (a): Blank Recto (a): Sketch of an Unidentified Recto (a): Blank Verso (b): Sketch of a Man on Horse• Object Verso (b): Two Sketches of a Seated back Verso (b): Sketch of a Standing Child Female Nude 1972.39.20a,b Verso (b), r.c: "white-trimmed / with 1972.39.22a,b red"; I.e.: "[a phalio?] Rome" 1972.39.21a,b

Recto (a): Sketch of a Standing Figure Verso 1972.39.23b Verso (b): Sketch of a Nude Man Drag• ging a Man by the Hair 1972.39.23a,b

Recto (a): Sketch of a Robed Priest Verso 1972.39.24b Verso (b): Sketch of a Lamentation 1972.39.24a, b

60 PHILIP

398 399 Recto (a): Sketch of an Interior Verso 1972.39.25b * Recto (a): Blank Verso (b): Two Sketches: Caricature of Verso (b): Sketch of a Standing Figure a Man and Unidentifiable Form 1972.39.26a,b 1972.39.25a,b

400 401 Recto (a): Sketch of a Figure Verso 1972.39.27b Recto (a): Blank Verso (b): Two Sketches: Head of a Verso (b): Two Sketches: A Bishop and Tonsured Man and a Group of Figures a Priest, and a Kneeling Figure [priest?] [priests?] 1972.39.28a,b 1972.39.27a,b

402 Inscriptions, inside back cover: l.r.: "cloth for window / Brushes / [?] / [?][Key?]"; 1.1.: "Wm H Philip / Mar 18 / 1857" 1972.39.29

403 Eleazer Hutchinson Miller 1831-1921 404 John Ludlow Morton 1831-1871 Moonrise and Twilight 1907 Kauterskill Falls 19^16 x 2211/i6 in. (47.5 x 55.6 cm) 9Vi x 5n/i6 in. (23.5 x 14.5 cm) Watercolor on cream mat board Pencil and graphite on off-white paper Recto, 1.1.: "E.H. MILLER, 1907" laid down Museum Purchase 07.12 Recto of mounting sheet, l.r.: "John L. Morton" Museum Purchase, Membership Associ• ation Fund 51.41 61 PERRY

Enoch Wood Perry, Jr. 1831-1915 All 46 works by Perry, entries 405-450, were gifts of J. William Middendorf II.

Recto: Two Sketches of an Ideal Female Verso 1977.53.80 Head ca. 1850-1870 Verso: Six Sketches: A Face, Hands, and Parts of a Dress ca. 1850-1870 pencil heightened with white chalk on 1215/i6 x 913/i6 in. (32.8 x 24.9 cm) gray paper Recto: charcoal on gray paper; verso: 1977.53.80

Seated Young Lady, ca. 1870 Woman with Parasol ca. 1870 14 x 10 in. (35.6 x 25.4 cm) 147/i6 x 1015/i6 in. (36.7 x 27.7 cm) Pencil and charcoal heightened with Pencil and charcoal heightened with Chinese white on gray paper Chinese white and blue pencil on gray 1977.53.77 paper 1977.53.78

408 409 Recto: Corn Husking ca. 1870-1880 Verso 1977.53.87 Two Sketches of Corn Husking Verso: Bust of Man ca. 1870-1880 ca. 1870-1880 10u/i6 x 15 in. (27.1 x 38.1 cm) 55/i6 x 103/4 in. (13.5 x 27.3 cm) Recto: charcoal with stump on gray-tan Pencil and gray wash reinforced with paper; verso: pencil on gray-tan paper black ink and pen on gray-tan paper 1977.53.87 1977.53.86

62 PERRY

413 Recto: Assorted Sketches of an Old Head of a Man ca. 1870-1880 Woman, a Seated Man, and Hands Verso 1977.53.84 127/i6 x 95/i6 in. (31.6 x 23.6 cm) ca. 1870-1880 Pencil heightened with Chinese white Verso: Assorted Sketches of a Figure on slate-gray paper Playing a Violin, a Bellows, and a 1977.53.98 Hand ca. 1870-1880 13 x 187/i6 in. (33 x 46.8 cm) Recto: pencil, graphite, and stump heightened with white chalk on gray pa• per; verso: pencil and graphite on gray paper Recto, 1.1.: "8% in." 1977.53.84

414 415 Six Sketches: Five Heads of an Old Assorted Sketches Including Head of an Woman and a Hand ca. 1870-1890 Old Woman and Hands 125/s x 19% in. (32 x 38.6 cm) ca. 1870-1890 Pencil, charcoal, and stump heightened 913/i6 x 12% in. (25 x 31.1 cm) with Chinese white on gray paper Pencil and black and white chalk 1977.53.95 heightened with Chinese white on gray paper Recto, c.r.: "width of / jaw at angle" [above line showing length and angle] 1977.53.82 PERRY

Recto: Knitting Hands ca. 1870-1890 Verso 1977.53.81 Verso: Sketch of a Clock Face ca. 1870-1890 ll15/i6 x 93/s in. (30.3 x 23.8 cm) measurements for width, depth, and Pencil and/or graphite on gray paper height of certain elements Verso: numbers on clock face and 1977.53.81

417 Recto: Six Sketches of Hands Verso 1977.53.85 ca. 1870-1890 Verso: Assorted Sketches of Figures and Perspective Lines[l] ca. 1870-1890 1415/i6 x 105/s in. (38 x 27 cm) Pencil and charcoal heightened with white chalk on gray paper 1977.53.85

418 419 Recto (a): Three Sketches of Knitting Verso 1977.53.168b Two Sketches: A Profile and Knitting Hands 1870-1890 Hands ca. 1870-1890 Verso (b): Assorted Sketches Including a 12% x 10 in. (31.1 x 25.7 cm) Face, Eyes, and Hands 1870-1890 Charcoal (profile) and pencil (knitting 9 x ll13/i6 in. (22.8 x 30 cm) hands) on cream paper Pencil and graphite on gray paper 1977.53.83 Verso (b), I.e.: numerical notations 1977.53.168a,b 64 PERRY

420 Recto: Overlapping Sketches: Water Verso 1977.53.23 Kettles, Hands, and Figures 1870-1890 Verso: Five Sketches: Knitting Hands and Buildings 1870-1890 97/i6 x 125/s in. (24 x 32 cm) Charcoal, pencil, and white chalk on cream paper 1977.53.23

421 Recto: (a): Assorted Sketches of Hands, Verso 1977.53.165b Feet, and Facial Features 1870-1890 Verso (b): Sketches of a Violin and Household Implements 1870-1890 123/4 x 97/s in. (32.5 x 25 cm) Recto (a): pencil, charcoal, and stump, per; verso (b): pencil on gray paper heightened with white chalk on gray pa- 1977.53.165a,b

Recto (a): Six Sketches: Heads, Hands, Verso 1977.53.169b and a Torso 187O-1890 Verso (b): Nine Sketches: Arms, Hands, and Sleeves 1870-1890 15% x 10n/i6 in. (38.4 x 27.2 cm) Pencil on gray paper Recto (a), u.L: "Wm Abbott PO—Fort Lee"; verso (b), 1.1.: "25% 16 15" 1977.53.169a,b PERRY

423 Recto (a): Three Sketches of Touching Verso 1977.53.173b Hands ca. 1870-1890 Verso (b): Two Groups of Sketches of Women at a Table and Anatomical Charcoal and stump and pencil on tan Studies ca. 1870-1890 paper 15 x 107/8 in. (38.1 x 27.6 cm) 1977.53.173a,b

424 Recto (a): Two Sketches: An Old Verso 1977.53.167b Woman and a Young Woman ca. 1870-1890 Verso (b): Three Sketches: A Head, a ened with white chalk on cream paper; Hand, and a Figure ca. 1870-1890 verso (b): brown charcoal on cream 123/i6 x 87s in. (31 x 22.5 cm) paper &ecto (a): charcoal and stump height- 1977.53.167a,b

425 Recto (a): Six Sketches: Four Heads and Verso 1977.53.175b Two Pairs of Folded Hands ca. 1870- 1890 Verso (b): Two Sketches: Landscape and a Head ca. 1870-1890 with white chalk(?) on pale blue-gray 127s x 187i6 in. (32.7 x 46.6 cm) flecked paper Pencil, charcoal, and stump heightened 1977.53.175a,b

66 PERRY

Recto (a): Three Sketches: Woman's Verso 1977.53.164b Head and Female Figure 1870-1890 Verso (b): Sketch of a Woman's Head 1870-1890 pencil and heightened with white chalk 127/i6 x 911/i6 in. (31.6 x 24.6 cm) on gray paper Charcoal and stump, reinforced with 1977.53.164a,b

Recto: Two Sketches: Right Hand and Verso 1977.53.174 Left Hand ca. 1870-1890 Verso: Unidentified Forms Incorporating a Circle ca. 1870-1890 9 x WA in. (22.8 x 23.5 cm) Charcoal heightened with white chalk on gray-green flecked paper 1977.53.174

Recto (a): Sketches of a Head and Verso 1977.53.178b Hands ca. 1870-1890 Verso (b): Sketches of a Gondola ca. 1870-1890 wash on pinkish-gray paper 12% x 185/8in. (31.1 x 47.2 cm) Recto (a): numerical notations in var• Recto (a): pencil, charcoal, and stump ious places; u.r.: "water"; ctr.: "line"; with pink chalk on pinkish-gray paper; I.e.: "back / of a / seat"; u.l.: "back of verso (b): pencil, charcoal, and black seat" 1977.53.178a,b PERRY

429 430 Recto (a): Seven Sketches Including Verso 1977.53.176b Seated Woman from Left Rear Seahorses and Dolphins ca. 1870-1890 ca. 1870-1890 Verso (b): Sketches of a Baby, Head, 123/4 x 9VA in. (32.4 x 23.5 cm) and Hands ca. 1870-1890 Pencil on blue-gray paper 123/s x 185/s in. (31.4 x 47.3 cm) on pinkish-gray paper 1977.53.163 Pencil, charcoal, stump, and sepia wash 1977.53.176a,b

431 Recto: Assorted Sketches of Figures, Verso 1977.53.79 Feet, and a Kitten Being Held ca. 1870-1890 Verso: Assorted Figure Sketches of Chil• Pencil heightened with Chinese white dren ca. 1870-1890 on gray paper 14 x 10 in. (35.6 x 25.4 cm) 1977.53.79

432 Recto (a): Six Sketches of Chinaware Verso 1977.53.162b ca. 1870-1890 Verso (b): Five Sketches of a Right Hand with Fire Tongs[l] ca. 1870-1890 white chalk on beige paper; verso (b): 125/8 x 95/s in. (32 x 24.5 cm) pencil on beige paper Recto (a): charcoal heightened with 1977.53.162a,b

68 PERRY

433 434 Recto (a): Sketches of Architectural De• Verso 1977.53.171b Seven Sketches Including Early Ameri• tails ca. 1870-1890 can Artifacts, Chairbacks, Trays, and Verso (b): Figure on Stairs ca. 1870- Frames ca. 1870-1890 1890 913/i6 x 1213/i6 in. (25 x 32.5 cm) 11V4 x 8% in. (28.5 x 21 cm) Watercolor and pencil on gray-green Pencil on cream paper paper Recto (a), ctr.: "door / jamb door" 1977.53.172 1977.53.171a,b

435 436 Two Sketches: Fireplace Paneling and a Recto (a): Sketches of a Kitchen Interior Verso 1977.53.179b Knife Box ca. 1870-1890 and Implements ca. 1870-1890 123/4 x 15% in. (32.4 x 39.5 cm) Verso (b): Three Sketches of Eyes and Sepia ink, wash, pen, and pencil on tan Feet ca. 1870-1890 paper 1013/i6 x 15V6 in. (27.5 x 38.5 cm) tan paper; verso (b): pencil on tan pa• Recto, l.r.: "Knife box" Recto (a): watercolor and gouache over per 1977.53.177 pencil touched with colored chalk on 1977.53.179a,b

437 438 439 Five Sketches: A Sled and Four House• Six Sketches of Plants ca. 1870-1890 Two Sketches of Man with a Gig ca. hold Objects ca. 1870-1890 19% x 1213/i6 in. (50 x 32.5 cm) 1870-1890 123/4 x 915/i6 in. (32.4 x 25.2 cm) Watercolor over pencil heightened with 125/8 x 9Vi in. (32.1 x 24.2 cm) Pencil, ink, watercolor, and Chinese Chinese white on tan paper Watercolor over pencil on gray paper white on gray paper 1977.53.180 1977.53.104 Recto, 1.1.: "Wild Cherry Bark—Vi lb / put in 12 oz cold water—12 hours / add 4 oz alcohol / 1 tablespoonful [salt?] / 1 oz salt petre." 1977.53.103 69 PERRY

440 Recto (a): Man in a Gig and Parts of a Verso 1977.53.166b Gig ca. 1870-1890 Verso (b): Sketches of a Donkey in Harness ca. 1870-1890 Recto (a), I.e.: "21 in. / between / 12V& x 95/s in. (30.9 x 24.4 cm) shafts 16-front bet shafts"; 1.1.: numeri• Recto (a): watercolor, gouache, and cal measurements in pencil; verso (b), black ink over pencil on gray paper; bottom: numerical measurements verso (b): pencil on gray paper 1977.53.166a,b

Recto (a): Four Compositional Sketches Verso 1977.53.161b with Figures ca. 1870-1890 Verso (b): Two Pieces of Farm Equip• ment [scythes?] ca. 1870-1890 71/2x 99/i6in. (19.1 x 24.1 cm) Pencil on beige paper Verso (b): numerical measurements to left of object 1977.53.161a,b

Recto: Sail Makers ca. 1870-1900 Verso 1977.53.96 Five Sketches: A Well, Crank Handle, Verso: Sketch of a Tree ca. 1870-1900 and Wooden Trough ca. 1870-1900 8V2 x 913/i6 in. (20.9 x 24.9 cm) 103/4 x 15 in. (27.3 x 38.1 cm) Recto: black ink, pen, pencil, and wa• Pencil, watercolor, and gouache on tercolor heightened with Chinese white brown paper on tan paper; verso: watercolor and 1977.53.105 pencil on tan apper 1977.53.96 70 PERRY

Recto: Sketches of a Covered Well ca. 1870-1900 Verso: Assorted Sketches of Wood Graining and Boards ca. 1870-1900 WVi6 x 15 in. (27.1 x 38.1 cm) Pen and ink(?), pencil, and watercolor heightened with Chinese white on brown paper 1977.53.106

Recto: Sketch of Ivy ca. 1870-1900 Verso 1977.53.109 Verso: Two Sketches of Heads ca. 1870-1900 103/4 x 15 in. (27.3 x 38.1 cm) Recto: watercolor and gouache over heightened with white chalk on brown pencil on brown paper; verso: pencil paper 1977.53.109

Recto (a): Architectural Sketch of a Verso 1977.53.110b Stairhall ca. 1870-1900 Verso (b): Four Sketches Including Faces and an Interior Scene ca. 1870-1900 8V4 x 1P/16 in. (20.9 x 28.4 cm) Recto, c.r.: "door"; u.L: "door"; along Recto: watercolor and pencil on cream bannister: "this line ought to slope paper; verso: blue-black ink and pen more" over pencil on cream paper 1977.53.110a,b PERRY

448 Recto: Two Sketches of a Standing Fe• Verso 1977.53.111 Three Sketches: Fireplace, Logs, and male Figure ca. 1870-1900 Bellows ca. 1870-1900 Verso: Four Sketches of Chairs 10n/i6 x 145/i6in. (27.3 x 38.1 cm) ca. 1870-1900 Watercolor, gouache, and pencil on 83/i6 x lP/i6in. (20.8 x 28.4 cm) brown paper Pencil on brown paper 1977.53.112 1977.53.111

449 Attributed to Enoch Wood Perry, Jr. 450 451 James Renwick Brevoort 1832-1918 Seven Sketches Including a Clock Face, Window Hanging ca. 1870-1890 "Granby, Connecticut" September Windsor Chair, and Cattle ca. 1870- 11% x 8% in. (28.5 x 21 cm) 1869 1890 Watercolor over pencil on cream paper 123/8 x 177/s in. (31.5 x 45.4 cm) 15% x 20% in. (38.8 x 51.1 cm) 1977.53.170 Pencil on white paper laid down Pencil on tan paper Recto, l.r.: "Granby, Conn. / Sept Recto, I.e.: "Check[?]"; various numer• 1869—" ical measurements on chair to left; c.r.: Gift of Mrs. Rudolph Eikemeyer, "too long" daughter of the artist 38.10 1977.53.160

452 453 1832-1920 454 Aaron Draper Shattuck 1832-1925 "Castleton, Vermont" August 18[7?]1 Half Dome and Royal Arches, Yosem- "Cherry Lake, White Mountains" ll13/i6 x 173/i6 in. (30 x 43.7 cm) ite, from Glacier Point August 29, 1859 Pencil on off-white paper 9n/i6 x 135/8 in. (24.6 x 34.6 cm) 12% x 19 in. (31.7 x 48.2 cm) Recto, l.r.: "Castleton Vt / August Watercolor and gouache on gray paper Pencil heightened with Chinese white 18[7?]1—" laid down on light-gray paper Gift of Mrs. Rudolph Eickemeyer, Museum Purchase through a gift of Recto, 1.1.: "A.D.S. / Cherry Lake daughter of the artist 38.9 Ralph Cross Johnson 1980.86 White Mts. / Aug. 29. 59." Museum Purchase through a gift of Mrs. J.L.M. Curry 1977.35 72 PERRY

||^^|||j||^^p|

455 456 457 1833-1905 "Simsbury, Connecticut" September New Landscape, Harvesting Baldart Castle, Kilkee, County Clare, 14, 1866 ca. 1866 Ireland 1892 12 x 183A in. (30.5 x 47.6 cm) ll3/8 x 11V2 in. (28.9 x 44.5 cm) 15VA x 2413/i6 in. (38.7 x 63 cm) Pencil on beige paper Pencil on beige paper Watercolor over pencil on off-white pa• Recto, l.r.: "Simsbury, Conn. / Sept. Recto, I.e.: "green"; ctr.: "Rye stub• per laid down 14, 1866" ble" Recto, 1.1.: "Wm T Richards 92" Museum Purchase through a gift of Museum Purchase through a gift of Bequest of George E. Lemon 97.14 Mrs. J.L.M. Curry 1977.37 Mrs. J.L.M. Curry 1977.36

458 459 460 The Bell Buoy 1894 Seascape with Rocks Seascape 15% x 263/s in. (39.6 x 66.9 cm) 55/i6 x 7YA in. (13.5 x 18.5 cm) 12 x 15 in. (30.6 x 38.2 cm) Watercolor on white-surfaced composi• Watercolor over pencil on cream paper Black ink and brush on heavy creamy- tion board Gift of the of De• white paper Recto, 1.1.: "Wm T Richards. 94" sign, bequest of Mrs. William F. Brewster Gift of the National Academy of Gift of Charles C. Glover, Jr. 58.32 53.40 Design, bequest of Mrs. William T. Brewster 53.41

461 462 James A. McNeill Whistler 1834-1903 463 Rocks and Breaking Waves San Giorgio [Maggiore, ] ca. A Canal in Venice ca. 1879 87s x 135/s in. (22.5 x 34.5 cm) 1879 ll7/i6 x 8 in. (29 x 20.3 cm) Watercolor and gouache heightened 713/i6 x IVV16 in. (19.9 x 29.7 cm) Pastel on brown paper with Chinese white on cream paper Pastel and charcoal or black pastel on Recto, l.r.: " fit " Gift of the National Academy of brown paper Bequest of Mabel Stevens Smithers Design, bequest of Mrs. William T. Recto, l.r.: " ft- " 52.9 Brewster 53.42 Bequest of James Parmelee 41.31

73 WHISTLER

465 William S. Simpson 19th century Marsh in Zeeland Ruins of a Tavern, Petersburg, Virginia fire in the year— / On the right is seen 57s x 97s in. (14.9 x 25.1 cm) 67i6 x 1074 in. (15.8 x 27.4 cm) a portion of / the framed [sic] Carpenter Watercolor and gouache on cream pa• Watercolor over pencil on creamy-white Shop of D[?]land / & Mc C[arne?]—and per paper above & beyond that can / be seen (the Bequest of James Parmelee 41.32 Verso, u.l. to u.r.: "The ruins of a tav• [crossed out]) a small bit of the Old / ern (which [crossed out]) which once / Petersburg Theatre the interior of / stood at the corner of Bollingbrook & which was considered in its day a model 3rd streets / the site now & for many / to be one of, if not the best arranged years past occupied / by a block of 3 (as to [crossed out]) its / stage (& audi• story (private [crossed out]) brick resi• torium app[?] of any / other in the dences / The building was destroyed by Country. The elder Booth if he did / not make his debut here played one of his / first engagements in this house, [crossed out]) if not so / elaborate in or• namental architecture, of any / similar building in the Country. This was also / burnt early in (the first half [crossed out]) present Century." Museum Purchase, Membership Associ• ation Fund 49.58

Unidentified Artist 19th century 467 "Crossing the James River, Virginia" "In the Red Clay Region, Georgia, 1878 or 1898 U.S.A." 615/i6 x 107i6 in. (17.6 x 25.9 cm) 674 x 97s in. (17.2 x 25.2 cm) Watercolor on cream paper Watercolor on cream paper Verso, ctr.: "Crossing the James Verso, 1.1.: "In the red clay region / River— / Virginia / [7 or 9]8" Georgia U.S.A." Museum Purchase, Membership Associ• Museum Purchase, Membership Associ• ation Fund 53.22 ation Fund 53.23

74 UINlJJfclN 1 lUtU

469 Eliphalet Frazer Andrews 1835-1915 470 Dockside Scene of People and Three- Young Boy with Fishing Rod January Landscape Masted Sailing Vessel 29, 1860 5 x 67/s in. (12.8 x 17.8 cm) 9Vi x 127/i6 in. (24.2 x 31.6 cm) 93/4 x m in. (24.7 x 21 cm) Watercolor on white paper Pencil on mauve paper Pencil and charcoal heightened with Annotation, verso, top: "Sketch from Museum Purchase through a gift of white chalk on brown paper Turner landscape in ? Josephine Boardman Crane 55.36 Recto, 1.1.: "Jan. 29 / 1860 / E. F.An• by E.F.A." [in handwriting of Marietta drews" Minnigerode, wife of the artist] Gift of Mrs. Armistead Peter III Gift of Mrs. Armistead Peter III 1976.33.95 1976.33.94

471 William S. Haseltine 1835-1900 472 473 John LaFarge 1835-1910 Shag Rocks, Nahant, Massachusetts ca. "Blankenbergh" [fishing boats] July 2, Fragment of a Figure and Noli Me Tan- 1860-1865 1876 gere [study for Christ Appearing to 153/s x 2213/i6 in. (29.1 x 55.4 cm) 15Vie x 22Vi6 in. (38.5 x 56 cm) Man, mural, 1878, St. Thomas' Church, Gray wash over pencil on off-white pa• Gouache over pencil on blue-gray paper New York] 1877-1878 per laid down laid down 10 x ll7/8 in. (25.4 x 30.2 cm) Gift of Mrs. Roger H. Plowden, daugh• Recto, l.r.: "W S H Blankenbergh— Pencil with red Japanese seal on tan tissue ter of the artist 54.7 July 2nd / 1876" paper laid down Gift of Mrs. Roger H. Plowden, daugh• Museum Purchase, Membership Associ• ter of the artist 52.4 ation Fund 51.13 LAFARGE

475 476 Triptych of Classical Figures [study for Sketch of a Female Torso [Samoan?] Samoan Girl in a Canoe ca. 1890-1895 window, Commerce, in the ca. 1890-1891 153/i6 x 2113/i6 in. (38.6 x 55.4 cm) William H. Vanderbilt mansion, New 109/i6 x 89/i6 in. (26.9 x 21.8 cm) Watercolor and gouache over pencil on York City] ca. 1885 Watercolor and pencil on heavy cream cream-surfaced artist's board 93/4 x 14% in. (4.7 x 37.8 cm) paper mounted on heavy paper Recto, 1.1.: "LA FARGE Samoa" Gray-black ink and pen over pencil on Verso of mount, u.r.: "John Lafarge" Museum Purchase 60.6 cream paper laid down [probably artist's signature] Recto, 1.1.: "Stair" Museum Purchase 50.28 Museum Purchase, Membership Associ• ation Fund 51.14

478 Winslow Homer 1836-1910 479 Immortality [study for a stained glass Woman Sewing 1878-1879 "Hudson River"—Logging 1892 window, Packard House, Buffalo, New 93/4 x 77/8 in. (24.8 x 20 cm) 14 x 205/s in. (35.6 x 52.4 cm) York] early 1900s Watercolor over pencil on white paper Watercolor and pencil on white paper 143/4 x IP/16 in. (37.6 x 28.8 cm) Recto, 1.1.: "Homer" Recto, l.r.: "Homer"; verso, ctr.: Watercolor and gouache on white-sur• Bequest of James Parmelee 41.15 "Hudson river" faced composition board Museum Purchase 03.4 Recto, 1.1. of image: "La Farge 190[5 or 8?]; verso, u.c: "Ret. John La [Farge]" / W 10th St. / NY"; ctr.: "#4 Packard Window / Buffalo—" Bequest of James Parmelee 41.16

76 MARTIN

Elihu Vedder 1836-1923 All 35 works by Vedder, entries 482 to 516, were gifts of the American Acad• emy of Arts and Letters. The following 13 works by Vedder, en• tries 482 to 495, are studies for Greek Girls Bathing or Roman Girls on the Seashore, 1877, oil on canvas, Metropolitan Mu• seum of Art. The 4 works following those, entries 495 to 498, are probably studies for the same subject.

480 1836-1897 481 "Hudson River" September 14, 1860 "Mrs. Richardson" 7 x WA in. (17.9 x 23.5 cm) 20% x 12% in. (51.1 x 32.2 cm) Pencil on cream paper Lithographic pencil or wax crayon on Recto, l.r.: "Hudson River Sep 14 gray-green paper 1860" Recto, l.r.: "H D M"; 1.1.: "Mrs. Rich• Museum Purchase, Membership Associ• ardson" ation Fund 49.45 Museum Purchase 49.24

482 483 484 Three Figures Standing Figures I Three Dancing Figures 33/4 x 5Vs in. (95 x 13 cm) lOVs x 63/4 in. (25.7 x 17.2 cm) 63/4 x 11 in. (16.5 x 28 cm) Oil on gray-primed cream paper Oil paint on gray-primed cream paper Oil paint on gray-primed cream paper 55.39a 55.39b 55.39c

77 VEDDER

486 487 Standing Figure I Standing Figure II Standing Figure III 63/4 x 10% in. (17.2 x 26.1 cm) 93/s x 7 in. (23.8 x 17.8 cm) 107/i6 x 6% in. (26.5 x 15.9 cm) Oil paint on gray-primed cream paper Oil paint on gray-primed cream paper Oil paint on gray-primed cream paper 55.39d 55.39e 55.39f

Seated Figure II Reclining Figure Standing Figure V 33/i6 x 4% in. (8.1 x 11.4 cm) 4% x 8% in. (10.5 x 20.7 cm) 93% x 4% in. (24.8 x 11.4 cm) Oil paint on gray-primed cream paper Oil paint on gray-primed cream paper Oil paint on gray-primed cream paper 55.39J 55.39k 55.391

78 VEDDER

495 Kneeling Figure Recto: Standing Draped Female Figure Verso 55.46 6 x 57/g in. (15.3 x 14.9 cm) Verso: Female Head and Shoulders Oil paint on gray-primed cream paper 105/» x 415/ie in. (27.1 x 12.5 cm) 55.39m Red chalk, pastel, and pencil on beige paper 55.46

497 498 Seated Female Nude with Draped Legs Seated Female Figure Standing Figure 103/4 x 79/i6 in. (27.3 x 19.2 cm) 83/8 x 103/4 in. (21.3 x 27.5 cm) WVi x 7 in. (26.6 x 17.7 cm) Pencil heightened with white chalk on Pencil heightened with white chalk on Red chalk heightened with white chalk lavender paper lavender paper on lavender paper 55.47 55.48 55.49

The following 6 works, entries 499 to 504, are studies for The Fates Gathering in the Stars, 1887, oil on canvas, Art Institute of .

499 500 Standing Female Nude I Standing Female Nude II 19 x 123/i6 in. (48.2 x 31 cm) 137s x 10 in. (35.3 x 25.2 cm) Charcoal heightened with white chalk Charcoal and white chalk on gray paper on olive paper Recto, 1.1.: "Study by / E. Vedder for / Recto, l.r.: "Study by / E. Vedder for / 'The Fates' / Chicago" The 'Fates gathering / in the Stars—' / 55.86 Chicago." 55.85 79 VEDDER

501 502 Standing Female Nude III Hands and Arms Right Arm 127s x 79/i6 in. (32.6 x 19.2 cm) 14% x 9 in. (36.2 x 22.9 cm) 93/s x 107s in. (23.9 x 27 cm) Charcoal heightened with white chalk Charcoal and pencil heightened with Charcoal and white chalk on gray-green on dark gray-green paper white chalk on gray-green paper paper 55.87 Recto, l.r.: "Studies for / 'The Fates' / Recto, 1.1.: "Study for The Fates / Chi• by Elihu Vedder" cago by E. Vedder" 55.90 55.89

504 505 506 Lower Part of Draped Female Figure Nile Journey, No. 22 January 22, 1890 Nile Journey No. 20 February 16, 1890 llVie x 87s in. (28.2 x 22.5 cm) 127i6 x 878 in. (31.5 x 20.5 cm) 87i6 x 127s in. (20.8 x 32.8 cm) Charcoal and white chalk on dark gray- Pastel and charcoal on gray-green paper Charcoal and pastel on light blue-gray green paper Recto, l.r.: "E. Vedder as—Jan. 22nd / paper Recto, 1.1.: "by E. Vedder study / for 90 22" Recto, l.r.: "Feb. 16th / Nub / E. Ved• the Fates / Chicago" 55.92 der 1890" 55.88 55.91

80 VEDDER

507 508 Nile Journey No. 15 March 4, 1890 Eclipse of the Sun by the Moon [study 8 x 127/s in. (20.3 x 32.6 cm) for proposed mural decoration in Arts Pastel on light-blue paper Building, Columbian Exposition, 1893; Recto, l.r.: "March 4th 1890 / E. never executed] 1892 Vedder" Lunette-shaped sheet: 127/ie x 1815/i6 55.41 in. (31.6 x 48.1 cm) Charcoal and white chalk on green pa• per Recto, l.r.: "Vedder" 55.42

509 510 Recto: "Astronomia" 1892 Verso 55.43 "Study for Astronomy" [two female Verso: Sketch of a Female Nude 1892 nudes] 1892

13 3 11% x 13 in. (28.9 x 33 cm) 10 /i6x 15 /s in. (27.5 x 39 cm) Charcoal and white chalk on olive paper Black and white chalk on gray-green Recto, l.r.: "Vedder ASTRONOMIA"; paper r.c: ("ASTRONOMY" [rubbed out]) Recto, I.e.: "Study for Astronomy / 55.43 E. Vedder" 55.44

81 VEDDER

512 513 Nude Girl Spearing Dolphin I early Nude Girl Spearing Dolphin II early Nude Girl Spearing Dolphin III early 1900s 1900s 1900s

3 3 15 16 /s x 12 /i6in. (41.6 x 30.8 cm) 17 /i6 x 12 in. (44 x 30.3 cm) 17% x 12 in. (44 x 30.5 cm) Charcoal and white chalk on grayish- Charcoal and white chalk on gray-green Charcoal and white chalk on green pa• beige paper paper per 55.52 55.53 55.54

515 Recto: Three Figures Verso 55.45 Standing Female Nude with Necklace Verso: Sketch of an Arm lVVie x 43/s in. (29.7 x 11.3 cm) 83/s x 5VA in. (21.3 x 13.4 cm) Pencil and white chalk on purple paper Charcoal and white chalk on gray-beige 55.50 paper 55.45

82 VEDDER

516 517 Attributed to James Carter Beard 518 1837-1926 Sketch of Drapery 1837-1913 "Cliffs of Ecclesbourne near Hastings" 139/i6 x 1413/i6 in. (34.5 x 37.6 cm) "Light and Shadow: The Shadows of July 13, 1862

5 Pencil and white chalk on purple paper Dissipation Falling upon the Poor" 8 /s x 10y2 in. (21.9 x 26.7 cm) Recto, l.r.: "Elihu Vedder" 123/i6 x 9VA in. (31 x 23.5 cm) Pencil and black and gray wash height• 55.51 Pencil, gray-black ink and wash on ened with Chinese white on gray-green creamy-white paper paper Recto, l.r.: "J. C. Beard / Light & Recto, l.r.: "TM"; I.e. to l.r.: "Cliffs of Shadow / The shadows of dissapation Ecclesbourne near Hastings July 13-62 / [sic] falling upon the / poor"; u.r.: "so• (July 13? [paper missing])" cial / evil / lecture / under the / gaslight Bequest of James Parmelee 49.43 / Dr. Judd / vs Judd . . . / K K K"; u.L: "CON / SAL / FRE / EAS" Museum Purchase, Membership Associ• ation Fund 51.40

519 520 "St. Paul's from under Waterloo Bridge, View of Venice 1888 Low Tide" July 27, 1862 11V4 x 163/s in. (28.7 x 41.8 cm) 3 Watercolor on white paper with a blue- SV4 x ll /8 in. (21 x 28.9 cm) Pencil on cream paper gray tint laid down Recto, u.r.: "st. Pauls from under Wa• Recto, l.r.: "MORAN 1888" !/Jt terloo Bridge / Low tide -62 / Bequest of James Parmelee 41.18 TM"; 1.1.: "Thomas Moran" Museum Purchase, Membership Associ• ation Fund 49.42

521 Attributed to Thomas Moran 522 Walter Shirlaw 1838-1909 523 Landscape with Buildings by Moonlight Male Nude, Arm Lifted, Foot on Stair Standing Male Nude with Staff 1872 5Vie x 67/s in. (12.9 x 17.4 cm) 1872 85/s x 5Vi in. (21.9 x 14.1 cm)

3 Black ink, drybrush, and watercolor on 23% x 12 /4 in. (59 x 32.4 cm) Pencil on gray paper cream paper Charcoal on cream paper Recto, 1.1.: WShirlaw Munich / 72" Gift of Milch Galleries 49.44 Recto, l.r.: "Walter P. Shirlaw / Gift of Mrs. Walter Shirlaw, wife of the Munchen 1872" artist 12.15 Gift of Mrs. Walter Shirlaw, wife of the artist 12.12

83 SHIRLAW

524 525 526 Four Sketches of Feet ca. 1872 Standing Female Nude with Tousled Seated Male Nude ca. 1870-1877 10 x 7n/i6 in. (25.4 x 19.5 cm) Hair ca. 1872 17% x HVie in. (44.2 x 28.7 cm) Pencil on pale tan paper 197/i6 x 1315/i6 in. (49.4 x 35.4 cm) Pencil on beige paper Recto, l.r.: " ^ " Charcoal and pencil with stump on Recto, 1.1.: "W. Shirlaw / Munich" Gift of Mrs. Walter Shirlaw, wife of the cream paper Gift of Mrs. Walter Shirlaw, wife of the artist 12.14 Recto, 1.1.: "W. Shirlaw / Munich" artist 12.11 Gift of Mrs. Walter Shirlaw, wife of the artist 12.13

527 528 529 "Dordrecht" ca. 1870-1877 "Memmingen" 1874 Man with Violin [study for Toning the

7 9 9 14 /8 x 10 /i6 in. (37.7 x 26.8 cm) 15 /i6 x lOVfe in. (39.6 x 25.8 cm) Bell, ca. 1874, ] Pencil on cream paper Pencil on cream paper ca. 1874 Recto, 1.1.: " ^ hirlaw / Dordrecht" Recto, l.r.: "Memmingen 1874 / W. 13Vi6 x IOVA in. (33.3 x 26.1 cm) X.153 Shirlaw" Brown ink (?) and wash over pencil on X.157 cream paper Recto, 1.1.: " S " Gift of Florence Heywood 68.28.17

530 531 Torso of Man with Pole and Hat Viewed Four Sketches of Sheep ca. 1876 from Back ca. 1876 8 x 915/i6 in. (20.4 x 25.2 cm) lOVa x 7% in. (25.7 x 19.7 cm) Pencil on pale-tan paper Pencil on cream paper Recto, 1.1.: "W. Shirlaw" Recto, 1.1.: " ^hirlaw" X.217 X.216

84 SHIRLAW

532 533 534 Sketches of Geese Assorted Sketches of Oxen Farm Building and Yard

3 15 ll /i6 x SViin. (30.4 x 21.6 cm) 13Vs x 2V/2 in. (33.5 x 54.6 cm) 10 /4 x 147s in. (27.4 x 37.8 cm) Pencil on beige paper Pencil on light-beige paper Pencil on gray-tan paper Recto, 1.1.: "^hirlaw" Recto, l.r.: "W Shirlaw" Recto, 1.1.: "f^hirlaw" X.150 X.219 X.155

535 536 Shoeing a Horse and Three Sketches of Girl Leaning on Fence Watching Pup• Puppies pies

9 7 12% x 9 /i6 in. (31.4 x 24.2 cm) ll /8 x 9 in. (30.1 x 22.7 cm) Pencil on cream paper Pencil on cream paper Recto, l.r.: "W. Shirlaw" Recto, 1.1.: "^hirlaw" X.215 X.152

537 538 Recto: "Polling" Verso X.142 Tree Trunk

7 3 Verso: Sketch of Seated Figure in 13 /i6 x 17 /8 in. (34.1 x 44.2 cm) Arched Interior Charcoal on beige paper 137/i6 x lOVie in. (34.2 x 25.6 cm) Recto, 1.1.: Pencil on tan paper X.154 Recto, l.r.: "^hirlaw / Polling" X.142

85 SHIRLAW

539 540 541 A Road in the Hills Clump of Trees in a Field Landscape, "Granada" ca. 1909 13% x 22V* in. (33.7 x 56.1 cm) 10 x 177/i6 in. (25.4 x 44.3 cm) 10V2 x 715/i6 in. (26.6 x 20 cm) Black ink, pen, and brush on beige pa• Soft pencil on tan paper Watercolor and pencil on tan paper per laid down Recto, l.r.: "^hirlaw" Verso, u.l.: "Granada" Recto, I.e.: "^hirlaw / Dor[?]" X.151 Gift of the National Academy of De• X.158 sign, Katherine S. Drew Collection 54.4

542 Francis Hopkinson Smith 1838-1915 543 Henry Bacon 1839-1912 544 Thomas Hovenden 1840-1895 Surennes on the ca. 1900 The Nile—Evening ca. 1900-1912 Standing Girl, Arms Outstretched

n 3 3 3 3 14 /i6 x 24 /8 in. (37.3 x 61.9 cm) 18 /4 x 36 /s in. (47.6 x 92.4 cm) Two sheets, outside dimensions: 15 /s x Watercolor and gouache over charcoal Watercolor over pencil on cream paper ll7/i6in. (39.1 x 29.1 cm) on blue-green paper laid down Recto, l.r.: "Henry Bacon"; verso, 1.1.: Pencil and incisions on tannish-white Recto, l.r.: "F. Hopkinson Smith" "No. 1" tissue-like paper Museum Purchase 05.3 Museum Purchase 13.5 Museum Purchase 62.13

Andrew Fisher Bunner 1841-1897 All 73 works by Bunner, entries 547- 619, were gifts of Kate Bunner, wife of the artist.

545 Benoni Irwin 1840-1896 546 Daniel Ridgeway Knight 1840-1924 Portrait of Edmund Clarence Messer Two Peasants, Man and Woman, Walking 1890 8 x IVi in. (20.3 x 19.1 cm)

11 7 29 /i6 x 24 /8 in. (75.4 x 63.2 cm) Pencil on creamy-pink flecked paper Pastel on primed linen laid down Recto, l.r.: "Knight" Recto, 1.1.: "Benoni Irwin / 90" Museum Purchase 64.7 Gift of Mrs. Edmund Clarence Messer 18.5

86 BUNNER

547 548 549 "Elms" June 8, 1866 Two Sketches: Trees and Old Two Sketches: A Tree and a Sapling 913/i6 x 13% in. (24.9 x 35.2 cm) Boards , 1866 June 12, 1866 Pencil on off-white paper 137/s x 913/i6 in. (35.4 x 24.9 cm) 1315/i6 x 913/i6 in. (35.4 x 24.9 cm) Recto, l.r.: "A.F.B. Elms June 8th/66" Pencil on creamy-white paper Pencil on off-white paper 02.9.49 Recto, 1.1.: "A.F.B. June 12/66" Recto, 1.1.: "A.F.B. June 12/66" 02.9.27 02.9.51

550 551 552 Wooded Hillside with Cows and Three Sketches of Undergrowth and Two Sketches: Trees and Tree Trunks Fence , 1866 Vines June 14, 1866 "Hudson" [New York] , 1866 913/i6 x 137/s in. (24.9 x 35.3 cm) 13% x 913/i6 in. (35.2 x 24.9 cm) 13% x 913/i6 in. (35.2 x 24.9 cm) Pencil on off-white paper Pencil on creamy-white paper Pencil on creamy-white paper Recto, 1.1.: "A.F.B. June 14th/66" Recto, c.r.: "A.F.B. June 14th/66"; Recto, l.r.: "A.F.B. June 15 /66 / Hud• 02.9.59 u.l.: "A.F.B. June 14th/66"; 1.1.: son"; c.r.: "A.F.B. June 15th /66" "A.F.B. June 14th/66" 02.9.22 02.9.18

553 554 Two Sketches: Clump of Trees and Two Sketches: "Dead Oak Stump, Hud• "Clay Bank, Young Oak, and White "Vine Foreground, Hudson" , son" and "Dead Trunks in Ravine, Birch, Hudson" , 1866 1866 Hudson" June 18, 1866 9%x 13% in. (25.1 x 35.3 cm)

13 13 13 13% x 9 /i6 in. (35.3 x 24.9 cm) 13 /i6 x 9 /i6in. (35.1 x 24.9 cm) Pencil on off-white paper Pencil on creamy-white paper Pencil on creamy-white paper Recto, l.r.: "Clay Bank Young Oak and Recto, c.r.: "A.F.B. June 16th/66"; l.r.: Recto, c.r.: "A.F.B. Dead Oak Stump / White Birch / A.F.B. Hudson June "A.F.B. Vine Foreground / Hudson Hudson June 18 66"; 1.1.: "A.F.B. / 18th/66" June 16th/66" 02.9.40 Dead trunks in Ravine / Hudson June 02.9.53 18 66" 02.9.20 87 BUNNER

556 557 558 Two Sketches: "Dock Leaves" and "Elms and Dead Oak, Hudson" June Two Sketches: "Brush" and "Brush "Elm, Hudson" June 18 and 19, 1866 19, 1866 Fence, Hudson" and 20, 1866 137/s x 913/i6 in. (35.2 x 25.9 cm) 97/s x 1313/i6 in. (25.1 x 35.1 cm) 9Vs x 97/s in. (23.2 x 25.1 cm) Pencil on creamy-white paper Pencil on off-white paper Pencil on creamy-white paper Recto, c.l.: "A.F.B. / Elm Hudson June Recto, 1.1.: "Elms & Dead Oak A.F.B. / Recto, c.r.: "Brush June 19th 66 / 19th/66"; 1.1.: "A.F.B. / Dock Leaves / Hudson June 19th/66" A.F.B."; l.r.: "Hudson / Brush fence June 18 /66" 02.9.41 02.9.61 June 20th" 02.9.16

559 560 561 "Elm Sprout" , 1866 Trees and Split-Rail Fence, "Hudson' "F. E. Best's House, Hudson" June 97/s x 43/4in. (25.1 x 12.1 cm) , 1866 23, 1866

13 13 7 15 Pencil on creamy-white paper 9 /i6 x 13 /i6in. (24.9 x 35.1 cm) 9 /s x 13 /i6in. (25.1 x 35.4 cm) Recto, 1.1.: "A.F.B. / June 20 /66 / Elm Pencil on off-white paper Pencil on beige paper Sprout" Recto, l.r.: "Hudson June 21st/66 Recto, l.r.: "A.F.B. / F.E. Best's 02.9.13 A.F.B." 02.9.56 House / Hudson / June 23rd/66" 02.9.3

562 563 564 Two Sketches: "Elms, Hudson" and Two Sketches: Riverside Landscape and "Young Elm, Hudson" June 27, 1866 Logs and Fallen Branches "Elms, Hudson" , 1866 87/s x S^Aein. (25.1 x 14.4 cm) and 25, 1866 137/s x 913/i6 in. (35.3 x 25.1 cm) Pencil on creamy-white paper 137/s x 913/i6 in. (35.3 x 25.1 cm) Pencil on off-white paper Recto, ctr.: "Young Elm / Hudson / Pencil on creamy-white paper Recto, u.r.: "A F B Hudson June 26th / June 27th 66 / A.F.B." Recto, c.l.: "A.F.B. / Elms Hudson 66"; 1.1.: "A.F.B. Hudson June 26th /66 02.9.12 June 23, 1866"; l.r.: "A.F.B. / Hudson / Elms" 02.9.66 June 25th/66" 02.9.34

88 BUNNER

565 566 567 Foliage of "Elms" , 1866 "Elms, Hudson" , 1866 Sketch of a Tree ca. 1866

3 13 7 15 15 8% x 9 /4 in. (21 x 24.7 cm) 9 /i6x 13 /8in. (24.9 x 35.2 cm) 9 /i6 x 13 /i6 in. (25.2 x 35.4 cm) Pencil on creamy-white paper Pencil on off-white paper Pencil on creamy-white paper Recto, l.r.: "A.F.B. / Elms June Recto, l.r.: "Elms Hudson June 30th / 02.9.42 28th/66" 66 A.F.B." 02.9.17 02.9.50

568 569 570 Tree a/td Sapling June 1866 Path over a Wooded Hill, "Hudson" Grove of Trees, "Hudson" I July 11, 137/s x 913/i6 in. (35.3 x 28.9 cm) July 9, 1866 1866

3 13 15 Pencil on off-white paper 9 /4 x 13% in. (24.8 x 35.2 cm) 9 /i6 x 13 /i6 in. (24.9 x 35.4 cm) Recto, l.r.: "A. F. B. June 1866" Pencil on off-white paper Pencil on off-white paper 02.9.60 Recto, l.r.: "Hudson July 9th /66 / Recto, 1.1.: "Hudson July 11th 66 / A. F. B." A. F. B." 02.9.47 02.9.58

571 572 573 Grove of Trees, "Hudson" II July 11, "Columbia County" [New York] July Meadow and Farm House ca. 1866

3 15 1866 13, 1866 9 /4 x 13 /i6 in. (24.8 x 35.4 cm)

13 13 13 13% x 9 /i6 in. (35.3 x 24.9 cm) 9 /i6x 13 /i6in. (24.9 x 35.1 cm) Pencil on creamy-white paper Pencil on creamy-white paper Pencil on off-white paper 02.9.11 Recto, 1.1.: "Hudson July llth/66 / Recto, l.r.: "Columbia Co A. F. B. / A. F. B." July 13th/66" 02.9.21 02.9.54

89 BUNNER

574 575 Two Sketches: Trees and Meadow, "Elm and Grape Vine, Hudson" July Two Sketches: "Below Fawn's Leap, "Hudson," and "Clavarack Creek" 20, 1866 Cats kill Mountains" [New York] and July 20, 1866 13% x 913/i6 in. (35.2 x 24.9 cm) "Above the Bridge" July 31, 1866

13 1313/i6 x 9% in. (35.3 x 25.1 cm) Pencil on creamy-white paper 13 /i6 x 9% in. (35.1 x 25.1 cm) Pencil on silvery-white paper Recto, l.r.: "Elm & Grape Vine / Hud• Pencil on silvery-white paper Recto, c.r.: "Hudson July 20th/66 / son July 20th/A. F. B." Recto, c.l.: "A. F. B. / Below Fawn's A. F. B."; 1.1.: "Clavarack Creek / July 02.9.33 Leap Catskill Mts July 31st/66"; l.r.: 20th 66 / A F B" "A. F. B. / Above the Bridge July 31st/ 02.9.10 66" 02.9.31

577 578 "Kaatskill Creek near the Falls" Three Sketches: "Lake in the Cats kills, Two Sketches: "Kaatskill Fall" and "In August 1, 1866 Fog Rising, Morning," "Lake in the the Kaatskill Clove" August 2, 1866 1313/i6 x 913/i6 in. (35.1 x 24.9 cm) Cats kills, Morning, High Peak," and 13% x 913/i6 in. (35.2 x 24.9 cm) Pencil on silvery-white paper "In the Kaatskill Clove" August 1 and Pencil on creamy-white paper Recto, 1.1.: "Kaatskill Creek near the 2, 1866 Recto, u.l.: "A. F. B. Kaatskill Fall";

13 13 Falls A. F. B. / Aug. 1st 1866" 13 /i6 x 9 /i6in. (35.1 x 24.9 cm) l.r.: "In the Kaatskill Clove A. F. B. / 02.9.39 Pencil on pale-blue paper Aug 2nd/66" Recto, u.l.: "Lake in the Catskills Aug. 02.9.43 1st 66 A. F. B. / Fog Rising, Morning"; ctr.: "Lake in the Catskills Morning / A. F. B. / High Peak Aug. 1st 66"; 1.1.: "In the Kaatskill Clove / A. F. B. / Aug. 2nd /66" 02.9.26

90 BUNNER

580 581 Recto: Three Sketches: "Clove Road, Verso 02.9.55 Two Sketches: "The Deserted Pigpen" Catskills," "Through the Clove—Cats- and "West Hurley" [New York] kills," and "On the Road to Brackens" August 8, 1886 August 3, 1866 137/s x 913/i6 in. (35.2 x 24.9 cm) Verso: Three Sketches: "Catskill Moun• Pencil on creamy-white paper tains, Round-Top in the Distance," Recto, r.c: "The Deserted Pig-pen "Catskills Looking North from Palen- A.F.B. / Aug 8th/66"; l.r.: "West Hur• ville," and ", Catskills, from ley Aug 8th/66 / A. F. B." the Road to Brackens" August 4, 1866 02.9.25

13 7 13 /i6 x 9 /8in. (35.1 x 25.1 cm) Pencil on off-white paper Recto, u.l.: "A. F. B. Clove road Cats- kills"; c.r.: "A. F. B. / Through the Clove—Catskills / Aug 3rd/66"; l.r.: "Aug 3rd/66 / On the Road to Bracketts A. F. B."; verso, u.l.: "A. F. B. / Cats- kill Mts Round Top in the distance"; c.l.: "A. F. B. / Catskills looking north from Palenville"; 1.1.: "A. F. B. / Round Top Catskills from the road to Bracketts / Aug. 4th/66" 02.9.55

582 583 "Old Pine, Shendukin" August 9, 1866 "End of a Woods, West Hurley, Ulster 14 x 915/i6 in. (36.5 x 25.2 cm) County" [New York] August 12, 1866 Pencil on beige paper 913/i6 x 13% in. (24.9 x 35.2 cm) Recto, 1.1.: "Old Pine / Shendukin Aug Pencil on creamy-white paper 9th/66 A.F.B." Recto, l.r.: "A.F.B. / End of a Woods, 02.9.4 West Hurley, Ulster Co. Aug 12th/66" 02.9.19

91 BUNNER

584 585 586 "Oaks, Wolf Hill, Ulster County" "Wild Hollyhock" September 1866 Branches with Vines ca. 1866 August 25, 1866 65/s x 97/s in. (16.8 x 25 cm) 1315/i6 x 97/s in. (35.4 x 25.1 cm) 1315/i6 x 915/i6 in. (35.4 x 25.3 cm) Pencil on off-white paper Pencil on creamy-white paper Pencil on beige paper Recto, l.r.: "Wild Hollyhock Sept 66 / 02.9.28 Recto, l.r.: "A.F.B. / Oaks Wolf Hill A.F.B." Ulster Co. / Aug 25th/66" 02.9.5 02.9.63

587 588 589 "White Birch, Marbletown" September "Old Mill, West Hurley" [New York] "Blackberry" October 1866 1866 September 6, 1866 97/s x 1315/i6 in. (25.1 x 35.4 cm) 1315/i6 x 97/s in. (35.4 x 25.1 cm) 715/i6 x 97/s in. (18.6 x 25.1 cm) Pencil on creamy-white paper Pencil on creamy-white paper Pencil on off-white paper Recto, c.l.: "Blackberry Oct—66 / Recto, u.r.: "A.F.B. / White Birch, Recto, l.r.: "A.F.B. / Old Mill West A.F.B." Marbletown Sept/66" 02.9.46 Hurly [sic] Sept. 6th/66" 02.9.24 02.9.64

590 591 592 "Mullins" October 1866 "Corn and Pumpkin Vine" October Trees and Stone Wall July 1867 1915/i6 x 97/s in. (35.4 x 25.1 cm) 1866 1315/i6 x 915/i6 in. (35.4 x 25.3 cm) Pencil on beige paper 915/i6 x 1315/i6 in. (25.3 x 35.4 cm) Pencil on creamy-white paper Recto, l.r.: "Mullins Oct 66 A.F.B. Pencil on beige paper Recto, 1.1.: "A.F.B. / July/67" 02.9.6 Recto, 1.1.: "Corn & Pumpkin Vine / 02.9.67 Oct—66 A.F.B." 02.9.1

92 BUNNER

593 594 595 Grove of Trees July 1867 Two Sketches: A Wooden House with "Cheat River" I [West Virginia]

15 97s x 13 /i6in. (25.1 x 35.4 cm) Two Chimneys and "Old Virginny" August 1867 Pencil on creamy-white paper August 1867 97s x 1315/i6in. (25.1 x 35.4 cm) Recto, l.r.: "A.F.B. July 1867" 1315/i6 x 915/i6 in. (35.4 x 25.3 cm) Pencil on silvery-white paper 02.9.52 Pencil on creamy-white paper Recto, c.l.: "Cheat R. Aug 67 Recto, l.r.: " 'Old Virginny' / Aug 67 / A.F.B." A.F.B." 02.9.62 02.9.65

596 597 "Cheat River" II August 1867 "Cheat River, West Virginia, from Row- "Potomac River near Weaverton" 915/i6 x 1315/i6 in. (25.3 x 35.4 cm) elsburg Bridge" August 1867 [] September 1867

15 Pencil on silvery-white paper 915/i6 x UVie'm. (25.1 x 35.7 cm) 97s x 13 /i6in. (25.1 x 35.4 cm) Recto, 1.1.: "Cheat River Aug 67 / Pencil on beige paper Pencil on creamy-white paper A.F.B." Recto, l.r.: "Cheat R. West Va. from Recto, 1.1.: "Potomac R. near Weaver- 02.9.30 Rowelsburg Bridge / Aug 67 A.F.B." ton / Sept 67 A.F.B." 02.9.2 02.9.36

599 600 601 "Old Bridge at Weaverton" September "Potomac River near " [Mary• "North Branch, Potomac River" 1867 land] September 1867 September 1867 1915/i6 x 14 (25.2 x 35.5 cm) 97s x 1315/i6in. (25.1 x 35.4 cm) 915/i6 x 14 in. (25.2 x 35.5 cm) Pencil on pale-blue paper Pencil on silvery-white paper Pencil on beige paper Recto, 1.1.: "Old Bridge at Weaverton / Recto, 1.1.: "Potomac River near Recto, 1.1.: "North Branch Potomac R / Sept—67 A.F.B." Berlin / Sept 67 A.F.B." Sept 67 A.F.B." 02.9.44 02.9.45 02.9.8

93 BUNNER

602 603 "Potomac River above Harper's Ferry" I "Potomac River above Harper's Ferry" "Harper's Ferry, Maryland, and Bolivar September 1867 II September 1867 Heights" September 1867

15 15 15 15 9 /i6 x 13 /i6 in. (25.2 x 35.4 cm) 97s x 13 /i6in. (25.1 x 35.4 cm) 97s x 13 /i6in. (25.1 x 35.2 cm) Pencil on creamy-white paper Pencil on creamy-white paper Pencil on silvery-white paper Recto, 1.1.: "Potomac R above Harper's Recto, 1.1.: "Potomac R. above Har• Recto, 1.1.: "Harper's Ferry / Maryland Ferry / Sept—67 A.F.B." per's Ferry / Sept. 67 A.F.B." & Bolivar Heights / Sept. 67—A.F.B." 02.9.38 02.9.29 02.9.37

605 606 607 "Potomac River below Harper's Ferry" "Shenandoah River" I September 1867 "Shenandoah River" II September September 1867 915/i6 x 137s in. (25.3 x 35.2 cm) 1867

15 13 915/i6 x 14 in. (25.2 x 35.5 cm) Pencil on silvery-white paper 9 /i6 x 13 /i6 in. (24.9 x 35.1 cm) Pencil on beige paper Recto, 1.1.: "Shenandoah River / Sept Pencil on creamy-white paper Recto, 1.1.: "Potomac River below Har• 67 A.F.B." Recto, 1.1.: "Shenandoah River / (Sept. per's Ferry / Sept 67 A.F.B." 02.9.35 67 [crossed out]) 1867 / A.F.B." 02.9.9 02.9.32

r

608 609 610 "Lizzie Roderick, West Virginia" "Oak, West Virginia" September 1867 Pine Tree and Dead Tree Trunks, "West September 1867 125/s x 913/i6 in. (32 x 24.9 cm) Virginia" September 1867

13 913/i6 x 13 in. (24.9 x 33 cm) Pencil on creamy-white paper 13Vie x 9 /i6 in. (33.2 x 24.9 cm) Pencil on off-white paper Recto, 1.1.: "Oak, West Va. / Sept. 67 Pencil on beige paper Recto, 1.1.: "Lizzie Roderick / Sept 67 / A.F.B." Recto, 1.1.: "West Virginia / Sept 67 / West Va. / A.F.B." 02.9.48 A.F.B." 02.9.57 02.9.7

94 BUNNER

611 612 613 "Baldhead Cliff, Wells, " 1869 House by the Road Sketch of a Road and Fence

13 5 9 15 9 97s x 13 /i6in. (25.1 x 35.1 cm) 5 /i6 x 7 /i6 in. (13.5 x 19.2 cm) 4 /i6 x 8 /i6in. (12.6 x 21.7 cm) Pencil on creamy-white paper Pencil on creamy-white paper Pencil on creamy-white paper Recto, 1.1.: "Baldhead Cliff, / Wells 02.9.14 02.9.15 Me.—1869 / A.F.B." 02.9.23

614 615 616 Assorted Sketches of Geese and Ducks Assorted Sketches of Goats Assorted Sketches of Geese and Chil• 815/i6 x 7% in. (22.7 x 18.1 cm) 6Vs x 915/i6 in. (15.6 x 25.3 cm) dren's Arms and Legs Pencil on creamy-white paper Pencil on creamy-white paper 574 x 915/i6 in. (14.6 x 25.3 cm) 02.9.68 02.9.69 Pencil on creamy-white paper 02.9.70

617 618 619 Assorted Sketches of Sheep Assorted Sketches of Geese Assorted Sketches of Kittens

n T/s x 915/i6 in. (20 x 25.3 cm) SVA x 915/i6 in. (21 x 25.3 cm) lVA x 8 /i6in. (28.6 x 22.1 cm) Pencil on creamy-white paper Pencil on creamy-white paper Pencil on creamy-white paper 02.9.71 02.9.72 02.9.73 MORAN

620 Peter Moran 1841-1914 621 622 "York River" [Connecticut] August 5, "Newburyport" [Massachusetts] "Norwich, Connecticut" August 18, 1882 August 7, 1882 1882

7 n 7 n 7 n 6 /s x 10 /i6 in. (17.5 x 27.2 cm) 6 /s x 10 /i6 in. (17.5 x 27.2 cm) 6 /8 x 10 /i6 in. (17.5 x 27.2 cm) Pencil on cream paper Pencil on cream paper Pencil on cream paper Recto, u.r.: "York River Aug 5th/82" Recto, u.r.: "Newburyport Aug 7th/ Recto, u.r.: "Norwich Con.—Aug 18th/ Museum Purchase, Membership Associ• 82—" 82" ation Fund 53.7 Museum Purchase, Membership Associ• Museum Purchase, Membership Associ• ation Fund 53.8 ation Fund 53.6

623 Walter Paris 1842-1906 624 625 James Wells Champney 1843-1903 David Burns' Cottage and the Washing• The Great of 1899 1899 "Camp" July 26, 1862 ton Monument, Washington, D.C. 1892 177/s x 29V4 in. (45.4 x 74.3 cm) 7 x 93/i6 in. (17.8 x 23.3 cm)

3 n 5 /4 x 7 /i6 in. (14 x 19 cm) Watercolor, gouache, and charcoal on Pencil on off-white paper Watercolor over pencil on cream paper pale-gray paper laid down Recto, l.r.: "J.W.C. / July 26, 1862" Recto, 1.1.: "W. Paris / 1892" Recto, 1.1.: "W. Paris 1899" 1.1.: "Camp —" X.167 Bequest of the artist 09.13 Museum Purchase 59.4

626 627 628 Attributed to James Wells Champney "Mr. Way and Mr. Booth" July 1862 Customs Shed [illustration for "Notes Landscape with Three Trees August 107/i6 x 69/i6 in. (26.5 x 16.6 cm) sur les Etats Unis," VIllustration, Vol. 21, 1863 Brown ink and pen over pencil on off- 67, April 22, 1876] 1875-1876 67/s x 915/i6 in. (17.5 x 25.2 cm) white poster board Ws x 127/sin. (23.1 x 32.7 cm) Pencil on off-white paper Recto, l.r.: "July 1862"; c.l.: "Mr. Way Black ink, pen, and wash on white pa• Recto, l.r.: "Aug 21, 63" & Mr. Booth"; 1.1.: "Lempster N. H." per Museum Purchase 59.3 Museum Purchase 59.5 Recto, 1.1.: " 'Champ' " Museum Purchase 63.3

96 BAKER

Joseph E. Baker 19th century 630 William Henry Holmes 1846-1933 631 "Family Pledge: Believing that the use of Midsummer 1907 The Sea Intoxicating Liquors as a beverage de• 18% x 253/s in. (46.4 x 64.5 cm) 15 x 20Vs in. (38.1 x 51.1 cm) stroys health . . . Watercolor on off-white paper laid Watercolor and gouache on board IIV2 x 173/i6 in. (29.2 x 43.6 cm) down Recto, l.r.: "W.H. HOLMES" Pencil and gray-black wash on grayish- Recto, l.r.: "W. H. HOLMES"; 1.1. Bequest of James Parmelee 41.14 white paper "1907" Recto, l.r.: "J. E. Baker del"; u.c: Museum Purchase 10.03 "FROM THIS FOUNTAIN OF TEM• PERANCE FLOW MANY BLES• SINGS HOLY STUDY GODS WORD FOR SALVATI[ON]"; ctr.: "FAMILY PLEDGE / Believing that the use of Intoxicating Liquors as a / beverage, destroys health, promotes vice & is Contrary to the Word of God we hereby agree / that by God's assist• ance we will abstain from the use of all INTOXICATING LIQUORS as a / beverage & from the use of TOBACCO & PROFANE LANGUAGE & will not manufacture or traffic in LIQUORS / or TOBACCO; & that we will discounte• 632 nance such manufacture, traffic & use Recto: The Pool Verso 49.50 by others. / PARENTS / CHILDREN / Verso: Sketch of Landscape with Build• CHILDREN"; u.l.: "INDUSTRY & ing and Trees CONTENTMENT"; c.l.: "HEALTH 15Vs x 20V8 in. (38.4 x 51.1 cm) HAPPINESS / By Family Union bless• Recto: watercolor on off-white-surfaced ings come / fill the goblet to the brim / artist's board; verso: pencil on tan-sur• with water pure and bright / with water faced artist's board free and sparkling clear / it gives a bet• Recto, 1.1.: "W. H. HOLMES" ter light"; l.r.: "Then ruby wine or rich Gift of Ernest F. Mechlin 49.50 champagne / And comes from Heaven above / It is the beverage made by Him / Who rules by deeds of love."; u.r.: "HONESTY, FRUGALITY"; l.r.: "FILIAL PIETY RELIGION" Bequest of Bessie Potter Vonnoh Keyes 55.61

633 634 Lucian Powell 1846-1930 Summer Landscape "The Afterglow, Grand Canyon, WA x 15V4 in. (26.1 x 38.7 cm) Arizona" 1904? Watercolor on off-white paper laid 1915/i6 x 2915/i6 in. (50.6 x 76.1 cm) down Watercolor and gouache on light-toned- Gift of Charles C. Glover, Jr. surfaced board 62.12 Recto, l.r.: "Lucian Powell / [04?]"; verso, u.c: "The Afterglow / Grand Canyon / Ariz." Museum Purchase 05.6 97 BLAKELOCK

635 Ralph Albert Blakelock 1847-1919 636 Henry F. Farny 1847-1916 637 1849-1916 "Clear Creek Canyon, Rocky Moun• The Indian Bear Hunter 1911 The Model ca. 1880s tains, " ca. 1869 103/i6 x 513/i6 in. (25.9 x 14.8 cm) 19% x 153/4 in. (50.5 x 40 cm) 83/4 x 11 in. (22.2 x 28 cm) Gouache and watercolor on board sur• Pastel on off-white paper laid down Brown ink and pen on off-white paper faced with off-white paper Recto, 1.1.: "W M CHASE" laid down Recto, l.r.: "Farny / 1911" Gift of Ralph Cross Johnson 01.9 Recto, l.r.: "Clear Creek Canyon / Gift of Mr. and Mrs. Hamilton / Colorado / Blake• Robinson 1978.22 lock" Museum Purchase, Membership Associ• ation Fund 48.54

638 Dwight W. Tryon 1849-1925 639 Thomas Wilmer Dewing 1851-1938 640 Moonlit Waves 1910 Head of a Girl [Woman in a] Green Dress

15 n 9 8Vi6 x ll /i6 in. (20.5 x 30.3 cm) 13 /i6 x IP/4 in. (34.8 x 29.9 cm) 10 /i6 x 7 in. (26.8 x 17.7 cm) Pastel on cream board Silverpoint on white prepared mat Pastel on brown paper Recto, 1.1.: "D. W. T [over signature in board Recto, l.r.: "T W Dewing" pencil] D. W. Tryon 1910" Recto, l.r.: "TW Dewing" Bequest of James Parmelee 41.5 Bequest of James Parmelee 41.24 Bequest of James Parmelee 41.4

641 Arthur Burdett Frost 1851-1928 642 643 1852-1911 Ai telled him to stan off [illustration for A Conjugal Difference [perhaps an illus• "A Happy New Year . . ." ca. 1900- "Legend of Polecat Hollow" by Charles tration for a literary text] 1910 Mcllvaine in The Continent, Vol. V, 217/s x 149/i6 in. (55.6 x 37 cm) 69/i6 x AVA in. (16.6 x 10.7 cm) 1884] 1884 Monochrome watercolor and gouache Pencil, black ink, and pen on cream 105/s x 125/i6 in. (27 x 31.3 cm) heightened with Chinese white on off- gold-edged composition board Black ink and pen on cream paper white paper laid down Recto, u.l.: "A HAPPY / NEW YEAR / Recto, l.r.: "A. B. Frost" Recto, 1.1.: "A. B. FROST" From M. G. & E A Abbey" Museum Exchange 60.50.3 Gift of Mr. and Mrs. Ralph E. Becker X.160 61.4 98 WEIR

644 Julian Alden Weir 1852-1919 645 F. W. Simmons Watching the Bees 1896 Head of a Girl

13 15 9 9 15 /i6 x 10 /i6 in. (40.2 x 27.8 cm) 10 /i6 x 8 /i6in. (26.8 x 21.7 cm) Pastel and charcoal on cream paper Watercolor over pencil on cream paper with tan-coated (painted?) borders on Recto, l.r.: "f.w. Simmons" composition board Bequest of James Parmelee 41.58 Recto, l.r.: "J. Alden Weir—'96" Bequest of James Parmelee 41.29

646 John McLure Hamilton 1853-1936 647 Recto (a): Head of Bismarck and Verso 64.42.5b Woman in Brown 1909

7 3 Gentleman Reading [study of Gladstone] 19 /s x 14 /4 in. (50.5 x 37.5 cm) ca. 1892 Pastel on tan paper Verso (b): Two Sketches Overlapping: Recto, 1.1.: "JMLH / 1909" A Man's Shoe and Nude Child ca. 1892 Gift of Mrs. E. H. Harriman 21.40

3 24 /4 x 19 in. (62.9 x 48.2 cm) Recto (a): Charcoal and pastel with stump on gray paper; verso (b): char• coal heightened with white chalk on gray paper Recto (a), u.L: "Bismarck / J.M.L.H." Gift of Mrs. Armistead Peter III 64.42.5a,b

648 649 After the Ball 1911 "The Empty Bed" 1913 225/s x llVi in. (57.5 x 44.5 cm) 2115/i6 x 285/i6in. (55.7 x 71.9 cm) Pastel and charcoal on tan paper laid Pastel, charcoal, and stump on cream down paper laid down Recto, l.r.: "J M L Hamilton / 1911" Recto, 1.1.: "The Empty Bed / JMLH Gift of Mrs. E. H. Harriman 21.11 1913" Gift of Mrs. E. H. Harriman 21.16

99 HAMILTON

651 652 "Girl Yawning" 1914 Back of a Girl ca. 1914 The Coquette 1914 7 3 3 5 22 x 17 /s in. (55.8 x 44.2 cm) 22 /s x 17V2 in. (57.5 x 44.5 cm) 28 /s x 21 /4 in. (73.3 x 55.8 cm) Pastel on tan paper laid down Pastel and charcoal on tan paper laid Pastel, charcoal, and stump on tan pa• Recto, 1.1.: "J McLure Hamilton / down per laid down 1914— / Girl Yawning" Gift of Mrs. E. H. Harriman 21.12 Recto, l.r.: "Hamilton / 1914—" Gift of Mrs. E. H. Harriman 21.10 Gift of Mrs. E. H. Harriman 21.13

654 655 Qui Vive ca. 1914 Taffeta Changeant ca. 1914 Portrait of Mrs. Paul Wayland Bartlett 7 15 22 x 297/s in. (55.9 x 75.9 cm) 28 /s x 21 /i6 in. (73.3 x 55.7 cm) ca. 1920 Pastel and stump on gray paper laid Pastel and charcoal on tan paper laid 21Vfex 153/sin. (54.6 x 38.7 cm) down down Pastel and charcoal on gray paper Gift of Mrs. E. H. Harriman 21.14 Gift of Mrs. E. H. Harriman 21.15 Gift of Mrs. Armistead Peter III 64.42.1

657 658 Portrait of Thomas Carlyle I 1924 Portrait of Thomas Carlyle II 1924 McLure's Dog Bella 15 3 3 UVi x 22 /8 in. (44.5 x 56.8 cm) 22V8 x 19 in. (56.2 x 48.3 cm) 18 /i6 x 24 /4 in. (48.1 x 62.9 cm) Pastel on gray paper Pastel on gray paper Pastel and charcoal on tan paper Recto, l.r.: "Hamilton / 1924" Recto, l.r.: "Hamilton 1924 / January" Gift of Mrs. Armistead Peter III Gift of Mrs. Armistead Peter III Gift of Mrs. Armistead Peter III 64.42.4 64.42.2 64.42.3

100 MOSER

659 James Henry Moser 1854-1913 660 661 CSA faculty 1899-1913 View of the Washington Monument 1898 The Mountain Road 1904 Winter Sunshine 1895 105/s x 205/s in. (27 x 52.4 cm) 15V6 x 219/i6 in. (38.4 x 54.7 cm) 12 x 1915/i6 in. (30.5 x 50.7 cm) Watercolor over pencil on cream paper Watercolor on cream paper laid down Watercolor over pencil on cream paper laid down Recto, 1.1.: "H J MOSER" Recto, 1.1.: "H J MOSER—1895—" Recto, 1.1.: "H J MOSER—1898—" Gift of Arthur Jeffrey Parsons 04.5 Museum Purchase 11.15 Museum Purchase through a gift of Mrs. J. L. M. Curry 1978.117

John Singer Sargent 1856-1925 With the exception of entries 685, 687, and 688, the 105 works by Sargent, en• tries 663-767, were gifts of Emily Sar• gent and Violet Ormond, sisters of the artist

662 "The Deacons Bridge"

7 8 /s x 7Vi6 in. (22.5 x 18 cm) Watercolor on off-white paper Recto, l.r.: "H J MOSER"; verso, l.r.: "The Deacons Brid[ge]" [paper loss] Gift of Mrs. B. Gersdorff Carmack 65.24

663 664 Recto: An Alpine Scene 1868-1869 Verso 49.141 Lake Shore: Rocks and Trees by the Verso: Two Tree Trunks 1868-1869 Water 1868-1869 75/i6 x 10V2 in. (18.6 x 26.7 cm) 75/i6 x 10V2 in. (18.6 x 26.7 cm) Pencil on cream paper Pencil on cream paper 49.141 49.111

101 SARGENT

665 666 Recto: Lake Shore, Menaggio [] Verso 49.257 Swiss Chalet in the Mountains 1869 1869 IVA x 93/4 in. (18.4 x 24.8 cm) Verso: Outline Sketch of Mountain Pencil on cream paper Range 1869 49.110 79/i6 x 1013/i6 in. (19.2 x 27.5 cm) Pencil on cream paper Recto, 1.1.: "Menagio" [sic] 49.257

667 668 669 Portrait of a Small Boy and Entrance to Rocks and Brush, Hintersee [] Forest Scene, Ramsau [Germany] a Mountain Shack 1871 August 1871 September 4, 1871 11% x 159/i6 in. (28.9 x 39.5 cm) ll5/i6 x 157/i6 in. (28.7 x 39.2 cm) 11% x 15% in. (28.9 x 39 cm) Pencil with fixative(?) on buff paper Pencil with fixative(?) on cream paper Pencil with gray wash on yellow-buff 49.113 Recto, c.l.: "Hintersee / Aug. 1871" paper 49.102 Recto, l.r.: "Ramsau Sept. 4 / 1871" 49.101

670 671 View of Bellosguardo, Florence 1870- Recto: View of the Ponte Vecchio, Verso 49.138d 1872 Florence 1870-1872 315/i6 x 5% in. (10 x 14.6 cm) Verso: Two Peasants Carrying a Basket, Pencil on beige paper and Two Heads 1870-1872

u 3 Recto, l.r.: "Bellosguardo" 3 /i6 x 5 /4 in. (9.4 x 14.6 cm) 49.138c Pencil on cream paper 49.138d

102 SARGENT

672 Recto: Landscape with Villa 1870-1872 Verso 49.138b Verso: Peasants with Wheelbarrow and Other Sketches 1870-1872

3 3 /4 x AVi in. (9.5 x 11.4 cm) Pencil on cream paper 49.138b

Recto: Landscape with Monastery Verso 49.138a 1870-1872 Verso: Sketches of Clouds 1870-1872

3 n 3 /4 x 5 /i6 in. (9.5 x 14.4 cm) Pencil on cream paper 49.138a

674 Recto: Mother and Child ca. 1871— Verso 49.148b 1872 Verso: Napoleonic Head and Judgment of Paris [?] ca. 1871-1872 313/i6 x 59/i6 in. (9.6 x 14.2 cm) night— / 1 under[?]— / 3 pants[?]— Pencil on cream paper / 1 collar" Verso: "1 white shirt / 1 cotton s— / 1 49.148b

103 SARGENT

675 676 677 Hefld of a Man with Curly Hair 1872 Sketches of Cattle ca. 1872 Woman and Man on Cot ca. 1874-1877 5 3 315/i6 x in. (10 x 16.6 cm) 12 x IOV2 in. (30.5 x 26.7 cm) 10 /8 x 14 /s in. (27 x 36.5 cm) 6V2 Pencil on gray-green paper Pencil with fixative(?) on cream paper Pencil on beige paper Recto, l.r.: "1872"; u.l.: "1872" 49.144 49.148a 49.115

680 Two Men, Smoking and Writing [?] "Ramparts at St. Malo—Yacht Race" Men on a Spar ca. 1876[?] ca.1874-1877 1875 63/s x IW2 in. (16.2 x 29.2 cm) 5 15 Pencil on beige paper 4 x 6 /8in. (10.1 x 16.8 cm) 3 /i6 x 6V2 in. (10 x 16.5 cm) Pencil on beige paper Pencil on cream paper 49.146 49.148d Recto, 1.1.: "Ramparts at S. Malo • yacht race" 48.148c

682 683 Value Drawing of Man's Head 1875- Two Value Drawings of Man's [?] Two Heads ca. 1875 [?] 1880 Head 1875-1880 10 x 145/i6 in. (25.4 x 36.3 cm) 4 x 3V2 in. (10.1 x 8.9 cm) 315/i6 x 65/i6 in. (10 x 16 cm) Pencil on cream paper Gray wash with charcoal on cream pa• Pencil on cream paper 49.254 per 49.147b,c 49.147a

104 SARGENT

684 685 686 Bacchus 1875-1880[?] Oyster Gatherers of Cancale [after Hand Studies for "Fumee d'Ambre Gris" Two sheets, overall dimensions: 25Vie painting by the artist, 1878, oil on can• [1880, oil on canvas, Sterling and Fran- x 16^16 in. (63.7 x 42.4 cm) vas, Corcoran Gallery of Art] cine Clark Institute, Williamstown] Pastel and gilt paint over pencil(?) on Wi x 7 in. (11.4 x 17.8 cm) 1880 paper laid down Brown ink and pen over pencil on beige 913/i6 x 133/s in. (24.9 x 34 cm) 49.255 paper Pencil on cream paper Recto, l.r.: "J.S. Sargent" 49.130 Gift of Irving Moskovitz 1976.57

687 688 689 Canal Scene (Ponte Panada Fondamenta Campo dei Frari, Venice 1880[?] Gondolier, Venice 1880-1900

7 13 Nuove), Venice 1880[?] 9 /s x 14 in. (25.1 x 35.6 cm) llVw x 7 /i6in. (28.1 x 19.8 cm) 9% x 14 in. (25.1 x 35.6 cm) Watercolor over pencil with gouache on Pencil on beige paper Watercolor over pencil on cream paper cream paper 49.137 Recto, 1.1.: "John S. Sargent" Recto, l.r.: "John S. Sargent" Bequest of Mabel Stevens Smithers Bequest of Mabel Stevens Smithers 52.11 52.10

690 691 692 Two Sketches of a Swan 1880-1900 Two Swans in the Water 1880-1900 Portrait Sketch of a Seated Woman 6Vi6 x 93/s in. (15.4 x 23.8 cm) 6Vs x 97/i6 in. (15.5 x 24 cm) ca. 1890-1900 Pencil on cream paper Pencil on cream paper 14 x 10 in. (35.5 x 25.4 cm) 49.253a 49.253b Pencil on cream paper 49.145

105 SARGENT

693 694 695 Head of a Man 1888-1905 By the Fountain, Villa Torlonia, Frascati Olimpio Fusco ca. 1900-1910 93/i6 x 613/i6 in. (23.3 x 17.3 cm) [?] 1907[?] 24Vi x 185/s in. (62.2 x 47.3 cm)

3 3 Pencil on beige paper 13 /s x 9 /4 in. (33.4 x 24.8 cm) Charcoal and stump on beige paper 49.140 Charcoal and stump on beige paper Recto, I.e.: "Olimpio Fusco / 63A As- 49.250 penlea Rd / Hammersmith" 49.104

Entries 697-716: studies for mural paint• ings installed in three phases (1895, 1903, 1916) at the Boston Public Library, and related drawings

696 697 Bedouin Women 1890-1891 Study of Ezekiel for "Frieze of 10 x 1313/i6 in. (25.4 x 35.1 cm) Prophets" 1890-1895 Charcoal and stump on cream paper 24 x 187/s in. (61 x 48 cm) 49.252 Charcoal and stump heightened with white chalk on gray paper 49.88

698 699 Preliminary Drapery Study for "Frieze Recto: Draped Male Figure with Ham• Verso 49.196 of Prophets" 1890-1895 mer and Pincers [preliminary study for The 243/s x 18n/i6 in. (61.9 x 47.5 cm) Redemption] 1890-1903 Charcoal and stump heightened with Verso: Draped Male Figure with Ladder white chalk on gray paper [study for The Redemption] 1890-1903 49.80 24Vi x 1813/i6 in. (62.2 x 47.8 cm) Charcoal and stump on beige paper 49.196

106 SARGENT

700 701 702 Study for Mary in "The Sorrowful Study for Adam in "The Sorrowful Study for an Angel in "The Sorrowful Mysteries" 1890-1916 Mysteries" 1890-1916 Mysteries" 1890-1916

3 5 7 18% x 24% in. (47 x 61.6 cm) 18 /4 x 24% in. (47.6 x 61.6 cm) 24 /8x 18 /8 in. (62.6 x 47.9 cm) Charcoal and stump on beige paper Charcoal and stump with erasures on Charcoal and stump on beige paper 49.119 blue-gray paper 49.129 49.124

703 704 705 Study for the Risen Christ in "The Glo• Four Male Nudes, Possibly Studies for Man Screaming, Study for "Hell" rious Mysteries" 1890-1916 "Heaven" and "Hell" 1890-1916 1890-1916

3 5 n 3 3 24 /8 x 18 /8 in. (61.9 x 47.3 cm) 18 /i6 x 24% in. (47.5 x 62.2 cm) 24 /8 x 18 /4 in. (61.9 x 47.8 cm) Charcoal and stump on brown [dis• Charcoal and stump on beige paper Charcoal and stump with pencil on colored] paper 49.74 beige paper Recto, l.r.: "Monday / Saturday / 49.99 Morning"; 1.1.: "Carmine Tedeschi / 73 Chelmsford Street / Hammersmith" 49.96

706 707 708 Study of a Figure for "Hell" 1890-1916 Crouching Figure, Study for "Hell" Study for a Devil and Victim in 18% x 24% in. (48 x 61.6 cm) 1890-1916 "Judgment" 1890-1916 Charcoal and stump on beige paper 19 x 24% in. (48.3 x 61.6 cm) 24% x 19 in. (62.2 x 48.2 cm) 49.95 Charcoal and stump on beige paper Charcoal and stump on beige paper Recto, u.l.: "Giuseppe Mancini" 49.93 49.247

107 SARGENT

709 710 711 Study for a Devil in "Judgment" Two Sketches of Horse's Head for "The Falling Horses, Study for "The Fall of 1890-1916 Fall of Gog and Magog" 1890-1916 Gog and Magog" 1890-1916

3 3 15 24% x 18 /4in. (61.9 x 47.6 cm) 24 /8 x 18% in. (61.9 x 47.9 cm) 24% x 18 /i6in. (62.9 x 48.1 cm) Charcoal and stump with erasures on Charcoal and stump with erasures on Charcoal and stump on beige paper beige paper blue-gray paper 49.149 49.76 49.92

712 713 714 Ionic Capital, Study for "The Fall of Sketches of Arms and Knee [perhaps Religious Subject [perhaps early study Gog and Magog" 1890-1916 early study for The Fall of Gog and for The Glorious Mysteries] ca. 24% x 1815/i6 in. (63.2 x 48.1 cm) Magog] ca. 1891-1895[?] 1895-1910 Charcoal and stump on beige paper 2313/i6 x 18% in. (60.5 x 47.3 cm) 24% x 13% in. (61.9 x 34.6 cm) 49.107 Charcoal and stump with erasures on Charcoal and stump with erasures on pale-green paper beige paper Recto, l.r.: "A. Colarossi / 93 Percy Rd 49.120 / Uxbridge Rd" 49.98

715 716 Sketch of a Draped Male Torso [perhaps Male Torso with Pole 1890-1910 study for Angel in The Handmaid of the 24V4 x 18% in. (61.6 x 47.7 cm) Lord] Charcoal and stump heightened with 19 x 24Vi in. (48.3 x 62.2 cm) white chalk on gray-green paper Charcoal and stump with erasures on 49.100 gray-green paper 49.131

108 SARGENT

Entries 717-732: studies for relief sculp• ture and mural paintings for the first phase (, 1916-1921) of the Bos• ton Museum of Fine Arts, and related drawings

717 718 Compositional Study for "Apollo and Studies of Heads for "Apollo and the the Muses" Muses" 143/4 x 2115/i6 in. (37.5 x 55.7 cm) 183/4 x 243/s in. (47.6 x 61.9 cm) Pencil on pale-yellow tracing paper Charcoal and stump on beige paper 49.84 49.75

719 720 721 Standing Male Nude, Apollo, Study for Draped Standing Male, Apollo, Study Compositional Study for "Classical and "Apollo and the Muses" for "Apollo and the Muses" Romantic Art" 3 13 5 5 24 /i6 x 19 in. (63.1 x 48.2 cm) 24 /s x 18 /s in. (62.6 x 47.3 cm) 14V2 x 21 /4 in. (36.8 x 55.1 cm) Charcoal and stump with pencil on Charcoal and stump on beige paper Charcoal, stump, and pencil on beige beige paper 49.87 paper 49.79 49.77

722 723 724 Standing Male Nude, Orpheus, Study Four Studies for "Classical and Roman• Seated Male Figure, Preliminary Study for "Classical and Romantic Art" tic Art" for "Astronomy"

13 3 3 3 18 /i6 x 24 /4 in. (47.8 x 62.9 cm) 24 /4 x 187s in. (62.9 x 48 cm) 18 /4 x 24Vi in. (47.7 x 62.3 cm) Charcoal and stump on beige paper Charcoal and stump with pencil on Charcoal and stump on beige paper 49.73 beige paper 49.194 49.116

109 SARGENT

725 726 727 Draped Female Figure Gazing Upward, Two Female Figures, Preliminary Stud• Studies of Aphrodite, for "Aphrodite Preliminary Study for "Astronomy" ies for "Astronomy" and Eros"

7 18 /8 x 247s in. (48 x 63.2 cm) 187s x 247s in. (48 x 63.2 cm) 24*716 x 1874 in. (63 x 47.6 cm) Charcoal and stump with pencil on Pencil, charcoal, and stump with era• Charcoal and stump with pencil on beige paper sures on beige paper beige paper Recto, u.r.: "Sagittarius—Scorpio—Li• Recto, u.r.: "Tuesday after— / 26th" 49.118 bra / Leo—Cancer—Gemini" 49.256 49.125

729 730 Two Female Figures, Studies for "Danc• Seated Male Nude, Study for Figural Re• Seated Male Nude [preliminary study for ing Figures" lief over "" relief figure]

3 13 24 /4 x 1874 in. (62.9 x 47.7 cm) 1874 x 24 /ie in. (47.6 x 63.1 cm) 18*716 x 2474 in. (48.1 x 62.9 cm) Charcoal and stump on beige paper Charcoal and stump on beige paper Charcoal and stump on beige paper Recto, u.r.: "Grasshof"; u.l.: "Lilian 49.94 49.81 White" 49.188

732 733 Seated Male Nude with Raised Arms Running Male Nude, Apollo, Study for Standing Male Nude ca. 1917-1920

[perhaps early study for Arion] "Apollo and Daphne" [oil on canvas, 24*7i6 x 1878 in. (63.4 x 48 cm) 187s x 2474 in. (47.9 x 62.8 cm) Corcoran Gallery of Art] ca. 1917-1920 Charcoal and stump on beige paper Charcoal and stump on beige paper 25 x 18*716 in. (63.5 x 47.8 cm) 49.82 48.89 Charcoal and stump with pencil on beige paper 49.126

110 SARGENT

Entries 734-744: studies for relief sculp• ture and mural paintings for the second phase (main stairway, 1921-1925) of the Boston Museum of Fine Arts, and re• lated drawings

734 735 Two Female Figures, Study for "The Seated Male, Study for "Philosophy" Danaides" 2413/i6 x 19 in. (63.1 x 48.3 cm) 1815/i6 x 24% in. (48 x 62.2 cm) Charcoal and stump on beige paper Charcoal and stump with pencil on 49.91 beige paper 49.122

736 737 738 Kneeling Male Nude, Two Studies for Draped Figure, Study for Boreas [North Four Studies for Notus [South Wind] in "The Unveiling of Truth" Wind] in "The Winds" "The Winds" 19 x 243/4 in. (48.2 x 62.8 cm) 187/s x 2411/i6 in. (47.9 x 62.7 cm) 18% x 24% in. (47.9 x 62.6 cm) Charcoal and stump on beige paper Charcoal and stump on cream paper Charcoal and stump on beige paper 49.83 49.97 49.86

739 740 741 Male Nude, Phaeton, Study for "Phae• Two Horse Heads, Studies for "Apollo Male Nude, Achilles, Studies for "Chi• ton" in His Chariot with the Hours" ron and Achilles" 5 169/i6 x 21Vie in. (42.1 x 53.5 cm) 18% x 24% in. (47.6 x 62.8 cm) 20% x 15 /8in. (51.1 x 39.7 cm) Pencil with charcoal or crayon and Charcoal and stump on beige paper Charcoal and stump on beige paper stump on yellow-brown tracing paper 49.90 49.78 49.85

111 SARGENT

742 743 744 Three Studies of Male Anatomy for Two Studies of Hurdlers for Staircase Sketch of a Draped Female Figure, Staircase Reliefs Reliefs Lower Half 1917-1924

13 3 187s x 2415/i6 in. (48 x 63.4 cm) 1815/i6 x 2415/ie in. (48.1 x 63.3 cm) 18 /i6 x 24 /s in. (47.8 x 62 cm) Charcoal and stump on beige paper Pencil and carbon tracing(?) on cream Charcoal and stump on beige paper 49.121 paper 49.232 49.251

Entries 745-754: drawings, 1918

745 Recto: Four Sketches of American Sol• Verso 49.128 diers Verso: Two Shattered Trees and Com• positional Study for "The Road" [1918, oil on canvas, Museum of Fine Arts, Pencil on beige paper Boston] Recto, l.r.: "American'" 10 x 1472 in. (25.4 x 36.8 cm) 49.128

746 747 Sketch of a Motorcycle [possibly study Recto: Sketch of Motorcycle with Verso 49.103b for The Road] October 1918 Shadow [possibly study for The Road] 7Vi6 x 5Vs in. (17.9 x 13 cm) October 1918 Pencil on cream paper Verso: Outline of Motorcycle October Recto, u.r.: "light"; u.c: "blue reflec• Recto, u.L: "at Peronne Oct-1918 1918 tion"; along handle, u.L: "light"; 1.1.: this much longer" 7Vi6 x 5Vs in. (17.9 x 13 cm) "Peronne Oct. / 1918" 49.103a Pencil on cream paper 49.103b

112 SARGENT

748 Recto: Sketches of Three Covered Verso 49.139 Trucks Verso: Devastated Landscape 10 x W/2 in. (25.4 x 36.8 cm) Pencil on beige paper 49.139

749 Recto: Soldiers in a Devastated Land- Verso 49.142 scape September 1918 Verso: Devastated Trees September 1918 10 x 145/i6 in. (25.4 x 36.4 cm) Pencil on cream paper Recto: "B[?] Sept. / 1918" 49.142

750 751 752 Cannon Trailers, Gun Carriages, France Man Pulling a Horse into a Stall

7 15 3 IVA x 14 /i6 in. (18.4 x 36.3 cm) 10 x 14 /8 in. (25.4 x 36.5 cm) 10 x 14 /i6 in. (25.4 x 36.6 cm) Pencil on cream paper Pencil on cream paper Pencil on beige paper 49.114 Recto, on engine: "5803" 49.112 49.143

113 SARGENT

753 754 Studies for "Scots Greys" [1918, water- Recto (c) (on left): Four Sketches of Verso 49.167b color, , London] Horses and a Groom; (d) (on right): IVie x 915/i6 in. (17.9 x 25.2 cm) Two Sketches of a Groom with Horse Pencil on beige paper 1918 49.167a Verso (b): Man Shoeing Horse 1918 7Vi6 x 20Vie in. (17.9 x 51 cm) Pencil on beige paper 49.167b-d

Entries 755-765: studies for Gassed, 1918-1919, oil on canvas, Imperial War Museum, London

755 Recto (a): Two Studies of Soldiers over Verso 49.208b Sketch of Nude Verso (b): Sketches of Rear View of a Male Nude and an Arm 187/s x 24% in. (48 x 62.3 cm) Recto: charcoal and stump with pencil on beige paper; verso: charcoal on beige paper 49.208a,b

756 757 Two Studies of Soldiers Three Studies of Soldiers

5 n 18 /8 x 24% in. (47.3 x 61.6 cm) 18 /i6 x 24% in. (47.5 x 61.5 cm) Charcoal and stump on beige paper Charcoal and stump with pencil on 49.117 beige paper 49.215

114 SARGENT

759 Recto: Two Studies of Soldiers Verso 49.123 Two Soldiers and an Officer with Five Verso: Sketch of Falling Male Nude Views of a Hand

n 185/s x 247/i6 in. (47.3 x 62.1 cm) 18 /i6 x 24% in. (47.4 x 61.6 cm) Recto: charcoal and stump on beige pa• Charcoal and stump on beige paper per; verso: charcoal on beige paper 49.134 49.123

Entries 762-765: studies for General Of• ficers of World War I, 1920-1922, oil on canvas, National Portrait Gallery, Lon• don

761 Heads, Hands, and Figure Six Head Studies

5 5 18 /s x 24% in. (47.3 x 61.6 cm) 18 /8 x 24% in. (47.3 x 61.3 cm) Charcoal and stump on beige paper Charcoal and stump on beige paper 49.105 49.106

762 763 764 Portrait of Field Marshall Sir John Standing Officer (Louis Botha) Three Figure Studies 9 7 15 French, First Earl of Ypres 12 /i6 x 8 /i6 in. (31.6 x 22.7 cm) 18 /i6x 24% in. (47.2 x 61.9 cm) 24% x 18% in. (61.6 x 47 cm) Pencil on cream paper Charcoal and stump on beige paper Charcoal and stump on beige paper 49.136 Recto, 1.1: "Luigi di Luca—73 Draycott 49.109 Ave. / S.W." 49.226

115 SARGENT

Entries 766-767: studies for mural paintings, 1920-1922, for the Widener Library,

Recto: Two Figure Studies Verso 49.135 Verso: Sketch of Drapery 187s x 2211/i6 in. (48 x 57.6 cm) Recto: charcoal and stump with pencil on beige paper; verso: charcoal and stump with erasures on beige paper 49.135

766 767 768 Unidentified Artist 19th century Studies of a Head for Mural "Coming of Female Nude, Study for Victory in Santa Barbara Mission, the Americans to " "Death and Victory" 97i6 x 137s in. (23.4 x 34.4 cm)

3 18 /4 x 247s in. (47.7 x 62.5 cm) 2478 x 1878 in. (63.2 x 47.9 cm) Watercolor over pencil on cream paper Charcoal and stump on beige paper Charcoal and stump on beige paper Museum Purchase, Membership Associ• Recto, 1.1.: "Mr. Harry Bloom / 39 Hol• 49.108 ation Fund 53.24 lander St. / Roxbury—tel 4952 M Rox- bury" 49.127

Eugene Vail 1857-1934 All 22 works by Vail, entries 769-790, were gifts of Mrs. Eugene Vail, wife of the artist.

769 770 Sketch of a Woman's Head over Outline Head of a Woman [study for Fin du of a Figure Jour]

117s x 1678 in. (28.9 x 42.9 cm) 1874 x 12716 in. (47.7 x 30.7 cm) Charcoal and pencil on cream paper Charcoal and erasures on cream paper laid down laid down 48.26 Recto, l.r.: "E.V." 48.27

116 VAIL

772 773 Two French Fishermen [study for Pe- Gondola, Venice Evening Street Scene, Venice

u cheurs Mer du Nord] 11% x 9 /i6 in. (29.9 x 24.5 cm) 9% x 111%6 in. (24.5 x 30 cm) 23% x 18%6 in. (60.6 x 46.5 cm) Charcoal, stump, and erasures on cream Charcoal and stump on cream paper Charcoal and blue pencil on cream pa• paper laid down laid down per scored for transfer Recto, l.r.: "Eug. Vail" Recto, l.r.: "Eugene Vail" Recto, l.r.: "E.V." 48.29 48.30 48.28

774 775 776 Night Scene, Gondolas on Canal by Pal• Figures on Stairway Gondolas

ace of the Doges 9% x 113/4 in. (24.5 x 29.9 cm) 9% x 113/4 in (24.5 x 29.9 cm) 9% x Ili3/i6 in. (24.5 x 30 cm) Charcoal and stump on cream paper Charcoal and stump on cream paper Charcoal, stump, and erasures on cream laid down laid down paper laid down Recto, l.r.: "E.V." Recto, l.r.: "E.V." Recto, 1.1.: "Eugene Vail" 48.32 48.33 48.31

777 778 779 Figures on a Bridge, Venice I Figures on a Bridge, Venice II Palaces along Canal, Venice lVVie x 9% in. (29.7 x 24.5 cm) 11% x 8n/i6 in. (29.9 x 22.1 cm) 9% x IWie in. (24.5 x 29.7 cm) Charcoal and stump on cream paper Charcoal and stump on cream paper Charcoal, stump, and erasures on cream laid down laid down paper laid down Recto, 1.1.: "Eug. Vail" Recto, l.r.: "E.V." Recto, l.r.: "Eug. Vail" 48.34 48.35 48.36

117 VAIL

780 781 Harbor, Venice Evening, Venice, Dome and Tower St. Mark's, Venice, on a Cloudy Day

5 5 9 9 /8 x IP/4 in. (24.5 x 29.9 cm) 9 /8 x lP/4 in. (24.5 x 29.9 cm) 9 /i6 x liy4 in. (24.3 x 29.9 cm) Charcoal and stump on cream paper Charcoal, stump, and erasures on cream Charcoal and stump on cream paper laid down paper laid down laid down Recto, l.r.: "Eugene Vail" Recto, 1.1.: "Eug. Vail" Recto, 1.1.: "Eug Vail" 48.37 48.38 48.39

783 784 785 Street Scene on a Rainy Evening Street Scene Group of Figures in a Street 5 95/s x llii/i6 in. (24.5 x 29.7 cm) llVfe x 12% in. (28.3 x 31.1 cm) 9 /8 x 113/4 in. (24.5 x 29.9 cm) Charcoal, stump, and erasures on cream Charcoal on cream paper laid down Charcoal on cream paper laid down paper laid down Recto, 1.1.: "E.V." Recto, 1.1.: "E.V." Recto, l.r.: "E.V." 48.41 48.42 48.40

786 787 788 Skyline of Venice Reflections Woman Wearing Shawl and Long Dress

5 9Vs x IP/4 in. (24.5 x 29.9 cm) 8 /8 x IVi in. (21.9 x 19 cm) I Charcoal and stump on cream paper Watercolor and charcoal over pencil on lln/i6 x 711/i6 in. (29.7 x 19.5 cm) laid down off-white paper laid down Black ink with brush over red Conte Recto, 1.1.: "Eugene Vail" 48.44 crayon on cream paper laid down 48.43 Recto, 1.1.: "E.V." 48.23

118 VAIL

789 790 791 Dora Louise Murdoch 1857-1933 Woman Wearing Shawl and Long Dress Two Women in Long Robes Harbor Scene with Docked Sailing II 105/s x 7% in. (27 x 19.1 cm) Vessels 1893 lln/i6 x 7n/i6 in. (29.7 x 19.5 cm) Black ink and brush with wash over 10% x 143/i6 in. (25.7 x 36 cm) Wash and red Conte crayon on cream chalk and heightened with white chalk Watercolor on creamy-white paper paper laid down on cream paper Recto, l.r.: "D.L. MURDOCH / 1893" Recto, l.r.: "E.V." 48.25 Bequest of James Parmelee 41.48 48.24

792 793 794 Parmelee Farm (Garden in Bloom) Court in the Alhambra Garden with Sundial, Hedges, and Trees

3 3 11 x 14% in. (27.9 x 36.2 cm) 10 /s x 14 /8 in. (26.3 x 36.5 cm) 11% x 14% in. (28.3 x 36.2 cm) Watercolor on off-white paper Watercolor on creamy-white paper Watercolor on creamy-white paper Recto, l.r.: "D.L. MURDOCH" Recto, 1.1.: "D.L. MURDOCH" Recto, l.r.: "D.L. MURDOCH" Bequest of James Parmelee 41.49 Bequest of James Parmelee 41.50 Bequest of James Parmelee 41.51

796 J. H. Cocks 19th century 797 William Thomas Smedley 1858-1920 Cobbled English Street The Corcoran Gallery of Art [now the Father Home from the Sea 1890

5 n 3 3 15 /s x 20 /i6 in. (39.7 x 52.5 cm) Renwick Gallery, Smithsonian Institu• ll /4 x 7 /4 in. (29.8 x 19.6 cm) Watercolor over charcoal on cream pa• tion] 1870s-1880s Pencil on very heavy beige paper per laid down 815/i6 x 13 in. (22.7 x 33 cm) Recto, l.r.: "W. T. Smedley 1890" Recto, l.r.: "D.L. MURDOCH" Gouache grisaille over pencil on off- Museum Purchase 63.21 Bequest of James Parmelee 41.52 white composition board Recto, l.r.: "JHC" Museum Purchase, Membership Associ• ation Fund 51.42 119 VONNOH

798 Robert Vonnoh 1858-1933 799 800 Head of a Little Girl [study for Portrait Man in a Top Hat, Smoking a Cigar The Cadet of Esther Hay din, oil on canvas, 1886, 5Y* x 33/4in. (13.1 x 9.6 cm) 75/i6 x 49/i6in. (18.6 x 11.6 cm) Hirschl & Adler Galleries, New York] Pencil and pastel on gray-surfaced paper Pencil and white chalk with scratched- 1884 Bequest of Bessie Potter Vonnoh Keyes, out lights on blue scratch board 75/i6 x 9VA in. (18.6 x 23.4 cm) wife of the artist 55.62 Bequest of Bessie Potter Vonnoh Keyes, Pencil on cream paper wife of the artist 55.63 Bequest of Bessie Potter Vonnoh Keyes, wife of the artist 55.65

801 802 Childe Hassam 1859-1935 803 Standing Man Rainy Day [Boston?] 1886 Au Grand Prix de Paris 1887

3 7 T/ie x 47/s in. (18.8 x 12.4 cm) 10 /i6 x llVi in. (25.9 x 31.8 cm) 15 /s x \2Vi in. (40.3 x 31.7 cm) Pencil on gray prepared scratch board Black ink and pen and black crayon or Pastel and pencil on tan board Bequest of Bessie Potter Vonnoh Keyes, chalk heightened with Chinese white on Recto, 1.1.: "Childe Hassam 1887" wife of the artist 55.64 off-white paper Bequest of James Parmelee 41.12 Recto, 1.1.: "Childe / Hassam / 86"; I.e. [edge has been trimmed]: "er the" Bequest of Bessie Potter Vonnoh Keyes 55.56

804 805 806 Big Ben 1897 or 1907 North River Dock, New York 1901 "Isles of Shoals" [fisherman] August u 13 5 15, 1903 8 /i6 x 115/g in. (22 x 29.5 cm) 6 /i6 x 10 /8 in. (17.3 x 27 cm) ll3/ x 915/i6 in. (29 x 23.6 cm) Gouache and watercolor over charcoal Charcoal and gouache on brown paper 8 on gray-brown paper laid down (reverse of advertisement for Encyclo• Red Conte crayon heightened with Recto, l.r.: "Childe Hassam / 18[97?] paedia Britannica) Chinese white and blue watercolor on Childe Hassam / 1907" Recto, 1.1.: "Childe Hassam 1901"; c.L: paper board surfaced with gray paper Bequest of James Parmelee 41.11 "Blue" Recto, 1.1.: "Childe Hassam Isles of Bequest of James Parmelee 41.8 Shoals" Bequest of James Parmelee 41.10 120 HASSAM

807 808 "Mt. Hood" [Oregon] August 1904 Recto and verso: The Bridge at Verso 41.13b 53/s x 713/i6 in. (13.7 x 19.8 cm) Grez 1904

Watercolor, gouache, and charcoal on 615/i6 x 915/i6 in. (17.6 x 25.3 cm) tan paper Watercolor on white paper Recto, 1.1.: "Mt. Hood / Childe Hassam Recto (a), 1.1.: "Childe Hassam 1904"; Aug [5 or 8]th 1904" verso (b): crossed with an X Bequest of James Parmelee 41.7 Bequest of James Parmelee 41.13a,b

810 William Langson Lathrop 1859-1938 811 Maurice Prendergast 1859-1924 "Toledo" 1910 The Dredger Summer Day, New England ca. 1900- 12V6 x lOVie in. (30.8 x 25.5 cm) ll15/i6 x 16 in. (30.3 x 40.6 cm) 1910

Watercolor, gouache, pastel, white Charcoal on cream paper 12 x 1715/i6 in (30.5 x 45.5 cm) chalk, and charcoal on tan paper laid down Recto, l.r.: "W. L. Lathrop" Watercolor over charcoal on off-white Recto, 1.1.: "Childe Hassam Toledo 1910" Museum Purchase, Membership Associ• paper laid down Bequest of James Parmelee 41.9 ation Fund 49.23 Recto, l.r.: "Prendergast" Museum Purchase through a gift of Margaret M. Hitchcock 1969.37.2

812 Gari Melchers 1860-1932 813 814 Household Duties ca. 1890 Head of a Boy ca. 1890-1910 Seated Female Nude ca. 1900-1920 3 15 3 WA x 12 /i6 in. (39.5 x 35 cm) 9 Two sheets, overall dimensions: 19 /ie 13 /i6 x 17 /4in. (34.5 x 45.1 cm) x 145/i6 in (48.6 x 36.4 cm) Charcoal and stump on white paper laid Black ink wash and Chinese white over Gouache on tan-brown paper laid down down charcoal on oatmeal paper discolored to Recto, u.l.: "Gari Melchers" Recto, I.e.: "G. Melchers" brown laid down Bequest of Edward C. and Mary Walker Museum Purchase 30.27 Recto, u.l.: "g.m." 37.33 Museum Purchase 30.25

121 MELCHERS

815 816 817 Joseph Pennell 1860-1926 Standing Female Nude from Back with Standing Female Nude, One Leg William Wilson Corcoran Hand on Chair ca. 1900-1920 Bent ca. 1900-1920 10 x 6 in. (25.4 x 15.2 cm) 3 Two sheets, overall dimensions: 177/s x 177/i6 x 12 /8in. (44.6 x 31.4 cm) Black ink with pen and brush height• 12»/i6 in. (45.4 x 32.3 cm) Pencil and black ink heightened with ened with Chinese white on cream pa• Pencil and black ink heightened with Chinese white on tan paper per laid down Chinese white on tan paper laid down Recto, l.r.: "G. Melchers" Recto, 1.1.: "Pennell"; 1.1. on mounting Recto, l.r.: "G. Melchers" Museum Purchase 30.28 board: ;"W.W. Corcoran / From a Museum Purchase 30.26 Photo / Taken in Paris about 1870" X.166

Walter Griffin 1861-1935 All 10 works by Griffin, entries 819— 829, were gifts of Mrs. Armistead Peter III.

818 819 "The Old and the New" [New York] Willows, Longpre, France ca. 1911— 13 x 10 in. (33.1 x 25.4 cm) 1918 7 Pastel and graphite on gray paper laid 12 /8 x 16V8 in. (32.7 x 40.7 cm) down Pastel on tan paper Recto, I.e. on mounting board: "The Recto, l.r.: "GRIFFIN" Old and the New" 62.22 Bequest of James Parmelee 41.19

820 821 822 Borgneville ca. 1920-1923 The Woods ca. 1920-1923 Gnarled Trees ca. 1920-1923 15 13 3 12 /i6 x 16 in. (31 x 40.6 cm) 12 /i6 x 15 /i6in. (31. x 40.5 cm) 13Vi6 x 16 in. (33.2 x 40.6 cm) Pastel on white paper Pastel on white paper laid down Pastel on off-white paper Recto, 1.1.: "GRIFFIN" Recto, l.r.: "GRIFFIN" Recto, l.r.: "GRIFFIN" 64.41.1 64.41.2 64.41.3

122 GRIFFIN

823 824 825 /n fte Country ca. 1920-1923 Twin Poplars ca. 1920-1923 A French Farm ca. 1920-1923

127/i6 x 16^8 in. (31.6 x 40.8 cm) 123/i6 x 1515/i6 in. (31 x 40.5 cm) ll15/i6 x 16 in. (30.3 x 40.6 cm) Pastel on off-white paper Pastel on off-white paper Pastel on tan paper board Recto, l.r.: "GRIFFIN" Recto, l.r.: "GRIFFIN" Recto, 1.1.: "GRIFFIN." 64.41.4 64.41.5 64.41.6

826 827 828 In a French Village ca. 1920-1923 Village Street ca. 1920-1923 ca. 1920-1923 3 3 15 15 12 /4 x 16 in. (32.5 x 40.7 cm) 12 /i6 x 16 in. (31 x 40.7 cm) 12 /i6 x 15 /i6 in. (31.3 x 40.5 cm) Pastel on gray-brown paper Pastel on white paper laid down Pastel on off-white paper Recto, l.r.: "GRIFFIN" Recto, l.r.: "GRIFFIN" Recto, l.r.: "GRIFFIN" 64.41.7 64.41.8 64.41.9

829 830 Edward Windsor Kemble 1861-1933 The Dark Tree ca. 1920-1923 "Cactus from Mexico" [illustration for 12V4 x 157/s in. (31.1 x 40.3 cm) "In and Out of the Expo• Pastel on off-white paper sition" by Eugene V. Smalley, Century Recto, l.r.: "GR[IFFI]N"; 1.1.: "GRIF• Magazine, Vol. XXX, 1885] 1885 7 FIN" 14 /8 x 12 in. (37.8 x 30.5 cm) 64.41.10 Black ink and pen on heavy cream paper Recto, l.r.: "Kemble" Museum Exchange 60.50.4 123 REMINGTON

831 1861-1909 832 Frank W. Benson 1862-1951 833 Peter Newell 1862-1924 On the Bridle Path—, New Woody Cay 1922 Man Running from Elephants ca. 1931 York [illustration for "On the Bridle 16 x 203/i6 in. (40.6 x 51.3 cm) 135/i6 x 9Vi in. (33.8 x 24.2 cm) Path—Central Park, New York," by Watercolor over pencil on white paper Watercolor, gouache, black ink and pen Frederic Remington, Harper's Weekly, laid down over pencil on cream paper July 6, 1889] 1889 Recto, l.r.: "F. W. Benson / '22" Recto, l.r.: "Peter Newell"; 1.1.: "COPY•

18Vi6 x 14Vie in. (45.9 x 35.7 cm) Bequest of James Parmelee 41.1 RIGHT 1931 BY NOYES, PLATT & Black ink and pen, gray and black CO." wash, touched with Chinese white on Bequest of James Parmelee 41.54 brown paper Recto, 1.1.: "Frederic Remington 1889" Museum Purchase through a gift of Arthur C. Nash 62.26

Entries 836-846 were gifts of Mrs. Arthur B. Davies, wife of the artist.

834 Arthur B. Davies 1862-1928 835 The First Snowfall ca. 1877-1887 Standing Female Nude, Blue ca. 1917— 127/i6 x 19 in. (31.6 x 48.3 cm) 1928 5 Watercolor and pastel on gray paper 16 /8 x 12V6 in. (42.2 x 30.8 cm) Gift of Mrs. Arthur B. Davies, wife of Pastel on faded cream paper laid down the artist 30.15 Museum Purchase 30.10

836 837 838 Standing Female Nude ca. 1917-1928 Seated Female Nude ca. 1917-1928 Standing Female Nude with Knee Raised 7 17 /8 x 13V16 in. (45.4 x 33.1 cm) 11 x WA in. (28 x 36 cm) ca. 1917-1928 Charcoal and pastel on brown paper Charcoal and white chalk or pastel on 17 x 13V4 in. (43.2 x 33.6 cm) 30.11 gray paper laid down Charcoal and chalk or white pastel on 30.12 faded brown paper laid down 30.13

124 DAVIES

839 840 841 Standing Female Nude with Arms Raised The Quest [running female nude, arms Apprehension [crouching female nude ca. 1917-1928 raised] ca. 1917-1928 facing left] ca. 1917-1928 16n/i6 x 12Vi6 in. (42.7 x 30.6 cm) 18Vi6 x 135/i6 in. (45.9 x 33.7 cm) 1713/i6 x 13 in. (45.2 x 33 cm) Pastel on faded brown paper laid down Charcoal and white chalk or pastel on Charcoal and white chalk or pastel on 30.14 brown paper laid down brown paper laid down 30.16 30.17

842 843 844 Tahomet [side view of standing man in The Signal [rear view of standing man Two Female Nudes Dancing ca. 1917— loincloth with arms raised] ca. 1917— in loincloth with arm raised] ca. 1917— 1928 1928 1928 165/s x 12 in. (42.5 x 30.5 cm) 5 125/i6 x WA in. (31.1 x 26 cm) Two sheets, overall dimensions: 15 /s x Charcoal and pastel on brown paper 3 Charcoal and white chalk or pastel on 10 /8 in. (39.6 x 26.2 cm) 30.20 gray paper laid down Charcoal and chalk or white pastel on 30.18 blue paper laid down 30.19

845 846 847 Woman with Red and Blue Scarf After Strife [five crouching men in loin• Four Figures 1921 1917-1928 cloths] ca. 1917-1928 17% x 225/i6 in. (43.8 x 58.3 cm)

3 3 15 x 10 /4in. (38.1 x 27.3 cm) Two sheets, overall dimensions: ll /i6 Watercolor, pencil, and wash on cream- Pastel on gray paper laid down x 253/4 in. (28.4 x 65.1 cm) yellow fabric laid down 30.21 Charcoal and pastel on gray paper laid Recto, 1.1.: "Arthur B. Davies / 1921" down Gift of Emily Crane Chadbourne 30.22 31.15

125 DAVIES

848 849 850 Wells Sawyer 1863-1960 M«c Figures 1921 Standing Female Nude [study for Stars Alcazaba Ruins, Malaga, ca. 179/i6 x 22% in. (45 x 57.8 cm) and Dews and Dreams of Night, ca. 1920s-mid- Watercolor and pencil on washed paper 1927, oil on canvas, Corcoran Gallery 219/i6 x 179/i6 in. (54.8 x 44.6 cm) laid down of Art] ca. 1927 Charcoal and stump over pencil on off- Recto, 1.1.: "Arthur B. Davies / 1921" 177/s x 13V4 in. (45.4 x 33.6 cm) white paper Gift of Emily Crane Chadbourne White chalk and crayon on tan paper Rector, l.r.: "WELLS M. SAWYER" 31.16 laid down Gift of the artist 54.25 Recto, 1.1.: "Arthur B. Davies" Gift of Robert Halsband 62.27

851 Jane C. Stanley 1863-1940 i852 Fisherman's House, Monhegan [Maine] Recto: Spiny Plant ca. 1930 Verso 63.6.2 ca. 1910-1913 Verso: Landscape with Lake and House 10 x 14 in. (25.4 x 35.6 cm) ca. 1930 Pencil on cream paper 18 x 14 in. (45.7 x 35.6 cm) Rector, l.r.: "Jane C. Stanley" Watercolor over pencil on white paper Gift of Alice Stanley Acheson, daughter Verso, l.r.: "Jane C. Stanley" of the artist 63.6.3 Gift of Alice Stanley Acheson, daughter of the artist 63.6.2

126 STANLEY

853 854 Joseph Lindon Smith 1863-1950 855 Charles Herbert Woodbury 1864-1940 Taxco, Mexico ca. 1933 Male Nude Antique Statue ca. 1884— "Near Hope Gate, Quebec" 1889 243/i6 x 197/i6in. (61.4 x 48.9 cm) 1890 1313/i6 x IWie'm. (35.1 x 48.3 cm) Watercolor over pencil on off-white pa• 307/i6 x 109/i6 in. (77.3 x 26.8 cm) Pencil on beige paper per Watercolor, gouache, and pastel over Recto, ctr.: "Chas. Herbert Woodbury / Recto, l.r.: "Jane C. Stanley" pencil on white-surfaced cardboard Quebec '89"; 1.1.: "Near Hope Gate / Gift of Alice Stanley Acheson, daughter Recto, l.r.: "JOSEPH. LINDON. CHW Quebec '89" of the artist 63.6.1 SMITH" Gift of Mrs. Childs Bruen Perkins Gift of Arthur Jeffrey Parsons 04.1 45.37

856 857 858 Friends [two dogs] February 16, 1919 Contentment [two dogs] October 13, Equinoctial 1936 3 15 5 /4 x IV2 in. (14.6 x 19 cm) 1919 20 /i6 x 28 in. (55.1 x 71.1 cm) Lithographic crayon on light-beige pa• 5n/i6 x IV2 in. (14.4 x 19 cm) Watercolor and pencil on artist's board per Lithographic crayon on light-beige pa• surfaced with off-white paper Recto, l.r.: "Feb 16-19" per Recto, l.r.: "Charles H Woodbury" Gift of Mrs. Childs Bruen Perkins Recto, 1.1.: "oct—13—19" Gift of David Woodbury, son of the artist 45.35 Gift of Mrs. Childs Bruen Perkins 43.10 45.36

127 WOODBURY

859 860 Paul Wayland Bartlett 1865-1925 861 "Launching the Life Boat" The Jetty The Harbor 5 3 15 7 7 8 /s x 10 /i6in. (21.3 x 27.8 cm) 2 /s x 6 /i6 in. (7.3 x 16.4 cm) 3% x 7 /8 in. (9.8 x 19.4 cm) Lithographic crayon on cream paper Pencil on cream paper Pencil and stump on off-white paper Verso: I.e.: "C / W"; 1.1.: "Launching Gift of Mrs. Armistead Peter III Gift of Mrs. Armistead Peter III the Life Boat" 64.40.1 64.40.2 Gift of Mrs. Childs Bruen Perkins 45.34

862 Philip Leslie Hale 1865-1931 863 864 1865-1929 Three Sketches: Head of a Girl, a Hand, Seated Female Nude Dancer with Red Skirt No. 2 ca. 1912 Two Ears[l] UVi x lOViein. (31.8 x 25.6 cm) 123/i6 x 93/i6 in. (31 x 23.4 cm) lOVi x 8 in. (26.6 x 20.3 cm) Pencil and white chalk on brown paper Brown ink, pen, and wash with water- Pencil on cream paper Museum Purchase, Membership Associ• color and gouache on cream paper Museum Purchase, Membership Associ• ation Fund 51.36 Museum Purchase through Works of ation Fund 51.35 Art Fund 68.4

865 1867-1944 866 867 Gibson Girl I Gibson Girl II The New Hat [published in Life, May

3 3 233/i6 x 19% in. (58.9 x 48.7 cm) 18,1905, pp. 578-579] 1905 23 /i6 x 21 /8 in. (58.9 x 54.3 cm) 3 Black ink and pen over crayon or pencil Black ink with brush and pen over char• 20 /4 x 27% in. (51.8 x 70.8 cm) on off-white paper laid down coal on off-white poster board Black ink on white-surfaced cardboard Recto, I.e.: "CD. Gibson" Recto, I.e.: "CD. Gibson" or composition board Gift of Mrs. David Brewer Eddy Gift of Mrs. David Brewer Eddy Recto, 1.1.: "C D Gibson" 51.11 51.12 Gift of Orme Wilson 65.28.3

128 GIBSON

868 869 870 1867-1940 Uncle Sam Shielding France from Ger- "His Granddaughters Discover That He Self-Portrait 1896 mania ca. 1917 Knows the Words of the Star Spangled 11 Vie x 9 in. (28.2 X 22.8 cm) 227/i6 x 167/s in. (56.9 x 42.9 cm) Banner" ca. 1920s Charcoal and stump on finely ribbed 7 Black ink and pen with some erasures 145/i6 x 20 /s in. (36.7 x 53 cm) cream paper of charcoal(?) on off-white poster board Black ink and pen over pencil on off- Recto, 1.1.: "JEROME / MYERS / 1896 Recto, l.r.: "C. D. Gibson" white poster board / N.Y." Gift of Orme Wilson 65.28.2 Recto, l.r.: "C D Gibson"; 1.1. to l.r.: Museum Purchase through a gift of "Mr. Pipp no. 5 His granddaughters Mrs. J. L. M. Curry 1979.8 discover that he knows the words of the Star Spangled Banner." Gift of Orme Wilson 65.28.1

871 New York Street Scene 1911 10 x 85/i6in. (25.5 x 21.1 cm) Charcoal or black chalk on cream paper Recto, l.r.: "Jerome Myers 1911 / NY / NY" Museum Exchange through a gift of Rear Adm. E. H. C. Leutze 60.50.2

872 George Overbury "Pop" Hart 1868- 873 Alfred Henry Maurer 1868-1932 1933 Verso 49.46 Two Heads ca. 1929 Recto: "Chicken Vendors" ca. 1927 197/s x 147/s in. (50.4 x 37.7 cm) Verso: Men Drinking at a Table with Gouache and casein on white-surfaced Dog in Foreground ca. 1927 composition board 93/i6 x ll3/i6 in. (23.4 x 28.5 cm) Recto, 1.1.: "Hart / [O or G] H"; verso, Museum Purchase 68.29 Recto: black ink and pen, charcoal, wa• l.r.: "EO"; 1.1.: "Chicken Vendors"; tercolor, and gouache on heavy cream I.e.: "8/J. H" paper; verso: pencil on heavy cream paper Museum Purchase 49.46 129 BERRYMAN

Clifford Kennedy Berryman 1869-1947 With the exception of entries 909, 930, and 931, all the works by Berryman, entries 874-941, were gifts of the artist.

874 875 Frederick B. McGuire ca. 1897 "As Both Came Out" October 1898 137/s x 10 in. (35.2 x 25.3 cm) 15V2 x 15Vie in. (39.5 x 38.2 cm) Black ink and pen over pencil on off- Black ink and pen over pencil on off- white poster board white poster board Recto, l.r.: "Berryman"; u.c: "Inaugu• Recto, l.r.: "Berryman"; I.e.: "AS ral Committee / (13) / Mr. Frederick B. BOTH CAME OUT"; u.c: "HEAD• McGuire / Chairman Committee on QUARTERS / AMERICAN-SPANISH & Tickets" PEACE / COMMISSIONERS"; ctr. on 42.39 bag: ",/PORTO RICO/AND THE/"; on bag: "$20,000,000" 43.49

876 877 878 "Staking His Claims" October 1898 "North Pole, South Pole" ca. 1910- "Carrying Ballast" ca. 1903-1912 3 5 17 /4 x 15Vie in. (45.1 x 38.3 cm) 1912 16 /8 x 15Vi6 in. (42.3 x 38.2 cm) Black ink and pen over pencil on off- 19Vi x UVi in. (49.5 x 36.7 cm) Black ink and pen over pencil on off- white poster board Black ink and pen over pencil on off- white poster board Recto, l.r.: "C. K. Berryman"; I.e.: white poster board Recto, l.r.: "C. K. Berryman WRIGHT "STAKING HIS CLAIMS—WASH• Recto, l.r.: "Berryman"; ctr.: "NORTH / BROTHERS"; I.e.: "CARRYING INGTON POST—1898"; on islands, POLE"; c.l.: "SOUTH POLE"; 1.1.: BALLAST"; ctr.: OH / LOOK / AT clockwise from u.r.: "CANARY / IS• "EUREKA" THE / HEAVY / WEIGHTS!"; u.c: LANDS", "CUBA", "PORTO / 43.56 "BOYS, IF / YOU CAN / STILL AS• RICO", "PHILIPPINES" CEND / YOU'RE THE / REAL / 43.48 THINGS!" 43.59

130 BERRYMAN

879 880 "Hallowe'en 1916" October 31, 1916 "Council of Soldiers and Workmen" "A Real Man's Task" August 11, 1917

18V4 x 14V4 in. (46.2 x 36.2 cm) , 1917 13% x 143/i6 in. (34 x 36.1 cm) 3 7 Black ink and pen over pencil on off- 13 /i6 x 14 /8in. (34.1 x 36.6 cm) Black ink and pen over pencil on off- white poster board Black ink and pen over pencil on off- white poster board Recto, l.r.: "Berryman"; I.e.: "HAL• white poster board Recto, l.r.: "Berryman"; u.r.: "NEW LOWE'EN 1916"; 1.1., on bucket: Recto, l.r.: "Berryman"; c.r.: "SEPA• "; I.e.: "A REAL MAN'S "WILSON"; on apples: "LA. / N.C. / RATE / PEACE"; u.l.: "COUNCIL / TASK"; u.l.: "CHAOS"; on log: FLA. / ARKANSAS / GA. / TEXAS / OF / SOLDIERS / AND / WORK• "LAW AND / ORDER"; cl.: "KER- MISSISSIP / S.C. / / ILL. MEN"; u.c: "FIGHT TO / A FINISH / ENSKY." / / N.Y. / IND. / PENNA / R.I. / WE'LL / NOT QUIT! / KEEP AT IT! / 43.60 VT. / N.H. / MICH. / IDAHO / MASS. LONG LIVE LIBERTY!!!" / MAINE"; on bucket: "HUGHES" 43.33 43.58

882 883 884 "Uncle Sam's Conception of the Peace " 'The Kaiser' and 'Austria' " April 8, "To Victory" May 26, 1918 Basis" August 20, 1917 1918 13V2 x 14% in. (34.3 x 36.2 cm) 3 3 13 /s x 14 /8 in. (34 x 36.6 cm) 13V2 x WA in. (34.3 x 36.2 cm) Black ink and pen over pencil on off- Black ink and pen over pencil on off- Black ink and pen over pencil on off- white poster board white poster board white poster board Recto, l.r.: "Berryman"; on sign: "TO Recto, l.r.: "Berryman"; across top: Recto, l.r.: "Berryman"; u.l. to c.r.: VICTORY"; 1.1.: " THE GERMANS "UNCLE SAM'S CONCEPTION OF "WE'LL / FIGHT / TO THE / BIT• ARE STRAINING EVERY MUSCLE THE PEACE BASIS"; ctr.: "DEMOC• TER/END THE /KAISER YOU/ TO REACH THE GOAL FIRST'— RACY ALLIES PRUSSIANISM AU• COME IN / BETWEEN / MY BIG / LLOYD GEORGE / EVENING STAR TOCRACY" BANGS THINK / WE CAN / GET / —1918" 43.37 BY / WITH / IT? AUSTRIA OH 43.30 NOW'S / THE TIME FOR / PEACE" 43.35

131 BERRYMAN

885 886 887 "Same Old 'Side By Side' Spirit" July "To Hindenburg Line" August 31, "September Morn" 1918 19, 1918 1918 13% x 14% in. (34.3 x 36.2 cm) 13% x 14% in. (34.3 x 36.2 cm) 13% x 14% in. (34.3 x 36.2 cm) Black ink and pen over pencil on off- Black ink and pen over pencil on off- Black ink and pen over pencil on off- white poster board white poster board white poster board Recto, l.r.: "C.K. Berryman / THE Recto, l.r.: "Berryman"; I.e.: "SAME Recto, l.r.: "Berryman"; u.r.: "HE EVENING STAR— / 1918"; I.e.: OLD 'SIDE BY SIDE' SPIRIT"; ctr. CAN NOW / APPRECIATE / HOW I "SOMME / SEPTEMBER MORN"; u.l.: on soldiers: "AMERICAN FRENCH" / EARLIER / THIS / SEASON"; "BERLIN"; on backpack: "PARIS / 43.34 on hat: "FOCH"; on whip; "INITIA• PLANS CHANNEL / PORT PRO• TIVE"; I.e.: "TO / HINDENBURG / GRAM"; ctr: "HINDENBU[RG]" LINE" 43.31 43.32

888 889 890 "World Peace" November 7, 1918 "Proper Bait Gets '" ca. 1920 "Ladcoon" ca. 1923 13% x 14% in. (34.3 x 36.2 cm) 13% x 14% in. (34.3 x 36.2 cm) 13 x 143/i6 in. (33 x 36 cm) Black ink and pen over pencil on off- Black ink and pen over pencil on off- Black ink and pen over pencil on off- white poster board white poster board white poster board Recto, l.r.: "Berryman"; c.r. upside Recto, l.r.: "Berryman"; ctr.: Recto, l.r.: "Berryman"; I.e.: "LAO- down: "WORLD CONQUEST"; c.l.: "PROPER / BAIT / GETS / 'EM"; on COON"; ctr. on snake: "OIL / LEASE "WORLD PEACE"; ctr.: "NOW hats: "BORAH", "HUGHES", SCANDAL" 43.69 THEY / EXPECT / ME TO / PAY "C.C.", "LOWDEN", "HOOVER" FOR / THIS" 43.66 43.29

132 BERRYMAN

891 892 893 "Senator Borah Takes His Daily Ride "Columbus" ca. 1925-1940 Lausanne Conference" summer 1932

Around Washington" ca. 1920-1940 137/i6 x 14% in. (34.1 x 36.2 cm) 13% x 14% in. (34.3 x 36.2 cm)

139/i6 x 14% in. (34.5 x 36.2 cm) Black ink and pen over pencil on off- Black ink and pen over pencil on off- Black ink and pen over pencil on off- white poster board white poster board white poster board Recto, l.r.: "Berryman"; u.c: Recto, l.r.: "Berryman"; u.r.: "LAU• Recto, l.r.: "Berryman"; u.l.: "SENA• "GREAT / SPAGHETTI! / THEY SANNE / CONFERENCE"; ctr.: "NO TOR BORAH TAKES HIS DAILY MAKE / ME LOOK LIKE / A PIKER! / THANKS, / BOYS, / I'LL / JUST / RIDE AROUND WASHINGTON" / COLUMBUS" LOOK / ON!" 43.50 43.36 43.67

894 895 "Just Look at the Figures My Boys Cut "A Miss is as Good as a Mile" ca. "It Can't Be Done, Frank!" ca. 1933- on the Ice!" ca. 1932 1933-1938 1938 13% x 14% in. (34.3 x 36.2 cm) 13% x 14% in. (34.3 x 35.8 cm) 13% x 14% in. (34.3 x 36.8 cm) Black ink and pen over pencil on off- Black ink and pen over pencil on off- Black ink and pen over pencil on off- white poster board white poster board white poster board Recto, l.r.: "Berryman"; u.r.: "JUST Recto, l.r.: "Berryman"; u.l.: "DON'T Recto, l.r.: "Berryman"; u.c: "IT LOOK AT / THE FIGURES / MY WORRY—/ A MISS IS AS GOOD / CAN'T / BE DONE, / FRANK!"; ctr. BOYS CUT / ON THE ICE!"; c.r. on AS A MILE"; u.c: "YES, BUT I'VE of game: "ROOSEVELT / CORRAL"; figures: "LANDON", "KNOX", HAD / ENOUGH MISSES— / LET'S 1.1.: G[AME] / OF / GETTING ALL / "BORAH", "G.O.P.", "VAN-", STAY DOWN / THE MIDDLE FROM DEMOCRATS / IN / "DICKINSON"; u.l.: "SEEMS AS IF / NOW ON"; on hats: "F.D.R.", PEN." THOSE / FELLOWS THINK I'LL "JOHN Q. / PUBLIC"; on cliff edge: 43.26 NEVER / GET OVER THE FALL /1 "RAIL /THREAT / COAL / STRIKE / GOT FOUR YEARS AGO!"; on STEEL / STRIKE" chair: "HOOVER" 45.28 43.46

133 BERRYMAN

897 898 "Shade of Napoleon!" ca. 1935 You're a Nice Little Fellow ..." mid- "Peace Cherubs" October 16, 1938

139/i6 x 1413/i6 in. (34.5 x 36.1 cm) 19308 13% x 14% in. (34.3 x 36.2 cm) Black ink and pen over pencil on heavy 13% x 14% in. (34.3 x 36.2 cm) Black ink and pen over pencil on off- off-white poster board Black ink and pen over pencil on off- white poster board Recto, l.r.: "LOUISIANA / COM• white poster board Recto, l.r.: "Berryman"; across top: PLETELY / UNDER DOMINATION / Recto, l.r.: "Berryman"; u.l.: "PEACE CHERUBS—BUT THE OF HUEY LONG! / BERRYMAN"; "YOU'RE A NICE / LITTLE FEL• BIRD PAYS AND PAYS"; on bird: I.e.: "SHADE OF NAPOLEON!"; u.l.: LOW / AND I HOPE / SANTA'LL BE "PEACE" "I SOLD IT / BUT I NEVER / / GOOD TO YOU!"; ctr.: "PAYMENT 55.28 DREAMED IT / WOULD GET INTO TO / U.S. IN FULL / TO DATE"; 1.1.: / THE HANDS OF AN- / OTHER "FINLAND" DICTATOR!" 43.63

900 901 902 "Lochinvar!" March 4, 1939 "The Older I Grow, the More I Love "Neutral Nero!" September 16, 1939 13% x 14% in. (34.3 x 36.2 cm) the Atlantic Ocean" August 18, 1939 13% x 14% in. (34.3 x 36.2 cm) Black ink and pen over pencil on off- 13% x 14% in. (34.3 x 36.2 cm) Black ink and pen over pencil on off- white poster board Black ink and pen over pencil on off- white poster board Recto, l.r.: "Berryman"; I.e.: "LOCH• white poster board Recto, l.r.: "Berryman"; u.r.: "CEN• INVAR!"; ctr. on collar: "BUSI• Recto, l.r.: "Berryman"; u.r.: "DAN• TRAL / EUROPE"; I.e.: "NEUTRAL NESS"; u.l.: "GOP" ZIG OR / ELSE—WE WANT OUR / NERO" 43.18 COLONIES / BACK! TUNISIA OR / 43.22 TROUBLE"; u.c.: "THE OLDER /1 GROW, / THE MORE I LOVE THE / ATLANTIC OCEAN" 43.20

134 BERRYMAN

903 904 905 "Wonder If I Could Be Happy With "Two Thanksgiving Days" November "They Didn't Take So Much Off After Either, If—" October 15, 1939 23, 1939 All" ca. 1940 13% x 14% in. (34.3 x 36.2 cm) 13% x 14% in. (34.3 x 36.2 cm) 13% x 14% in. (34.3 x 36.2 cm) Black ink and pen over pencil on off- Black ink and pen over pencil on off- Black ink and pen over pencil on off- white poster board white poster board white poster board Recto, l.r.: "Berryman"; u.c: "WON• Recto, l.r.: "Berryman"; u.r.: "EU• Recto, l.r.: "Berryman"; u.c: "THEY DER IF I COULD / BE HAPPY ROPE"; u.c: "WE'VE GOT SO DIDN'T TAKE SO / MUCH OFF WITH EITHER, IF—"; on hat brim: MUCH / TO BE THANKFUL FOR, AFTER ALL HULL"; u.l.: "HOUSE "DALADIER"; on necklace: "MUS• WE / REALLY NEED TWO / OF REPRESENTATIVES"; 1.1.: "RE• SOLINI"; on shoes: "MM" THANKSGIVING DAYS / THIS CIPROCAL / TRADE PACTS" 43.43 YEAR!" 43.25 43.54

906 907 908 " 'That this foul deed shall smell above "Fickle OV Girl, Ain't She?" June 20, "An Honorable Peace" , 1940 the earth with carrion men waiting for 1940 135/s x 143/i6 in. (34.5 x 36.1 cm) burial—Marc Antony" , 1940 13% x 14% in. (34.2 x 36.2 cm) Black ink and pen over pencil on off- 13% x 14% in. (34.3 x 36.2 cm) Black ink and pen over pencil on off- white poster board Black ink and pen over pencil on off- white poster board Recto, l.r.: "Berryman"; ctr.: "AN / white poster board Recto, l.r.: "Berryman"; u.c: "FIC• HONORABLE / PEACE / FRANCE" Recto, l.r.: "Berryman"; 1.1. to l.r.: KLE OL' GIRL, AINT SHE?"; c.r.: 43.39 " 'THAT THIS FOUL DEED SHALL "THAT $500,000.00 / CONTRIBU• SMELL ABOVE THE EARTH WITH TION"; on table cloth: "F.D.R."; ctr. CARRION MEN WAITING FOR on scarf: "LEWIS"; 1.1.: "H.H. HOO• BURIAL' / —MARC ANTONY"; ctr.: VER" "FRANCE" 43.19 43.24

135 BERRYMAN

909 910 911 "Another Suggestion for for "1940 Pool" 1940 "If Julius Could See Him Now!" the Social Security Building" 13% x 14% in. (34.3 x 36.2 cm) December 7, 1940 September 25, 1940 Black ink and pen over pencil on off- 13% x 14% in. (34.3 x 36.2 cm) 139/i6 x 14% in. (34.5 x 36.2 cm) white poster board Black ink and pen over pencil on off- Black ink and pen over pencil on off- Recto, l.r.: "Berryman"; ctr.: "1940 white poster board white poster board POOL"; c.l.: "BOSS, IF YOU / EVER Recto, l.r.: "Berryman"; u.r. on flag: Recto, l.r.: "Berryman"; I.e.: "AN• GET OUT, / THERE'S GONNA / BE "ATHENS"; c.r.: "VENI / VIDI / OTHER SUGGESTION FOR SCULP• A REAL / SPLASH!"; u.r.: "MC NUTT FUGI"; ctr.: "MUSSOLINI"; I.e.: "IF TURE FOR THE SOCIAL SECU• WHEELER" JULIUS COULD SEE HIM NOW!" RITY BUILDING"; u.r.: "VOTES"; 43.55 43.27 u.l.: "TAXPAYER" Gift of Florence S. Berryman, daughter of the artist 55.29

913 914 "U.S. Steps to Aid Greece Assured by "What're You Laughin' At?" "The Helping Hand" ca. 1941 Roosevelt" December 9, 1940 December 13, 1940 13% x 14% in. (34.3 x 36.2 cm) 13% x 14% in. (34.3 x 36.2 cm) 13% x 14% in. (34.3 x 36.2 cm) Black ink and pen over pencil on off- Black ink and pen over pencil on off- Black ink and pen over pencil on off- white poster board white poster board white poster board Recto, l.r.: "Berryman"; I.e.: "The Recto, l.r.: "Berryman"; u.r.: "To My Recto, l.r.: "Berryman"; u.l.: Helping Hand—Renouf" [Emile Ren- Everlasting / and Beloved Benito / from "WHAT'RE / YOU LAUGHIN' AT?" ouf, The Helping Hand, 1881, oil on Affectionate / Adolf"; on table, I.e.: 43.21 canvas, Corcoran Gallery of Art]; 1.1.: "ABSORBENT SALVE"; 1.1.: "U.S. "ASHURST" STEPS / TO AID / GREECE / AS• 55.24 SURED / BY ROOSEVELT"; u.l.: "WHERE'D / UNCLE SAM / GET THE IDEA THE / GREEKS NEED / HELP?" 43.62

136 BERRYMAN

A&AfN'TNE HELPING HAND" 916 917 "Again 'The Helping Hand' " March "Haile Selassie Enters Addis Ababa" "They Ain't Seen Nothin' Yet" August 2, 1941 May 7, 1941 12, 1941 I31/2 x lmin. (34.3 x 36.2 cm) 13% x 14% in. (34.3 x 36.2 cm) 13% x 14% in. (34.3 x 36.2 cm) Black ink and pen over pencil on heavy Black ink and pen over pencil on off- Black ink and pen over pencil on off- off-white paper white poster board white poster board Recto, l.r.: "Berryman / After Re- Recto, l.r.: "Berryman"; u.c: "I AL• Recto, l.r.: "Berryman"; u.c: " 'THEY nouf—" [Emile Renouf, The Helping WAYS SAID / YOU COULDN'T AIN'T / SEEN NOTHIN' / YET' "; Hand, 1881, oil on canvas, Corcoran KEEP / A GOOD MAN DOWN"; 1.1.: I.e.: "TOKIO SAYS / JAPAN IS Gallery of Art]; I.e.: "AGAIN 'THE "HAILE SELASSIE / ENTERS AD• BEING / ENCIRCLED BY / DEMOC• HELPING HAND' "; ctr.: "MUSSO• DIS / ABABA AFTER / FIVE YEARS RACIES"; ctr.: "ITALY" LINI" OF /EXILE." 43.44 43.23 43.53

919 920 "Neutrality Act" September 25, 1941 "Something Else to Think About" " of the Democracies" 13% x 14% in. (34.3 x 36.2 cm) October 14, 1941 December 5, 1941 Black ink and pen over pencil on off- 13% x 14% in. (34.3 x 36.2 cm) 13% x 14% in. (34.3 x 36.2 cm) white poster board Black ink and pen over pencil on off- Black ink and pen over pencil on off- Recto, l.r.: "Berryman"; u.c: "THIS white poster board white poster board IS THE FIRST TIME IN MY / LIFE I Recto, l.r.: "Berryman"; I.e.: "SOME• Recto, l.r.: "Berryman"; u.r.: "COME EVER HAD TO SAIL / UNDER THING ELSE TO THINK ABOUT"; ON IN, / THE KEY'S UNDER / THE FALSE COLORS NEUTRALITY / 1.1.: "AMERICA SHOULD / 'THINK MAT"; u.c: "ARSENAL / OF THE / ACT"; cl.: "REPUBLIC / OF / PAN• 50 TIMES' / BEFORE GIVING FUR• DEMOCRACIES"; I.e.: "LEASE- AMA" THER / AID TO BRITAIN. / GAN• LEND / AID"; on pants: "TURKEY" 43.40 DHI" 43.65 43.42

137 BERRYMAN

921 922 923 "Sightseeing in Washington" ca. 1941 "... The War Cabinet Is Using the "Adolf, Do You See What I See?" 13% x 14 in. (34.3 x 35.5 cm) Room" ca. 1941 January 28, 1942 Black ink and pen over pencil on off- 13% x 14% in. (34.3 x 36.2 cm) 13% x 14% in. (34.3 x 36.2 cm) white poster board Black ink and pen over pencil on off- Black ink and pen oVer pencil on off- Recto, l.r.: "Berryman"; 1.1.: "Sightsee• white poster board white poster board ing in Washington ATLANTIC Recto, l.r.: "Berryman"; u.r.: "CABI• Recto, l.r.: "Berryman"; u.r.: "A E F/ CHARTER / NOT SIGNED AUGUST NET ROOM F.D.R. WOULD YOU LANDS ON BRITISH SOIL"; u.l.: 14, 1941 / THE ORIGINAL COPY IS FOLKS / MIND COMING BACK "ADOLF DO / YOU SEE / WHAT I NOT / HERE ON EXHIBITION— / LATER? / THE WAR CABINET IS SEE?" THERE ISN'T ANY"; u.l.: "NOW USING / THE ROOM"; u.l.: "CABI• 43.28 GENTLEMEN YOU DON'T / SEE NET / MEETING / TODAY"; ctr., HERE THE ATLANTIC CHARTER"; -clockwise: "HULL", "MOR- u.c: "NOTE THOSE / NOBLE PRIN• GENTHAU", "BIDDLE", CIPLES I CAN'T SEE A THING"; on "WALKER", "ICKES", "WICK- hats: "F.D.R." / "GUIDE", "CHUR• ARD", "JONES", "PERKINS" CHILL", "STALIN" 43.61 45.27

925 926 "Good Work Winston ..." January "John Q. Public" March 15, 1942 "You Can Lead a Horse to Water, 30, 1942 13% x 14% in. (34.3 x 36.2 cm) But—" ca. 1934-1944 13% x 14% in. (34.3 x 36.2 cm) Black ink and pen over pencil on off- 13% x 14% in. (34.3 x 36.2 cm) Black ink and pen over pencil on off- white poster board Black ink and pen over pencil on off- white poster board Recto, l.r.: "Berryman"; u.l.: "WHO white poster board Recto, l.r.: "Berryman"; I.e.: "HOUSE IS THE / LITTLE FELLOW, Recto, l.r.: "Berryman"; I.e.: "YOU VOTES / DECLARATION / OF WAR HENRY? / WHAT HAS HE BEEN / CAN LEAD A HORSE TO WATER, / 388-1"; on chair: "F.D.R."; u.c: DOING?"; u.c: "HE'S THE COOR• BUT—"; u.l.: "HE'S A / STUBBORN "GOOD WORK WINSTON. /1 SEE DINATOR / OF ALL OUR EF• / CRITTER"; cl.: "PAUL"; on water YOU ALSO BE- / LIEVE IN KEEP• FORTS. / HE'S JUST FINISHED HIS trough: "ADMINISTRATION TAX ING ALIVE / THE OPPOSITION"; / COORDINATING FOR / 1941"; on PLAN"; on hat: "MORGENTHAU"; on chair: "CHURCHILL"; c.r.: "PAR• hat: "MORGENTHAU"; ctr.: "JOHN u.r.: "DOUGHTON"; ctr.: "HOUSE LIAMENT / VOTES CONFIDENCE / Q. PUBLIC"; u.r.: "INCOME / MAJORITY" IN CHURCHILL / 464-1" TAXES / RECEIVED / HERE"; c.r.: 43.45 43.41 "MARCH / 15 / DEADLINE" 43.52

138 BERRYMAN

927 928 929 "Uncle Had a Little Lamb . . ." April "But What Would Adam Say?" May "They've Just Begun to Fight" ca. 1942 10, 1942 10, 1942 13% x 14% in. (34.3 x 36.2 cm) 13% x 14% in. (34.3 x 36.2 cm) 13% x 14% in. (34.3 x 36.2 cm) Black ink and pen over pencil on off- Black ink and pen over pencil on off- Black ink and pen over pencil on off- white poster board white poster board white poster board Recto, l.r.: "Berryman"; u.r.: "JOHN Recto, l.r.: "Berryman"; u.r.: "UNCLE Recto, l.r.: "Berryman INCOME PAUL JONES"; u.c.: "YOU CAN HAD A LITTLE LAMB / ITS TAX"; u.r.: "BUT WHAT / WOULD TAKE / IT FROM ME, UNCLE, / FLEECE WAS WHITE AS SNOW / ADAM / SAY?"; u.l.: "SALES / THEY'VE JUST BEGUN / TO EVERYWHERE THAT UNCLE TAX"; on serpent: "CONGRESS" FIGHT"; I.e.: "REPORT ON PEARL WENT / THE LAMB WAS SURE TO 45.29 HARBOR / THE ENTIRE BAL• GO."; stickers on suitcase: "SOUTH / ANCE OF / THE PACIFIC FLEET AFRICA SOUTH AMERICA AT• ARE ALL / AT SEA SEEKING CON• LANTIC / CHARTER CONFER• TACT / WITH THE ENEMY' " ENCE MOSCOW LONDON 55.27 DEMOCRATIC / NATIONAL CON• VENTION / CHICAGO"; I.e.: "HOP• KINS / AND MARSHALL / REACH / LONDON" 43.68

930 931 932 "Another Form of 'Watchful Waiting' " Andrew Jackson" September 13, 1943 "G.O.P. Sweepstakes" 1944 1942-1945 13% x 14% in (34.3 x 36.2 cm) 13% x 14 in. (34.3 x 35.5 cm) 18% x 14% in. (47 x 36.2 cm) Black ink and pen over pencil on off- Black ink and pen over pencil on off- Black ink and pen over pencil on cream white poster board white poster board poster board Recto, l.r.: "Berryman"; u.r.: "ANDY Recto, l.r.: "Berryman"; top, 1. to r.: Recto, l.r.: "Berryman"; c.l.: "Another WOULD YOU MIND / GETTING "G.O.P. SWEEPSTAKES IT'S THE Form of 'Watchful Waiting' "; u.r.: DOWN AWHILE? / I'VE GOT AN• QUEEREST / RACE I EVER SAW "PUBLIC / BATHING BEACH / OTHER TENNESSEE BOY / HERE BUT AT LEAST YOU'VE / GOT WILL NOT OPEN FOR / 10 DAYS" AND I WANT HIM TO HAVE / A MORE THAN ONE MAN / RAC• Gift of Elizabeth Styron 59.27 RIDE"; on hats: "TENNESSEE", ING"; on hats: "TAFT", "HANNE- "HULL"; 1.1.: "ANDREW JACKSON" GAN"; c.l.: "BRICKER"; ctr.: Gift of Florence S. Berryman, daughter "DEWEY" of the artist 55.26 45.30

139 BERRYMAN

933 934 935 "Jonah?" ca. 1944-1945 "International Cooking School" "These are the Arts Club's Guests of 13% x 14 in. (34.3 x 35.5 cm) January 16, 1945 Honor ..." March 1, 1945 Black ink and pen over pencil on off- 13% x 14 in. (34.3 x 35.5 cm) 16n/i6 x 13n/i6 in. (42.5 x 34.8 cm) white poster board Black ink and pen over pencil on off- Black ink and pen over pencil on off- Recto, l.r.: "Berryman"; I.e.: white poster board white poster board "Jonah?"; ctr.: "NEW DEAL"; 1.1.: Recto, l.r.: "Berryman"; u.r.: "INTER• Recto, I.e.: "C. K. Berryman"; u.r.: "SOUTHERN / DEMOCRATS"; on NATIONAL / COOKING / SCHOOL "THESE ARE THE / ARTS CLUB'S hats: "F.D.R.", "WALLACE" MOVE / OVER"; on cooking pots: GUESTS / OF HONOR THIS EVE• 45.31 "VANDENBERG / RECIPE", "CON- NING— / IF THEY DON'T LOOK NALLY / RECIPE", "WHEELER / LIKE THIS / TONIGHT, MAYBE RECIPE" THEY'VE BEEN / SEEING NIGHT 45.32 MARES / LATELY!"; u.l.: "COR• CORAN GALLERY OF ART / COM• MITTEE OF SELECTION / NINE• TEENTH BIENNIAL / EXHIBI• TION"; faces clockwise from top: "MILLER / CHAIRMAN", "PITT- MAN", "DODD", "SOYER", "LAHEY" 45.25

936 937 938 "When Do We Eat?" ca. 1945-1946 '7 Think I Hear Somebody Knocking" "... Uncle Sam with a Chip on Each 13% x 14% in. (34.3 x 36.2 cm) ca. 1945-1946 Shoulder ..." February 23, 1947 Black ink and pen over pencil on off- 13% x 14 in. (34.3 x 35.5 cm) 13% x 14% in. (34.3 x 36.2 cm) white poster board Black ink and pen over pencil on off- Black ink and pen over pencil on off- Recto, l.r.: "Berryman"; c.r.: "POST white poster board white poster board WAR / FOOD PLANS"; u.r. on hats: Recto, l.r.: "Berryman"; on and around Recto, l.r.: "Berryman"; u.l.: "IS "F.D.R. CHURCHILL"; u.l.: "WHEN doors, 1. to r.: "POLISH / BORDER / THAT THE PICTURE / YOU WANT / DO WE EAT?"; c.l.: "STALIN" BIFF / BIFF / BIFF! / BANG / BANG TO SEE?"; on chair: "VANDEN- 43.64 / BANG! FRENCH / BORDER / BER[G?]"; 1.1.: "WE DARE NOT BANG / BIFF / BANG! / BANG! PRESENT TO / THE WORLD THE BELGIAN / BORDER / BANG! / PICTURE OF / UNCLE SAM WITH BANG! / BIFF! / BIFF! / BIFF! / A CHIP ON / EACH SHOULDER BANG! / BIFF"; ctr.: "I THINK I AND BOTH / ARMS IN A SLING" HEAR / SOMEBODY / KNOCK• 55.25 ING"; on hat: "HIMMLER" 45.26

140 BERRYMAN

939 940 941 "Nice Little Bird" 18% x 14% in. (47 "The New Uncle Sam" "The Senate Committee on Library is x 36.2 cm) 19% x 143/i6 in. (48.9 x 36.1 cm) Embarrassed by the Necessity at Choos• Black ink and pen over pencil on off- Black ink and pen over pencil on off- ing Between Rival Busts of Theodore white poster board white poster board Roosevelt..." Recto, l.r.: "Berryman"; ctr.: "NICE / Recto, l.r.: "Berryman"; I.e.: "THE 18% x 15% in. (46.4 x 38.5 cm) LITTLE / BIRD"; c.l.: "PEACE" NEW UNCLE SAM"; clockwise from Black ink and pen over pencil on white 43.47 ctr.: "REDUCED / SICK LEAVE poster board LONGER / HOURS 30-YEAR OLD / Recto, l.r.: "Berryman"; 1. to r. at bot• PAY SCALE FEWER CLERKS"; on tom: "THE SENATE COMMITTEE sign post: "TO / ASSOCIATED / ON LIBRARY IS EMBARRASSED CHARITIES" BY THE NECESSITY OF CHOOS• 43.51 ING BETWEEN RIVAL BUSTS / OF AS VICE PRESIDENT, FOR THE SENATE CHAMBER"; u.l.: "WHAT / MAKES 'EM / SO QUIET / UNCLE?" 43.57

942 Wilson Irvine 1869-1936 943 944 1869-1933 Imp of the Plains ca. 1930 Winter ca. 1930 Self-Portrait: Interior of My New York 15 7 7 7 8 /i6 x 5 /i6in. (21.4 x 15.2 cm) 7 /s x 6 /s in. (20 x 17.5 cm) Apartment 1927 Oil paint, watercolor, and pastel on Oil paint and watercolor on cream pa• 13% x 20% in. (33.3 x 51.1 cm) light-beige paper per Watercolor over pencil on white paper Recto, l.r.: "IRVINE" Recto, 1.1.: "IRVINE" laid down Bequest of Bessie Potter Vonnoh Keyes Bequest of Bessie Potter Vonnoh Keyes Recto, l.r.: "George luks—27" 55.57 55.58 Gift of William L. Harding 1979.103

141 LUKS

Marietta Minnigerode 1869-1931 Central Pk / W 70th St / J. F. Minis, CSA student 1888-1889; faculty 1890- Forsyth Park Savannah Ga. / W. Bruce 1895 St. John New Brunswick Canada Sketchbook [includes two drawings by S.P.M. / Charles F. Dole Boston (Ja• Mary Lord Andrews, daughter of the maica Plain) Mass. U.M. / J. artist (entry 1002) and a Mr. Herndon Spot[ti?]swood Taylor University of (entry 1004)] Virginia F.F.V. / Jennie E. Taylor 119 37 leaves, 2 torn out, 8 blank on both West 47th St City / W. A. Taylor, " recto and verso [ditto marks referring to preceding ad• 915/i6 x 107/s in. (25.4 x 27.7 cm) dress] / Robertson Trowbridge New Black leather binding, embossed in gold York N Y. 3 East 74th St. a.y." 945 on the cover: "MARIETTA MINNI• Black ink and pen on white paper "George Luks and Bea Evan" GERODE / May 28th, 1892"; gold- 1976.33.1 3 6 /4 x 8% in. (17.1 x 21 cm) tooled on the inside edge of the cover Pencil and black waxy crayon on cream Gift of Mrs. Armistead Peter III paper 1976.33.1-76 Recto, l.r.: "George Luks and Bea Evan" 946 947 Gift of Mark B. Sandground 68.5 •!• List of Fourteen Names and Addresses 4» List of Eight Names and Addresses "Steamship 'Fulda'—Atlantic Ocean, (Continuation from First Page) June 3 (92/(In sight of the Azores.) / "Anna E. Redifer, State College, Pa. Francis White Baltimore / Alice H. Fox C.I. / Susanna M. Price 2011 DeLancey 45 West 33rd St. N.Y. / Jane M. R. Place Phila. Pa. / William Mc[Elroy?] Goodnow 32 [Renczen?] St. Brooklyn 170 State Street- Albany, N.Y. / George N.Y. / Mrs. Henry Upham + The W. Stedman 445 Broadway Albany Misses Greene 354 + 432 Marlborough N.Y. / Charles Thalenhorst Capt. of St., Boston / Mass / Edward K. Stevens S.S. Fulda / S. Parkman Blake 39 Newport / Dorothy Armory Longwood B[rimm]ner St Boston / Wm T. Mass / Frank J. Goodnow 25 West 74th Andrews 119 Beacon St Boston / St. P.L. / Sdn Remo Philip Sidney Twells 1 U.S.D.C., Philip Stanley Twells J Naples, Italy" Black ink and pen on white paper 1976.33.2

948 Ten Sketches: Men and Children 1892 Pencil on gray paper u.l.: "this side down)"; u.c: "Fulda" 1976.33.3

949 950 951 Nine Sketches: Men and Women Includ• Eight Sketches: Men, Women, and Chil• Five Sketches: Men, Women, and a ing "Dari," "Unknown Party," "The dren Including "Steerage Passengers" Rooster 1892 Rev. Bruce," and "Mrs. Minis" 1892 and "A Modern Madonna" 1892 Pencil on white paper Black ink, pen, and pencil on gray paper Black ink, pen, and pencil on white pa• I.e.: "Steerage"; u.c: "ROOSTER" u.c: "Fulda";u.l. to 1.1., below respective per 1976.33.6 sketches: "Dari / Unknown Party. / The I.e.: "A Modern Madonna—"; u.c: Rev. Bruce. / Mrs. Minis." "Fulda"; c.r.: "SteeragePassengers" 1976.33.4 1976.33.5 142 MINN IGE RODE

952 953 954 Five Sketches: Figures of Men and Two Sketches: Antonio Galassi and "Skylines of the Island of Graciosa, Women Including "Americano," "[Al• "Little Sisters" 1892 Azores" June 3, 1892 ice?] Clarkson," and "H. Stuyvesant Black ink, pen, and pencil on gray- Pencil on gray-green paper Dudley" June 3, 1892 green paper u.r.: "Skylines of the island / of Gra• Pencil on gray-green paper u.r.: "Fulda"; l.r.: "little sisters"; 1.1 ciosa / Azores— / June 3. 92" l.r.: [Alice?] Clarkson / H. Stuyvesant "Basso" 1976.33.10 Dudley / June 3, 1892"; u.c: "Fulda"; 1976.33.9 u.r.: "Americano" 1976.33.7 [1976.33.8: blank page]

955 956 Eight Sketches Including "The Foot of Three Seascapes: "St. , Coast of the Chief Engineer of the Sultan of Mo• Portugal," "St. Vincent," and "Sagres, rocco," "The C.E.O.T.S.O.M., A Fine- Portugal" 1892 Built Man!" "Unknown Party," "R. Pencil on white paper Trowbridge, Poet," and "S. T " 1892 u.l.: "St. Vincent / Coast of Portugal"; Black ink, pen, and pencil on white pa• u.c: "MM"; c.r.: "St. Vincent M.M."; per l.r.: "Sagres—Portugal—" l.r.: "S.T."; c.l.: "The C.E.O.T.S.O.M. 1976.33.12 / A Finebuilt Man!"; u.l.: "The foot of the / Chief Engineer of / The Sultan of / . Perhaps / you have seen him."; u.c: "Fulda"; c.r.: "R. Trowbridge/poet"; ctr.: "Unknown Party" 1976.33.11

957 958 Three Sketches: Coastal Views of Three Sketches: Coastlines 1892 "Spain," "Morocco," and "Africa" Pencil on gray paper 1892 l.r.: "3"; ctr.: "1"; 1.1.: "2" Pencil on gray paper 1976.33.14 u.r.: "Spain"; c.l.: "Morocco"; I.e.: "Africa Morocco" 1976.33.13

143 MINNIGERODE

959 960 961 Thirteen Sketches: "A Spanish Cava• Four Sketches Including "Island of Ma• Four Sketches: A Woman, Landscape, lier," Men, Women, and a Harbor jorca," Landscapes, and Profiles 1892 and Two Pairs of Feet 1892 Scene, "Gibralter" June 6, 1892 Pencil on white paper Pencil, black ink, and pen on gray pa• Black ink pen, and pencil on white pa• u.l.: "Island of Majorca" per per 1976.33.16 u.l.: "Study in Foots [sic]"; c.r.: u.r.: "Gibraltar, June 6, 1892. / 'A "Rome—July 1892"; u.r.: "Iviza, Bal• Spanish Cavalier' " earic lies / June 7. 92"; 1.1.: "Ditto" 1976.33.15 1976.33.17

962 963 964 "Outline of Vesuvius from Sorrento" "Street in Leghorn Opposite the Ca• Three Sketches of Pisa: "The Young 1892 thedral" June 11, 1892 Godfather," "From the in the Pencil on gray paper Pencil on white paper Campo Santo . . . Purgatory," and u.r.: "Outline of Vesuvius, from Sor• l.r.: "M M."; c.L: "Street in Leghorn/ "Poppies from Pisa" 1892 rento" Opposite the Cathedral— / June 11th— / Black ink, pen, pencil, and watercolor 1976.33.18 1892" on white paper 1976.33.19 1.1.: " 'The Young Godfather' / From life in the Baptistry of Pisa"; I.e.: "From the Fresco in the Campo Santo / at Pisa—Purgatory / Powers of Good and Evil / contending"; c.L: "Poppies / from / Pisa"; u.r.: " 'The Young Godfather' / From life in the Baptistery of Pisa" 1976.33.20

965 966 Four Sketches: Two Donkeys ("Michael- Three Sketches: "Petrified Remains of a angelo" and ""), Woman on a Man," "Sitting Mercury—Bronze from Donkey, and a Window with Flower Pots Pompeii," and Striding Classical Male , 1892 Figure 1892 Pencil on white paper Pencil on white paper u.l.: "Michaelangelo"; c.L: "Capri, I.e.: "Petrified remains / of a man Pom• June 17 / 1892"; 1.1.: "Raphael Miss peii / (sweetly pretty)"; l.r.: "Sitting D.T. on a D."; c.r.: "Roma— / '92" Mercury— / Bronze from / Pompeii / 1976.33.21 (Museo at Naples)" 1976.33.22 MINNIGERODE

967 968 969 Two Sketches of Pompeii: "Temple of Sketch of Temple Ruins 1892 Thirteen Sketches: Classical Heads, Venus" and "Maiden Hair, from the Pencil on gray paper Classical Male Nude, Female Heads, House of Glaucus" June 1892 1976.33.24 Babies, and Children, "Rome" June Pencil on gray paper 23, 1892 1.1.: "Temple of Venus, / Pompeii, June Pencil on white paper 1892"; u.r.: "Maiden Hair, from the u.c.: "Rome June 23—92" house / of Glaucus, Pompeii" 1976.33.25 1976.33.23

1

970 971 972 Three Sketches: Woman Holding a "From My Window—Rome" June 26, Romanesque Church with Tower 1892 Baby, Young Boy, Woman Hanging 1892 Pencil on white paper Clothes 1892 Pencil on white paper 1976.33.28 Pencil on white paper I.e.: "From / my window / Rome, June c.r.: "One of Miss Turner's / Neapoli• 26—'92 / (7.30 to 8 PM)" tan / friends"; I.e.: "on the house top" 1976.33.27 u.l.: "From Memory" 1976.33.26

973 974 975 Five Sketches: Boys, Woman Standing in Ruins 1892 Man Wearing Hat and Glasses, "after Archway, and "Tower of Villa di Malta, Pencil on white paper Carlo Dolci" July 1892 Roma" 1892 1976.33.30 Pencil on gray-green paper Black ink, pen, and pencil on white pa• I.e.: "After / Carlo Dolci, / Florence, per July 1892" c.r.: "Tower of Villa di Malta— 1976.33.31 Roma— / From the Terrace"; 1.1.: "Ro• man Fruit-stand" 1976.33.29 145 MINNIGERODE

976 977 978 Man and Woman Playing Chess 1892 Three Sketches: Bust of a Veiled Woman, Two Sketches: Gondoliers 1892 Pencil on gray-green paper Seated Woman, and a Young Boy Black ink, pen, pencil, heightened with 1976.33.32 1892 Chinese white on gray-green paper Pencil and watercolor on gray-green pa• u.c: "A Gondolier." per 1976.33.34 1976.33.33

979 980 981 Five Sketches: Man and Boy, Men in "Venice" July 1892 Five Sketches: Boats and Seacoast 1892 Rowboats, Harbor View, Seacoast View Watercolor on white paper Pencil on white paper 1892 l.r.: "Venice / July '92" 1976.33.37 Pencil and watercolor on white paper 1976.33.36 1976.33.35

982 983 984 Three Sketches: A Black Woman, Boy Two Sketches: Head of a Black Woman Two Sketches: Pier and Sailboats Super• and Butterfly, and Still Life October 7, and "An Alley Gate in Alexandria, Va." imposed over a Female Head October 1892 ca. 1892-1893 15, 1892 Pencil on white paper Pencil on white paper Pencil on white paper l.r.: "One of 'the Old Folks at Home' / l.r.: "An alley gate in Alexandria, Va." l.r.: "M. Minnigerode / Oct. 15 '92" Oct. 7, '92" 1976.33.39 1976.33.40 1976.33.38 [1976.33.41: blank page]

146 MINNIGERODE

985 986 987 Four Sketches: Sailboat, Seated Man and Two Sketches: A Holly Branch, Woman View of a Hillside October 23,1892 Girl, Seated Man, and Head of a Man ("Gabrielle") Walking on the Shore Watercolor on white paper ca. 1892-1893 March 1894 I.e.: " 'Palmerstone' / Oct. 23—'92" Pencil on gray paper Watercolor on white paper 1976.33.44 1976.33.42 I.e.: " 'Gabrielle' / March '94" 1976.33.43

988 989 990 "In Ladies Waiting Room, The Plains" Woman Standing at an Easel ca. 1892- Two Women Seated ca. 1892-1893 [Virginia], Six Sketches: Busts of Men in 1893 Pencil on gray-green paper Hats, A Black Boy Standing, A Black Watercolor on gray paper 1976.33.47 Boy Seated ca. 1892-1893 1976.33.46 Pencil on gray paper I.e.: "in 'ladies / waiting room' / the Plains R.R. / Station" 1976.33.45

991 992 993 Four Sketches: A Woman, Boy Lying Eight Sketches: Young Boy Holding An• Four Sketches of An Older Black Woman Down, Young Boy, and Seated Man imal and Seven Sketches of Cats ca.1892 Reading a Newspaper ca. 1892-1893 December 29, 1892 Pencil on white paper Pencil on gray-green paper Pencil on white paper u.c: "too / complimentary" 1976.33.48 I.e.: "Child, with / animal of unknown / 1976.33.50 species—MM / Dec. 29—'92" [1976.33.51-55: blank pages] 1976.33.49

147 MINNIGERODE

994 995 996 Man Seated at Fireplace Poking Coals "Fashions of 93, Quantico" [Virginia], Two Sketches: Woman Seated on the March 31, 1893 Seven Sketches: Heads of Men and Floor Reading and Young Girl Seated Pencil on white paper Women Wearing Hats, Figures, Land• on Ground March 1, 1894 l.r.: "Richmond / Mar. 31, 93"; 1.1.: scape with Rocks March 31, 1893 Pencil and watercolor on white paper "The mo' I study 'bout' it, the more I Pencil on gray-green paper I.e.: "Mar 1—94—" b'lieve the / Gov'ment'll pay us back for l.r.: "Quantico Mar. 31, 93"; u.c: 1976.33.59 them niggers." "Fashions of '93" 1976.33.56 1976.33.58 [1976.33.57: blank page]

997 998 999 Five Sketches: Young Girls, A Man, "Visions of Rest, Elmwood," Three Two Sketches: Woman Playing a Guitar Church Steeple, Faces ca. 1893-1894 Sketches: Sleeping Black Woman, ("The Spanish Fandango"), Girl Pencil on white paper Woman Combing a Child's Hair, and Reading February 27, 1894 1976.33.60 Profile of a Woman August 10, 1893 Pencil on white paper Pencil on white paper l.r.: "?"; I.e.: " 'The Spanish / Fan• u.r.: "Visions of Rest / Elmwood / Aug. dango' " / Feb. 27, '94" 10, '93" 1976.33.62 1976.33.61

148 MINNIGERODE

1000 1001 1002 Mary Lord Andrews "Karl in Side-Whiskers" February 26, "Pride of the Harem," Assorted "Judith Boswell" February 1, 1908 1894 Sketches of Women in Hats July 6, Pencil on white paper Pencil on white paper 1894 ctr.: "Judith Boswell / by Mary Lord l.r.: "Karl in / side whiskers / Feb. 26— Pencil on white paper Andrews / Feb. 1, 1908" 94— / by request—" l.r.: "P.O.T.H."; 1.1. "9.30. P.M. / Sun• 1976.33.71 1976.33.63 shade"; u.r.: "Shinnecock / July 6-94"; [1976.33.64 and 65: blank pages] 6—94"; u.c: "Pride of the Harem" 1976.33.66 [1976.33.67-70: blank pages]

1005 •!• List of Names and Sketch of a Man or Woman Pencil and charcoal on white paper u.r.: "Parlo / Anglaise"; u.l. to 1.1.: "Room 145 / Store 5.00 / Chase 30.00 / George 1.50 / Gray 40 / Budd 5.00 / 7.00 Anne / 89.00"; 1.1.: "Cooper of Va. Balls Studio Florence / 52 Via Giulio Romana Misses Mary and Susie Taylor" 1976.33.76

1003 Marietta Minnigerode 1004 Marietta Minnigerode and Mr. Herndon Children Listening to an Old Man Four Sketches: Figures of Men and ca. 1893-1894 Women Including a Portrait of Marietta Pencil on white paper Minnigerode by Mr. Herndon ca. 1976.33.72 1892-1894 [1976.33.73: blank page] Pencil, charcoal, and watercolor on gray-green paper u.r.: "Mr. Herndon's / Sketch of me— from life"; l.r.: "My terrible / revenge (a speaking / likeness)"; I.e.: "My how 'skitters bite" 1976.33.74 [1976.33.75: blank page]

149 MINNIGERODE

The following 15 works by Minnigerode, entries 1006-1020, were not part of the sketchbook. Entries 1007-1020 were gifts of Mrs. Armistead Peter III.

1006 1007 Daisies and Queen Anne's in a Sailboats on the Sea ca. 1890 Vase July 18, 1890 6 x 9 in. (15.2 x 22.9 cm) 5 ll /8 x 9 in. (29.6 x 22.9 cm) Watercolor on off-white paper Watercolor and pencil on cream paper 1976.33.87 Recto, l.r.: "M M. / July 18, 1890." Gift of Clement E. Conger 1977.14

1008 1009 1010 "From my Window, " June 9, "Glimpse of the Palazzo Doria, Genoa" "Between Genoa and Naples" June 12, 1892 June 1892 1892

llVi x 9 in. (29.2 x 22.9 cm) 97s x 9 in. (25.1 x 22.9 cm) 5V4 x 9 in. (13.4 x 22.9 cm) Watercolor on off-white paper Watercolor on off-white paper Watercolor on off-white paper Recto, I.e.: "M. Minnigerode"; 1.1.: Recto, 1.1.: "Glimpse of the / Palazzo Recto, l.r.: "M. Minnigerode"; 1.1.: "From my window, / Genoa, June 9. / Doria, / Genova, / June '92" "Between / Genoa & Naples / June 12, 1892" 1976.33.92 1976.33.93 / 1892" 1976.33.88

1011 1012 1013 "A Window, Rome" 1892 "Drunken Faun, Museo at Naples "A Neopolitan Beggar" ca. 1892 WVi x 9 in. (29.2 x 22.9 cm) (Bronze from Pompeii)" 1892 97/s x 6% in. (25.1 x 16.2 cm) Watercolor on off-white paper 5 x 69/i6 in. (12.7 x 16.8 cm) Watercolor on off-white paper Recto, l.r.: "A window / Rome / 92." Watercolor on white paper Recto, l.r.: "A Neopolitan / Beggar—" 1976.33.85 Recto, l.r.: "Drunken Faun, / Museo at 1976.33.90 Naples— / Bronze from Pompeii" 1976.33.81

150 MINNIGERODE

1014 1015 1016 "Miguel, the 'Donkey Boy' " June 1892 "From the House of Glaucus, Pompeii" "Terme di Caracalla, Roma" [flowers] lOVie x 9 in. (25.6 x 22.9 cm) June 1892 July 4, 1892 Watercolor on off-white paper IIV2 x 9 in. (29.2 x 22.9 cm) 83/4 x 9 in. (22.3 x 22.9 cm) Recto, l.r.: "M. Minnigerode / Sor• Watercolor and pencil on off-white pa• Watercolor on off-white paper rento, June '92"; I.e.: "Miguel, the per Recto, 1.1.: "Terme di / Caracalla, / 'donkey boy' " Recto, u.l.: "From the / House of Glau• Roma— / July 4, 92" 1976.33.91 cus, / Pompeii, / June '92" 1976.33.86 1976.33.80

1017 1018 Head of a Woman January 1893 Recto: Profile of a Man's Head Verso 1976.33.77

3 3 7 /s x 8 /4 in. (18.6 x 22.2 cm) March 24, 1893 Charcoal on white paper Verso: Sketch of a Seated Girl 3 3 Recto, 1.1.: "M.M. Jan. '93" 9 /4 x 9 /s in. (24.8 x 23.8 cm) 1976.33.79 Charcoal on off-white paper Recto, l.r.: "Mar. 24 / '93" 1976.33.77

1019 1020 Attributed to Marietta Minnigerode 1021 Unidentified Artist late 19th century Boy in Rainclothes Holding a Toy Boat 1869-1931 Standing Angel ca. 1900-1920 Female Figure Holding a Candle HVs x 5Vs in. (28.3 x 13.3 cm) 3 10% x 6Vs in. (25.8 x 15.9 cm) 9 x 5 /4 in. (22.9 x 14.7 cm) Watercolor on white paper Pencil on white paper Pen and black ink on white paper Gift of Mrs. Armistead Peter III 1976.33.83 1976.33.84 1976.33.78

151 UNIDENTIFIED

1022 Unidentified Artist 19th century 1023 William J. Glackens 1870-1938 1024 Scene of a Bay [Italian?] Papa Carry Me Up in Your Arms [illus• Three Sketches of Women Standing by a 45/i6 x 69/i6 in. (11 x 16.7 cm) tration for "The Husbands," in Edmond Park Railing ca. 1905 3 Watercolor on white paper and His Cousin, by Charles P. DeKock, 7 /4 x 15V16 in. (19.7 x 38.3 cm) Gift of Mrs. Armistead Peter III Boston, 1904] ca. 1904 Charcoal on brown paper laid down 1976.33.89 12n/i6 x 10 in. (32.2 x 25.4 cm) Museum Exchange through a gift of Pencil, black ink with brush, and char• Mrs. William J. Glackens, wife of the artist coal on heavy cream paper 48.50 Recto, 1.1.: "W. Glackens" Gift of Mrs. William J. Glackens, wife of the artist 43.15

1025 1026 1027 1870-1953 "I Went Down that there Slide Faster Reclining Female Nude ca. 1910 Fields and Sky 1913 5 3 n 3 than the Empire State Express" 1910- 10 /i6 x 15 /4 in. (27.1 x 40 cm) 13 /s x 16 /4 in. (34.6 x 42.5 cm) 1913 Sanguine and blue pastels and chalk on Watercolor over pencil on white paper 12 x 14% in. (30.5 x 36.8 cm) gray paper laid down Recto, l.r.: "MARIN" Conte crayon with Chinese white on Recto, l.r.: "W Glackens" Gift of Francis Biddle 59.36 white paper Gift of Mrs. William J. Glackens, wife Recto, 1.1.: "W. Glackens"; verso: "I of the artist 48.51 Went Down that there Slide Faster than the Empire State Express" Gift of Mrs. William J. Glackens, wife of the artist 43.16

152 MARIN

1028 1029 Augustus Vincent Tack 1870-1949 1030 "Flint Isle No. I" [Maine] 1947 Nude Female Torso Standing Female Figure in Classical Cos• 153/4 x 207s in. (40 x 52.8 cm) 163/i6 x 10 in. (41 x 25.4 cm) tume I [study for a mural?] Watercolor over pencil on heavy white Red chalk on cream paper 127/i6 x 47s in. (31.6 x 12.4 cm) paper Recto, l.r.: "To W B D F / Augustus Pencil over and under fine-etched and Recto, l.r.: "Marin 47"; verso, ctr.: "20 Vincent Tack" erased lines on off-white, glossy-surfaced / Flint Isle / No. 1" Museum Purchase, Anna E. Clark Fund poster board Gift of the Women's Committee 57.9 54.3 Museum Purchase, William A. Clark Fund 1974.92

1031 1032 1033 Standing Female Figure in Classical Cos• Standing Female Figure in Classical Cos• Sketch of Two Figures [study for a mu• tume II [study for a mural?] tume III [study for a mural?] ral?] l 5 3 1215/i6 x 67 in. (32.8 x 15.6 cm) 12 /s x 4 /4 in. (32.1 x 12.1 cm) 8 12A x 87i6in. (31.2 x 21.1 cm) Pencil over and under fine-etched and Pencil over and under fine-etched lines Blue pencil and red chalk on ecru trac• erased lines on off-white, glossy-surfaced on off-white, glossy-surfaced poster ing paper laid down poster board board Recto, l.r.: "T" Museum Purchase, William A. Clark Fund Museum Purchase, William A. Clark Museum Purchase, William A. Clark 1974.93 Fund 1974.94 Fund 1974.95

153 TACK

1034 1035 1036 Three Angels [study for a stained glass Two Standing Female Figures in Classi• "In Memoriam—Charles J. Dunlap" window] cal Costume [study for a mural?] [study for a stained glass window?] ca.

5 15 3 13 8 /s x 5 /i6in. (21.9 x 15.1 cm) 12 /8 x 8 /i6in. (31.5 x 21.9 cm) 1900 Pencil on off-white paper Pencil over and under fine-etched and Two sheets: tissue (a): 1713/i6 x 103/4 in. Museum Purchase, William A. Clark erased lines on off-white, glossy-surfaced (45.3 x 27.3 cm) and paper (b): 1315/i6 Fund 1974.96 poster board x ll13/i6 in. (35.4 x 28.4 cm) mounted Museum Purchase, William A. Clark Fund on poster board: 21Vi x 145/s in. (54.5 1974.98 x 37.2 cm) Pencil on tissue and cream paper glued on poster board Recto (a), I.e.: "1800 . . IN MEMO• RIAM . . 1900 / CHARLES J. DUN- LAP / BLESSED ARE THE PURE OF HEART" Museum Purchase, William A. Clark Fund 1974.97a,b

1037 H. Anthony Dyer 1872-1943 Recto: The Road That Leads Them Verso 13.4 Home Verso: Two Sketches of a Shepherd 2913/i6 x 2115/i6 in. (75.7 x 55.7 cm) Watercolor and pencil on cream-sur• faced artist's board Recto, 1.1.: "H.A. Dyer" Museum Purchase 13.4

1038 1039 1040 Landscape with Buildings and Man "Katwick Binnen" "New Forest" HVie x 1415/i6 in. (28 x 37.8 cm) 11 x 15 in. (28 x 38.1 cm) 1015/i6 x 1415/i6 in. (27.9 x 38.9 cm) Watercolor and pencil on creamy-white Watercolor and gouache over pencil on Watercolor, gouache, and pencil on paper laid down creamy-white paper laid down creamy-white paper laid down Recto, 1.1.: "H. A. Dyer" Recto, l.r.: "H. A. Dyer / Katwick Bin• Recto, l.r.: "H. A. Dyer / —New For• Bequest of James Parmelee 41.39 nen" est—" Bequest of James Parmelee 41.40 Bequest of James Parmelee 41.41 154 TACK

1041 1042 1043 Matilde Mueden Leisenring 1873-1949 Lily Pond Landscape, Evening CSA student 1887-1889; faculty 1902- 7 5 3 15% x 20 /s in. (40.3 x 53 cm) 15 /8 x 20 /4 in. (39.7 x 52.7 cm) 1909, 1920-1940 Watercolor, gouache, and pencil height• Watercolor on off-white paper laid Jardin des Tuileries ened with golden pastel crayon on pale- down 83/s x llVfein. (21.1 x 29.2 cm) gray flecked paper glued over composi• Recto, l.r.: "H.A. Dyer" Gouache over charcoal on brown paper tion board Bequest of James Parmelee 41.43 Recto, 1.1.: "M.M." Recto, l.r.: "H.A. Dyer" Gift of L. M. Leisenring, husband of Bequest of James Parmelee 41.42 the artist 50.5

1044 1045 Charles J. Post b. 1873 1046 Agnes Stone 1873-1958 Place de la Concorde Spanish-American War Infantrymen Mountains in Snow

9i/8x 11% in. (23.2 x 30.2 cm) ca. 1898 15 x 21% in. (38.1 x 54.9 cm)

13 3 Watercolor and gouache over charcoal 10 /i6 x 12 /4 in. (27.4 x 32.5 cm) Watercolor over pencil on off-white pa• on gray paper Watercolor, pencil, and charcoal on per Recto, 1.1.: "M. Mueden" cream paper Recto, l.r.: "Agnes Stone" Gift of L. M. Leisenring, husband of Recto, l.r.: "Post" Anonymous gift 45.2 the artist 50.6 Museum Purchase and partial gift of Mrs. Charles J. Post, wife of the artist 64.27

1047 1048 1049 Daisy Blanche King b. 1875 The Blue Pitcher Seal Trap, Isle Au Haut CSA student 1891-1893 22V2 x 153/s in. (57.2 x 39 cm) 15% x 21% in. (38.4 x 55.6 cm) "Come Along" 1891 Watercolor over pencil on heavy off- Watercolor over pencil on pale-cream Round: 8% in. diam. (21 cm) white paper paper Pen, black ink, and pencil on white paper Recto, l.r.: "Agnes Stone" Recto, l.r.: "Agnes Stone" Recto, l.r.: "D. B. King / '91"; 1.1.: Anonymous gift 45.3 Anonymous gift 45.4 "Come along" Gift of Mrs. Armistead Peter III

1976.33.82 155 ROLLE

Entries 1051-1142 are presumed to be the work of students attending the Cor• coran School of Art during the 1890s and the early decades of the 20th cen• tury. Only one individual, John Ure Perkins, a student between 1890 and 1936, has been identified.

1050 August H. O. Rolle 1875-1941 1051 John Ure Perkins 1875-1968 CSA student 1910 CSA student 1890-1936 Landscape with Birches ca. 1930 Seated Male Nude February 20, 1900 3 x 5 ll /8 x 15 /i6 in. (28.9 x 38.9 cm) 16% x \2 Vie'm. (41.8 x 32.2 cm) Watercolor on white paper Charcoal and stump heightened with Recto, l.r.: "Rolle" white on blue-gray paper Gift of Robert Fastov Recto, u.r.: "Feb. 20th 1900 / Washing• 1980.83 ton D.C. / J.U.P" X.6.78

1052 Attributed to John Ure Perkins 1053 Unidentified Artist Recto: Two Sketches of Reclining Fe• Verso X.6.77 Standing Male Nude from Rear, Facing male Nudes ca. 1900 Left Verso: Seated Male Nude ca. 1900 21 x lli/i6 in. (53.7 x 28.1 cm) 12716 x 14% in. (30.7 x 36.8 cm) Charcoal and stump heightened with Charcoal and stump heightened with white and flesh-toned pastel on blue- white chalk on blue-gray paper gray paper X.6.77 X.6.18

1054 Unidentified Artist 1055 Unidentified Artist 1056 Unidentified Artist Seated Male Nude, Chin on Left Hand Seated Male Nude, Facing Left, Left Torso of Seated Female Nude I 17 x 127s in. (43.1 x 32.7 cm) Arm Raised 127i6 x 11% in. (31.9 x 29.3 cm) Charcoal and stump heightened with 17n/i6 x 12% in. (45 x 31.1 cm) Charcoal and stump heightened with white chalk on blue-gray paper Charcoal and stump heightened with white chalk on blue-gray paper X.6.60 white chalk on blue-gray paper X.6.52 X.6.73

156 UNIDENTIFIED

1057 Unidentified Artist 1058 Unidentified Artist Recto: Torso of Seated Female Nude II Verso X.6.9 Reclining Female Nude, Right Arm Verso: Sketch of Legs Raised 3 3 13 /4x ll /4in. (34.8 x 29.7 cm) 10 x 17 in. (25.4 x 43 cm) Charcoal and stump heightened with Charcoal and stump heightened with white chalk on blue-gray paper white chalk on blue-gray paper X.6.9 X.6.20

1059 Unidentified Artist 1060 Unidentified Artist Recto (a): Torso of Seated Female Verso X.6.34b Seated Female Nude Facing Right 7 3 Nude, Right Arm Raised ll /8 x 9 /4 in. (30.1 x 25.3 cm) Verso (b): Fragment, Torso of Male Charcoal and stump heightened with Nude Charcoal and stump heightened with white chalk on blue-gray paper Lunette shaped: 95/s x 12 in. (24.5 x white chalk on blue-gray paper X.6.36 30.5 cm) X.6.34a,b

1061 Unidentified Artist 1062 Unidentified Artist 1063 Unidentified Artist Seated Male Nude Facing Right, Right Standing Male Nude, Right Arm on Standing Male Nude, Staff in Right Arm Raised Support, Staff in Left Hand Hand 16 x 12% in. (40.8 x 31.1 cm) 175/i6 x 10V6 in. (44 x 25.7 cm) l3Vi x 103/i6 in. (34.2 x 25.8 cm) Charcoal and stump heightened with Charcoal and stump heightened with Charcoal and stump heightened with white chalk on blue-gray paper white chalk on blue-gray paper white chalk on blue-gray paper X.6.19 X.6.13 X.6.50

157 UNIDENTIFIED

1064 Unidentified Artist 1065 Unidentified Artist Standing Male Nude, Kneeling on Left Recto: Seated Female Nude, Left Hai Verso X.6.71 Knee, Arms Raised to Head 13% x 93/i6 in. (34.3 x 23.3 cm) Verso: Male Nude 5 3 Charcoal and stump heightened with ll /8 x 10 /8 in. (29.6 x 26.4 cm) white chalk on blue-gray paper Charcoal and stump heightened with X.6.65 white chalk on blue-gray paper X.6.71

1066 Unidentified Artist 1067 Unidentified Artist Recto (a): Standing Male Nude, Facing Verso X.6.11b Standing Male Nude, Sword in Right Right, Left Arm Raised Hand Verso (b): Idealized Female Head [from 13% x 93/i6 in. (33.7 x 23.5 cm) an antique statue?] Charcoal and stump heightened with 15% x 11 in. (38.7 x 27.9 cm) white chalk on blue-gray paper white chalk on blue-gray paper Charcoal and stump heightened with X.6.11a,b X.6.35

1068 Unidentified Artist 1069 Unidentified Artist 1070 Unidentified Artist Standing Male Nude, Staff in Right Standing Female Nude from Rear I Standing Female Nude from Rear II Hand 10% x 93/i6 in. (25.8 x 20.7 cm) 10% x 8% in. (25.7 x 20.7 cm) 15% x 11 in. (38.8 x 28 cm) Sepia crayon and stump heightened with Charcoal and stump heightened with Charcoal and stump heightened with white chalk on beige paper white chalk on beige paper white chalk on blue-gray paper X.6.24 X.6.33 X.144.1

158 UNIDENTIFIED

1071 Unidentified Artist 1072 Unidentified Artist 1073 Unidentified Artist Seated Female Nude, Facing Left, Feet Seated Male Nude from Rear, Elbow on Standing Female Nude from Rear, on Cushion Right Knee Turned to Left 7 5 17V* x 105/i6 in. (43.6 x 26.2 cm) 101/8 x 9 in. (25.7 x 22.8 cm) 9 /8 x 8 /i6in. (25.1 x 21.1 cm) Sepia crayon and stump heightened with Sepia crayon and stump heightened with Charcoal and stump heightened with white chalk on beige paper white chalk on beige paper white chalk on coated cream paper X.6.64 X.6.30 X.6.22

1074 Unidentified Artist 1075 Unidentified Artist 1076 Unidentified Artist Reclining Female Nude, Left Arm be• Reclining Female Nude from Rear Seated Female Nude, Facing Left with

hind Head, and Small Sketch of Seated 1074 x 1678 in. (27.4 x 42.8 cm) Shield and Staff Robed Woman Charcoal and stump heightened with 16Vi6 x 127s in. (41.4 x 31.5 cm)

15 1178 x 16 /i6 in. (28.9 x 42.9 cm) white chalk on blue-gray paper Charcoal and stump heightened with Charcoal and stump heightened with X.6.4 white chalk on coated cream paper white chalk on coated cream paper X.6.75 X.6.3

1077 Unidentified Artist 1078 Unidentified Artist 1079 Unidentified Artist Seated Female Nude Facing Right, Hand Reclining Female Nude, Left Arm Seated Female Nude Facing Left, Arm on Drapery Raised Raised, and Small Sketch of Seated

n 13 167i6 x 117i6in. (41.2 x 29 cm) ll /i6 x 15 /ie in. (29.8 x 40.4 cm) Robed Figure Charcoal and stump heightened with Charcoal and stump heightened with 16*716 x 12 in. (43 x 30.5 cm) white chalk on blue-gray paper white chalk on blue-gray paper Charcoal and stump heightened with X.6.5 X.6.62 white chalk on blue-gray paper X.6.10

159 UNIDENTIFIED

1080 Unidentified Artist 1081 Unidentified Artist 1082 Unidentified Artist Seated Female Nude from Rear Seated Female Nude Facing Right, Legs Seated Female Nude Facing Left, Arms 9Vs x 103/i6 in. (24.5 x 25.9 cm) Crossed to the Left 13 3 Charcoal and stump heightened with 12 x 10 /i6 in. (30.5 x 25.8 cm) 11% x 9 /4 in. (29.2 x 24.7 cm) white chalk on blue-gray paper Charcoal and stump heightened with Charcoal and stump heightened with X.6.14 white chalk on blue-gray paper white chalk on blue-gray paper X.6.17 X.6.70

1083 Unidentified Artist 1084 Unidentified Artist 1085 Unidentified Artist Standing Female Nude, Right Arm over Seated Female Nude from Rear, Both Male Nude Reclining on Chaise Longue 7 3 Chest Arms Raised 13 /i6 x 10 /8in. (34.1 x 26.4 cm) 3 13% x 9% in. (34.2 x 23.2 cm) 12 /8 x 11% in. (31.5 x 29.5 cm) Charcoal and stump heightened with Charcoal and stump heightened with Charcoal and stump heightened with white chalk on blue-gray paper white chalk on blue-gray paper white chalk on blue-gray paper X.6.29 X.6.27 X.6.55

1086 Unidentified Artist 1087 Unidentified Artist 1088 Unidentified Artist Seated Male Nude, Left Arm Raised Standing Male Nude, Chin in Right Seated Male Nude Leaning Back, Right 1615/i6 x 1215/i6 in. (43 x 40.5 cm) Hand Arm Raised 7 3 5 Charcoal and stump heightened with 14/s x 9 /4 in. (37.8 x 24.8 cm) 12 /8x 7% in. (29.8 x 17.8 cm) white chalk on blue-gray paper Charcoal and stump heightened with Charcoal and stump heightened with X.6.53 white chalk on blue-gray paper white chalk on blue-gray paper X.6.47 X.6.31

160 UNIDENTIFIED

1089 Unidentified Artist 1090 Unidentified Artist Seated Male Nude Facing Left, Right Recto (a): Kneeling Male Nude, Left Verso X.6.48b Arm Raised Arm to Stafj\l] 7 7 Verso (b): Seated Male Nude, Arm on 12 /8 x ll /i6 in. (32.8 x 29 cm) Charcoal and stump heightened with Bent Right Leg white chalk on blue-gray paper 13 x 93/s in. (33 x 23.9 cm) white chalk on blue-gray paper X.6.54 Charcoal and stump heightened with X.6.48a,b

1091 Unidentified Artist 1092 Unidentified Artist 1093 Unidentified Artist Seated Male Nude Facing Left, Chin in Seated Male Nude with Musical Instru• Reclining Male[l] Nude, Head on Right Right Hand ment, in the Pose of Orpheus or Apollo Arm 9 7 10% x 10% in. (26.7 x 26.1 cm) 15 x 9 /i6 in. (38.1 x 24.3 cm) 9 /i6 x 16% in. (23.9 x 41.5 cm) Charcoal and stump heightened by Charcoal and stump heightened with Charcoal and stump heightened with white chalk on blue-gray paper white chalk on blue-gray paper white chalk on blue-gray paper X.6.38 X.6.32 X.6.67

1094 Unidentified Artist 1095 Unidentified Artist 1096 Unidentified Artist Half-Kneeling Female Nude Seated Female Nude Facing Left, Arm Seated Female Nude, Facing Right 3 15 /4 x 11 in. (42 x 27.7 cm) Raised 14% x 12%6in. (36.8 x 30.6 cm) Charcoal and stump heightened with 12 x 143/i6in. (30.5 x 36.1 cm) Charcoal and stump heightened with white chalk on blue-gray paper Charcoal and stump heightened with white chalk on blue-gray paper X.6.57 white chalk on blue-gray paper X.6.7 X.6.66

161 UNIDENTIFIED

1097 Unidentified Artist 1098 Unidentified Artist 1099 Unidentified Artist Reclining Male Nude, View from Above Seated Male Nude Facing Left, Hand to Male Nude Torso Bending to Right

3 3 3 12 /4 x 15 /i6 in. (32.4 x 38.6 cm) Knee 127s x 10 /4 in. (32.4 x 27.3 cm) Charcoal and stump heightened with 12Vi x 1615/i6in. (31.7 x 43 cm) Charcoal and stump heightened with white chalk on blue-gray paper Charcoal and stump heightened with white on blue-gray paper X.6.45 white chalk on blue-gray paper X.6.58 X.6.49

1100 Unidentified Artist 1101 Unidentified Artist 1102 Unidentified Artist Seated Male Nude Facing Right, Staff in Seated Male Nude from Rear Seated Male Nude Facing Left, Right Left Hand 1613/i6 x ll^/iein. (42.7 x 29.6 cm) Leg Bent Rough oval: 12 x 15 in. (30.5 x 38.1 Charcoal and stump heightened with 17 x 12»/i6 in. (43.2 x 32.3 cm) cm) white chalk on blue-gray paper Charcoal and stump heightened with Charcoal and stump heightened with X.6.43 white chalk on blue-gray paper white chalk on blue-gray paper X.6.56 X.6.41

1103 Unidentified Artist 1104 Unidentified Artist Seated Male Nude with Oar and Water Recto (a): Two Sketches of Male Nude Verso X.6.46b Vessel [pose of a river god?] Holding Discus, Rear View 12716 x 15n/i6 in. (30.6 x 39.8 cm) Verso (b): Seated Male Nude Pouring Charcoal and stump heightened with Water from a Vase [pose of a river white chalk on blue-gray paper god?]

X.6.12 1374 x 1072 in. (33.7 x 26.6 cm) white chalk on blue-gray paper Charcoal and stump heightened with X.6.46a,b

162 UNIDENTIFIED

1105 Unidentified Artist 1106 Unidentified Artist Seated Male Nude from Rear [pose of Rear View of Plaster Cast of Classical dying gladiator] Male Nude Sculpture [gladiator?] 3 13 12 /4 x 17% in. (32.3 x 43.5 cm) 16 /i6x 12% in. (42.6 x 31.8 cm) Charcoal and stump heightened with Charcoal and stump heightened with white chalk on blue-gray paper white chalk on blue-gray paper X.6.63 X.6.51

1107 Unidentified Artist 1108 Unidentified Artist Recto (a): Side View of Plaster Cast of Verso X.6.8b Semi-Reclining Male Nude, Facing Left ll9/i6 x 153/ in. (30.2 x 40 cm) Classical Male Nude Sculpture [gladia• 4 tor?] Charcoal and stump heightened with Verso (b): Left and Right Legs of Plas• white chalk on brown paper ter Cast of Classical Male Nude Sculpture X.6.39 lOVs x 137/s in. (27.6 x 35.2 cm) white chalk on blue-gray paper Charcoal and stump heightened with X.6.8a,b

1109 Unidentified Artist 1110 Unidentified Artist 1111 Unidentified Artist Reclining Male Nude, Hands Clasping Seated Male Nude Facing Right, from Male Nude in Pose of Prometheus Horse's Mane, and Two Sketches of Rear 13 x 14V2 in. (31.5 x 36.8 cm) 3 Charcoal and stump on cream paper Hands Clasping Rope 13% x 12 /4 in. (33.6 x 32.4 cm) l 3 X.6.72 \2Vie x 16 /4 in. (32.3 x 42.6 cm) Charcoal and stump on cream paper Charcoal and stump on cream paper X.6.37 X.6.28

163 UNIDENTIFIED

1112 Unidentified Artist 1113 Unidentified Artist 1114 Unidentified Artist Standing Male Nude in Pose of Bacchus Standing Male Nude, Hand on Hip Seated Female Nude Facing Right, Legs with Grapes 157/s x 10716 in. (40.3 x 25.6 cm) Crossed 17V4 x 12716 in. (43.8 x 30.7 cm) Charcoal and stump heightened with 1174 x 16 in. (28.6 x 40.6 cm) Charcoal and stump heightened with white chalk on blue-gray paper Charcoal and stump heightened with white chalk on blue-gray paper X.6.6 white chalk on blue-gray paper X.6.74 X.6.2

1115 Unidentified Artist 1116 Unidentified Artist Recto (a): Standing Male Nude, Arms Verso X.6.61b Seated Female Nude Facing Left, Arm on Support Raised Verso (b): Reclining Female Nude from 147i6 x 107i6 in. (36.3 x 25.6 cm) Rear, Arm over Head Charcoal and stump heightened with

1674 x 117i6 in. (42.5 x 28.2 cm) white chalk on blue-gray paper Charcoal and stump heightened with X.6.15 white chalk on blue-gray paper X.6.61a,b

1117 Unidentified Artist 1118 Unidentified Artist 1119 Unidentified Artist Torso of a Female Nude with Left Arm Seated Female Nude Facing Right, Arm Standing Female Nude from Rear, Head Raised to Staff{l] on Arm l 87s x 1074 in. (21.2 x 27.3 cm) 97s x 117i6 in. (23.8 x 28.9 cm) 12Vie x 77i6 in. (32.5 x 18.6 cm) Charcoal and stump heightened with Charcoal and stump heightened with Charcoal and stump heightened with white chalk on blue-gray paper white chalk on blue-gray paper white chalk on blue-gray paper X.6.16 X.6.68 X.6.69

164 UNIDENTIFIED

1120 Unidentified Artist 1121 Unidentified Artist Standing Female Nude, Right Leg on Recto: Reclining Male Nude on Chaise Verso X.6.40 Support Longue from Rear 17 x IP/4 in. (43.2 x 29.9 cm) Verso: Sketch of Male Nude Charcoal and stump on beige paper ll3/i6 x 137s in. (28.5 x 37.8 cm) X.6.1 Charcoal and stump heightened with white chalk on blue-gray paper X.6.40

1122 Unidentified Artist 1123 Unidentified Artist 1124 Unidentified Artist Torso of Male Nude, Left Arm to Right Reclining Female Nude and Small Seated Female Nude Facing Left, Hand Thigh Sketch of Same Subject to Cheek

10% x 7% in. (25.6 x 19.2 cm) 157s x 107s in. (39.8 x 26.3 cm) 12 x 1072 in. (30.5 x 26.7 cm) Charcoal and stump heightened with Charcoal heightened with white chalk Charcoal and stump on cream paper white chalk on blue-gray paper on tan paper X.6.23 X.6.42 X.6.76

1125 Unidentified Artist 1126 Unidentified Artist 1127 Unidentified Artist Standing Man in Russian Costume Standing Figure in Oriental Costume Seated Woman in Eighteenth-Century 14*716 x 97i6in. (37.3 x 23.1 cm) 157i6 x 113/ie in. (38.6 x 28.4 cm) Costume

Charcoal and stump heightened with Charcoal and stump heightened with 127i6 x 1074 in. (31.8 x 26.1 cm) white chalk on blue-gray paper white chalk on blue-gray paper Charcoal and stump heightened with X.6.44 X.6.25 white chalk on blue-gray paper X.6.59

165 UNIDENTIFIED

1128 Unidentified Artist 1129 Unidentified Artist Recto: Woman in Eighteenth-Century Verso X.6.26 Standing Woman in Eighteenth-Century Costume Rejecting Advances of Priest Costume 15 Verso: Sketch of Two Feet 14 /i6 x WA in. (37.9 x 26 cm) 127> x 97s in. (31.7 x 23.8 cm) Charcoal and stump heightened with Charcoal and stump heightened with white chalk on beige paper white chalk on blue-gray paper X.6.21 X.6.26

1130 Unidentified Artist 1131 Unidentified Artist 1132 Unidentified Artist Head of a Man I Head of a Man II Head of a Young Man I

7 HVs x 153/4 in. (28.3 x 40 cm) llVs x 167s in. (28.2 x 41 cm) 137s x ll /i6 in. (35.2 x 29.1 cm) Black grease pencil on ochre tissue pa• Black grease pencil on ochre tissue pa• Black grease pencil on ochre tissue pa• per per per X.144.3 X.144.13 X.144.5

1133 Unidentified Artist 1134 Unidentified Artist 1135 Unidentified Artist Head of a Young Man II Profile Head of a Young Man with Head of a Man with a Beard lV/ie x 1515/i6in. (29.1 x 40.4 cm) Curly Hair 157s x 11% in. (40.3 x 29.5 cm) Black grease pencil on ochre tissue pa• 159/i6 x lr/ie in. (39.6 x 29.1 cm) Black grease pencil on ochre tissue pa• per Black grease pencil on ochre tissue pa• per X.144.11 per X.144.7 X.144.9

166 UNIDENTIFIED

1136 Unidentified Artist 1137 Unidentified Artist 1138 Unidentified Artist Head of a Man with a Beard and Mus• Head of a Man with a Beard and Mus• Head of An Old Man tache I tache II 1513/i6 x llii/i6 in. (40.2 x 29.8 cm) n 5 16 /i6 x llVfein. (41.4 x 29.2 cm) 15 /i6x IP/16 in. (40.4 x 29.4 cm) Black grease pencil on ochre tissue pa• Black grease pencil on ochre tissue pa• Black grease pencil on ochre tissue pa• per per per X.144.4 X.144.12 X.144.14

1139 Unidentified Artist 1140 Unidentified Artist 1141 Unidentified Artist Head of a Man as Hercules Head of a Young Woman Head of a Woman[l] in a Turban 7 3 15 x 117i6in. (38 x 29.1 cm) 16 /s x lliyi6 in. (42.8 x 30.3 cm) 15% x ll /4 in. (40 x 29.8 cm) Black grease pencil on ochre tissue pa• Black grease pencil on ochre tissue pa• Black grease pencil on ochre tissue pa• per per per X.144.8 X.144.10 X.144.6

1142 Unidentified Artist 1143 John Christen Johansen 1876-1964 Men and Women Wearing Eighteenth- Head of a Man 1892 9 3 Century Costume in Drunken Revelry 10 /i6x 9 /i6 in. (26.9 x 23.3 cm) 10i5/i6 x 15V8 in. (27.8 x 38.4 cm) Black ink and pen over pencil on off-white Gray-black ink and pen over pencil on poster board cream paper Recto, c.r.: "J. C. Johansen / 92" X.144.2 Gift of the artist 59.7

167 ROBINSON

1144 Boardman Robinson 1876-1952 1145 Everett Shinn 1876-1953 1146 "Study—One Step" [formerly titled Cross Streets of New York 1899 Female Nude on Couch 1910 Floyd Dell Dancing with His Wife] and 21% x 29% in. (55.3 x 74.4 cm) 63/s x 83/s in. (16.1 x 21.3 cm) Sketches of a Head and a Left Foot Charcoal, watercolor, pastel, white Conte crayon on light-beige paper laid 1921 chalk, and Chinese white on pale-blue- down

12 x 99/i6 in. (30.5 x 24.3 cm) gray paper laid down Recto, l.r.: "Everett Shinn / 1910"; Brown and black ink, pen, and wash Recto, l.r.: "EVERETT SHINN / 99" verso on mount, u.c.: "No 7-A. / cray• with pencil and graphite(?) on cream Gift of Margaret M. Hitchcock through on drawing—girl on couch / hand on paper a Museum Exchange 1975.11 floor"; I.e. "study nude" Recto, l.r.: "To George & Jane / Biddle Museum Purchase 62.5 / Boardman Robinson / 21 Boardman Robinson"; at top below arrows: "2%"; 1.1.: "Study—one Step" Bequest of George Biddle 1974.29

1147 1148 1149 1877-1960 Polo Field, Piping Rock Club, Long Is• "Sixth Avenue and Fifty-Third Street" "" ca. 1900-1915

land ca. 1920 [New York] 1935 10n/i6 x 15 in. (27.2 x 38 cm)

5 x 7% in. (12.7 x 19.4 cm) 10% x 67/i6 in. (26.4 x 16.4 cm) Watercolor on artist's board surfaced Black Conte crayon on cream paper laid Colored pencil, black and red ink, and with white paper down pen over pencil heightened with Recto, 1.1.: "J.M. Flagg / Lucerne" Recto, u.r.: "red green"; ctr.: "gold"; Chinese white on white-surfaced com• Bequest of Bessie Potter Vonnoh Keyes 1.1.: "E SHINN" position board 55.60 Museum Purchase 62.6 Recto, 1.1.: "6th Ave. & 53rd St. / EV• ERETT SHINN / 1935" Museum Purchase 49.25

168 HARTLEY

1150 Marsden Hartley 1877-1943 1151 1152 Berlin Symbols #6 1914-1915 Millstone in Woods ca. 1920s Vinalhaven, Maine ca. 1937-1938 7 25 x 19 in. (63.5 x 48.3 cm) 2815/i6 x 21 in. (73.5 x 53.4 cm) 19 x 25 /s in (48.3 x 65.7 cm) Charcoal on off-white paper laid down Black ink on tan paper Waxy black crayon and white chalk on Museum Purchase 67.2 Museum Puchase 67.29 tan board Museum Purchase, Membership Associ• ation Fund 50.16

1153 Joseph Stella 1877-1946 1154 Everett Longley Warner 1877-1963 Recto: Man Sleeping ca. 1920-1940 Verso 59.22 Broadway on a Rainy Evening 1901 Verso: Sketch of an Unidentified Object lSVie x 24 in. (45.8 x 61 cm) ca. 1920-1940 Watercolor, gouache, and pastel over 7 x 10 in. (17.7 x 25.4 cm) pencil with a gilt paint border on cream Recto: brown-black ink and pen on paper laid down cream paper; verso: pencil on cream pa• Recto, l.r.: "EVERETT WARNER per '01" Recto, 1.1.: "Joseph Stella" Museum Purchase 02.8 Museum Purchase, William A. Clark Fund 59.22

169 WHITE

1155 Gilbert White 1877-1939 1156 1157 Standing Man in Mythological Costume Four Figures [study for Happy Would Two Oxen [study for Happy Would Be [possibly a study for Happy Would Be Be the Men of the Fields, If They Knew the Men of the Fields If They Knew the Men of the Fields If They Knew Their Good Fortune, mural, U.S. De• Their Good Fortune, mural, U.S. De• Their Good Fortune, mural, U.S. De• partment of Agriculture, Washington, partment of Agriculture, Washington, partment of Agriculture, Washington, D.C.] ca. 1934 D.C.] ca. 1934 D.C.] ca. 1934 1913/i6 x 23VA in. (50.2 x 59 cm) 1213/i6 x 18716 in. (32.4 x 45.9 cm) 2513/i6 x 163/i6in. (65.5 x 41.1 cm) Charcoal on creamy-white paper laid Charcoal and pencil on gray paper laid Charcoal and stump, scored for transfer down down on cream paper laid down Gift of Maj. Ferry K. Heath 34.8 Gift of Maj. Ferry K. Heath 34.9 Gift of Maj. Ferry K. Heath 34.7

1158 1159 Mahonri Young 1877-1957 1160 Nude Child, Arms Raised [study for "Gonado" [Arizona: women] Head of a Indian, "Polacca" [Ari• Happy Would Be the Men of the Fields 1917 zona] August 1920

If They Knew Their Good Fortune, mu• 10 x 14 in. (25.3 x 35.7 cm) 1674 x 1272 in. (41.2 x 31.7 cm) ral, U.S. Department of Agriculture, Pastel on pastel-green paper Sanguine Conte crayon on tan paper Washington, D.C.] ca. 1934 Recto, l.r.: "Mahonri Young"; 1.1.: laid down 1172 x 77s in. (29.2 x 19.9 cm) "Gonado 1917" Recto, l.r.: "Polacca / Aug 1920 / La Charcoal on cream paper Museum Purchase 32.17 [Sona or Loma];" 1.1.: "Mahonri Gift of Maj. Ferry K. Heath 34.16 Young" Museum Purchase 32.16

170 YOUNG

1161 1162 Recto (a): Sketch of Farm Animals Verso X.329b Eight Sketches of a Wolf, Goat, and An• September 21, 1940 telopes Verso (b): Self-Portrait September 21, 9Vs x 12716 in. (23.2 x 30.5 cm) 1940 Black ink and pen, pencil, and water-

10y2 x VA in. (26.6 x 19.6 cm) color on blue-flecked cream paper laid Black ink and pen on cream paper (end down page of catalogue Mahonri Young Ret• Recto, 1.1.: "Mahonri Young"; u.l.: rospective, Addison Gallery of Ameri• / from Mahonri M. Young"; verso, ctr.: "European Wolf"; I.e.: "Bubali / Paris can Art, 1940) "Mahonri Sept. 21/1940/ANDOVER" T[imci ?] Gazelle" Recto, u.c.: "To C. Powell Minnigerode X.329a,b Museum Purchase 32.18

1163 Herbert Johnson 1878-1946 1164 Maurice Sterne 1878-1957 1165 Edgar Hewitt Nye 1879-1943 "The Wicked Stepmother" ca. 1909- Male Balinese Dancer with Lamp [study City scape with Bridge ca. 1930s 1913 for Dance of the Elements] ca. 1913 87i6 x 11 in. (21.5 x 28 cm) 13 9 9 3 16 /i6 x 15 /i6in. (41.1 x 40.1 cm) 22 /i6 x 14/i6 in. (57.5 x 36.8 cm) Black ink and pen over pencil on cream Black ink and pen on tan poster board Graphite on off-white paper paper Recto, l.r.: "THE WICKED STEP• Recto, 1.1.: "For my friend, George B. / Recto, l.r.: "E NYE" MOTHER"; u.r.: "TAFT CANNON"; Maurice Sterne" Gift of John Dunn and Janice Dunn I.e.: "INSURGENT / REPUBLICAN / Bequest of George Biddle 1974.11 Rosenberg 1979.66 CONGRESS MAN ROOSEVELT / POLICIES"; 1.1.: "Herbert Johnson" Bequest of Frank B. Bristow 68.26.1

171 NYE

1166 1167 1168 Near Lancaster, Pennsylvania ca. Bridge Over Rock Creek [Washington, The Red Steamshovel ca. 1930s 3 7 1930s D.C.] ca. 1930s 8 /i6 x 10 /4in. (21.5 x 27.4 cm) 8V2 x 11 in. (21.5 x 28 cm) 87/i6 x 1015/i6 in. (21.4 x 27.9 cm) Watercolor, black ink, and pen over Black ink and pen over pencil on cream Watercolor and pencil on off-white paper pencil on off-white paper paper Recto, l.r.: "E NYE" Recto, l.r.: "E NYE" Recto, l.r.: "E NYE" Gift of John Dunn and Janice Dunn Gift of John Dunn and Janice Dunn Gift of John Dunn and Janice Dunn Rosenberg 1979.68 Rosenberg 1979.69 Rosenberg 1979.67

1169 Arthur Garfield Dove 1880-1946 1170 Daniel Garber 1880-1958 "Plant" ca. 1934 #4 Creek ca. 1914 Seated Woman by Lamplight 1910 7 x 5% in. (17.8 x 13 cm) 21V2 x 177/s in. (54.5 x 45.3 cm) 15% x 10% in. (39.4 x 27.6 cm) Watercolor, black ink, and pen on Charcoal and pencil on cream paper Charcoal on creamy-white paper laid cream paper Verso, u.l.: "#1 standing in stream" down Recto, I.e.: "Dove"; verso, on printed Museum Purchase 68.16 Recto, 1.1.: "Daniel Garber / 1910" label: "Plant" Museum Exchange with the artist Museum Purchase 61.12 42.13

1172 1173 1174 South Room, Cuttaloosa [Cuttaloosa Old House ca. 1940s "Sycamore—Bloomsburg" [Pennsylva• Glen, Pennsylvania] ca. 1930s 155/s x 22 in. (39.7 x 55.9 cm) nia] ca. 1940s

3 15 24 /4 x 18 /i6in. (62.9 x 48.1 cm) Charcoal and stump on off-white paper 25% x 15% in. (63.8 x 39.4 cm) Pastel on purple paper laid down Charcoal and stump on off-white paper Recto, 1.1.: "Daniel Garber" Recto, l.r.: "Daniel Garber" laid down Museum Exchange with the artist Museum Exchange with the artist Recto, l.r.: "Daniel Garber"; I.e.: "Syc• 44.2 42.14 amore—Bloomsburg—" Partial exchange with the artist 42.10

172 GARBER

1175 1176 1177 "Erwina" [Pennsylvania] ca. 1940s Portrait of Dick Wedderspoon "Betty"

3 9 15 3 14Vfe x 23Vs in. (35.9 x 58.8 cm) 15 /i6 x 10 /i6 in. (39.5 x 27.8 cm) 25 /i6 x 18 /4 in. (64 x 47.6 cm) Charcoal pencil and stump on pale Charcoal and stump on off-white paper Charcoal and stump on cream paper cream paper laid down laid down laid down Recto, l.r.: "Daniel Garber"; I.e.: Recto, l.r.: "Daniel Garber" Recto, 1.1.: "Daniel Garber"; I.e.: " 'Erwina' " Museum Exchange with the artist "Betty" Partial exchange with the artist 42.11 42.12 Museum Exchange with the artist 42.15

1178 1179 1180 1880-1960 Young Sculptor A Woman Untitled [abstraction] 1932

2SVs x 19 in. (63.8 x 48.2 cm) 24Vs x 19 in. (61.3 x 48.3 cm) 89/i6 x 11 in. (21.7 x 27.9 cm) Charcoal and stump on cream paper Charcoal and stump on cream paper Black ink and pen on cream paper laid down laid down Recto, I.e.: "Hans Hofmann 32" Recto, I.e.: "Daniel Garber" Recto, l.r.: "Daniel Garber" Museum Purchase 66.23 Museum Exchange with the artist Museum Exchange with the artist 42.16 42.17

1181 Abraham Walkowitz 1880-1965 1182 1183 Head of a Woman I 1908 Head of a Woman II 1908 Woman's Head ca. 1930s 3 5 3 5 3 /8 x 2 /8 in. (8.6 x 6.7 cm) 3 /8 x 2 /8 in. (8.6 x 6.7 cm) 14 x 11 in. (35.5 x 27.9 cm) Black ink and pen on off-white paper Black ink and pen on off-white paper Pastel on tan paper Recto, 1.1.: "A. Walkowitz / 1908"; Recto, 1.1.: "A. Walkowitz / 1908"; Recto, l.r. over an illegible inscription: verso, I.e.: "A. Walkowitz / 1908" verso, I.e.: "A. Walkowitz / 1908" "A. Walkowitz" Gift of A.C.A. Heritage Gallery Gift of A.C.A. Heritage Gallery Bequest of George Biddle 1974.13 67.14a 67.14b

173 WALKOWITZ

1184 1185 1186 Isadora Duncan I ca. 1930s Isadora Duncan II ca. 1930s Isadora Duncan III ca. 1930s 5 7 15 10 /s x 6 /s in. (27 x 17.5 cm) 12% x 7 /i6in. (31.7 x 20.2 cm) 14Vie x 8% in. (35.7 x 21.6 cm) Black ink pen, watercolor, and pencil Black ink, pen, watercolor, and pencil Black ink and pen over pencil on cream on white paper on off-white paper paper Recto, I.e.: "to George 1953 / A. Walk- Recto, l.r.: "A. Walkowitz To Helene Recto, I.e.: "A. Walkowitz" owitz" 1953" Gift of William H. G. Fitzgerald, Des• Bequest of George Biddle 1974.33 Bequest of George Biddle 1974.32 mond Fitzgerald, and B. Francis Saul II 1978.129.258

1187 Oliver Chaffee 1881-1944 1188 Max Weber 1881-1961 1189 George Bellows 1882-1925 "Swan Song" 1931 Standing Female Nude Model 1917 Children Playing in a Park ca. 1905

3 7 12 /s x 149/i6 in. (31.4 x 37 cm) 129/i6 x 75/i6 in. (31.9 x 18.4 cm) 21 /s x 2815/i6 in. (55.5 x 73.5 cm) Watercolor over pencil on heavy off- Black ink and pen over charcoal on off- Black ink and pen over pencil on off- white paper white paper laid down white paper Recto, 1.1.: "Oliver"; verso, u.l.: "Oliver Recto, l.r.: "Max Weber 1917" Museum Purchase 60.17 Chaffee / 'Swan Song' " Museum Purchase, William A. Clark Fund Museum Purchase 1981.85 1969.15

174 BELLOWS

1190 1191 Arthur B. Carles 1882-1952 "On Dock" ca. 1915 Recto (a): Three Nudes, Sitting and Verso 1978.129.52b 10 x 8 in. (25.3 x 20.3 cm) Lying Down Lithographic crayon on cream paper Verso (b): Female Nude, Arms above Recto, l.r.: "On Dock"; 1.1.: "Geo Bel• Head lows" 12V8 x 173/4 in. (30.8 x 45.1 cm) Museum Purchase through a gift of Charcoal on off-white paper Emily Crane Chadbourne, Charles C. Gift of William H. G. FitzGerald, Des• Glover, Jr., and Arthur C. Nash mond FitzGerald and B. Francis Saul II 1977.1 1978.129.52a,b

1192 1882-1967 1193 1194 1882-1971 Houses, Gloucester ca. 1923 Burlesque Theater, Times Square early Mt. Seymour, Admiralty Sound [source 12 x 18 in. (30.5 x 45.7 cm) 1940s for illustration in Rockwell Kent, Voy• 7 7 Charcoal on cream paper ll /8 x 8 /s in. (30.2 x 22.5 cm) aging Southward from the Strait of Ma• Recto, 1.1.: "Edward Hopper" Charcoal and stump on cream paper gellan, New York, Halcyon House, Museum Purchase, Membership Associ• Recto, 1.1.: "Edward Hopper" 1924] 1923 ation Fund 51.1 Museum Purchase, Membership Associ• 55/s x %Vi in. (14.3 x 21.6 cm) ation Fund 51.2 Black ink, pen, and brush on off-white paper Recto, l.r.: "Rockwell Kent T & F" Gift of Mrs. Theodore Baldwin III 1971.25.3

175 KENT

1195 1196 Gaston Lachaise 1882-1935 1197 1883-1935 "Inscribed Most Affectionately to Janie Nude with Drapery (No. 9) ca. 1931— Rooftops and Trees 1918 Ralston ..." [standing girl in kilt] 1935 10 x 14 in. (25.4 x 35.6 cm)

1924 19 x lliyi6 in. (48.3 x 30.4 cm) Watercolor and pencil on cream paper 10 x IVie in. (25.4 x 17.9 cm) Pencil on off-white paper Recto, 1.1.: "C. Demuth 1918—" Black ink and pen on tan paper Recto, l.r.: "G Lachaise No. 9" Bequest of George Biddle 1974.3 Recto, I.e.: "Inscribed most affection• Museum Purchase through a gift of ately / to / Janie Ralston / who must Robert M. McLane 1977.2 surely be the most / delightful guest that the / Green mountains have ever / shel• tered / Rockwell— / at Arlington— Christmas—1924" Gift of Mrs. Theodore Baldwin III 1971.25.2

1198 1199 Harry Doherty [or Dougherty] In Vaudeville: Bicycle Rider 1919 Little Girl with Doll 1905 11 x 85/s in. (28 x 22 cm) 23Vs x 17 in. (58.7 x 43.2 cm) Watercolor and pencil on white paper Charcoal on cream paper Recto, l.r.: "C. Demuth 1919" Annotation verso, u.l.: "Drawing by / Bequest of Mr. and Mrs. Francis Biddle Harry Doherty / while at / New York 57.30 School of Art. / 1905 I" Gift of Mrs. Robert G. Bowie 60.20

176 LEVINSON

Abraham Frater LeVinson 1883-1946 All 10 works by Levinson, entries 1200- 1209, were Museum Purchases.

1200 1201 Self-Portrait Female Nude on Couch with Striped

813/i6 x 6 in. (22.4 x 15.2 cm) Cover ca. 1935 Pencil on cream paper 1713/i6 x 23n/i6 in. (45.2 x 60.2 cm) Recto, l.r.: "A. F. Levinson" Gouache and pencil on off-white paper 59.18 Recto, l.r.: "A.F. Levinson" 59.10

1202 1203 1204 '' Nude Drawing" [standing female nude] "Mrs. L." [Mrs. Levinson on a sofa] Reclining Female Nude 15 15 ll /i6 x 8 /i6 in. (30.3 x 22.7 cm) 12Vi6 x 17Vfcin. (30.6 x 46.1 cm) 15 x 20 in. (38.1 x 50.8 cm) Pencil on cream paper attached to sec• Black wax crayon on cream paper at• Pencil or crayon on cream paper ond sheet tached to second sheet Recto, l.r.: "A. F. Levinson" Recto, l.r.: "A. F. LEVINSON A. F. Recto, l.r.: "A. F. LEVINSON"; verso 59.16 LEVINSON"; verso of attached sheet, of attached sheet, 1.1.: "[5?] Drawing I.e.: "No. 4 Nude drawing" Mrs. L." 59.14 59.15

177 LEVINSON

1205 1206 1207 Reclining Female Nude from Rear Italian Fisherman, Gloucester Louis, Italian Fisherman, Gloucester 3 3 15 UVi x 103/i6 in (36.9 x 26 cm) 8 /s x 10 /i6in. (21.3 x 27.8 cm) UVi x 10 /i6 in. (36.9 x 26 cm) Oil over pencil on cream paper Black waxy crayon on cream paper at• Black waxy crayon on cream paper at• 59.19 tached to second sheet tached to second sheet Recto, l.r.: "A.F. LEVINSON" Recto, l.r.: "A.F. LEVINSON" 59.12 59.13

1208 1209 1210 Ivan Mestrovic 1883-1962 Singleton A Brave Day Untitled [seated woman] ca. 1930 3 3 9 11 13 x 9 /i6 in. (33 x 24.4 cm) 17 /4 x 23 /4 in. (45.1 x 60.4 cm) 22 /i6 x 18V8 in. (57.6 x 46.3 cm) Black greasy crayon or lithographic cray• Gouache, watercolor, and varnish on Crayon on tan paper on on tan paper cream paper laid down Recto, l.r.: "I Mestrovic" Recto, l.r.: "A.F. Levinson Levinson" Recto, I.e.: "A. F. LEVINSON"; 1.1.: Gift of Francis Biddle 62.24 59.17 "A. F. LEVINSON" 59.11

1211 Mary G. Riley 1883-1939 1212 Eugene E. Speicher 1883-1962 1213 CSA student 1907-1908, 1910-1911, Seated Figure, Chin on Hand Standing Female Nude with Necklace 1913 12% x 10 in. (31.4 x 25.4 cm) [image 157/i6 x 915/i6 in. (39.2 x 25.4 cm) Rainy Day—Guatemala visible only in mat window: 8 x HVz Conte crayon over pencil on coated 185/s x 2211/i6 in. (47.3 x 57.6 cm) in. (25.4 x 29.2 cm)] cream paper Watercolor over charcoal on off-white Pencil on cream paper glued to old mat Recto, 1.1.: "Eugene Speicher" paper Recto, l.r.: "Eugene Speicher" Museum Purchase 32.20 Recto, 1.1.: "M.G. Riley" Museum Purchase 32.19 Gift of friends of the artist 40.17 178 SPEICHER

1214 1215 Woman with Arms on a Table Portrait of Red Moore 5 15V4 x 12Vs in. (38.8 x 30.8 cm) [image UVi x 12 /i6in. (44.5 x 31.3 cm) visible only in mat window: 123/s x 9Vs Pencil and charcoal on cream paper in. (31.4 x 23.3 cm)] Recto, 1.1.: "Eugene Speicher" Pencil and stump on cream paper glued Museum Purchase, William A. Clark to old mat Fund 35.13 Recto, l.r.: "Eugene Speicher" Museum Purchase 32.21

1216 Guy Pene du Bois 1884-1958 1217 Recto: Standing Young Boy 1905 Verso 67.20 "Terrace, Paris Cafe" 1931

Verso: Two Sketches of a Horse 1905 175/i6 x 123/i6 in. (44 x 31 cm) 12 x 9 in. (30.4 x 24 cm) Black ink and pen and inscribed in pen• Pencil on heavy cream paper cil on off-white paper Recto, l.r.: "Gui '05" Recto, l.r.: "Guy Pene du Bois '31"; Museum Purchase 67.20 1.1.: "Terrace Paris Cafe" Museum Purchase through a gift of Mrs. J. L. M. Curry 1978.118

1218 1219 ca. 1940 "Vanity Fair" 13Vi x 103/4in. (34.1 x 27.1 cm) 16Vs x UVi in. (40.9 x 31.8 cm) Black ink and pen on white paper Black ink and brush, watercolor, and Recto, I.e.: "Guy Pene du Bois" linear abrasion on cream paper Museum Purchase through a gift of Recto, u.l.: "Vanity Fair" Mrs. J. L. M. Curry 1978.119 Museum Purchase through a gift of Mrs. J. L. M. Curry 1978.120

179 KROLL

1220 LeonKroll 1884-1974 1221 1222 Study of Blond Hair ca. 1937-1938 Brute Force [study for Defeat of Justice, Studies of Young Girl ca. 1937-1938 3 28 x 17/4 in. (71.1 x 45.1 cm) 1938, mural, Department of Justice, 22 x 2715/i6 in. (55.9 x 71 cm) Charcoal and stump on grainy, gessoed Washington, D.C.] ca. 1937-1938 Charcoal and stump on white gessoed poster board 28 x 22 in. (71.1 x 55.9 cm) paper Recto, l.r.: "Leon Kroll" Charcoal and stump on grainy, gessoed Recto, l.r.: "Leon Kroll" Museum Purchase, William A. Clark Fund poster board Museum Purchase 38.13 38.11 Recto, l.r.: "Leon Kroll" Museum Purchase, William A. Clark Fund 38.12

1223 1224 Rudolf Von Huhn 1884-1968 1225 George Biddle 1885-1973 Two Women, One Nude, One Robed Colibri 1952 At Ticino's [study for At Tincino's, ca. 1930-1940 1715/i6 x 237s in. (45.5 x 60.6 cm) 1933, oil on canvas, Corcoran Gallery 22 x 28Vi6 in. (55.9 x 71.3 cm) Tempera, white ink, and pen on black of Art] 1933 Charcoal and stump on gessoed poster paper 815/i6 x llis/16 in. (22.7 x 30.3 cm) board Recto, l.r.: " '52" Black ink and pen on off-white paper Recto, l.r.: "Leon Kroll" Gift of the artist 53.15 Recto, u.r.: "Biddle 1933"; u.c: "An- Gift of the Estate of Mary S. Higgins gelo / Rosasco / Ticino / January / 1933" 1971.3.1 verso, u.l.: "Angelo Rosasco Ticino / 228 Thompson St." Gift of the artist 68.1

180 BIDDLE

1226 1227 1228 "Morris Kantor" [study for At Ticino's, "Martha Ryder" [study for At Ticino's, Leaves of a Croton Bush 1957 5 13 1933, oil on canvas, Corcoran Gallery 1933, oil on canvas, Corcoran Gallery 20 /i6 x 13 /i6in. (51.6 x 35.1 cm) of Art] 1933 of Art] 1933 Watercolor and pencil on white paper 5 123/i6 x 9lA in. (31 x 23.1 cm) ll /i6 x 8V2 in. (28.8 x 21 cm) laid down Black ink and pen and pencil on cream Black ink and pen on cream paper Recto, l.r.: "George Biddle 1957"; paper Recto, I.e.: "Biddle 1933"; verso, 1.1.: verso, l.r.: "227" Recto, l.r.: "Morris Kantor, Biddle "Martha Ryder" Gift of the artist 68.33.3 1933" Gift of the artist 68.33.4 Gift of the artist 68.33.2

1229 William L'Engle 1885-1957 1230 Jules Pascin 1885-1930 1231 Girls Dancing, Harlem 1930 Five Female Nudes ca. 1920 "Enlevement d'Europe" 1920-1929 l 15 15 20Vi x 157s in. (52.1 x 40.3 cm) 177i6 x 13A in. (43.3 x 33.6 cm) 18 /i6 x 22 /i6in. (48.1 x 58.3 cm) Pencil on white paper Black ink and pen on cream paper Pen and black ink, gray wash touched Recto, l.r.: "W L'E 1930"; 1.1.: "Har• Recto, l.r.: "pascin" with silver and gilt paint on cream pa• lem 1930" Bequest of George Biddle 1974.1 per Gift of Lucy L'Engle, wife of the artist Recto, l.r.: " 'Enlevement d'Europe' " 58.14 Museum Purchase through a gift from Mrs. J. L. M. Curry 1977.19

181 STORRS

1232 JohnStorrs 1885-1956 1233 Bernard Karfiol 1886-1952 1234 Female Head ca. 1925-1928 Seated Woman ca. 1920-1930 Composition with Two Figures early 5 3 n 1930s 12 /8 x 9 /4 in. (32.1 x 24.8 cm) 15Vi6 x 12 /i6in. (38.3 x 32.2 cm) Pencil on white smooth-surfaced heavy Red-purple pastel on beige paper llVfe x in. (28.3 x 38.7 cm) paper Recto, 1.1.: "Bernard Karfiol" Brown ink and pen on off-white paper Museum Purchase 1979.9 Gift of Mrs. Bernard Karfiol, wife of Recto, l.r.: "B. Karfiol" the artist 53.37 Gift of Mrs. Bernard Karfiol, wife of the artist 53.36

1235 1236 Standing Female Nude Recto: Sketch of a Female Head I Verso 53.35 5 13 17 /8 x ll /i6in. (44.8 x 30 cm) Verso: Sketch of a Female Head II Brown ink and pen over pencil on 15 x 11 in. (38.1 x 28 cm) cream paper Conte crayon on beige paper Recto, l.r.: "B. Karfiol" Recto, l.r.: "B. Karfiol" Museum Purchase 53.34 Gift of Mrs. Bernard Karfiol, wife of the artist 53.35

182 POE

1237 Elizabeth E. Poe 1886 or 1888-1947 1238 Morgan Russell 1886-1953 1239 CSA student 1942 Torso ca. 1920 Two Figures 3 3 3 Rivers of Sand 16% x 15 /8in. (42.9 x 39.1 cm) 32 /i6 x 19 /4 in. (81.8 x 50.2 cm) 18 x 13 in. (45.6 x 30.3 cm) Charcoal on cream paper Charcoal on tan paper Black ink, pen, and watercolor on Recto, l.r.: "Morgan Russell" Recto, l.r.: "Morgan Russell" creamy-white paper Museum Purchase 60.11 Museum Purchase 60.12 Verso of former mounting, on label: "Rivers of Sand / by / Elizabeth E. Poe / Price $100" Gift of Mrs. Vylla Poe Wilson, sister of the artist 48.7

1240 Heinrich Glintenkamp 1887-1946 1241 Richard Cranch Greenleaf b. 1887 1242 1887-1968 Woman Strolling 1914 Portrait of Robert W. Vonnoh August Sailing Vessel 1916

1415/i6 x 1015/i6 in. (38 x 27.8 cm) 1914 15% x 11V4 in. (38.6 x 28.5 cm)

3 15 Watercolor and gouache over pencil on 13 /8 x 10 /i6 in. (33.9 x 27.8 cm) Pencil and stump on off-white paper off-white paper Charcoal and Conte crayon touched Recto, l.r.: "Marguerite Zorach / Verso, u.r.: "Glintenkamp"; u.l.: "B- with blue and white pastel on tan paper 1916"; incised, 1.1.: "Marguerite Zorach" 66 / —1914—"; 1.1.: "B-66 / —1914—B- Recto, l.r.: "To Mrs. Vonnoh / in re• Museum Purchase 67.35 66" membrance of / War days / Richard Museum Purchase 65.11 Greenleaf / Paris / Aug 1914" Bequest of Bessie Potter Vonnoh Keyes 55.59

183 ZORACH

1243 1887-1966 1245 "Cliffs—Yosemite Valley" 1920 Seated Female Nude ca. 1940 Head of a Young Woman 7 n 139/i6 x 9Vi in. (34.4 x 24.1 cm) 26 /s x 27 /i6 in. (70.8 x 70.3 cm) 11 x SVi in. (28 x 21.6 cm) Pencil on off-white paper Pencil, stump, and erasures on cream Pencil and stump on thin cream paper Recto, l.r.: "William Zorach / Cliffs paper Recto, l.r.: "William Zorach / A B" Yosemite Valley 1920" Recto, 1.1.: "William Zorach" Museum Purchase 61.9 Museum Purchase 64.26 Gift of the Collection of the Zorach Children 68.3

1246 Henry Varnum Poor 1888-1920 1247 Hans Richter 1888-1976 1248 John von Wicht 1888-1970 Maine Landscape ca. 1930-1940 Untitled [abstraction] 1975 Untitled [abstraction]

13 3 14n/i6 x 20% in. (35.7 x 51.4 cm) 6 /i6 x 5Vi in. (17.3 x 13.7 cm) 17 /s x 12% in. (43.8 x 31.3 cm) Pastel over black ink with brush and Collage of cut painted and white paper Oil paint, roller, and charcoal on thin wash on cream paper over spattered black paint on heavy white paper Recto, l.r.: "H. V. Poor" white paper Recto, 1.1.: "v.Wicht / to George and Gift of Mrs. Jefferson Patterson Recto, 1.1.: "|-fe75"; verso, ctr.: Helene" 1979.47 " Ks 75" Bequest of George Biddle 1974.31 Gift of William H.G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.214

184 BECKER

1249 Maurice Becker 1889-1975 1250 John Cunning 1889-1953 Recto: Heads 1929 Verso 1977.13 Cape Cod ca. 1940s Verso: Torso of a Woman from Rear Paper: S3A x 12% in. (22.2 x 30.8 cm); 1929 mat board: 9% x 125/s in. (24.2 x 32 14Vie x 11% in. (35.9 x 28.6 cm) cm) Watercolor and pencil on off-white pa• Black ink, pencil, colored , and per water color on cream paper glued to Recto, l.r.: "Maurice Becker / '29" mat board Gift of Peter Becker, brother of the artist Gift of Mrs. John Cunning, wife of the 1977.13 artist 61.48

1251 Eugen Weisz 1890-1954 1252 1253 CSA student 1920-1921, 1924; faculty The Waterfront 1952 Untitled [tree] November 1954

1924-1953 22% x 30n/i6 in. (56.2 x 77.9 cm) 10% x 8% in. (26.7 x 20.9 cm) The Oak 1938 Watercolor over pencil on off-white pa• Pastel on cream paper

20% x 143/i6 in. (51 x 36.1 cm) per Gift of Mrs. Heath C. Moorman Black wax crayon on cream paper Recto, l.r.: "E.W. 52" 1978.102 Recto, l.r.: "EW 38" Gift of friends of the artist 53.14 Gift of the artist 48.16

185 DICKINSON

1254 Edwin Walter Dickinson 1891-1978 1255 Emilie M. Arlt b. 1892 1256 Charles Greene Shaw 1892-1974 Reclining Male Nude 1936 CSA student 1934-1937 Untitled [abstraction] December 1939

10 x 13 in. (25.4 x 33 cm) Menemsha Mists ca. 1940s 89/i6 x 11 in. (21.7 x 28 cm) 7 Pencil and stump on white paper 15V2 x 29 /8 in. (39.4 x 76 cm) Tempera paint and black ink over char• Recto, l.r.: "E. W. Dickinson 1936" Watercolor over pencil on white paper coal on composition board Museum Purchase 65.33 Recto, 1.1.: "EMILIE M. ARLT" Verso, u.c: "Charles G. Shaw / Dec. Museum Purchase 48.65 1939" Gift of Marchal Landgren 1974.52

1257 1258 Charles Burchfield 1893-1967 1259 1893-1959 Untitled [abstraction] December 1939 May Morning May 1915 "In der Petite Chaumiere, Paris, Mont-

lOi/ie x 8% in. (25.5 x 20.6 cm) 117s x 815/i6 in. (30.2 x 22.7 cm) martre" 1924

5 3 Tempera paint and black ink on compo• Watercolor and gouache over pencil on 18 /s x 24 /4 in. (47.3 x 62.9 cm) sition board cream paper Watercolor on cream paper Verso, u.r. to 1.: "Charles G. Shaw / Recto, l.r.: "Chas Burchfield / May Recto, l.r.: "Grosz / Paris 1924"; 1.1.: Dec. 1939" 1915"; verso, ctr.: "May 1915" "Paris / LX / in der petite chaumiere Gift of Marchal Landgren 1974.53 Museum Purchase through a gift of Paris Montmartre" Laura T. Magnuson 1981.90 Gift of Francis Biddle 59.31

186 LAHEY

1260 Richard Lahey 1893-1978 1261 1262 Paul R. Knight b. 1894 CSA faculty 1935-1962; principal emeri• Perkins Cove 1952 16th Street in the [Washington, tus 1965-1976 2113/i6 x 15Vi6 in. (55.5 x 38.2 cm) D.C.] 1949 Richard Lahey, Edward Hopper, and C. Watercolor, pencil, and gouache on 183/i6 x 215/s in. (46.2 x 55 cm) Powell Minnigerode on a Biennial Exhi• heavy off-white paper Watercolor over pencil on white paper bition Trip to New York City January Recto, u.l.: "Richard Lahey"; verso, Recto, l.r.: "Paul R. Knight" 28, 1943 u.r.: "Perkins Cove—August / 1952 / by Museum Purchase, 4th Area Exhibition 7 5 /8 x IVi in. (15 x 19 cm) Richard Lahey" Fund 49.67 Black ink and pen on off-white paper Museum Purchase, 7th Area Exhibition Recto, u.r.: "Jan 28—1943 EXHI• Fund 52.30 BITION] / WINTER LANDSCAPES] KLEEMAN GALLERIES"; I.e.: "FINE ART 57th St ART WORK" Gift of the artist 63.13

1263 Franklin Chenault Watkins 1894-1972 1264 Alice Stanley Acheson b. 1895 1265 (Alphonso Roybal) ca. Standing Female Nude CSA student 1918 1895-1955 15 3 16 /i6 x 13 /4 in. (43 x 34.9 cm) "Waterfront" 1967 Dancing Man ca. 1917-1920 Pencil on cream paper 18V4 x 24 in. (46.4 x 61 cm) 9 x 515/i6 in. (22.9 x 15 cm) Recto, l.r.: "f.w." Watercolor on off-white paper Gouache and pencil on heavy cream pa• Museum Purchase, Membership Associ• Recto, 1.1.: "Alice Acheson" per ation Fund 51.4 Gift of Mr. and Mrs. Robert D. Barton Recto, l.r.: "Awatsireh" 1979.41 Gift of Amelia E. White 37.62

187 AWA TSIREH

1266 1267 Adolph Dehn 1895-1968 1268 John B. Flanagan 1895-1942 Two Standing Figures in Ceremonial Farmyard near Waterville, Torso of Nude Female, Smaller Female Costume with Horns ca. 1925 1930 Nudes at Sides

ll5/i6 x 145/i6 in. (28.8 x 36.4 cm) 15 x 22 in. (37.8 x 56 cm) 19 x UViin. (48.3 x 31.7 cm) Black ink, pen(?), and watercolor on Black ink, pen, brush, fingers, and wash Black ink and brush on white paper off-white paper laid down on cream paper Museum Purchase 1969.6 Recto, l.r.: "Awa Tsireh" Recto, l.r.: "Adolf Dehn 1930" Gift of Amelia E. White 37.54 Gift of James N. Rosenberg 59.29

1269 Quah Ah (Tonita Pena) 1895-1949 1270 Abraham Rattner 1895-1978 1271 Alice Yamin Hopi Corn Dance before 1937 CSA student 1913-1914 "Still Life" 1966 14 x 22 in. (35.6 x 56 cm) Self-Portrait 1967 14 x 17 in. (35.6 x 43.2 cm)

Watercolor and gouache over pencil on 19V2 x 14n/i6 in. (49.5 x 37.3 cm) Carbon(?) on white paper grayish-white paper Black ink and brush on white paper Recto, l.r.: "Yamin '66"; verso, u.l.: Recto, l.r.: "Quah Ah / ftfi " Recto, l.r.: "Book 1967 p. 13"; I.e.: "Alice / Yamin '66 / Carbon / 'Still Gift of Amelia E. White 37.66 "Rattner"; 1.1.: "To George Biddle / my Life' " warmest / feelings & best / wishes / Abe Gift of William H.G. FitzGerald, Des• Rattner / N.Y.— Dec. '67 Book 1967 p. mond FitzGerald, and B. Francis Saul II 13" 1978.129.263 Bequest of George Biddle 1974.28

188 CITRON

1272 b. 1896 1273 Peppino Mangravite b. 1896 1274 Armistead Peter III b. 1896 Study for "Laying the Bets" 1935 Gardener Running from Storm 1958 Morning Mist, Hong Kong 1963 9 3 22 /8 x 30V2 in. (56.8 x 77.5 cm) 5V2 x 8V4 in. (14 x 21 cm) 13V8 x 13 /i6 in. (33.4 x 34.5 cm) Pencil on cream paper Black ink and pen with wash on pink Watercolor over pencil on heavy off- Recto, l.r.: "Minna Citron '35" composition board white paper Gift of the artist 42.9 Recto, 1.1.: "Mangravite / 1958" Recto, l.r.: "Armistead Peter 1963 / Gift of William H. G. FitzGerald, Des• Leased Territories Hong Kong" mond FitzGerald, and B. Francis Saul II Museum Purchase through a gift of 1978.129.164 Orme Wilson 64.3

1275 1276 Thomas S. Handforth 1897-1948 Untitled [mountain landscape] 1972 Recto and verso: "Sailor—Shanghai" Verso 50.22 7 15 x 22 /i6in. (38.1 x 57 cm) ca. 1931-1937

7 5 Watercolor over pencil on heavy off- 9 /i6 x 12 /8 in. (24 x 32.1 cm) white paper Conte crayon on cream paper Recto, 1.1.: "A Peter / 1972" Verso, 1.1.: "Sailor—Shanghai" Gift of Mrs. Clifford Folger 1978.101 Gift of Stanley L. Handforth, son of the artist 50.22

189 HANDFORTH

1277 1278 1279 Shanghai Harbor "Three Children" ca. 1931-1937 Head of a Chinese Man ca. 1932-1934

7 9 3 9 5 9 /i6 x 12 /i6in. (24.1 x 31.9 cm) 17 /i6 x 11% in; (44.5 x 28.6 cm) ll /i6 x 8 /4 in. (28.2 x 22.3 cm) Lithographic crayon on cream paper Pencil on white paper Lithographic crayon and pencil on Gift of Stanley L. Handforth, son of the Recto, 1.1.: "HANDFORTH Three cream paper artist 50.23 Children" Gift of Stanley L. Handforth, son of the Gift of Stanley L. Handforth, son of the artist 50.25 artist 50.24

1280 1281 Reuben Nakian b. 1897 1282 Melon Vendor Rape of Europa I Rape of Europa II

13 7 13 UVie x 8 /i6in. (28.1 x 22.4 cm) 12V16X 17 /8in. (30.6 x 45.4 cm) UVieX 17 /i6in. (30.7 x 45.2 cm) Lithographic crayon and pencil on Watercolor on white paper Watercolor on white paper cream paper Recto, l.r.: "NAKIAN" Recto, I.e.: "NAKIAN" Gift of Stanley L. Handforth, son of the Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• artist 50.26 mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.186a 1978.129.186b

1283 Alexander Calder 1898-1976 1284 1285 Elsie Driggs b. 1898 Untided [abstraction] ca. 1940-1950 Laddered Balloons 1971 Merrymount 1934 3 15 153/i6 x 15n/i6 in. (38.6 x 39.9 cm) 433/i6 x 297/i6 in. (109.7 x 74.7 cm) 12 /s x 10 /i6in. (31.5 x 27.8 cm) Gouache, tempera, black ink, and char• Casein(?) or gouache on white paper Watercolor, pencil, colored chalk, and coal or black chalk on heavy off-white Recto, l.r.: "Calder / 71" picture varnish on off-white paper paper Gift of William H.G. FitzGerald, Des• Recto, u.r.: "Elsie Driggs" Recto, I.e.: "to the happy Hebbelus— mond FitzGerald, and B. Francis Saul II Museum Purchase through a gift of Sandy Calder" 1978.129.50 Mrs. G. V. Fox 1981.70 Gift of George D. Locke 57.3 190 GONZALES

1286 Xavier Gonzales b. 1898 1287 Pietro Lazzari 1898-1979 1288 Dead Fish CSA faculty 1965-1966 Untitled [male nude] ca. 1960-1970 UVs x 28% (44.2 x 72.4 cm) Rural Composition 1955 229/i6 x 28Vi in. (57.3 x 72.4 cm) 3 Casein and gouache on heavy off-white 16Vi6 x 19 /4in. (41.8 x 42.4 cm) Black ink and pen on creamy-white pa• paper Silverpoint on cream paper per Recto, l.r.: "To George / Biddle = / Recto, I.e.: "Pietro Lazzari" Recto, u.r.: "Pietro Lazzari" [afeccionadamente?] Xav" [paper cut away] Museum Purchase, 11th Area Exhibi• Gift of Franz Bader 1980.106 Bequest of George Biddle 1974.19 tion Fund 56.42

1289 1290 Recto: Ashes to Ashes ca. 1963-1964 Verso 64.15 Untitled [three horses] ca. 1977 Verso: Untitled [abstraction] ca. 1963- 20 x 26 in. (50.8 x 66 cm) 1964 Black ink and brush on heavy white pa• 44Vi6 x 28 in. (111.9 x 71.1 cm) per Watercolor on white-surfaced composi• Recto, u.r.: "Pietro Lazzari" tion board Museum Purchase through a gift of Gift of the Washington Watercolor Fannie S. Eanes 1979.28 Association 64.15

1291 Reginald Marsh 1898-1954 1292 1293 Construction Workers September 22, Harbor with Small Sailing at Trains 1932 1926 Anchor 1927 1315/i6 x 1915/i6 in. (35.4 x 50.6 cm)

1315/i6 x 1915/i6 in. (35.4 x 50.6 cm) 1315/i6 x 20 in. (32.9 x 50.9 cm) Watercolor over pencil on off-white pa• Pen and brown ink with wash over pen• Watercolor and Conte crayon on white per cil on off-white paper paper Recto, l.r.: "Reginald Marsh '32" Recto, l.r.: "Sept 22 1926" Recto, l.r.: "Reginald Marsh 1927" Gift of Sen. William Benton 61.16.7 Gift of Sen. William Benton 61.16.6 Bequest of Felicia Meyer Marsh, wife of the artist 1980.47 191 MARSH

1294 1295 1296 Walking Woman with Purse 1945 Walking Woman with Hat and Purse Walking Woman ca. 1940s

7 12V2 x 9 /s in. (31.7 x 25.1 cm) 1947 10% x 89/i6 in. (26.3 x 21.8 cm) 3 5 Black ink and wash on white paper 10 /s x 8 /8 in. (26.3 x 21.9 cm) Watercolor and wash on white paper Recto, 1.1.: "Reginald Marsh 1945" Black ink and wash heightened with (verso: metric ) Museum Purchase, Membership Associ• Chinese white and gouache on cream Gift of Sen. William Benton 61.16.5 ation Fund 51.3 paper (verso: metric graph paper) Recto, l.r.: "1947" Gift of Sen. William Benton 61.16.2

1297 1298 1299 Two Women Walking I ca. 1940s Two Women Walking II ca. 1940s Seated Woman and Man [on the beach]

5 105/i6 x 8 /s in. (26.2 x 21.9 cm) 103/i6 x 87/i6 in. (25.8 x 21.5 cm) ca. 1940s 5 Black ink and watercolor heightened Black pen, wash, and pencil on off- 8^16 x 10 /i6in. (22.1 x 26.2 cm) with Chinese white on hand-tinted off- white paper (verso: metric graph paper) Gray-black ink, pen, and wash height• white paper (verso: metric graph paper) Gift of Sen. William Benton 61.16.3 ened with Chinese white on white paper Gift of Sen. William Benton 61.16.1 (verso: metric graph paper) Gift of Sen. William Benton 61.16.4

1300 Recto: Derelicts under the "El" I 1946 Verso 1980.46 Verso: Derelicts under the "El" II 1946 5 u 26 /8 x 39 /i6 in. (67.6 x 100.8 cm) Black ink and wash over pencil on off- white paper Recto, l.r.: "REGINALD MARSH 1946"; verso, l.r.: "Reginald Marsh Bequest of Felicia Meyer Marsh, wife of 1946" the artist 1980.46

192 MARSH

1301 1302 1898-1969 Recto: in a Harbor ca. 1940 Verso 1980.48 Two Men Singing at the ca. Verso: City scape with Figures ca. 1940 1950-1960 15 15 5 5 13 /i6 x 19 /i6 in. (35.4 x 52.6 cm) 9 /8 x 6 /i6 in. (24.4 x 15.9 cm) Recto: watercolor on white paper; Black ink and pen or with pencil verso: purple water-soluble pencil and on off-white paper watercolor on white paper Recto, l.r.: "Ben Shahn"; 1.1.: "For Bequest of Felicia Meyer Marsh, wife of George Biddle—" the artist 1980.48 Bequest of George Biddle 1974.30

1303 Julius Zirinsky b. 1898 1304 Sarah Baker b. 1899 1305 Portrait of James N. Rosenberg 1947 Backstage at the Circus 1930s Practicing the Viola ca. 1940s 7 5 7 20 /i6 x 14 in. (50.9 x 35.6 cm) 7 x 10V2 in. (17.8 x 26.6 cm) 9 /i6 x 9 /s in. (23.9 x 24.4 cm) Brown charcoal on off-white paper Watercolor, black ink, and pen on Black ink, pen, and stump over pencil Recto, l.r.: "Julius Zirinsky / 1947 / cream paper on off-white paper Portrait of / James N. / Rosenberg / by / Recto, l.r.: "Sarah Baker / 193[last Recto, c.r.: "SARAH BAKER" Julius Zirinsky" number missing]" Gift of the Women's Committee Gift of James N. Rosenberg 59.55 Gift of the Women's Committee 1978.116 1978.115

1306 Mell Daniel 1899-1975 Untitled [abstraction] Gift of William H. G. FitzGerald, Des• 1715/i6 x 233/s in. (45.6 x 59.4 cm) mond FitzGerald, and B. Francis Saul II Black ink and pen over watercolor wash 1978.129.62 on white paper Verso, u.l.: "MELL DANIEL / TOMKINS COVE / ROCKLAND / COUNTY NY 10986"

193 SOYER

1307 Moses Soyer 1899-1974 1308 b. 1899 1309 Fred Kabotie b. 1900 Female Nude with Green Stockings ca. Untitled [two sketches: standing woman Standing Male American Indian I 1965 and reclining woman] ca. 1970 [Hopi?] ca. 1920 20 x 15 in. (50.8 x 38.1 cm) 17% x 22% in. (44.4 x 57.1 cm) 11% x 8 in. (29.2 x 20.3 cm) Pastel and charcoal on off-white paper Charcoal or Conte crayon and stump on Gouache and pencil on cream paper Recto, l.r.: "M Soyer" white paper Recto, l.r.: "Fred Kabotie" Gift of Alice Clement 1979.6 Recto, I.e.: "RAPHAEL SOYER"; Gift of Amelia E. White 37.55 verso, u.l.: "228" Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.240

1310 1311 1312 Masked Dancer [a chief from Snake Priest [Hopi?] ca. 1920 Standing Male American Indian II First Mesa, Arizona] ca. 1920 11% x 8 in. (29.2 x 20.3 cm) [Hopi?] ca. 1920 15% x 103/4 in. (39.4 x 27.4 cm) Gouache and pencil on cream paper 11% x 715/i6 in. (29.2 x 20.2 cm) Gouache and pencil on cream paper Recto, l.r.: "Fred Kabotie" Gouache and pencil on cream paper Gift of Amelia E. White 37.57 Gift of Amelia E. White 37.58 Recto, l.r.: "Fred Kabotie" Gift of Amelia E. White 37.60

1313 1314 Three Women [Hopi?] Carrying Water Hopi Masked Dance ca. 1925-1935 Vessels ca. 1920 19% x 30 in. (49.6 x 76.2 cm) 11% x 143/i6 in. (28.6 x 36 cm) Gouache on cream paper laid down Gouache, black ink(?), and pencil on Recto, l.r.: "Fred Kabotie" cream paper Gift of Amelia E. White 37.69 Recto, l.r.: "Fred Kabotie" Gift of Amelia E. White 37.64

194 KALDIS

1315 Aristodemos Kaldis 190O-1979 1316 Rico Lebrun 1900-1964 1317 James N. Louis early 20th century "Drawing of Santorini, Lost Atlantis Re• "Listening Figures" 1959 Nine American Indian Dancers covered, or Sailing through the Aegean" 195/s x 9% in. (49.9 x 23.5 cm) [?] October 1975 Pen and black ink with wash on stiff 8% x 14 in. (21.8 x 35.6 cm)

1615/i6 x 14 in. (43.3 x 35.5 cm) cream paper Gouache and pencil touched with gold Pencil on white paper Recto, l.r.: "Lebrun / Listening figures / paint on heavy grayish-white paper Recto, u.l.: "K"; 1.1.: "K"; verso, ctr.: 1959"; 1.1.: "to George and Helene af• Recto, l.r.: "James M. Louis" "Drawing / of Santorini / Lost Atlantis fectionately / Rico" Gift of Amelia E. White 37.63 Recovered / or Sailing through / the Bequest of George Biddle 1974.26 Aegean / by Kaldis / Oct., 75" Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.137

1318 Patricio Toya 1319 1900-1982 1320 Adja Yunkers b. 1900 Five Masked Indian Dancers Untitled [abstraction] 1962 Untitled [abstraction] 1962 5 Gouache and pencil on cream paper 19 x 25 /s in. (48.3 x 65.1 cm) 26VieX 33% in. (66.2 x 86.1 cm) laid down Charcoal on white paper Tempera(?) paint and pastel on white Recto, 1.1.: "Patricio Toya" Recto, l.r.: "JT / 4-8-62" paper Gift of Amelia E. White 37.56 Gift of William H. G. FitzGerald, Des• Recto, l.r.: "Yunkers—62" mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• 1978.129.254 mond FitzGerald, and B. Francis Saul II 1978.129.264

195 EVERGOOD

1321 1901-1973 1322 Carl Heidenreich 1901-1965 1323 "A Self-Portrait with Good Right Series: Summer 1961-1962 Alaska Series: Tundra 1961

Hand!!" August 1963 2315/i6 x 365/i6 in. (60.8 x 92.3 cm) 237s x 367i6 in. (60.6 x 92.6 cm)

179/i6 x 167s in. (44.5 x 42.9 cm) Oil paint on off-white paper laid down Oil paint on off-white paper laid down Pencil on off-white paper Gift of Dr. Henry Buxbaum 66.4.1 Recto, l.r.: "Heidenreich / [61?]" Recto, l.r.: "Philip Evergood"; I.e.: Gift of Dr. Henry Buxbaum 66.4.2 "To George Biddle / Aug. 1963 / a self portrait with / good right hand!!" Bequest of George Biddle 1974.18

1324 1325 Josef Pielage b. 1901 Alaska Series: Winter 1962 CSA student 1941-1942 59.1b 5 361/i6 x 24 /s in. (91.6 x 62.5 cm) Cartoon on a Review of Stamos Oil paint on cream Exhibition January 4, 1959 Recto, l.r.: "Heidenreich 62" Two sheets: image (a): 15Vs x lO^/ie Gift of Dr. Henry Buxbaum 66.4.3 in. (38.4 x 27.5 cm); letter (b): 57s x 8 in. (14.9 x 20.3 cm) (a): crayon and blue ink on cream trac• ing paper; (b): blue ink on cream trac• ing paper (a): recto, u.r.: "STAMOS / 1958"; (b): recto, u.r.: "Jan. 4,1959/N.P. + T.H."; u.l. to r: "L. J. Porter / Rather than look at one of the / he would prefer that the spectator / participate in it, en• velop himself in it, / wrap it around him." Gift of the artist 59.1a,b

196 BISHOP

1326 b. 1902 1327 Untitled [female nude figure, left foot Recto: Study for "Two Girls Outdoors" Verso 53.20 raised] ca. 1940-1945 [1944, oil on composition board, Cor• Sight size (paper is glued into mat): coran Gallery of Art] 1944

45/i6 x 39/i6 in. (10.9 x 9.1 cm) Verso: Five Sketches of Old Man Black ink, pen, and wash over pencil on Drinking 1944 creamy-white paper 145/s x 10% in. (37.1 x 26.2 cm) Recto, l.r.: "LB."; ctr.: "Love to A[?]" Black ink and wash on white paper Gift of William H. G. FitzGerald, Des• Recto, u.c: "Isabel Bishop"; verso, mond FitzGerald, and B. Francis Saul II I.e.: " t only (Bishop [earased])" 1978.129.25 Museum Purchase 53.20

1328 1329 Ma Pe Wi (Velino Shije Herrera) 1330 Sally Michel Gina ca. 1948 1902-1973 Portrait of June 15, 1961

17 x 12y4in. (43.2 x 31.1 cm) Mounted Indians Hunting Deer with 11 x 87/i6 in. (28 x 21.4 cm) Pastel on gray-brown paper Bow and Arrow ca. 1925-1935 Black , ink, and pastel on Recto, l.r.: "Isabel Bishop" 15 x 201/i6in. (38.1 x 50.9 cm) white paper Museum Purchase, Membership Associ• Gouache on cream-faced composition Recto, 1.1.: "Sally Michel / 6/15/61" ation Fund 53.11 board Gift of William H. G. FitzGerald, Des• Recto, l.r.: "Ma-Pe-Wi" mond FitzGerald, and B. Francis Saul II Gift of Amelia E. White 37.65 1978.129.172

197 BIALA

1331 Janice Biala b. 1903 1332 Paul Baker Remmey 1903-1957 1333 Jeanne Reynal b. 1903 Untitled [church] Brooding House 1954 Fifth Dimension 1955 9 3 7Vs x 4 /s in. (18.1 x 11.1 cm) 22 /i6 x 30V8 in. (57.3 x 76.5 cm) 23V2 x llii/i6 in. (59.7 x 29.7 cm) Black ink, brush, and wash on cream Watercolor over pencil on heavy white Charcoal and erasures on ochre paper paper paper Recto, I.e.: "J R '55" Recto, l.r.: "Biala" Recto, l.r.: "Paul Remmey '54" Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• Anonymous Gift 60.7 mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.213 1978.129.23

1334 Robert L. Benney b. 1904 1335 Dorothy Block b. 1904 1336 Hans Gustav Burkhardt b. 1904 "(Jap Farmer, Okinawan), Wounded by Untitled [landscape of trees and grass] Nude Figures in Landscape 1939 Japs" June 1944 5 x 6i5/i6 in. (12.7 x 17.8 cm) 17i5/i6 x 23i5/i6 in. (45.6 x 60.8 cm) lli/s x 131/s in. (28.3 x 33.3 cm) Pencil on white paper Charcoal on beige paper Charcoal over black ink wash and pencil Recto, l.r.: "Dorothy Block" Recto, l.r.: embossed: " °\HSa "; 1-1-• on white-gessoed cream paper Gift of William H. G. FitzGerald, Des• "H. Burkhardt 1939" Recto, l.r.: "(Jap Farmer, Okinawan) mond FitzGerald, and B. Francis Saul II Museum Purchase, Anna E. Clark Fund wounded / by / Japs / 31st F.rt. / Saipan 1978.129.30 1979.97 —6/44 / Robert Benney" Gift of the artist 48.6

1337 b. 1904 1338 Untitled [abstraction] 1967 Recto: Untitled [abstraction] 1971 Verso 1978.129.54 3 151/2 x 22 /8 in. (39.4 x 56.8 cm) Verso: Untitled [abstraction] 1971 Watercolor on white paper I41/8 x IP/16 in. (35.6 x 28.2 cm) Recto, l.r.: "Giorgio Cavallon 67" Pastel and pencil on tan-brown paper Gift of William H. G. FitzGerald, Des• Recto, l.r.: "Giorgio Cavallon 71" mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• 1978.129.55 mond FitzGerald, and B. Francis Saul II 1978.129.54 198 DE KOONING

1339 b. 1904 1340 Stephen Olin Dows b. 1904 1341 Opa Mu Nu (Ricardo Martinez) b. Untitled [woman] ca. 1965-1970 Ten Minute Break 1944 1904 13 x 8% in. (33 x 21.6 cm) 15% x 225/s in. (38.8 x 57.5 cm) Design of Leaping Deer before 1937 Pencil on cream paper laid down Pencil, watercolor, and gouache on 149/i6 x 2715/i6in. (37.2 x 71.6 cm) Recto, 1.1.: "de Kooning" heavy, flecked buff paper (edges cov• Gouache and pencil on cream paper Gift of William H. G. FitzGerald, Des• ered with brown paper tape) laid down mond FitzGerald, and B. Francis Saul II Recto, 1.1.: "Olin Dows '44" Gift of Amelia E. White 37.68 1978.129.71 Anonymous gift 47.3

1342 b. 1904 1343 "The Assassin" 1964 "The Closed Mind" 3 3 30%6 x 22 /8 in. (76.4 x 56.8 cm) 15%6 x 12 /i6 in. (38.2 x 30.8 cm) Charcoal, pastel, and stump on off- Pastel and Conte crayon on white paper white paper Recto, l.r.: "The Closed Mind"; 1.1.: Recto, l.r.: "Osborn"; 1.1.: "The Assas• "Osborn" sin" Gift of William H. G. FitzGerald, Des• Gift of the Women's Committee mond FitzGerald, and B. Francis Saul II 64.44 1978.129.191

1344 Louis Bosa b. 1905 1345 Lilly Brody b. 1905 Recto: Stroller in Venice ca. 1958-1961 Verso 1972.16.1 Cascabel TV, Desertscape April 28,1974 3 Verso: Architectural Sketch ca. 1958- 11% x 14 /4 in. (28.3 x 37.5 cm) 1961 Watercolor on white mino paper glued 11% x 173/4in. (30.2 x 45.1 cm) at all corners to sheet of white rice paper Recto: gouache and black ink and brush Recto, u.l.: "Cascabel, Apr 28, 74" on cream paper; verso: brown and black Gift of William H. G FitzGerald, Des• ink, pen, and wash on cream paper mond FitzGerald, and B. Francis Saul II Recto, 1.1.: "Bosa" 1978.129.40 Gift of Charles B. Rosenka 1972.16.1 199 MOORE

1346 Bruce Moore b. 1905 1347 George L. K. Morris 1905-1975 1348 Umberto Romano 1905-1982 Feeding Tiger Indentation 1949 Oriental Dancer Kneeling 8% x 11 in. (21.9 x 27.9 cm) 13*%6 x 10% in. (34.8 x 26.7 cm) 24% x 19% in. (61.6 x 49.5 cm) Conte crayon on cream paper Gouache and collage of music sheet on Brown ink and pen on cream rice paper Recto, 1.1.: "Bruce Moore Washington cream paper Recto, 1.1.: "Umberto Romano"; l.r.: Zoo" Recto, l.r.: "Morris"; 1.1.: "1949" "C Gallery" Gift of the artist 62.25 Museum Purchase through a gift of Gift of Clorinda C. Romano, wife of Mrs. J. L. M. Curry 1977.18 the artist 1982.56

1349 1350 Albert B. Serwazi b. 1905 1351 Oriental Dancer Seated Study No. 1 for "Model Resting" [ca. Study No. 2 for "Model Resting" 1938 17 x 14 in. (42.7 x 35.5 cm) 1939, oil on canvas, Corcoran Gallery 8% x 10n/i6 in. (20.9 x 26.9 cm) Pencil on cream paper of Art] 1938 Watercolor, black ink, and pen on Recto, 1.1.: "Umberto Romano" 11% x 8% in. (29.2 x 21.3 cm) cream paper Gift of Clorinda C. Romano, wife of Pencil on cream paper Verso, 1.1. : "INMAGINARY [sic] the artist 1982.57 Verso, 1.1. : "THESE ARE MY ORIG• COLOR SKETCH DONE AFTER INAL THUMBNAIL IDEA B&W THUMBNAIL SKETCHES, / SKETCHES (FLASHES) / FROM WITHOUT MODEL OR SET-UP / IMAGINATION / ABS" ABS" Gift of the artist 1975.10.1 Gift of the artist 1975.10.2

1352 1353 1354 Study No. 3 for "Model Resting" 1938 Study No. 4 for "Model Resting" 1938 Study No. 5 for "Model Resting" 1938

8u/i6 x 11% in. (22.1 x 28.6 cm) 85/i6 x 11 in. (21.1 x 28 cm) 8% x 11% in. (21.6 x 28.2 cm) Pencil on cream paper Black ink and pen on beige paper Black ink, pen, and brush on creamy- Verso, 1.1.: "THIS IN PENCIL Gift of the artist 1975.10.4 white paper ROUGH SKETCH WHEN I HAD MY Verso, 1.1.: "ANOTHER B&W WIFE GERTRUD [sic] / POSE FOR SKETCH WHILE MODEL WAS POS• OIL PAINTING. MODEL RESTING ING / [No. 2 ?]" ABS" Gift of the artist 1975.10.5 Gift of the artist 1975.10.3 WOLFF

L355 Robert Wolff 1905-1978 1356 b. 1906 Untitled [abstraction] 1958 Untitled [abstraction] 1974

163/i6 x 13 in. (41 x 33 cm) 14% x 20 in. (35.9 x 50.8 cm) Watercolor, black ink, pen, and wash on white paper on white paper Recto, l.r.: "J Brooks 1974"; verso, Recto, 1.1.: "Wolff 58" I.e.: "James Brooks / India ink / 14" x Gift of William H. G. FitzGerald, Des• 20" / 1974"; c.r.: "74"; 1.1.: "James mond FitzGerald, and B. Francis Saul II Brooks" 1978.129.262 Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.41

1357 Attributed to William Edmund Cash 1358 b. 1907 Verso 1982.53 Cathederal Entrance, Mexico ca. 1936 3 Recto: "Caleta," Tropical Bay August 14% x ll /8 in. (36.3 x 29 cm) 2, 1936 Pencil on heavy cream paper Verso: Partial Sketch of Tropical Bay Pencil on heavy cream paper Recto, l.r.: "July 24"; verso, l.r.: "July August 2, 1936 Recto, l.r.: "Caleta Aug. 2 '36" 24"

3 125/i6 x 14 /s in. (31.3 x 36.5 cm) Gift of Carolyn Campbell 1982.53 Gift of Carolyn Campbell 1982.54

pera on cream paper Recto, l.r.: "I RICE PEREIRA / 12/25/ 54"; u.l.: "Version No. 2 / 12/25/54"; c.l.: "Lapis / island / Lake / verdant earth / sky"; I.e.: "This picture cannot be / translated in depth—the / image is flat. / The sky cannot be experienced / surrounding the earth. / In other words the earth / cannot be expressed in Space-time"; u.r.: "Image from / dream 11/29/54"; c.r.: "the image is in / the 1359 Aline Fruhauf 1907-1978 1360 Irene Rice Pereira 1907-1971 depth of the mind / 1. circular island / Portrait of David Edward Finley 1949 "Image from Dream 11129154, Version with oval Lapis / lying flat / 2 circular 3 lake / around an island / 3 Lake sur• ll /8 x 778 in. (28.9 x 19.7 cm) No. 2" [for Image I, illustration for Watercolor and pencil heightened with "second version" of The Lapis by I. rounded / by verdant trees / 4. Sky— Chinese white on white paper Rice Pereira, distributed by George ethereal and surrounding all" Recto, l.r.: "DAVID FINLEY"; 1.1.: Wittenborn, New York, 1957] Gift of the artist 68.45a "ALINE FRUHAUF" December 25, 1954 Gift of the Women's Committee 12 x 15% in. (30.5 x 39.4 cm) 1977.20 Black ink, red ballpoint pen, and tem•

201 PEREIRA

1361 1362 1363 "//. The Lapis in a Vertical Position— "///. Vertical View of the Lapis from 'TV. Image of the World- Man-God, Soul-Spirit" [for Image II, il• Above, Mediaeval Image of the World- View" [for Image IV, illustration for lustration for "second version" of The View" [for Image III, illustration for "second version" of The Lapis by I. Lapis by I Rice Pereira, distributed by "second version" of The Lapis by I. Rice Pereira, distributed by George George Wittenborn, New York, 1957] Rice Pereira, distributed by George Wittenborn, New York, 1957] December 25, 1954 Wittenborn, New York, 1957] December 25, 1954 12% x 15% in. (30.8 x 38.4 cm) December 25, 1954 12% x 15% in. (31.1 x 39 cm) Black and red ink with pen and tempera 12% x 15% in. (31.1 x 38.4 cm) Tempera and red and black ink with on creamy-white paper Red and black ink with pen and tem• pen on creamy-white paper Recto, l.r.: "I Rice Pereira / December pera on creamy-white paper Recto, l.r.: "I Rice Pereira / December 25, 1954"; u.l.: "II"; I.e.: "(a) a vertical Recto, l.r.: "I Rice Pereira / December 25, 1954"; u.c: "IV Renaissance Image perception / activates thinking and / 25, 1954"; u.l.: "Ill Vertical View / of / of the World-View"; 1.1. to l.r.: "The feeling / (b) what is still wrong with / the Lapis / from above"; 1.1.: "In order Image as an optical cross section in Per• this picture is that it is an / abstraction to transcribe an / inner image of a com• spective / The shape of the world has no of 2 dimensions / the image is not trans• plete / circle in 2 dimensions one / must reality if what is recorded is / merely an lated / as spherical and existing / in be above the picture. / This is so be• optical illusion of a cubic cross-section Space."; u.r.: "The Lapis in a / Vertical cause one sees / the picture in depth. of half a sphere / Euclidean geometry Postion / Man-God / Soul-Spirit"; c.r.: But / what happens to a vertical / Per• defines a 2 dimensional world. / Per• "1. In order to see a vertical / one must ception of the Lapis with / horizontal? spective is a geometry of optics defining be in front / of it. 12. Whatever is be• Only a separation / of the space of the an illusion of a cross-section / of a cubic hind the / vertical is obliterated. / What heavens."; I.e.: "% of the vertical / is dimension. Hence it would follow that is behind the / vertical is unknown. / 3. off-center / when seen from / above"; the representation / of solids in space Would it follow that / the vertical acti• u.r.: "Mediaeval Image / of the World- and the optical visual representation of vates / the unknown—Man and God? / View"; c.r.: "The Point would be / the the world in / perspective have been dif• 4. Could we say that the / first sensation center if one saw / the whole image as a ferent. In addition Euclidean geometry / of / space is through / vertical percep• / circle. Also one would / have to be avoids the infinite—perspective includes tions?" suspended / or above the image / % of the infinite." Gift of the artist 68.456b the vertical / would be out of view / and Gift of the artist 68.45d it would activate / an unknown depth (hell) / from this image / could we con• clude that everything / unknown would be in / the depth of feeling?" Gift of the artist 68.45c

202 PEREIRA

1364 1365 1907-1975 1366 Theodore Roszak 1907-1981 "V. The Image in Perspective" [for Im• Untitled [standing old woman] 1969 "Skin Diver" 1973 15 n age V, illustration for "second version" 13 /i6 x 10 /i6in. (35.5 x 27.1 cm) 17 x 1315/i6 in. (43.2 x 35.3 cm) of The Lapis by I. Rice Pereira, distrib• Blue-black felt-tip pen on off-white pa• Black ballpoint pen on white paper uted by George Wittenborn, New York, per Recto, l.r.: "Theodore Roszak '73"; 1957] December 25, 1954 Recto, l.r.: "Fairfield Porter '69" verso, u.l.: "Skin Diver— / Ink Draw•

l 125/i6 x 15A in. (31.4 x 38.8 cm) Gift of William H. G. FitzGerald, Des• ing—" Tempera and black and red ink with mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• pen on creamy-white paper 1978.129.205 mond FitzGerald, and B. Francis Saul II Recto, l.r.: "I Rice Pereira / December 1978.129.219 25, 1954"; 1.1. to l.r.: "V. The Image in Perspective / 1. There is a serious dis• crepancy between structure and / optics in the Renaissance and 20th Century world views / resulting from the di• lemma of the infinite and the finite / in Greek thought. / 2. Up to the 20th Cen• tury the optical visual perception of world space / has been different from the Euclidean geometry which describes it / 3. The systems of thought for de• scribing space are different / from the visual and intuitive perceptions of space. / geometric systems of thought 1367 b. 1908 1368 Mona L. Jordan • have avoided the infinite / whereas vis• Untitled [abstraction] Tokyo 1947 19 x 2315/i in. (48.3 x 60.8 cm) 15 ual and intuitive perception involve / 6 13V6 x 19 /i6 in. (33.2 x 50.5 cm) the infinite." Pencil and rust-orange pencil on off- Pastel on light-gray-surfaced artist's white board Gift of the artist 68.45e Recto, l.r.: "Perle Fine" Museum Purchase, Membership Associ• Gift of William H. G. FitzGerald, Des• ation Fund 48.62 mond FitzGerald, and B. Francis Saul II 1978.129.89

1369 b. 1908 1370 Herman Maril b. 1908 Untitled [abstraction] 1938 Deserted Beach 1954 19Vie x 25!/i6 in. (48.4 x 63.7 cm) 20 x 26V16 in. (50.8 x 66.2 cm) Charcoal and stump on off-white paper Gouache on blue paper Recto, l.r.: "Lee Krasner '38"; verso, Recto, 1.1.: "Herman Maril" l.r.: "L K '38"; 1.1.: "16" Museum Purchase, 10th Area Exhibi• Gift of William H. G. FitzGerald, Des• tion Fund 55.103 mond FitzGerald, and B. Francis Saul II 1978.129.146

203 MC NEIL

George McNeil b. 1908 1372 Jeanne Miles b. 1908 1373 John Opper b. 1908 "Dionysus" September 25, 1973 Untitled [abstraction] 1973 Untitled [abstraction] 1968 25 x 19V* in. (63.5 x 49.5 cm) 2013/i6 x 135/i6 in. (52.9 x 33.8 cm) 2313/i6 x 18 in. (60.5 x 45.7 cm) Charcoal or pastel and wash on off- Pencil, black ink, pen, wash, and black Pastel on off-white paper white paper felt-tip marker on white paper Recto, 1.1.: "John Opper '68" Recto, 1.1.: "GEORGE MCNEIL 9/25/ Recto, l.r.: "Jeanne Miles / 73" Gift of William H. G. FitzGerald, Des• 73"; verso, u.c: "George McNeil / Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II DIONYSUS: 9/25/73 / 25 x 19% / mond FitzGerald, and B. Francis Saul II 1978.129.190 Wash Drawing" 1978.129.175 Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.171

Milford Zornes b. 1908 1375 Rhys Caparn b. 1909 1376 Herman Cherry b. 1909 In the Cuyama 1979 Three Trees ca. 1935-1940 Untitled [abstraction] 1973 9 9 31 /i6x 41 /i6in. (80.1 x 105.6 cm) 14 x 11 in. (35.4 x 28 cm) 18 x 12 in. (45.8 x 30.4 cm) Watercolor and gouache on heavy white Black ink and pencil on white paper Oil-based paint on white paper paper Recto, 1.1.: "Rhys Caparn" Recto, l.r.: "Cherry 73" Recto, l.r.: "Zornes"; verso, u.l.: Gift of Mr. and Mrs. Julius Carlebach Gift of William H. G. FitzGerald, Des• "[Cuyama?] Valley Pasture / Milford 57.4 mond FitzGerald, and B. Francis Saul II Zornes A.N.A." 1978.129.57 Gift of Mr. and Mrs. Leonard A. Shelton 1980.108

204 ELLENDER

1377 Raphael Ellender 1909-1977 1378 1379 Femelle Grandeur [seated female nude] Deux Femmes en Torsion [two standing Femme Debout en Profit [standing fe• 3 7 16 /4 x 13 /i6in. (42.5 x 34.1 cm) female nudes] male nude in profile] 3 n 15 Pen and blue-black ink on white paper WVi6 x 13 /8in. (44.5 x 34.1 cm) 16 /i6 x 13 /i6 in. (42.3 x 35.4 cm) Recto, I.e.: "Ellender" Pen and blue-black ink on white paper Pen and blue-black ink on white paper Gift of the artist 1972.4.1 Recto, I.e.: "Ellender" Recto, I.e.: "Ellender" Gift of the artist 1972.4.2 Gift of the artist 1972.4.3

1380 1381 1382 Deux Femmes Stationnante d'Arriere Femme Pliee s'Efforcer d'Attendre Femme Couchante d'Arriere [reclining [two standing female nudes from the [bending female nude] female nude from the rear] 3 rear] 137s x 169/i6 in. (35.2 x 42 cm) 137i6 x 16 /4in. (34.1 x 42.6 cm) 3 16 /4x 137s in. (42.5 x 35.2 cm) Pen and brown ink on creamy-white pa• Pen and brown ink on white paper Pen and blue-black ink on white paper per Recto, I.e.: "Ellender" Recto, I.e.: "Ellender" Recto, l.r.: "Ellender" Gift of the artist 1972.4.6 Gift of the artist 1972.4.4 Gift of the artist 1972.4.5

205 ELLENDER

1383 1384 John Heliker b. 1909 1385 Loren Maclver b. 1909 he Dos Expressif [standing female nude Untitled [head and shoulders of a man] Untitled [abstraction] 1966

5 7 from the rear] 15% x lP/4 in. (39.4 x 29.9 cm) 12 /i6 x 9 /8 in. (31.6 x 24.4 cm) 3 7 16 /4x 13 /i6in. (42.5 x 34.1 cm) Pencil on white paper Pastel on white paper Pen and blue-black ink on white paper Recto, 1.1.: "Heliker" Recto, l.r.: "Maclver" Recto, I.e.: "Ellender" Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• Gift of the artist 1972.4.7 mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.122 1978.129.163

1386 Joseph Solman b. 1909 1387 William Walton b. 1909 1388 Samuel Bookatz b. 1910 "Antique Scale" Meetinghouse 1953 The Rest (Eudora) ca. 1948 7 103/i6 x 14 in. (26 x 35.5 cm) ll13/i6 x 20 in. (30 x 50.8 cm) 19n/i6 x 22 /s in. (49.5 x 58.1 cm) Brown, green, and black felt-tip pen on Casein on white paper laid down Pencil on cream paper white paper Recto, l.r.: "Walton—1953" Recto, l.r.: "Samuel Bookatz" Recto, l.r.: "J S"; verso of original mat: Museum Purchase, 8th Area Exhibition Museum Purchase, 4th Area Exhibition "Antique Scale / by / Joseph Solman / Fund 53.53 Fund 49.64 156 2 Ave. / NYC" Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.237

1389 1390 Allan Rohan Crite b. 1910 1391 Great Falls, Maryland 1954 "Skating" 1933 "At a Church Fair" 1934 3 24 x 37/4 in. (61 x 95.9 cm) 12 x 1715/i6 in. (30.5 x 45.5 cm) 18 x 12 in. (45.7 x 30.5 cm) Tempera or poster paint on yellow- Pencil on cream paper Pencil on white paper green composition board Recto, l.r.: " "; I.e.: "Skating"; 1.1.: Recto, l.r.: "Allan R. Crite / eg, / Dec Recto, l.r.: "Bookatz, '54" " <3 /1933/All/Allan Crite/ 1934"; I.e.: "At a Church Fair" Museum Purchase, 9th Area Exhibition /.1933" Museum Purchase through a gift of Dr. Fund 55.9 Museum Purchase through a gift of and Mrs. William Chase 1981.32 Emily Crane Chadbourne 1981.33

206 DAVID

1392 Don David b. 1910 1393 Ronnie Elliott b. 1910 1394 b. 1911 CSA student 1962 "Hommage a Charlie Parker" 1973 A Study for a Painting of Ona Willa Street Scene 24 x 18 in. (61 x 45.8 cm) Barnet ca. 1975

5 7 13 /s x 107/i6 in. (34.6 x 26.8 cm) Black felt-tip pen and black and gray 23 /s x 1813/i6 in. (60.6 x 47.8 cm) Black oil crayon on white paper wash on white paper Pencil on cream tracing paper Recto, l.r.: "Don David" Recto, I.e.: "Hommage a Charlie Parker Recto, I.e.: "Will Barnet" Gift of William H. G. FitzGerald, Des• / R. Elliott 73" Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.66 mond FitzGerald, and B. Francis Saul II 1978.129.17 1978.129.84

1395 b. 1911 1396 Eugene W. Leake b. 1911 1397 Keith Martin b. 1911 "La tapisserie de mon enfance—Moun• "Yellow Field, Blue Sky" 1971 "Oracle" 1964 3 7 tains in Aubusson" 1947 5Vi x 9 /4 in. (14 x 24.4 cm) 39 /s x 30 in. (101.3 x 76.2 cm) 19 x 12 in. (48.2 x 31.8 cm) Watercolor on white paper Charcoal and pastel on beige paper laid Black ink and Chinese white on cream Recto, 1.1.: "EWL"; verso, u.l.: "Yel• down on stretched canvas paper low Field, Blue Sky / By: / Eugene Recto, u.c: "KM / 64"; verso, u.l.: Verso, u.c: "To Mercedes and the / Leake / 1971" "Oracle / Charcoal 40 x 30"—1964 / New York Studio School—1975 / La Gift of William H. G. FitzGerald, Des• KEITH MARTIN / BALTIMORE—" tapisserie de mon enfance— / mountains mond FitzGerald, and B. Francis Saul II Gift of the Friends of the Corcoran in Aubusson / drawing: 1947" 1978.129.153 65.27 Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.36

207 PARK

1398 1911-1960 1399 Ruth Abrams b. 1912 1400 Buffie Johnson b. 1912 Two Standing Nudes 1960 Conversation Series 1975 Untitled [plant] 3 7 5 19 /s x 13 /i6 in. (50.4 x 33.8 cm) 19 /8 x 15% in. (49.3 x 38.8 cm) 19% x 15% in. (50.5 x 40.4 cm) Poster paint or gouache on off-white Pencil, craypas, charcoal, and acrylic on Black ink and pen on off-white paper paper Japan paper Recto, l.r.: "Buffie Johnson" Recto, l.r.: "Park / '60" Recto, 1.1.: "Ruth Abrams / 75" Gift of William H. G. FitzGerald, Des• Gift of Lydia Park Moore, wife of the artist Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul I] 1971.4.4 mond FitzGerald, and B. Francis Saul II 1978.129.132 1978.129.2

1401 Alexander Liberman b. 1912 1402 Leonard Maurer 1912-1976 1403 John Robinson b. 1912 Untitled [abstraction] 1973 CSA student 1946; faculty 1955-1960 In the Studio 1945 29 x 23 in. (73.7 x 58.4 cm) Drawing 1952 1715/i6 x 24 in. (45.5 x 61 cm) Oil paint, pastel, wax crayon, vine char• Two sheets of composition board, one Pencil and watercolor on cream paper coal, and lithographic crayon on white laid down and centered on the other: Recto, 1.1.: "J.N.R." poster board 1415/i6 x 2115/i6 in. (38 x 55.7 cm); 18% Museum Purchase with funds from the Recto, l.r.: "A Liberman 73" x 25% in. (48 x 64.5 cm) National Endowment for the Arts and Gift of William H. G. FitzGerald, Des• Casein or gouache and red ink, var• the Richard King Mellon Foundation mond FitzGerald, and B. Francis Saul II nished on composition board 1976.12 1978.129.158 Recto, l.r. of ctr. board: "LEONARD MAURER '52" Museum Purchase, 8th Area Exhibition Fund 53.54

208 ROSATI

1404 James Rosati b. 1912 1405 Marian Cannon Schlesinger 1912 1406 Peter Agostini b. 1913 Untitled [abstraction] 1972 "Villa Adreana" [Hadrian's Villa] July Untitled [abstraction] 1960 137s x 147s in. (35.2 x 37.8 cm) 1963 19% x 25% in. (48.5 x 63.7 cm)

Black crayon over pencil on white paper 11% x 167i6in. (29.4 x 41.4 cm) Black ink and brush on creamy-white Recto, l.r.: "Rosati / 72" Watercolor, black and brown ink, pen, paper Gift of William H. G. FitzGerald, Des• and brush on white paper Recto, l.r.: "A60" mond FitzGerald, and B. Francis Saul II Recto, l.r.: "M C S Villa Adreana July Gift of William H. G. FitzGerald, Des• 1978.129.217 1963" mond FitzGerald, and B. Francis Saul II Gift of Francis Biddle 64.16 1978.129.4

1407 Howard Eugene Chapman b. 1913 1408 1913-1980 1409 Ibram Lassaw b. 1913 CSA student 1934-1936 Untitled [rocks and other objects] 1975 Untitled [abstraction] 1967 13 The Cove 1949 19%6 x 25% in. (48.3 x 63.8 cm) 13*716 x 16 /i6 in. (35.1 x 42.7 cm) 15 x 20 in. (38.1 x 50.8 cm) Black ink on buff paper Black ink and brush on white paper Gouache, watercolor, and poster paint (?) Recto, l.r.: "Philip Guston 75" Recto, 1.1.: "Ibram Lassaw 1967" on white-surfaced mat board Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• Recto, l.r.: "Howard E. Chapman" mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II Museum Purchase, 4th Area Exhibition 1978.129.118 1978.129.152 Fund 49.65

209 THOMAS

1410 Yvonne Thomas • 1411 Louis Tytell b. 1913 1412 Elise Asher b. 1914 Untitled [abstraction] 1975 "Sea Rocks" "Song" 1963 5 9 22 /8 x 28 /i6 in. (57.5 x 72.5 cm) 7% x 1113/16 in. (19.7 x 30 cm) 22VB x 14% in. (56.2 x 36 cm) Painted paper glued to heavy white pa• Charcoal pencil on off-white paper Enamel, pencil, gouache, and stick over per Recto, l.r.: "Tytell"; verso, u.l.: poster (1963 Elise Asher Exhibition at Recto, 1.1.: "Yvonne Thomas 75" "LOUIS TYTELL / SEA ROCKS / East Hampton Gallery) on white paper Gift of William H. G. FitzGerald, Des• PENCIL"; u.c: "107 GREEN ROAD / Recto, l.r.: "Asher '63"; I.e.: "green"; mond FitzGerald, and B. Francis Saul II WEST NYACK, N.Y. 10994" cl.: "No more"; u.c: "song" 1978.129.253 Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.255 1978.129.11

1413 Rudy Burckhardt b. 1914 1414 Nassos Daphnis b. 1914 1415 Sidney Geist b. 1914 Untitled [female nude on empire sofa] Untitled [abstraction] 1974 Untitled [abstraction] 1975 11 x 14 in. (28 x 35.6 cm) 26 x 34 in. (66 x 86.4 cm) 103/s x 83/s in. (26.4 x 21.2 cm) Watercolor and pencil on white paper Black ink on white paper Cut paper on black mat board Recto, l.r.: "Burckhardt" Recto, l.r.: "Nassos Daphnis 74" Recto, l.r.: "Geist 75" Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.47 1978.129.63 1978.129.101

210 GUERRERO

1416 Jose Guerrero b. 1914 1417 Gerome Kamrowski b. 1914 1418 Nicholas Marsicano b. 1914 Study for Antojo 1972 Unitled [abstraction] 1974 Untitled [two female nudes, seated] 7 15 13 24 /8 x 18 /i6 in. (63.2 x 48.1 cm) 23 /i6 x 18% in. (60.5 x 47.9 cm) ca. 1967 Gouache on white paper Acrylic paint on off-white paper 2315/i6 x 1815/i6 in. (60.8 x 48.1 cm) Recto, 1.1.: "Jose Guerrero 1972" Recto, l.r.: "74"; 1.1.: "g k / Gerome Watercolor and black ink with brush on Gift of William H. G. FitzGerald, Des• Kamrowski" white paper mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• Recto, l.r.: "Marsicano" 1978.129.117 mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• 1978.129.138 mond FitzGerald, and B. Francis Saul II 1978.129.167

1419 • 1420 Alfred Hennen McAdams b. 1914 1421 Henry Pearson b. 1914 Still Life with Dead Bird 1976 The Muse ca. 1952 Untitled [abstraction] 1975

5 2313/i6 x 2915/i6 in. (60.5 x 76 cm) 15Vi x 323/i6 (39.4 x 81.8 cm) 15 /i6 x 22% in. (38.9 x 56.8 cm) Charcoal and stump on white canvas Gouache with black ink and pen on Conte crayon and watercolor on white board white mat board paper Gift of William H. G. FitzGerald, Des• Recto, 1.1.: "A H McA" Recto, l.r.: "Henry Pearson / 1975" mond FitzGerald, and B. Francis Saul II Musuem Exchange with the artist Gift of William H. G. FitzGerald, Des• 1978.129.169 52.34 mond FitzGerald, and B. Francis Saul II 1978.129.197

211 SILLS

1422 Thomas Sills b. 1914 1423 1914 1424 b. 1915 Black Snow 1968 Bauhaus 1969 "Untitled 1973 TV" 1973 5 l 18 x 23 /s in. (45.7 x 60 cm) 22% x 29A in. (56.5 x 74.3 cm) 1313/i6 x 10% in. (35.8 x 27.6 cm) Black ink and blue ballpoint pen on off- Four-color lithograph with watercolor, Collage of paper, crayon, acrylic, and white paper crayon, black ink, paper, and blue ink acrylic mat medium on white paper Recto, l.r.: "T Sills" impressions from rubber stamps on Recto, 1.1.: "Dugmore, '73"; verso, u.r. Gift of William H. G. FitzGerald, Des• white paper on sticker: "EDWARD DUGMORE / mond FitzGerald, and B. Francis Saul II Recto, l.r.: "Steinberg / 1969" UNTITLED 1973-IV / DRAWING- 1978.129.232 Gift of William H.G. FitzGerald, Des• COLLAGE / 14" x 11" " mond Fitzgerald, and B. Francis Saul II Gift of William H.G. FitzGerald, Des• 1978.129.245 mond FitzGerald, and B. Francis Saul II 1978.129.83

1425 Mitchell Jamieson 1915-1976 1426 1427 CSA student 1938; faculty 1941-1943, "Pax Americana—Plague Series" 1970 "Search and Destroy! Vietnam—Plague 3 9 1960 27 /4 x 16 /i6 in. (70.5 x 42.1 cm) Series" 1970 "Young Woman Grieving over Dead Hus• Black ink, pen, and charcoal over mono- 28% x 22% in. (72.1 x 57.5 cm) band—Vietnam—The Plague Series" print on white paper Black ink, pen, and wash over mono- 1967 Recto, l.r.: "Mitchell Jamieson"; 1.1.: print on cream paper 13% x 18V8 in. (37.5 x 46 cm) "Pax Americana—Plague Series" Recto, l.r.: "Mitchell Jamieson"; 1.1.: Black ink, pen, and wash over mono- Gift of Mrs. Mitchell Jamieson, wife of "Search and Destroy! Vietnam—Plague print on white paper the artist 1980.26 Series" Recto, 1.1.: "Woman Grieving over Gift of Dr. Ruth Benedict 1981.34 Dead Husband—Vietnam—The Plague Series"; l.r.: "Mitchell Jamieson" Gift of Mrs. Mitchell Jamieson, wife of the artist 1980.27

212 JAMIESON

1428 1429 Linda Lindeberg 1915-1973 1430 b. 1915 The Wretched of the Earth—Plague Untitled [two female nudes] 1970 Gesture Paper Painting #2 1975 3 13 Series 1970 18 /i6 x 24 in. (47.8 x 61 cm) 18 /4 x 24V8 in. (47.7 x 60.8 cm) 225/8 x 26V4 in. (57.5 x 66.7 cm) Crayon and black ink with brush on Acrylic, gouache, and crayon on brown Black ink over monoprint on cream pa• heavy white paper paper per Recto, l.r.: "L. L. 1970" Recto, 1.1.: "Motherwell" Recto, l.r.: "Mitchell Jamieson" Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• Gift of Dr. Ruth Benedict 1981.35 mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.160 1978.129.183

1431 Vita Petersen • 1432 b. 1916 1433 Hereward Lester Cooke 1916-1973 Roses 1975 "Models III" 1968 CSA faculty 1957-1958 5 15 15 10 /i6 x 13 /i6 in. (27.8 x 35.9 cm) 19 x 24 /8 in. (48.2 x 62.5 cm) Palais du 1970 Pencil on white paper Charcoal and stump with black and gray 12 x 18 in. (30.5 x 45.7 cm) Recto, l.r.: "Vita Petersen '75" wash on creamy-white paper Gray-black ballpoint pen over pencil on Gift of William H. G. FitzGerald, Des• Recto, l.r.: "E.B. 68"; verso, l.r.: off-white paper mond FitzGerald, and B. Francis Saul II "2619H"; u.l.: "Models III #1" Recto, l.r.: "HEREWARD / LESTER / 1978.129.201 Gift of William H. G. FitzGerald, Des• COOKE / PARIS 1970" mond FitzGerald, and B. Francis Saul II Gift of Robert Scott Wiles 1974.36 1978.129.24

213 KLAVUN

1434 Betty Klavun b. 1916 1435 Charles E. Marks b. 1916 1436 Jane Piper b. 1916 Untitled [flower-like forms] Untitled [head and shoulders of figure Untitled [still life of spring flowers] ca. 20% x 26 in. (51.1 x 66 cm) with broad face] 1975 1970 Black ink and wash on white paper 19 x 15% in. (48.3 x 39.4 cm) 22% x 28% in. (57.2 x 72.4 cm) Recto, l.r.: "Betty Klavun" Black Conte crayon on white paper Oil pastel and wash over pencil on Gift of William H. G. FitzGerald, Des• Recto, l.r.: "Charles E. Marks 1975" heavy white paper mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• Recto, l.r.: "Jane Piper" 1978.129.144 mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• 1978.129.166 mond FitzGerald, and B. Francis Saul II 1978.129.203

1437 b. 1916 1438 John Grillo b. 1917 1439 David Hare b. 1917 Untitled [partial profile of face] 1972 Untitled [abstraction] 1974 Untitled [abstraction] October 17, 1971 5 13 13 /8 x 11 in. (34.6 x 28 cm) 29% x 41 in. (75 x 104.2 cm) 34 x 24 /i6 in. (86.1 x 63 cm) Black ink and pen on white paper Acrylic paint, charcoal, and pencil on Black ink, brush, and wash on white Verso, ctr.: "HEDDA STERNE / 1972" off-white paper paper laid down Gift of William H. G. FitzGerald, Des• Recto, l.r.: "Grillo 74" Recto, l.r.: "Hare 17/10/71" mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• 1978.129.247 mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.115 1978.129.119

214 SIMON

1440 Sidney Simon b. 1917 1441 Syd Solomon b. 1917 1442 Attributed to Andrew Tsinajinnie (Andy Seated Nude 1974 "Seanight" 1975 Tsinneajinnie) b. ca. 1917 14% x 109/i6 in. (37.2 x 26.9 cm) 22% x 1415/i6 in. (56.5 x 37.9 cm) Three Indian Women [Navaho?] Weav• Brown ink and brush on white paper Colored on white paper ing ca. 1935 Recto, l.r.: "Simon" Recto, l.r.: "Syd Solomon"; verso, ctr.: 11% x 18 in. (28.9 x 45.8 cm) Gift of William H. G. FitzGerald, Des• "SEANIGHT / an ink drawing / 22% x Gouache on creamy-yellow paper mond FitzGerald, and B. Francis Saul II 15" / Syd Solomon 75" Gift of Amelia E. White 37.59 1978.129.233 Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.238

1443 1444 1445 Andrew Wyeth b. 1917 Kneeling Indian Woman [Navaho?] Four Women [Navaho?] Grinding Corn November Fields, Chadds Ford, Penn• ca. 1935 ca. 1935 sylvania ca. 1940-1945 10% x ll%6in. (26.7 x 29.1 cm) 12 x 19 in. (30.5 x 48.3 cm) 149/i6 x 2013/i6 in. (39.6 x 52.9 cm) Gouache on cream paper Gouache over pencil on creamy-yellow Watercolor and black ink with brush on Recto, l.r.: "Andy Tsinneajinnie" paper creamy-white paper Gift of Amelia E. White 37.61 Gift of Amelia E. White 37.67 Recto, l.r.: "Andrew Wyeth"; I.e.: "21% x 28%—Mt & R wht Mat" Gift of Mrs. David Edward Finley 1977.26

1446 Calvin Albert b. 1918 1447 Ronald Bladen b. 1918 Untitled [abstraction] Untitled [abstraction] 1975 23 x 29 in. (58.4 x 76.1 cm) 3213/i6 x 345/i6 in. (83.3 x 87.1 cm) Charcoal and brown pastel on white pa• Pencil on white paper per Recto, l.r.: "Ronald Bladen 1975" Recto, l.r.: "C Albert" Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.26 1978.129.5 215 BOLOMEY

1448 Roger Bolomey b. 1918 1449 1450 "Phoebe" I [study for playground sculp• "Phoebe" II [study for playground sculp• "Phoebe" III [study for a playground ture] 1967 ture] 1967 sculpture] 1967 5 5 5 17 /s x 12 in. (44.7 x 30.5 cm) 17 /s x 12 in. (44.7 x 30.5 cm) 17 /8 x 12 in. (44.6 x 30.5 cm) Pencil and red pencil on white paper Pencil and red pencil on white paper Pencil and red pencil on white paper Recto, u.r.: "Roger Bolomey Wingdale, Recto, u.r.: "Roger Bolomey Wingdale, Recto, u.r.: "Roger Bolomey Wingdale, N.Y. 12594"; l.r.: " 'A' LEVEL SCALE N.Y. 12594"; l.r.: "SCALE = 1 INCH N.Y. 12594"; l.r.: "SCALE = 1 INCH = 1INCH = 1 FOOT"; u.l.: "PHOEBE"; = 1 FOOT"; u.l.: "PHOEBE" = 1 FOOT"; u.l.: "PHOEBE" I.e.: " 'D LEVEL' " Gift of the artist 68.32.2 Gift of the artist 68.32.3 Gift of the artist 68.32.1

1451 Warren Brandt b. 1918 1452 Sidney Gordin b. 1918 1453 Cleve Gray b. 1918 CSA student 1942 April 1, 1974 April 1974 Untitled [abstraction] 1975 Two Models, Studio School early 14% x 11% in. (36.3 x 28.8 cm) 29% x 22% in. (75.9 x 56.8 cm) 1970s Collage of cut colored paper glued to Paint on white paper 13% x 18 in. (35.2 x 45.7 cm) white paper Recto, l.r.: "Gray 75" Pencil, oil paint, and tinted shellac on Recto, 1.1.: "Sidney Gordin April, Gift of William H. G. FitzGerald, Des• off-white paper 1974"; verso, ctr.: "SIDNEY mond FitzGerald, and B. Francis Saul II Recto, 1.1.: "Sidney Gordin April, 1974"; GORDIN—903 CAMELIA ST. / 1978.129.112 verso, ctr.: "SIDNEY GORDIN—903 'April 1974' BERKLEY [sic], CAMELIA ST. / 'April 1974' BERK• CALIF. 94710 / PAPER COLLAGE" LEY, CALIF. 94710 / PAPER COL• Gift of William H. G. FitzGerald, Des• LAGE" mond FitzGerald, and B. Francis Saul II 1978.129.108

216 GREENE

1454 Stephen Greene 1918 1455 1456 Maw 9 ca. 1961-1962 Maw #16 1963 Untitled [abstraction] 1975 7 3 5 15Vie x 17 /s in. (38.2 x 45.4 cm) 12Vi6 x 17 /4 in. (30.6 x 45.1 cm) 22 /i6 x 30% in. (56.7 x 76.5 cm) Black wash, pastel, and stump on fabric- Black ink wash on cream paper Pastel, colored pencil, and acrylic paint backed cream paper Recto, 1.1.: "greene" on white paper Recto, 1.1.: "greene"; verso, 1.1.: "#18" Museum Purchase 63.7 Recto, 1.1.: "Greene 75" Gift of Mr. and Mrs. Phillip A. Bruno Gift of William H. G. FitzGerald, Des• 66.20 mond FitzGerald, and B. Francis Saul II 1978.129.114

1457 Kyle Morris b. 1918 1458 1459 "Summer Series '74 No. 1 (Viewed from "Summer Series '74 No. 1 (Viewed from "Summer Series '74 No. 1 (Frontal Right)" 191A Left)" 191A View)" 191A 8 x 10 in. (20.3 x 25.4 cm) 8 x 10 in. (20.3 x 25.4 cm) 8 x 10 in. (20.3 x 25.4 cm) Black and red-brown ink and pen on Black and red-brown ink and pen on Black and red-brown ink and pen on white paper white paper white paper Recto l.r.: "Kyle Morris"; I.e.: "Sum• Recto, l.r.: "Kyle Morris"; I.e.: "Sum• Recto, I.e.: "Summer Series 74 No. 1 / mer Series '74 No. 1 / (Viewed from mer Series 74 No. 1 / (viewed from (frontal view)" right)" left)" Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.181 1978.129.179 1978.129.180

217 PACE

1460 Stephen Pace b. 1918 1461 1462 Charlotte Park b. 1918 Untitled [reclining female nude] 1968 Female Nude with White Roses 1980 Untitled [abstraction] 1972 3 5 11 x 14'/i6 in. (27.9 x 35.7 cm) 14 x 16 /4 in. (35.5 x 42.5 cm) 22 /i6 x 30% in. (56.7 x 76.8 cm) Black ink and brush and black felt-tip Watercolor on off-white paper Oil pastel on gessoed paper marker on off-white paper Recto, l.r.: "Pace—80" Recto, 1.1.: "C. Park 72" Recto, u.l.: "PACE—68" Gift of the Women's Committee Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• 1981.49 mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.194 1978.129.193

1463 George Spaventa b. 1918 1464 Fritz Bultman b. 1919 1465 Gilbert A. Franklin b. 1919 Untitled [still life] Untitled [seated female nude with raised Untitled [standing woman] 1970 5 15 15 15 /i6 x 12 /8in. (40.5 x 32.1 cm) arms] 1974 25 x 18 /i6in. (66 x 48.1 cm) Watercolor on white paper 29 x 23 in. (73.7 x 58.4 cm) Black ink and wash on white paper Recto, l.r.: "Spaventa" Charcoal on off-white paper Rector, l.r.: "G. Franklin 70" Gift of William H. G. FitzGerald, Des• Rector, l.r.: "@ / 74" Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.241 mond FitzGerald, and B. Francis Saul II 1978.129.98 1978.129.44

218 JONES

1466 Edward Powis Jones b. 1919 1467 b. 1919 1468 Taro Yamamoto b. 1919 Untitled [woman wired for medical test] Three Bodies 1975 Red Abstraction 1958

9 15 15 ca. 1970s 22 /i6 x 28 /i6 in. (58.3 x 73.5 cm) 15 /i6 x liy8 in. (40.4 x 30.2 cm)

30n/i6 x 225/i6 in. (77.8 x 56.7 cm) Acrylic paint, colored paper tape, Oil paint on off-white paper Black ballpoint pen, graphite, and col• painted masking tape, and black electri• Rector, 1.1.: "To Mr. George Biddle / ored pencil on heavy white paper cal tape on white paper Taro Yamamoto 58" Rector, l.r.: "E. Powis Jones" Recto, 1.1.: "I[rving] K[riesberg] 75" Bequest of George Biddle 1974.35 Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.134 1978.129.148

1469 b. 1920 1470 1471 CSA faculty 1966, 1974-1979 Untitled [abstraction] 1975 Untitled [abstraction] 1976 Untitled [abstraction] 1975 14 x 1674 in. (35.6 x 42.5 cm) 14 x 16n/i6 in. (35.5 x 42.4 cm)

13n/i6 x 17 in. (34.7 x 43.2 cm) Graphite and colored pencil on white Pencil on off-white paper Colored pencil on white paper paper Verso, l.r.: "Gene Davis (1976)" Recto, l.r.: "Davis" Recto, l.r.: "Davis" Gift of the Women's Committee Gift of the artist 1976.11 Museum Purchase with funds from the 1976.20 Richard King Mellon Foundation and the National Endowment for the Arts 1976.27

1472 Untitled [abstraction] 1976

14 x 16n/i6 in. (35.5 x 42.5 cm) Pencil and wax crayons on off-white pa• per Verso, l.r.: "Davis 76" Gift of the Women's Committee 1976.21

219 DE ANNA

1473 Peter De Anna 1920-1980 1474 1475 CSA student 1936-1939 "Night Kitchen" 1965 "Father and Son" 1973 Reflection, Dining Room Mirror 1965 12 x 18 in. (30.5 x 45.7 cm) 1815/i6 x 19 in. (48.1 x 48.3 cm) UVie x 12 in. (43.3 x 30.5 cm) Pastel on off-white paper Charcoal and pastel on pink paper Pastel, charcoal, and pencil heightened Recto, u.r.: "P. De Anna"; verso, Verso, u.c: "FATHER AND SON with white pastel on off-white paper "1 NIGHT KITCHEN 1965" 1973" Recto, 1.1.: "P De Anna"; verso, top: Gift of the artist 1978.112 Gift of the Women's Committee "#7 REFLECTION, DINING RM. 1978.110 MIRROR 1965" Gift of the Women's Committee 1978.111

1476 b. 1920 1477 b. 1920 1478 "Etampes" July 22, 1974 Idea Sequence #19 1963 "Study for Icarus I" 1964

7n/i6 x 10 in. (19.4 x 25.4 cm) 2313/i6 x 18 in. (60.6 x 45.7 cm) 17 x 14 in. (43.2 x 35.5 cm) Watercolor on white paper laid down Pastel and black ink on white paper Gouache, ink, and pastel on white pa• Recto, l.r.: "Etampes 7/28/74 E. de K." Recto, l.r.: "Jimmy Ernst 63"; 1.1.: per Gift of William H. G. FitzGerald, Des• "Idea Sequence #19 1963" Recto, l.r.: "Study for Icarus I Jimmy mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• Ernst 64" 1978.129.70 mond FitzGerald, and B. Francis Saul II Gift of Mr. and Mrs. William H. Lane 1978.129.85 1974.5.1

220 ERNST

1479 1480 1481 "Study for Icarus II" 1964 "Study for Icarus III" 1964 "Study for Icarus IV" 1964 17 x 14 in. (43.2 x 35.5 cm) 17 x 1315/i6 in. (43.2 x 35.4 cm) 17 x 14 in. (43.3 x 35.5 cm) Black ink and pastel on white paper Black ink and pastel on off-white paper Black ink, pastel, and gouache on white Recto, l.r.: "Study for Icarus II Jimmy Recto, l.r.: "Study for Icarus III Jimmy paper Ernst 64" Ernst 64" Recto, l.r.: "Study for Icarus IV Jimmy Gift of Mr. and Mrs. William H. Lane Gift of Mr. and Mrs. William H. Lane Ernst 64" 1974.5.2 1974.5.3 Gift of Mr. and Mrs. William H. Lane 1974.5.4

1482 Sideo Fromboluti b. 1920 1483 John Chapman Lewis b. 1920 1484 Alvin Ross 1920-1975 "Lily Pond" 1972 CSA student 1938-1940, 1946; faculty Seated Female Nude #7

29 x 23 in. (73.6 x 58.5 cm) 1948-1949, 1953-1956 915/i6 x 6 in. (23.7 x 15.3 cm) Charcoal on white paper The Gladiator 1957 Gray-brown wash and white chalk on Recto, 1.1.: "Fromboluti '72"; verso of 22% x 15% in. (57 x 38.6 cm) blue-gray-speckled paper original backing: "Sideo Fromboluti— / Black ink, brush, and wash on off-white Recto, l.r.: "A. Ross" 50 W 11 St. 'Lily Pond' 1972" paper Gift of William H. G. FitzGerald, Des• Gift of William H.G. FitzGerald, Des• Recto, l.r.: "Lewis 57" mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II Museum Purchase, 12th Area Exhibi• 1978.129.220 1978.129.100 tion Fund 57.26

221 SANSTROM

1485 Robert Sanstrom 1486 1487 Noel Singer "Seaweed Forms" 1973 "Blue Sea—Morninglight" 1973 Untided [woman sitting on floor] 1976 13n/i6 x 157/i6 in. (34.7 x 39.3 cm) 281/i6 x 21% in. (71.3 x 55.7 cm) 2313/i6 x 1715/i6 in. (60.5 x 45.5 cm) Colored pencil and pastel on white pa• Acrylic paint on heavy white paper Pencil, charcoal(?), and stump on off- per Recto, l.r.: "Sanstrom 73"; verso, u.l.: white paper Recto, l.r.: "R. Sanstrom 73"; verso, "R. Sanstrom / BLUE SEA—MORN• Recto, l.r.: "Noel Singer 1976" u.l.: "R. Sanstrom / Seaweed forms / INGLIGHT 1973 / Acyrlic [sic]" Gift of William H. G. FitzGerald, Des• Crayon and pencil 1973" Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.234 mond FitzGerald, and B. Francis Saul II 1978.129.226 1978.129.225

1488 b. 1920 1489 Walter Barker b. 1921 1490 Sylvia Bernstein b. 1921 Untided [still life sketches of water• "Cross" August 1975 From Drifted Seed 15 7 13 melon sections] 1974 25% x 18 /i6in. (63.8 x 48.1 cm) 24 /8 x 39 /i6in. (63.2 x 101.2 cm)

ll3/i6 x 89/i6 in. (28.4 x 21.7 cm) Blue wax crayon on blue paper Acrylic and ink on heavy white paper Pencil on off-white paper Recto, l.r.: "Cross"; 1.1.: "Walter Bar• sprayed with fixative Recto, l.r.: " Thiebaud Paris 1974 / ker 1975"; verso, I.e.: "Walter Barker / Recto, l.r.: "Sylvia Bernstein"; verso, NYSS" Cross / West Southport, Maine / Aug. c.r.: / [fixatiff?]" Gift of William H. G. FitzGerald, Des• 1974 / wax crayon on tinted paper"; Gift of the artist 1972.2 mond FitzGerald, and B. Francis Saul II u.c: "top t " 1978.129.252 Gift of William H.G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.16

222 BORCHARDT

1491 Marguerite Borchardt b. 1921 1492 b. 1921 1493 Lawrence James Day b. 1921 "Maine Coast" 1966 Untitled [seated woman] 1974 Untitled [female nude on bed] ca. 1970

13 147s x 1978 in. (37.8 x 50.5 cm) 2072 x 14 /i6 in. (52.1 x 37.6 cm) 19 x 24 in. (48.2 x 60.8 cm) Watercolor on white paper Pencil on white paper Pencil and charcoal on Conte crayon on Recto, 1.1.: "M. Borchardt"; verso, l.r.: Recto, l.r.: "Cajori 74" off-white paper "Maine Coast 1966" Gift of William H. G. FitzGerald, Des• Recto, l.r.: "Day" Gift of William H.G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.49 mond FitzGerald, and B. Francis Saul II 1978.129.34 1978.129.69

1494 Leonard Horowitz 1495 1496 Untitled [standing female nude] 1975 Untitled [standing female nude] 1975 Untitled [reclining female nude] 1975 15 15 ll /i6 x 8 /i6in. (30.3 x 22.7 cm) 12 x 9 in. (30.5 x 22.8 cm) 9 x 12 in. (22.8 x 30.5 cm) Black ink and brush on white paper Black ink and brush on white paper Black ink and brush on white paper Recto, l.r.: "Leonard Horowitz 75"; Recto, l.r.: "Leonard Horowitz 75"; Recto, l.r.: "Leonard Horowitz 75"; verso, u.l.: "Artist Leonard Horowitz / verso, u.r.: 21C / Artist: Leonard Ho• verso, u.l.: "21B / Artist: Leonard Ho• 645 Broadway / NYC 10012 (212) OR- rowitz / 645 Broadway / NYC 10012 / rowitz / 645 Broadway / NYC 10012 / 3-3742" (212) OR-3-3742" (212) OR-3-3742" Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• Gift of William H.G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.128a 1978.129.128b 1978.129.128c

223 LANSNER

1497 Fay Lansner b. 1921 1498 Emilio Sanchez b. 1921 1499 Joseph J. Stefanelli b. 1921 Untitled [bust of a woman] 1974 Untitled [hosta leaves] Untitled [standing female nude with 7 29 /s x 22 in. (75.9 x 55.9 cm) 14%6 x 17 in. (35.7 x 43.2 cm) arms outstretched] 1971

Charcoal on heavy white paper Colored pencil on white paper 13% x 1015/i6 in. (35.2 x 27.9 cm) Recto, l.r.: "Fay Lansner 1974" Recto, 1.1.: "E.S." Watercolor and pencil on white paper Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• Recto, l.r.: "Stefanelli / 71" mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• 1978.129.151 1978.129.224 mond FitzGerald, and B. Francis Saul II 1978.129.244

1500 Tony Stubbing b. 1921 1501 Anne Truitt b. 1921 1502 No. 29 in a Series "26 December 1962 No. 1" December "26 December 1962 No. 5" December

1315/i6 x 10 in. (35.3 x 25.5 cm) 26, 1962 26, 1962

Pencil on white paper 22% x 30 in. (56.2 x 76.2 cm) 22%6 x 30%6 in. (55.9 x 76.3 cm) Gift of William H. G. FitzGerald, Des• Acrylic paint and brush on heavy Acrylic paint and brush on heavy mond FitzGerald, and B. Francis Saul II creamy-white paper creamy-white paper 1978.129.250 Recto, l.r.: "Anne Truitt 26 Dec '62"; Recto, l.r.: "Anne Truitt 26 Dec '62"; verso, 1.1.: "No. 1" verso, l.r.: "1"; 1.1.: "20 / No. 5" Museum Purchase 1974.54 Gift of the artist in memory of Gene Baro 1982.58

224 TRUITT

1503 1504 Wang Ming b. 1921 1505 "1 June 1976" June 1, 1976 Song of Oneness No. 14 1970 Bipolarity 1970

22 x 30Vie in. (55.9 x 76.4 cm) Linen mount 487s x 317s in. (124.2 x 3778 x 2474 in. (95 x 61.6 cm) Acrylic paint and brush over pencil on 81 cm); sheet of paper 37Vi6 x 24% in. Acrylic paint on off-white paper matte-surfaced white poster board (95.1 x 62.2 cm) Recto, u.l.: "1970" [2 Chinese charac• Recto, l.r.: "TRUITT 1 JUNE 76" Acrylic paint heightened with silver and ters] Exchange and gift of Ramon Osuna white wash on white paper mounted on Gift of the artist 1974.67 1978.9 linen Recto, u.r.: " W 1970" Gift of the artist 1974.66

1506 Leland Bell b. 1922 1507 Nell Blaine b. 1922 1508 Self-Portrait "Valley in August or Tropical Valley "Oak Balls and Flowers I" 1972 25 x 19 in. (63.5 x 48.2 cm) (St. Lucia)" August 25, 1965 10% x 7% in. (26 x 18.2 cm) Charcoal, sanguine Conte crayon, and 147i6 x 20 in. (36.1 x 50.8 cm) Black ink with stick, wash, and felt-tip stump on off-white paper Black ink, stick, and wash on white pa• pen on white paper Recto, l.r.: "Leland Bell" per Recto, u.r.: "N. Blaine"; verso, u.l.: "N. Gift of William H. G. FitzGerald, Des• Recto, 1.1.: "N Blaine August 25.65 / Blaine / OAK BALLS & FLOWERS, I mond FitzGerald, and B. Francis Saul II (St. Lucia"; verso, u.l.: "or (VALLEY / Woodside, Ca. / 1972 / 10% x 7%" 1978.129.21 IN AUGUST) 'TROPICAL VALLEY' Gift of William H. G. FitzGerald, Des• (St. Lucia) / Drawing / INK & STICK mond FitzGerald, and B. Francis Saul II ON WET PAPER / Anse Galet Valley 1978.129.27 1965 / ARTIST: NELL BLAINE" Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.28

225 DE NIRO

1509 Robert De Niro b. 1922 1510 Daniel Dickerson b. 1922 1511 Richard Diebenkorn b. 1922 "Still Life" 1971 Untitled [street scene] 1970 Untitled [abstraction] 1975 22 x 28 in. (55.9 x 71 cm) lSVie x 24 in. (45.9 x 61 cm) 107/s x SVi in. (27.6 x 21.6 cm) Pastel on pastel board Black ink and gray wash on off-white Black ink, felt-tip marker, red pencil, Recto, u.r.: "De Niro '71"; verso, 1.1.: paper ballpoint pen, pencil, and glued cut and "Bob De Niro / pastel / Still life / 71" Recto, I.e.: "Dickerson 70"; verso, 1.1.: torn paper on white paper Gift of William H. G. FitzGerald, Des• "Daniel Dickerson / 104 HIGH ST / Recto, l.r.: "RD 75" mond FitzGerald, and B. Francis Saul II LEONIA N.J. / TERRY DINTEN- Gift of William H. G. FitzGerald, Des• 1978.129.73 FASS INC / 18 E 67th St / NY. NY. mond FitzGerald, and B. Francis Saul II 10021" 1978.129.75 Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.74

1512 Leon Golub b. 1922 1513 Clinton Hill b. 1922 1514 Albert Kresch b. 1922 Untitled [male figure, arms outstretched] Untitled [abstraction] 1975 Untitled [still life with pitcher, bottle, 15 83/i6 x 11 in. (20.8 x 28 cm) 22% x 17 /i6in. (58.1 x 45.6 cm) and jar]

Pencil on white paper Pencil, black felt-tip pen, and sheets of 20 x 263/i6 in. (50.8 x 66.5 cm) Recto, 1.1.: "Golub" brown and pink Fiberglas on white Charcoal on white paper Gift of William H. G. FitzGerald, Des• handmade paper thinned in selected Recto, l.r.: "Kresch"; verso, 1.1.: "Al• mond FitzGerald, and B. Francis Saul II places bert Kresch" 1978.129.106 Recto, 1.1.: "C. Hill 1975" Gift of William H.G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.147 1978.129.124

226 MORGAN

1515 Andrew Wesley Morgan b. 1922 1516 Judith Rothschild b. 1922 1517 Edwin Ruda b. 1922 Seescape Magog July 8, 1975 "Xmas Collage" 1972 Untitled [abstraction] 1975 20% x 26 in. (51.1 x 66.1 cm) 25% x 323/s in. (65.4 x 82.2 cm) 18%6 x 24 in. (45.9 x 60.8 cm) Colored ink on off-white paper Felt-tip marker and wax crayon on off- Acrylic paint over colored pencil on Recto, l.r.: "Morgan 7-8-75" white paper laid down heavy white paper Gift of William H. G. FitzGerald, Des• Recto, 1.1.: "JR 72"; verso, u.l.: "Xmas Recto, l.r.: "E. Ruda / 75" mond FitzGerald, and B. Francis Saul II Collage / t Top / Judith Rothschild" Gift of William H. G. FitzGerald, Des• 1978.129.178 Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.222 1978.129.221

1518 Herb Aach b. 1923 1519 Richard Artschwager b. 1923 1520 Untitled [abstraction of circles and lines] Untitled [] 1970 "Chair/Chair II" 1973 3 15 1974 19 /4 x 25V2 in. (50.2 x 64.8 cm) 18 /i6 x 25% in. (48.1 x 64.1 cm) Three sheets taped together, overall di• Charcoal on off-white paper Charcoal on white paper mensions: 11 x 25lA in. (28 x 64.2 cm) Recto, l.r.: "Artschwager / '70" Recto, l.r.: "Richard Artschwager '73"; Pencil on graph paper with blue lines Gift of William H. G. FitzGerald, Des• I.e.: "chair / chair II" Recto, l.r.: "A 74"; I.e.: "7 17 RE• mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• VERSED"; 1.1.: "17" 1978.129.10 mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• 1978.129.9 mond FitzGerald, and B. Francis Saul II 1978.129.1

227

1521 Rosemarie Beck b. 1923 1522 b. 1923 1523 George Bunker b. 1923 Untitled [two sketches of seated female Untitled [abstraction] 1973 "Burnt Coast Harbor, Swans Island" 7 nude] 1974 12% x 18 /8 in. (31.3 x 48 cm) [Maine] 1972

5 7 3 15 ll /i6 x 14 /i6in. (28.8 x 36.7 cm) Acrylic on white paper primed with 14 /4 x 17 /i6 in. (37.4 x 45.7 cm) Pencil on white paper acrylic polymer Pastel on white paper Recto, l.r.: "R Beck 1974" Recto, 1.1.: "E. Briggs '73"; verso, u.c: Recto, l.r.: "Burnt Coast Harbor. / Gift of William H. G. FitzGerald, Des• "Acrylic on prepared paper" Swan's Island—Bunker 1972" mond FitzGerald, and B. Francis Saul II Gift of William H.G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• 1978.129.20 mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.39 1978.129.46

1524 1525 Gretna Campbell b. 1923 1526 Louis Finkelstein b. 1923 Old Quarry, Mount Desert Island, Maine Untitled [seated female nude] Untitled [trees] March 17, 1973 1813/i6 x 2315/i6 in. (47.8 x 60.8 cm) 9 x 123/i6 in. (22.9 x 30.9 cm)

7 1015/i6 x 13 /s in. (27.8 x 35.2 cm) Pencil on white paper Pencil on white paper Black felt-tip pen on white paper Recto, l.r.: "Gretna Campbell" Recto, l.r.: "[Louis?]" Recto, 1.1.: "3/17/73 / G. Bunker" Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.51 1978.129.90 1978.129.45

1527 Andrew Forge b. 1923 1528 Paul Georges b. 1923 1529 Andree Golbin b. 1923 Untitled [abstraction] 1975 Untitled [artist and nude female model] "Olive Orchards—Ronda (Spain)" 1963 18% x 241/i6 in. (46.1 x 61.2 cm) 1973 1415/i6 x 20 in. (37.9 x 50.8 cm)

Oil paint on off-white paper 813/i6 x 10% in. (22.5 x 27.6 cm) Oil pastel on white paper Recto, l.r.: "Forge / 75" Brown colored pencil on white paper Recto, l.r.: "A. Golbin '63"; verso, u.r.: Gift of William H. G. FitzGerald, Des• Recto, u.r.: "Georges 73" "Olive Orchards—Ronda / (Spain) '63" mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• 1978.129.96 mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.102 1978.129.104

228 IVES

1530 Norman Ives b. 1923 1531 b. 1923 1532 Untitled [abstraction] 1973 Untitled [still life] 1976 Study for "Two Figures, Indian" 1979 3 7 7 915/i6 x 6 /s in. (25.2 x 17.4 cm) 12 /i6 x 12% in. (31.4 x 31.6 cm) 7Vi6 x 5 /s in. (18 x 13.7 cm) Collage of cut and glued printed paper Pencil, green pencil, blue ink, and blue Pencil and colored pencil on white pa• mounted on dark-green paper wash on stiff white paper per Recto, l.r.: "N. IVES 1973" Verso, l.r.: "Roy Lichtenstein" Verso, I.e.: "Roy Lichtenstein 79" Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• Gift of the artist 1979.14 mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.130 1978.129.159

1533 b. 1923 1534 Albert Stadler b. 1923 1535 Alfred A. Blaustein b. 1924 Untitled [stylized head] "Fan" 1966 Untitled [four sketches of reclining fe• 7 9 x 8% in. (22.8 x 21.7 cm) 18 /8 x 16% in. (48 x 41 cm) male nudes]

Pencil on white paper Acrylic paint and ink on mat board 13% x 227/i6 in. (33.7 x 57 cm) Recto, l.r.: "Knox Martin" Recto, l.r.: "Albert Stadler 1966"; Pencil on white paper Gift of William H. G. FitzGerald, Des• verso, u.r.: "Albert Stadler 1966 FAN / Recto, l.r.: "Al Blaustein" mond FitzGerald, and B. Francis Saul II Acrylic & Ink"; I.e.: "1966" Gift of William H.G. FitzGerald, Des• 1978.129.168 Museum Purchase 1972.30 mond FitzGerald, and B. Francis Saul II 1978.129.29

229 DAVIDSON

1536 Jean Davidson 1537 Jane Freilicher b. 1924 1538 Michael Goldberg b. 1924 Untitled [seated male nude] 1968 Untitled [female nude in armchair] Untitled [abstraction] 1974

16n/i6 x WAein. (42.4 x 35.8 cm) 1969 10% x 14% in. (25.7 x 36.8 cm)

Pencil on white paper 2315/i6 x 18V* in. (60.8 x 47 cm) Scratched and abraded thick white pa• Recto, l.r.: "Jean Davidson 1968" Charcoal and erasures on cream paper per Gift of William H. G. FitzGerald, Des• Recto, l.r.: "Jane Freilicher 1969" Verso, l.r.: "Goldberg 74" mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• 1978.129.67 mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.99 1978.129.105

1539 John Harrison Levee b. 1924 1540 Philip Pearlstein b. 1924 1541 Ben Summerford b. 1924 Litho Idea #2 for a Poster 1965 Untitled [two female nudes] 1966 Landscape of Snow and Pines 1981 5 1513/i6 x 15 in. (40.1 x 38.1 cm) 27%6 x 20/s in. (69.4 x 52.4 cm) 1015/i6 x 137s in. (27.8 x 35.2 cm) Acrylic paint, felt-tip marker, and cut Brown ink, brush, and wash on white Black ink and brush over pencil on paper and mat board glued to mat paper white paper board Recto, l.r.: "TO THE NEW YORK Recto, l.r.: "Summerford 81" Recto, l.r.: "Levee 65" STUDIO SCHOOL / PHILIP PEARL• Museum Purchase with the aid of funds Gift of the artist 66.19 STEIN '66" from the National Endowment for the Gift of William H. G. FitzGerald, Des• Arts and the Women's Committee mond FitzGerald, and B. Francis Saul II 1981.50 1978.129.198

230 WHITE

1542 William White 1543 Anne Arnold b. 1925 1544 Joseph Crivy Untitled [female nude lying on studio Untitled [dog lying down] 1973 Untitled [female nude, torso] February floor] 1975 14 x 17 in. (35.5 x 43.1 cm) 14, 1972 13% x 17 in. (34 x 43.2 cm) Charcoal on white paper 14 x 11 in. (35.5 x 28 cm) Pencil on white paper Recto, l.r.: "Anne Arnold '73" Pencil on creamy-white paper Recto, l.r.: "WHITE—75" Gift of William H.G. FitzGerald, Des• Recto, 1.1.: "J Crivy 2-14-72" Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.8 mond FitzGerald, and B. Francis Saul II 1978.129.261 1978.129.60

1545 Joseph Glasco b. 1925 1546 Sherman Drexler b. 1925 1547 William King b. 1925 Standing Woman 1955 Pink Nude 1959 "Competition" 1974 1513/i6 x 9Vs in. (40.2 x 25.1 cm) 20 x 1415/i6 in. (50.8 x 38 cm) 1615/i6 x 13% in. (43.0 x 35.2 cm) Black ink, pen, and wash varnished on Watercolor on cream paper Gouache, pastel, and pencil on white textured paper Recto, I.e.: "S Drexler '59"; verso, l.r.: paper Recto, l.r.: "Glasco / 195[?]"; verso, "3746-B" Recto, u.r.: "1974"; l.r.: "Competi• ctr.: "#14 [dut?] / Irish / Gold" Gift of William H. G. FitzGerald, Des• tion"; u.l.: "William King"; 1.1.: ' © " Gift of Mr. and Mrs. Christian Herter mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• 1979.20 1978.129.80 mond FitzGerald, and B. Francis Saul II 1978.129.143

231 FIORE

1548 Joseph Fiore b. 1925 1549 Herbert Fisher 1550 Hans Hokanson b. 1925 "Penobscot Rocks" 1971 Untitled [abstraction] August 1963 The Overcoat 1974 13 x 10 in. (33 x 25.5 cm) 27% x 20%6 in. (69.2 x 51.3 cm) 24 x 18% in. (60.9 x 47.6 cm) Watercolor over pencil on heavy white Brown and black ink with brush on off- Black ink wash, watercolor, and pencil paper white paper on off-white paper Recto, l.r.: "Fiore"; verso, u.l.: "J. Recto, l.r.: "Fisher 8'63"; verso, l.r.: Recto, l.r.: "Hans Hokanson—1974" Fiore / PENOBSCOT ROCKS W.C. "For the N.Y. Studio School / [H.F.] / Gift of William H. G. FitzGerald, Des• 13 " x 10" / 1971" 1974" mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• 1978.129.126 mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.91 1978.129.92

1551 Benjamin W. Lawless, Jr. b. 1925 1552 1553 David Lund b. 1925 Potomac Wharves 1949 Working Boats 1955 Untitled [abstraction] 1970

13 UWie x 21% in. (34.9 x 55.4 cm) 15% x 20 in. (39.4 x 42.8 cm) 19%6 x 24 /i6 in. (48.4 x 62.9 cm) Watercolor over pencil on white paper Gouache, watercolor, black ink, and Charcoal on white paper Recto, 1.1.: "B. Lawless" brush on white-surfaced composition Recto, l.r.: "Lund 1970" Museum Purchase, 4th Area Exhibition board Gift of William H. G. FitzGerald, Des• Fund 49.68 Recto, u.r.: "Lawless 55" mond FitzGerald, and B. Francis Saul II Museum Purchase, 10th Area Exhibi• 1978.129.162 tion Fund 55.99

1554 Robert Marx b. 1925 1555 b. 1925 1556 Unidentified Artist 20th century Jacket with Ties September 2, 1982 "Pot Luck" 1976 Untitled [abstraction] 28% x 21% in. (73.1 x 55.6 cm) 20%6X 22% in. (51.2 x 57.7 cm) 16 x 20% in. (40.6 x 51.1 cm) Charcoal and stump on heavy tan paper Gummed dot with cut and torn transfers Poster paint on off-white paper Recto, l.r.: "Marx / 9-24-82" glued to heavy cream paper X.330 Gift of Todd R. Marx, son of the artist Recto, l.r.: "RAUSCHENBERG 76 1982.47 Pot Luck" Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.208 232 UNIDENTIFIED

1557 Unidentified Artist 20th century 1558 Steven Antonakos b. 1926 1559 Stanley Boxer b. 1926 Untitled [fragments of female nudes] "Large Floor Neon" January 19, 1969 Twin Conversation 1972 15 15 20th century 13 /i6 x 21 /i6in. (35.4 x 55.8 cm) 5 x 8 in. (12.7 x 20.3 cm) 18 x 23% in. (45.7 x 59.7 cm) Blue pencil, charcoal, wash, and fixative Pencil and crayon on gray paper laid Black ink and pen over pencil on off- on heavy white paper down white paper Recto, u.r.: "Size—at least / 20' high / Recto, 1.1.: "S Boxer 72" Gift of William H. G. FitzGerald, Des• color? / timing?"; c.r.: "Jan 19 1969 / Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II Antonakos"; u.c: "Large Floor Neon" mond FitzGerald, and B. Francis Saul II 1978.129.268 Gift of William H. G. FitzGerald, Des• 1978.129.37 mond FitzGerald, and B. Francis Saul II 1978.129.7

1560 Charles DuBack b. 1926 1561 Robert Hartman b. 1926 1562 b. 1926 Untitled [back of seated female nude] Sky Tables "March 3, 1968 II" March 3, 1968 1969 22% x 297s in. (56.2 x 75.9 cm) 28*716 x 23 in. (73.5 x 58.4 cm) 22% x 17 in. (56.3 x 43.3 cm) Pastel and acrylic paint on white paper Gouache on stiff white paper Black ink on tan paper Recto, I.e.: "Hartman" Recto, l.r.: "JY 68"; verso, ctr.: Recto, l.r.: "Chas DuBack 69" Gift of William H. G. FitzGerald, Des• "March 3, 1968 II / JY" Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II Gift of Dr. Thomas A. Mathews mond FitzGerald, and B. Francis Saul II 1978.129.120 1981.109 1978.129.81

1563 David Budd b. 1927 1564 John Chamberlain b. 1927 Untitled [abstraction] Untitled [abstraction] 1974 Gift of William H. G. FitzGerald, Des• 14 x 17 in. (35.5 x 43 cm) Three sheets, overall dimensions: 297ie mond FitzGerald, and B. Francis Saul II Charcoal, pencil, and litho crayon on x 537s in. (76.1 x 136.2 cm) 1978.129.56 heavy white paper Acrylic paint, airbrush, and spray Recto, l.r.: "Budd" enamel on white paper laid down Gift of William H. G. FitzGerald, Des• Recto, ctr.: "Chamberlain 74"; u.l.: mond FitzGerald, and B. Francis Saul II "J.C. 74" 1978.129.43

233 DODD

1565 b. 1927 1566 Alan Fenton b. 1927 1567 Untitled [nude in a wing chair] 1975 "Small Transition. ..." 1973 "Bottom Up Transition 6" 1975 5 5 5 9 9 25 /8 x 20Vs in. (65.1 x 51 cm) 28 /i6 x 22 /i6 in. (72.6 x 57.4 cm) 28 /s x 22 /s in. (72.7 x 57.5 cm) Pencil on cream paper Acrylic paint and pencil on white paper Recto, l.r.: "A Fenton / 75"; 1.1.: "Bot• Recto, l.r.: "L. Dodd 75" Recto, I.e.: "Small transition / with Bot• tom up transition 6"; verso, u.l.: ("# 5" Gift of William H. G. FitzGerald, Des• tom-up / Split Red / Brown / A. Fenton [erased]) mond FitzGerald, and B. Francis Saul II / 73" Pencil and erasures on heavy white pa• 1978.129.77 Gift of Vincent Melzac 1978.35 per Gift of Vincent Melzac 1978.34

1568 b. 1927 "Cervix Dollar Bill" 1970 NICKY © GERARD / MALANGA / I.e. to l.r. (22) Jg) FEDYA 7 201/i6 x 28 /s in. (50.9 x 73.4 cm) VENTRICULUS / MARCH 4, 1970 ® © G) Black ink, pen, acrylic paint, abrasions, INTESTINUM / TENUE GER• © ROBERT WHITMAN / COLONY cut painted and printed paper and card• TRUDE / CATOfiS) DOLL/EX• (D* THANSVERSUM @ board glued to prepared composition TERNAL / D5 (55pTO: MRS / gS) PHILIP / LAMANTIA / UR• board RICHARD C / BOX 410, / ROUTE 5, / ETHRA AL [scattered repeated Recto, 1.1.: "Ray Johnson 1970"; u.l. to WINSTON- / SALEM / NORTH / numbers from 1 to 5] LABIUM MA- 1.1.: "HI COWGIRL / HAIKU / Giri Q CAROLINA / 27107 CHORION JUS PUDENDI [scattered numbers 3 J|) ZACHARY / SCOTT @ FRONDOSUM (23? to 27] TED / JONES / VESICA J§) ANDY/WARHOL/ LABIUM ANTERIUS (20>»*» CECIL / BEATON DRA / DEE. / SINCERELY / BILL / by Ray Johnson / 1970 / 20 x (g) (5^ PARKER TYLER © YOURS, / Ray Johnson (p) SYM- 29" Q WILLIAM / CARLOS RHYSIS / OSSIUM / PUBIS FUNI• Gift of Dr. and Mrs. Jacob J. Weinstein WILLIAMS JOSEPH / CORNELL(9) CULUS UMBILICALIS Johnson in memory of Mrs. Jacob Fox HENRI / CARTIER / BRESSON / CERVIX PAVEL / TCHELITCHEW / (3^ 1972.11.4 (IhEDITH / SITWELL (g) REX ISAK DINESENT. / NEW YORK CITY CLITORIS WOULD YOU LIKE A / CHINESE V© J© (Z)"* ©DJUNA / BARNES HAIRCUT? / DECIDUA BASALIS RAY JOHNSON / 44 WEST 7 <-{gl) DICI- STREET / LOCUST VALLEY / NEW DUA VERA PARIETALIS<2) YORK 11560 (Q) @ MATTA / REC• FLAPJACKS © ATHENA ANUS- TUM DICIDUA VERA PARIETALIS<^'

234 JOHNSON

1569 1570 Wolf Kahn b. 1927 1571 b. 1927 "Snake" 1975 Study for Vermont Cornfield 1969 Untitled [profile of a woman's head] 11 x 8V6in. (28 x 21.7 cm) 11 x 14 in. (28 x 35.6 cm) 1975

5 Black ink on white paper with letter• Pastel on white paper 715/i6 x 9 /s in. (20.2 x 24.5 cm) head: "New York Studio School of Recto, l.r.: "W Kahn" Pencil on off-white paper Drawing, Painting and Sculpture / 8 Gift of William H. G. FitzGerald, Des• Recto, l.r.: "Alex Katz 75" West 8 Street New York 10011 Tele• mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• phone OR3-6466 / September 1975 [to] 1978.129.136 mond FitzGerald, and B. Francis Saul II Ray Johnson [from] Mercedes Matter, 1978.129.140 Dean" Recto, u.l. to l.r.: "Johnson / Ray / snake / 1975" Gift of William H. G. Fitzgerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.133

1572 Dody Miiller b. 1927 1573 Gerald Samuels b. 1927 Orchard in Normandy March 21, 1963 Cloud Slide 5 22 /s x 35^2 in. (57.5 x 90.2 cm) 1015/i6 x 1315/i6 in. (27.8 x 35.4 cm) Oil paint on heavy cream paper Charcoal on white paper Recto, l.r.: "21 March 63 / Dody Gift of William H. G. FitzGerald, Des• Miiller" mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• 1978.129.223 mond FitzGerald, and B. Francis Saul II 1978.129.184

235 SNELSON

1574 Kenneth Snelson b. 1927 1575 Margot Stewart b. 1927 1576 Athos Zacharios b. 1927 CSA student 1946 Untitled [abstraction] 1970 Untitled [abstraction] 1 "Fair Leda" 1972 17 x 1315/i6 in. (43 x 35.4 cm) 22 x 28 /i6in. (55.9 x 71.3 cm) 11 Vie x 17V16 in. (28.2 x 43.3 cm) X-ray film touched with blue paint over Black ink and airbrush on white paper Pencil on off-white graph paper white paper with ink Recto, l.r.: "Athos Zacharios" Recto, l.r.: "K. Snelson '72"; u.l.: Recto, u.r.: "Margot Stewart / 1970"; Gift of William H. G. FitzGerald, Des• "FAIR LEDA" [followed by extensive I.e. "[Arabic inscription 3 lines] / Garcia mond FitzGerald, and B. Francis Saul II numerical notations] Lorca" 1978.129.265 Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.236 1978.129.248

1577 Pat Adams b. 1928 1578 Lennart Anderson b. 1928 1579 Alice Baber 1928-1982 "Color Drawing" June 27, 1975 Bending Nude ca. 1970 "Green Piper—Red Ladder" 1974

15 n 9 161/s x 16yi6in. (41.1 x 40.7 cm) 17 x 10 /i6 in. (43.2 x 27.8 cm) 29 /i6 x 41 /i6 in. (75.4 x 106 cm) Acrylic and on cream pa• Charcoal on olive paper Watercolor on heavy white paper per Gift of William H. G. FitzGerald, Des• Recto, 1.1.: "Baber 74"; verso, u.l.: Verso, u.r.: "Pat Adams / June 27, 1975 mond FitzGerald, and B. Francis Saul II "Alice Baber / Green Piper—Red Lad• / Bennington I"; c.r.: "Top / 'Color 1978.129.6 der / 1974" Drawing f ' " Gift of William H. G. FitzGerald, Des- Gift of William H. G. FitzGerald, Des• mon FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.13 1978.129.3

236 DOYLE

1580 Tom Doyle b. 1928 1581 Annick du Charme 1582 b. 1928 "Study for Sculpture" June 12, 1974 Nature No. 2 Untitled [abstraction] 1957 9 x lF/g in. (23 x 30.4 cm) 7*716 x 1474 in. (20.2 x 33.2 cm) Irregular, six-sided sheet, largest outside Black-green felt-tip pen on white paper Black ink on white paper dimensions: 107s x 167s in. (27.6 x Recto, l.r.: "Tom Doyle / Study for Recto, 1.1.: "du Charme" 42.8 cm) Sculpture 12 June / 74" Gift of William H. G. FitzGerald, Des• Watercolor, pencil, enamel, crayon, and Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II oil paint on white paper mond FitzGerald, and B. Francis Saul II 1978.129.82 Recto, l.r.: "57 / Frankenthaler" 1978.129.79 Gift of Mrs. Arthur S. Kahn 1971.12

1583 Colin Greenly b. 1928 1584 b. 1928 "Drawing #7" 1967 Isabella I 191A 5 26Vs x 19 /s in. (66.3 x 49.9 cm) 229/i6 x 309/i6 in. (57.3 x 77.6 cm) Embossed lines on creamy-white paper Pencil on white paper Verso, 1.1.: "Embossed Drawing #7 / Verso, l.r.: "Al Held / 74" Colin Greenly 1964" Gift of the American Academy and In• Museum Purchase, 18th Area Exhibi• stitute of Arts and Letters, Hassam and tion Fund 67.34 Speicher Funds 1979.83

237 LEWITT

1585 Sol Lewitt b. 1928 1586 Patricia Passlof b. 1928 "The Location of a Straight Black Line between the end of the broken red line Untitled [abstraction] 1975 . . ." August 5, 1975 and the beginning of the not- / straight 19»/i6 x 15V8 in. (48.3 x 38.4 cm) 15 x 15 in. (38.1 x 38.1 cm) yellow line to a point halfway toward a Acrylic paint on white paper Pencil and black, yellow, red, and blue point half / way between the center of / Recto, l.r.: "Passlof / 75" ink and pen on white poster board page and the lower / left corner." Gift of William H. G. FitzGerald, Des• Recto, 1.1.: "THE LOCATION OF A Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II STRAIGHT BLACK LINE, / A NOT mond FitzGerald, and B. Francis Saul II 1978.129.196 STRAIGHT YELLOW LINE, / A 1978.129.157 BROKEN RED LINE AND A STRAIGHT / BLUE LINE / SOL LEWITT / AUGUST 5, 1975 / NYC"; inscription with each line, u.c: "a red broken line drawn / from a point half• way between the / midpoint of the top side and a / point halfway between a point half- / way between the midpoint of the left / side and the left corner and / a point halfway between the beginning / of the the [sic] black straight line and / the beginning of the not-straight yellow / line halfway toward a point halfway / between the center of the page and the / upper right corner."; ctr.: "a yellow not-straight line / drawn from a point 1587 Paul Resika b. 1928 1588 Albert Sangiamo b. 1928 halfway between / the center of the cen• "From Dugan's" August 1971 Still Life: Apples on a Plate with a Por• l ter of the page / and the midpoint of 5A x TA in. (13.4 x 18.5 cm) trait of the Artist 1966 83/ x 107/ in. (21.4 x 27.7 cm) the right side / and a point halfway be• Black ink and wash with pen and brush 8 8 tween the center of the page and the on beige paper Watercolor, colored pencil, graphite, midpoint of the top / side and a point Recto, l.r.: "Resika"; 1.1.: "from Du• and pencil on off-white paper halfway between / the center of the gan's"; I.e.: "August 1971" Recto, l.r.: "Sangiamo '66" page and the midpoint / of the right side Gift of William H. G. FitzGerald, Des• Gift of Robert Scott Wiles 1981.36 and the midpoint of / of [sic] the black mond FitzGerald, and B. Francis Saul II straight line to a / point halfway be• 1978.129.212 tween the center of / the page and the midpoint of the right / side"; I.e.: "A black straight line drawn from a point halfway between the / center of the page and the mid / point of the bottom side to a point / halfway between the midpoint of / the bottom side and a point halfway / between the lower right corner and / a point halfway between the center of the / page and a point halfway between the / center of the page and the lower / left corner. A blue straight line drawn from / a point half• 1589 Therese Schwartz b. 1928 1590 Jehan Shahly b. 1928 way between the midpoint / of the left CSA student 1943, 1945 Seated Woman [nude] 1967 side and a point halfway / between the 3 Anytime, Anyplace, Anywhere 16 /4 x 13V4 in. (42.5 x 33.6 cm)

upper left corner and a / point halfway 15 20 x 29 /i6 in. (50.8 x 76.1 cm) Pencil on off-white paper between a point halfway / between the Wax crayons on white paper Recto, l.r.: "Shahly '67" center of the page and the mid / point Recto, l.r.: "T Schwartz" Gift of William H. G. FitzGerald, Des• of the left side and a point half- / way Gift of William H. G FitzGerald, Des• mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.230 1978.129.229 238 FORD

1591 John Ford b. 1929 1592 1593 George Gillson b. 1929 Man 1974 Woman 191A Untitled [standing nude with towel] 5 7 9 9 28 /i6 x 22 /i6 in. (72.3 x 57.3 cm) 28 /i6 x 22 /8 in. (72.5 x 57.5 cm) September 22, 1974 Black, pink, and yellow felt-tip pen on Black and magenta felt-tip pen on white 815/i6 x 7 in. (22.7 x 17.8 cm) white paper paper Watercolor and pencil on white paper Recto, l.r.: "Ford 1974" Recto, I.e.: "John Ford 1974" Recto, 1.1.: "G. Gillson 9/22/74" Gift of William H.G. FitzGerald, Des• Gift of William H.G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.94 1978.129.95 1978.129.103

1594 Margaret P. Israel b. 1929 1595 Lucian Krukowski b. 1929 1596 Arthur Hall Smith b. 1929 Untitled [four figures walking] Untitled [abstraction] ca. 1970s A Circle, A Self 1958 7 September 1975 33 x 14 /s in. (83.8 x 37.8 cm) 75/i6 x 5V4 in. (18.6 x 14 cm)

2313/i6 x 3215/i6 in. (60.5 x 83.7 cm) Gray-black printout on white Two colors of blue ink and pen on blue- Black ink and brush on crushed paper paper perforated on vertical edges and gray flecked paper with a white wash twice horizontally Recto, u.r.: "Arthur Smith / 1958" Recto, l.r.: "Marg. P. Israel Sept '75" Recto, repeated seven times above and Museum Purchase from the 13th Area Gift of William H. G. FitzGerald, Des- below image: "*Lucian Krukowski*" Exhibition 58.19 mon FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• 1978.129.129 mond FitzGerald, and B. Francis Saul II 1978.129.149

239 SMITH

1597 1598 Rex Clawson b. 1930 1599 Allan D'Arcangelo b. 1930 Untitled [seated man] 1964 "Welfare Nativity" 1973 "Landscape" 1967 121/8 x 15VH in. (30.8 x 46 cm) 18 x 24 in. (45.7 x 61 cm) 1315/i6 x 1615/i6 in. (35.4 x 43 cm) Black ink, pen, and brush on white pa• Black and brown felt-tip pen, paper Black press-type symbols, black tape, per stars, and pressure-transfer lettering on and black ink and pen on stiff white pa• Recto, l.r.: "Arthur Smith / Paris 1964" cream paper, varnished, laid down. per Gift of Robert Scott Wiles 1974.37 Recto, 1.1.: "CLAWSON / 1973"; verso, Recto, I.e. to l.r.: "Landscape"; l.r.: on Masonite board: "WELFARE NA• "D'Arcangelo Oct 30, 1967" TIVITY / BY / REX CLAWSON / 78 Gift of William H. G. FitzGerald, Des• 3rd AVE / NEW YORK, NY / 10003 / mond FitzGerald, and B. Francis Saul II PHONE OR4-4258" 1978.129.64 Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.59

1600 Ronaldo De Juan b. 1930 1601 Barbara Grossman 1602 Phyllis Mark • Untitled [abstraction] 1975 Cares 1976 "Color Alphabet" 3 1 40V8 x 30 in. (101.9 x 76.2 cm) 25 /4 x 20 /i6 in. (65.4 x 51 cm) 24Vs x 18yi6in. (61.3 x 45.9 cm) Oil paint, charcoal, graphite, litho• Charcoal and erasures on white paper Colored ink with stencils on white paper graphic crayon, and fixative on white Recto, l.r.: "B. Grossman 76" Recto, l.r.: "© 'Color Alphabet' Phyllis mat board Gift of William H. G. FitzGerald, Des• Mark"; u.l.: "Colors —> grays red —> Recto, l.r.: "de Juan / 75"; verso, mond FitzGerald, and B. Francis Saul II blue blue —» yellow" ctr.: "RONALDO / DE JUAN / NEW 1978.129.116 Gift of William H. G. FitzGerald, Des• YORK-1975 t " mond FitzGerald, and B. Francis Saul II Gift of William H. G. Fitzgerald, Des• 1978.129.165 mond FitzGerald, and B. Francis Saul II 1978.129.72

240 MC GARRELL

1603 James McGarrell b.1930 1604 Ruth Miller b. 1930 1605 Helene Aylon b. 1931 Untitled [female nude in a chair] Self-Portrait 1976 "Brown Light #4: Floating" ca. 1973- 15 x 113/ie in. (38.1 x 28.5 cm) 1715/i6 x 2315/i6 in. (45.5 x 60.8 cm) 1975 Conte crayon on white paper Pencil and Conte crayon(?) on off-white 1315/i6 x 37% in. (35.4 x 95 cm) Recto, l.r.: "McGarrell" paper Variable oil emulsion between Plexiglas Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• and Masonite mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II Verso: u.l.: "Brown Light #4 / Float• 1978.129.170 1978.129.176 ing" Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.12

1606 Walter Darby Bannard b. 1931 1607 George Bayliss b. 1931 1608 Jack Beal b. 1931 "Buddy Bashore #8" 1975 Forest Primeval ca. 1955 Untitled [flowers]

75/i6 x 915/i6 in. (20.2 x 25.2 cm) 20u/i6 x 2913/i6 in. (51 x 75.8 cm) 20 x 15% in. (50.8 x 38.7 cm) Conte stick over wash on white paper Watercolor, gouache, and polymer tem• Pencil on green mat board Recto, l.r.: "8.4.75 W D Bannard 8"; pera on gessoed Bainbridge Board Recto, u.r.: "Jack Beal" 1.1.: "BUDDY BASHORE #8" Recto, l.r.: "BAYLISS" Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• Museum Purchase, 9th Area Exhibition mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II Fund 55.10 1978.129.19 1978.129.14

241 BONTECOU

1609 Lee Bontecou b. 1931 1610 Eleanor Dickinson b. 1931 1611 Untitled [multiple images of slats and "Guide Me, Oh Thou Great Jehovah" Nearer My God to Thee 1969 masks] 1972 1969 45% x 347/s in. (115.5 x 88.6 cm) 17Vs x 25 in. (43.5 x 63.5 cm) 46 x 35 in. (116.8 x 88.9 cm) Black felt-tip pen on white poster paper Pencil on white paper prepared with a Black felt-tip pen on off-white poster Recto, l.r.: "©Dickinson 1969" white ground paper laid down Gift of Mr. and Mrs. George Poindexter Recto, l.r.: "Bontecou 1972" Recto, l.r.: "©Dickinson 1969"; verso 1972.17.2 Gift of William H. G. FitzGerald, Des• of backing, u.r.: "$250 / 'Guide me, oh mond FitzGerald, and B. Francis Saul II Thou Great Jehovah' / #66"; typed la• 1978.129.33 bel: "GUIDE ME, O THOU GREAT JEHOVAH! / PILGRIM THRO' THIS BARREN LAND /1 AM WEAK, BUT THOU ART MIGHTY / HOLD ME WITH THEY [sic] POWERFUL HAND" Gift of Mr. and Mrs. George Poindexter 1972.17.1

1612 1613 David Driskell b. 1931 1614 Horace Farlowe "On Jordan's Stormy Bank I Stand" Pear and Plane 1980 "#13" 1975 15 1969 193/i6 x 25V4 in. (48.7 x 64.1 cm) 19 /i6x 15 in. (50.5 x 38 cm) 46 x 35*6 in. (116.8 x 89.1 cm) Egg tempera, loosely woven fabric, and Acrylic paint, charcoal, and colored Black felt-tip pen on off-white poster painted paper glued on white paper pencil on white paper paper laid down Recto, 1.1.: "Driskell '80" Recto, 1.1.: "H. Farlowe '75 #13" Recto, l.r.: "©Dickinson 1969"; verso Gift of the Women's Committee Gift of William H. G. FitzGerald, Des• of backing, u.L: " 'On Jordon's [sic] 1981.26 mond FitzGerald, and B. Francis Saul II Stormy Bank I Stand' / $250 / $32"; 1978.129.87 typed label: "ON JORDAN'S STORMY BANKS /1 STAND / AND CAST A WISHFUL EYE / TO CAN- NAAN'S [sic] FAIR AND HAPPY / LAND / WHERE MY POSSESSIONS LIE / O WHO WILL COME AND GO / WITH ME /1 AM BOUND FOR THE / PROMISED LAND." Gift of Mr. and Mrs. George Poindexter 1972.17.3

242 HOPKINS

1615 Budd Hopkins b. 1931 1616 Polly Kraft b. 1931 1617 Untitled [abstraction] 1969 CSA student 1965-1967 Village Voice Under Mail 1981

3 2 /s x 6% in. (6.1 x 15.6 cm) Untitled [teacup on unrolled fabric] 2913/i6 x 42% in. (75.7 x 107.3 cm) Collage of paper, paint, and other ma• 1980 Watercolor over pencil on heavy white terials on mat board 22 x 31% in. (55.9 x 79.4 cm) paper Recto, l.r.: "B Hopkins '69" Watercolor over pencil on heavy white Recto, l.r.: "Polly Kraft" Gift of William H. G. FitzGerald, Des• paper Museum Purchase with funds from mond FitzGerald, and B. Francis Saul II Recto, l.r.: "Polly Kraft 1980" Cenro Corporation 1981.63 1978.129.127 Museum Purchase with funds from Cenro Corporation 1980.90

1618 Vincent Moore b. 1931 1619 Robert Morris b. 1931 1620 "Study—'The Artists' " 1975 "Steam Cloud" 1969 "Steel Plate Suite" 1969

1815/i6 x 253/i6 in. (48.1 x 64.1 cm) 1715/i6 x 2215/i6 in. (45.6 x 58.2 cm) 1715/i6 x 2215/i6 in. (45.6 x 58.3 cm) Charcoal and stump on light-beige pa• Pencil on white paper Pencil on white paper per Recto, l.r.: "R Morris / 69"; u.r.: "4 / Recto, u.r.: "W STEEL PLATE Recto, u.l.: "Vincent Moore '75 / Steam outlets / Nozzle directed / toward SUITE. / ALL PLATES 48" x 96". / 3 Study—'The Artists' " center"; ctr.: "Steam Cloud"; u.c: FASTENING: CLIPS OF /8" STEEL: / Gift of William H. G. FitzGerald, Des• "Distance dependent on space avail• AT CORNERS."; I.e.: "R. Morris / 69" mond FitzGerald, and B. Francis Saul II able"; 1.1.: "nozzle steam / hose to Museum Purchase 1969.46 1978.129.177 source / Grade / x-section" Museum Purchase 1969.45

243 WESSELMAN

1621 Tom Wesselman b. 1931 1622 Frank Bunts b. 1932 1623 Robert b. 1932 Untitled [two female nudes] ca. 1970 Untitled [abstraction], from the Pentagon "Several Storms Ago" 1974

Two sheets, each 415/i6 x 615/i6 in. (12.5 Series 1977 30 x 22V4 in. (76.3 x 56.5 cm) x 17.5 cm) 23Vs x 29 in. (58.4 x 73.5 cm) Acrylic on white paper Ballpoint pen, wax crayons, and pencil Three-dimensional polymer sheet and Recto, l.r.: "Robert Dash"; verso, l.r.: on white tracing paper colored pencil on heavy white paper "Robert Dash / Several Storms Ago / Gift of William H. G. FitzGerald, Des• Recto, l.r.: "Frank Bunts 77 Frank 30" x 22" / A 1 Paper / 1974"; u.c: mond FitzGerald, and B. Francis Saul II Bunts 77" "December 1974" 1978.129.260 Gift of Mr. and Mrs. J. K. Grassle Gift of William H. G. FitzGerald, Des• 1979.19 mond FitzGerald, and B. Francis Saul II 1978.129.65

1624 Peggy Esko 1625 Lila P. Katzen b. 1932 Recto: Dream of Doors Verso 1975.21 Untitled [abstraction] 1972 Verso: Untitled [abstraction] 22Vs x 30 in. (56.2 x 76.2 cm)

Two pieces: drawing, 13n/i6 x 1915/i6 Pencil and colored pencils on white pa• in. (34.8 x 50.7 cm); painted mat, per

1715/i6 x 23n/i6 in. (45.6 x 60.2 cm) Recto, l.r.: "L P Katzen—72" Casein on composition board and mat Gift of William H. G. FitzGerald, Des• board mond FitzGerald, and H. Francis Saul II Recto of drawing, 1.1.: "esko" 1978.129.141 Gift of the Edith Gregor Halpert Foun• dation in memory of Edith Gregor Halpert 1975.21

244 REICH

1626 Murray Reich b. 1932 1627 Robert Stanley b. 1932 1628 William Clutz b. 1933 Untitled [abstraction] 1975 Susan and Steve 1974 Untitled [street scene] 1976

3 9 22 /s x 30Vi6 in. (56.8 x 76.4 cm) 24Vie x 17 /i6 in. (61.1 x 44.5 cm) 227s x 2874 in. (57 x 71.7 cm) Black ink on creamy-white paper Developer and wash over pencil on Pastel on white paper Recto, l.r.: "Mr. Reich / 1975" Craftint Doubleton No. 209 Recto, l.r.: "Clutz 76" Gift of William H. G. FitzGerald, Des• Recto, l.r.: "R S. 74" Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.209 mond FitzGerald, and B. Francis Saul II 1978.129.61 1978.129.243

1629 Mark Di Suvero b. 1933 1630 b. 1933 1631 Untitled [abstraction] CSA faculty 1974-1975 White Ridges 1972

J 1872 x 1278 in. (47 x 32.7 cm) Quiet Landscape 1972 12 x 9 7i6 in. (30.5 x 25.2 cm)

Black felt-tip pen, black ink, and brush 11*716 x 107i6in. (30.3 x 25.6 cm) Acrylic paint on cream paper on white paper Acrylic paint on cream paper Recto, l.r.: "Edelson" Recto, l.r.: "Mark" Recto, l.r.: "Edelson" Museum Purchase 1972.31.2 Gift of William H. G. FitzGerald, Des• Museum Purchase 1972.31.1 mond FitzGerald, and B. Francis Saul II 1978.129.76

245 FANE

1632 Lawrence Fane b. 1933 1633 Mary Frank b. 1933 1634 b. 1933 Untitled [biomorphic objects] Untitled [abstraction] 1970 CSA faculty 1966 7 3 14 /8 x 11 in. (37.8 x 28 cm) 18 x 23 /4 in. (45.7 x 60.3 cm) Untitled [abstraction] 1969 Black ink, pen, and wash on heavy Black ink and brush on off-white paper 23 x 29 in. (58.4 x 73.7 cm) white paper Recto, l.r.: "Mary Frank 1970" Black and red ink with pen and brush Recto, l.r.: "L. Fane" Gift of William H. G. FitzGerald, Des• on white paper Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II Recto, l.r.: "Sam Gilliam '69" mond FitzGerald, and B. Francis Saul II 1978.129.97 Museum Purchase with funds from the 1978.129.86 National Endowment for the Arts, Wil• liam A. Clark Fund, and Margaret M. Hitchcock 1974.84

1635 1636 Robert Gordy b. 1933 1637 Jennie Lea Knight b. 1933 Untitled [abstraction] 1969 Study for Le Pare Series ca. 1970 or Creek Willow September 9, 1975 5 15 9 22 /i6 x 29 in. (58.2 x 73.7 cm) 1971 16 /i6 x 18 /8in. (42.1 x 47.2 cm) Enamel and acrylic paint with a shoe 26 x 31 in. (66 x 78.7 cm) Pencil on white paper lace and mop fibers on white paper Felt-tip pen on two sheets of white pa• Recto, l.r.: " 3£night / 9/9/75" Recto, l.r.: "Sam Gilliam / '69" per mounted on black mat board Gift of the Women's Committee Museum Purchase with funds from the Recto, 1.1.: "R Gordy" 1979.1 National Endowment for the Arts, Wil• Museum Purchase 1975.1 liam A. Clark Fund, and Margaret M. Hitchcock 1974.85

246 LEON

1638 Dennis Leon b. 1933 1639 Lowell Nesbitt b. 1933 1640 Untitled [abstraction] 1974 Mr. D 1963 Miss V. Looking Out 1963 1 23Vi6 x 3415/i6 in. (58.6 x 88.7 cm) 47 x 36 /i6in. (119.4 x 91.6 cm) 46Vi6 x 36% in. (117 x 91.8 cm) Charcoal and pencil on heavy cream pa• Graphite, charcoal, and oil paint on Graphite, charcoal, and oil paint on per cream paper cream paper Recto, 1.1.: "Leon 74" Recto, l.r.: "Nesbitt 1963" Recto, l.r.: "Nesbitt 1963" Gift of William H. G. FitzGerald, Des• Museum Purchase 64.6 Gift of Dr. and Mrs. Jacob J. Weinstein mond FitzGerald, and B. Francis Saul II 1972.11.6 1978.129.154

1641 Jay Rosenblum b. 1933 1642 Joseph Shannon b. 1933 1643 Roy Slade b. 1933 Untitled [abstraction] CSA student 1954-1955 CSA faculty 1967-1977; director 1973-

915/i6 x 8 in. (25.3 x 20.3 cm) Trio 1969 1977

Acrylic paint on paper 1913/i6 x 1615/i6 in. (50.4 x 42.6 cm) Untitled #4 [abstraction] 1972 Recto, l.r.: "Jay Rosenblum" Brown ink wash on flecked creamy-yel• 237s x 183/4 in. (60.7 x 47.7 cm) Gift of William H. G. FitzGerald, Des• low paper Wax crayons on white paper mond FitzGerald, and B. Francis Saul II Recto, u.l.: "SHANNON / 69" Recto, l.r.: "Roy Slade 1972 #4"; 1.1.: 1978.129.218 Gift of Mrs. Harry J. Hogan 1975.16 «4» Museum Purchase 1972.33

247 ANTHONY

1644 William Anthony b. 1934 1645 Peter Gourfain b. 1934 1646 b. 1934 "Smiling Fellow" 1963 Untitled [abstraction] 1975 Untitled [seated woman in bathrobe] 15 August 1975 8 /i6 x IVi in. (22.7 x 19 cm) 11% x 20 in. (30 x 50.9 cm) Pencil, erasures, and blue ink and pen Black paint over pencil and incised lines 23% x 18% in. (60.4 x 48 cm) on off-white paper on white paper Pencil on off-white paper Recto, 1.1.: "Anthony / '63"; u.l.: Verso, 1.1.: "Peter Gourfain / 1975" Recto, l.r.: "Greenberg Aug. 1975" "Smiling Fellow 1963 8- x 6LA" "; Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• verso: u.l.: " 'Smiling Fellow' 1963 8 x mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 6VA Sausalito Calif. / By William Anthony 1978.129.109 1978.129.113 B. 1934." Gift of Mr. and Mrs. Edward V. Randel 1971.8

1647 b. 1934 1648 Daphne Mumford b. 1934 1649 "Sky Movie" 1974 Untitled [seated female nude] 1973 Untitled [two seated nudes] ca. 1973 7 x 135/i6 in. (17.8 x 33.9 cm) 715/i6 x lln/16 in. (19.9 x 29.7 cm) 11% x 715/i6 in. (29.8 x 19.8 cm) Colored pencil on white paper Black ink and pen on white paper Black ink and pen on white paper Recto, 1.1.: "Sky Movie 1974"; l.r.: Recto, l.r.: "D.M. 73" Recto, c.L: "D.M." "Yvonne Jacquette" Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.185 1978.129.266 1978.129.131

248 MUMFORD

1650 1651 Mel Pekarsky b. 1934 1652 Tal Streeter b. 1934 Untitled [three seated nudes] ca. 1973 "Three Places" 1972 "Red Line to the Sky" 1973 15 3 15 11% x 7 /i6in. (29.7 x 19.8 cm) 6 /i6 x 5 in. (17.6 x 12.7 cm) 30 /8 x 18V4 in. (77.2 x 46.4 cm) Black ink and pen on white paper Black ink and pen with pencil on white Pencil on white tracing paper Recto, l.r.: "D.M." paper Recto, l.r.: "Tal Streeter N.C."; 1.1.: Gift of William H. G. FitzGerald, Des• Recto, l.r.: "mp 72"; verso, l.r.: "MP " 'RED LINE TO THE SKY': REF• mond FitzGerald, and B. Francis Saul II 72"; 1.1.: "Three places" ERENCE FOR SCALE, HEIGHT & 1978.129.267 Gift of William H. G. FitzGerald, Des• WIDTH AND POSSIBLE GUYING / mond FitzGerald, and B. Francis Saul II REFER TO DRAWING 5.12.73 1978.129.199 ©TAL STREETER"; u.l.: "Polished / chrome"; u.c: "SOMEWHERE BE• TWEEN THESE TWO / DIMEN• SIONS IS THE OPTIMUM, MINA- MAL [sic] / HEIGHT."; u.r.: "Polished chrome 'mirror' four-sided or / single surfaces on these small / 'Red Line' pieces + height to be / 2' - 0 (4' - 0) or 4' - 0 (8'- 0)"; I.e.: "really, the needle, skyscraper, the / Empire State is the most dramatic / contemporary state• ment—from skyscraper back to men• hir."; ctr.: "In the 'Cock' and 'Endless ' / Brancusi believed he had / 1653 Peter C. Thomas b. 1934 1654 achieved something approaching / ulti• CSA faculty 1962, 1971-1972; dean "Knocks Folly on Turner's Creek No. 32" mate perfection."; 1.1.: "SCALE: VA" - 1973-1979 1974 V - SCALE: VA" = 2'-0 [plus numer• 15 ous numerical notations]" "Knocks Folly on Turner's Creek No. 5" 22 /i6 x 29 in. (58.3 x 73.7 cm) 1974 Watercolor, wax crayon, and colored Gift of William H. G. FitzGerald, Des• 23 x 29 in. (58.4 x 73.6 cm) pencil on white paper mond FitzGerald, and B. Francis Saul II Watercolor over pencil with erasures on Recto, l.r.: "Peter C. Thomas 74"; 1.1.: 1978.129.249 off-white paper "Knocks Folly on Turner's Creek 32" Recto, l.r.: "Peter Thomas 74"; ctr.: Museum Purchase, William A. Clark Fund "5"; 1.1.: "Knocks Folly on Turner's 1976.47.2 Creek" Museum Purchase, William A. Clark Fund 1976.47.1

249 THOMAS

1655 1656 1657 Peter Watts b. 1934 "Knocks Folly on Turner's Creek No. 45" "Corcoran After Hours No. 12" 1981 Untitled [landscape] 1973 7 1974 3715/i6 x 497s in. (126.7 x 96.4 cm) 10% x 13/s in. (27.7 x 35.3 cm)

2215/i6 x 29 in. (58.3 x 73.7 cm) Charcoal and acrylic on heavy white pa• Oil pastel on white paper Watercolor, charcoal, and stump on per Recto, l.r.: "Peter Watts 73" white paper Recto, u.r.: "CORCORAN AFTER Gift of William H. G. FitzGerald, Des• Recto, l.r.: "Peter C. Thomas 74"; 1.1.: HOURS / PETER C. THOMAS • 1981 mond FitzGerald, and B. Francis Saul II "Knocks Folly on Turner's Creek 45" / No. 12"; verso, u.r.: "12" 1978.129.259 Museum Purchase, William A. Clark Fund Gift of the Women's Committee 1976.47.3 1981.27

1658 Christo (Christo Javacheff) b. 1935 1659 Andrew Hudson b. 1935 1660 "Otterio Mastaba (Project for Rijksmu- CSA faculty 197^1979 Two Bongos under a Tree at the Zoo seum Kroller-Muriek Otterio)" 1975 Tom and Marilyn with Painting by 1978

13 17 x 24 in. (43.2 x 61.6 cm) Blaine Larson 1978 20 /i6 x 29V2 in. (52.9 x 74.9 cm) 5 5 Oil pastel, pencil, crayon, red pen, and 29/s x 41 /8 in. (75.3 x 105.8 cm) Colored pencil on white paper masking tape on white poster board Colored pencil on white paper Recto, 1.1.: "AH 78" Recto, l.r.: "52.47 metres"; u.l.: Recto, l.r.: "AH 78" Gift of the artist 1979.5 "[high?] 25 metres"; I.e.: "63.2 metres Gift of the Women's Committee (111 oil [barrels?] / PER ROW.)"; 1.1.: 1978.114 "1580 kg / 1620 kg Christo 1975 Otterio Mastaba / Project for Rijksmuseum Kroller-Muriek Otterio / 250,000 stacked oil drums—50 lbs each." Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.58

250 HEWITT

1661 Charles Hewitt 1662 Alan E. Legro 1663 Les Levine b. 1935 Untitled [plans for a three-dimensional Failure to "Square" June "Visitation III" 1975 project] May 15, 1975 30-July 31, 1974 30V8 x 30 in. (76.5 x 76.2 cm) 13% x 10% in. (34.9 x 26.7 cm) Two sheets, each IOV2 x 8 in. (26.7 x Black and white photographs, pencil, 15 Black ink, pen, blue ballpoint pen, wa• 20.3 cm); mount: 16 x 23 /i6 in. (40.6 and blue pen on white-surfaced mat tercolor, gold paint, and pencil on x 60.8 cm) board ledger paper printed with horizontal- Pencil, black ballpoint pen, and type• Recto, l.r.: "Les Levine 75"; u.c: vertical grid of lines writing on white paper; typewriting and "VISITATION III / A SPACE, TO• Recto, l.r.: "chips of straw / Hewitt / blue ballpoint pen on printed Copyright RONTO, 1975"; I.e.: "108 CANDLES May 15 • 75"; u.l.: "[?] NY"; c.l.: "win• Office Form FL 40; both sheets moun• PLACED ON THE FLOOR IN A dow = space & time / diagonal to plane / ted on gray mat board CIRCLE, ABOVE THEM A SHEET decorative aspects / coffers; wall motifs / Recto, l.r.: "Alan E. Legro"; typed, OF COPPER, 36 x 96 INCHES, object, circle / disc"; c.l. to 1.1.: "table I.e.: "Under the provisions of section 12 HANGING HORIZONTALLY / 30 of objects . . re [Coffi?] / hanging net of Title 17, / U.S. Code, Cir. 91/12, ap• INCHES FROM THE FLOOR. A 3%- bag for fishing . . . [wbbj?] / recall es- plicant waivers all / claims to 'Square' HOUR STEREO AUDIO TAPE OF kimo fish hooks" relating to structural, decor- / ative, logo- 'THE 6TH EDITION OF THE MOTT Gift of William H. G. FitzGerald, Des• graphical or any other commercial use / ART HEARINGS' HELD / AT THE mond FitzGerald, and B. Francis Saul II whatsoever. Applicant does choose to NOVA SCOTIA COLLEGE OF ART 1978.129.123 exercize / claim of copyright on 'Square' AND DESIGN IN 1972 WHILE THE in relation to / intrinsic, aesthetic prop• ARTIST WAS VISITING. THE AU• erties, if any, yet to / be discovered or DIO TAPE CAN BE / HEARD ON established. / 30 June 1974 / Alan E. HIDDEN SPEAKERS AT EITHER Legro [handwritten] / Alan E. Legro" END OF THE ROOM. AT 8:30 P.M. X.328 ON FEBRUARY 4TH ALL THE CANDLES WERE / LIT IN THE OTHERWISE TOTALLY DARK ROOM AND THE AUDIO TAPE PLAYED FOR 3% HOURS. THE AUDIENCE COULD / HEAR THE ARTIST'S VOICE AT ONE END OF THE ROOM AND THE INTER• VIEWEE'S VOICE AT THE OTHER END OF THE ROOM."; I.e.: "THIS DOCUMENT REPRESENTS THE COMPLETED WORK. 6/6" Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.155

251 MIDDLEMAN

1664 Raoul Middleman b. 1935 1665 Robert Moskowitz b. 1935 1666 William Christenberry b. 1936 Untitled [bust of a woman] 1975 Drawing for Duck Piece 1973 CSA faculty 1974—

23VieX 18 in. (58.6 x 45.7 cm) 1015/i6 x 8V2 in. (27.7 x 21.6 cm) Untitled—Neon Drawing 1973 Conte crayon(?) on off-white paper Pencil, blue ink, and color wash on off- 40 x 297s in. (101.6 x 76 cm) Recto, l.r.: "Middleman 75" white onionskin paper Oil pastel, turpentine with brush, col• Gift of William H. G. FitzGerald, Des• Recto, l.r.: "Robert Moskowitz 73" ored pencil, colored felt-tip marker, mond FitzGerald, and B. Francis Saul II Gift of Wlliam H. G. FitzGerald, Des• graphite, and pressure-transfer symbols 1978.129.173 mond FitzGerald, and B. Francis Saul II on heavy white paper 1978.129.182 Recto, l.r.: "CHRISTENBERRY" Gift of the Women's Committee 1976.2

1667 Diana Kurz • 1668 b. 1936 1669 James Van Dijk b. 1936 Untitled [man seated on a rock] 1975- Untitled [abstraction] 1973 Cloverleaf Route 1, between Washing• 1976 1015/i6 x 87i6 in. (27.7 x 21.4 cm) ton and New York, Project 4

14% x 1715/i6 in. (37.5 x 45.6 cm) Pencil on yellow paper 22 x 30^16 in. (55.9 x 76.4 cm) Charcoal on white paper Recto, l.r.: "F.S. 73" Watercolor and pencil on off-white pa• Recto, l.r.: "Diana Kurz" Gift of William H. G. FitzGerald, Des• per Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II Gift of Mr. and Mrs. Otto Madlener mond FitzGerald, and B. Francis Saul II 1978.129.246 68.3 1978.129.150

1670 Esteban Vincente b. 1936 1671 Victoria Barr b. 1937 Untitled [abstraction] 1971 Recto: Untitled [abstraction] 1974 Verso 1978.129.18 22 x 19Vs in. (55.8 x 48.6 cm) Verso: Untitled [abstraction] 1974 5 Paint, airbrush, and charcoal on white 22/s x 289/i6 in. (57.5 x 72.6 cm) paper Recto: oil pastel and acrylic paint on Recto, l.r.: "Esteban Vincente" white gessoed paper; verso: wax crayon Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• on white paper mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II Recto, l.r.: "Victoria Barr / 74" 1978.129.18 1978.129.256 FESENMAIER

1672 Helene Fesenmaier b. 1937 1673 1674 Blaine Larson b. 1937 Untitled [abstraction] 1974 "Chief #2" July 1976 CSA faculty 1966, 1974-1979 3 25% x 31 in. (63.8 x 78.6 cm) 25% x 38 /i6in. (63.8 x 97 cm) Untitled [abstraction] 1974

Pastel and acrylic paint on heavy black Pastel and acrylic paint with painted pa• 23 x 3415/i6 in. (58.4 x 88.8 cm) paper per glued on heavy black paper Acrylic paint on white paper Recto, u.r.: "Helene Fesenmaier 1974" Recto, u.r.: "from 'Chief / #2 Helene Verso, ctr.: "Blaine Larson 1974" Gift of William H. G. FitzGerald, Des• Fesenmaier / 76—July bring in line Museum Purchase, William A. Clark Fund mond FitzGerald, and B. Francis Saul II here"; c.r.: "black head / replaced with 1976.28 1978.129.68 natural / grained block"; c.l.: "eliminate plinth and screw head / through back• board" Gift of Mr. and Mrs. Leonard S. Field 1977.12

1675 1676 1677 Val Lewton b. 1937 Untitled [abstraction] 1975 Untitled [abstraction] 1975 Dale City [Virginia] 1978

15 23 x 34 /i6 in. (58.4 x 88.8 cm) 23 x 35 in. (58.4 x 88.9 cm) 14% x 20%6 in. (35.9 x 50.8 cm) Acrylic paint on white paper Acrylic paint on white paper Watercolor over pencil on white paper Verso, ctr.: "Blaine Larson / 1975" Verso, c.r.: "Blaine Larson / 1975" Recto, l.r.: "Lewton 78" Museum Purchase, Gerald A. Richard• Museum Purchase with funds from the Gift of the Women's Committee son Memorial Fund 1975.43 National Endowment for the Arts and 1980.12 the Richard King Mellon Foundation 1976.25

1678 Willard Midgette 1937-1978 1679 b. 1937 Untitled [self-portrait] 1974 Untitled [abstraction] 1967 n 3 15 9 /i6 x 8 /i6 in. (24.6 x 20.8 cm) 17%6 x 21 /i6 in. (43.3 x 55.7 cm) Acrylic paint on mat board Pencil on graph paper with aqua lines Recto, u.l.: "Midgette '74" Recto, l.r.: "L. Poons / 1967" Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.174 1978.129.204

253 QUAYTMAN

1680 Harvey Quaytman b. 1937 1681 Alvin I. Sher b. 1937 1682 Diane Karol b. 1938 Untitled [abstraction] 1973 Seated [female] Nude 1975 Untitled [abstraction] 15 x 11 in. (38.1 x 27.9 cm) 715/i6 x 11 in. (20.2 x 28 cm) 1415/i6 x 2115/i6 in. (38 x 55.7 cm) Pencil and acrylic paint on cut paper Pencil on white paper Watercolor, cut and glued painted can• laid down Recto, l.r.: "Alvin I. Sher 75—" vas, and paper on white paper Recto, l.r.: "Harvey Quaytman / 1973"; Gift of William H. G. FitzGerald, Des• Recto, l.r.: "KAROL lengthen ->"; u.r.: "U.V."; 1.1.: "M B" mond FitzGerald, and B. Francis Saul II I.e.: <— suspend closer to sloped section Gift of William H. G. FitzGerald, Des• 1978.129.231 / (place on floor?)" mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• 1978.129.207 mond FitzGerald, and B. Francis Saul II 1978.129.139

1683 Rockne Krebs b. 1938 CSA student 1964 on / mirror around points of / Reflec• "Aleph2" April 1969 tion Bolts into support frame / that al• 217/s x 167/s in. (55.5 x 42.9 cm) low mirror to be adjusted"; u.r.: "Gal• Pencil, colored pencil, and red and blue lery 65 Corcoran Scale Vi = VI ballpoint pen on white graph paper with CEILING Height-13' RCA / 125MW / blue lines ARGON mirror"; c.r.: "BLOCK Recto, l.r.: "R Krebs / 4/69"; u.l.: DOOR Both mirror / on this side / 7' " 'Aleph 2 / (squared)' "; u.c: "TOP above floor one laser (4 mw [uni?] lab) VIEW"; 1.1.: "have both mirrors / on / that goes between all / four mirrors. this side start / 6' above floor / Have Try to put argon mount above door drill 3[Ne Ne ?] behind / Mirror in each of a / hole through wall for shot down the / two coplanar systems"; I.e.: "ar• through galleries" gon / fan[?] is part of / both 'RA' & Museum Purchase with funds from the Aleph 2 1x4 wood frame to which / National Endowment for the Arts, the mirror is mounted x point of reflec• William A. Clark Fund, and Margaret tion"; l.r.: "consider / Blue area s[p?] M. Hitchcock 1974.82

254 KREBS

1684 1685 "One Sun II, The Photon Structure" TER LINE"; l.r.: "consider repeating "South # V June 18, 1973 April 2, 1973 sun image on / ground plane where 17 x 22 in. (43.2 x 55.9 cm) 7 Colored pencil, graphite, and pencil on 19 x 24 /8 in. (48.3 x 63.2 cm) beams / strike ground. Look how much Pencil, colored pencil, and waxy crayon / more sky than ground and only / one white paper on heavy cream paper sun still. It may be time to reorganize / Reto, u.l.: "South # 1 It seems what I Recto, u.c: "one Sun II / The Photon our society around the sun. At / night must do to give / credence to my vision Structure"; I.e.: "on III consider shad• without man generated / light no cars of these spectral / drawings is to give ing in / underside of cloud with Text could run and / etc. I think that it is them or rather limit / them to the for• The Sun should be white hot / yellow rather generous / of me to allow every• mats that art sophist [sic] understand / around then finally sky color. I should one to watch / me make this drawing / as art. So here I must provide clear res• note that I / am aware that the / struc• 4-2-73 / Rockne Krebs©"; I.e.: "VER• olution / as a painting."; u.r.: "South— ture indicated here is not physically / TICAL PAGE CENTER LINE / must refers to the direction the / painting possible in nature. / The sun beams the keep in mind that / Physical and vertical faces. The Cynic alone can be the true three distict [sic] legs / of the pyramid are not the same. / At this point I have lover of beatuy / because is so would / be nearly invisible do [sic] / to no idea where the center / of the draw• rare, and beauty can not / be loved for the directional scattering / character of ing will be." its own sake but rather because, / like light in / space, Why do it? Because /1 Museum Purchase with the aid of funds justice, it is so rare."; u.l.: "T [uwc] p"; am not an architect. If /1 were an ar• from the National Endowment for the c.l.: "use light reflective / paint to cre• chitect or an / archeologist I would pre• Arts, the William A. Clark Fund, and ate / an emorphuse —»"; 1.1.: "gratings pare / a thesis deminstrating that / this Margaret M. Hitchcock 1974.83 window wall / area on / which / painting is how the original / Egyptian architects to / be projected small baffle / system receive / the inspiration to produce / used to limit / the projection to area / of their pyramids, make a pyramid of the / painting white on white, / with areas Sun truncated by / a cloud."; u.r.: that / Delineate the painting / shape and sky deeper blue / + top"; c.r.: other patterns / with white scotch- / "FUCKEN IN THE SUNLIGHT / is light or light / reflective paint"; l.r.: BETTER THAN MAKING THE / "This would of course be a painting al• SCENE WOW! This is nice / paper. tered / and created by the sun & grat• I've never / used such nice looking / pa• ings. It would / shift as the sun. In per before. I have / done nothing but / terms of art this means / only that I look at it for the past / 2 hrs. Now I can must make what is present at every / feel / free to fuck it up. 11<—Those are stage a good painting Rockne Krebs / two / number ones at first /1 thought 18 June 73" that I had / made the number / eleven. Gift of Daniel and Barbara Fendrick That is the / danger of learned res- 1980.109 ponces. HORIZONTAL PAGE CEN•

255 KREBS

1686 1687 Ed McGowin b. 1938 Sundog Green Nov 1977 CSA faculty 1965-1967, 1974-1979 367s x 277s in. (93.7 x 70.8 cm) Untitled [abstraction] ca. 1960s

Pastel and acrylic paint over a printed 3515/i6 x 24 in. (91.3 x 61 cm) poster on white paper Poster paint on off-white paper Recto, l.r.: "Rockne Krebs / Nov. 77"; Gift of Mrs. Stanley Sarnoff 1981.100 1.1.: "As the World Turns" Gift of the Women's Committee 1978.5

1688 1689 Recto (a): "Dossett" 1970-1971 Verso 1981.104b Untitled [two objects] 1973 Verso (b): Study for "Dossett" 1970- 40 x 30 in. (101.6 x 76.2 cm) 1971 FOAM, ROPE, CHEESECLOTH, Acrylic paint and airbrush over pencil 12 x 815/i6 in. (30.5 x 22.8 cm) DYE, LIGHT, DOSSETT" on heavy white paper Recto (a): black ink, pen, and colored Museum Exchange with the artist Verso, l.r.: "Ed McGowin / 73" pencil on creamy-white paper; verso 1981.104a,b Gift of Dr. Thomas Mathews 1977.27 (b): black ink and pen on creamy-white paper Recto (a), I.e.: "DOSSETT 70-71 /

1690 1691 1692 James Norman b. 1938 Untitled [interior with shadow of a dog] Untitled [airplane crash] 1975 Untitled [abstraction] 1976 1975 40yi6 x SOV^in. (101.8 x 76.4 cm) 12 x 16 in. (30.6 x 40.6 cm) 30Vs x 40yi6 in. (76.6 x 101.8 cm) Acrylic paint and airbrush over pencil Pencil and acrylic paint on white mat board Acrylic paint and airbrush over pencil on heavy white paper Recto, l.r.: "James Norman / 76"; and colored pencil on heavy white paper Verso, l.r.: "Ed McGowin / 75" verso, u.c: "James Norman 76" Verso, l.r.: "Ed McGowin / 75 / gallery Gift of Jane Livingston 1979.58 Gift of William H. G. FitzGerald, Des• 641 installation peice [sic] / 30" x 40" " mond FitzGerald, and B. Francis Saul II Museum Purchase 1975.42 1978.129.187 256 OPPENHEIM

1693 Dennis Oppenheim b. 1938 1694 Joseph P. White b. 1938 1695 John Winslow b. 1938 "Proposal for Discussions Works I 27 Eastport: 60 Leaves 1971 Study for "The Studio" August 1979

3 n 16 x 24Vi6 in. (40.6 x 61 cm) Words: The Clocktower" 1974 7 /i6 x 13 /8 in. (19.5 x 33.9 cm) 183/4 x 237/s in. (47.7 x 60.7 cm) Watercolor over pencil on off-white pa• Watercolor and pencil on white paper Pastel and colored pencil on cream pa• per scored for transfer per Recto, l.r.: "1971 Joseph P. White" Recto, 1.1.: "©John Winslow 1979" Recto, l.r.: "Dennis Oppenheim 1974. Gift of the artist 1973.7 Gift of the Women's Committee SOUND EMISSION FROM / DEAD 1980.53 ORGANISM (DETERIORATING / BODY DETERIORATION [crossed out]) / PHYSICAL / PLAYS IT'S SELF OUT."; u.r.: "DETAIL: / DOG ON ORGAN."; ctr.: "ORGAN KEYS / DEPRESSED / BY WEIGHT / OF ANIMAL"; c.r.: "THIS IS A SIX / HOUR INSTALLATION, / MUSIC SLOWLY / CHANGES AS / DOGS BODY / UNDERGOES / SUBTLE PHYSICAL / CHANGES." u.l.: "PROPOSAL FOR: DISCUSSIONS / WORKS/WORDS. THE CLOCK- TOWER / 108 LEONARD ST. N.Y.C. / (NYC [crossed out]) 1974; c.l.: "MA• TERIALS: / ELECTRIC ORGAN / AMPLIFIER. / DOG / GRAPHITE" 1696 Jake Berthot b. 1939 1697 Jake Brusca b. 1939 Gift of William H. G. FitzGerald, Des• Untitled [abstraction] 1975 Untitled [two figures in futuristic cos• 3 2915/i6 x 22 / in. (76 x 57.8 cm) tumes] 1975 mond FitzGerald, and B. Francis Saul II 4 7 5 1978.129.189 Pencil and enamel paint on white paper 9 /s x 9 /s in. (25.1 x 24.4 cm) Recto, l.r.: "75"; 1.1.: "JB"; verso, 1.1.: Pencil on white paper "pencil and enamel on paper" Recto, l.r.: "Jack Brusca 1975" Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.22 1978.129.42

1698 b. 1939 1699 Harriet Feigenbaum b. 1939 1700 Hermine Moskowitz Ford b. 1939 Untided [domed cathedral] Unbaled Hay I, 'Day' 1971 Untitled [abstraction] 1974

5 15 /s x Ili3/i6 in. (39.7 x 29.8 cm) 267/i6 x 40% in. (67.1 x 101.9 cm) 22% x 30 in. (56.5 x 76.2 cm) Charcoal on white paper Pencil and charcoal on off-white paper Pencil and silver acrylic paint on off- Recto, l.r.: "T[ati?] / R.D." Recto, l.r.: "Feigenbaum '71" white paper Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• Recto, 1.1.: "Hermine Ford 1974" mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• 1978.129.78 1978.129.88 mond FitzGerald, and B. Francis Saul II 1978.129.93 257 GRAVES

1701 Bradford Graves b. 1939 1702 Harry Kramer b. 1939 1703 Franklin Owen b. 1939 Untitled [gear-like construction] The Greatest Advance in Pocket Knives "Mist" 1972

3 February 12, 1975 18 x 24 in. (45.7 x 61 cm) 22VA x 30 /8 in. (56.5 x 77.2 cm) 19 x 24 in. (48.3 x 61 cm) Black ink over charcoal on white paper Latex paint on heavy white paper Black felt-tip pen(?) on white paper Gift of William H. G. FitzGerald, Des• Recto, l.r.: "Owen 72"; 1.1.: "Mist" Recto, l.r.: "Graves 12.11.75" mond FitzGerald, and B. Francis Saul II Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• 1978.129.145 mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.192 1978.129.110

1704 John Walker b. 1939 1705 James Bohary b. 1940 1706 Juan Downey b. 1940 Untitled [abstraction] 1975 Untitled [abstraction] 1974 "Against Shadows" January 24, 1969

297s x 22Vs in. (75.9 x 56.2 cm) 14Vs x 22Vs in. (35.9 x 56.2 cm) 17 x 1315/i6 in. (43.2 x 35.4 cm) Pencil, graphite, and etched lines on Enamel(?) paint and black electrical Pastel, pencil, silver paper, and acrylic heavy white paper tape on off-white, pebble-surfaced pos• on cream paper Recto, l.r.: "Walker 75" ter board Recto, l.r.: "Lamp / Cast a shadow on Gift of William H. G. FitzGerald, Des• Recto, 1.1.: "Bohary 74"; verso, u.l.: the / small Box. the Big Box / will light mond FitzGerald, and B. Francis Saul II "14 x 22 / [I.?] &TAPE" up its shape."; 1.1.: "Juan Downey"; 1978.129.257 Gift of William H. G. FitzGerald, Des• ctr.: "110 V A.C."; c.l.: "power supply mond FitzGerald, and B. Francis Saul II 6 V D.C. Photo-transistor transistor"; 1978.129.32 I.e.: "Relay"; across bottom, 1. to r.: "Juan Downey Qui en hizo ceremonia de cenizar? / Against Shadows / Jan 24/ 69" Gift of Mr. and Mrs. Barrett M. Linde 1969.25.2

258 DOWNEY

1707 1708 1709 Taro Ichihashi b. 1940 "Do Your Own Concert" March 28, "The White Box: 68" 1969 "Wajima II" March 20, 1980 1969 20 x 29% in. (50.8 x 75.9 cm) 29% x 22% in. (75.9 x 58.1 cm) 22 x 23% in. (55.9 x 60.7 cm) Acrylic paint, metallic paint, pencil, and Acrylic, bronze powder, aluminum Pencil, acrylic, pastel, glued-on paper, wax crayons, with cut and glued, printed powder, and pencil on heavy white pa• and gummed stamp on white paper and typed paper on cream paper per Recto, l.r.: "March 28, 1969 / Downey / Recto, l.r.: "Downey 69 110 V A.C."; Verso, I.e.: "WAJIMA II / MAR. 20 Lamp / Cast a shadow on the / small u.r.: "Polarized Image"; c.r.: "polariz• 1980 / TARO ICHIHASHI / [4 Chinese box. The Big Box / will light up its ing filter ^* slides / projected Elec• characters arranged vertically]" shape."; across bottom: "Juan Downey tronic Musical Instrument photo cell Museum Purchase 1980.101 'Qui en hizo ceremonia de cenizar?' / <—photo cell-<—Lamp-*t-Sound Op• 'Against Shadows' Jan 24/69 Circuit by erator relay"; 1.1.: "THE WHITE BOX: Fred Pitts"; I.e.: "Do Your Own Con• 68" cert pressing the or touching the Gift of Mr. and Mrs. Barrett M. Linde two plates at the same time, / records 1969.25.7 elec- / tronic music that will be played back later. / Sculpture conceived June '68 / Relay" Gift of Mr. and Mrs. Barrett M. Linde 1969.25.5

1710 Richard Jackson b. 1940 Untitled [plans for three-dimensional work] 1970

15 37V16 x 44 /i6 in. (94.2 x 114.2 cm) Pencil and oil paint on off-white tracing paper Recto, l.r.: "Props complimentary colors stuck face / to face"; u.c: "indi• vidual"; ctr.: "individual / canvas painted colors / of the spectrum and turned / face to wall maybe like this"; 1.1.: "The spectrum turned / face to the wall"; verso, I.e.: "[?]" Museum Purchase 1971.31

259 PINCHBECK

John E. Dowell, Jr. b. 1941 The first 11 works by Dowell, entries 1712-1722, were Museum Purchases

1711 Peter Pinchbeck b. 1940 1712 "Sketch for Large-Scale Freestanding "Poem—Dance for Lady Day" 1970

Color Planes" November 6, 1973 30 x 22Vi6 in. (76.2 x 56 cm)

361/i6 x 47% in. (91.6 x 121.7 cm) Black ink and pen with watercolor on Acrylic paint, pencil, and painted cut off-white paper paper on off-white paper Recto, l.r.: "John E. Dowell jr. 70"; Recto, l.r.: "Sketch for Large Scale 1.1.: "POEM—DANCE FOR LADY Freestanding Color Planes / PETER DAY" 1970.30.2 PINCHBECK 11/6/73 —20 feet—" Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.202

1713 1714 "Far Cry" 1970 "Uh-Huh" 1970

30 Vi6 x 22 in. (76.4 x 55.9 cm) 30 x 22 in. (76.2 x 55.9 cm) Black ink and pen with watercolor on Black ink and pen on off-white paper off-white paper Recto, l.r.: "John E. Dowell jr. 70"; Recto, l.r.: "John E. Dowell jr. 70"; 1.1.: "UH-HUH" 1.1.: "FAR CRY" 1971.30.4 1971.30.3

1715 1716 1717 "Haiku" 1970 "A Silent Way" 1970 "Score for a Blues Thing" 1970

2915/i6 x 22 in. (76.1 x 55.9 cm) 2915/i6 x 22 in. (76.1 x 55.9 cm) 30 x 22Vs in. (76.2 x 56.2 cm) Black ink and pen with watercolor on Black ink and pen with watercolor on Blue and black ink and pen with water- off-white paper off-white paper color on off-white paper Recto, l.r.: "John E. Dowell jr. '70"; Recto, l.r.: "John E. Dowell jr. 70"; Recto, l.r.: "John E. Dowell jr. 70"; 1.1.: "HAIKU" 1.1.: "A SILENT WAY" 1.1.: "SCORE FOR A BLUES THING" 1971.30.5 1971.30.6 1971.30.7

260 DOWELL

1718 1719 1720 "Love Poem" 1971 "Dream" 1971 "Letter Poem" 1971

15 30 x 22 in. (76.2 x 55.9 cm) 307i6 x 22716 in. (76.4 x 56.1 cm) 29 /i6 x 22 in. (76 x 55.9 cm) Black ink and pen with watercolor on Black ink and pen on heavy creamy- Black ink and pen with watercolor on off-white paper white paper off-white paper Recto, l.r.: "John E. Dowell jr. 70"; Recto, l.r.: "John E. Dowell jr. 71": Recto, l.r.: "John E. Dowell jr. 71"; 1.1.: "LOVE POEM" 1.1.: "DREAM" 1.1.: "LETTER POEM" 1971.30.1 1971.30.8 1971.30.9

1721 1722 1723 "Poly—Rhythms" 1971 "To Break Away" 1971 "Flow as You Will" 1977 30716 x 22 in. (76.4 x 55.9 cm) 29^/16 x 227i6 in. (76 x 58.3 cm) 297s x 227i6 in. (75.9 x 56.7 cm) Black ink and pen on off-white paper Black ink and pen on off-white paper Black ink and pen with watercolor on Recto, l.r.: "John E. Dowell jr. 71"; Recto, l.r.: "John E. Dowell jr. 71"; heavy white paper 1.1.: "POLY—RHYTHMS" 1.1.: "TO BREAK AWAY" Recto, l.r.: "John E. Dowell jr. 77"; 1971.30.10 1971.30.11 1.1.: "FLOW AS YOU WILL" Museum Purchase, William A. Clark Fund 1978.8

1724 Pat Lipsky b. 1941 1725 Donald Perlis b. 1941 1726 Ann Purcell b. 1941 Untitled [abstraction] 1975 Untitled [standing female nude with CSA student 1962; faculty 1975

167sx 87i6in. (42.9 x 21.4 cm) study for head] Atlas Wall Series 1976 Watercolor and pencil on white paper 12*716 x 97s in. (32.6 x 25.1 cm) 147i6 x 16!7i6 in. (35.7 x 42.4 cm) Verso, I.e.: "Pat Lipsky / 1975 / Unti• Pencil on cream paper Graphite on cream paper tled" Recto, l.r.: "Donald Perlis" Recto, l.r.: "Purcell 1976" Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• Gift of the Women's Committee mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1976.48 1978.129.161 1978.129.200

261 SONNIER

1727 Keith Sonnier b. 1941 1728 David Stephens b. 1941 1729 Richard Tuttle b. 1941 Untitled [abstraction] 1972 Untitled [abstraction] 1972 Untitled [geometric form and cutout] 20716 x 22% in. (51 x 57.2 cm) 403/s x 283/s in. (102.5 x 73.3 cm) 1975 3 Colored pencil and black felt-tip pen on Graphite over paint on three hinged 10 /4 x 8% in. (27.5 x 21.5 cm) off-white paper sheets of molded paper Pencil and cutaway white paper torn Recto, l.r.: "K S 72" Gift of Dr. and Mrs. Jacob J. Weinstein from spiral Gift of William H. G. FitzGerald, Des• 1972.11.10 Verso, u.l. to u.r.: "ONE OF THE 3rd mond FitzGerald, and B. Francis Saul II GROUP OF SPIRAL NOTEBOOK 1978.129.239 DRAWINGS / TO BE HUNG AT A HEIGHT 53" HIGH FROM THE FLOOR IN / THE CENTER OF A WHITE WALL WITH GLUE AT TOP CORNERS / RICHARD TUTTLE 1975 (spring)" Gift of Howard and Shirlee Friedenberg 1982.46.1

1730 1731 Manon Cleary b. 1942 Untitled [geometric forms and cutout] Self-Portrait September 1979 1 1975 29V&X 23 /8 in. (74 x 58.8 cm) 3 10 /4 x 8% in. (27.5 x 21.5 cm) Graphite on creamy-white paper Pencil and cutaway white paper torn Recto, l.r.: "Manon Cleary Sept. 1979" from spiral notebook Gift of the Women's Committee Verso, u.l. to u.r.: "ONE OF THE 3rd 1979.64 GROUP OF SPIRAL NOTEBOOK DRAWINGS / TO BE HUNG AT A HEIGHT 53" HIGH FROM THE FLOOR IN / THE CENTER OF A WHITE WALL WITH GLUE AT TOP CORNERS / RICHARD TUTTLE 1975 (spring)" Gift of Howard and Shirlee Friedenberg 1982.46.2

262 SCHWEBLER

1732 Yuri Schwebler b. 1942 1733 1734 Robert Stackhouse b. 1942 Drawing for the Pyramid Project I Drawing for the Pyramid Project II Clay 1972

13 [sculpture commissioned by the Cor• [sculpture commissioned by the Cor• 17 /i6 x 23V2 in. (45.3 x 59.7 cm) coran Gallery of Art, 1975] January coran Gallery of Art, 1975] February Vine charcoal, pencil, and graphite on 19, 1975 19, 1975 cream paper

40 x 2915/i6 in. (101.16 x 76.1 cm) 34Vi x 2AVi in. (87.6 x 62.2 cm) Recto, I.e.: "stackhouse 72" Pencil over acrylic paint on heavy white Pencil over acrylic paint on heavy white Gift of Robert Scott Wiles 1981.48 paper paper Recto, l.r.: "Yuri Schwebler 1-19-75" Recto, l.r.: "Yuri Schwebler 2-19-75" Museum Purchase with funds from the Museum Purchase with funds from the National Endowment for the Arts, the National Endowment for the Arts, the William A. Clark Fund, and Margaret William A. Clark Fund, and Margaret M. Hitchcock 1975.14 M. Hitchcock 1975.15

FOR BACKING [crossed out]) LA• THING / (LEAVE W exposed [crossed out]) AT MAXIMUM / FOOT"; ctr.: "MAX 720 LATHS PER SIDE OR 1440 BOTH SIDES / 1064/2504 [num• bers for measurements in diagram] 34/ SIDE 68 TOTAL x 32 68 / 32 136 1736 1735 204 "Model for Corcoran" [study for Sleep• Installation Sketch [for Sleeping King 2176 Ascending, sculpture commissioned by ing King Ascending, sculpture commis• the Corcoran Gallery of Art; executed TOTAL LATHING / SECTION"; sioned by the Corcoran Gallery of Art; 1973] July-October 1973 u.r.: 50 (50 PACKS OF / 50-55 PACK executed 1973] October 1973 7 _50 15% x 19 /8 in. (40.3 x 50.5 cm) 15% x 19% in. (40.3 x 50.3 cm) Watercolor, charcoal, and pencil on _00 Balsa wood, pencil, watercolor, and white graph paper with green lines 250 black felt-tip marker on white graph pa• Recto, u.r.: "r stackhouse 7/73-10/73"; 2500 per with green lines 1.1.: "2 BASIC SECTIONS / TO BE [crossed out]) 50 PACKS OF 50-55 Recto, I.e.: "r stackhouse Model for BROKEN DOWN INSTALLED DO 50 V^504 Corcoran 10/73" NOT CUT 266 20 TO BE IN• 250 Museum Purchase 1974.58 STALLED PRE MADE ON VERTI• 0040 CAL LATHING (NAILED) / PACK"; l.r.: "56 x 4 SECT / COM• SCREWED IN FRAME ( 2 x 4)"; PLETED /~tmr 1111-11114444 4444 I.e.: "16/10' 2 x 4S's / 6/12 2 x 4's / (2 4444 / 4444 4444 1 18 BOLTS 266 OR + 2) 4/8' 2 x 4's / (2 + 2) 4/6' 2 x 4's 532 BOTH SIDES / OR 1064 ON 4 / CLEAR FIR / OR CLEAR PINE IN• SIDES" STALLED"; u.l.: "(ALUM BRADS Museum Purchase 1974.57

263 STACKHOUSE

1737 1738 1739 Study [for Sleeping King Ascending, "Instructions for Dance" 1974 Drawing for "Ghost Dance" October

sculpture commissioned by the Cor• 1715/i6 x 2215/i6 in. (45.6 x 58.3 cm) 1974 3 coran Gallery of Art; executed Pencil, red felt-tip pen, and watercolor 37 /4 x 36 in. (95.6 x 91.4 cm) 1973] November-December 1973 on white graph paper with green lines Watercolor and charcoal on cream paper 36Vs x 36 in. (91.8 x 91.4 cm) Recto, u.l.: "INSTRUCTIONS FOR Recto, I.e.: "r stackhouse 10/74" Watercolor and charcoal with wash on GHOST DANCE / ASSEMBLY / 1. Gift of the Women's Committee off-white paper SLIDE 4 SECTIONS TOGETHER / 2. 1974.73 Recto, 1.1. to l.r.: " 'Sleeping King As• FROM CONCAVE SIDE— / FIT cending' at the Corcoran Nov. Dec. 73 BOLTS THROUGH / JOINING 2 x 20' x 40' x 4V2" wood lath / r. stack- 4's AT / F4, F2 AND FR4, FR 2— house 74" TIGHTEN / 3. FIT HOLES AT F5 Museum Purchase with funds from the AND FR5 / AND TIGHTEN SCREWS National Endowment for the Arts, the / 4. FIT BOLTS THROUGH / CEN• William A. Clark Fund, and Margaret TER 2 x 4's FROM / CONVEX M. Hitchcock 1974.86 SIDE—TIGHTEN / 5. MATCH LATH NUMBERS / TO THOSE ON 2 x 4's / (TAKE CARE TO MATCH / HOLES—DRIVE SCREWS / WITH CARE— REMOVE / LOOSEN TIGHTEN / 8 SCREWS"; c.l.: "TO DISASSEMBLE / ALL NUMBERED LATH'S / HAVE TO BE REMOVED 1740 Peter Bardazzi b. 1943 / (REMOVE SCREWS / AT TOP RED Untitled [female figure and maps] 1974

3 KEY / CONCAVE SIDE / NUMBERS Collage: 85/i6 x 6 /s in. (21.1 x 16.1 ON BACK OF LATH / CORE- cm); mount: lOVie x 8 in. (25.5 x 20.4 SPONDS [sic] TO THOSE / ON 2 x 4 cm) 3 FRAME /s! HEXEGON [sic] NUT & Collage of photograph, printed maps, BOLT / BEHIND F4 = F2"; u.c: black ink, and crayon on white paper "REGULAR WOOD LATH (6) 4" mounted on white mat board 9 HEX /16" HEAD BOLTS AND NUTS Recto, l.r. of mount: "Peter Bardazzi / REWOOD 2 x 4's / WHITE POINT 74"; verso, u.r. of collage: "Peter Bar• / 1" EXTERIOR PLYWOOD / 1" #8 dazzi 1974" FLAT HEAD BRASS SCREWS (8) Gift of William H. G. FitzGerald, Des• REMOVE / LOOSEN/TIGHTEN mond FitzGerald, and B. Francis Saul II SCREWS CONVEX SIDE"; c.r.: 1978.129.15 "LOOSEN OR REMOVE/TIGHTEN / 2 SCREWS ONLY 3/s" HEX NUT + BOLT / BEHIND FR4 + FR2"; ctr.: "LOOSEN/TIGHTEN / ONLY 2 SCREWS DO NOT / REMOVE BOLT / ACCESS FROM / OTHER SIDE"; I.e.: "BOLT ACCESS / OTHER SIDE r stackhouse" Gift of the artist 1974.75

264 CASTRO

1741 Alex Castro b. 1943 1742 William S. Dutterer b. 1943 1743 Untitled [abstraction] 1977 CSA faculty 1967, 1974-1979 "Topiary" 1977 3 Three sheets, each 15 x 22 in. (38.4 x Untitled [wrapped object?] 1976 49 /4 x 38 in. (126.5 x 96.5 cm) 56 cm) 12 x 9 in. (30.5 x 22.8 cm) Acrylic paint on heavy off-white paper Carbon and pencil on white paper Pencil on off-white paper Verso, ctr.: "Top | / Wm S Dutterer / Recto on each sheet, l.r.: "CASTRO" Verso, l.r.: "Wm. S. Dutterer 1976" 1977 / Topiary' " Museum Purchase, William A. Clark Fund Gift of the artist 1980.62 Gift of the Women's Committee 1978.7a-c 1979.16

1744 1745 Maren Henle b. 1943 1746 Charles O'Connor b. 1943 "Funny Femur" 1977 Untitled [abstraction] April 1980 "Ashuelot" 1975

47% x 35% in. (119.5 x 90.5 cm) 169/i6 x 14% in. (42.1 x 36.1 cm) 26 x 38% in. (66.1 x 96.8 cm) Acrylic paint on heavy creamy-white Pencil on white paper Pencil and pastel over acrylic paint on paper Recto, l.r.: "M H 4/80©" heavy cream paper Verso, ctr.: "Top t / Wm S Dutterer / Museum Purchase in part with funds Recto, u.r.: "O'Connor '75"; verso, 1977 / Funny Femur / Top-V' from Cenro Corporation 1980.66 u.r.: "CHARLES O'CONNOR / 26%" Gift of the Women's Committee x 38%" / PASTEL & ACRYLIC 1975 / 1979.17 'ASHUELOT' " Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.188

1747 Micheline Parker b. 1943 1748 David Prentice b. 1943 Untitled [abstraction] July 1975 Untitled [abstraction] 1975 295/s x 41% in. (75.3 x 105.4 cm) Two sheets, overall dimensions: 12 x Acrylic paint, pastel, and stump on off- 21% in. (30.5 x 55.5 cm) white paper Pencil and burned paper on two sheets, Verso, 1.1.: "Micheline Parker / July one white, one cream paper 1975 Acrylic + Pastel 29% x 41%" Recto, l.r.: "Prentice '75" Gift of William H. G. FitzGerald, Des• Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II mond FitzGerald, and B. Francis Saul II 1978.129.195 1978.129.206 265 SLOMAN

1749 Steven Sloman b. 1943 1750 Carroll Sockwell b. 1943 1751 Untitled [abstraction] 1975 Untitled [abstraction] 1959 Scattered Space 1970 5 14 x 17 in. (35.6 x 43 cm) 2115/i6 x 2915/i6 in. (55.7 x 76 cm) 39 x 50 /x in. (99.2 x 128.5 cm) Black poster paint on white paper Pastel on brown paper Colored pencil, graphite, white and gray Recto, l.r.: "S.S. 75" Recto, u.l.: "Sockwell" chalk on heavy off-white paper Gift of William H. G. FitzGerald, Des• Museum Purchase, William A. Clark Fund Verso of mount, l.r.: "S[oc]k[we]ll 70"; mond FitzGerald, and B. Francis Saul II 1970.22 u.c: "Carroll Sockwell 1970" 1978.129.235 Gift of Robert Scott Wiles 1980.126

1752 1753 1754 Scattered Space 3 1971 Untitled [abstraction] 1973 Untitled [abstraction] 1973 15 15 32 x 40»/i6 in. (81.3 x 101.7 cm) 33 x 39 /i6 in. (81 x 101.5 cm) 32 x 39 /i6in. (81.3 x 101.4 cm) Charcoal dust, pastel, and pencil on Graphite, colored wax crayons, and col• Graphite and colored wax crayon on white paper ored pencil on heavy creamy-white pa• heavy creamy-white paper Gift of the artist 1971.13 per Verso of mount, u.l.: "Carroll Sockwell Verso of mount, u.r.: "Carroll Sock• 1973"; ctr.: "S[oc]k[we]ll 73" well"; ctr.: "S[oc]k[we]ll 73"; u.l.: Gift of Robert Scott Wiles 1974.65 "1973" Gift of Robert Scott Wiles 1974.64

1755 Richard Bosnian b. 1944 1756 Jon Carsman b. 1944 1757 William Dunlap b. 1944 Untitled [abstraction] Untitled [Victorian house] 1970 "Spring Storm—Valley Series" 1982

1215/i6 x 16 in. (32.8 x 41.1 cm) 11 x 14 in. (28 x 35.6 cm) 441/4 x 89»/2 in. (112.4 x 227.3 cm) Black ink, wash, and watercolor on Pencil on white paper Oil paint on white paper white paper Recto, l.r.: "Carsman 70" Recto, l.r.: "W Dunlap '82"; 1.1.: Recto, l.r.: "Richard Bosnian" Gift of William H. G. FitzGerald, Des• "Spring Storm—Valley Series" Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II Gift of the Women's Committee mond FitzGerald, and B. Francis Saul II 1978.129.53 1982.43 1978.129.35

266 HORNAK

1758 b. 1944 1759 Herbert Schiffrin b. 1944 1760 John Alexander b. 1945 Sandbank and Tree November 1970 Untitled [abstraction] 1973 "Welcome to My World" February 1982 30% x 22% in. (76.8 x 57.2 cm) 36V8X 26 in. (91.7 x 66 cm) 16% x 2815/i6 in. (41.3 x 73.5 cm) Pen and black ink on white paper Acrylic on white paper Watercolor and gouache on heavy off- Recto, l.r.: "Nov. 70"; 1.1.: "Ian Hor• Recto, l.r.: "Schiffrin / Schiffrin / Schif• white paper nak" frin 73" Recto, l.r.: "John Alexander Feb 82"; Gift of Dr. and Mrs. Jacob J. Weinstein Gift of William H. G. Fitzgerald, Des• I.e.: "Welcome to My World" 1972.11.2 mond FitzGerald, and B. Francis Saul II Museum Purchase, Anna E. Clark Fund 1978.129.227 1982.7

1761 Jane M. Dow b. 1945 1762 Ed Kerns b. 1945 1763 William Lombardo b. 1945 CSA student 1972, 1974, 1976 Untitled [abstraction] 1974 CSA faculty 1974-1979

Richmond Drawing #2 April 1978 11% x lP/4in. (29.3 x 29.7 cm) Sometimes It Rains Cows Too 1972 23% x 17% in. (59.1 x 44.5 cm) mounted on mat board 14%6 x 15 in. 40 x 30 in. (101.6 x 76.2 cm) Graphite over gouache on heavy pale- (35.6 x 38.2 cm) Colored pencil on white paper gray-green paper Collage of cut, torn, and glued paper Recto, l.r.: "Lombardo 72" Recto, l.r.: "J.M. Dow 4-78" with additions of pencil and crayon on Museum Purchase 1975.26 Gift of the Women's Committee white paper on mat board 1980.52 Recto, on mat board, 1.1.: "Kerns 74" Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.142

1764 Peter Reginato b. 1945 1765 Edwin Schlossberg b. 1945 Untitled [abstraction] 1974 Title Recto, l.r.: "Edw[in] Sch[loss]berg" 18 x 2315/i6 in. (45.7 x 60.8 cm) Two sheets of Mylar, 11% x 17% in. Gift of William H. G. FitzGerald, Des• Black felt-tip marker on white paper (28.2 x 43.5 cm) centered on white mat mond FitzGerald, and B. Francis Saul II 5 15 Recto, l.r.: "Reginato 74" board 14 /i6 x 20 /i6 in. (37.9 x 53.2 1978.129.228 Gift of William H. G. FitzGerald, Des• cm) mond FitzGerald, and B. Francis Saul II Black ink, pen, and crayon on Mylar at• 1978.129.210 tached to white mat board

267 BRUSH

1766 Daniel Brush b. 1946 1767 Michael V. Clark b. 1946 1768 Canto Koald: Herring and Potatoes #6 View from Broome Street 1969 "7579 Window" 1970

1978 1815/i6 x 24 in. (48.1 x 61 cm) 19n/i6 x 2511/i6 in. (50.1 x 65.3 cm) 593/s x 40% in. (150.8 x 102.2 cm) Pencil on off-white paper Pencil on off-white paper Blue and black ink and pen on heavy Recto, 1.1.: "MICHAEL V. CLARK Recto, l.r.: "1879 WINDOW"; 1.1.: white paper 1969" "MICHAEL CLARK 1970" Gift of Preston Greene 1979.87 Museum Purchase 1969.19 Gift of Robert Scott Wiles 1973.9

1769 1770 1771 "1887 NYC" 1970 "1876" 1970 "1885" ca. 1970 5 7 5 22 /i6X 30 in. (56.7 x 76.2 cm) 22Vi x 29 /8 in. (57 x 75.8 cm) 22 /i6 x 31 in. (56.7 x 76.3 cm) Pencil on buff paper Pencil on heavy off-white paper Pencil on heavy creamy-pink paper Recto, l.r.: "MICHAEL CLARK 1970 / Recto, l.r.: "1876"; 1.1.: "Michael Clark Recto, l.r.: "1885" 1887 / NYC" 1970" Gift of Daniel and Barbara Fendrick Gift of Daniel and Barbara Fendrick Gift of Daniel and Barbara Fendrick 1980.112 1980.110 1980.111

1772 1773 Kevin MacDonald b. 1946 1774 Portrait of Lila Swift 1973 "8th Grade Dance" 1975 "Kitchen Still Life" 1980 3 15 5 22 /s x 15^16 in. (56.5 x 38.2 cm) 22V2 x 29 /i6in. (57.1 x 76 cm) 22 /i6 x 30^8 in. (56.7 x 76.5 cm) Pencil on white paper Colored pencil on off-white paper Colored pencil and graphite over pencil Recto, l.r.: "Michael Clark / 1973" Recto, l.r.: "Kevin MacDonald 75"; on white paper Museum Purchase, Alice Graeme Korff 1.1.: "8th Grade Dance" Recto, l.r.: "Kevin MacDonald '80"; Memorial Fund 1975.27 Museum Purchase 1976.5 verso, u.l.: " 'Kitchen Still Life' 1980" Museum Purchase 1980.102

268 DINEEN

1775 Tom Dineen b. 1948 1776 John Ryan b. 1948 1777 Nora Speyer b. 1948 Untitled [abstraction] 1977 The Red Banquette 1979 Untitled [flowers in a vase]

56716 x 4115/i6 in. (142.2 x 106.5 cm) 8V2 x 10 in. (21.6 x 25.4 cm) 2815/i6 x 237s in. (73.5 x 58.8 cm) Charcoal and pastel on heavy white pa• Watercolor, gouache, and black ink on Charcoal and erasures on heavy white per white paper centered in silver paper paper Recto, l.r.: "Dineen 77"; 1.1.: "charcoal border, both glued to blue-spattered Recto, 1.1.: "Nora Speyer" / pastel Work no. 11" black paper laid down (black lacquer Gift of William H. G. FitzGerald, Des• Gift of Scott H. Lang 1979.104 frame designed by artist) mond FitzGerald, and B. Francis Saul II Gift of the Women's Committee 1978.129.242 1981.24

1778 John S. Dickson b. 1949 1779 James K. Sundquist b. 1949 1780 Variations of an Enigma, 3.10.78 Toy 1977 Tokyo Skyline III 1978

September 12, 1978 2815/i6 x 2315/i6 in. (73.5 x 60.8 cm) 30 x 3915/i6 in. (76.2 x 101.4 cm)

303/i6 x 403/i6 in. (76.7 x 102.1 cm) Collage of Washington Post, printed pa• Pencil, colored pencil, and acrylic paint Pencil, acrylic paint, colored pencil, sta• per bag, and color reproductions, lami• on heavy cream paper ples, cutaway Fome Core and mat nated recto and verso to white poster Recto, l.r.: "J K Sundquist 78" board glued on white-surfaced Fome board Gift of the Women's Committee Core Recto, l.r.: "J / K / S / 77" 1978.11 Recto, l.r.: "John S. Dickson / 9-12- Gift of the Women's Committee 78"; 1.1.: "[PASM?] / [Alley?]" 1978.12 Gift of the Women's Committee 1979.10

269 ALMON

1781 Carmen Almon b. 1950 1782 Richard Lutzke b. 1951 1783 CSA student 1971 How the Crow ell Floydadas 1980 Noise 1980

3 15 5 The Most Beautiful Bathing Beach in the 12 /i6 x 13 /4 in. (30.5 x 35 cm) 6V8 x 6 /i6 in. (15.5 x 16.2 cm) World 1972 Collage of cut paper glued to heavy Collage of cut and glued printed music Eight sheets formed into one piece: 52 cream paper sheet x 40 in. (132 x 101.5 cm) Recto, l.r.: "LUTZKE '80" Recto, l.r.: "LUTZKE" Gouache, pencil, graphite, and colored Museum Purchase with the aid of funds Gift of the Women's Committee pencil on graph paper from the National Endowment for the 1981.78 Museum Purchase 1975.25 Arts and the Women's Committee 1981.77

1784 Jason Harvey b. 1955 Untitled [interior with umbrella] June 1965 87/s x 107/s in. (22.5 x 27.6 cm) Wax crayon on white paper Recto, l.r.: "June 65" Gift of William H. G. FitzGerald, Des• mond FitzGerald, and B. Francis Saul II 1978.129.121

270 Index of Artists (with entry number)

Aach, Herb (b. 1912), 1518 Blakelock, Ralph Albert (1847-1919), 635 Abbey, Edwin Austin (1852-1911), 643 Blaustein, Alfred A. (b. 1924), 1535 Abbot, John (1751-1839), 4 Block, Dorothy (b. 1904), 1335 Abrams, Ruth (b. 1912), 1399 Boggs, William Brenton (1809-1875), 54-57 Acheson, Alice Stanley (b. 1895), 1264 Bohary, James (b. 1940), 1705 Adams, Pat (b. 1928), 1577 Bolomey, Roger (b. 1918), 1448-1450 Agostini, Peter (b. 1913), 1406 Bontecou, Lee (b. 1931), 1609 Albert, Calvin (b. 1918), 1446 Bookatz, Samuel (b. 1910), 1388, 1389 Alexander, John (b. 1945), 1760 Borchardt, Marguerite (b. 1921), 1491 Almon, Carmen (b. 1950), 1781 Bosa, Louis (b. 1905), 1344 Anderson, Lennart (b. 1928), 1578 Bosman, Richard (b. 1944), 1755 Andrews, Eliphalet Frazer (1835-1915), 469, 470 Bourgeois, Louise (b. 1911), 1395 Andrews, Mary Lord, 1002 Boxer, Stanley (b. 1926), 1559 Anthony, William (b. 1943), 1644 Brandt, Warren (b. 1918), 1451 Antonakos, Steven (b. 1926), 1558 Brevoort, James Renwick (1832-1918), 451, 452 Arlt, Emilie M. (b. 1892), 1255 Briggs, Ernest (b. 1923), 1522 Arnold, Anne (b. 1925), 1543 Brody, Lilly (b. 1905), 1345 Artschwager, Richard (b. 1923), 1519, 1520 Brooks, James (b. 1906), 1356 Asher, Elise (b. 1914), 1412 Brown, George Loring (1814-1889), 220 Awa Tsireh (Alphonso Roybal) (ca. 1895-1955), 1265 Brusca, Jack (b. 1939), 1697 Aylon, Helene (b. 1931), 1605 Brush, Daniel (b. 1946), 1766 Babcock, William P. (1826-1894), 277-286 Budd, David (b. 1927), 1563 Baber, Alice (1928-1982), 1579 Bultman, Fritz (b. 1919), 1464 Bache, Benjamin Franklin (1769-1798), attributed to, 9 Bunker, George (b. 1923), 1523, 1524 Bacon, Henry (1839-1912), 543 Bunner, Andrew Fisher (1841-1897), 547-619 Baker, Joseph E. (19th century), 629 Buntz, Frank (b. 1932), 1622 Baker, Sarah (b. 1899), 1304, 1305 Burchfield, Charles (1893-1967), 1258 Bannard, Walter Darby (b. 1931), 1606 Burckhardt, Rudy (b. 1914), 1413 Bardazzi, Peter (b. 1943), 1740 Burkhardt, Hans Gustav (b. 1904), 1336 Barker, Walter (b. 1921), 1489 Cajori, Charles (b. 1921), 1492 Barnet, Will (b. 1911), 1394 Calder, Alexander (1898-1976), 1283, 1284 Bartlett, Paul Wayland (1865-1925), 860, 861 Campbell, Gretna (b. 1923), 1525 Barr, Victoria (b. 1937), 1671 Caparn, Rhys (b. 1909), 1375 Bayliss, George (b. 1931), 1607 Carles, Arthur B. (1882-1952), 1191 Beal, Jack (b. 1931), 1608 Carsman, Jon (b. 1944), 1756 Beard, James Carter (1837-1913), attributed to, 517 Cary, A. (19th century), 29 Beck, Rosemarie (b. 1923), 1521 Cash, William Edmund (b. 1907), attributed to, 1357, 1358 Becker, Maurice (1889-1975), 1249 Casilear, John William (1811-1893), attributed to, 75-78 Bell, Leland (b. 1922), 1506 Castro, Alex (b. 1943), 1741 Bellows, George (1882-1925), 1189, 1190 Cavallon, Giorgio (b. 1904), 1337, 1338 Benney, Robert L. (b. 1904), 1334 Chaffee, Oliver (1881-1944), 1187 Benson, Frank W. (1862-1951), 832 Chamberlain, John (b. 1927), 1564 Bernstein, Sylvia (b. 1921), 1490 Champney, James Wells (1843-1903), 625-627; attributed to, 628 Berryman, Clifford Kennedy (1869-1947), 874-941 Chapman, Howard Eugene (b. 1913), 1407 Berthot, Jake (b. 1939), 1696 Chase, William Merritt (1849-1916), 637 Biala, Janice (b. 1903), 1331 Cheney, Seth Wells (1810-1856), 58-74 Biddle, George (1885-1973), 1226-1228 Cherry, Herman (b. 1909), 1376 Billings, Hammat (1816-1874), 222 Christenberry, William (b. 1936), 1666 Birch, William Russell (1755-1834), 5-7 Christo (Christo Javacheff) (b. 1935), 1658 Bischoff, Elmer (b. 1916), 1432 Citron, Minna (b. 1896), 1272 Bishop, Isabel (b. 1902), 1326-1328 Clark, Michael V. (b. 1946), 1767-1772 Bladen, Ronald (b. 1918), 1447 Clawson, Rex (b. 1930), 1598 Blaine, Nell (b. 1922), 1507, 1508 Cleary, Manon (b. 1942), 1731

271 Clonney, James Goodwyn (1812-1867), 81-207; attributed Dunlap, William (b. 1944), 1757 to, 208-214 Durand, Asher Brown (1796-1886), 23, 24 Clutz, William (b. 1933), 1628 Dutterer, William S. (b. 1943), 1742-1744 Cocks, J. H. (19th century), 796 Dyer, H. Anthony (1872-1943), 1037-1042 Cole, Thomas (1801-1848), 36, 37 Eastman, Seth (1808-1875), 50-52 Colman, Samuel (1832-1920), 453 Edelson, Mary Beth (b. 1933), 1630, 1631 Cooke, Hereward Lester (1916-1973), 1433 Edmonds, B. F. (19th century), 15 Copley, John Singleton (1738-1815), 2, 3 Ellender, Raphael (1909-1977), 1377-1383 Crite, Allan Rohan (b. 1910), 1390, 1391 Elliott, Ronnie (b. 1910), 1393 Crivy, Joseph, 1544 Ernst, Jimmy (b. 1920), 1477-1481 Cropsey, Jasper Francis (1823-1900), 264-268 Esko, Peggy, 1624 Cunning, John (1889-1953), 1250 Evergood, Philip (1901-1973), 1321 Daniel, Mell (1899-1975), 1306 Fane, Lawrence (b. 1933), 1632 Daphnis, Nassos (b. 1914), 1414 Farlowe, Horace, 1614 D'Arcangelo, Allan (b. 1930), 1599 Farny, Henry F. (1847-1916), 636 Darley, Felix O. C. (1822-1888), 262, 263 Feigenbaum, Harriet (b. 1939), 1699 Dash, Robert (b. 1932), 1623 Fenton, Alan (b. 1927), 1566, 1567 David, Don (b. 1910), 1392 Fesenmaier, Helene (b. 1937), 1672, 1673 Davidson, Jean, 1536 Fine, Perle (b. 1908), 1367 Davies, Arthur B. (1862-1928), 834-849 Finkelstein, Louis (b. 1923), 1526 Davis, Gene (b. 1920), 1469-1472 Fiore, Joseph (b. 1925), 1548 Day, Lawrence James (b. 1921), 1493 Fisher, Alvan (1792-1863), 21 De Anna, Peter (b. 1920), 1473-1475 Fisher, Herbert, 1549 Dehn, Adolph (1895-1968), 1267 Flagg, James Montgomery (1877-1960), 1149 De Juan, Ronaldo (b. 1930), 1600 Flanagan, John B. (1895-1942), 1268 de Kooning, Elaine (b. 1920), 1476 Ford, Hermine Moskowitz (b. 1939), 1700 de Kooning, Willem (b. 1904), 1339 Ford, John (b. 1929), 1591, 1592 Demuth, Charles (1883-1935), 1197, 1198 Forge, Andrew (b. 1923), 1527 De Niro, Robert (b. 1922), 1509 Frank, Mary (b. 1933), 1633 Dewing, Thomas Wilmer (1851-1939), 639, 640 Frankenthaler, Helen (b. 1928), 1582 Dickerson, Daniel (b. 1922), 1510 Franklin, Gilbert A. (b. 1919), 1465 Dickinson, Edwin Walter (1891-1978), 1254 Freilicher, Jane (b. 1924), 1537 Dickinson, Eleanor (b. 1931), 1610-1612 Fromboluti, Sideo (b. 1920), 1482 Dickson, John S. (b. 1949), 1778 Frost, Arthur Burdett (1851-1928), 641, 642 Diebenkorn, Richard (b. 1922), 1511 Fruhauf, Aline (1907-1978), 1359 Dineen, Tom (b. 1948), 1775 Garber, Daniel (1880-1958), 1171-1179 Di Suvero, Mark (b. 1933), 1629 Geist, Sidney (b. 1914), 1415 Dodd, Lois (b. 1927), 1565 Georges, Paul (b. 1923), 1528 Doherty (or Dougherty), Harry, 1199 Gerry, Samuel Lancaster (1813-1891), 219 Doughty, Thomas (1793-1856), 22 Gibson, Charles Dana (1867-1944), 865-869 Dove, Arthur Garfield (1880-1946), 1169, 1170 Gifford, Sanford Robinson (1823-1880), 269-272 Dow, Jane M. (b. 1945), 1761 Gilliam, Sam (b. 1933), 1634, 1635 Dowell, John E., Jr. (b. 1941), 1712-1723 Gillson, George (b. 1929), 1593 Downes, Rackstraw (b. 1939), 1698 Glackens, William J. (1870-1938), 1023-1026 Downey, Juan (b. 1940), 1706-1708 Glasco, Joseph (b. 1925), 1545 Dows, Stephen Olin (b. 1904), 1340 Glintenkamp, Heinrich (1887-1946), 1240 Doyle, Tom (b. 1928), 1580 Golbin, Andree (b. 1923), 1529 Drexler, Sherman (b. 1925), 1546 Goldberg, Michael (b. 1924), 1538 Driggs, Elsie (b. 1898), 1285 Golub, Leon (b. 1922), 1512 Driskell, David (b. 1931), 1613 Gonzales, Xavier (b. 1898), 1286 DuBack, Charles (b. 1926), 1560 Gordin, Sidney (b. 1918), 1452 du Charme, Annick, 1581 Gordy, Robert (b. 1933), 1636 Dugmore, Edward (b. 1915), 1424 Gourfain, Peter (b. 1934), 1645

272 Graves, Bradford (b. 1939), 1701 Johansen, John Christen (1876-1964), 1143 Gray, Cleve (b. 1918), 1453 Johnson, Buffie (b. 1912), 1400 Greenberg, Clement (b. 1934), 1646 Johnson, David (1827-1908), 289, 290 Greene, Stephen (b. 1918), 1454-1456 Johnson, Eastman (1824-1906), 275, 276 Greenleaf, Richard Cranch (b. 1887), 1241 Johnson, Herbert (1878-1946), 1163 Greenly, Colin (b. 1828), 1583 Johnson, Ray (b. 1927), 1568, 1569 Griffin, Walter (1861-1935), 819-829 Johnston, David Claypoole (1799-1865), 31-34 Grillo, John (b. 1917), 1438 Jones, Edward Powis (b. 1919), 1466 Grossman, Barbara, 1601 Jordan, Mona L., 1368 Grosz, George (1893-1959), 1259 Kabotie, Fred (b. 1900), 1309-1314 Guerrero, Jose (b. 1914), 1416 Kahn, Wolf (b. 1927), 1570 Guston, Philip (1913-1980), 1408 Kaldis, Aristodemos (1900-1979), 1315 Hale, Philip Leslie (1865-1931), 862, 863 Kamrowski, Gerome (b. 1914), 1417 Hamilton, John McLure (1853-1936), 646-658 Karfiol, Bernard (1886-1952), 1233-1236 Handforth, Thomas S. (1897-1948), 1276-1280 Karol, Diane (b. 1939), 1682 Hare, David (b. 1917), 1439 Katz, Alex (b. 1927), 1571 Hart, George Overbury "Pop" (1868-1933), 872 Katzen, Lila P. (b. 1932), 1625 Hartley, Marsden (1877-1943), 1150-1152 Kemble, Edward Windsor (1861-1933), 830 Hartman, Robert (b. 1926), 1561 Kensett, John Frederick (1816-1872), 227 Harvey, George (1800-1878), 35 Kent, Rockwell (1882-1971), 1195 Harvey, Jason (b. 1955), 1784 Kerns, Ed (b. 1945), 1762 Haseltine, William S. (1835-1900), 471, 472 King, Daisy Blanche (b. 1875), 1049 Hassam, Childe (1859-1935), 802-809 King, Rufus (19th century), 259 Heidenreich, Carl (1901-1965), 1322-1324 King, William (b. 1925), 1547 Held, Al (b. 1928), 1584 Klavun, Betty (b. 1916), 1434 Heliker, John (b. 1909), 1384 Knight, Daniel Ridgeway (1840-1924), 546 Henle, Maren (b. 1943), 1745 Knight, Jennie Lea (b. 1933), 1637 Henri, Robert (1865-1929), 864 Knight, Paul R. (b. 1894), 1262 Herndon, Mr., 1004 Kraft, Polly (b. 1931), 1616, 1617 Hewitt, Charles, 1661 Kramer, Harry (b. 1939), 1702 Hill, Clinton (b. 1922), 1513 Krasner, Lee (1908), 1369 Hill, John William (1812-1879), 80 Krebs, Rockne (b. 1938), 1683-1686 Hofmann, Hans (1880-1960), 1180 Kresch, Albert (b. 1922), 1514 Hokanson, Hans (b. 1925), 1550 Kriesberg, Irving (b. 1919), 1467 Holmes, William Henry (1846-1933), 630-633 Kroll, Leon (1884-1974), 1220-1223 Homer, Winslow (1836-1910), 478, 479 Krukowski, Lucian (b. 1929), 1595 Hopkins, Budd (b. 1931), 1615 Kurz, Diana, 1667 Hopper, Edward (1882-1967), 1192, 1193 Lachaise, Gaston (1882-1935), 1196 Hornak, Ian (b. 1944), 1758 Lacroix, Paul (19th century), 25 Horowitz, Leonard, 1494-1496 LaFarge, John (1835-1910), 473-477 Hovenden, Thomas (1840-1895), 544 Lahey, Richard (1893-1978), 1260, 1261 Hudson, Andrew (b. 1935), 1659, 1660 Lansner, Fay (b. 1921), 1497 Hunt, William Morris (1824-1879), 273, 274 Larson, Blaine (b. 1937), 1674-1676 Huntington, Daniel P. (1816-1906), 223-226 Lassaw, Ibram (b. 1913), 1409 Ichihashi, Taro (b. 1940), 1709 Lathrop, William Langson (1859-1938), 810 Irvine, Wilson (1869-1936), 942, 943 Lawless, Benjamin W., Jr. (b. 1925), 1551, 1552 Irwin, Benoni (1840-1896), 545 Lazzari, Pietro (1898-1979), 1287-1290 Israel, Margaret P. (b. 1929), 1594 Leake, Eugene W. (b. 1911), 1396 Ives, Norman (b. 1923), 1530 Lebrun, Rico (1900-1964), 1316 Legro, Alan E., 1662 Jackson, Richard (b. 1940), 1710 Leisenring, Matilde Mueden (1873-1949), 1043, 1044 Jacquette, Yvonne (b. 1934), 1647 L'Engle, William (1885-1957), 1229 Jamieson, Mitchell (1915-1976), 1425-1428 Leon, Dennis (b. 1933), 1638

273 Leutze, Emanuel (1816-1868), 235-253; attributed to, 254, Moran, Thomas (1837-1926), 518-520; attributed to, 521 Levee, John Harrison (b. 1924), 1539 Morgan, Andrew Wesley (b. 1922), 1515 Levine, Les (b. 1935), 1663 Morris, George L. K. (1905-1975), 1347 Levinson, Abraham Frater (1883-1946), 1200-1209 Morris, Kyle (b. 1918), 1457-1459 Lewis, John Chapman (b. 1920), 1483 Morris, Robert (b. 1931), 1619, 1620 Lewitt, Sol (b. 1928), 1585 Morse, Samuel Finley Breese (1791-1872), 20 Lewton, Val (b. 1937), 1677 Morton, John Ludlow (1931-1971), 404 Liberman, Alexander (b. 1912), 1401 Moser, James Henry (1854-1913), 659-662 Lichtenstein, Roy (b. 1923), 1531, 1532 Moskowitz, Robert (b. 1935), 1665 Lindeberg, Linda (1915-1973), 1429 Motherwell, Robert (b. 1915), 1430 Lipsky, Pat (b. 1941), 1724 Mount, William Sidney (1807-1868), 4^49 Lombardo, William (b. 1945), 1763 Miiller, Dody (b. 1927), 1572 Louis, James M. (early 20th century), 1317 Mumford, Daphne (b. 1934), 1648-1650 Luks, George (1869-1933), 944, 945 Murdoch, Dora Louise (1857-1933), 791-795 Lund, David (b. 1925), 1553 Myers, Jerome (1867-1940), 870, 871 Lutzke, Richard (b. 1951), 1782, 1783 Nakian, Reuben (b. 1897), 1281, 1282 McAdams, Alfred Hennen (b. 1914), 1420 Nesbitt, Lowell (b. 1933), 1639, 1640 MacDonald, Kevin (b. 1946), 1773, 1774 Newell, Peter (1862-1924), 833 McEntee, Jarvis (1828-1891), 292 Norman, James (b. 1938), 1692 McGarrell, James (b. 1930), 1603 Nye, Edgar Hewitt (1879-1943), 1165-1168 McGowin, Ed (b. 1938), 1687-1691 Maclver, Loren (b. 1909), 1385 O'Connor, Charles (b. 1943), 1746 McNeil, George (b. 1908), 1371 Opa Mu Nu (b. 1904), 1341 Mangravite, Peppino (b. 1896), 1273 Oppenheim, Dennis (b. 1938), 1693 Ma Pe Wi (Velino Shije Herrera) (1902-1973), 1329 Opper, John (b. 1908), 1373 Maril, Herman (b. 1908), 1370 Osborn, Robert (b. 1904), 1342, 1343 Marin, John (1870-1953), 1027, 1028 Osgood, Samuel Stillman (1808-1885), 53 Mark, Phyllis, 1602 Owen, Franklin (b. 1939), 1703 Marks, Charles E. (b. 1916), 1435 Pace, Stephen (b. 1918), 1460, 1461 Marsh, Reginald (1898-1954), 1291-1301 Paris, Walter (1842-1906), 623,624 Marsicano, Nicholas (b. 1914), 1418 Park, Charlotte (b. 1918), 1462 Martin, Homer Dodge (1836-1897), 480, 481 Park, David (1911-1960), 1398 Martin, Keith (b. 1911), 1397 Parker, Micheline (b. 1943), 1747 Martin, Knox (b. 1923), 1533 Pascin, Jules (1885-1930), 1230, 1231 Marx, Robert (b. 1925), 1554 Passlof, Patricia (b. 1928), 1586 Matter, Mercedes, 1419 Pearlstein, Philip (b. 1924), 1540 Maurer, Alfred Henry (1868-1932), 873 Pearson, Henry (b. 1914), 1421 Maurer, Leonard (1912-1976), 1402 Pekarsky, Mel (b. 1934), 1651 Mayer, Frank Blackwell (1827-1899), 291 Pene du Bois, Guy (1884-1958), 1216-1219 Melchers, Gari (1860-1932), 812-816 Pennell, Joseph (1860-1926), 817, 818 Mestrovic, Ivan (1883-1962), 1210 Pereira, Irene Rice (1907-1971), 1360-1364 Michel, Sally, 1330 Perkins, John Ure (1875-1963), 1051; attributed to, 1052 Middleman, Raoul (b. 1935), 1664 Perlis, Donald (b. 1941), 1725 Midgette, Willard (1937-1978), 1678 Perry, Enoch Wood, Jr. (1831-1915), 405-448; attributed to, 449, 450 Miles, Jeanne (b. 1908), 1372 Peter, Armistead, III (b. 1896), 1274, 1275 Miller, Eleazer Hutchinson (1831-1921), 403 Peterson, Vita, 1431 Miller, Ruth (b. 1930), 1604 Philip, William H. (1829-1882), 298-402 Minnigerode, Marietta (1869-1931), 946-1001, 1003, 1005- Pielage, Josef (b. 1901), 1325 1019; attributed to, 1020 Pinchbeck, Peter (b. 1940), 1711 Moore, Bruce (b. 1905), 1346 Piper, Jane (b. 1916), 1436 Moore, Vincent (b. 1931), 1618 Poe, Elizabeth E. (1886 or 1888-1947), 1237 Moran, Edward (1829-1901), attributed to, 293-297 Poons, Larry (b. 1937), 1679 Moran, Peter (1841-1914), 620-622 Poor, Henry Varnum (1888-1970), 1246

274 Porter, Fairfield (1907-1975), 1365 Shattuck, Aaron Draper (1832-1925), 45^456 Post, Charles J. (1873-1956), 1045 Shaw, Charles Greene (1892-1974), 1256, 1257 Powell, Lucian (1868-1930), 634 Shaw, Joshua (1777-1860), 17 Prendergast, Maurice (1859-1924), 811 Sher, Alvin I. (b. 1937), 1681 Prentice, David (b. 1943), 1748 Shinn, Everett (1876-1953), 1145-1148 Purcell, Ann (b. 1941), 1726 Shirlaw, Walter (1838-1909), 522-541 Quah Ah (Tonita Pena) (1895-1949), 1269 Sills, Thomas (b. 1914), 1422 Quaytman, Harvey (b. 1937), 1680 Simmons, F. W., 645 Simon, Sidney (b. 1917), 1440 Ranney, William T. (1813-1857), 216-218 Simpson, William S. (19th century), 465 Rattner, Abraham (1895-1978), 1270 Singer, Noel, 1487 Rauschenberg, Robert (b. 1925), 1555 Sizer, Asa B. (19th century), 215 Reginato, Peter (b. 1945), 1764 Slade, Roy (b. 1933), 1643 Reich, Murray (b. 1932), 1626 Sloman, Steven (b. 1943), 1749 Remington, Frederic (1861-1909), 831 Smedley, William Thomas (1858-1920), 797 Remmey, Paul Baker (1903-1957), 1332 Smith, Arthur Hall (b. 1929), 1596, 1597 Resika, Paul (b. 1928), 1587 Smith, Francis Hopkinson (1838-1915), 542 Reynal, Jeanne (b. 1903), 1333 Smith, John Rubens (1775-1849), 14 Richards, William Trost (1833-1905), 457-461 Smith, Joseph Lindon (1863-1950), 854 Richter, Hans (1888-1976), 1247 Snelson, Kenneth (b. 1927), 1574 Riley, Mary G. (1883-1939), 1211 Sockwell, Carroll (b. 1943), 1750-1754 Robertson, Archibald (1765-1835), 8 Solman, Joseph (b. 1909), 1386 Robinson, Boardman (1876-1952), 1144 Solomon, Syd (b. 1917), 1441 Robinson, John (b. 1912), 1403 Sonnier, Keith (b. 1941), 1727 Rolle, August H. O. (1875-1941), 1050 Soyer, Moses (1899-1974), 1307 Romano, Umberto (b. 1905), 1348, 1349 Soyer, Raphael (b. 1899), 1308 Rosati, James (b. 1912), 1404 Spaventa, George (b. 1918), 1463 Rosenblum, Jay (b. 1933), 1641 Speicher, Eugene E. (1883-1962), 1212-1215 Ross, Alvin (1920-1975), 1484 Speyer, Nora (b. 1948), 1777 Roszak, Theodore (b. 1907-1981), 1366 Stackhouse, Robert (b. 1942), 1734-1739 Rothschild, Judith (b. 1922), 1516 Stadler, Albert (b. 1923), 1534 Ruda, Edwin (b. 1922), 1517 Stanley, Jane C. (1863-1940), 851-853 Russell, Morgan (1886-1953), 1238, 1239 Stanley, Robert (b. 1932), 1627 Ryan, John (b. 1948), 1776 Stefanelli, Joseph J. (b. 1921), 1499 Saint-Memin, Charles Balthazar Julien Fevret de Steinberg, Saul (b. 1914), 1423 (1770- 1852), 10-12 Stella, Frank (b. 1936), 1668 Samuels-, Gerald (b. 1927), 1573 Stella, Joseph (1877-1946), 1153 Sanchez, Emilio (b. 1921), 1498 Stephens, David (b. 1941), 1728 Sangiamo, Albert (b. 1928), 1588 Sterne, Hedda (b. 1916), 1437 Sanstrom, Robert, 1485, 1486 Sterne, Maurice (1878-1957), 1164 Sargent, John Singer (1856-1925), 663-767 Stewart, Margot (b. 1927), 1575 Sawyer, Moses Wells (1863-1960), 850 Stone, Agnes (1873-1958), 1046-1048 Schiffrin, Herbert (b. 1944), 1759 Storrs, John (1885-1956), 1232 Schlesinger, Marian Cannon (b. 1912), 1405 Streeter, Tal (b. 1934), 1652 Schlossberg, Edwin (b. 1945), 1765 Strickland, George (1797-1851), attributed to, 30 Schussele, Christian (1826-1879), 287-288 Stubbing, Tony (b. 1921), 1500 Schwartz, Therese (b. 1928), 1589 Sully, Thomas (1783-1872), 18, 19 Schwebler, Yuri (b. 1942), 1732, 1733 Summerford, Ben (b. 1924), 1541 Serwazi, Albert B. (b. 1905), 1350-1354 Sundquist, James K. (b. 1949), 1779, 1780 Shahly, Jehan (b. 1928), 1590 Tack, Augustus Vincent (1870-1949), 1029-1036 Shahn, Ben (1898-1969), 1302 Thiebaud, Wayne (b. 1920), 1488 Shannon, Joseph (b. 1933), 1642 Thomas, Peter C. (b. 1934), 1653-1656 Sharpies family, member of (early 19th century), 13 Thomas, Yvonne, 1410

275 Toy a, Patricio, 1318 Wesselman, Tom (b. 1931), 1621 Truitt, Anne (b. 1921), 1501-1503 West, Benjamin (1738-1820), 1 Tryon, Dwight W. (1849-1925), 638 Whistler, James A. McNeill (1834-1903), 462-464 Tsinajinnie, Andrew (Andy Tsinneajinnie) (b. ca. 1917), White, Gilbert (1877-1939), 1155-1158 attributed to, 1442-1444 White, Joseph P. (b. 1938), 1694 Tuttle, Richard (b. 1941), 1729, 1730 White, William, 1542 Tworkov, Jack (1900-1982), 1319 Whittredge, Worthington (1820-1910), 260, 261 Tytell, Louis (b. 1913), 1411 Winner, William E. (ca. 1815-1883), 221 Winslow, John (b. 1938), 1695 Vail, Eugene (1857-1934), 769-790 Wolff, Robert (1905-1978), 1355 Vanderlyn, John (1775-1852), 16 Woodbury, Charles Herbert (1864-1940), 855-859 Van Dijk, James (b. 1936), 1669 Wyeth, Andrew (b. 1917), 1445 Vedder, Elihu (1836-1923), 482-516 Vincente, Esteban (b. 1936), 1670 Yamamoto, Taro (b. 1919), 1468 Von Huhn, Rudolf (1884-1968), 1224 Yamin, Alice, 1271 Vonnoh, Robert (1858-1933), 798-801 Young, Mahonri (1877-1957), 1159-1162 von Wicht, John (1888-1970), 1248 Youngerman, Jack (b. 1926), 1562 Yunkers, Adja (b. 1900), 1320 Walker, John (b. 1939), 1704 Walkowitz, Abraham (1880-1965), 1181-1186 Zacharios, Athos (b. 1927), 1576 Wall, William A. (1801-1885), 38 Zirinsky, Julius (b. 1898), 1303 Walton, William (b. 1909), 1387 Zorach, Marguerite (1887-1968), 1242 Wang Ming (b. 1921), 1504, 1505 Zorach, William (1887-1966), 1243-1245 Warner, Everett Longley (1877-1963), 1154 Zornes, Milford (b. 1908), 1374 Watkins, Franklin Chenault (1894^1972), 1263 Watts, Peter (b. 1934), 1657 Unidentified artists, 26-28, 229-234, 466-468, 768, 1021, Weber, Max (1881-1961), 1188 1022, 1556, 1557; Corcoran School of Art students, 1053- Weir, Julian Alden (1852-1919), 644 1142; formerly John William Casilear, 79; formerly John Weir, Robert Walter (1803-1889), 39-43 Frederick Kensett, 228; formerly Emanuel Leutze, 256; Weisz, Eugen (1890-1954), 1251-1253 formerly attributed to Emanuel Leutze, 257

276 Index of Donors (with entry number)

A. C. A. Heritage Gallery, 1181, 1182 Eanes, Fannie S., 1290 Acheson, Alice Stanley, 851-853 East, Mrs. Edward M., 54-57 American Academy of Arts and Letters, 482-516 Eddy, Mrs. David Brewer, 865, 866 American Academy and Institute of Arts and Letters, Has- Eichner, Sarah Craven, 12 sam and Speicher Funds, 1584 Eikemeyer, Mrs. Rudolph, 461, 462 Ellender, Raphael, 1377-1383 Bader, Franz, 1288 Fastov, Robert, 1050 Baldwin, Mrs. Theodore, III, 1194, 1195 Fendrick, Daniel and Barbara, 1685, 1769-1771 Barton, Mr. and Mrs. Robert D., 1264 Field, Mr. and Mrs. Leonard S., 1673 Becker, Peter, 1249 Finley, Mrs. David Edward, 1445 Becker, Mr. and Mrs. Ralph E., 642 FitzGerald, Desmond, William H. G., and B. Francis Saul Benedict, Ruth, 1427, 1428 II, 1186, 1191, 1247, 1271, 1273, 1281, 1282, 1284, 1306, Benney, Robert L., 1334 1308, 1315, 1319, 1320, 1326, 1330, 1331, 1333, 1335, Benton, William, 1291, 1293, 1295-1299 1337-1339, 1343, 1345, 1355, 1356, 1365-1367, 1369, 1371- Bernstein, Sylvia, 1490 1373, 1376, 1384-1386, 1392-1396, 1399-1401, 1404, 1406, Berryman, Clifford Kennedy, 874-908, 910-929, 932-941 1408-1419, 1421-1424, 1429-1432, 143^1441, 1446, 1447, Berryman, Florence S., 909, 931 1451-1453, 1456-1460, 1462-1467, 1476, 1477, 1482, 1484- Biddle, Francis, 1027, 1144, 1210, 1259, 1405 1489, 1491-1500, 1506-1530, 1532, 1533, 1535-1538, 1540, Biddle, Mr. and Mrs. Francis, 1198 1542-1544, 1546-1550, 1553, 1555, 1557-1561, 1563-1565, Biddle, George, 1164, 1183-1185, 1197, 1225-1228, 1230, 1569-1581, 1585-1587, 1589-1595, 1598-1606, 1608, 1609, 1248, 1270, 1286, 1302, 1316, 1321, 1468 1614, 1615, 1618, 1621, 1623, 1625-1629, 1632, 1633, 1638, Black, Mrs. H. S., 4 1641, 1645-1652, 1657, 1658, 1661, 1663-1665, 1667, 1668, Bolomey, Roger, 1448-1450 1670-1672, 1678-1682, 1692, 1693, 1696-1705, 1711, 1724, Bowie, Mrs. Robert G., 1199 1725, 1727, 1740, 1746-1749, 1755, 1756, 1759, 1762, 1764, Bristow, Frank, 1163 1765, 1777, 1784 Bruno, Mr. and Mrs. Phillip A., 1454 FitzGerald, William H. G. See FitzGerald, Desmond Bunner, Kate, 547-619 Folger, Mrs. Clifford, 1275 Buxbaum, Henry, 1322-1324 Fox, Mrs. G. V., 1285 Friedenberg, Howard and Shirlee, 1729, 1730 Campbell, Carolyn, 1357, 1358 Friends of the Corcoran, 1397 Carlebach, Mr. and Mrs. Julius, 1375 Carmack, B. Gersdorff, 662 Glackens, Mrs. William J., 1023-1026 Cenro Corporation, 1616, 1617, 1745 Glover, Charles C, Jr., 458, 633, 1190 Chadbourne, Emily Crane, 847, 848, 1190, 1390 Grassle, Mr. and Mrs. J. K., 1622 Chase, Dr. and Mrs. William, 1391 Greene, Preston, 1766 Citron, Minna, 1272 Halpert, Edith Gregor, Foundation, 1624 Claggett, C. Thomas, Jr., 6 Halsband, Robert, 849 Clark, Anna E., Fund, 1029, 1336, 1760 Handforth, Stanley L., 1276-1280 Clark, William A., Fund, 41, 223, 224, 226, 1030-1036, 1153, Harding, William L., 944 1188, 1215, 1220, 1221, 1501, 1634, 1635, 1653-1655, 1674, Harriman, Mrs. E. H., 647-654 1683, 1684, 1723, 1732, 1733, 1737, 1741, 1750 Heath, Maj. Ferry K., 1155-1158 Clement, Alice, 1307 Herbert, Guy F.; R. Beverley, Sr.; Robert Beverley; Cooper, Ted, 14 Thomas A.; W. Pinkney, 11 Cowdrey, Mary Bartlett, 24 Herter, Mr. and Mrs. Christian, 1545 Cramer, Lucile S., 298-402 Heywood, Florence, 527 Crane, Josephine Boardman, 3, 270, 468 Higgins, Mary S., 1223 Cunning, Mrs. John, 1250 Hirschl, Norman, 44-46 Curry, Mrs. J. L. M., 454-456, 660, 870, 1217-1219, 1231,1347 Hitchcock, Margaret M., 811, 1145, 1634, 1635, 1683, 1684, Curtis, Ruth Sully, 18, 19 1732, 1733, 1737 Hogan, Mrs. Harry J., 1642 Davies, Mrs. Arthur B., 834, 836-846 Hudson, Andrew, 1660 Davis, Gene, 1469 De Anna, Peter, 1474 Jamieson, Mrs. Mitchell, 1425, 1426 Dunn, John, 1165-1168 Johansen, John Christen, 1143 Dutterer, William, 1742 Johnson, Ralph Cross, 453, 637 277 Kahn, Mrs. Arthur S., 1582 Parsons, Arthur Jeffrey, 661, 854 Karfiol, Mrs. Bernard, 1233, 1234, 1236 Patterson, Mrs. Jefferson, 1246 Kauffmann, Rudolph Max, 15, 30, 32, 40 Pereira, Irene Rice, 1360-1364 Kellogg, Mr. and Mrs. Frank B., 7 Perkins, Mrs. Childs Bruen, 855, 856, 857, 859 Keyes, Bessie Potter Vonnoh, 629, 798-802, 942, 943, 1149,1241 Peter, Mrs. Armistead, III, 469, 470, 646, 655-658, 819-829, Knox, Katherine McCook, 13 860, 861, 946-1022, 1049 Korff, Alice Graeme, Memorial Fund, 1772 Pielage, Josef, 1325 Plowden, Mrs. Roger H., 587, 588 La Gorce, J. O., 9 Poindexter, Mr. and Mrs. George, 1610-1612 Lahey, Richard, 1260 Post, Mrs. Charles J., 1045 Landgren, Marchal, 1256, 1257 Lane, Mr. and Mrs. William H., 1478-1481 Randel, Mr. and Mrs. Edward V., 1644 Lang, Scott H., 1775 Ranney, Claude J., 216-218 Laszlo, Philip Alexius de, 5 Richardson, Gerald A., Memorial Fund, 1675 Lathrop, Mr. and Mrs. George, 16 Robinson, Mr. and Mrs. Hamilton, 636 Leisenring, L. M., 1043, 1044 Romano, Clorinda C, 1348, 1349 Leman, George E., 457 Rosenberg, James N., 1267, 1303 L'Engle, Lucy, 1229 Rosenberg, Janice Dunn, 1165-1168 Leutze, Rear Adm. E. H. C., 235-255, 871 Rosenka, Charles B., 1344 Levee, John Harrison, 1539 Sandground, Mark B., 945 Lichtenstein, Roy, 1531 Sargent, Emily, 225, 228, 663-684, 686, 689-767 Linde, Mr. and Mrs. Barrett M., 1706-1708 Sarnoff, Mrs. Stanley, 1687 Livingston, Jane, 1691 Saul, B. Francis, II. See FitzGerald, Desmond Locke, George D., 1283 Sawyer, Wells Moses, 850 Mclntyre, Robert, 47-49 Serwazi, Albert B., 1350-1354 McLane, Robert M., 1196 Shelton, Mr. and Mrs. Leonard A., 1374 Madlener, Mr. and Mrs. Otto, 1669 Shirlaw, Mrs. Walter, 522-526 Magnuson, Laura T., 1258 Smithers, Mabel Stevens, 463, 687, 688 Marsh, Felicia Meyer, 1292, 1300, 1301 Sockwell, Carroll, 1752 Marx, Todd R., 1554 Spaulding, Florence Tucker, 8 Mathews, Thomas A., 1562, 1689 Stackhouse, Robert, 1738 Mechlin, Earnest F., 632 Stewart, Mrs. James F. M., 221 Mellon, Richard King, Foundation, 1403, 1676 Styron, Elizabeth, 930 Melzac, Vincent, 1566, 1567 Truitt, Anne, 1502, 1503 Messer, Mrs. Edmund Clarence, 545 Middendorf, J. William, II, 81-215, 293-297, 405-450 Vail, Mrs. Eugene, 769-790 Milch Galleries, 521 Von Huhn, Rudolf, 1224 Moore, Bruce, 1346 Walker, Edward C. and Mary, 812 Moore, Lydia Park, 1398 Wang Ming, 1504, 1505 Moorman, Mrs. Heath C, 1253 Washington Watercolor Association, 1289 Moskovitz, Irving, 685 Weinstein, Dr. and Mrs. Jacob J., 1568, 1640, 1728, 1758 Nash, Arthur C, 831, 1190 Weisz, Eugen, 1251 National Academy of Design, 354-356, 657 White, Amelia E., 1265, 1266, 1269, 1309-1314, 1317, 1318, National Academy of Design, bequest of Mrs. William T. 1329, 1341, 1442-1444 Brewster, 459-461 White, Joseph P., 1694 National Academy of Design, Katherine S. Drew Collection, 541 Wiles, Robert Scott, 28, 1433, 1588, 1597, 1734, 1751, 1753, National Endowment for the Arts, 1403, 1470, 1541, 1634, 1754, 1768 1635, 1676, 1683, 1684, 1732, 1733, 1737, 1782 Williams, Alice F., 29, 53, 58-74, 220 Newington, Mr. and Mrs. John C , 266 Wilson, Orme, 22, 867-869, 1274 Wilson, Mrs. Vylla Poe, 1237 Old Print Shop, 269, 272 Woodbury, David, 858 Ormond, Violet, 225, 228, 663-684, 686, 689-767 Women's Committee of the Corcoran, 1028, 1304, 1305, Osuna, Ramon, 1503 1342, 1359, 1461, 1471-1473, 1475, 1541, 1613, 1637, 1656, 1659, 1666, 1677, 1686, 1695, 1726, 1731, 1739, 1743, 1744, Paris, Walter, 624 1757, 1761, 1776, 1778-1780, 1782, 1783 Parmelee, James, 17, 462, 464, 477, 478, 520, 631, 638-640, 644, 645, 791-795, 803-809, 818, 832, 833, 1038-1042 Zorach Children, Collection of the, 1244

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