@Csun Vol.VIII No. 17
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TORONTO INTERNATIONAL FILM FESTIVAL SELEZIONE UFFICIALE 2006 Un Film Di PAUL VERHOEVEN UN KOLOSSAL BELLICO in CUI SUCCEDE DAVVERO OGNI COSA
presenta un film di PAUL VERHOEVEN TORONTO INTERNATIONAL FILM FESTIVAL SELEZIONE UFFICIALE 2006 un film di PAUL VERHOEVEN UN KOLOSSAL BELLICO IN CUI SUCCEDE DAVVERO OGNI COSA. RITMO DA GRAN SPETTACOLO DI VITA E MORTE. (CORRIERE DELLA SERA) MOLTO SPETTACOLARE (LA STAMPA) GIRATO BENISSIMO, GRANDE RITMO, NON ANNOIA MAI (IL MESSAGGERO) IMMAGINI FORTI E DI GRANDE VALORE FIGURATIVO (IL TEMPO) TRADIZIONALE E INNOVATIVO. BELLO. (IL GIORNALE) VERHOEVEN AUTENTICA FORZA VISIONARIA (IL MANIFESTO) 10 MINUTI DI APPLAUSI AL FESTIVAL DI VENEZIA PREMIO ARCA CINEMAGIOVANI MIGLIOR FILM Dutch Film Festival PREMIO MIGLIOR FILM PREMIO MIGLIOR REGISTA PREMIO MIGLIORE ATTRICE Platinum Award MASSIMO CAMPIONE DI INCASSI IN OLANDA Oscar 2007 MIGLIOR FILM STRANIERO CANDIDATO UFFICIALE PER L’ OLANDA CAST ARTISTICO RachelSteinn/Ellis De Vries CARICE VAN HOUTEN Ludwig Müntze SEBASTIAN KOCH Hans Akkermans THOM HOFFMAN Ronnie HALINA REIJN Ufficiale Franken WALDEMAR KOBUS Gerben Kuipers DEREK DE LINT GeneraleSS Käutner CHRISTIAN BERKEL VanGein PETER BLOK Rob MICHIEL HUISMAN Tim Kuipers RONALD ARMBRUST voci italiane RachelSteinn/Ellis De Vries CHIARA COLIZZI Ludwig Müntze LUCA WARD Hans Akkermans MASSIMO LODOLO Ronnie LAURA BOCCANERA Ufficiale Franken MASSIMO CORVO Gerben Kuipers GINO LA MONICA dialoghi e direzione del doppiaggio MASSIMO CORVO stabilimento di doppiaggio TECHNICOLOR SOUND SERVICES CAST TECNICO regia: PAUL VERHOEVEN storia originale: GERARD SOETEMAN sceneggiatura: GERARD SOETEMAN direttore della fotografia: PAUL VERHOEVEN luci: KARLWALTER LINDENLAUB, ACS, -
Expanding the Vision Visionfive Acres 2018-2019 Annual Report Table of Contents
expanding the vision visionfive acres 2018-2019 annual report table of contents Letter from the CEO/Board Chair 2 Dear Friends, Each year we ask, what more can we be doing? What could our communities look like if we Mission statement and services 3 prevented even more families from breaking apart? What could be the futures of children who Who we serve 4 found forever families? When we reflect on our 2018-2019 year, we expanded the vision of our commitment to serve thousands of kids and their families. There are nearly 442,000 children Expanding safety 5 in foster care nationwide of which about 21,000 are in Los Angeles County. This year we expanded our reach to a sixth county so we can serve more kids in need and their families. Expanding well-being 7 Now in Los Angeles, Orange, Riverside, San Bernardino, Ventura, and Kern Counties, we fulfill Expanding permanency 9 our mission to promote safety, well-being and permanency for children and their families by building on their strengths and empowering them within their communities. Leadership and service areas 11 We experienced expansion of our programs, reaching more than 10,000 children and their families annually, focusing on their safety, well-being and permanency. We successfully provided 83% Financials 12 permanent family solutions to 83% of children who received our services. In addition, we Expanding your commitment 13 engaged others in expanding their vision of what it means to be committed to our mission and leave a legacy. Philanthropy Circle and Cumulative Giving 14 For their participation and partnership, we acknowledge our supporters, volunteers and staff for the contribution they make to achieve outcomes that impact the lives of those we serve. -
The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174 -
Academy Committees 19~5 - 19~6
ACADEMY COMMITTEES 19~5 - 19~6 Jean Hersholt, president and Margaret Gledhill, Executive Secretary, ex officio members of all committees. EXECUTIVE COMMITTEE SPECIAL DOCUMENTARY Harry Brand COMMITTEE lBTH AWARDS will i am Do z i e r Sidney Solow, Chairman Ray Heindorf William Dozier Frank Lloyd Philip Dunne Mary C. McCall, Jr. James Wong Howe Thomas T. Moulton Nunnally Johnson James Stewart William Cameron Menzies Harriet Parsons FINANCE COMMITTEE Anne Revere Joseph Si strom John LeRoy Johnston, Chairman Frank Tuttle Gordon Hollingshead wi a rd I h n en · SPECIAL COMMITTEE 18TH AWARDS PRESENTATION FILM VIEWING COMMITTEE Farciot Edouart, Chairman William Dozier, Chairman Charles Brackett Joan Harrison Will i am Do z i e r Howard Koch Hal E1 ias Dore Schary A. Arnold Gillespie Johnny Green SHORT SUBJECTS EXECUTIVE Bernard Herzbrun COMMI TTEE Gordon Hollingshead Wiard Ihnen Jules white, Chairman John LeRoy Johnston Gordon Ho11 ingshead St acy Keach Walter Lantz Hal Kern Louis Notarius Robert Lees Pete Smith Fred MacMu rray Mary C. McCall, Jr. MUSIC BRANCH EXECUTIVE Lou i s Mesenkop COMMITTEE Victor Milner Thomas T. Moulton Mario Caste1nuovo-Tedesco Clem Portman Adolph Deutsch Fred Ri chards Ray Heindorf Frederick Rinaldo Louis Lipstone Sidney Solow Abe Meyer Alfred Newman Herbert Stothart INTERNATIONAL AWARD Ned Washington COMM I TTEE Charles Boyer MUSIC BRANCH HOLLYWOOD Walt Disney BOWL CONCERT COMMITTEE wi 11 i am Gordon Luigi Luraschi Johnny Green, Chairman Robert Riskin Adolph Deutsch Carl Schaefer Ray Heindorf Robert Vogel Edward B. Powell Morris Stoloff Charles Wolcott ACADEMY FOUNDATION TRUSTEES Victor Young Charles Brackett Michael Curtiz MUSIC BRANCH ACTIVITIES Farc i ot Edouart COMMITTEE Nat Finston Jean Hersholt Franz Waxman, Chairman Y. -
Coming Soon Now Open
NOW OPEN COMING SOON HARRY POTTER, characters, names and related indicia are trademarks of and © Warner Bros. Entertainment Inc. Harry Potter Publishing Rights © JKR. (s14) TRANSFORMERS and its logo and all related characters are trademarks of Hasbro and are used with permission. © 2014 Hasbro. All Rights Reserved. © 2014 DreamWorks L.L.C. and Paramount Pictures Corporation. All Rights Reserved. Jurassic Park, Jurassic Park River Adventure, Camp Jurassic ® Universal Studios/Amblin. Rocky and Bullwinkle and Friends TM & © Ward Prods. All Popeye characters TM & © 2014 KFS, Inc. TM Hearst Holdings, Inc. © MARVEL. Dr. Seuss properties TM & © 2014 Dr. Seuss Enterprises, L.P. All rights reserved. © 2014 BMP. Jimmy Buffett’s ® Margaritaville ® Jimmy Buffett. Pat O’Brien’s, Hurricane Glass logo, Have Fun! and Iron Grill Design ® Pat O’Brien’s Bar, Inc. © 2014 Pat O’Brien’s Bar, Inc. All rights reserved. Emeril’s ® Emeril Lagasse. Bubba Gump Shrimp Co. TM & © 2014 Par. Pic. Hot Dog Hall of Fame is a registered trademark of Creative Attractions, LLC. The Cowfish and all related logos TM The Cowfish Sushi Burger Bar, LLC. All rights reserved. Hollywood Drive-In Golf and associated logos are trademarks of Adventure Golf Design & Development, Inc. ©2014 AMC. Shrek 4-D © 2014 DreamWorks Animation L.L.C. T2, TERMINATOR ® StudioCanal S.A. ALL RIGHTS RESERVED. © 2014 Lyons Partnership, L.P. The Barney name and character, related characters and the overlapping dino spots and Barney and star logos are trademarks of Lyons Partnership, L.P. Reg. U.S. Pat. & Tm. Off. and other countries. THE SIMPSONS RIDE TM Twentieth Century Fox Film Corporation. -
Cartooning America: the Fleischer Brothers Story
NEH Application Cover Sheet (TR-261087) Media Projects Production PROJECT DIRECTOR Ms. Kathryn Pierce Dietz E-mail: [email protected] Executive Producer and Project Director Phone: 781-956-2212 338 Rosemary Street Fax: Needham, MA 02494-3257 USA Field of expertise: Philosophy, General INSTITUTION Filmmakers Collaborative, Inc. Melrose, MA 02176-3933 APPLICATION INFORMATION Title: Cartooning America: The Fleischer Brothers Story Grant period: From 2018-09-03 to 2019-04-19 Project field(s): U.S. History; Film History and Criticism; Media Studies Description of project: Cartooning America: The Fleischer Brothers Story is a 60-minute film about a family of artists and inventors who revolutionized animation and created some of the funniest and most irreverent cartoon characters of all time. They began working in the early 1900s, at the same time as Walt Disney, but while Disney went on to become a household name, the Fleischers are barely remembered. Our film will change this, introducing a wide national audience to a family of brothers – Max, Dave, Lou, Joe, and Charlie – who created Fleischer Studios and a roster of animated characters who reflected the rough and tumble sensibilities of their own Jewish immigrant neighborhood in Brooklyn, New York. “The Fleischer story involves the glory of American Jazz culture, union brawls on Broadway, gangsters, sex, and southern segregation,” says advisor Tom Sito. Advisor Jerry Beck adds, “It is a story of rags to riches – and then back to rags – leaving a legacy of iconic cinema and evergreen entertainment.” BUDGET Outright Request 600,000.00 Cost Sharing 90,000.00 Matching Request 0.00 Total Budget 690,000.00 Total NEH 600,000.00 GRANT ADMINISTRATOR Ms. -
Films on Super 8
. Films on Super 8 Online web site information catalogue of brand new movie films for sale by mail order. 2018 nearly 500 BRAND NEW colour super 8mm sound movie film titles in original boxes. Australia's largest on-line selection of BRAND NEW Super 8 Sound Films are found here from the following Studios and Hollywood Movie Producers: Universal Pictures, Castle Films, 20th Century Fox, Metro Goldwyn Mayer, Columbia Pictures, Cineavision, A.I.P. , Walton Films, Marketing Films, Walt Disney, Warner Bros. , A.B.C. , Techno Films, I.F.S. , and Ken Films NEW! Woody Woodpecker movies in original CASTLE FILMS boxes Collectors original CASTLE FILMS boxes ::: see our new online web page Movies: Action and Adventure, Drama, Science Fiction, Comedy, Horror, Musicals, Cartoons, Documentaries, Travel Classics and collectables memorabilia. All our products are warranted brand new, and have been exported to Australia, directly from each original film producer. They are all out of print, all are factory-sealed by the original exporter, and all are no longer available ex-factory. BRAND NEW: All movie film titles are in their original shrink wrap. All film titles have never been opened and have never been removed from the manufacturer¹s sealing of the product. The name FILMS ON SUPER 8 stands for the biggest SUPER 8 Mail Order Specialists. Buy your own piece of SUPER8 film history today before they are gone forever. Super 8 was always made to last. This super 8mm online web site information catalogue includes movies from the following directors and producers: Alfred Hitchcock, Walter Lantz, Tex Avery, David Lean, George Lucas, Gene Roddenberry. -
Walter Lantz: Made Famous by a Woodpecker (Legends of Animation) Online
m8ui2 [DOWNLOAD] Walter Lantz: Made Famous by a Woodpecker (Legends of Animation) Online [m8ui2.ebook] Walter Lantz: Made Famous by a Woodpecker (Legends of Animation) Pdf Free Jeff Lenburg *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook #207039 in Audible 2013-08-02Format: UnabridgedOriginal language:EnglishRunning time: 197 minutes | File size: 39.Mb Jeff Lenburg : Walter Lantz: Made Famous by a Woodpecker (Legends of Animation) before purchasing it in order to gage whether or not it would be worth my time, and all praised Walter Lantz: Made Famous by a Woodpecker (Legends of Animation): Ten-time Oscar-nominated Walter Lantz was one of Hollywood's most prolific directors and producers of animation. Over six decades, his studio produced more than 800 cartoons, including over 600 theatrically released cartoons, more than any other Hollywood animation studio, and set high standards for the art of animation in its fledgling years. Lantz is renowned for producing cartoons starring the world-famous Woody Woodpecker, whose distinctive laugh is enshrined in the Smithsonian Institute, but he began his career during the silent picture era when he directed, animated, and starred in the landmark animated series, Dinky Doodle. Influencing generations of animators, Lantz also created and/or produced a family of popular characters, including Andy Pandy, Buzz Buzzard, Chilly Willy, Gabby Gator, Inspector Willoughby, and Wally Walrus. [m8ui2.ebook] Walter Lantz: Made Famous by a Woodpecker (Legends of Animation) By Jeff Lenburg PDF [m8ui2.ebook] Walter Lantz: Made Famous by a Woodpecker (Legends of Animation) By Jeff Lenburg Epub [m8ui2.ebook] Walter Lantz: Made Famous by a Woodpecker (Legends of Animation) By Jeff Lenburg Ebook [m8ui2.ebook] Walter Lantz: Made Famous by a Woodpecker (Legends of Animation) By Jeff Lenburg Rar [m8ui2.ebook] Walter Lantz: Made Famous by a Woodpecker (Legends of Animation) By Jeff Lenburg Zip [m8ui2.ebook] Walter Lantz: Made Famous by a Woodpecker (Legends of Animation) By Jeff Lenburg Read Online. -
Good News for Keys Music Lovers Yvette Spent Her Early Years Between Tropix Togs and Wellington Apparel
8 • The Coconut Telegraph • May 2014 May 2014• The Coconut Telegraph • 9 Art Box Artist of the Month: Yvette Cotera Yvette Cotera is a first generation before moving to south Florida where Cuban-American born in Norfolk, Vir- she has now lived for over 43 years. ginia. She has a past 35-year Hershey Inspired by her Caribbean island roots, connection as her great-grandfather, the colorful tropics in Miami and her grandfather, grandmother and five of ocean home in Key Largo, Yvette creates her great aunts and uncles worked at the sea life paintings that connect her to the Milton Hershey‛s Sugar Central in Cuba. many places of her life. Her mother and uncle were also both In 1978 she earned a degree in born in one of the Hershey town homes, Advertising Design at the Art Institute which was modeled after the town in of Fort Lauderdale, and was employed 4 Hershey, PA. As her family traveled, years as a creative artist working at Good News for Keys Music Lovers Yvette spent her early years between Tropix Togs and Wellington Apparel. Cuba, Virginia and Maryland in the US There she designed whimsical art for If you love the kind of music usually found only in big city apparel using licensed characters such as concert halls, rejoice. There is cause for celebration from the Smurfs, the Jetsons, the Flint- the Lower Keys to the Upper Keys! The Florida Keys Concert stones, Chilly Willy, Woody Woodpecker Association announces an impressive six-concert offering and Donald Duck. Her designs were sold for 2013, at a great price of $85 for all six concerts, making all over the US! the cost of each individual show about $14! While raising her 3 children, Yvette continued to work part time as a free- lance artist for over 6 years at Pffafco Inc. -
Starship Troopers “Le Futurestmaintenant”,Pourraitêtreladevise De CRITIQUE Se Dressecontrel’Espècehumaine
STARSHIP TROOPERS DE PAUL VERHOEVEN FICHE TECHNIQUE USA - 1997 - 2h15 fi che fi lm che fi fi Réalisateur : Paul Verhoeven Scénario : Ed Neumeier d’après le roman de Robert A. Heinlein Montage : Mark Goldblatt Caroline Ross Musique : Basil Poledouris Au XXIVème siècle, une fédération musclée fait régner sur Terre l’ordre et la vertu… exhortant sans relâche la jeu- nesse à la lutte, au devoir, à l’abnégation et au sacrifice de SYNOPSIS soi. Mais aux confins de la galaxie, une armée d’anarchistes Interprètes : se dresse contre l’espèce humaine. Casper Van Dien (Johnny Rico) CRITIQUE Dina Meyer “Le futur est maintenant”, pourrait être la devise de (Dizzy Flores) Starship Troopers, film de science-fiction extrême qui Denise Richards relègue Le Jour le plus long au rang de promenade cham- (Carmen Ibanez) pêtre. Dans ce monde futuriste, où la Terre est devenue un Jake Busey régime fasciste, des étudiants de bonne famille, tout droit sortis d'un épisode de Beverly Hills, n'ont qu'un seul rêve : (Ace Levy) intégrer la glorieuse armée de la Fédération, chargée de Michael Ironside faire régner l'ordre sur la galaxie. Mais nous ne sommes (Jean Rasczak) pas dans Star Trek, et l'interdiction d'ingérence n'a pas droit de cité. Aussi, quand les dirigeants découvrent qu'une peuplade d'arachnides déverse sur notre planète une horde de météores, il ne leur en faut pasplus pour 1 titiller la fibre ultra-nationaliste si les valeurs morales du « plus à Philip K. Dick, auteur du Maître de leurs compatriotes et déclen- jamais ça » étouffaient toute vel- du haut château, pendant litté- cher une guerre des étoiles parti- léité critique sur la résurgence raire de Starship Troopers, qui culièrement violente, sans passer d'un fascisme bien pensant ? Il imaginait la victoire écrasante de par la case diplomatie. -
Nationalism, the History of Animation Movies, and World War II Propaganda in the United States of America
University of Akureyri Faculty of Humanities and Social Science Modern Studies 2011 Intersections of Modernity: Nationalism, The History of Animation Movies, and World War II propaganda in the United States of America Kristján Birnir Ívansson Final BA Thesis in the Faculty of Humanities and Social Sciences University of Akureyri Faculty of Humanities and Social Science Modern studies 2011 Intersections of Modernity: Nationalism, The History of Animation Movies, and World War II propaganda in the United States of America Kristján Birnir Ívansson A final BA Thesis for 180 ECTS unit in the Faculty of Humanities and Social Sciences Instructor: Dr. Giorgio Baruchello Statements I hereby declare that I am the only author of this project and that is the result of own research Ég lýsi hér með yfir að ég einn er höfundur þessa verkefnis og að það er ágóði eigin rannsókna ______________________________ Kristján Birnir Ívansson It is hereby confirmed that this thesis fulfil, according to my judgement, requirements for a BA -degree in the Faculty of Hummanities and Social Science Það staðfestist hér með að lokaverkefni þetta fullnægir að mínum dómi kröfum til BA prófs í Hug- og félagsvísindadeild. __________________________ Giorgio Baruchello Abstract Today, animations are generally considered to be a rather innocuous form of entertainment for children. However, this has not always been the case. For example, during World War II, animations were also produced as instruments for political propaganda as well as educational material for adult audiences. In this thesis, the history of the production of animations in the United States of America will be reviewed, especially as the years of World War II are concerned. -
Appendix 1: Selected Films
Appendix 1: Selected Films The very random selection of films in this appendix may appear to be arbitrary, but it is an attempt to suggest, from a varied collection of titles not otherwise fully covered in this volume, that approaches to the treatment of sex in the cinema can represent a broad church indeed. Not all the films listed below are accomplished – and some are frankly maladroit – but they all have areas of interest in the ways in which they utilise some form of erotic expression. Barbarella (1968, directed by Roger Vadim) This French/Italian adaptation of the witty and transgressive science fiction comic strip embraces its own trash ethos with gusto, and creates an eccentric, utterly arti- ficial world for its foolhardy female astronaut, who Jane Fonda plays as basically a female Candide in space. The film is full of off- kilter sexuality, such as the evil Black Queen played by Anita Pallenberg as a predatory lesbian, while the opening scene features a space- suited figure stripping in zero gravity under the credits to reveal a naked Jane Fonda. Her peekaboo outfits in the film are cleverly designed, but belong firmly to the actress’s pre- feminist persona – although it might be argued that Barbarella herself, rather than being the sexual plaything for men one might imagine, in fact uses men to grant herself sexual gratification. The Blood Rose/La Rose Écorchée (aka Ravaged, 1970, directed by Claude Mulot) The delirious The Blood Rose was trumpeted as ‘The First Sex Horror Film Ever Made’. In its uncut European version, Claude Mulot’s film begins very much like an arthouse movie of the kind made by such directors as Alain Resnais: unortho- dox editing and tricks with time and the film’s chronology are used to destabilise the viewer.