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Mir iskusstva
Sculptor Nina Slobodinskaya (1898-1984)
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Artists at Play Natalia Erenburg, Iakov Tugendkhold, and the Exhibition of Russian Folk Art at the “Salon D’Automne” of 1913
Sergei Diaghilev's Ballets Russes in the Context of Symbolism Andrey Konovalov1,A Liudmila Mikheeva2,* Yulia Gushchina3,B
SPRING CATALOGUE 2018: Early Soviet Culture. a Selection of Books
Russian Art on the Rise
Serge Diaghilev's Art Journal
Russian, Soviet, and Central Asian Art Fall 2017 | Professor Allison Leigh Mondays, Wednesdays & Fridays 11:00-11:50Am – Fletcher Hall 211
The Art of Mikalojus Konstantinas Čiurlionis at the Junction of Two
Digital Expressionism and Christopher Wheeldon's Alice's Adventures In
The Art of Printing and the Culture of the Art Periodical in Late Imperial Russia (1898-1917)
The University of Chicago Kazimir Malevich And
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What Is to Be Done? Art Practice, Theory and Criticism in Russia
Art the Commune
Silver Age Discourse on the Nature of Russian Symbolism Barbara Ann Brown*
Russian Art Education: a Study on Post-Soviet Perspectives
Ritofsod VOL V
Top View
Exhibition Review
Modernism and the Spiritual in Russian Art New Perspectives
"How in This Cruel Age I Celebrated Freedom": Aesopian Subversion In
Art Groups in Russia After 1917
The Spectacle of Russian Futurism: the Emergence and Development of Russian Futurist Performance, 1910-1914 Vol
Celebrating Suprematism: New Approaches to the Art of Kazimir
Russian Art of the Avant-Garde
The Institute of Modern Russian Culture at Blue Lagoon
Avant-Garde and Innocence: Children’S Book Illustration by Russian Non- Conformist Artists in the Beginning of the 20Th Century
Boris Anisfeld Paintings and Stage Designs, 1906 -1926
Kazimir Malevich's Negative Theology and Mystical Suprematism
Incidental Modernism: Episodes of Symbolism in Modern Ukrainian Art Myroslava M. Mudrak
Defying the Modernist Canon: Mikhail Larionov's Artistic
Sergei Diaghilev's 1898 Exhibition of Russian and Finnish
(Worldbackwards): Collaborative Book Art and Transrational Sounds
Kyiv: the Capital of Modernity at the Turn of the Twentieth Century Jean-Claude Marcadé
The Institute of Modern Russian Culture at Blue Lagoon
Janet Kennedy Emeritus Professor Department of History of Art Fine Arts Building Indiana University Bloomington, Indiana 47405