Russian Art, Icons and Works of Art and the Dimitri Bouchène Collection Wednesday 30 May 2012 10:30

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Lot: 101 Lot: 105  NEFF, TIMOFEY( 1805-1876)  TURZHANSKY, LEONARD( Portrait of a Countess ,signed 1875-1945) Early Spring ,signed and dated 1848, further inscribed and dated 1917. Oil on canvas, in Cyrillic on the reverse. Oil on 56.5 by 115.5 cm. Authenticity of canvas, 23.5 by 18 cm. the work has been confirmed by Authenticity of the work has been the expert V. Petrov. confirmed by the expert V. Petrov. Estimate: £50,000.00 - £70,000.00 Estimate: £12,000.00 - £18,000.00

Lot: 102 Lot: 106  MYASOEDOV, IVAN( 1881-  DUBOVSKOY, NIKOLAI( 1859- 1953) View of Sanssouci ,signed 1918) Breaking Wave ,signed and dated 1927. Oil on canvas, and dated 1900. Oil on canvas, 65.5 by 79 cm. Authenticity of 66.5 by 89 cm. Provenance: the work has been confirmed by Acquired by the father of the the expert V. Petrov. present owner. Private collection, Estimate: £28,000.00 - £35,000.00 Austria. Authenticity of the work has been confirmed by the expert V. Petrov. Exhibited: The 29th Exhibition of the Society for Itinerant Art Exhibitions , Lot: 103 1901–1902. Literature:  SHILDER, ANDREI( 1861- Exhibition catalogue, The 29th 1919) A Village Church ,signed Exhibition of the Society for and dated 1917. Oil on Itinerant Art Exhibitions , canvasboard, 50 by 64 cm. Moscow, 1901, p. 14, illustrated Provenance: Collection of the in black and white. G. Romanov, Danish Consul General in St Tovarishchestvo peredvizhnykh Petersburg, Michael Arentz khudozhestvennykh vystavok. Langberg, and his wife, Lidia 1871–1923. Entsiklopediya , St Ivanovna Autz. Private Petersburg, 2003, p. 231, No. collection, UK. Authenticity of the 18–80, illustrated in black and work has been confirmed by the white, incorrectly dated. expert V. Petrov. Exhibited: Estimate: £70,000.00 - £90,000.00 Possibly The 46th Exhibition of the Society for Itinerant Art Exhibitions , 1917–1918, No. 331. Literature: Possibly G. Lot: 107 Romanov, Tovarishchestvo * GRIGORIEV, BORIS( 1886- peredvizhnikh 1939) Still Life with Fruit and khudozhestvennykh vystavok. Flowers on a Table ,signed. Oil 1871–1923. Entsiklopediya , St on canvas, 49.5 by 61 cm. Petersburg, 2003, p. 457, No. Painted in the late 1920s. 8–331, listed. Provenance: Acquired by the Estimate: £30,000.00 - £40,000.00 great-grandparents of the present owner. Private collection, USA. Still life as a genre figured prominently in Boris Grigoriev’s Lot: 104 painting during the second half of  PETROVICHEV, PIOTR( 1874- the 1920s when he, in his own 1947) Rostov the Great ,signed, words, started his movement also further signed and titled in “into the realm of pure Cyrillic on the reverse. Oil on painting―, rejecting the demands canvas, 35 by 75 cm. of subject matter and narrative. Provenance: Private collection, This turning point in the artist’s UK. Authenticity of the work has creative work coincided with his been confirmed by the expert V. move in 1927 to the Côte Petrov. Authenticity has also d‘Azur, where he immersed been confirmed by the expert I. himself in the picturesque Geraschenko. atmosphere of the South. Boris Estimate: £30,000.00 - £40,000.00 and his wife Ella bought a villa (“Borisella―, named after the couple) in the little town of Cagnes-sur-Mer, where in time many Parisian artists were to

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base themselves. The villa, which the whimsical lines of the was built on the foundations of a greenery, and the contrast mediaeval castle, became a real between the shining metal of the refuge for Grigoriev from the dish, the transparent glass of the turmoil and din of the big city. In vase and the firmness of the fruit the 1930s he spent practically all form the idiosyncratic thread of his time here, avoiding travelling the pictorial narrative. Grigoriev to Paris. The picturesque corners showed the numerous still lifes of the surrounding gardens which he painted at the end of became the objects of his the 1920s at a solo exhibition at unbroken artistic observation and the Colette Weil gallery in Paris interest, and his specially in May 1930, the first after his equipped studio – a unique return from South America. The testing ground. From this we can artist’s fish, flowers and fruit deduce that it was here that the drew a delighted response from present still life was painted. The the reviewer Lolly Lvov. As he wooden table that figures in this wrote in the newspaper Russia work and a number of other and Slavdom : “Resolving a compositions exactly matches painting task, seeking out a the original which stood in painterly solution to the problem Grigoriev’s studio. A photograph of form, overcoming the captivity has survived that shows both the of line in which he had formerly table in the studio and Still Life been held and now being with a Bottle of Wine on an captivated by colour, embracing easel, in which objects are the formula ‘from colour to arranged on that very table (see light’ with which he is presently T.A. Galeeva, Boris Dmitrievich so enamoured – this is the Boris Grigoriev , St Petersburg, 2007, Grigoriev we see today― (Paris, p. 210, fig. 182). The ascetic 10 May, 1930). This still life is a style of this canvas reflects the unique example of the new artist’s quest in the late 1920s: trends that were emerging in his pursuit of a self-sufficient Boris Grigoriev’s painting at the painting aesthetic and focus on end of the 1920s. Dr Tamara the traditions of the classic still Galeeva life. These qualities became Estimate: £150,000.00 - more pronounced in the artist’s £200,000.00 painting after his trip to Chile, where he became closely acquainted with the colonial art of Lot: 108 Latin America, which was * GRIGORIEV, BORIS( 1886- founded both on ancient primitive 1939) The Garden ,signed twice. Indian art and on the classical art Oil on canvas, 54 by 73 cm.  of Spain. The palette of the work Estimate: £40,000.00 - £60,000.00 is dominated by severe browns whose monotony is enlivened by the occasional blotches of red flowers and fruit, and green foliage. Both irony and expressiveness are present in the apparently simple composition which is typical of Lot: 109 Grigoriev’s aesthetic approach * ANISFELD, BORIS( 1878- to his paintings. The well-known 1973) Grey Day on the Neva Russian émigré art critic Nikolai ,signed and indistinctly dated Misheyev wrote: “Grigoriev’s 1909, also further titled, latest works are already pure art: indistinctly inscribed and dated art for its own sake. Paintings 1912 on the reverse. Oil on which speak for themselves, in canvas, 133.5 by 108 cm. which there is neither ‘Raseya’ Provenance: Estate of the artist. nor ‘Russia’, no psychology or Exhibited: The 7th Exhibition of philosophy, and no subject the Union of Russian Artists , matter, only the celebration which Moscow, 1909–1910, No. 15. is Apollonian in origin, freed from The 7th Exhibition of the Union of any connection with Dionysus―. ( Russian Artists , St Petersburg, Perezvony , 1929. No. 42. p. 1910, No. 17. Probably Vladimir 1326). Meanwhile, the grotesque Izdebsky’s 1st International Art distortions of the fork and spoon, Salon , Kiev, 1910. The Boris Anisfeld Exhibition , itinerant:

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Brooklyn Museum, Boston Art female figures seated beneath Club, Albright Art Gallery Buffalo, the willow tree on the river’s Cleveland Museum of Art, Detroit bank. This variety of willow is Institute of Art, Milwaukee Art unique to the region. The Institute, Minneapolis Institute of symbolism of the willow is Art, St Louis City Art Museum, ancient, and it can refer to San Francisco Palace of Honor, anything from death to The Art Institute of Chicago, resurrection, from resignation to 1918–1920, No. 12. hope. Anisfeld was fully aware of Contemporary Russian Painting this ambiguity, and indeed, it is at and Sculpture: Realism to the core of the mystery of the Surrealism , Wilmington Society painting. We are grateful to of the Fine Arts, Delaware, 1932. Charles Chatfield-Taylor for Paintings of Boris Anisfeld and a providing additional catalogue Selection of His Designs for information. Ballet and Opera , Adler Fine Estimate: £80,000.00 - Arts, New York, 1979–1980, No. £120,000.00 56. Boris Anisfeld. Paintings and Stage Designs , 1906–1926, Art Gallery of The Graduate Center, Lot: 110 The City University of New York, * ANISFELD, BORIS( 1878- 2003–2004, No. 2. Literature: 1973) Sea and Rocks, Capri (III) Exhibition catalogue, The 7th , signed, inscribed “Kapri― [sic] Exhibition of the Union of and dated 1911, also further Russian Artists , Moscow, 1909, signed, inscribed “Capri― and No. 15. Exhibition catalogue, dated on the reverse. Oil on The 7th Exhibition of the Union of canvas, 70 by 86 cm. Russian Artists , St Petersburg, Provenance: Estate of the artist. 1910, No. 17. C. Brinton, The Exhibited: Mir iskusstva , Boris Anisfeld Exhibition , New Moscow, 1911. Mir iskusstva , St York, 1918, No. 12, illustrated. L. Petersburg, 1912. The Boris Weinberg, “The Art of Boris Anisfeld Exhibition , itinerant: Anisfeld―, The International Brooklyn Museum, Boston Art Studio , vol. LXVI, No. 261, Club, Albright Art Gallery Buffalo, November 1918, p. viii. Exhibition Cleveland Museum of Art, Detroit catalogue, Paintings of Boris Institute of Art, Milwaukee Art Anisfeld and a Selection of His Institute, Minneapolis Institute of Designs for Ballet and Opera , Art, St Louis City Art Museum, New York, 1979, No. 56. Boris San Francisco Palace of Honor, Anisfeld. Paintings and Stage The Art Institute of Chicago, Designs 1906–1926 , New York, 1918–1920, No. 30. Boris Art Gallery of The Graduate Anisfeld Retrospective Exhibition Center, The City University of , The Art Institute of Chicago, New York, 2003, No. 2, 1958, No. 54. Boris Anisfeld. illustrated. E. Lingenauber and O. Paintings and Stage Designs Sugrobova-Roth, Boris Anisfeld. 1906–1926 , Art Gallery of The Catalogue raisonné , Düsseldorf, Graduate Center, The City Edition Libertars, 2011, p. 123, P University of New York, 162, illustrated. This early and 2003–2004, No. 7. Literature: major symbolist work was C. Brinton, The Boris Anisfeld completed in the summer of Exhibition , New York, 1918, No. 1909, based on sketches and 30. Exhibition catalogue, Boris studies done on the upper Neva Anisfeld Retrospective Exhibition River near the town of , Chicago, The Art Institute of Shlisselburg, roughly 35 km from Chicago, 1958, No. 54. Boris St Petersburg. The town is close Anisfeld. Paintings and Stage to the source of the Neva on Designs 1906–1926, New York, Lake Ladoga, and had a system Art Gallery of The Graduate of locks dating from the 18th Center, The City University of century. The site of the painting New York, 2003, No. 7, is at a point below the locks illustrated. E. Lingenauber and O. where the river broadens as it Sugrobova-Roth, Boris Anisfeld. journeys towards the capital. Catalogue raisonné , Düsseldorf, Grey Day on the Neva is Edition Libertars, 2011, p. 130, P constructed in typical Anisfeld 206, illustrated. manner, with an elevated Estimate: £60,000.00 - £90,000.00 perspective looking down at the

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Lot: 111 festive colours and portraying * SHUKHAEV, VASILY( 1887- light effects from his famous 1973) Stage Design ,signed, teachers, N. Dubovskoy and A. inscribed in Cyrillic “Leningrad― Kiselev. These Petersburg and dated 1936. Oil and tempera academicians were remarkable on canvas, laid on board, 60 by landscapists who forecast the 91 cm. Provenance: Private young graduate’s future fame collection, Europe. Authenticity and productive career. Old certificate from the expert E. Novgorod. Barges , is a painting Yakovleva. Authenticity of the of unusual beauty, compositional work has been confirmed by the accomplishment and palpable expert A. Lyubimova. Literature: atmosphere, it is a rare piece A photograph of the present lot worthy of even the most is included in the archive of V. discriminating collection of Shukhaev at the State Russian Russian paintings. Museum, St Petersburg. Estimate: £280,000.00 - Estimate: £40,000.00 - £60,000.00 £350,000.00

Lot: 112 Lot: 114 * ANISFELD, BORIS( 1878- * GORBATOV, KONSTANTIN( 1973) Buddha with Garland , 1876-1945) View of Capri numbered “355― and inscribed ,signed and dated 1926. Oil on “Buda― [sic] on the reverse. Oil canvas, 89 by 109 cm. on canvas, 71.5 by 53.5 cm. Provenance: Acquired at the Provenance: Estate of the artist. Galerie Del Vecchio, Leipzig. Literature: E. Lingenauber and Thence by descent to the O. Sugrobova-Roth, Boris previous owner. Private Anisfeld. Catalogue raisonné , collection, USA. Düsseldorf, Edition Libertars, Estimate: £65,000.00 - £90,000.00 2011, p. 113, P 094, illustrated. Estimate: £15,000.00 - £20,000.00 Lot: 115  KOLESNIKOV, STEPAN( 1879- Lot: 113 1955) Two Peasants ,signed.  GORBATOV, KONSTANTIN( Gouache on cardboard, 49.5 by 1876-1945) Old Novgorod. 64.5 cm. Authenticity of the work Barges ,signed and dated 1913. has been confirmed by the expert Oil on canvas, 107 by 142 cm. V. Petrov. Amidst the stellar cast of Russian Estimate: £12,000.00 - £18,000.00 Impressionists, the painting of Konstantin Gorbatov has a special allure. He developed his own recognisable style based on Lot: 116 energetic, somewhat truncated  YAKOVLEV, ALEXANDER( brushwork and a bright, 1887-1938) Afghans ,signed and accessible palette; the artist dated 1932. Oil on canvas, 62 by concentrated on views of old 57.5 cm. Provenance: Private provincial towns, most often collection, Argentina. Related Novgorod, a town close to his literature: For a larger version of heart, where he spent much of the present composition, see A. his time working en plein air. This Iacovleff, Dessins et peintures ebullient artist hardly ever d’Asie, excécutés au cours de painted overcast or rainy views. l’Expédition Citroën Centre-Asie , Gorbatov’s pictures are Paris, Lucien Vogel, 1934, pl. 12. suffused with a golden light and Estimate: £30,000.00 - £40,000.00 the fluffy clouds that scud gaily across his azure skies are a yellow-rose colour, glowing in the Lot: 117 early-evening sun. The artist’s * KOROVIN, KONSTANTIN( style fully took shape by the 1861-1939) Spring Thaw ,signed beginning of the 1910s, when his and dated 1912. Oil on canvas, eye-catching and memorable 69 by 97 cm. Provenance: work attracted the attention of Collection of V. Petrov, critics and earned the affection of Leningrad. Acquired from the the viewing public. Gorbatov above. Private collection, derived his predilection for bright

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Switzerland. Exhibited: Lot: 118 Russkoe iskusstvo XVIII – * KOROVIN, KONSTANTIN( nachala XX veka iz chastnykh 1861-1939) Okhotino. sobranii Leningrada , Leningrad, Springtime ,signed and dated 1988 (label on the reverse). 1919. Oil on canvas, 67 by 89 Literature: Exhibition catalogue, cm. Provenance: Collection of Russkoe iskusstvo XVIII – S. Gerasimov, Moscow. Acquired nachala XX veka iz chastnykh from the above. Private sobranii Leningrada , Leningrad, collection, Switzerland. Khudozhnik RSFSR, 1988, p. 31, Literature: M. Kiselev, listed. The remarkable Russian Konstantin Alekseevich Korovin. painter Konstantin Korovin is 1861–1939 , Moscow, Iskusstvo, represented here by a work from 1971, pl. 41, illustrated. his best period. The landscapes Konstantin Korovin’s series of that the artist painted in the Okhotino landscapes constitute a Vladimir region on the Okhotino special chapter in the story of his estate are unquestionably the artistic career. They illustrate the golden legacy left by the artist. artist mastering landscape They contain the genuine painting en plein air and sincerity of a man communing combining a realistic vision of with nature, and a sense of nature with an Impressionist immediacy and liveliness in his perception. The predominant perception of her. What is influence of light on the colours of surprising is that Korovin painted his landscapes is a distinctive many of his large oils en plein air feature of all his painting of the , masterfully committing to 1910s. Contrasts of light and canvas the nuances of natural shade, which give rise to light and changes in colour. astonishingly beautiful half tones, These are among the main are the main defining postulates of Impressionism characteristic of these views of which Korovin had cultivated Okhotino. In Okhotino. since his student days at the Springtime which is filled with a Moscow School of Painting, joyous light, the artist masterfully Sculpture and Architecture, communicates the depth of the where he was taught by the atmospheric space – the celebrated artists Alexei limitless heavens in the distance, Savrasov and Vasily Polenov. the freshness of the clear sunny Korovin had a particular day and the imminence of approach to painting the Russian spring’s arrival. It is significant winter. The silvery range of that this painting comes from the colours in his winter landscapes collection of Korovin’s favourite of Central Russia is lighter than pupil, the remarkable Russian in his northern works. The landscape painter Sergei gloomy leaden tones do not Gerasimov. As the direct weigh heavily on the atmosphere successor to Russia’s leading of the work, but convey entirely Impressionist, Gerasimov imbued naturally the movement of the air, his own creative work with the at one moment warm and damp, chief characteristics of Korovin’s the next bitingly cold. Looking landscape painting, which are closely at the peaceful colours in embodied in this remarkable Korovin’s Spring Thaw – example. colours full of the subtlest Estimate: £350,000.00 - nuances – the eye is delighted £500,000.00 by the warm ochre tones which delicately sit alongside shades of silver-violet and, in turn, enliven the overall tonality of the work. It Lot: 119 is this restrained palette, * BURLIUK, DAVID( 1882-1967) combined with impasto Cubofuturist Composition ,signed brushwork to suggest the and dated "1909-1962". Oil on viscosity of melting snow, which canvas, 60.5 by 49.5 cm. creates the extraordinary Painted c. 1962. Authenticity of character of this work of art. the work has been confirmed by Estimate: £280,000.00 - ARTEC Investigating Group, £400,000.00 USA. Estimate: £50,000.00 - £70,000.00

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Lot: 120 pulsating, without being § EXTER, ALEXANDRA( 1882- monotonous and uniform. There 1949) Still Life . Oil, tempera and is always something going on, a collage on canvas, 50 by 36 cm. shape seemingly trying to break Executed c. 1912. Provenance: free, desperately trying to assert Important private collection, its unique substantiality, then England. Authenticity of the work letting go and sinking back into has been confirmed by the expert the depths of the fabric. This G. Kovalenko. Literature: motion is eternal in Exter’s still “Bubnovyi valet― v russkom lifes. It is proof of the avangarde , St Petersburg, unstoppable movement of the Palace Editions, 2004, p. 23, fabric, its inherent dynamism. illustrated. B. Livshits, The One And finally: this still life is and a Half-Eyed Archer , St eloquent proof of Exter’s Petersburg, Palace Editions, attempt to achieve a Futurist 2004, p. 42, illustrated. position in a Cubist painting. 1912–1914 were important years Here we can clearly see the way in the life of Alexandra Exter. It the artist subjugates the was a time when Cubo-Futurism constructive quality of Cubism to was finding expression in her the dynamic world view of paintings as she maintained an Futurism. We are grateful to ongoing artistic dialogue with Professor G. Kovalenko for Ardengo Soffici, the Italian providing this catalogue note. painter who was a close friend of Estimate: £200,000.00 - the artist. The effects of this are £300,000.00 obvious, especially if one compares the still lifes of the two artists: they painted the same Lot: 121 figural compositions with the § GONCHAROVA, NATALIA( same combination of objects 1881-1962) Still Life in a Ginger (longstemmed wineglasses, Jug ,signed with initials, also bottles, tumblers, apples and further signed twice and inscribed pears, slices of watermelon, on the reverse. Oil on canvas, 33 eggs). Both Exter and Soffici also by 24 cm. Provenance: From introduced numbers, letters, the collection of Hélène du inscriptions and collages into Bouchet-Lovell, New York. their still lifes. A study of Anonymous sale; Impressionist Exter’s compositions from this and Modern Paintings, Drawings, period, including the present lot, Watercolours and Sculpture , is most interesting: there are two Sotheby’s London, 24 May tangible interactive factors – the 1989, Lot 31. Acquired at the Cubist approach to form and a above sale by the previous Futurist energy which strives to owner. Private collection, UK. transform the fabric of the still Exhibited: The Russian life. The result is an environment Experiment: Master Works and which is dynamic, brimming over Contemporary Works , Castle and lively. Exter’s Cubo- Gallery, College of New Futurist still lifes are emphatically Rochelle, New Rochelle, material. Everything is endowed September–October 1990. This with meaning and significance: striking work is one of a series of the colour and density of the still lifes with flowers painted after bottle glass, the sparkling crystal Goncharova had left Russia. The of the wineglasses, the matt boom in avant-garde trends had, glaze of the bowls… Juxtaposing it seemed, already subsided, and objects that are completely among European painters there different in texture, Exter was now a renewed interest in simultaneously seeks a way to the Realist tradition. Alongside bring them together, to unite her design work for Parisian them, to present each one as a theatres, Goncharova painted a manifestation of a single, vast number of still lifes in her inseparable fabric. It is the studio depicting “prickly techniques of Cubism which bouquets―, which she would do enable her to do this: a system of to keep her hand in training. She horizontal strokes, blending, regularly painted magnolias, interpenetration and skewed roses and sprigs of cherry and contours, and this gives rise to a apple-blossom, paying homage fairly seamless fabric – fluid and to Realist depiction of nature.

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The influence on Goncharova of moiré effect, into which the Post-Impressionism is particularly flowers and fruit sink and noticeable in the present lot, Still dematerialise into patches of Life in a Ginger Jug . Her colour in subtly nuanced shades. expressive painting style, The whole sensual organisation together with a desire to re- of Sapunov’s floral composition create the nature of things, links is Symbolist in principle. The Goncharova to both the Post- setting itself is nebulous: there is Impressionists and the art of no table, no interior of a room – Japanese engraving. The variety nothing but a quasi-mystical in texture and line as well as the space, in which temporary harmonious colour palette boundaries are washed away like marvellously convey the beauty the petals of those delicate roses. of this spring bouquet. The sprig Estimate: £120,000.00 - of cherry-blossom also echoes £180,000.00 the sakura blossom design on the Japanese vase. With her work on still lifes, Goncharova Lot: 123 was aiming to refine her skills in  KONCHALOVSKY, PETR( conveying the simplicity and 1876-1956) Maloyaroslavets. clarity of forms. Precise Gardens in Bloom ,signed and modelling and subtlety in the dated 1951, also further signed, chosen shade became numbered “1560― and dated on recognised features of this the reverse. Oil on canvas, 70.5 artist’s work. Goncharova’s by 96 cm. Provenance: Private small still lifes with flowers were collection, Russia. Private very popular in France and collection, UK. Exhibited: The constantly in demand for 16th Exhibition of Works by Petr exhibitions in the Paris galleries. Konchalovsky , Moscow, 1956. It was probably the marriage of The 17th Exhibition of Works by European and Russian traditions Petr Konchalovsky , Leningrad, in her art that so captivated the 1956. Literature: French. As Marina Tsvetaeva so Konchalovsky. keenly observed of Goncharova, Khudozhestvennoe nasledie , “When painting sprigs of willow Moscow, Iskusstvo, 1964, p. and poplar catkins, she is 154, listed “zhi 1272―. painting her kinsfolk from Tula―. Estimate: £80,000.00 - Estimate: £100,000.00 - £120,000.00 £150,000.00

Lot: 124 Lot: 122  LEBEDEV, VLADIMIR( 1891-  SAPUNOV, NIKOLAI( 1880- 1967) Still Life with Flowers 1912) Still Life with Flowers and ,signed with initials. Oil on Fruit ,signed and dated 1907. Oil canvas, 69 by 48.5 cm. Painted on canvas, 53.5 by 71.5 cm. in 1931. Provenance: Provenance: Private collection, Collection of the artist’s family. UK. Authenticity of the work has Anonymous sale; Russian 20th been confirmed by the experts S. Century and Avant-garde Art , Rimskaya-Korsakova, E. Phillips London, 27 November Nesterova and A. Bogdanov. 1989, Lot 34. Acquired at the This work by Nikolai Sapunov, above sale by the previous who was to meet a tragically owner. Private collection, UK. early death, would, with its Vladimir Lebedev is rightly exceptionally refined palette and regarded as one of the most eye- taste, be the pride of any serious catching and stylish Russian collection of Russian art. Early artists of the 1930s. The very works by the members of the appearance of his sumptuous Blue Rose group are especially nudes and scintillating still lifes rare and cause something of a was a statement of resistance sensation when they appear at against the harsh stagnation of auction. The distinctive features the Soviet system, working in a of Sapunov’s style make it showy, picturesque manner immediately recognisable. The which was inspired by early study-like spontaneity of his Renoir. The mood of Lebedev’s works creates a slight paintings, drenched in sunshine, nebulousness, barely perceptible carries a powerful charge; they

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are light and optimistic, delighting Lot: 127 the eye with their rich colour and * KAZANSKAYA, MARIA( 1914- endless interplay of undertones. 1942) Self-Portrait in an Orange The way the artist’s brushwork, Scarf . Oil on canvas, 49.5 by 48 pulsating with motion, conveys cm. Painted c. 1937. the backlighting of objects and Provenance: Collection of the the shimmering juxtaposition of artist’s family, Leningrad. flat surfaces is unsurpassed, Private collection, Europe. preserving in the process the Authenticity certificate from the authentic outline of the volumes expert Yu. Rybakova. Maria portrayed. The simple form of Kazanskaya is a brilliant the glass vase is practically representative of the second weightless, and the emerald of wave of the Leningrad avant- the stagnant water in which the garde. Her uninhibited creations, tired wild flowers stand is the improbably bold in relief and central note of the palette used colour, were obviously a for this studio work, in which continuation of the new 20th everything maintains the blissful century classics, and above all a atmosphere of a warm July belated legacy from Kazimir evening. Malevich and Vera Ermolayeva, Estimate: £120,000.00 - whom Kazanskaya had studied £180,000.00 directly under in the period 1931–34. The joyous colours of her portraits and landscapes are Lot: 125 imbued with the warm light of  BARANOFF-ROSSINÉ, summer and an exhilarating VLADIMIR( 1888-1944) La sense of the achievements of Cousine ,signed. Oil on canvas, Fauvism. The detail in her 73 by 49.5 cm. Painted in 1910. canvasses is deliberately Provenance: Acquired directly conventional and places few from the artist’s family. Private demands on the viewer’s collection, France. Exhibited: attention, presenting no Vladimir Baranoff-Rossiné challenge to the way the flat 1888–1942 , Rutland Gallery, coloured surfaces work, which is London, 1970, No. 45 (label on the characteristic distinctive the reverse). Vladimir Baranoff- feature of this interesting and Rossiné , Musée National d’Art original artist’s creative output. Moderne, Paris, 12 December The broad expressive sweep of 1972–29 January 1973, No. 6 this self-portrait has something in (label on the reverse). common with the techniques Literature: Exhibition catalogue, used in the Altai works of the Vladimir Baranoff-Rossiné famous Drevin, whom 1888–1942 , London, 1970, No. Kazanskaya evidently respected. 45, illustrated in black and white. In deliberately contrasting the Exhibition catalogue, Vladimir vibrant open colours of her works Baranoff-Rossiné , Paris, Editions with the sombre earthy poesies des Musées Nationaux, 1972, No. of Drevin, Kazanskaya is taking 6, illustrated in black and white. on the role of a bold and original Estimate: £80,000.00 - pioneer. Self-Portrait in an £120,000.00 Orange Headscarf is without doubt one of the best in the legacy left by Maria Kazanskaya, Lot: 126 an artist who embraced the most * MAVRINA, TATIANA( 1902- progressive developments of 1996) Blue Landscape ,signed Russian art in the 1920s and and dated 1938. Oil on canvas, 1930s. 70 by 66 cm. Provenance: Estimate: £100,000.00 - Private collection, Europe. £150,000.00 Authenticity certificate from the expert T. Yermakova. Estimate: £100,000.00 - £150,000.00

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Lot: 128 Lot: 130 * MAVRINA, TATIANA( 1902- * MALIAVIN, PHILIPPE( 1869- 1996) Autumn in Sokolniki 1940) Russian Maiden in a Red ,signed and dated 1935, with a Headscarf ,signed. Oil on landscape on the reverse. Oil on canvas, 100 by 79 cm. canvas, 62.5 by 59 cm. Provenance: Private collection, Provenance: Private collection, Europe. Authenticity of the work Europe. Authenticity certificate has been confirmed by the expert from the expert T. Yermakova. V. Petrov. Painted in bright, Estimate: £100,000.00 - expressive colours, Philippe £150,000.00 Maliavin’s Russian Maiden in a Red Headscarf is a fine example of the artist’s Russian period Lot: 129 and one of the notable paintings * BURKOVSKY, NIKOLAI( 1909- in his famous series of portraits 1994) Portrait of a Woman in a of Russian peasant women. Red Headscarf ,signed. Oil on Maliavin was born into a large canvas, 56.5 by 46 cm. Painted and poor peasant family and, in the 1930s. Provenance: compared with his artist Acquired directly from the colleagues, was better suited to artist’s family. Private collection, understand the common Russian Europe. Authenticity certificate peasant. Therefore, it is not from the expert Yu. Rybakova. surprising that this artist found The spectacular Portrait of a fame with his masterfully Woman in a Red Headscarf by executed paintings and drawings, Nikolai Burkovsky is an depicting the various aspects of interesting and original work, peasant life. He was particularly entirely in keeping with the spirit famous for his mesmerising of its time. Nevertheless, the portraits of village girls and wholly sculptural manner of women. The present lot is a Burkovsky, a native of Leningrad, skilfully executed, charmingly was somewhat distinct from the spontaneous portrait of a young accustomed archetypes of the girl in a red headscarf. The girl northern capital, being stylistically looks askance at the viewer, closer to the Muscovites of pensively or perhaps playfully, Lentulov’s circle. The painting and her long, delicate fingers, of the work is astonishingly crossed over her chest, are organised, colour is richly applied playing with the beads of her in patches, without the festive necklace which, like her fragmented quality of the headscarf, are painted in the Impressionists’ brushwork, artist’s favourite bright red these patches are monumental in colour. She appears to be their articulation and their viscous assessing what to make of her colour combinations which companion and contemplating emphasises the solidity of his her next step. A peculiar feature palette. Burkovsky had excellent of both this and other exemplary professional training. In the early works of Maliavin is the sincerity 1920s he studied at the well- with which he paints his models; known art school in Pavlovsk, neither the brightness of their and from 1927 to 1931 at the dresses nor any other painterly Leningrad Higher School of Art attributes divert attention from the and Industry under the tutelage fact that the artist truly excelled in of the famous theatrical designer, the genre of the psychological painter and teacher Mikhail portrait. A worthy student of his Bobyshev, from whom he great teacher Ilya Repin, Maliavin adopted particular methods of successfully conveys the constructing space and a rich psychological traits of his models, colour palette. their emotional state, and sees Estimate: £75,000.00 - £90,000.00 right through to their inner world. However, Maliavin quickly matured into an independent artist, and in contrast to Repin, most of his works are without the narrative or social awareness so characteristic of the works of the Itinerant artists. Maliavin stands out for his consistency,

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adherence to his favourite genuinely cultured and refined themes and his deep people who can appreciate these understanding of the people he sacred places and are not portrayed; it is for these qualities converting them to factories and that he is so highly valued by art using as firewood the parks lovers and collectors. where Eugene Onegin once Estimate: £220,000.00 - walked.― In this case the £300,000.00 emotional mood of the painting emanates from the ravishing expanse of distant countryside, Lot: 131 flooded with bright summer *§ ZHUKOVSKY, STANISLAV( sunshine. This light from the 1875-1944) Interior ,signed and garden streams in through the dated 1917. Oil on canvas, 79 by open windows of the house, 106.5 cm. Authenticity of the filling it with the living breath of work has been confirmed by the summer, with a particularly joyful expert V. Petrov. Literature: R. sense of the freshness and purity Aldonina, Stanislav Zhukovsky , of country life. At the same time Moscow, Belyi Gorod, 2005, No. new beauty is revealed in the 177, illustrated. The present modest furnishings, in the work is without doubt one of the wooden floor and in the old- most cheerful and harmonious of fashioned flowered wallpaper, Zhukovsky’s interiors. The partially concealed by the loose artist turned to this genre in the covers of old armchairs and tubs 1910s, when Petersburg society of flowers, an enormous mirror was feeling particularly acutely and the Mother of God in a gold the worrying fragility and oklad and in the dainty mauve degeneration of the old way of flowers on the window sill. The life on country estates, which was strong colour accents mature fast disappearing under the within this rich colour unstoppable march of progress. environment, resulting in true The public was seized by, in the harmony, correspondingto the words of Alexander Benois, overall emotional character of the “the beloved cherry orchard image. According to the authors state of mind―. The artist of the 1921 Zhukovsky exhibition usually found his subjects in old catalogue, “in his depictions of houses with their libraries, interiors Zhukovsky drawing rooms, old furniture and demonstrates superb taste and a portraits, which preserved poetic delicacy, capturing and vestiges of Russian culture and revealing the intimate connection evoked feelings of nostalgia. between things. Left by people, Sometimes estateowners invited they retain their human language him to capture the hearth and and the innermost part of the home which were so dear to human soul. The people are them. This was the origin of the accustomed to the stable comfort series of interiors of the Grand of their family traditions, they love Duke’s Bryansk estate. the neglected cherry orchard, the Sometimes it was the artist old furniture and the chiming himself who asked the owner’s clock. They do not know hardship permission to come and paint and cannot stand the noise of rooms which had caught his street fights. It is not long ago fancy or which had lodged in his that they abandoned their memory. In a letter addressed to interiors. Will they go back? The Dmitri Sheremetev, Zhukovsky things are silent on that count, betrays his fascination with only telling us about the interiors: “Would you be kind irrecoverable past. This language enough to allow me to paint in of interiors is understood more your houses in Ostafievo and clearly by the artist than the Kuskovo. I am a great admirer of voices and faces of the the old times… Here they speak inhabitants who have left them so clearly and are so wonderfully, and Zhukovsky translates it to us carefully preserved. I would like extraordinarily faithfully and to do some interiors of this simply.― His interiors seem to priceless memorial to a wonderful embody the movement of time, era. Unfortunately, they have unexpectedly and painfully been disappearing so rapidly in accelerating at the turn of the recent times and there are few century. On the one hand they

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show the link between different before a Mirror and sometimes, times, reflecting the image of touchingly, gave his works those rooms from long ago, as if they same titles – in his In a Russian had just been opened up after Banya Tikhov was not thinking being closed throughout a long allegorically. Rather, this painting winter. But, on the other hand, it is an exquisite study of his seems the inhabitants of these models (one, his most important patriarchal rooms, guardians of and most regular, was his wife), the “beliefs of the good old in which the artist strives to days―, have just left for a emphasise the pale beauty of moment, as witnessed by the their delicate skin, effectively shawl thrown over the back of the highlighting it with the coloured armchair and the wide-open reflections from the sunlight window, or the open hatch of the falling through the window. The stove, where a fire still burns. most important attributes of This is why the work of Tikhov’s work are his Zhukovsky, one of the most impressionistic freshness and popular painters of the early 20th decorativeness. It was with century, has not lost its similar works, such as Zinaida significance, even today. Serebriakova’s bath cycle and Estimate: £200,000.00 - Boris Kustodiev’s Russian £300,000.00 Venus , that the genre of Classical women bathing, which had been given a new lease of Lot: 132 life by Impressionism and Post- * TIKHOV, VITALY( 1876-1939) Impressionism, developed into an In a Russian Banya ,signed and established, home-grown, dated 1916. Oil on canvas, 132.5 iconographic tradition of Russian by 105 cm. Provenance: village bath-house pictures. The Private collection, Europe. apparent simplicity of this Authenticity of the work has been subject, successor to the confirmed by the expert I. Academic Roman baths and Geraschenko. Vitaly Tikhov, one harem pools of Gérôme and of the most talented students of Ingres, allowed artists to Vladimir Makovsky’s studio, concentrate on purely painterly made his entrance into art history issues. Deliberately executed in with his pictures of bathers and bright and resonant colours, nudes. In the early 1910s his Tikhov’s works were not only magnificent, large-format bath- popular with patrons, and a house paintings were especially decorative element of early 20th- successful and much admired, century interiors, but also came earning him the graduation Gold to exert a considerable influence Medal of the Imperial Academy on the future of this genre, of Arts, having studied there on notably on the celebrated two separate occasions. The bathhouses of Alexander present lot, In a Russian Banya , Gerasimov. Today examples of belongs to this series. It was Tikhov’s bathing women are painted in 1916 when, his represented in the State Russian creative talent at its peak, he Museum and in private became a member of the Society collections worldwide. of Itinerant Art Exhibitions, which Estimate: £300,000.00 - enabled him to exhibit in many £400,000.00 towns around Russia. It is thus quite natural that this large-scale composition should be so Lot: 133 accomplished, and of undoubted * LENTULOV, ARISTARKH( exhibition quality. The artist 1882-1943) Sebastopol . Oil on depicts the models in his canvas, 74.5 by 98.5 cm. distinctive free and rather fluid Painted in 1931–1932. manner, sitting or standing in Provenance: Acquired directly clouds of steam on the floor- from the artist’s family. Private boards of a simple Russian bath- collection, Europe. Authenticity house. Despite his predilection certificate from the experts T. for Classical echoes in his works Mikhienko and T. Levina. – he often depicted his models Exhibited: Possibly Vystavka standing or reclining in the poses kartin A.V. Lentulova, of the Three Graces or Venus organizovannaya k 25-letiyu

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khudozhestvennoi Lot: 137 deyatel’nosti. 1908–1933 , * POPKOV, VIKTOR( 1932-1974) Moscow, 1933, Nos. 230–232. Portrait of Serezha Rudkin , Literature: Exhibition catalogue, titled in Cyrillic, also further Vystavka kartin A.V. Lentulova, signed, titled in Cyrillic and dated organizovannaya k 25-letiyu 1965 on the reverse; further khudozhestvennoi deyatel’nosti. inscribed with an authentication 1908–1933 , Moscow, by A.V. Popkov, the artist’s Vsekokhudozhnik, 1933, p. 33, son. Tempera on paper, 42.5 by possibly one of the Sebastopol 58 cm. Provenance: Acquired studies listed under Nos. directly from the artist’s family. 230–232. M. Lentulova, Private collection, Europe. Khudozhnik Aristarkh Lentulov. Estimate: £60,000.00 - £90,000.00 Vospominaniya , Moscow, Sovetskii khudozhnik, 1969, p. 134, possibly listed as Chelovek s velosipedom. Lot: 138 Estimate: £75,000.00 - £90,000.00 * GERASIMOV, SERGEI( 1885- 1964) Still Life with Peonies ,signed and dated 1960. Oil on canvas, 91 by 74.5 cm. Lot: 134 Provenance: Private collection, * LENTULOV, ARISTARKH( USA. Authenticity of the work 1882-1943) Kerch Factory . Oil has been confirmed by the on canvas, 117 by 129 cm. granddaughter of the artist L. Painted in 1930. Provenance: Gerasimova. Authenticity has Acquired directly from the also been confirmed by the artist’s family. Private collection, expert V. Petrov. Europe. Authenticity certificate Estimate: £30,000.00 - £40,000.00 from the experts T. Mikhienko and T. Levina. Estimate: £75,000.00 - £90,000.00 Lot: 139 * POPKOV, VIKTOR( 1932-1974) Roosters, from the series Lot: 135 “Tselinnyi sovkhoz Izhevskiy― * LENTULOV, ARISTARKH( ,signed, titled in Cyrillic and 1882-1943) A Family Portrait , dated 1961 on the reverse, inscribed with an authentication further inscribed with an by M. Lentulova, the artist’s authentication by A.V. Popkov, daughter, on the reverse. Oil on the artist’s son. Gouache on canvas, 65.5 by 89 cm. Painted paper, 59.5 by 83 cm. in 1924. Provenance: Acquired Provenance: Acquired directly directly from the artist’s family. from the artist’s family. Private Private collection, Europe. collection, Europe. Authenticity certificate from the Estimate: £30,000.00 - £40,000.00 experts T. Mikhienko and T. Levina. Estimate: £65,000.00 - £70,000.00 Lot: 140 * POPKOV, VIKTOR( 1932-1974) Kolya ,signed and inscribed in Lot: 136 Cyrillic with an authentication by * LENTULOV, ARISTARKH( A.V. Popkov, the artist’s son, on 1882-1943) Reading the the reverse. Gouache on paper, Newspapers . Oil on canvas, 106 63.5 by 65 cm. Painted in the by 134 cm. Painted in the 1930s. 1960s. Provenance: Acquired Provenance: Acquired directly directly from the artist’s family. from the artist’s family. Private Private collection, Europe. collection, Europe. Authenticity Estimate: £45,000.00 - £50,000.00 certificate from the experts T. Mikhienko and T. Levina. Estimate: £75,000.00 - £90,000.00

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Lot: 141 Lot: 146  ERDELYI, ADALBERT( 1891- * PLASTOV, ARKADY( 1893- 1955) Rural Landscape ,signed. 1972) Picking Summer Flowers Oil on canvas, 30 by 33.5 cm.  ,signed with initials. Oil on paper, Estimate: £6,000.00 - £9,000.00 laid on canvas, 73 by 51 cm. Provenance: Acquired directly from the grandson of the artist. Exhibited: Discreet Charm of a Faint Object of Desire , Art- Divage Gallery, Moscow, 2003, No. 41. Literature: Exhibition catalogue, Discreet Charm of a Lot: 142 Faint Object of Desire , Moscow,  ERDELYI, ADALBERT( 1891- Art-Divage Gallery, 2003, No. 41, 1955) Harvesting ,signed. Oil on illustrated. cardboard, 34.5 by 50 cm.  Estimate: £40,000.00 - £60,000.00 Estimate: £8,000.00 - £12,000.00

Lot: 147  SAMOKHVALOV, ALEXANDER( 1894-1971) May , inscribed with an authentication by M. Samokhvalova, the Lot: 143 artist’s daughter, on the  ERDELYI, ADALBERT( 1891- reverse. Oil on canvas, 85.5 by 1955) Portrait of a Lady in a 70 cm. Painted in the 1950s. Green Jacket ,signed and dated Provenance: Estate of the artist. 1929. Oil on canvas, 65 by 54 Private collection, UK. cm.  Authenticity of the work has been Estimate: £15,000.00 - £20,000.00 confirmed by the expert Yu. Rybakova. Estimate: £40,000.00 - £60,000.00

Lot: 144 Lot: 148 * MILASHEVSKY, VLADIMIR( * KONCHALOVSKY, PETR( 1893-1976) The Belaya River . 1876-1956) Birch Trees in Oil on canvas, 60 by 80 cm. Spring ,signed and dated 1955, Painted in 1935. Provenance: further numbered “1682― on the Private collection, USA. reverse. Oil on canvas, 90 by Estimate: £12,000.00 - £18,000.00 71.5 cm. Authenticity certificate from L.M. Konchalovsky, the artist’s grandson. Authenticity of the work has been confirmed by the expert I. Geraschenko. Exhibited: The 16th Exhibition of Lot: 145 Works by P.P. Konchalovsky , * GONCHAROV, ANDREI( 1903- Moscow, 1956. The 17th 1979) Woman Sleeping ,signed. Exhibition of Works by P.P. Oil on canvas, 99.5 by 99 cm. Konchalovsky , Leningrad, 1956. Painted in 1957. Provenance: Literature: P. Konchalovsky. Collection of Dr Lothar Bolz, Khudozhestvennoe nasledie , Germany. Thence by descent to Moscow, Iskusstvo, 1964, p. 159, the previous owner. Authenticity listed as “zhi 1391―. of the work has been confirmed Estimate: £60,000.00 - £90,000.00 by the expert V. Petrov. Literature: Y. Nekhoroshev, Andrey Goncharov , Leningrad, Aurora, 1973, No. 62, illustrated. Lot: 149 Estimate: £30,000.00 - £40,000.00  KONCHALOVSKY, PETR( 1876-1956) Still Life. Snipes ,signed, also further signed, numbered "720" and dated 1928 on the reverse. Oil on canvas, 40.5 by 80 cm. Authenticity certificate from L.M. Konchalovsky, the artist’s

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grandson. Authenticity of the a particular charm. The Garth is work has been confirmed by the among these works. The colour expert S. Rimskaya-Korsakova. here is undoubtedly close to Exhibited: The 6th Exhibition of reality, but its heightened Works by Petr Konchalovsky , intensivity and distinctive painting Leningrad, 1929. The 7th technique of broad, parallel Exhibition of Works by Petr brushstrokes, give the work a Konchalovsky , Moscow, 1930. tremulousness, a poetry, a sense The 15th Exhibition of Works by of something left unsaid. Petr Konchalovsky , Moscow, Saryan’s palette is 1951. Literature: metaphorical. In emphasising the Konchalovsky. contrasts between his blue- Khudozhestvennoe nasledie , green, yellow and lilac tones, the Moscow, Iskusstvo, 1964, p. 118, artist is accentuating a very listed as “zhi 586―. distinctive feature of his eastern Estimate: £50,000.00 - £70,000.00 homeland – the blinding light, which seems to radiate from within the picture. Pure, resonant Lot: 150 colours are laid on the canvas in * SARYAN, MARTIROS( 1880- long, distinct strokes, creating 1972) The Garth ,signed and sparkling modulations of colour, dated 1909. Tempera on canvas, imbued with sunlight. The 62.5 by 74.5 cm. Provenance: coalescing colours of the bright Acquired directly from the vegetation, the wild birds and the artist’s family. Private “fleeing― human foot, which collection, Canada. The Garth seems to dissolve into the deep is one of the last in Saryan’s blue of the background, embody brilliant series of tempera works, a dream in which nature is one known by the collective title of harmonious whole. The artist Fancies and Dreams . senses the closeness, the Commencing in 1905, this organic kinship of all natural captivating group of Symbolist phenomena in life and allows us works reflected the artist’s to feel it in his art. In the interest in the latest trends in refinement and fragility of the European painting. Even in the pictorial images we see traces of earliest of the Fancies , which a Symbolist influence, but the were closely aligned with the brightness and optimism of stylistic experimentation of the Saryan’s palette single out this Blue Rose group of Russian painting from other works of his artists (of which Saryan was a Blue Rose colleagues. Judging member), the young painter was by exhibition catalogues of the experimenting with an 1900s, Saryan evidently painted unconstrained handling of form a whole cycle of works of this and colour and an enthusiasm for kind, but their location is now Primitivism and Orientalism. unknown. Today only a few However, by the time Saryan pictures in the collections of painted The Garth his style had museums, such as Hot Day. At been enriched by new and the Well , Pomegranate Tree , distinctive features thanks to his By the Water and By the Sea. acquaintance with the Sphinx , give an idea of the discoveries of French artist’s work of the period, and Impressionism and Post- this outstanding tempera work Impressionism. The generally The Garth . Symbolist nature of his images is Estimate: £200,000.00 - achieved by the depiction of a £250,000.00 divinely beautiful natural environment – in which people, plants, animals, birds and even Lot: 151 wild beasts live together * SARYAN, MARTIROS( 1880- peacefully as a single family – 1972) Erivan ,signed and dated and the application of singing, 1914. Oil on canvas, laid on flowing linear rhythms as well as cardboard, 33 by 47 cm. a fairytale feel to the painted Provenance: Private collection, forms. To this is added the USA. In June 1914 Martiros expressive colour of the warm Saryan was in Erivan (as the southern light, lending his works Armenian capital was called in of the second half of the decade Russian until 1936). This we

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know from a letter to the is too little in evidence nowadays. celebrated Symbolist poet, art The picture is of undoubted critic and artist Maximilian artistic value and of great Voloshin: “At present I am in significance. Rouzan Saryan, Erivan, [...] I intend to spend a Director of the Saryan House- week here and then head off Museum deeper into the mountains and Estimate: £50,000.00 - £70,000.00 lose myself for a while―. Working conditions were difficult, and after a week in Yerevan Lot: 152 Saryan had produced only a few  BURLIUK, DAVID( 1882-1967) small studies. The Erivan Study Still Life with a Vase of Flowers in this catalogue is a rare and sui by the Sea ,signed. Oil on generis example from the canvas, 89 by 69 cm.  artist’s career, differing from his Estimate: £30,000.00 - £40,000.00 other works of this period in the brilliance and richness of the palette. This study can be considered a precursor to “Saryan’s Armenia―. Here he has already identified all the basic motifs and compositional Lot: 153 principles that will come to typify * BURLIUK, DAVID( 1882-1967) his urban landscapes of the Sea at Night ,signed. Oil on 1920s and 1930s. Sunlight is canvas, 25.5 by 35.5 cm.  reflected off the walls of flat- Estimate: £10,000.00 - £12,000.00 roofed houses and the turquoise sky is reflected in their windows. To the left, in the depths of the garden is a little house with a red roof, overshadowed on two sides by the walls of the surrounding buildings. The low hill on the Lot: 154 horizon is painted in broad, bold * BURLIUK, DAVID( 1882-1967) strokes. It is separated from the Spanish Town ,signed, inscribed houses by gardens and three "Spain" and dated 1945. Oil on striking, pyramidshaped poplars, canvas, 35.5 by 45.5 cm. pin-pointing the highest point of Provenance: Private collection, the composition. Poplars were a USA. characteristic element of urban Estimate: £6,000.00 - £9,000.00 landscapes in old Erivan. The crowns of the trees pictured here incline slightly to the left, while a small cloud is propelled from right to left by the wind. In the Lot: 155 foreground, with just a couple of  TYSHLER, ALEXANDER( 1898- brush-strokes Saryan portrays a 1980) Portrait of a Woman with a cock and a hen. He injects life Glass ,signed and dated 1967. into his landscapes by Oil on cardboard, 31 by 26.5 cm. introducing animals and people, Provenance: Private collection, and he does this masterfully. Belgium. Here, in this instance he has Estimate: £15,000.00 - £20,000.00 added two figures walking on the flat roof of an outhouse whose movement is balanced by the slightly left-leaning crests of the Lot: 156 trees. It seems the man, in wide,  SUDEIKIN, SERGEI( 1882- oriental-style trousers and a 1946) The Family . Oil on hood, is walking in front, followed canvas, 55.5 by 71 cm. by the woman, wearing a white Provenance: Estate of the artist garment patterned in red, her (label on the reverse). mouth covered with a dark Estimate: £45,000.00 - £50,000.00 kerchief. The picture is suffused with sunlight, it pleases the eye and lifts the spirits, creating a sense of total harmony between man and nature – a feeling that

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Lot: 157 collect material but also to reach * YAKOVLEV, ALEXANDER( a new phase in my creative 1887-1938) Crossing the Kemo, development―. Judging by the in Oubangui-Chari ,signed and works he produced, his wish was dated 1925. Oil on canvas, 75.5 fulfilled. Those exhibited at the by 52.5 cm. Provenance: first three travelling exhibitions, Private collection, Europe. organised in the course of the Authenticity of the work has been expedition, were admired not confirmed by the expert Yu. only by fellow-members of the Rybakova. Exhibited: A. expedition but also by the local Iacovleff, Stanleyville , Belgian inhabitants. After his return, Congo, 1925. Possibly A. Yakovlev showed his work at a Iacovleff , Galerie J. Charpentier, large-scale solo exhibition in Paris, 7–23 May 1926. “the most prominent art salon in Literature: Exhibition catalogue, Paris―, the Galerie Jean A. Iacovleff , Galerie J. Charpentier. After her visit, the Charpentier, Paris, 1926, p. 5, artist Anna Ostroumova- possibly listed as No. 49, Lebedeva admired Yakovlev’s L’Oubangui . L. Thornton, Les “tremendous success― at that Africanistes, peintres voyageurs time – the greatest success, she 1860–1960 , Paris, A.C.R. said, of all the Parisian artists. Edition, 1990, p. 117, illustrated. She noted that during the C. Haardt de la Baume, exhibition’s run there was no Alexandre Iacovleff, l’artiste periodical or newspaper that did voyageur , Paris, Flammarion, not feature articles about and 2000, p. 26, illustrated as La photographs of Yakovlev’s traversée de la Kemo . Related work: “The writers of the articles literature: For a photograph of considered him highly gifted.― the crossing of the Kemo, see Konstantin Somov also praised Fabien Sabatés, La Croisière the exhibition, adding that Noire Citroën , Paris, Eric Yakovlev’s works were “in Baschet Editions, 1980. great demand, and they say he Alexander Yakovlev painted has sold almost all of them Crossing the Kemo, in Oubangui- already, for several hundred Chari in early 1925 in Central thousand francs―. In a letter to Africa, in Oubangui-Chari (at that his sister, Somov reported that time a French colony), during a Yakovlev was awarded the Trans-African expedition Légion d’honneur and that the organised by the French president visited the exhibition. automobile manufacturer Citroën. This was indeed genuine The expedition lasted from recognition of the talent and hard October 1924 to June 1925 and work of this Russian artist, who turned out to be of great value in had created his works during testing new half-track vehicles, overnight bivouacs, after the assembling unique ethnographic, draining heat and arduous travel zoological and botanical of the days. The exhibition collections and creating a mass comprised 228 works – 88 of documentary and artistic paintings and 140 drawings, in material. Over the course of the which the artist recorded the expedition they shot film footage, landscape and the indigenous took thousands of photographs people of the Sahara, Sudan, and the artist Alexander Yakovlev Niger, Tchad, French Equatorial produced hundreds of first-class Africa, Belgian Congo, drawings and paintings: portraits Mozambique and Madagascar. of the indigenous population and Among the works exhibited was expedition members, landscapes Crossing the Kemo, in Oubangui- and narrative works recounting Chari . Comparing it with the lives of African tribes. The photographs taken in Oubangui- artist worked in the most varied Chari on the border with the and sometimes difficult Belgian Congo, it is evident that conditions, striving to record the artist has created a artistically, and with extreme composite image of the crossing accuracy and authenticity, every of one of the many river interesting event, occurrence, boundaries which the expedition person and animal. Setting off members had to negotiate. In for Africa, Yakovlev, by his own planning his composition the admission, wanted “not only to artist brought together a narrative

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element, concentrated mainly in to the St Petersburg critics, the the lower part of the picture, and “great hope of young Russian an African landscape, featuring a art―. Dr Elena Yakovleva, art narrow river (or small tributary) historian and gently-sloping banks on Estimate: £180,000.00 - which exotic Macarangas trees £220,000.00 are growing – with their typically fantastical supporting roots, long, contorted trunks and intertwined Lot: 158 branching crowns. Tree-trunks * GLOUSCHENKO, NIKOLAI( on the two sides of the river are 1901-1977) Still Life with linked by stout cables, enabling a Flowers ,signed and dated 1956. pontoon ferry to cross. The high Oil on canvas, 100 by 80 cm. viewpoint taken for this depiction Exhibited: Contemporary Soviet of the near bank and the crossing Painting , Gekkoso Gallery, allowed the artist to show the Tokyo, 1975 (label on the extraordinary body movements of reverse). Literature: Exhibition the dark-skinned ferrymen, catalogue, Contemporary Soviet skillfully manipulating poles and Painting , Tokyo, 1975, illustrated. ropes. It is as if he were inviting Estimate: £20,000.00 - £30,000.00 the viewer to take an overview of the process of mooring the wooden raft of three-inch planks placed on top of two long, parallel Lot: 159 * SHUKHAEV, VASILY( 1887- pirogues; to watch how the 1973) Georgian Landscape Africans haul on the ropes and ,signed and dated 1959. how, up to their knees in water, Tempera on canvas, 69 by 116 they push the heavy pontoon cm. Authenticity of the work has structure towards the bank and, been confirmed by the expert E. bracing themselves with their Ivanova. Authenticity has also staffs against the river bed, been confirmed by the expert T. enable the ferry to make fast to Yermakova. the bank. Thanks to this Estimate: £50,000.00 - £70,000.00 operation the ferry has successfully moored and the vehicle with its trailer has disembarked on to the bank. It Lot: 160 appears that this crossing, unlike * BURLIUK, DAVID( 1882-1967) some others, has not presented New York ,signed and dated too many problems. Perhaps this 1928. Oil on canvas, 46 by 51 is why the artist has here made cm. Authenticity of the work has the landscape the dominant been confirmed by ARTEC element of the picture, occupying Investigating Group, USA. the greater part of it. The Estimate: £40,000.00 - £60,000.00 impeccable composition appears easy and unstudied as, incidentally, do the compositions of Yakovlev’s other African Lot: 161 works. The graphic nature of this § POGEDAIEFF, GEORGES( painting, typical of this artist’s 1894-1977) Funeral Procession work of the mid-1920s, is seen ,signed. Oil on board, 55 by 122 here in the precision of the cm.  outlines, the boldness of the Estimate: £12,000.00 - £18,000.00 drawing and the clearly-defined modelling of the tree-trunks. The restrained colour range of the picture is also in harmony with the composition. The landscape depicted here draws associations with Neo-Classicism: Yakovlev had already been praised as an outstanding Neo-Classicist back in the 1910s, early in his painting career, when he had just graduated from the Higher Art School at the Imperial Academy of Fine Arts. He was, according

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Lot: 162 Lot: 167 § POGEDAIEFF, GEORGES( * NISSKY, GEORGY( 1903- 1894-1977) Mountainous 1987) Submarine in the Barents Landscape, Provence ,signed Sea ,signed, further inscribed in and dated 1968, also further Cyrillic on the reverse. Oil on signed, inscribed and dated on canvas, 69 by 127.5 cm. the artist's studio label on the Authenticity of the work has been reverse. Oil on board, 46 by 27 confirmed by the expert V. Petrov. cm.  Estimate: £12,000.00 - £15,000.00 Estimate: £3,000.00 - £5,000.00

Lot: 168 Lot: 163 § POGEDAIEFF, GEORGES( § LAPCHINE, GEORGES( 1885- 1894-1977) Still Life with Roses, 1950) Bouquet of Flowers an Apricot and Wine ,signed, also ,signed. Oil on canvas, 60 by 73 further signed, titled, inscribed cm.  and dated 1967 on the artist's Estimate: £15,000.00 - £20,000.00 studio label on the reverse. Oil on board, 46 by 38 cm.  Estimate: £5,000.00 - £7,000.00

Lot: 169 Lot: 164 § POGEDAIEFF, GEORGES( § ALTMAN, ALEXANDER( 1885- 1894-1977) Rustic Still Life with 1950) Landscape with River a Bottle of Wine ,signed and ,signed. Oil on canvas, 89 by 116 dated 1963, also further signed, cm.  titled and dated on the artist's Estimate: £28,000.00 - £35,000.00 studio label on the reverse. Oil on board, 64.5 by 46 cm.  Estimate: £5,500.00 - £7,000.00

Lot: 170 Lot: 165 § POGEDAIEFF, GEORGES( § ZHUKOVSKY, STANISLAV( 1894-1977) Mountainous Road 1875-1944) Winter Landscape ,signed. Oil on panel, 45.5 by ,signed. Oil on board, 34 by 48 54.5 cm.  cm.  Estimate: £3,500.00 - £5,000.00 Estimate: £20,000.00 - £30,000.00

Lot: 171 Lot: 166 § POGEDAIEFF, GEORGES( * GERASIMOV, SERGEI( 1885- 1894-1977) Herring on a Green 1964) Landscape with Trees Plate ,signed and dated 1966, ,signed on the reverse. Oil on also further signed, titled, canvas, 52 by 66.5 cm. Painted inscribed and dated on the c. 1914. Provenance: A gift artist's studio label on the from the artist to Ivan Gorokhov reverse. Oil on board, 38 by 55 (inscription on the reverse). cm.  Thence by descent. Private Estimate: £4,000.00 - £6,000.00 collection, Europe. Authenticity of the work has been confirmed by the expert V. Petrov. Estimate: £15,000.00 - £20,000.00 Lot: 172 § POGEDAIEFF, GEORGES( 1894-1977) Still Life with Fruit ,signed. Oil on canvas, 54 by 65 cm.  Estimate: £5,000.00 - £7,000.00

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Lot: 173 volume of his selected works § POGEDAIEFF, GEORGES( occupy a special place in Petrov- 1894-1977) Church on a Grey Vodkin’s oeuvre. The artist Day ,signed. Oil on panel, 46 by selected five tales to illustrate: 55 cm.  Mother , from Tales of Italy ; Estimate: £4,000.00 - £6,000.00 Lullaby and The Cemetery from the collection Through Russia ; Fire and A Girl and Death . In each of his illustrations Petrov-Vodkin endeavoured to capture the most distinctive and vivid images from the story. The Lot: 174 watercolour Irakli Vyrubov is § POGEDAIEFF, GEORGES( one of two surviving examples 1894-1977) Still Life with Fruit from this notable series. It and Champagne ,signed twice, reveals Petrov-Vodkin to be a once indistinctly, and dated 1960, mature artist who well also further signed, inscribed and understands both the specific dated on the artist's studio label requirements and the possibilities on the stretcher. Oil on canvas, of book illustration, deploying 38 by 55 cm.  with an easy hand his media of Estimate: £3,500.00 - £5,000.00 choice: pencil and translucent watercolour, which allows no margin for error. Irakli Vyrubov, Lot: 175 the hero of Gorky’s short story § POGEDAIEFF, GEORGES( The Cemetery , stands at the 1894-1977) Landscape ,signed, gate of his house, looking just as also further signed, inscribed and the author had imagined him: dated "15. XII. 57" on the artist's “enormous, stooped and clean- studio label on the reverse. Oil on shaven like a cook, Vyrubov was board, 50 by 61 cm.  always anxiously hoisting up his Estimate: £5,000.00 - £7,000.00 trousers which slipped off his belly – a belly stuffed, probably, with watermelons. His thick, greedy lips were slightly open and in his colourless eyes was a Lot: 176 frozen expression of insatiable  WEREFKIN, MARIANNE( 1860- hunger―. However, the artist 1938) Two Women in a Street visibly softens Gorky’s stern Café . Pencil, ink, gouache and characterisation with his fluid watercolour on grey paper, 24.5 drawing style and delicate, blue- by 19.5 cm.  ish palette which lends the scene Estimate: £30,000.00 - £40,000.00 a gentle hint of detached irony rather than social censure. In his illustration for The Cemetery , Petrov-Vodkin is not only anxious that the drawing should fit the Lot: 177 story: he is also in a way * PETROV-VODKIN, KUZMA( preparing the reader for the text. 1878-1939) Irakli Vyrubov. Like Gorky, he too had grown up Illustration for Maxim Gorky's in the Volga region and had "The Cemetery" ,signed and travelled a great deal around inscribed in Cyrillic. Pencil and Russia. Therefore, he could watercolour on paper, 28 by 22 convincingly recreate the living cm (sheet size). Provenance: conditions, landscapes and, Private collection, Europe. primarily, the distinctive Authenticity of the work has been appearance of the various confirmed by the experts E. protagonists in his illustrations, Zhukova and V. Silaev. which were at times based on his Literature: M. Gorky, Izbrannye own experiences. proizvedeniya , Moscow, Estimate: £65,000.00 - £90,000.00 Gosudarstvennoe izdatel’stvo khudozhestvennoi literatury, 1932, illustrated. The illustrations for several short stories by the classic Soviet writer Maxim Gorky, published in the 1932

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Lot: 178 consequence of a false * PETROV-VODKIN, KUZMA( conviction that the truth must 1878-1939) Tailpiece to "The inevitably be hidden under the Princess of the Tide" by Mikhail deceptive mantle of what is Lermontov ,signed with a outwardly visible, and there is monogram and inscribed in therefore a need to prove by Cyrillic. Pencil and ink on paper, direct experience, in other words 15 by 33.5 cm (sheet size). that it should hold up to scrutiny Provenance: M. Petrova- even outside the natural element Vodkina, the artist’s widow. in which it exists. The artist, like Collection of O. Desnitskaya, the poet before him, is inclined to Leningrad. Private collection, philosophising and portrays the Europe. Authenticity of the work subject in a symbolic manner, has been confirmed by the expert imparting to both the illustration Yu. Solonovich. Exhibited: and the tailpiece a multiplicity of M.Yu. Lermontov. K 125-letiyu so ideas and possible interpretations. dnya rozhdeniya (1814–1939) , Estimate: £60,000.00 - £90,000.00 The State Russian Museum, Leningrad, 1939, No. 423. Literature: Exhibition catalogue, Lot: 179 M.Yu. Lermontov. K 125-letiyu so § POGEDAIEFF, GEORGES( dnya rozhdeniya (1814–1939) , 1894-1977) A Complete Set of Moscow, Leningrad, Izdatel’stvo Illustrations for Nikolai Gogol’s Akademii Nauk SSSR, 1941, p. “Marriage―, consisting of 19 78, No. 423, listed; p. 116, finished illustrations, cover page illustrated. Lermontovskaya and 24 preparatory sketches , all Entsiklopediya , Moscow, 1981, finished illustrations signed, p. 414. This small pen and ink mostly with initials. Pencil, tailpiece, executed with great charcoal and watercolour on artistry and elegance, illustrates paper, each finished illustration the most tragic moment in measuring approximately 22 by Lermontov’s last ballad – the 17 cm (paper size). The death of the Princess of the Tide. illustrations are presented in the Removed from her watery original portfolio, designed by the element, the beautiful girl turns artist himself. Georges into a repulsive sea monster Pogedaieff is one of the most “with a tail covered in snake’s remarkable Russian émigré scales, All writhing coils, artists. His work provided a trembling and dying―. The young connecting link between Russian man who has made her his and European culture and vastly “catch― is the cause of the enriched the treasure-house of princess’s death (“look how my 20th-century art. Incredibly gifted catch struggles―). The moment from childhood, the young artist of her death is the culmination of started taking painting lessons at the poem. At this instant the the age of thirteen with Professor prince recognises in the chthonic Ya. Tsionglinsky, in 1915 he monster a living creature entered Professor Kasatkin’s suffering and dying like a human- studio at the Moscow School of being: “Pale hands grasping at Painting, Sculpture and the sand, Lips whispering an Architecture and completed his unintelligible reproach―. The training in Russia at the St young man’s desire to remove Petersburg Academy of Arts the cloak of secrecy from under Professors D. Kardovsky existence has proved to be fatal, and G. Zaleman. From 1918, but the main tragedy is that the Pogedaieff could be said to have very path he has taken in his come into his own as a theatrical search for the truth of existence scenery designer, and his sets is based on mistrust for that for productions in St Petersburg which reveals itself to be of attracted the attention of leading value. The prince finishes the theatre critics. In 1920, after ballad a changed man, not the immigrating to Romania, he brave and conquering hero, but worked at the National Theatre in doomed to remember forever the Bucharest. The artist went on to Princess of the Tide and her fate. produce magnificent scenery for He himself is a victim of his truth- Anna Pavlova’s troupe when seeking experiment. The they performed in Prague. In the princess’s death is thus the years 1921–1924 he lived in

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Vienna and Berlin, where he Private collection, France. designed productions for Yasha Estimate: £6,000.00 - £9,000.00 Yuzhny’s legendary cabaret bar Der Blaue Vogel. Having settled in Paris in 1925, he branched out Lot: 182 from set design and painting by  YAKOVLEV, ALEXANDER( turning to illustrating classics of 1887-1938) Rhaled, a Palmyran Russian literature, including the Arab ,signed, inscribed and dated works of N. Gogol, M. Lermontov, "11 avr 1931". Charcoal and A. Chekhov and F. Dostoyevsky. pastel on paper, 52.5 by 36 cm. Pogedaieff ’s skill as an Provenance: Acquired by a illustrator is unquestionable. The senior executive at Citroën in the images he came up with for 1930s. Thence by descent. famous heroes of literature are Private collection, France. notable for the accuracy and Estimate: £8,000.00 - £12,000.00 sharpness of their characterisation. They instantly command the attention, making the reader want to open the book Lot: 183  WESTCHILOV, KONSTANTIN( immediately at a page familiar 1877-1945) The Persian since childhood. His manner of Princess ,signed, also further illustration is original. He signed, inscribed “Capri―, titled experiments with composition and numbered “N6― on the and intentionally enlarges the reverse. Oil on paper, 50 by 33 foreground of his subjects to cm. Provenance: Private introduce a theatrically collection, UK. Authenticity of the expressive effect. The artist work has been confirmed by the works using practically no colour: expert V. Petrov. with the seemingly simple tools of Estimate: £25,000.00 - £30,000.00 just paper and a charcoal pencil, he achieves striking results. His pictures come alive on the page and convey the language of the Lot: 184 great Russian classics. The  VRUBEL, MIKHAIL( 1856-1910) present illustrations for Nikolai Portrait of a Lady . Pencil and Gogol’s Marriage are a watercolour on paper, laid on splendid complete set, which cardboard, 16.5 by 4.5 cm. would grace even the most Authenticity of the work has been recherché collection of drawings. confirmed by the expert V. Petrov. Estimate: £22,000.00 - £28,000.00 Estimate: £35,000.00 - £40,000.00

Lot: 180 * YAKOVLEV, ALEXANDER( Lot: 185 1887-1938) Hala Kaduri, a * BAKST, LÉON( 1866-1924) Baghdadi Jew ,signed, titled and Cheval s'abreuvant . Pencil, dated "19 avril 1931". Sanguine watercolour and gouache on laid and pastel on paper, 76 by 55.5 paper, laid on cardboard, 33 by cm. Related literature: For a 48.5 cm. Provenance: Formerly sketch showing the same sitter, in the collection of Berthe see A. Iacovleff, Dessins et Tsipkevitch, the artist’s niece. peintures d’Asie, excécutés au Exhibited: Mostra cours de l’Expédition Citroën commemorativa dell’opera di Centre-Asie , Paris, Lucien Leon Bakst , Galleria del Vogel, 1934. Levante, Milan, Rome, Munich, Estimate: £35,000.00 - £50,000.00 1967, No. 82. Bakst. Centenary 1876–1976 , The Fine Art Society, Edinburgh, London, Lot: 181 1976, No. 114 (label on the  YAKOVLEV, ALEXANDER( reverse). Literature: Exhibition 1887-1938) Bivouac near the catalogue, Mostra Burzil Pass ,signed, inscribed commemorativa dell’opera di and dated "8 juillet 1931". Pastel Leon Bakst , Milan, Galleria del on paper , 55.5 by 75 cm. Levante, 1967, No. 82, listed. Provenance: Acquired by a Exhibition catalogue, Bakst. senior executive at Citroën in the Centenary 1876–1976 , London, 1930s. Thence by descent. The Fine Art Society, 1976, p. 50,

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No. 114, listed as The Horse, Lot: 190 Study for a Decor Related to a § SEREBRIAKOVA, ZINAIDA( Russian Theme . 1884-1967) Portrait of a Lady Estimate: £15,000.00 - £20,000.00 ,signed, inscribed "Paris" and dated 1934. Pastel on paper, 62.5 by 48 cm. Provenance: Lot: 186 Private collection, UK. § POGEDAIEFF, GEORGES( Estimate: £25,000.00 - £30,000.00 1894-1977) Costume Design for Three Clergymen ,signed with initials, inscribed and numbered "2". Pencil and watercolour on card, 34 by 36.5 cm.  Lot: 191 Estimate: £8,000.00 - £12,000.00 § SEREBRIAKOVA, ZINAIDA( 1884-1967) Female Portrait ,signed and dated 1937. Pastel on paper, laid on board, 61.5 by 47.5 cm.  Lot: 187 Estimate: £15,000.00 - £20,000.00 § GONCHAROVA, NATALIA( 1881-1962) Composition ,signed and inscribed in Cyrillic with a dedication. Pencil, gouache and watercolour on paper, 30 by 20 cm.  Lot: 192 Estimate: £30,000.00 - £40,000.00 * ROERICH, NICHOLAS( 1874- 1947) The Battle ,signed. Ink, watercolour and gouache on paper, laid on cardboard, 16 by 23.5 cm. Possibly painted c. Lot: 188 1906. Provenance: Roerich  ZDANEVICH, KIRILL( 1892- Museum, New York, USA, 1969) Set Design , Oil on 1926/27–1935. Collection of cardboard, 40 by 39.5 cm. Nettie and Louis Horch, USA, Provenance: Capitani Galleria from 1935. Thence by descent. d’Arte, Milano (label on the Private collection, USA. reverse). Private collection, Literature: Probably Roerich Europe. Authenticity certificate Museum Catalogue , New York, from the expert T. Klim. Roerich Museum, 1930, No. 614 Estimate: £20,000.00 - £30,000.00 or 625. The present lot is a rare example of Nicholas Roerich’s work from the mid 1900s – a Lot: 189 period which was particularly  SUDEIKIN, SERGEI( 1882- fruitful in terms of the artist’s 1946) Two Oriental Girls: creative development His bright, Tatiana Komisarjevsky-Balieff decorative style and profoundly and Natalia Molostova , inscribed individual approach to and numbered "26" on the interpreting scenes from history reverse. Pencil, ink, watercolour made him one of the most sought- and gouache on paper, 40.5 by after artists of his time. He 45 cm. Provenance: Jeanne exhibited prolifically and Soudeikine, the artist’s widow collaborated with the leading art (label on the reverse). Acquired periodicals of the day, including from the above by a private Vesy , Zolotoe Runo and Mir collector, Virginia, USA. Iskusstva . The stylistic Anonymous sale; Russian Art , characteristics of this work would Sotheby’s New York, 17 April suggest that it was created as an 2007, Lot 418. Acquired at the illustration for a similar above sale by the previous publication. owner. Private collection, UK. Estimate: £40,000.00 - £60,000.00 Estimate: £40,000.00 - £60,000.00

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Lot: 193 Lot: 198 * ERZIA, STEPHAN( 1876-1959) § BENOIS, NICOLAI( 1901-1988) Two Female Heads ,signed. Set Design with a Balustrade Wood, height 34 cm.  ,signed and inscribed with a Estimate: £15,000.00 - £20,000.00 dedication in Cyrillic. Pencil, ink, watercolour and gouache on paper, 27.5 by 44 cm. Provenance: Private collection, UK. Estimate: £5,000.00 - £7,000.00

Lot: 194 *§ VASSILIEFF, MARIE( 1884- Lot: 199 1957) Roofs of Paris , double- § BENOIS, NICOLAI( 1901-1988) sided work, signed on one side. Two Set Designs for “Sadko― , Gouache on paper, 39.5 by 31cm each signed and dated 1937, (image size). Provenance: each also further titled, inscribed Private collection, Switzerland. in Cyrilic “La Scala― and dated Estimate: £30,000.00 - £40,000.00 on the mount. Ink, charcoal, crayon, gouache and oil on paper, each measuring 24 by 31.5 cm. Provenance: Anonymous sale; Ballet and Lot: 195 Theatre Material , Sotheby’s § LARIONOV, MIKHAIL( 1881- London, 4 March 1982, Lots 58 1964) Three Women with and 59. Acquired at the above Umbrellas . Oil on canvasboard, sale by the previous owner. 35.5 by 27 cm.  Private collection, UK. Estimate: £25,000.00 - £35,000.00 Estimate: £10,000.00 - £15,000.00

Lot: 200 § SURVAGE, LÉOPOLD( 1879- 1968) Route de Toulouse Lot: 196 ,signed and dated 1924. Oil on * DOBUZHINSKY, MSTISLAV( canvas, 54.5 by 65.5 cm.  1875-1957) A Group of Four Estimate: £15,000.00 - £20,000.00 Costume Designs for the Opera “The Love for Three Oranges― , three signed with a monogram, inscribed and dated 1949, one also further signed and inscribed on the reverse; all four stamped Lot: 201 with the artist’s estate stamp on  YAKOVLEV, ALEXANDER( the reverse. One charcoal on 1887-1938) Seated Nude from paper, the other pencil, the Back ,signed. Sanguine on watercolour and gouache on paper, 60 by 47 cm.  paper, each measuring Estimate: £6,000.00 - £9,000.00 approximately 35 by 27 cm.  Estimate: £3,000.00 - £5,000.00

Lot: 197 § BENOIS, ALEXANDER( 1870- 1960) Set Design for "Alcina" Lot: 202 ,signed and dated “5–9. II.  YAKOVLEV, ALEXANDER( 1931―, further inscribed “inspiré 1887-1938) Seated Nude de Gulio Romano― on the ,signed. Sanguine on paper, 60 reverse. Ink, watercolour and by 47 cm.  gouache on paper, 32.5 by 40.5 Estimate: £6,000.00 - £9,000.00 cm.  Estimate: £12,000.00 - £15,000.00

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Lot: 203 Lot: 208  DOBUZHINSKY, MSTISLAV(  SORINE, SAVELY( 1878-1953) 1875-1957) Hall Interior ,signed A Book of Portraits , including and dated 1945. Pencil, Anna Pavlova, Prince and watercolour and gouache on Princess Obolensky and the cardboard, 39 by 46.5 cm.  Queen Consort Elizabeth Bowes- Estimate: £5,000.00 - £7,000.00 Lyon. Avant-Propos by André Salmon, Berlin, Edition Ganymed, 1929. Folio, 36 colour and black and white plates. Number 65 from an edition of 300 copies. Provenance: A gift from Lot: 204 the artist to Wright Ludington  DOBUZHINSKY, MSTISLAV( (inscribed with a signed 1875-1957) Living Room Interior dedication). ,signed and dated 1945. Pencil, Estimate: £8,000.00 - £12,000.00 watercolour and gouache on cardboard, 39 by 46.5 cm.  Estimate: £5,000.00 - £7,000.00 Lot: 209 § POGEDAIEFF, GEORGES( 1894-1977) Ballet Dancers ,signed and dated 1932. Charcoal, gouache and bronze Lot: 205 paint on card, 48.5 by 58.5 cm.  *§ SEREBRIAKOVA, ZINAIDA( Estimate: £4,000.00 - £6,000.00 1884-1967) Women Resting ,signed and dated 1915. Pencil, watercolour and gouache on paper, 49 by 39 cm.  Estimate: £7,000.00 - £9,000.00 Lot: 210  SOKOLOV, PETR( 1821-1899) The Night Watch, Illustration for “Sketches from a Hunter's Album― by I. Turgenev ,signed Lot: 206 and dated 1868. Pencil and  SHEVCHENKO, ALEXANDER( watercolour on paper, laid on 1883-1948) Courtyard ,signed, cardboard, 30 by 47 cm. inscribed "Paris" and dated 1906. Authenticity of the work has been Pencil, watercolour and gouache confirmed by the expert V. Petrov. on card, 23 by 10.5 cm. Estimate: £10,000.00 - £15,000.00 Provenance: Acquired directly from the artist’s family in the 1980s. Lot: 211 Estimate: £8,000.00 - £12,000.00  BOGOLIUBOV, ALEXEI( 1824- 1896) View of St Isaac's Cathedral from Ekaterinhof Lot: 207 ,signed and inscribed in Cyrillic *§ ANNENKOV, GEORGES( "from Ekaterinhof". Pencil, ink 1889-1974) Urban Landscape and wash on paper, laid on card, with a Woman on a Bench 15 by 23 cm. Provenance: ,signed. Ink and wax crayon on Private collection, UK. paper, 70 by 49.5 cm. Authenticity of the work has been Provenance: Private collection, confirmed by the expert V. Petrov. USA. Estimate: £15,000.00 - £20,000.00 Estimate: £20,000.00 - £30,000.00

Lot: 212  BESSONOV, BORIS( 1862- 1934) A Group of Three Country Scenes , each signed. Pencil and watercolour, heightened with white, on paper, each measuring approximately 18.5 by 24.5 cm. Authenticity of the work has been confirmed by the expert V. Petrov. Estimate: £7,000.00 - £9,000.00

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Lot: 213 Lot: 218  BENOIS, ALBERT( 1852-1936) § GRISHENKO, ALEXEI( 1883- Landscape with Two Figures 1977) Street in Albarracín, ,signed and inscribed in Cyrillic Aragon ,signed, further titled and “St Petersburg―. Watercolour dated 1934 on the artist’s studio and gouache on paper, laid on label on the reverse. Oil on cardboard, 33.5 by 49.5 cm.  panel, 65 by 46 cm.  Estimate: £5,000.00 - £7,000.00 Estimate: £5,000.00 - £7,000.00

Lot: 214 Lot: 219  MAKOVSKY, VLADIMIR( 1846-  GLOUSCHENKO, NIKOLAI( 1920) Musician and Pirate , two 1901-1977) River Landscape works, each signed twice, once ,signed. Oil on canvas, 46 by 61 with initials, inscribed in Cyrillic cm.  and numbered “252― and Estimate: £5,000.00 - £7,000.00 “253― respectively. Each ink and wash on paper, one measuring 58.5 by 44 cm, the other 58 by 43.5 cm. Both works in the present lot are copies after Karl Briullov and date from Makovsky’s time at the Moscow Lot: 220 * LABAS, ALEXANDER( 1900- School of Painting, Sculpture and 1983) Sailors in Moscow Architecture. ,signed, further titled in Cyrillic Estimate: £5,000.00 - £7,000.00 and dated 1956 on the reverse. Watercolour on paper, 43.5 by 64 cm.  Lot: 215 Estimate: £3,000.00 - £5,000.00 § BENOIS, ALEXANDER( 1870- 1960) Piazza San Marco ,signed and inscribed. Ink and watercolour on paper, 14 by 21 cm.  Lot: 221 Estimate: £2,000.00 - £3,000.00  RUDAKOV, KONSTANTIN( 1891-1949) Stroll in the Park ,signed and dated 1940. Watercolour and gouache on paper, 24 by 16 cm. Authenticity of the work has been confirmed Lot: 216 by the expert E. Zhukova.  WRIGHT, THOMAS( 1792- Estimate: £2,500.00 - £3,000.00 1849) Portrait of Ilya Mikhailovich Miklashevsky ,signed in Latin and Cyrillic and dated 1844. Pencil and Lot: 222 watercolour on paper, 18.5 by 15 *§ GRISHENKO, ALEXEI( 1883- cm.  1977) Bazaar near the Bayezid II Estimate: £3,000.00 - £5,000.00 Mosque, Istanbul ,signed, inscribed “Baiazidie― and dated “1 IX 20―, also further titled and dated on the reverse. Pencil Lot: 217 and watercolour on paper, 30.5  VINOGRADOV, SERGEI( 1869- by 20.5 cm.  1938) Portrait of the Artist's Wife Estimate: £1,500.00 - £2,000.00 Irina Voitsekhovskaya- Vinogradova ,signed, inscribed with a dedication and dated “13 December 1920―. Pencil, pastel Lot: 223  SHEVCHENKO, ALEXANDER( and charcoal on laid paper, 52 by 1883-1948) Architectural Study 38.5 cm. Provenance: Private ,signed with initials, extensively collection, Argentina. inscribed in Cyrillic and dated Authenticity of the work has been 1920. Ink and watercolour on confirmed by the expert V. Petrov. paper, 21 by 26 cm. Estimate: £6,000.00 - £9,000.00 Provenance: Acquired directly from the artist’s family in the

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1980s. Lot: 227 Estimate: £8,000.00 - £12,000.00  FALK, ROBERT( 1886-1958) Sailing Boats ,signed and inscribed "Paris". Gouache on Lot: 224 paper, 30.5 by 42.5 cm (image  DORMIDONTOV, NIKOLAI( size).  1898-1962) Dnieprostroi. Work Estimate: £5,000.00 - £7,000.00 in the Pit of the Middle Canal ,signed and dated 1931. Ink on paper, 65 by 49 cm. Provenance: Acquired by the present owner in the 1970s. Private collection, Scotland. Lot: 228 Authenticity of the work has been § BENOIS, ALEXANDER( 1870- confirmed by the expert V. 1960) Italian Landscape with a Petrov. Exhibited: Exhibition of Pink House ,signed, inscribed Soviet Art , Philadelphia, 1934 "Genzano" and dated 1903. (labels on the reverse). Related Pencil and watercolour, literature: For a similar work from heightened with white, on paper, the same series, see A. Nurok, 36 by 47 cm. Authenticity of the Mastera sovetskoi stankovoi work has been confirmed by the grafiki , Moscow, 1962, No. 8. In expert V. Petrov. 1930–31 Dormidontov worked Estimate: £10,000.00 - £15,000.00 on a series depicting the construction of the Dnieper Hydroelectric Station. Part of this Lot: 229 series is in the collection of the * TCHELITCHEW, PAVEL( 1898- State Tretyakov Gallery in 1957) Pears ,signed. Pencil and Moscow. crayons on paper, 21 by 27.5 cm. Estimate: £8,000.00 - £12,000.00 Provenance: McClees Galleries, Haverford, PA, USA. Private collection, USA. The Lot: 225 work will be included in the * ZAMIRAILO, VIKTOR( 1868- forthcoming monograph on P. 1939) A Riddle. Illustration for a Tchelitchew being prepared by A. Children’s Magazine ,signed Kouznetsoff. with initials, inscribed in Cyrillic Estimate: £3,000.00 - £5,000.00 and dated 1928, also further numbered “13― and inscribed in Cyrillic on the reverse. Pencil, Lot: 230 ink and wash on paper, 43.5 by * FALK, ROBERT( 1886-1958) 35 cm. Provenance: Private House Along the Road ,signed, collection, Europe. Authenticity inscribed “Paris― and dated certificate from the expert V. 1936. Gouache on paper, laid on Silaev. card, 37 by 51 cm. Provenance: Estimate: £8,000.00 - £12,000.00 Acquired directly from the artist. Thence by descent. Anonymous sale; Fine Art, Old Masters to Lot: 226 Contemporary , Sotheby’s New § GONCHAROVA, NATALIA( York, 13 June 2007, Lot 354. 1881-1962) Rayonist Acquired at the above sale by the Composition ,signed, inscribed present owner. “Rayonnisme―, further Estimate: £5,000.00 - £7,000.00 inscribed “A mon cher ami I.K. Fletcher― and dated 1912. Crayon and gouache on paper, Lot: 231 18 by 27 cm (paper size).  ARCHIPENKO, ALEXANDER( Provenance: Gift from the artist 1887-1964) Nude ,signed, to Ifan Kyrle Fletcher, London. further numbered on the reverse. Anonymous sale; Icons, Russian Coloured pencils on card, 48 by Pictures and Works of Art , 36.5 cm. Provenance: Acquired Sotheby’s London, 15 directly from the artist by the December 1993, Lot 128. father of the previous owner. Estimate: £5,000.00 - £7,000.00 Estimate: £10,000.00 - £12,000.00

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Lot: 232 Lot: 237 § MAREVNA, MARIE( 1892-  BILIBINE, IVAN( 1876-1942) 1984) Standing Nude ,signed, Illustration for "The Frog inscribed "Conny" and dated Princess" ,signed twice with 1937. Pencil and watercolour on initials and dated 1931. Ink and paper, 28.5 by 25 cm.  watercolour on paper, 22 by 28 Estimate: £12,000.00 - £15,000.00 cm. Literature: Contes de l’isba , Paris, Boivin et Cie, 1931, p. 110, illustrated in black and white. Estimate: £5,000.00 - £7,000.00 Lot: 233  YAKOVLEV, ALEXANDER( 1887-1938) Portrait of Leonid Lot: 238 Sologub ,signed, inscribed § KRYLOFF, BORIS( 1891-1977) "Capri", inscribed with a Village Scene ,signed, inscribed dedication to L. Sologub and "Paris" and dated 1938. dated 1933. Sanguine on paper, Watercolour on paper, 32 by 27 laid on cardboard, 64 by 47 cm.  cm.  Estimate: £7,000.00 - £9,000.00 Estimate: £1,000.00 - £2,000.00

Lot: 234  KHODASEVICH, VALENTINA( 1894-1970) Oriental Couple Lot: 239 ,signed with a monogram. Pencil,  LATRI, MIKHAIL( 1875-1942) watercolour and gouache on Seascape ,signed. Oil on card, paper, 39.5 by 30 cm. 35.5 by 62 cm. Authenticity of Authenticity of the work has been the work has been confirmed by confirmed by the expert V. Petrov. the expert V. Petrov. Estimate: £6,000.00 - £9,000.00 Estimate: £3,000.00 - £5,000.00

Lot: 235  DOBUZHINSKY, MSTISLAV( 1875-1957) Female Portrait Lot: 240 ,signed with a monogram and  VERESHCHAGIN, VASILY dated "16.XII.935". Charcoal and PETROVICH( 1835-1909) watercolour, heightened with Dressing of the Bride ,signed. white, on paper, 48.5 by 35 cm. Pencil, ink and wash, heightened Provenance: Collection of the with white, on card, 21.5 by 28 artist’s family. Anonymous sale; cm. Authenticity of the work has The Russian Sale , Sotheby’s been confirmed by the expert V. New York, 11 June 1997, Lot 73. Petrov. Literature: Niva , No. Estimate: £3,000.00 - £5,000.00 31, 1883, p. 733, illustrated. Estimate: £3,000.00 - £5,000.00

Lot: 236  MALIAVIN, PHILIPPE( 1869- Lot: 241 1940) Couple Sleeping ,signed.  EGOROV, ANDREI( 1878- Pencil and coloured chalk on 1954) Sunny Winter Day paper, 42 by 30 cm.  ,signed. Gouache on cardboard, Estimate: £2,000.00 - £3,000.00 32.5 by 49 cm. Provenance: Acquired by the grandfather of the present owner in the 1940s in Moscow. Private collection, UK. Authenticity of the work has been confirmed by the expert V. Petrov. Estimate: £2,000.00 - £3,000.00

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Lot: 242 Lot: 247  EGOROV, ANDREI( 1878- § BENOIS, ALEXANDER( 1870- 1954) Winter Scene with Sleigh 1960) Costume Designs for the ,signed. Gouache on cardboard, Wicked Fairy Godmother and the 35 by 50.5 cm. Provenance: Mouse Pulling Her Wagon in Acquired by the grandfather of “The Sleeping Beauty― , two the present owner in the 1940s in works, one signed, titled “La Moscow. Private collection, UK. bella addormentata―, inscribed Authenticity of the work has been and dated 1953, the other confirmed by the expert V. Petrov. signed with initials, inscribed and Estimate: £2,000.00 - £3,000.00 dated 1957. Pencil, ink, watercolour and gouache on paper, each measuring 24.5 by Lot: 243 15.5 cm.   BAKST, LÉON( 1866-1924) Estimate: £1,000.00 - £1,500.00 André Levinsohn, Léon Bakst, Berlin, E. Wasmuth, [1925] . 68 plates, mostly in colour, and Lot: 248 mounted black and white and  MAKOVSKY, ALEXANDER( colour illustrations. Quarter 1869-1924) The Volga River leather binding. Number 202 ,signed. Oil on canvas, 60 by 70 from the German edition of 250 cm. Provenance: Private copies. collection, UK. Authenticity of the Estimate: £1,500.00 - £2,000.00 work has been confirmed by the expert V. Petrov. Estimate: £30,000.00 - £50,000.00 Lot: 244  BAKST, LÉON( 1866-1924) The Designs of Léon Bakst for the Lot: 249 Sleeping Princess, New York,  PEROV, NIKOLAI( 1883-1963) Charles Scribner’s Sons, 1923. Virgin and Child ,signed and Lithographic portrait of Bakst dated 1921. Oil and gold paint on after Picasso, 54 colour plates canvas, 90.5 by 60 cm. and two colour illustrations in the Authenticity of the work has been text. Number 484 from a limited confirmed by the expert V. Petrov. edition of 1,000 numbered Estimate: £5,000.00 - £7,000.00 copies, 500 of which were reserved for the United States of America. Estimate: £1,500.00 - £2,000.00 Lot: 250  NESTEROV, MIKHAIL( 1862- Lot: 245 1942) Sergius of Radonezh ,signed. Oil on canvasboard, 22  BAKST, LÉON( 1866-1924) by 17.5 cm. Provenance: Léon Bakst, Berlin, E. Wasmuth, Possibly acquired by the father of [1927] , with an introduction by the previous owner in Russia, c. Carl Einstein. 42 plates, 19 of 1916–1917. Authenticity of the which are coloured by pochoir, work has been confirmed by the and six illustrations. Quarter expert V. Petrov. The present lot leather binding. Number 171 appears to be a study for the left from an edition of 330 copies side of the triptych The Labours Estimate: £1,500.00 - £2,000.00 of Sergius of Radonezh , now in the collection of the State Tretyakov Gallery. Lot: 246 Estimate: £5,000.00 - £7,000.00  BAKST, LÉON( 1866-1924) L'Art décoratif de Léon Bakst, Paris, Maurice de Brunoff, 1913. Mounted photogravure frontispiece, 77 mounted plates, all but one after Bakst, 50 printed in colour and four folding. Original half vellum gilt.  Estimate: £3,000.00 - £5,000.00

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Lot: 251 Sacha Guitry et ses amis , Musée  KUSTODIEV, BORIS( 1878- du Luxembourg, Paris, 30 1927) Portrait of a Girl Wearing September–27 October 1985, a Scarf ,signed and dated 1902. No. 451. Literature: Exhibition Oil on canvas, laid on cardboard, catalogue, Sacha Guitry et ses 39.5 by 32.5 cm. Provenance: amis , Paris, p. 80, No. 451, Important private collection, listed. Lucien Guitry, born in Germany. Authenticity of the Paris in 1860, was one of the work has been confirmed by the greatest actors of his time. In expert T. Zelyukina. 1885 he signed with the famous Estimate: £100,000.00 - Mikhailovsky Theatre in St £150,000.00 Petersburg. While in the Russian capital he associated with the intellectual elite, becoming close friends with Pyotr Tchaikovsky. Lot: 252 Guitry’s son Sacha was born in  KLEVER, YULI( 1850-1924) Russia and was named in honour Winter Landscape ,signed and of Tsar Alexander III. dated 1917, also further inscribed Estimate: £25,000.00 - £35,000.00 with a dedication to Mikhail Kotlyarov and dated "27/X 1917" on the reverse. Oil on canvas, 68 by 48 cm. Provenance: Private Lot: 256 collection, Europe.  MAKOVSKY, KONSTANTIN( Estimate: £30,000.00 - £40,000.00 1839-1915) La Parisienne ,signed, also further signed in Latin and Cyrillic, titled “Golovka― in Russian and “La Lot: 253 Parisienne― in French and dated  AIVAZOVSKY, IVAN( 1817- 1902 on the reverse. Oil on 1900) Russian Fleet at Sunset canvas, 45.5 by 35.5 cm. ,signed and dated 1888. Oil on Authenticity of the work has been paper, laid on canvas, 22 by 35.5 confirmed by the expert V. Petrov. cm. Provenance: Anonymous Estimate: £50,000.00 - £70,000.00 sale; Russian Pictures, Works of Art and Icons , Sotheby’s, London, 28 November, 1991, Lot 483. Private collection, UK. Lot: 257 Authenticity of the work has been  RACHKOV, NIKOLAI( 1825- confirmed by the expert V. Petrov. 1895) Little Flower Seller ,signed Estimate: £50,000.00 - £70,000.00 and dated 1869. Oil on canvas, 76.5 by 63.5 cm. Provenance: Private collection, UK. Authenticity of the work has been Lot: 254 confirmed by the expert V.  SYCHKOV, FEDOT( 1870- Petrov. Little Flower Seller is 1958) Friends ,signed. Oil on one of the best works by Nikolai canvas, 85 by 55.5 cm. Yefimovich Rachkov, a major Provenance: Lemercier Gallery, Russian master of 19th-century Moscow (stamp on the reverse). genre portraiture who was Authenticity of the work has been extremely popular in the 1870s confirmed by the experts N. and 1880s in both Russian Bolshakova and E. Shilova. capitals. He was particularly Authenticity has also been famous for his skilfully painted confirmed by the expert V. images of women and children, Petrov. executed with an easy charm and Estimate: £65,000.00 - £90,000.00 grace. The artist’s sensitivity and powers of observation enabled him to avoid Lot: 255 sentimentality in his treatment of * MAKOVSKY, KONSTANTIN( his pretty subjects. Rachkov was 1839-1915) Portrait of Lucien born in Nizhegorodsky province. Guitry . Oil on canvas, 64 by 51 His father was an art teacher who cm (oval). Provenance: undoubtedly exerted some Formerly in the collection of influence on his son’s artistic André Bernard, France (stamp on development. In 1838 he entered the frame). Authenticity of the Arzamas, a well-established work has been confirmed by the painting school which was the expert V. Petrov. Exhibited: alma mater of many celebrated

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painters, including Vasily Perov. Petersburg, 2003, p. 128, No. After graduating, Rachkov stayed 10–60, listed. on at Arzamas and taught there Estimate: £70,000.00 - £90,000.00 before moving to Moscow in the 1860s, where he exhibited extensively and soon won Lot: 260 recognition. His paintings were  KISELEV, ALEXANDER( 1838- accorded prizes from the Imperial 1911) Hamlet ,signed and dated Academy of Arts and were shown “24 iyulya 1887―. Oil on at the Paris World Fair. They canvas, 32 by 53 cm. were acquired by celebrated Provenance: Possibly acquired collectors such as Pavel at the 16th Exhibition of the Tretyakov and Kozma Society for Itinerant Art Soldatenkov. The present lot is Exhibitions by A.G. Rubinshtein. one of Rachkov’s strongest Private collection, Europe. works. His subject appears to be Authenticity of the work has been a young flower-seller, who confirmed by the expert V. captivates the viewer with her Petrov. Exhibited: Possibly serious and sincere gaze. The The 16th Exhibition of the Society picture derives its particular for Itinerant Art Exhibitions, charm from the unforced 1888–1889 , No. 52. Possibly elegance of the young model’s The 17th Exhibition of the Society pose, tightly holding her bouquet for Itinerant Art Exhibitions, of colourful wild flowers and 1889–1890 , No. 62. Literature: momentarily lost in her thoughts. G. Romanov, Tovarishchestvo These humble flowers symbolise peredvizhnykh the girl’s simple beauty and the khudozhestvennykh vystavok. fallen petals remind us that time 1871–1923. Entsiklopediya , St passes quickly and youth is Petersburg, 2003, p. 111, No. transient. 5–52, and p. 118, No. 4–62, Estimate: £80,000.00 - listed. £120,000.00 Estimate: £70,000.00 - £90,000.00

Lot: 258 Lot: 261 * KLEVER, YULI( 1850-1924) *§ SOLOGUB, LEONID( 1884- Sunset over a Ukrainian Hamlet 1956) A Collection of Paintings ,signed and dated 1915. Oil on and Drawings .  The collection canvas, 78.5 by 143 cm. consists of 137 works and Provenance: Private collection, includes: 11 oil paintings on Europe. Authenticity of the work canvas, most of which are has been confirmed by the expert signed, the largest measuring 56 V. Petrov. by 46 cm and the smallest 38.5 Estimate: £80,000.00 - by 46 cm. 126 drawings, £120,000.00 watercolours and oil sketches depicting scenes from the First World War. Various media, some Lot: 259 signed, inscribed and dated, the  KISELEV, ALEXANDER( 1838- largest measuring 28.5 by 41.5 1911) Down by the Stream cm and the smallest 7.5 by 5 cm. ,signed and dated “15 iyulya Estimate: £25,000.00 - £30,000.00 1887―. Oil on canvas, 31 by 53 cm. Provenance: Possibly acquired at the 18th Exhibition of Lot: 262 the Society for Itinerant Art  BOGDANOV-BELSKY, Exhibitions by N.F. Korf, Kiev. NIKOLAI( 1868-1945) Girl Private collection, Europe. Reading in a Meadow ,signed Authenticity of the work has been and dated 1939. Oil on canvas, confirmed by the expert V. 70.5 by 89 cm. Provenance: Petrov. Exhibited: Possibly Acquired by the father of the The 18th Exhibition of the Society present owner in Riga in 1939. for Itinerant Art Exhibitions , Private collection, the 1889–1890, No. 60. Literature: Netherlands. The work will be G. Romanov, Tovarishchestvo included in the forthcoming peredvizhnykh monograph on Bogdanov-Belsky khudozhestvennykh vystavok. being prepared by A. Kouznetsoff. 1871–1923. Entsiklopediya , St Estimate: £28,000.00 - £40,000.00

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Lot: 263 the Academy for the benefit of * KRACHKOVSKY, IOSIF( 1854- poor students and the widows 1914) Twilight ,signed and dated and orphans of artists. His 1910. Oil on canvas, 78 by 98 artistic mastery and active civic cm. Provenance: Private position earned him official collection, UK. Authenticity of the recognition from the Russian work has been confirmed by the authorities: In 1870, in expert N. Ignatova. Authenticity connection with his 50th birthday, has also been confirmed by the he was awarded the Order of St expert V. Petrov. Related Stanislaus, 2nd class, for his literature: For similar works, see many years of contribution to G. Romanov and A. Muratov, Russian art. Painted at the peak Khudozhniki russkogo salona of his fame, the present work 1850–1917 , St Petersburg, features Belloli’s favourite Zolotoi vek, 2004, p. 334. model of the 1870s – a dark- Estimate: £40,000.00 - £60,000.00 haired, sensuous, southern European beauty who is easily recognisable from his monumental historical Lot: 264 canvasses. We find Judith in * KRACHKOVSKY, IOSIF( 1854- Holofernes’ luxurious tent at a 1914) Landscape with Setting moment of heroic resolve. Her Sun ,signed. Oil on canvas, 77.5 arm is extended towards the by 87.5 cm. Provenance: sword, and her feverish gaze Private collection, Europe. directed towards her enemy who Authenticity of the work has been is sleeping in his bed, but the confirmed by the expert N. nature of the drapery and her Ignatova. Authenticity has also “advantageous― pose are been confirmed by the expert V. undoubtedly decorative. Belloli Petrov. successfully displays his virtuoso Estimate: £50,000.00 - £70,000.00 handling of the nude in an historical canvas. The formidable Vladimir Stasov, one of the most Lot: 265 eminent critics of the 19th * BELLOLI, ANDREI( 1822-1881) century, wrote of the artist’s Judith ,signed. Oil on canvas, “inimitable portraits portraying 196.5 by 139 cm. Executed c. pomaded cherubs and perfumed 1872. Provenance: Collection maidens and ladies, which create of an Italian noble family. an effect simply by means of a Authenticity of the work has been bare elbow or neck―. confirmed by the expert V. Estimate: £100,000.00 - Petrov. Belloli arrived in St £120,000.00 Petersburg at the end of the 1850s. A graduate of the Academy of St Luke, he rapidly Lot: 266 gained popularity in aristocratic § ISSUPOFF, ALESSIO( 1889- circles as a result of the frescoes 1957) Nude with a Mirror and plafonds which he produced ,signed. Oil on canvas, 133 by for the tsar’s box at the 92.5 cm. Provenance: Private Mariinsky Theatre and for the collection, UK. Authenticity of the Church of the Resurrection at work has been confirmed by the Catherine Palace in Tsarskoe expert V. Petrov. Selo. The artist soon found Estimate: £40,000.00 - £60,000.00 himself inundated with high society commissions and portrait painting gradually became one of the principal genres in his Lot: 267 oeuvre. Year after year Belloli * LEVCHENKO, PIOTR( 1859- played an active part in the 1917) A Flock of Sheep ,signed. artistic life of the northern Oil on board, 18.5 by 33.5 cm. Russian capital and in 1861, as a Authenticity certificate from the regular participant of academic expert V. Petrov. exhibitions and “in honour of his Estimate: £20,000.00 - £25,000.00 art and achievements in the arts―, Belloli was awarded the title of academician of portrait painting. In 1869 he even organised a one-man show at

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Lot: 268 in 1926, it was Roerich whom § ZHUKOVSKY, STANISLAV( Smirnov-Rusetsky considered his 1875-1944) Forest Lake ,signed primary artistic mentor and it is and dated 1934, also further Roerich’s influence which is signed and inscribed on the present in the work now offered reverse. Oil on canvas, 77.5 by for auction. Mountain of Light is 78 cm. Authenticity of the work characteristic of the Amaravella has been confirmed by the expert group, of which Smirnov- V. Petrov. Rusetsky was a member. The Estimate: £60,000.00 - £90,000.00 exotic and poetic name of this group, formed by six artists in 1927, is of Sanskrit derivation. Although the word does not have Lot: 269 a single, clear translation, this § ZHUKOVSKY, STANISLAV( unusual cipher has variously 1875-1944) Tracks in the Snow been interpreted as “the light ,signed and dated 1928. Oil on that supports―, “creative canvas, 62 by 74 cm. energy―, “green shoots of Authenticity of the work has been immortality― and “the brink of confirmed by the expert V. Petrov. immortality―. But most important Estimate: £25,000.00 - £30,000.00 of all were the distinctive creative attitudes and world view of the members of the Amaravella group. Their goal was to express Lot: 270 in the language of art the * SMIRNOV-RUSETSKY, philosophical essence of new BORIS( 1905-1993) Mountain of scientific discoveries about the Light ,signed. Oil on cardboard, life of the universe: about the 67.5 by 76 cm. Provenance: mysterious interrelation between Private collection, USA. cosmic rhythms and the Earth, Exhibited: Probably Amaravella about the place of man in the Exhibition , Corona Mundi Art universe, about the creative Centre (The Roerich Museum), evolution of reason, about death New York, 1927. Mountain of and immortality. The major Light is an outstanding example stimuli to their quests were of the early work of the Cosmist Roerich’s various activities and artist Boris Smirnov-Rusetsky. It the seeking of Eastern thinkers is most probably one of the two and mystics. works chosen by Nicholas Estimate: £20,000.00 - £30,000.00 Roerich for the 1927 New York exhibition that he organised under the auspices of his Corona Lot: 271 Mundi art centre. Roerich’s  SUDEIKIN, SERGEI( 1882- main aim in organising the 1946) The Shepherd's Dream . exhibition was to focus attention Tempera on cardboard, 40 by on the art of young Russia and 51.5 cm. Painted in the 1910s. the Russian artists’ works were Authenticity certificate from the indeed widely reported in the expert O. Glebova. Authenticity American press. One of the of the work has been confirmed reviews mentions this particular by the expert D. Volyak. picture, as by “another very Estimate: £30,000.00 - £50,000.00 gifted artist, Boris Smirnov, whose paintings Tree and Mountain of Light are simple and Lot: 272 dramatic and have an inner depth § BENOIS, ALEXANDER( 1870- that draws the viewer in―. 1960) Versailles ,signed and Exceptionally gifted even as a dated 1903. Oil on canvas, 46.5 child, Smirnov-Rusetsky began by 38.5 cm. Authenticity of the painting at the age of fifteen. His work has been confirmed by the uncle, the celebrated art historian expert V. Petrov. Alexander Pavlovich Ivanov, Estimate: £25,000.00 - £35,000.00 exerted a strong spiritual influence on the young artist and introduced him to his good friend Roerich. Although he studied under other outstanding artists at VKhUTEMAS, which he entered

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Lot: 273 Lot: 278  KOTARBINSKY, VASILY( 1849- * SVERCHKOV, NIKOLAI( 1817- 1921) Moonlit Serenade ,signed. 1898) Bear Hunters in the Oil on canvas, 107 by 254 cm. Blizzard ,signed and dated 1886. Authenticity of the work has been Oil on canvas, 48.5 by 73.5 cm. confirmed by the expert V. Petrov. Authenticity of the work has been Estimate: £150,000.00 - confirmed by the expert V. Petrov. £200,000.00 Estimate: £20,000.00 - £30,000.00

Lot: 274 Lot: 279 § VASSILIEFF, MARIE( 1884-  SVERCHKOV, NIKOLAI( 1817- 1957) Saint with a Dove ,signed 1898) Champion ,signed and and dated 1931, also further dated 1880. Oil on canvas, 60 by signed and inscribed with a 80 cm.  dedication on the reverse. Estimate: £30,000.00 - £40,000.00 Collage with pencil and mixed media on paper, 31 by 24 cm. Provenance: Acquired directly from the artist by the family of the present owner in 1931. Authenticity of the work has been confirmed by Claude Bernès. Lot: 280 * KOSHELEV, NIKOLAI( 1840- Estimate: £3,500.00 - £5,000.00 1918) Male Portrait , inscribed in Cyrillic "Jerusalem" and dated "13 June 96". Oil on cardboard, Lot: 275 28 by 23 cm. Authenticity of the * STOLITSA, EVGENI( 1870- work has been confirmed by the 1929) Ukrainian Village in expert V. Petrov. Summer ,signed and dated 1911. Estimate: £15,000.00 - £20,000.00 Oil on board, 36.5 by 56 cm. Authenticity of the work has been confirmed by the expert V. Petrov. Estimate: £5,000.00 - £7,000.00 Lot: 281  KLEVER, YULI (THE YOUNGER) (1882-1942) Still Life with Fish ,signed and dated 1909. Oil on canvas, 47 by 62.5 Lot: 276 cm. Authenticity of the work has  SURIKOV, VASILY( 1848-1916) been confirmed by the expert V. Portrait of a Boyarynya , Petrov. indistinctly signed. Oil on canvas, Estimate: £10,000.00 - £15,000.00 49 by 38 cm. Provenance: Acquired by the present owner in the 1980s. Authenticity of the work has been confirmed by the Lot: 282 expert N. Lapidus.  BOUCHARD, PAUL LOUIS( Estimate: £30,000.00 - £40,000.00 1853-1937) View of the Kremlin and Cathedral of Christ the Saviour in Winter ,signed and Lot: 277 inscribed with a dedication. Oil on canvas, 36.5 by 55.5 cm.   ROSEN, KARL( 1864-1934) Estimate: £10,000.00 - £15,000.00 Pine Trees ,signed. Oil on canvas, 120 by 81 cm. Authenticity of the work has been confirmed by the expert V. Petrov. Estimate: £12,000.00 - £18,000.00 Lot: 283  GERMASHEV, MIKHAIL( 1867- 1930) Winter Landscape ,signed. Oil on canvas, 65 by 81 cm. Provenance: Private collection, UK. Authenticity of the work has been confirmed by the expert V. Petrov. Estimate: £8,000.00 - £10,000.00

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Lot: 284 Lot: 289 * PASHKOFF, GEORGY( early § SINEZOUBOFF, NIKOLAI( 20th century) Archangel Michael 1891-1956) Île Saint-Louis, Paris . Oil on cardboard, 41 by 58.5 ,signed and dated 1938, also cm.  further titled and dated on the Estimate: £2,000.00 - £3,000.00 reverse. Oil on cardboard, 52 by 33.5 cm.  Estimate: £3,500.00 - £5,000.00

Lot: 285 Lot: 290  LAKHOVSKY, ARNOLD( 1880- § SINEZOUBOFF, NIKOLAI( 1937) Megève ,signed, also 1891-1956) Vase with Flowers further signed and titled on the ,signed and dated 1938. Oil on reverse. Oil on canvas, 60 by 73 cardboard, 52 by 33.5 cm.  cm. Authenticity of the work has Estimate: £4,000.00 - £6,000.00 been confirmed by the expert V. Petrov. Estimate: £3,000.00 - £5,000.00

Lot: 286 Lot: 291 * LAKHOVSKY, ARNOLD( 1880- § PESKÉ, JEAN( 1870-1949) 1937) Old Lady Knitting ,signed. Mother and Children ,signed, Oil on canvas, 71 by 59 cm. also further signed and dated Provenance: Private collection, 1939 on the stretcher. Oil on USA. canvas, 81.5 by 100 cm.  Estimate: £2,000.00 - £4,000.00 Estimate: £18,000.00 - £25,000.00

Lot: 287 Lot: 292 * BOGDANOV-BELSKY,  SVETLITSKY, GRIGORI( 1872- NIKOLAI( 1868-1945) Country 1947) From the Carriage Lane ,signed. Oil on canvas, 66 Window ,signed and dated 1928, by 78.5 cm. Authenticity of the also further signed, inscribed and work has been confirmed by the titled in Cyrillic on the reverse. Oil expert I. Geraschenko. The work on cardboard, 43.5 by 33.5 cm.  will be included in the Estimate: £7,000.00 - £9,000.00 forthcoming monograph on Bogdanov-Belsky being prepared by A. Kouznetsoff. Estimate: £40,000.00 - £60,000.00 Lot: 293 § UNGEWITTER, HUGO( 1869- c.1944) Man with Horse and Lot: 288 Dogs ,signed, inscribed "Berlin" * BOGDANOV-BELSKY, and dated 1920. Oil on canvas, NIKOLAI( 1868-1945) Two Girls 88 by 139 cm.  on a Swing ,signed. Oil on Estimate: £12,000.00 - £18,000.00 canvas, laid on board, 85.5 by 70 cm. Provenance: Acquired directly from the artist by the present owner’s family in 1940. Private collection, Latvia. Thence by descent. Private collection, Lot: 294 Canada. This work will be  BESSONOV, BORIS( 1862- included in the forthcoming 1934) Winter Landscape monograph on N. Bogdanov- ,signed. Oil on canvas, 54 by 65 Belsky being prepared by A. cm.  Kouznetsoff. Estimate: £5,000.00 - £7,000.00 Estimate: £30,000.00 - £40,000.00

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Lot: 295 Lot: 300  BESSONOV, BORIS( 1862- § BENOIS, NADIA( 1896-1975) 1934) Landscape with View of the Thames ,signed and Haystacks ,signed. Oil on dated 1932. Oil on canvas, 46 by canvas, 65.5 by 81 cm.  67 cm.  Estimate: £5,000.00 - £7,000.00 Estimate: £3,000.00 - £5,000.00

Lot: 296 Lot: 301  REMIZOV, NIKOLAI( 1887- * KOROVIN, KONSTANTIN( 1975) Russian Tavern ,signed 1861-1939) Le Pont Neuf, Paris and dated 1921. Gouache on ,signed and inscribed "Paris". Oil paper, 52.5 by 67 cm. on canvas, laid on cardboard, Provenance: Collection of the 40.5 by 50.5 cm. Provenance: actor Akim Tamiroff, USA (stamp Private collection, USA. on the reverse). Private Estimate: £50,000.00 - £70,000.00 collection, UK. Estimate: £35,000.00 - £50,000.00

Lot: 302 Lot: 297  ROUBAUD, FRANTS( 1856-  MALIAVIN, PHILIPPE( 1869- 1928) Caucasian Riders at Rest 1940) Portrait of an Old Bearded ,signed and dated 1917. Oil on Man ,signed. Oil on canvas, 80 canvas, 59.5 by 83 cm. by 68.5 cm. Provenance: Provenance: Galerie del Private collection, UK. Vecchio, Leipzig (label on the Estimate: £40,000.00 - £60,000.00 reverse). Private collection, UK. Authenticity of the work has been confirmed by the expert V. Petrov. Estimate: £40,000.00 - £60,000.00

Lot: 298 * PETROVICHEV, PIOTR( 1874- Lot: 303 1947) Summer Landscape with *§ VIGH, BERTALAN( 1890- a Mill ,signed and indistinctly 1946) The Bibi-Khanym Mosque dated. Oil on board, 44 by 70.5 in Samarkand ,signed and cm. Provenance: Formerly in indistinctly dated. Oil on canvas, the collection of a French 121 by 142 cm. Authenticity of gentleman living in Moscow. A the work has been confirmed by work titled Moulin figures in the the expert V. Petrov. inventory of his Moscow flat Estimate: £15,000.00 - £20,000.00 drawn up in 1918. Authenticity of the work has been confirmed by the expert V. Petrov. Estimate: £18,000.00 - £25,000.00 Lot: 304 * MANEVICH, ABRAHAM( 1881- 1942) Landscape with Artist , stamped with the artist’s Lot: 299 signature, also further twice * PETROVICHEV, PIOTR( 1874- stamped with the artist’s estate 1947) Winter Landscape ,signed stamp on the stretcher. Oil on and dated 1918. Oil on board, 34 canvas, 50.5 by 69 cm. by 50 cm. Provenance: Provenance: Estate of the artist. Formerly in the collection of a Collection of Steve Motyka, French gentleman living in Rhode Island. Private collection, Moscow. A work titled En hiver Delaware, USA. Authenticity of figures in the inventory of his the work has been confirmed by Moscow flat drawn up in 1918. Alan Pensler and Mimi Ginsberg, Authenticity of the work has been authors of Abraham Manievich , confirmed by the expert V. Hudson Hills Press, 2011. Petrov. Estimate: £8,000.00 - £12,000.00 Estimate: £10,000.00 - £15,000.00

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Lot: 305 Lot: 311 § SINEZOUBOFF, NIKOLAI(  REMIZOV, NIKOLAI( 1887- 1891-1956) Still Life with Pears 1975) Village Scene ,signed. Oil ,signed and dated 1933, also on oilcloth, laid on board, 29.5 by further signed on the reverse. Oil 39.5 cm.  on canvas, 61 by 50 cm.  Estimate: £3,000.00 - £5,000.00 Estimate: £8,000.00 - £12,000.00

Lot: 306 Lot: 312 § SURVAGE, LÉOPOLD( 1879- § TERECHKOVITCH, 1968) La Ferme ,signed and CONSTANTIN( 1902-1978) dated 1913. Oil on canvas, 46 by Nathalie with Fruits, Spring in 55 cm. This work will be included Menton ,signed, inscribed in the forthcoming Léopold "Menton, Printemps" and dated Survage catalogue raisonné 1950. Oil on paper, laid on being prepared by Eric Brosset. canvas, 65 by 50 cm. Estimate: £15,000.00 - £20,000.00 Provenance: Acquired directly from the artist by the family of the previous owner. Authenticity certificate from France Lot: 307 Terechkovitch, the artist’s  MALIAVIN, PHILIPPE( 1869- daughter. 1940) Portrait of a Young Man in Estimate: £7,000.00 - £9,000.00 Blue Spectacles ,signed. Oil on canvas, 72.5 by 53.5 cm.  Estimate: £18,000.00 - £25,000.00 Lot: 313 § ALTMAN, ALEXANDER( 1885- 1950) White House by a River ,signed. Oil on canvas, 55 by 46 cm.  Estimate: £10,000.00 - £15,000.00 Lot: 308 * CHALIAPIN, BORIS( 1904- 1979) Model in Black Stockings ,signed, inscribed "N.Y." and dated 1939. Oil on canvas, 61 by 39 cm. Provenance: Private collection, USA. Lot: 314 Estimate: £4,000.00 - £6,000.00 *§ PRESSMANE, JOSEPH( 1904- 1967) View of a Town ,signed. Oil on canvas, 80 by 100.5 cm. Provenance: Private collection, Israel. Lot: 309 Estimate: £6,000.00 - £9,000.00 * REMIZOV, NIKOLAI( 1887- 1975) Tulips ,signed and dated 1933. Oil on canvas, 58.5 by 49 cm. Provenance: Private collection, USA. Estimate: £3,000.00 - £5,000.00 Lot: 315 § PAVIL, ELIE ANATOLE( 1873- 1948) Provincial Town ,signed. Oil on canvas, 40.5 by 51.5 cm.  Estimate: £5,000.00 - £7,000.00 Lot: 310 * REMIZOV, NIKOLAI( 1887- 1975) Still Life with Books and Pink Flowers ,signed. Oil on cardboard, 40 by 51 cm. Provenance: Private collection, USA. Estimate: £2,500.00 - £3,000.00

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Lot: 316 Savitskiy , Moscow, 1948.  GRINBERG, VLADIMIR( 1896- Posthumous Exhibition of G. 1942) Urban Landscape , Savitskiy , USSR Academy of stamped with the artist's studio Arts, Moscow; The State stamp and numbered "290" on Russian Museum, Leningrad, the reverse and on the stretcher. 1954. Literature: E. Polishchuk, Oil on canvas, 54.5 by 68 cm. G.K. Savitskiy , Moscow, Provenance: Acquired directly Iskusstvo, 1961, p. 188, listed. from the artist’s family. Estimate: £5,000.00 - £7,000.00 Literature: Vladimir Grinberg (1896–1942). Khudozhnik Leningrada , Moscow, Skorpion, Lot: 321 2008, p. 180, No. 175, illustrated.  GLAZUNOV, ILYA( B. 1930) Estimate: £15,000.00 - £20,000.00 Portrait of a Russian Beauty ,signed. Oil and mixed media on panel, 112 by 71 cm (without Lot: 317 frame). Executed in 1968.  PROSHKIN, VIKTOR( 1899- Provenance: Acquired directly 1958) Tuchkov Embankment, from the artist by the previous Leningrad ,signed, titled in Cyrillic owner. Exhibited: Ilja Glazunov and dated 1936 on the reverse; ja Suomi , Kiasma Museum of further inscribed with an Contemporary Art, Helsinki, 21 authentication by V. Proshkin, the May–29 August 2010; Kuntsi artist's son. Oil on canvas, 69.5 Museum of Modern Art, Vaasa, by 50 cm. Provenance: 29 September–28 November Acquired directly from the 2010. Literature: Exhibition artist’s son. catalogue, Ilja Glazunov ja Estimate: £15,000.00 - £20,000.00 Suomi , Helsinki, 2010, p. 34, illustrated. Estimate: £15,000.00 - £20,000.00 Lot: 318  KORZHEV, GELI( B. 1925) Nude in the Bathroom ,signed Lot: 322 and indistinctly inscribed in § ARUTYUNYAN, SOREN( B. Cyrillic on the reverse. Oil on 1950) The Ladder ,signed and canvas, 79.5 by 59.5 cm. dated 1980, also further signed, Provenance: Acquired directly titled in Cyrillic and dated on the from the artist by the present reverse. Oil on canvas, 101 by owner. Authenticity of the work 76.5 cm. Provenance: Private has been confirmed by the artist. collection, UK. Estimate: £25,000.00 - £30,000.00 Estimate: £5,000.00 - £6,000.00

Lot: 319 Lot: 323  KORZHEV, GELI( B. 1925) § ARUTYUNYAN, SOREN( B. Failed Again, from the series 1950) Five Kopeks ,signed and "Tyurliki" ,signed twice, titled in dated 1979, also further signed, Cyrillic and dated 1990 on the titled in Cyrillic and dated on the reverse. Oil on canvas, 38 by 24 reverse. Oil on canvas, 94 by 66 cm. Provenance: Acquired cm. Provenance: Private directly from the artist by the collection, UK. present owner. Estimate: £5,000.00 - £6,000.00 Estimate: £4,000.00 - £6,000.00

Lot: 324 Lot: 320 * SHENDEROV, ALEXANDER(  SAVITSKIY, GEORGIY( 1887- 1897-1967) By the Mirror ,signed 1949) Port in Odessa ,signed with a monogram and dated and dated 1924. Oil on board, 1960. Oil on canvas, 95.5 by 68 33.5 by 49.5 cm. Provenance: cm. Literature: Alexander Acquired directly from the Shenderov, The Life of the Artist artist’s family by the present through the Mirror of Time , Kiev, owner. Authenticity of the work Mistetstvo, 2007, p. 101, has been confirmed by the illustrated. expert V. Petrov. Exhibited: G. Estimate: £5,000.00 - £7,000.00 Savitskiy , Moscow, 1941. G.

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Lot: 325 Lot: 329 * TSELKOV, OLEG( B. 1934)  SVESHNIKOV, BORIS( 1927- Big-Headed Person ,signed, also 1998) Forget-me-not Seller . Oil further signed twice, titled in on canvas, 61.5 by 98.5 cm. Russian and English, inscribed Provenance: Private collection, and dated 1980 on the reverse. Tunisia. Oil on canvas, 89 by 116 cm. Estimate: £10,000.00 - £15,000.00 Authenticity of the work has been confirmed by the artist. Estimate: £50,000.00 - £70,000.00

Lot: 330 Lot: 326  SVESHNIKOV, BORIS( 1927- § RABIN, OSCAR( B. 1928) 1998) The Sunken City ,signed Moscow Building No. 150 ,signed with a monogram, further titled in and dated 1963, also further titled Cyrillic on the reverse. Oil on in Cyrillic, inscribed and dated canvas, 79.5 by 99 cm. on the reverse. Oil on canvas, Provenance: Important private 89.5 by 110.5 cm. Provenance: collection, Italy. Acquired from the Grosvenor Estimate: £35,000.00 - £50,000.00 Gallery by the father of the present owner in 1965. Private collection, UK. Authenticity of the work has been confirmed by the Lot: 331 artist. Exhibited: Rabin.  SVESHNIKOV, BORIS( 1927- Paintings 1956–1965 , 1998) City Scene ,signed with a Grosvenor Gallery, London, 10 monogram, further inscribed with June–3 July 1965, No. 56 (label a dedication in Cyrillic on the on the reverse). Literature: reverse. Oil on canvas, 94.5 by Exhibition catalogue, Rabin. 65 cm. Provenance: Important Paintings 1956–1965 , London, private collection, Italy. 1965, No. 56, listed as Moscow Estimate: £35,000.00 - £50,000.00 Street No. 150 . The work will be included in the forthcoming Oscar Rabin catalogue raisonné being Lot: 332 prepared by A&C Projects,  SVESHNIKOV, BORIS( 1927- Michèle and Marc Ivasilevitch. 1998) A Mysterious Dream Estimate: £20,000.00 - £30,000.00 ,signed with a monogram. Oil on board, 65.5 by 83.5 cm. Provenance: Important private Lot: 327 collection, Italy. * FAIBISOVICH, SEMION( B. Estimate: £25,000.00 - £30,000.00 1949) Crimea ,signed with initials and dated 1986, also further signed, titled in Cyrillic and dated on the reverse. Oil on board, 85 by 140 cm. Lot: 333 Authenticity of the work has been  SVESHNIKOV, BORIS( 1927- confirmed by the artist. 1998) Black Spring ,signed with Estimate: £20,000.00 - £30,000.00 a monogram, further titled in Cyrillic on the reverse. Oil on canvas, 63 by 104 cm. Provenance: Important private Lot: 328 collection, Italy.  SVESHNIKOV, BORIS( 1927- Estimate: £30,000.00 - £50,000.00 1998) Mediaeval Village Scene ,signed and dated 1950. Oil on canvas, 57 by 86.5 cm. Provenance: Private collection, Lot: 334 Tunisia.  SVESHNIKOV, BORIS( 1927- Estimate: £10,000.00 - £15,000.00 1998) Lady with a Dog , titled in Cyrillic and numbered "40" on the reverse. Ink on paper, 22.5 by 28 cm. Provenance: Important private collection, Italy. Estimate: £2,000.00 - £3,000.00

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Lot: 335 Lot: 340  SVESHNIKOV, BORIS( 1927-  KHARITONOV, ALEXANDER( 1998) On the Bridge , titled in 1932-1993) Little Horse ,signed, Cyrillic and numbered “15― on titled in Cyrillic and dated the reverse. Ink on paper, 24.5 “August 1986―. Oil on canvas, by 31 cm. Provenance: 26 by 36 cm. Provenance: Important private collection, Italy. Acquired directly from the artist Estimate: £2,000.00 - £3,000.00 by the present owner. Private collection, Canada. Estimate: £5,000.00 - £7,000.00

Lot: 336  WEISBERG, VLADIMIR( 1924- Lot: 341 1985) Reclining Nude , § MASTERKOVA, LYDIA( 1927- numbered and dated “15/xi/77― 2008) Composition No. 2 ,signed on the reverse. Watercolour on and dated 1991, also further paper, 35.5 by 48.5 cm. signed, inscribed, titled and Provenance: Acquired directly dated on the reverse. Mixed from the artist by the previous media on canvas, 92 by 73 cm. owner. Provenance: Acquired directly Estimate: £6,000.00 - £9,000.00 from the artist by the present owner. Estimate: £20,000.00 - £30,000.00 Lot: 337  WEISBERG, VLADIMIR( 1924- 1985) Sleeping Nude ,signed Lot: 342 and dated “25/xi/77― on the § MASTERKOVA, LYDIA( 1927- reverse. Pencil and watercolour 2008) Composition No. 101 on paper, 37 by 51.5 cm. ,signed and dated 1995, also Provenance: Acquired directly further signed, titled, inscribed from the artist by the previous and dated on the reverse. Mixed owner. media on canvas, 85 by 65 cm. Estimate: £6,000.00 - £9,000.00 Provenance: Acquired directly from the artist by the present owner. Lot: 338 Estimate: £20,000.00 - £30,000.00 * KHARITONOV, ALEXANDER( 1932-1993) Angel Flying Above the Road ,signed, titled in Cyrillic Lot: 343 and dated 1968 on the reverse.  PURYGIN, LEONID( 1951- Oil on canvas, 31 by 24.5 cm.  1995) The Dominatrix ,signed Estimate: £10,000.00 - £15,000.00 “Lenya Purygin iz Nary genial’nyi― and numbered “N19865―. Oil on canvas, 80 by 59.5 cm.  Estimate: £25,000.00 - £30,000.00 Lot: 339 * KHARITONOV, ALEXANDER( 1932-1993) The Lane ,signed, titled, inscribed in Cyrillic with a Lot: 344 dedication to the artist’s wife, § RABIN, OSCAR( B. 1928) Tatiana Sokolova-Kharitonova, Ambulance in Pryluky ,signed and dated 1977 on the reverse. and dated 1967, also further titled Oil on canvas, 22 by 33 cm. in Cyrillic, numbered “N377― Provenance: Private collection, and dated on the reverse. Oil on Russia. Exhibited: Legends of canvas, 90 by 109 cm. the Russian Underground , Authenticity of the work has been MacDougall’s, London, confirmed by the artist. The work February–March 2008. will be included in the Literature: Exhibition catalogue, forthcoming Oscar Rabin Legends of the Russian catalogue raisonné being Underground , London, prepared by A&C Projects, MacDougall’s, February–March Michèle and Marc Ivasilevitch. 2008, p. 44. Estimate: £50,000.00 - £70,000.00 Estimate: £9,000.00 - £12,000.00

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Lot: 345 Lot: 350  SITNIKOV, VASILY( 1915-  STEINBERG, EDUARD( 1937- 1987) Nude , inscribed on the 2012) Composition ,signed with stretcher. Oil on canvas, 91 by 46 initials and dated 1982, also cm. Provenance: A gift from the further signed, titled and dated on artist to the mother of the present the reverse. Oil on canvas, 80 by owner. Thence by descent. 70 cm. Provenance: Acquired Private collection, Europe. directly from the artist by the Estimate: £10,000.00 - £15,000.00 present owner. Exhibited: Bez Aureoli. Artysci z Leningradu w Gdansku , Gdansk, 1987 (label on the reverse). Lot: 346 Estimate: £7,000.00 - £9,000.00  SITNIKOV, VASILY( 1915- 1987) Study of a Nude from the Back . Chalk on black paper, 121 by 49.5 cm. Provenance: A gift Lot: 351 from the artist to the mother of  SVESHNIKOV, BORIS( 1927- the present owner. Thence by 1998) Illustration for E.T.A. descent. Private collection, Hoffmann's Tales and Landscape Europe. with Birchtree , two works, one Estimate: £2,500.00 - £3,000.00 signed and dated 1979. One gouache on paper and the other pencil and watercolour on paper, measuring 24 by 17.5 cm and Lot: 347 18.5 by 27 cm respectively.   SITNIKOV, VASILY( 1915- Estimate: £2,000.00 - £3,000.00 1987) Study of a Nude from the Front . Chalk on black paper, 121 by 49.5 cm. Provenance: A gift from the artist to the mother of Lot: 352 the present owner. Thence by  NESTEROVA, NATALIA( B. descent. Private collection, 1944) Oysters ,signed, also Europe. further signed, titled and dated Estimate: £2,500.00 - £3,000.00 1994 on the reverse. Oil and gold paint on canvas, 82 by 102 cm. Provenance: Private collection, UK. Lot: 348 Estimate: £20,000.00 - £30,000.00  SITNIKOV, VASILY( 1915- 1987) Study of a Nude in Profile . Chalk on black paper, 121 by 49.5 cm. Provenance: A gift Lot: 353 from the artist to the mother of * NEY, ALEXANDER( B. 1939) the present owner. Thence by Faithful ,signed and dated 1979. descent. Private collection, Terracotta, 37 by 20 by 40 cm. Europe. Provenance: Acquired directly Estimate: £2,500.00 - £3,000.00 from the artist by the parents of the present owner. Private collection, USA. Authenticity of Lot: 349 the work has been confirmed by  SITNIKOV, VASILY( 1915- the artist. 1987) Monastery , dated Estimate: £4,000.00 - £6,000.00 "13.VIII.1984". Chalk on black paper, 49.5 by 121 cm. Provenance: A gift from the artist Lot: 354 to the mother of the present * NEY, ALEXANDER( B. 1939) owner. Thence by descent. Waiting ,signed and dated 1979. Private collection, Europe. Terracotta, 29.5 by 20 by 26 cm. Estimate: £2,500.00 - £3,000.00 Provenance: Acquired directly from the artist by the parents of the present owner. Private collection, USA. Authenticity of the work has been confirmed by the artist. Estimate: £3,000.00 - £5,000.00

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Lot: 355 SDZY Contemporary, New York, *§ CHEMIAKIN, MIKHAIL( B. USA. Private collection, USA. 1943) Philosopher's Heads Authenticity of the work has been ,signed twice, inscribed "Paris" confirmed by the artist. and dated 1978 and 1979, further Exhibited: A Selection of Works numbered "N7/89" on the by Contemporary Russian Artists reverse. Gouache and mixed , SDZY Contemporary, New media on paper, 45.5 by 62.5 cm. York, January 2011. This is the Provenance: Acquired directly original 1993 iconic image that from the artist by the parents of served to inspire and guide the the present owner. Private artist’s later 1995 revision work collection, USA. Authenticity of of the same name. It is reportedly the work has been confirmed by Plavinsky’s largest work on the artist. Exhibited: Chemiakin paper from his career spanning , Museu de Art de São Paulo, São about half a century. It emerges Paulo, Brazil, 12 March–13 April from the collection of the Duke 1980. Literature: Exhibition University Museum of Art (now catalogue, Chemiakin , Museu the Nasher Museum of Art). de Art de São Paulo, São Paulo, When previously under the Brazil, 1980, No. 89, illustrated leadership of museum director Dr and listed. Michael P. Mezzatesta, the Duke Estimate: £4,000.00 - £6,000.00 University Museum of Art amassed one of the most important collections of Russian Art in the United States, each Lot: 356 work carefully selected by its *§ CHEMIAKIN, MIKHAIL( B. pioneering director, an expert 1943) God Parrot ,signed twice, enthusiast of this particular once with a monogram, and genre. A stunning piece, Mirage dated 1978, further numbered in the Aegean Sea revives “N6/9― on the reverse. ghostly images of the artist’s Gouache and mixed media on famous Moscow etching Viking paper, 62.5 by 45.5 cm. Ship (1976). Critic Alexander Provenance: Acquired directly Jakimovich regards this work, from the artist by the parents of created when the artist resided in the present owner. Private New York, as being closer to collection, USA. Authenticity of fulfilling the artist’s the work has been confirmed by aforementioned earlier vision, the artist. Exhibited: Chemiakin describing the present image as , Museu de Art de São Paulo, São appearing to be “clearer― and Paulo, Brazil, 12 March–13 April more readable, not just because 1980. Literature: Exhibition of its monumental size and catalogue, Chemiakin , Museu utilization of a mixed variety of de Art de São Paulo, São Paulo, colourful media and techniques. Brazil, 1980, No. 88, illustrated “Plavinsky obviously wanted to and listed. Chemiakin , Mosaic define more precisely what he Press, 1986, vol. 1, p. 471. had to say... the biomorphic and Mihail Chemiakin , Moscow, mineral implications fall away, Azbooka-Atticus, 2010, vol. 1, p. and we observe the 29, ill. 22. unmistakable body of an ancient Estimate: £4,000.00 - £6,000.00 ship.― “It was a winter in the seventies,― Plavinsky later reminisced in regards to his Lot: 357 captivating inspirations for this * PLAVINSKY, DMITRY( B. iconic work. “In Novgorod, on 1937) Mirage in the Aegean Sea the shore of Ilmen lake, I ,signed with a monogram and photographed the shells of dated “25. VI. 93―. Ink, fishermen’s longboats, crashed coloured pencils and watercolour by storm and by time. On the on paper, 80 by 112 cm. dazzling white snow, those Provenance: Acquired directly majestic vestiges of struggle and from the artist, New York, c. perdition conjured primal images 1994. Collection of the Duke of Noah’s Ark lost in the eternal University Museum of Art, North snow of the Ararat Mountain, Carolina. Sold to a private along with shells of ships that collector to benefit the acquisition belonged to the Vikings, those fund of the Duke University fearless seafarers who reached Museum of Art. Acquired by

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the coasts of America long before patina, length 38 cm, height 18 Columbus did. There were many cm.  works in which I used the boat as Estimate: £6,000.00 - £9,000.00 a symbol of conquering infinite spaces, as a connection between continents and islands, a victory Lot: 404 over the elements: among these * JAQUES, NAPOLEON (1804- are... American works on the 1876) (1804-1876) Blacksmith same subject, [including] Mirage Ivan Chekmeneff , inscribed with in the Aegean Sea .― Leading a signature, further inscribed “P Russian Art historian John E. F Paris―, modelled c. 1850s. Bowlt regards the imagery of the Bronze with rubbed silver patina, Mirage in the Aegean Sea as a height 51 cm. Related literature: defining work, where “what For similar works, see seemed to symbolize temporal Catalogue, Gosudarstvennyi and aesthetic permanence Russkiy Muzei. Skulptura XVIII suddenly yields to the greater – nachala XX veka (State energy of the circular passage of Russian Museum. Sculpture of time.― the 18th – beginning of the 20th Estimate: £20,000.00 - £30,000.00 century), Leningrad, Iskusstvo, 1988, pp. 62–64. The Paris- born sculptor Napoleon Jacques Lot: 358 worked in Russia from 1833 to * CHUIKOV, IVAN( B. 1935) 1858. He is known for several Composition ,signed. Mixed works which have Russian media on canvas, laid on board, subject matter, for example the 160 by 239.5 cm. Executed in 1841 statue of Peter the Great, 1992–1993. Provenance: placed in Kronstadt, and a 1952 Acquired directly from the artist figure of A Woodsman . He can by the present owner. be considered as one of the Estimate: £50,000.00 - £70,000.00 founders of realistic plastic art in Russia. This piece is believed to be modelled from life and was cast in a French foundry. Lot: 401 Estimate: £6,000.00 - £9,000.00  A BOX WITH A PORTRAIT MINIATURE OF BARCLAY DE TOLLI  WOOD AND GOUACHE ON CARDBOARD, MID 19TH Lot: 405 CENTURY . Diameter 9.5 cm.   A LARGE SILVER FABERGÉ Estimate: £2,000.00 - £3,000.00 VASE  MARK OF FABERGÉ UNDER IMPERIAL WARRANT, MARK PT FOR IMPORTED GOODS IN CYRILLIC, MOSCOW, 84 STANDARD . Height 87 cm, weight 9.2 kg. Lot: 402 Provenance: From the 1940s to  TOURGUENEFF, PIERRE the 1970s in the family of the NICHOLAS( 1853-1912) The Fabergé workmaster, Johan Medieval Archer , inscribed with Viktor Aarne, Helsinki. Private a signature. Bronze with rich collection, Helsinki. Private brown patina, height 102 cm. collection, Europe. Authenticity Pierre Nicholas Tourgueneff certificate from the expert T. favoured military subject matter. Muntyan. Related literature: For The present lot is the larger of similar marks and works, see Mir the two versions he produced of Fabergé (The World of Fabergé) , the Medieval Archer . Moscow-Vienna, 1992, cat. 139, Estimate: £6,000.00 - £9,000.00 p. 172. A. N. Ivanov, “Preis- Kurant Torgovogo Doma D.P i M. Frolovy. Moskva, Ilyinka, Stary Lot: 403 Gostiny Dvor, ?9. Torgovlya * LIBERICH, NIKOLAI( 1828- Osnovana v 1788 godu. Moskva, 1883) A Reclining Pointer Dog , 1900―, Neizvestnyi Fabergé inscribed with a signature, further (Unknown Fabergé) , 2002, p. 99. inscribed on base Of tapering baluster form with “FABR.C.F.WOERFFEL―, flared neck, the rim, upper and modelled c. 1865, cast before lower body gadrooned, upper 1883. Bronze with medium brown section flanked by two cast, scroll-

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end handles with olive sprigs, Russian clientele. A piece of the each handle rising from a cast same design was sold by the classical mask, the middle Trading House of D.P and M. section with collar of cast floral Frolov in Moscow, which offered ornamentation above ribbon-tied quite a number of silver works by laurel swags, foot with acanthus foreign masters. In our opinion, border on square socle. The the flower vase is of antiquarian flower vase is an expressive and and artistic significance to a characteristic example of the late collector. Tatiana Muntyan, art 19th century “historicist― style. historian The vase is a neoclassical piece, Estimate: £150,000.00 - reflecting the prevailing taste of £200,000.00 the cultural elite, which included the jeweller’s art. Neoclassicism assimilated not only artistic Lot: 406 forms, but also a certain  A SILVER-GILT AND GREEN aristocratic aura from the art of its GUILLOCHÉ ENAMEL DESK origins. This is vividly illustrated CLOCK  MARK OF FABERGÉ, by the vase’s mounting which MAKER’S MARK OF MIKHAIL reflects Louis XVI forms and PERKHIN IN CYRILLIC, 88 motifs in its design and is STANDARD, SCRATCHED distinguished by its elegant INVENTORY NUMBER 6160. ornamentation and Diameter 9.5 cm. Circular, representational qualities. The enamelled in translucent green nature of the piece owes much to over a sunburst guilloché ground, its meticulous design, fine applied with ribbon-tied and gem- proportions and masterly set leaf and rosette festoons, execution. These characteristics centering a white enamel dial were evidently the reason why within a bound, reeded bezel, the Karl Fabergé’s firm imposed black Arabic chapters and its own famous stamp upon the pierced gold hands, the ivory piece and sold it together with its back with a scroll strut, the own products. This was normal backplate with hand-set, marked procedure: for example, the on edge, back and strut, pieces marked with a monogram presented in a velvet-lined fitted “NV― which were sold by the case. Moscow branch of Fabergé. Apart Estimate: £90,000.00 - from the wares of Russian £120,000.00 masters, “K. Fabergé― also sold work by foreign jewellers and silversmiths as the quality of these pieces was high enough for Lot: 407  A SILVER-GILT AND YELLOW the Fabergé stamp to be put on GUILLOCHÉ ENAMEL DESK them, examples of these works CLOCK  MARK OF FABERGÉ, are now in Russia’s State MAKER’S MARK OF MIKHAIL museums. An example is the PERKHIN IN CYRILLIC, ST chased, silver photograph frame, PETERSBURG, 88 STANDARD . stamped “K. Fabergé― and Diameter 11 cm. Circular, bearing and a pre-1899 Moscow enamelled in translucent yellow assay hallmark for imported over wavy radiating guilloché pieces (i.e., the letters “PT― in ground, chased laurel border, Cyrillic for “imported goods―) in applied with rose and leaf the Moscow Kremlin Museums. festoons and spokes, centering a The firm continued selling white enamel dial within a chased imported goods with its own bezel, black Arabic chapters and stamp on them: for example, the pierced gold hands, silver-gilt finely executed biscuit dish in the ribbon-tie surmount the ivory form of a vine-leaf, also in the back with a scroll strut, the Moscow Kremlin collection. The backplate with hand set, marked stamp on the present vase on edge, back and strut, corresponds to that on the biscuit presented in a velvet-lined fitted dish. Foreign goods were sold by case. other Russian firms, who also put Estimate: £120,000.00 - their own stamp on them. Our £150,000.00 significant and monumental vase, possibly made in France, was apparently popular with

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Lot: 408 Household and founder of the * A SILVER FABERGÉ Morozov Trading House, was FLATWARE SERVICE  MARKS considered to be one of the best OF FABERGÉ IN CYRILLIC, Master Jewellers’ in Russia. MOSCOW, 84 STANDARD . Estimate: £25,000.00 - £30,000.00 Length of a table knife 26 cm, length of a teaspoon 14 cm. Comprising 84 pieces: twelve Lot: 410 table knives, twelve dessert  A SILVER AND ENAMEL knives (all with stainless steel BISCUIT DISH  MARK OF IVAN blades), twelve table forks, KHLEBNIKOV IN CYRILLIC, twelve forks, twelve fish knives, MOSCOW, 1878, 84 twelve dessert spoons, twelve STANDARD . Diameter 27 cm. teaspoons; the handles cast and Of circular form, the open basket- chased with laurel wreaths and weave dish with plaited rim, the swans above Horns of Plenty and outer collar inscribed in blue floral motifs. enamel with individual names in Estimate: £25,000.00 - £30,000.00 stylised Slavonic script (“Viaz―). The present lot was a gift from the participants of the Lot: 409 IV All-Russian Congress of  A SILVER FLATWARE Forestries, which took place in SERVICE  MARKS OF IVAN Warsaw in August, 1878. Among MOROZOV, MAKER’S MARKS the participants, whose names MI IN CYRILLIC, ST are engraved on the dish, was PETERSBURG, 84 STANDARD . Alexander (1850-1906), an elder Length of the ladle 36.5 cm, brother of Konstantin length of a table knife 26.5 cm, Eduardovich Tsiolkovsky, the length of a coffee spoon 13.5 cm, founder of modern cosmonautics. largest case measuring 63.5 by He graduated from the St 41 cm, weight of both boxes with Petersburg agricultural institute flatware approximately 34 kg. and worked in one of the 163 (out of 170) pieces: The first forestries of the Voronezh case comprising one large fish province. slice, one ladle, one large serving Estimate: £3,500.00 - £5,000.00 spoon, two slices, a pair ivory- tipped salad servers, sauce ladle; twelve table spoons, twelve Lot: 411 dessert spoons, twelve  A SILVER CIGAR BOX  MARK teaspoons; one short slice, OF V. GORDON, MAKER’S carving knife and fork, twelve MARK OF RUDOLF WEIDE IN table forks, twelve dessert forks, CYRILLIC, ST PETERSBURG, twelve fruit knives; twelve table 84 STANDARD, 1908–191710 knives, twelve dessert knives (all by 16 cm. Rectangular form with with stainless steel blades), six reeded sides, the hinged lid with coffee spoons, in a large original sunburst pattern radiating from a oak case fitted with three trays. central cabochon sapphire The second case comprising a mounted with gold, the thumb- zakuski service of twelve forks, piece set likewise with a two small skewers, one large pair cabochon sapphire, the inside of of tongs, one fish slice and fork, the lid inscribed “With many one large cheese knife, one thanks from Elsa Brändstrom―. sardine slice and fork, one butter Estimate: £2,500.00 - £3,000.00 knife, one carving knife, one lobster pick, one unusual shellfish clamp, one cold meat Lot: 412 fork, one pickle fork, twelve forks,  AN ENAMEL AND SILVER- twelve knives (one not identical, GILT SALT IN THE FORM OF A all with stainless steel blades), in KOVSH  MARK OF a matching, original oak case ALEXANDER LUBAVIN IN fitted with two trays. The handles CYRILLIC, ST PETERSBURG, cast and chased with a variety of 88 STANDARD . Length 8 cm, putti and floral motifs and height 3 cm. The sides and hook unmarked cartouche for the handle with various blue, green, monogram. The renowned red and white floral and foliate workshop of I. E. Morozov, motifs on dark stippled ground Supplier to the Imperial enclosed within turquoise blue

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dot borders. shields and floral folk motifs in Estimate: £1,500.00 - £2,000.00 green and red on a white ground, the cups being flanked with handles of stylised equine form, Lot: 413 marked with factory marks of a  A SOVIET PORCELAIN bear holding a standard, FIGURE GROUP OF A YOUNG inscribed “Made in Russia by WOMAN AND A FORTUNE- Kornilow Bros.― and numbered TELLER  AFTER A 1922 “220― on the reverse. MODEL BY NATALIA DANKO, Estimate: £1,000.00 - £2,000.00 STATE PORCELAIN MANUFACTORY . Height 19 cm. Related literature: For similar Lot: 416 works, see T.N. Nosovich, I.P.  A MINIATURE ICON OF Popova, Gosudarstvennyi CHRIST PANTOCRATOR IN A Farforovyi Zavod 1904-1944 SILVER AND ENAMEL OKLAD  (State Porcelain Manufactory END OF THE 19TH CENTURY, 1904-1944) , St Petersburg OIL ON ZINC, OKLAD Orkestr, 2005, pp. 360-361. STAMPED WITH MARK OF Depicting a young woman and a PAVEL OVCHINNIKOV IN gypsy fortune teller, reading CYRILLIC, MOSCOW, 84 cards, impressed under base STANDARD . 5.5 by 5 cm.  with initials of modeller Ivan Estimate: £6,000.00 - £9,000.00 Kuznetsov and marked with blue hammer and sickle factory mark. Estimate: £8,000.00 - £12,000.00 Lot: 417 * ST NICHOLAS  PALEKH, OLD BELIEVERS’ WORKSHOP, Lot: 414 END OF THE 19TH CENTURY .  A SOVIET PORCELAIN 31.5 by 27 cm.  FIGURE OF AN UZBEK Estimate: £3,500.00 - £5,000.00 LAUNDRESS  AFTER A 1928 MODEL BY NIKOLAI MURATOV, STATE PORCELAIN MANUFACTORY . Height 15 cm. Related literature: For similar works, see T.N. Nosovich, I.P. Popova, Gosudarstvennyi Lot: 418  ST VONIFATIY  PALEKH, Farforovyi Zavod 1904–1944 SIGNED BY DMITRY KORIN (State Porcelain Manufactory AND DATED 1887 (?) . 27 by 22 1904–1944) , St Petersburg cm. This icon was produced in Orkestr, 2005, pp. 396, 597. L. the Palekh workshop of the Nikiforova, Russian Porcelain in hereditary icon painter, Dmitry the Hermitage Collection , Korin, whose son was a famous Leningrad, Aurora Art Publishers, Soviet artist, creator of the 1973, ill. 160. Depicting a epochal painting “Farewell to traditionally dressed Uzbek Rus― and a renowned icon woman washing laundry, collector. impressed under base with Estimate: £8,000.00 - £12,000.00 hammer and sickle factory mark and initials of modeller Ivan Kuznetsov, inscribed in red- brown “Made in Russia―. Lot: 419 Estimate: £4,000.00 - £6,000.00 * THE MARTYR PRINCES, SAINTS BORIS AND GLEB  ST PETERSBURG, THE Lot: 415 PESHEKHONOVS WORKSHOP, SIGNED BY SEMEN * A PORCELAIN TEA SET OF SHARMANOV IN CYRILLIC AND EIGHT CUPS AND SAUCERS  DATED 1863, INSCRIBED WITH KORNILOV BROTHERS, ST A 1922 DEDICATION ON THE PETERSBURG, 1900s . REVERSE . 52 by 37.5 cm. Diameter of a saucer 13.5 cm, Related literature: For similar diameter of a cup 9.5 cm, height icons, see Zh.G. Belik, of a cup 4.5 cm. Comprising Ikonopisnoe Nasledie Masterskoi eight double-handled cups and Peshekhonovyh (The Icon saucers all similarly decorated Painting Heritage of the with alternate blue heraldic

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Peshekhonovs Workshop) , Lot: 421 Moscow, INDRIK, 2011, p. 162. * ST ALEXANDRA, THE S.E. Sharmanov was an icon EMPRESS, IN A SILVER-GILT painter from St Petersburg. He OKLAD  OIL AND TEMPERA was associated with the Imperial ON METAL PLATE MOUNTED Academy of Arts and the icon ON WOODEN PANEL, OKLAD painting workshop of M.S and STAMPED WITH MARK OF V.M. Peshekhonovs. He PAVEL OVCHINNIKOV IN undertook the most prestigious CYRILLIC UNDER IMPERIAL commissions, for example, in WARRANT, MOSCOW, 1883, 84 December 1860 Sharmanov was STANDARD . 52 by 26.5 cm. paid 15 silver rubles for painting This valuable commissioned icon the icon of the Saviour for the depicts St. Alexandra Empress Maria Alexandrovna. (commemorated on 23rd April), Estimate: £10,000.00 - £15,000.00 wife of the Emperor Diocletian (or according to some sources, widow of one of his Lot: 420 predecessors), who suffered * A CARVED MINIATURE ICON together with the Great Martyr St. IN CYPRESS WOOD IN A George, the Bringer of Victory, SILVER FRAME WITH SEMI- during the persecutions of PRECIOUS STONES  MOUNT Christians at the beginning of the ATHOS, SECOND HALF OF 4th century. In the 19th century, THE 18TH CENTURY . 7.5 by this royal martyr was regarded a 9.5 cm. The icon depicts s the Protectress of Russian roundels of the four warrior Empresses, which explains the saints, George the Bringer of popularity of her icons at that Victory, Demetrius of time, as opposed to previous Thessaloniki, Theodore Tyro, and centuries. The Empresses Theodore Stratelates along with Alexandra Fyodorovna two groups of selected Saints; in (1798–1860), wife of Nicholas I, the upper left roundel are John and Alexandra Fyodorovna Chrysostom, Gregory the (1872–1918), wife of Nicholas II, Theologian and Basil the Great, both received the name with St Nicholas and two other Alexandra in honour of this saint Slavic Saints in the lower left upon their conversion to roundel. In the smaller central Orthodoxy. In the 1830s–1860s roundels, the healing saints, and 1890s, there were churches Cosmas and Damian are and chapels consecrated to the amongst those depicted. During Blessed Tsarina Alexandra in the period of the Ottoman yoke in both Moscow and St. Petersburg. the 17th–18th centuries, Athos The 1883 date on the oklad links preserved its independence and the icon to the events of the was populated predominantly by Coronation of Emperor Alexander Slavs (Serbs and Bulgars). It III and Empress Maria continued to be a mouthpiece for Fyodorovna on the 15th May national liberation and depictions 1883 at the Cathedral of the of the Holy Warriors George and Dormition in the Moscow Kremlin, Demetrius are often found on two years after Alexander III’s items produced by the master accession to the throne. A craftsmen of Athos. However, thanksgiving offering could be such a vividly expressed made to the church by those “manifesto― as the present lot, honoured with the monarch’s has not yet come to light in favour, and also by those who museum collections. had taken part in the Coronation Estimate: £2,000.00 - £3,000.00 ceremonies (these cases are well known). The slightly larger dimensions of the icon indicate that it was intended for a church, rather than a domestic setting. It is also entirely possible that another icon was commissioned to go with it, depicting the princely saint Alexander Nevsky, Protector of Russian Emperors and patron to Emperor’s ascending the throne. The icon,

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with its highly professional quality inscribed “To Her Imperial of production, is a brilliant Highness the Grand Duchess example of icon-painting from Maria Pavlovna to commemorate this revivalist era. The saint’s 10th April 1908. Office Controller apparel is richly decorated and to the Court, Office officials and painted in great detail with attendants, wardens and gemstones and pearls at the servants at the Palaces in St neck and hem of the Petersburg and Tsarskoye Selo embroidered tunic. The precious and the occasional homes, cloak is further enriched with a manager and staff of the power jewelled breast-piece, the plant―. The image of the headdress has grand additional Guardian Angel was presented to ornamentation, all of which are the Grand Duchess Maria rendered in the traditions of Pavlovna, born Marie “archaeological painting―, a Alexandrine Elisabeth Eleonore genre founded by the eminent von Mecklenburg-Schwerin, wife Russian graphic artist, Fyodor of Grand Duke Vladimir Grigoryevich Solntsev Alexandrovich, on an occasion of (1801–1892). The portrayal of great significance for her and the the Tsarina Alexandra is entire imperial family. Her surprisingly reminiscent of the marriage to Grand Duke Vladimir drawings he made of the Alexandrovich (1847–1909), frescoes in St. Sophia’s third son of Emperor Alexander II Cathedral in Kiev and the and Empress Maria manuscript miniatures from the Alexandrovna, only became collections of the Princes possible three years after they Obolensky and Gagarin, as met. A Lutheran from birth, Maria recorded in Ancient Depictions, did not wish to convert to Portraits and Dress of Grand Orthodoxy and Emperor Princes, Tsars, Boyars and Alexander III did not immediately Common Folk (Antiquities of the allow his brother to marry a Russian State , Moscow, 1851, woman who was not Orthodox. Section 4, Fig. 4–18). The The wedding took place on the richness of the saint’s apparel 16th August 1874. It was more is echoed in the silver foliate than 30 years later, after the birth ornamentation on the gilded of her children, that Maria background and the silver oklad, Pavlovna adopted Orthodoxy. seemingly studded with fine The date was 10th April 1908, stones, which was made in the not long before her husband’s workshop of the court jeweller, death. Emperor Nicholas II Pavel Akimovich Ovchinnikov. announced her conversion in a This icon of Saint Tsarina special Imperial Proclamation Alexandra makes an important ordering that she “be titled Her contribution to the appraisal of Imperial Highness the Truly Russian icon-painting and the life Faithful Grand Duchess―. Maria of the church community in Pavlovna’s long-awaited Russia in the last quarter of the adoption of Orthodoxy (as a rule, 19th century. brides of Grand Princes Estimate: £38,000.00 - £50,000.00 converted to Orthodoxy on the eve of their wedding) was widely celebrated in court circles. Lot: 422 Amongst the tributes offered to * A SMALL ICON OF THE the Grand Duchess, this icon was GUARDIAN ANGEL IN A a most exquisite gift. As patrons SILVER-GILT OKLAD  THE of the arts, the Grand Duke CHIRIKOV BROTHERS Vladimir Alexandrovich and his WORKSHOP, SIGNED AND wife were supporters of “the DATED 1907, OKLAD Russian style―. Commissioning STAMPED WITH MARK OF an icon from the Chirikov ALEXANDER LUBAVIN UNDER brothers, successors to the Old IMPERIAL WARRANT, ST Russian traditions of icon- PETERSBURG, 84 STANDARD . painting, was in the spirit of the 15.5 by 13 cm with oklad. This Grand-princely couple’s artistic icon is a unique commemorative taste. From the 1880s to 1903, and historic artefact. Evidence of the father of the family, Iosif this is found on the metal plate (Osip) Semyonovich Chirikov, on the reverse of the icon, together with another well-known

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icon-painter from Mstera, M.I. Lot: 425 Dikarev, painted a series of * AN ICON OF THE NATIVITY IN Saints Day calendar icons for the A SILVER-GILT BASMA  Church of the Marble Palace in VOLOGDA PROVINCES, MID St Petersburg. In 1903 further 17TH CENTURY, BASMA OF A painting to some icons from this LATER DATE . 34 by 30 cm.  set was undertaken at the Estimate: £17,000.00 - £20,000.00 Moscow workshop of the brothers Grigoriy and Mikhail Osipovich Chirikov. The Guardian Angel is a traditional subject for such occasions, and the high quality of this artefact is Lot: 426 evidence that it was especially  ST ATHANASIOS, commissioned. The figure of the ARCHBISHOP OF ALEXANDRIA angel is rendered in luminous  CENTRAL RUSSIA, MID 17TH colours, the wings have a CENTURY . 60 by 48 cm. highlighted edge, the central Literature: Exhibition catalogue, feathers are outlined in rosy-lilac Icona. Volto del Mistero , Milan, “festoons― and the subdued 1991, p.186, illustrated. gold niello background is Estimate: £10,000.00 - £15,000.00 reminiscent of the gold embroidery of Old Russia. The icon painter’s masterly Lot: 427 achievement is matched by the * A PAIR OF ART NOVEAU high artistic merit of the oklad, WEDDING ICONS IN SILVER- made by the St Petersburg GILT OKLADS  EARLY 20TH silversmith A.B. Lyubavin, a CENTURY, OIL ON PANEL, supplier to the Imperial Court. OKLADS STAMPED WITH The border oklad has a frame of MAKER’S MARKS EU IN repoussé “beading― enclosing CYRILLIC, MOSCOW, 84 dense ornamentation of STANDARD . 18 by 14.5 cm interlaced plant stems and flower each. The two icons depicting buds. The historic uniqueness of the Pantocrator and the this artefact adds to its Theotokos and Child were exceptional virtues as a work of produced in one of the Moscow art. workshops where the principles Estimate: £30,000.00 - £50,000.00 of academic religious painting were combined with the traditions of Old Russian icon painting. A Lot: 423 special nobility is imparted to * A LARGE ICON OF THE these images by the use of SAVIOUR OF SMOLENSK WITH restrained, rather dark colours, SELECTED YAROSLAVL AND with shades of dark green and ROSTOV SAINTS  deep burgundy dominant in the YAROSLAVL PROVINCES, skilfully painted garments of the 1730s . 98 by 66 cm.  Pantocrator and Theotokos. The Estimate: £12,000.00 - £18,000.00 evidence that this pair of icons specifically commemorate a wedding is evident not only from the iconography, but also from Lot: 424 the Gospel text of John, Chapter  A LARGE ICON OF KING 13, verse 34: “A new DAVID  POVOLZHYE, END OF commandment I give unto you: THE 17TH CENTURY . 102.5 by That you love one another, as I 33 cm.  have loved you...― The Estimate: £7,000.00 - £10,000.00 impressive oklads are of inimitable artistry. They were made by an as yet unidentified Moscow jeweller with the initials E.U., all of whose known work is distinguished by consummate craftsmanship, individuality and impeccable taste. The artistic resolution of the oklads is achieved by combining a smooth background with restrained

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foliage ornamentation on the processional banners, lamps, frame in the Neo-Russian style. candlesticks and so on. In its This design is an accomplished artistic design, this icon is very stylisation of Old Russian close to the iconostasis decorative motifs, which were ensembles in the church of St widely applied in the jeweller’s Mary Magdalene, the Garden of art at the turn of the century. Gethsemane, Jerusalem and the Thus, there is every reason to family chapel of the Holy Martyr regard these icons as Tsarina Alexandra. The silver outstanding examples of frame was made in the workshop decorative applied art in the of Ivan Evdokimovich Morozov, Russian style. Apart from their supplier to the Imperial Court, the undoubted artistic quality, these carved wooden kiot has artefacts also now have a grandiose ornamentation, retrospective historical although now missing its importance; being commissioned commemorative plaque. in 1914 and continuously Stylistically, this piece may be preserved, they must have regarded as belonging to the shared with their owners all of the development in Russian art that tragic events of Russian history took place in the work of the which followed. eminent carver V.P. Shutov and Estimate: £50,000.00 - £70,000.00 the architects I.P. Ropet and V.A. Hartman. Estimate: £25,000.00 - £30,000.00 Lot: 428 * THE MIRACLE OF ARCHANGEL MICHAEL AT Lot: 429 CHONAE IN A SILVER-GILT * ST NICHOLAS IN A SILVER OKLAD AND WOODEN KIOT  OKLAD  OKLAD STAMPED CIRCA 1900, OIL ON ZINC, WITH MAKER’S MARK EGP IN OKLAD STAMPED WITH MARK CYRILLIC, ST PETERSBURG, OF IVAN MOROZOV IN 1896, 84 STANDARD 32 by 27 CYRILLIC UNDER IMPERIAL cm.  . WARRANT, MAKER’S MARK Estimate: £4,500.00 - £6,000.00 NNT (?) IN CYRILLIC . 69 by 42 cm (with kiot). The subject of the painted image is the Archangel Michael’s best known miracle (commemorated on 6th Lot: 430  THE MOTHER OF GOD OF September) that took place in TIKHVIN IN A SILVER OKLAD  Colossae or Chonae (in Old EARLY 20TH CENTURY, OIL Church Slavonic: Khony) in ON PANEL, OKLAD STAMPED Phrygia in Asia Minor, when the WITH MAKER’S MARK OF Archangel saved his church from KUZMA KONOV IN CYRILLIC, destruction by pagans. In MOSCOW, 84 STANDARD . Moscow, this event was 13.5 by 11 cm.  embodied in the Kremlin Estimate: £5,000.00 - £7,000.00 Monastery of the Miracle, with its cathedral church dedicated to the Archangel Michael’s Miracle at Khony. The icon, which is Lot: 431 executed in a painterly manner * FOUR SELECTED SAINTS IN and decorated with a silver A SILVER-GILT OKLAD frame, is housed in a carved (NICHOLAS, ANTIPA, JULIANA wooden kiot or icon-case and AND BARBARA)  OIL ON was part of a church interior at PANEL, OKLAD STAMPED the turn of the 19th – 20th WITH MAKER’S MARK S.Zh IN centuries. It was common at that CYRILLIC, MOSCOW, 1827, 84 time for interior spaces, including STANDARD . 31.5 by 26.5 cm.  those in churches, to have an Estimate: £3,000.00 - £5,000.00 integrated design, with the creative thinking of the artist and architect embracing everything down to the smallest detail, thus ensuring stylistic unity in the execution of the iconostasis, individual kiot cases,

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Lot: 432 Lot: 437  CHRIST EMMANUEL   ST ALEXANDER VOLOGDA PROVINCES, FIRST OSHEVENSKY IN A SILVER- HALF OF THE 17TH CENTURY . GILT BASMA  POMORYE, 33 by 27 cm.  CIRCA 1800 31.5 by 27 cm.  Estimate: £6,000.00 - £9,000.00 Estimate: £4,000.00 - £6,000.00

Lot: 433 Lot: 438 * THE MOTHER OF GOD "IT IS * AN ICON OF CHRIST TRULY MEET" (DOSTOINO PANTOCRATOR IN A SILVER EST')  DATED 18(8)1, OKLAD  OIL ON PANEL, INSCRIBED IN CYRILLIC “THIS OKLAD STAMPED VORONEZH, HOLY IMAGE IS PAINTED 1840, 84 STANDARD . 32 by FROM THE MIRACULOUS 26.5 cm.  ICON OF THE MOTHER OF Estimate: £3,000.00 - £5,000.00 GOD “IT IS TRULY MEET― FROM THE MOUNT ATHOS― . 31 by 24.5 cm.  Estimate: £4,500.00 - £6,000.00 Lot: 439  THE DORMITION IN A SILVER FRAME  MID 19TH CENTURY, Lot: 434 FRAME STAMPED WITH * FOUR MOSCOW MAKER’S MARK FS IN METROPOLITANS, SAINTS CYRILLIC, MOSCOW . 31 by PETER, JOHN, ALEXEI AND 26.5 cm.  PHILIP  OLD BELIEVERS’ Estimate: £6,000.00 - £9,000.00 WORKSHOP, SECOND HALF OF THE 19TH CENTURY . 36 by 31 cm.  Estimate: £3,500.00 - £5,000.00 Lot: 440  THE APPEARENCE OF THE MOTHER OF GOD TO ST Lot: 435 SERGIUS OF RADONEZH IN A  THE RESURRECTION OF SILVER FRAME  TRINITY CHRIST IN A SILVER-GILT LAVRA OF ST SERGIUS OKLAD  MID 19TH CENTURY, WORKSHOP, END OF THE OKLAD STAMPED MOSCOW, 17TH CENTURY, SILVER 1866, 84 STANDARD . 27 by 22 FRAME OF MID 19TH cm.  CENTURY . 30 by 23 cm.  Estimate: £2,000.00 - £3,000.00 Estimate: £3,000.00 - £5,000.00

Lot: 441 Lot: 436  THE MOTHER OF GOD OF * THE MOTHER OF GOD OF KAZAN IN A SILVER OKLAD  KAZAN IN A SILVER- GILT OIL ON PANEL, OKLAD OKLAD WITH TWO BORDER STAMPED WITH MAKER’S SAINTS (ELIZABETH AND A MARK A.I IN CYRILLIC, 1856, 84 GUARDIAN ANGEL)  OIL ON STANDARD . 31.5 by 26.5 cm.  PANEL, OKLAD STAMPED Estimate: £2,000.00 - £3,000.00 WITH MAKER’S MARK Ya.M IN CYRILLIC, 1824, 84 STANDARD . 36 by 31.5 cm.  Estimate: £4,500.00 - £6,000.00

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Lot: 442 Lot: 501 * THE TRANSFIGURATION  § BOUCHÈNE, DIMITRI( 1893- NORTHERN RUSSIA, END OF 1993) Bouquet with Irises THE 17TH CENTURY WITH ,signed. Pastel on paper, 61 by EARLY 19TH CENTURY 46.5 cm.  ADDITIONS . 32 by 26 cm. Estimate: £1,000.00 - £1,500.00 Label : Old receipt from MosSkupPromTorg (Moscow Trade Organisation for Buying Goods from the Population), 1951 on the reverse. Estimate: £3,000.00 - £5,000.00 Lot: 502 § BOUCHÈNE, DIMITRI( 1893- 1993) Still Life in Saint-Tropez Lot: 443 ,signed. Gouache on paper, 37.5  SAINTS ANDREI STRATILAT by 52 cm.  AND THE GRAND DUCHESS Estimate: £1,000.00 - £1,500.00 OLGA WITH THE MOTHER OF GOD "UNEXPECTED JOY"  END OF THE 19TH TO BEGINNING OF THE 20TH CENTURY 35.5 by 31 cm.  . Estimate: £2,000.00 - £3,000.00 Lot: 503 § BOUCHÈNE, DIMITRI( 1893- 1993) Paestum at Christmas Lot: 444 1959 ,signed. Gouache on paper, * CHRIST PANTOCRATOR IN A 36 by 53.5 cm.  SILVER-GILT OKLAD  OKLAD Estimate: £1,000.00 - £1,500.00 STAMPED WITH MAKER’S MARK OF VASILY KOVALEVSKY IN CYRILLIC, MOSCOW, 1846, 84 STANDARD . 36 by 31 cm.  Estimate: £3,000.00 - £5,000.00 Lot: 504 § BOUCHÈNE, DIMITRI( 1893- 1993) Bouquet with Irises and Lot: 445 Gladioli ,signed. Gouache on  THE FEODOROVSKAYA paper, 107 by 73 cm.  MOTHER OF GOD  OLD Estimate: £2,000.00 - £3,000.00 BELIEVERS’ WORKSHOP, SECOND HALF OF THE 19TH CENTURY . 31 by 26 cm.  Estimate: £2,500.00 - £3,000.00

Lot: 505 § BOUCHÈNE, DIMITRI( 1893- 1993) Landscape in the Veneto Lot: 446 ,signed. Gouache on paper, 58 * THE MOTHER OF GOD OF by 41.5 cm.  VLADIMIR WITH FOUR Estimate: £1,000.00 - £1,500.00 BORDER SAINTS  OLD BELIEVERS’ WORKSHOP, MID 19TH CENTURY . 32 by 27 cm.  Estimate: £2,500.00 - £3,000.00

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Lot: 506 Lot: 512 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) View from a Window in 1993) Still Life with Fruit .signed, Naples ,signed. Gouache on further inscribed with a dedication paper, 74 by 50 cm.  and dated 1962 on the reverse. Estimate: £1,000.00 - £1,500.00 Gouache on paper, 45 by 62 cm.  Estimate: £1,000.00 - £1,500.00

Lot: 507 Lot: 513 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) Still Life with Pears 1993) Saint-Tropez ,signed. ,signed, also further signed on Gouache on paper, 31 by 42.5 the reverse and stamped with the cm.  artist's studio stamp on the Estimate: £800.00 - £1,200.00 stretcher. Oil on canvas, 38.5 by 61.5 cm.  Estimate: £2,000.00 - £3,000.00

Lot: 508 Lot: 514 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) Bouquet of Flowers 1993) Between Rome and ,signed. Gouache and charcoal Naples ,signed. Gouache on on paper, 60 by 41 cm.  paper, 36 by 53.5 cm.  Estimate: £1,000.00 - £1,500.00 Estimate: £1,000.00 - £1,500.00

Lot: 509 Lot: 515 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) Sicily ,signed. Gouache 1993) Bouquet of Lilacs ,signed. on paper, 21.5 by 32 cm.  Gouache on paper, 60.5 by 44.5 Estimate: £800.00 - £1,200.00 cm.  Estimate: £1,000.00 - £1,500.00

Lot: 510 Lot: 516 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) Bouquet of Flowers on a 1993) Still Life with a Vase and Blue Background ,signed. Red Tulips ,signed, further Gouache on paper, 57.5 by 39 stamped with the artist's studio cm.  stamp on the reverse. Gouache Estimate: £1,000.00 - £1,500.00 on paper, 50.5 by 40.5 cm.  Estimate: £1,000.00 - £1,500.00

Lot: 511 Lot: 517 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) Paestum, Italy ,signed. 1993) The Venice Lido ,signed. Gouache on paper, 35.5 by 53.5 Gouache on paper, 41.5 by 63 cm.  cm.  Estimate: £1,000.00 - £1,500.00 Estimate: £1,000.00 - £1,500.00

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Lot: 518 Lot: 524 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) The Venice Lido ,signed. 1993) Pompeii ,signed. Gouache Gouache on paper, 38 by 61 cm.  on paper, 36 by 53 cm.  Estimate: £1,000.00 - £1,500.00 Estimate: £1,000.00 - £1,500.00

Lot: 519 Lot: 525 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) Venice ,signed. Gouache 1993) Lugano ,signed. Gouache on paper, 44 by 63 cm.  on paper, 37.5 by 49 cm.  Estimate: £1,000.00 - £1,500.00 Estimate: £1,000.00 - £1,500.00

Lot: 520 Lot: 526 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) Large Bouquet of Flowers 1993) Abano, Italy ,signed. ,signed twice. Gouache and Gouache on paper, 24.5 by 35.5 charcoal on paper, laid on cm.  canvas, 98.5 by 75.5 cm.  Estimate: £800.00 - £1,200.00 Estimate: £1,500.00 - £2,000.00

Lot: 521 Lot: 527 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) A Pot of Roses ,signed. 1993) Lake Albano, Italy ,signed. Gouache on paper, 62.5 by 48.5 Gouache on paper, 22 by 31 cm.  cm.  Estimate: £800.00 - £1,200.00 Estimate: £1,000.00 - £1,500.00

Lot: 522 Lot: 528 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) Large Bouquet of Flowers 1993) Near Abano, Italy ,signed. on a Blue Background ,signed. Gouache on paper, 26 by 36 cm.  Gouache on cardboard, 104 by Estimate: £800.00 - £1,200.00 71 cm.  Estimate: £2,000.00 - £3,000.00

Lot: 523 Lot: 529 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) Fireworks in Vichy on 14th 1993) Near Abano, Italy ,signed. July 1948 ,signed. Gouache on Gouache on paper, 26 by 37 cm.  paper, 29 by 40 cm.  Estimate: £800.00 - £1,200.00 Estimate: £800.00 - £1,200.00

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Lot: 530 Lot: 535 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) Near Abano, Italy ,signed. 1993) Set Design for "Faust" Gouache on paper, 26 by 36 cm.  ,signed and inscribed. Gouache Estimate: £800.00 - £1,200.00 on paper, 28 by 44 cm.  Estimate: £1,000.00 - £1,500.00

Lot: 531 Lot: 536 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) Costume Designs "Faust" 1993) Costume Designs for , five works, three signed, two "Romeo and Juliet" , five works, stamped with the artist's studio one signed, four stamped with stamp, each inscribed, numbered the artist's studio stamp, two and dated 1955. Charcoal and inscribed, each numbered and gouache on paper, one with one dated 1963. Charcoal and glitter, each measuring gouache on paper, two approximately 31.5 by 23.5 cm.  heightened with gold, four Estimate: £2,500.00 - £3,000.00 measuring 31.5 by 23 cm and one 32.5 by 25 cm.  Estimate: £2,500.00 - £3,000.00 Lot: 532 § BOUCHÈNE, DIMITRI( 1893- 1993) Set Design for "Faust" , Lot: 537 stamped with the artist's studio § BOUCHÈNE, DIMITRI( 1893- stamp Gouache on paper, 37.5 1993) Costume Designs for by 48 cm.  "Romeo and Juliet" , five works, Estimate: £1,200.00 - £1,500.00 two signed, three stamped with the artist's studio stamp, three inscribed, each numbered and one dated 1963. Charcoal and gouache on paper, two heightened with gold and silver, Lot: 533 the largest measuring 32 by 24 § BOUCHÈNE, DIMITRI( 1893- cm and the smallest 31 by 23 cm. 1993) Set Design for "Faust"  ,signed and inscribed. Gouache Estimate: £2,500.00 - £3,000.00 on paper, 33.5 by 52.5 cm.  Estimate: £1,000.00 - £1,500.00 Lot: 538 § BOUCHÈNE, DIMITRI( 1893- 1993) Costume Designs for "Romeo and Juliet" , five works, two signed, three stamped with Lot: 534 the artist's studio stamp, two § BOUCHÈNE, DIMITRI( 1893- inscribed, each numbered and 1993) Set Design for "Faust" two dated 1963. Charcoal and ,signed and inscribed. Gouache gouache on paper, two on paper, 35.5 by 49.5 cm. The heightened with gold and glitter, design shows the Harz the largest measuring 32.5 by 25 mountains on Walpurgis Night cm and the smallest 31.5 by 23 where Méphistophéles and Faust cm.  are surrounded by witches in act Estimate: £2,500.00 - £3,000.00 V. Estimate: £1,000.00 - £1,500.00

54 of 59 MacDougall's Fine Art Auctions (Russian Art, Icons and Works of Art and the Dimitri Bouchène Collection) Catalogue - Downloaded from UKAuctioneers.com

Lot: 539 Lot: 543 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) Costume Designs for 1993) Costume Designs for "Romeo and Juliet" , four works, "Coppélia" , four works, one one signed, three stamped with signed and three stamped with the artist's studio stamp, each the artist's studio stamp. further stamped on the reverse, Charcoal and gouache on paper, each numbered. Charcoal and two works heightened with gold gouache on paper, three and silver, each measuring heightened with silver and gold, approximately 24 by 15.5 cm. the largest measuring 31.5 by 24 The ballet Coppélia with music cm and the smallest 28 by 22.5 by Léo Delibes was produced at cm.  Théâtre des Champs-Elysées in Estimate: £2,000.00 - £3,000.00 1946. Estimate: £2,000.00 - £3,000.00

Lot: 540 § BOUCHÈNE, DIMITRI( 1893- Lot: 544 1993) Costume Designs for § BOUCHÈNE, DIMITRI( 1893- "Blanche Neige" , six works, one 1993) Costume Designs for signed, one signed with initials, "L'incoronazione di Poppea" , five each stamped with the artist's works, one signed, four stamped studio stamp, one on the reverse, with the artist's studio stamp, one inscribed and two numbered. each inscribed, numbered and Charcoal and gouache, two dated 1953. Charcoal and works heightened with silver and gouache, heightened with gold glitter, each measuring and silver, on paper, each approximately 24 by 15.5 cm.  measuring approximately 32 by Estimate: £3,000.00 - £5,000.00 24 cm.  Estimate: £2,500.00 - £3,000.00

Lot: 541 § BOUCHÈNE, DIMITRI( 1893- Lot: 545 1993) Costume Designs for § BOUCHÈNE, DIMITRI( 1893- "Blanche Neige" , five works, 1993) Costume Designs for each stamped with the artist's "L'incoronazione di Poppea" , five studio stamp, three on the works, each stamped with the reverse. Charcoal and gouache artist's studio stamp, inscribed, on paper, two with glitter and foil, numbered and dated 1953. each measuring approximately Charcoal and gouache, 24.5 by 15.5 cm.  heightened with silver, gold and Estimate: £2,500.00 - £3,000.00 glitter, on paper, the largest measuring 32 by 24 cm and the smallest 31.5 by 21.5 cm.  Lot: 542 Estimate: £2,500.00 - £3,000.00 § BOUCHÈNE, DIMITRI( 1893- 1993) Costume Designs for "Blanche Neige" , five works, Lot: 546 each stamped with the artist's § BOUCHÈNE, DIMITRI( 1893- studio stamp, two on the reverse. 1993) Costume Designs for Charcoal and gouache on paper, "L'incoronazione di Poppea" , five three heightened with gold, three works, one signed and four with glitter and foil, four stamped with the artist's studio measuring 24 by 15.5 cm and stamp, each inscribed, numbered one 27.5 by 15.5 cm.  and dated 1953. Charcoal and Estimate: £2,500.00 - £3,000.00 gouache, heightened with gold, silver and glitter, on paper, one measuring 32 by 24 cm and four 31.5 by 23.5 cm. Estimate: £2,500.00 - £3,000.00

55 of 59 MacDougall's Fine Art Auctions (Russian Art, Icons and Works of Art and the Dimitri Bouchène Collection) Catalogue - Downloaded from UKAuctioneers.com

Lot: 547 staged by the Ballet Russe de § BOUCHÈNE, DIMITRI( 1893- Monte Carlo in London in 1937. 1993) Costume Designs for The ballet Les Dryades with "L'incoronazione di Poppea" , five choreography by Leonid Massine works, each stamped with the and music by Frédéric Chopin was artist's studio stamp, inscribed, produced at Teatro dell’Opera numbered and dated 1953. di Roma in 1953. Charcoal and gouache, Estimate: £2,000.00 - £3,000.00 heightened with gold, silver and glitter, on paper, each measuring approximately 31.5 by 23.5 cm Lot: 551 (image size). § BOUCHÈNE, DIMITRI( 1893- Estimate: £2,500.00 - £3,000.00 1993) Costume Designs for Tchaikovsky's Ballets "Le Nozze di Aurora" and "Swan Lake" , five Lot: 548 works, each signed, inscribed, § BOUCHÈNE, DIMITRI( 1893- numbered and two dated 1956. 1993) Costume Designs for Charcoal and gouache, "L'incoronazione di Poppea" , five heightened with gold, silver and works, each stamped with the glitter, on paper, each measuring artist's studio stamp, inscribed, approximately 31.5 by 23.5 cm. numbered and dated 1953. Estimate: £2,500.00 - £3,000.00 Charcoal and gouache on paper, four heightened with gold, the largest measuring 33 by 23.5 cm Lot: 552 and the smallest 31.5 by 23.5 cm. § BOUCHÈNE, DIMITRI( 1893- Estimate: £2,500.00 - £3,000.00 1993) Set Designs for Various Productions , four works, each signed, three inscribed, three Lot: 549 numbered and two dated 1937 § BOUCHÈNE, DIMITRI( 1893- and 1953. Gouache on paper, 1993) Costume Designs for the one also with collage, the largest Opera "From the House of the measuring 21.5 by 32 cm (image Dead" and for the ballet "Des size) and the smallest 16 by 24 Singes" , five works, each cm.  signed, further stamped with Estimate: £1,500.00 - £2,000.00 artist's studio stamp on the reverse, inscribed and numbered, one dated 1948 and three 1954. Lot: 553 Charcoal and gouache on paper, § BOUCHÈNE, DIMITRI( 1893- two heightened with gold and 1993) Set Designs for glitter, two measuring Tchaikovsky's "Swan Lake" and approximately 32 by 24 cm and "Le Nozze di Aurora" , three three approximately 32.5 by 25 works, each signed. Gouache on cm. The opera From the House paper, the largest measuring 25 of the Dead , based on the novel by 37 cm and the smallest 24 by by Fedor Dostoevsky, with music 32 cm.  by Leoš Janácek was produced at Estimate: £1,200.00 - £1,800.00 De Nederlandse Opera in Amsterdam in 1954. Estimate: £2,500.00 - £3,000.00 Lot: 554 § BOUCHÈNE, DIMITRI( 1893- 1993) Set Design for "Swan Lot: 550 Lake" ,signed. Gouache on § BOUCHÈNE, DIMITRI( 1893- paper, 48 by 68 cm.  1993) Costume Designs for the Estimate: £1,500.00 - £2,000.00 Ballets "Les Eléments" and "Les Dryades" , four works, each signed, inscribed, two numbered, two dated 1937 and two 1953. Charcoal and gouache on paper, each measuring approximately 31 by 24 cm. The ballet Les Eléments with choreography by Michel Fokine and music by Johann Sebastian Bach was

56 of 59 MacDougall's Fine Art Auctions (Russian Art, Icons and Works of Art and the Dimitri Bouchène Collection) Catalogue - Downloaded from UKAuctioneers.com

Lot: 555 Lot: 560 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) Set Design for "Swan 1993) Set Design for "Le Nozze Lake" ,signed. Gouache on di Aurora" ,signed, further paper, 30 by 44 cm.  stamped with the artist's studio Estimate: £800.00 - £1,200.00 stamp on the reverse. Gouache on paper, 106 by 74.5 cm.  Estimate: £2,000.00 - £3,000.00

Lot: 556 Lot: 561 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) Costume Designs for 1993) Set Designs for the Ballet "Divertissment" , five works, each "Le Nozze di Aurora" and the signed, inscribed, numbered and Opera "Pelléas et Mélisande" , four dated 1948. Charcoal and two works, each signed, one gouache on paper, four further stamped with the artist's heightened with gold and glitter, studio stamp on the reverse. each measuring approximately Gouache on paper, measuring 29 32.5 by 25 cm.  by 42.5 cm and 25.5 by 40.5 cm Estimate: £2,500.00 - £3,000.00 (image size) respectively.  Estimate: £1,000.00 - £2,000.00

Lot: 557 § BOUCHÈNE, DIMITRI( 1893- Lot: 562 1993) Curtain Design for § BOUCHÈNE, DIMITRI( 1893- "Divertissement" ,signed. 1993) Set Design for "Pelléas et Gouache with collage on paper, Mélisande" ,signed. Gouache on 35.5 by 52.5 cm (image size).  paper, 37.5 by 56 cm.  Estimate: £1,000.00 - £1,500.00 Estimate: £1,000.00 - £1,500.00

Lot: 558 § BOUCHÈNE, DIMITRI( 1893- Lot: 563 1993) Set Design for "Le Nozze § BOUCHÈNE, DIMITRI( 1893- di Aurora" ,signed. Gouache on 1993) Set Design for "Pelléas et paper, 38 by 60 cm.  Mélisande" ,signed, inscribed and Estimate: £1,200.00 - £1,500.00 dated 1953. Gouache on paper, 37.5 by 52.5 cm.  Estimate: £1,000.00 - £1,500.00

Lot: 559 § BOUCHÈNE, DIMITRI( 1893- Lot: 564 1993) Set Design for "Le Nozze § BOUCHÈNE, DIMITRI( 1893- di Aurora" ,signed. Gouache on 1993) Set Design for "Pelléas et paper, 47.5 by 90 cm.  Mélisande" , stamped with the Estimate: £1,500.00 - £2,500.00 artist's studio stamp. Gouache on paper, 31.5 by 49.5 cm.  Estimate: £800.00 - £1,200.00

Lot: 565 § BOUCHÈNE, DIMITRI( 1893- 1993) Set Design for "Pelléas et Mélisande" ,signed. Gouache on paper, 37 by 54 cm.  Estimate: £1,000.00 - £1,500.00

57 of 59 MacDougall's Fine Art Auctions (Russian Art, Icons and Works of Art and the Dimitri Bouchène Collection) Catalogue - Downloaded from UKAuctioneers.com

Lot: 566 Lot: 572 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) Set Design for "Pelléas et 1993) Set Design ,signed. Mélisande" ,signed. Gouache on Gouache on paper, 53 by 86 cm.  paper, 33.5 by 56 cm.  Estimate: £1,500.00 - £2,500.00 Estimate: £1,000.00 - £1,500.00

Lot: 567 Lot: 573 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) Set Design for "Pelléas et 1993) Set Design ,signed. Mélisande" ,signed. Gouache on Gouache on paper, 49 by 74 cm.  paper, 32 by 49 cm.  Estimate: £1,500.00 - £2,000.00 Estimate: £800.00 - £1,200.00

Lot: 568 Lot: 574 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) Set Design for "Claire" 1993) Set Design ,signed. ,signed. Gouache on paper, 49 Gouache on paper, 52 by 74.5 by 68.5 cm.  cm.  Estimate: £1,500.00 - £2,000.00 Estimate: £1,500.00 - £2,000.00

Lot: 569 Lot: 575 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) Set Design for "Claire" 1993) Abstract Composition ,signed. Gouache on paper, 37.5 ,signed. Gouache on paper, 31 by 52.5 cm.  by 23.5 cm.  Estimate: £1,000.00 - £1,500.00 Estimate: £800.00 - £1,200.00

Lot: 570 Lot: 576 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) Set Design for "Cyrano de 1993) La Danse fantastique Bergerac" ,signed. Gouache on ,signed. Gouache on paper, 31.5 paper, 31.5 by 57.5 cm.  by 24 cm.  Estimate: £1,000.00 - £1,500.00 Estimate: £800.00 - £1,200.00

Lot: 571 § BOUCHÈNE, DIMITRI( 1893- 1993) Set Design for "Cyrano de Bergerac" ,signed and inscribed. Gouache on paper, 38 by 59.5 cm. This design for act III, in which Christian dies, shows the camp outside Arras. Estimate: £1,000.00 - £1,500.00

58 of 59 MacDougall's Fine Art Auctions (Russian Art, Icons and Works of Art and the Dimitri Bouchène Collection) Catalogue - Downloaded from UKAuctioneers.com

Lot: 577 Lot: 582 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) Dance ,signed. Gouache 1993) La Danse de l'oiseau on paper, 32 by 24.5 cm.  fantastique ,signed. Gouache on Estimate: £800.00 - £1,200.00 paper, laid on canvas, 105.5 by 76 cm.  Estimate: £1,200.00 - £1,700.00

Lot: 578 Lot: 583 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) Abstract Composition 1993) Dancer ,signed, further ,signed and stamped with the stamped with the artist's studio artist's studio stamp. Gouache on stamp on the reverse. Gouache paper, 31.5 by 24 cm.  on paper, 32 by 24.5 cm.  Estimate: £800.00 - £1,200.00 Estimate: £800.00 - £1,200.00

Lot: 579 Lot: 584 § BOUCHÈNE, DIMITRI( 1893- § BOUCHÈNE, DIMITRI( 1893- 1993) Dancer ,signed. Gouache 1993) Abstract Composition on paper, 32.5 by 24 cm (image ,signed. Gouache on paper, 31 size).  by 24 cm. Estimate: £500.00 - £700.00 Estimate: £800.00 - £1,200.00

Lot: 580 § BOUCHÈNE, DIMITRI( 1893- 1993) La Danse fantastique ,signed. Gouache on paper, 32 by 24.5 cm.  Estimate: £800.00 - £1,200.00

Lot: 581 § BOUCHÈNE, DIMITRI( 1893- 1993) Dance ,signed. Gouache on paper, 31.5 by 24.5 cm.  Estimate: £800.00 - £1,200.00

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