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Girls+Inc.+PNW+-+Power+Of+The+
DEAR FRIENDS, Thank you for joining us for the 15th Power of the Purse! Though we are coming to you from Portland, Oregon, this year’s virtual event is being broadcast to celebrated Girls Inc. supporters all throughout the country! These last 15 years have been quite a journey for us both. We vividly recall our first meeting in 2005, to discuss the concept of pairing Portland “notables” with local purse designers to create one-of-a-kind handbags to be featured at an annual, one-of-a-kind event ‒ Power of the Purse! An event concept that would fully celebrate the breadth of Portland’s highly acclaimed design community while giving voice to the expansive chorus of Portland’s leaders, artists, entrepreneurs, and philanthropists – a community of champions building the foundation for the next generation of strong, smart and bold leaders. Now 15 years later, and millions upon millions of dollars raised to champion for the empowerment of girls and an equitable society, we have the honor of Co-Chairing this 15th event. It has been an absolute honor to watch this event concept grow into a powerful platform for empowering youth. We are so grateful to be part of this movement here in Portland. Although we are unable to join together in person for this sensational event – we are still united in spirit and in fundraising – allies within our community – with an open mind and a readiness to continue empowering Girls Inc. youth – our future leaders of tomorrow. Stay strong, smart and bold dear friends! RISE WITH HER. -
Festival Schedule
T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen. -
Download a PDF the PIFF 38 Guide
TH 38 PORTLAND INTERNATIONAL FILM FESTIVAL FEBRUARY 5-21, 2015 WELCOME Welcome to the 38th Portland International Film and of course, filmmakers who continue to Festival, the Northwest Film Center’s annual surprise, delight, inform, and energize with their showcase of new world cinema. With this year’s vision of our world. They bring the Festival to life, 97 features and 60 shorts, we celebrate the and we thank them all. world’s filmmakers—and those who love their work—no matter the language spoken. As with For the Film Center, the Festival is not an end, November’s annual Northwest Filmmakers’ but a means. We want this annual sampling of the Festival, which surveys the perspectives of our vitality of international cinema to be more than region’s makers, we hope you set aside some a special event, but rather to be the impetus for a time for a bit of armchair travel, discovery, and deeper dive into the art of film—whether it is on inspiration. the big screen or in the palm of your hand. Between Opening and Closing night the choices The programmatic centerpiece of this year’s are many, and we hope you find among them the Festival is a showcase of Hispanic language gems that will keep you searching for more. films from ten countries, and the accompanying Cine-Lit Conference on Hispanic Film and Enjoy! Literature co-produced by the foreign language departments at Oregon State University, Portland State University and the University of Oregon. This is the eighth such Festival and Conference collaboration, a sharing of films, visiting directors, scholars, and students that Bill Foster, Director enriches one another and the community. -
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annual report 2006-2007 INTRODUCTION Last year, our signature Readings/Workshops program continued its nationwide expansion, made possible by our successful capital campaign in 2006, which enabled us to establish an endowment to bring the program to six new cities. In 2007, we began supporting writers participating in literary events in Washington, D.C. and in Houston. In Washington, D.C., we funded events taking place at venues, including Columbia Lighthouse for the Blind, Edmund Burke High School, and Busboys & Poets. We also partnered with Arte Publico Press, Nuestra Palabra, and Literal magazine to bring writers to audiences in Houston. In addition to the cities noted above, our Readings/Workshops program supports writers and organizations throughout New York State and California, and in Atlanta, Chicago, Detroit, and Seattle. Last year, we provided $215,050 to 732 writers participating in 1,745 events. Poets & Writers Magazine celebrated its 20th anniversary last year and offered a number of helpful special sections, including a collection of articles on the increasingly popular MFA degree in creative writing. The magazine also took a look at writers conferences, including old favorites like Bread Loaf and Yaddo, as well as some newer destinations—the Macondo Workshop for Latino writers and Soul Mountain for African American writers. We also offered “The Indie Initiative,” our annual feature on small presses looking for new work, and “Big Six,” a snapshot of the country’s largest publishers of literary books. Our Information Services staff continued to provide trustworthy and personalized answers to hundreds of writers’ questions on topics ranging from vanity presses to literary agents. -
Exotic Plant Management Team Program 2010 Annual Report
National Park Service U.S. Department of the Interior Natural Resource Stewardship and Science Exotic Plant Management Team Program 2010 Annual Report Natural Resource Report NPS/NRSS/NRR—2011/459 ON THE COVER Top center – Olympic National Park, North Coast/Cascades Network EPMT; Center left –Badlands National Park, Northern Great Plains EPMT; Center center – Wrangell-St.Elias National Park and Preserve, Alaska EPMT; Center right – Point Reyes National Seashore, California EPMT; Bottom left – Black Canyon of the Gunnison, Lake Mead EPMT; Bottom center – Bighorn Canyon National Recreation Area, Northern Rocky Mountain EPMT; Bottom right – Rock Creek Park, National Capital Region EPMT. Exotic Plant Management Team Program 2010 Annual Report Natural Resource Report NPS/NRSS/NRR—2011/459 Rita Beard National Park Service Invasive Plant Program Coordinator 1201 Oakridge Dr., Suite 200 Fort Collins, CO 80525 Louisa Gibson National Park Service Program Assistant 1201 Oakridge Dr., Suite 200 Fort Collins, CO 80525 October 2011 U.S. Department of the Interior National Park Service Natural Resource Stewardship and Science Fort Collins, Colorado The National Park Service, Natural Resource Stewardship and Science office in Fort Collins, Colorado publishes a range of reports that address natural resource topics of interest and applicability to a broad audience in the National Park Service and others in natural resource management, including scientists, conservation and environmental constituencies, and the public. The Natural Resource Report Series is used to disseminate high-priority, current natural resource management information with managerial application. The series targets a general, diverse audience, and may contain NPS policy considerations or address sensitive issues of management applicability. -
Facility Use Procedures
Facility Use Procedures This manual defines the scheduling and event planning procedures to host events on the Portland State University (PSU) campus. The Campus Events & Student Union office (CESU) is the event planning and campus scheduling hub of PSU. CESU provides event planning support and campus scheduling services required for hosting events and programs serving the campus community and external constituencies. CESU manages an event venue portfolio of campus facilities that includes the following: ● Smith Memorial Student Union (SMSU) ● Hoffmann Hall ● Viking Pavilion Regional Event Center ● General pool classrooms ● Campus outdoor spaces & tabling Campus Events & Student Union 119 Smith Memorial Student Union 1825 SW Broadway Portland, Oregon 97201 Contact Information Phone: 503-725-2663 Fax: 503-725-8060 Email: [email protected] Page 1 (revised November 25, 2020 P.S.- Approved CA) TABLE OF CONTENTS INTRODUCTION 4 CONTACT INFORMATION 5 SCHEDULING 6 UNFORESEEN CLOSURES 6 CLIENTS 6 MISREPRESENTATION 8 WEEKEND EVENTS 8 WEEKDAY EVENTS 8 EVENT PLANNING 9 ACADEMIC CLASSES AND RELATED EVENTS 9 CAMPAIGN EVENTS 9 FOOD SERVICE 9 FOOD CARTS 9 FOOD WAIVERS 9 BEVERAGE SERVICE 10 FILM, PHOTOGRAPHY & VIDEOGRAPHY 11 LIVE MUSIC AND INDOOR SOUND 11 PERMANENT FIXTURES 11 TICKETING PROCEDURE 11 EVENT SET-UP AND DECORATION 11 EVENT-RELATED MACHINERY 12 COMPUTER NETWORK ACCESS 12 ADDITIONAL FURNITURE AND EQUIPMENT -
February 11, 2021 Contact for Cinema Unbound Awards: Aimee Morris
February 11, 2021 Contact for Cinema Unbound Awards: Aimee Morris [email protected] (917) 670-5517 Contact: December Carson Head of External Affairs, NW Film Center 503-276-4276 Steve McQueen, Garrett Bradley, Gus Van Sant, Mollye Asher and Alex Bulkley to be honored at the 2021 Cinema Unbound Awards presented by the Portland Art Museum & Northwest Film Center (PORTLAND, OR) – The annual Cinema Unbound Awards 2021 honorees were announced today by the Portland Art Museum & Northwest Film Center (NWFC). This year’s honorees include Steve McQueen, Garrett Bradley, Gus Van Sant, Mollye Asher, and Alex Bulkley: boundary-breaking multimedia storytellers working at the intersection of art and cinema. The awards will be presented on March 4, 2021, kicking off the 44th Annual Portland International Film Festival running from March 5 to March 14, 2021. Steve McQueen, the Academy Award–winning British filmmaker and artist whose anthology film series Small Axe recently won Best Picture at the Los Angeles Film Critics Association Awards, says he is grateful for the support of artists’ creative exploration. “I feel particularly honored to receive this Cinema Unbound Award from Northwest Film Center and Portland Art Museum at a time in my own creative journey when I have gone back to my true source and inspiration with Small Axe and felt more unbound creatively than I ever have,” says McQueen. “The work NWFC and PAM do in supporting creatives across different mediums in discovering their own artistic identity is vitally important.” The event will be available free to the public virtually throughout the US and internationally by registering at cinemaunbound.org/awards. -
Join Fishtrap for a Celebration of Partnership with Eastern Oregon University’S MFA & Creative Writing Program!
From the Director Fishtrap Sta Dear Friends, Welcome to the 32nd Summer Fishtrap Gathering of Writers! I hope this week provides you with lots of inspiration, connection, community, and opportunity to explore and grow in your craft. You’re part of the rst Summer Fishtrap BoDean Warnock to take place at the beautiful and historic Operations Coordinator Wallowa Lake Lodge. Fishtrap has a long history with the lodge, and we’re happy to build on that relationship. We hope Mike Midlo you take advantage of this place. Walk the grounds, sit by the Program Manager Wallowa River, and stick your toes in the lake. You have have full access to the lodge, deck, and lawn, including 24-hour access to the lobby— and lots of free coee. Summer Fishtrap concludes our “Year of Ursula” celebration. She’s been with us through examining the meaning of refuge at Winter Fishtrap, and gave us the world of Earthsea to explore Shannon Maslach together during our Big Read community reading event. It was Registration Coordinator wonderful to to see readers discover Ursula for the rst time, and to hear stories from people who loved her writing, took her Janis Carper workshops, and even called her friend. Ursula’s inuence and impact on the writing world can’t be overstated. I’m happy to Marketing Coordinator see it continue this week. Whitney Chandler As I was sitting down to write this letter, I turned to her once Fishtrap Story Lab Instructor again to see if she had anything to say about writing workshops. I’ve remarked several times over the past year that there seems to be an Ursula quote for every situation. -
Laura Ross-Paul
FROELICK GALLERY Laura Ross-Paul Born 1950 Portland, Oregon Education 1978 B.S. Arts—Portland State University, Portland, Oregon 1976 M.F.A. Painting—Portland State University, Portland, Oregon 1974 B.F.A. Painting—Fort Wright College, Spokane, Washington 1972-74 Oregon State University, Corvallis, OR 1968-70 Oregon State University, Corvallis, OR Solo Exhibitions 2015 Waterfalls, Froelick Gallery, Portland, OR 2014 Urban Forest, Froelick Gallery, Portland, OR 2012 Connect, Froelick Gallery, Portland, OR History Lessons, Helzer Gallery, Portland Community College, Portland, OR 2010 Seasons, Froelick Gallery, Portland, OR 2009 Still Lives, Joanne Artman, Laguna Beach, CA 2008 Northwestopia, Froelick Gallery, Portland, OR Patterns of Light, Pacini Lubel Gallery, Seattle, WA 2007 Laura Ross-Paul: The Allusive Self, curated by Jessica Hunter Larsen, Coburn Gallery, Colorado College, Colorado Springs, CO (catalogue) 2006 Naked, Froelick Gallery, Portland, OR (catalogue) 2005 Pattern and Illusion, Froelick Gallery, Portland, OR 2004 Connect, Pacini Lubel Gallery, Seattle, WA 2003 Juggling, Jenkins-Johnson Gallery, San Francisco, CA 2002 Simple Geometry, Froelick Gallery, Portland, OR 2000 Markers, Froelick Gallery, Portland, OR (catalogue) 1999 Dances and Exorcisms, Froelick Gallery, Portland, OR Realism Into Abstraction, Jenkins Johnson Gallery, San Francisco, CA 1997 Defying Gravity, Froelick Adelhart Gallery, Portland, OR (brochure) 1996 The Emotion of Light, Grover/Thurston Gallery, Seattle, WA History Lessons, Froelick Adelhart Gallery, -
“The Only Girl in the Woods”: Gender in Contemporary Nature Writing1
“The Only Girl in the Woods”: Gender in Contemporary Nature Writing1 Charley Locke Senior Essay in Humanities Advised by Professor Amy Hungerford Due April 18, 2014 1To many readers of Ralph Waldo Emerson, his image of himself walking in the woods, “buoyed up by force of his exhilaration” to “become a transparent eye-ball,” is “the quintessence of Emersonianism.”2 Lawrence Buell uses this phrase, so often highlighted by readers, as evidence of his broader claim about Emerson’s intentions: when writing about being one with nature and valuing physical work, his aim is “invigoration of the mind,” valuing “spiritual vigor” over physical exertion in the wilderness (94). According to Emersonian views, nature primarily serves to bring the truth of who our individual selves really are into clearer focus. He writes, “I may yet be wrong; but if the elm-tree thinks the same thing… it must be true.”3 Nature is a proving ground for his thoughts, checking their accuracy, voicing incontrovertible truth. To Emerson, understanding one’s genuine self necessitates seeing and comprehending the truths outside, which requires a removal from one’s particulars. Looking outside can awaken introspection. For many readers, the striking image of the transparent eye-ball is a lasting reminder of what Buell interprets as Emerson’s central theme: “physical nature’s potential to energize the powers of the human mind once we awaken fully to their inherent interdependence” (112).4 In fact, Emerson acknowledges the reciprocity of the “occult relation between man and the vegetable,” as “they nod to me, and I to them,” but 1 Quote in the title is from Wild: From Lost to Found on the Pacific Crest Trail, by Cheryl Strayed. -
Facilities Permit Program 10/2/2020 Client and Building List Page 1 of 99
Facilities Permit Program 10/2/2020 Client and Building List Page 1 of 99 111 SW 5th Ave Investors LLC 19-134770-000-00-FC YORDANOS LONG UNICO PROPERTIES Building/Mechanical Inspector: Jeffrey Rago 4364025 Work: (503) 275-7461 Electrical Inspector: David Scranton [email protected] Plumbing Inspector: Chuck Luttmann M Fire Marshal: Mark Cole Building Address Folder Master US Bancorp Plaza:Unico Prop 555 SW OAK ST 19-134803-FC 19-134804-FA US Bancorp Prkng Struct:Unico Prop 129 SW 4TH AVE 20-101725-FC 20-101726-FA US Bancorp Tower:Unico Prop 111 SW 5TH AVE 19-134793-FC 19-134794-FA 200 Market Assoc. 99-125363-000-00-FC LAURA HUNDTOFT CUSHMAN & WAKEFIELD Building/Mechanical Inspector: Jeffrey Rago 2001906 Work: (503) 228-8666 Electrical Inspector: David Scranton Home: (503) 227-2549 Plumbing Inspector: Chuck Luttmann [email protected] Fire Marshal: Mark Cole Building Address Folder Master 200 MarketBldg:200 Market 200 SW MARKET ST 99-125649-FC 04-055199-FA Dielschneider:200 MARKET 71 SW OAK ST 09-124819-FC 09-124820-FA Fechheimer:200 MARKET 233 SW NAITO PKY 09-124830-FC 09-124831-FA FreimannKitchen:200 MARKET 79 SW OAK ST 09-124810-FC 09-124811-FA FreimannRestaurant:200 MARKET 240 SW 1ST AVE 09-124805-FC 09-124806-FA Hallock & McMillan:200 MARKET 237 SW NAITO PKWY 10-198884-FC 10-198885-FA Generated 10/02/2020 11:46 AM by CREPORTS_SVC from DSPPROD City of Portland, BDS - Report Code: 1109007 Facilities Permit Program 10/2/2020 Client and Building List Page 2 of 99 2020 Portland LLC c/o SKB 19-107059-000-00-FC Christina -
Northwest Tracking the Film Center's Northwest Tracking Program
OFFICE 934 SW SALMON ST MAIL 1219 SW PARK AVE PORTLAND, OR 97205 TEL 503.221.1156 VISIT NWFILM.ORG Northwest Tracking The Film Center’s Northwest Tracking program showcases the work of independent filmmakers living and working in the Northwest—Alaska, British Columbia, Idaho, Montana, Oregon, and Washington—whose work reflects the vibrant cinematic culture of the region. Whether presenting single artist retrospectives, new features, documentaries, or inspired collections of short works, Northwest Tracking offers testimony to the creativity and talent in our flourishing media arts community. Join us November 9-15 for the 43rd Northwest Filmmakers’ Festival, the Center’s annual survey of new moving image art produced by the region’s filmmakers. Northwest Tracking is supported in part by the National Endowment for the Arts. Thursday, September 8, 7 pm Skips Stones for Fudge, Idaho, 2016 dir. Ryan Seitz (52 mins., Documentary, DCP) Winner of the Grand Jury Prize for Best Documentary at the Independent Film Festival Boston, Skips Stones for Fudge follows Russ “Rock Bottom” Byars and Kurt “Mountain Main” Steiner in their quest for stone skipping glory. Tested by physical ailments, emotional hardships and the rise of young talent, these obscure legends of an obscure sport fight to cement their place in the record books. Steiner holds the current record (40), but Byars is the world champion. All comes to a head as the two travel to the 2014 Pennsylvania Stone Skipping Tournament in Franklin, PA. Thursday, September 15, 6:30 pm Women in Film Portland Member Screening, Oregon, 2016 dir. Various (70 mins with networking event before screening, Digital) The Northwest Film Center is proud to present a screening of films from members of the meet up group Women in Film Portland.