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Legendary Screwball Animator Tex Avery Biography Now Released on Audiobook. NEWARK, N.J. - Sept. 13, 2013 - PRLog -- Celebrity biographer and animation expert Jeff Lenburg's authoritative biography, Tex Avery: Hollywood's Master of Screwball Cartoons ($34.95), is now available on audiobook. Produced and read by Scott O'Neill, the unabridged edition, based on the illustrated hardcover edition, is part of Lenburg's eight-book Legends of Animation series published by Chelsea House. The downloadable digital audiobook ($14.95) sells exclusively online at Audible.com, an Amazon platform company, Amazon.com, and iTunes. Lenburg's book offers an illuminating look at the life and career of this animation pioneer, his inspiration, and his lasting effect on the animation world. Considered the father of screwball animation, the six-time Academy Award nominated animator was one of the most influential animators of the 1930s, 1940s, and 1950s. Creator of such classic characters as Bugs Bunny, Daffy Duck, Droopy, George and Junior, and Screwy Squirrel, he directed 137 theatrical short-subjects for Warner Bros., Paramount Pictures, MGM, and Walter Lantz Productions. Avery did much of his groundbreaking work at Warner Bros.' famous "Termite Terrace" animation studio where, with a team that included fellow innovators Chuck Jones and Bob Clampett, he developed an animation style based on the idea that the artist could do anything in a cartoon and didn't need to base it in reality. Although Avery was blind in one eye, he did not let it hold him back. Known for his inventiveness and comic timing, he forged a legacy that influences animators today. A native of the Pacific Northwest, O'Neill is a talented voice actor and live performer known for his naturally sophisticated storytelling abilities and flair for comedy. He has narrated a half-dozen audiobooks and is also a seasoned veteran of many regional stage, film, club and conference productions, including Seattle's long-running production of "Tony N' Tina's Wedding." Lenburg's Tex Avery: Hollywood's Master of Screwball Cartoons is available in print as well through Amazon, Barnes and Noble, and most major booksellers. Critics hail his Legends of Animation series as ". well researched. will introduce readers to the individuals who were responsible for creating some of the most memorable characters on film." For more information and to play a sample of the audiobook, please visit: http://www.audible.com/ pd/Bios-Memoirs/ Tex-Avery-Hollywoo. To learn about the hardcover edition, click on the following link: http://www.amazon.com/ Tex-Avery-Hollywoods- Screwball-Anim. Jeff Lenburg is a profilic, award-winning author of 30 books, including celebrity memoirs, celebrity biographies, entertainment histories, popular references, and two national bestsellers. He is also a foremost authority on animation cartoons, having written seven books about its illustrious history, among them The Encyclopedia of Animated Cartoons , Third Edition, the definitive source on the subject chronicling every animated cartoon--some 3,100 in all--ever made, and Who's Who in Animated Cartoons , the first-ever biographical reference on more than 300 award- winning and legendary animators in animation's 100-plus year history. AVERY, Tex. Animator. Nationality: American. Born: Frederick Bean Avery in Taylor, Texas, 26 February 1907. Education: Attended North Dallas High School, graduated 1927. Career: 1930–35—animator with Universal-Walter Lantz Cartoons; 1936–41—worked at Warners (4 films in Bugs Bunny series: A Wild Hare , Tortoise Beats Hare , The Heckling Hare , and All This and Rabbit Stew ); before 1941 credited as Fred Avery; 1942—brief period at Paramount, 3 films in Speaking of Animals series then moved to MGM beginning with The Blitz Wolf ; 1954–55—directed for Walter Lantz; 1955—quit MGM; 1956–78—made commercials for Cascade Productions; 1979–80—with Hanna-Barbera Cartoons. Awards: First Prize, Venice Publicity Festival, for Calo-Tiger , 1958; Television Commercials Council Award, 1960; Annie Award, ASIFA 1974. Died: 26 August 1980. Films as Director (often credited as supervisor): Golddiggers of '49 ; The Blow-out ; Plane Dippy ; I'd Love to Take Orders from You ; Miss Glory ; I Love to Singa ; Porky the Rain Maker ; The Village Smithy ; Milk and Money ; Don't Look Now ; Porky the Wrestler. Picador Porky ; I Only Have Eyes for You ; Porky's Duck Hunt ; Uncle Tom's Bungalow ; Ain't We Got Fun ; Daffy Duck and Egghead ; Egghead Rides Again ; A Sunbonnet Blue ; Porky's Garden ; I Wanna Be a Sailor ; The Sneezing Weasel ; Little Red Walking Hood. The Penguin Parade ; The Isle of Pingo Pongo ; A Feud There Was ; Johnny Smith and Poker-Huntas ; Daffy Duck in Hollywood ; Cinderella Meets Fella ; Hamateur Night ; The Mice Will Play ; Daffy's Romance. A Day at the Zoo ; Thugs with Dirty Mugs ; Believe It or Else ; Dangerous Dan McFoo ; Detouring America ; Land of the Midnight Fun ; Fresh Fish ; Screwball Football ; The Early Worm Gets the Bird. Cross Country Detours ; The Bear's Tale ; A Gander at Mother Goose ; Circus Today ; A Wild Hare ; Ceiling Hero ; Wacky Wild Life ; Of Fox and Hounds (+ voice of Willoughby thedog); Holiday Highlights. The Crackpot Quail ; Haunted Mouse ; Tortoise Beats Hare ; Hollywood Steps Out ; Porky's Preview ; The Heckling Hare (+ voice of Willoughby the dog); Aviation Vacation ; All This and Rabbit Stew ; The Bug Parade ; Aloha Hooey ; The Cagey Canary (completed by Bob Clampett); Crazy Cruise. Speaking of Animals down on the Farm ; Speaking of Animals in a Pet Shop ; Speaking of Animals in the Zoo ; The Blitz Wolf ; The Early Bird Dood it ; Dumb-Hounded. Red Hot Riding Hood ; Who Killed Who? ; One Ham's Family ; What's Buzzin', Buzzard? Screwy Squirrel ; Batty Baseball ; Happy-Go-Nutty ; Big Heel-watha. The Screwy Truant ; The Shooting of Dan McGoo ; Jerky Turkey ; Swing Shift Cinderella ; Wild and Woolfy. Lonesome Lenny ; The Hick Chick ; Northwest Hounded Police ; Henpecked Hoboes (+ voice of Junior) Hound Hunters (+ voice of Junior); Red Hot Rangers (+ voiceof Junior); Uncle Tom's Cabana ; Slap Happy Lion ; King Size Canary ; Little Tinker. What Price Fleadom ; Half-Pint Pygmy (+ voice of Junior); Lucky Ducky ; The Cat That Hated People. Bad Luck Blackie ; Señor Droopy ; The House of Tomorrow ; Doggone Tired ; Wags to Riches ; Little Rural Riding Hood ; Outfoxed ; Counterfeit Cat. Ventriloquist Cat ; The Cuckoo Clock ; Garden Gopher ; The Chump Champ ; The Peachy Cobbler. Cock-a-Doodle Dog ; Dare-Devil Droopy ; Droopy's Good Deed ; Symphony in Slang ; The Car of Tomorrow ; Droopy's Double Trouble ; The Magical Maestro. One Cab's Family ; Rock-a-Bye Bear. Little Johnny Jet; TV of Tomorrow ; The Three Little Pups ; Drag-a-long Droopy. Billy Boy ; Homesteader Droopy ; Farm of Tomorrow ; The Flea Circus ; Dixieland Droopy ; Crazy Mixed-Up Pup. Field and Scream ; The First Bad Man ; Deputy Droopy (co-d); Cellbound (co-d); I'm Cold ( Some Like It Not ); Chilly Willy in the Legend of Rockabye Point ( The Rockabye Legend ); SH-H-H-H-H ; remakes of Wags to Riches and Ventrilo-quist Cat. Millionaire Droopy ; Cat's Meow. Polar Pests. Publications. By AVERY: article— Interview with Joseph Adamson, in Take One (Montreal), January-February 1970. On AVERY: books— Kyrou, Ado, Le Surréalisme au cinéma , Paris, 1952. Benayoun, Robert, Dessin animé après Walt Disney , Paris, 1961. Adamson, Joseph, Tex Avery, King of Cartoons , New York, 1975. Brion, Patrick, Tex Avery , Paris, 1984. Canemaker, John, Tex Avery: Artist, Animator, & Director from the Golden Age of Animated Cartoons, North Dighton, 1998. On AVERY: articles— Doniol-Valcroze, Jacques, "Un Savoureaux Western animé," in Revue du Cinéma (Paris), February 1947. "Le Dossier Tex Avery," in Positif (Paris), July-August 1963. Canemakers, J., "The Hollywood Cartoon," in Filmmakers Newsletter (Ward Hill, Massachusetts), April 1974. Kral, P., "Tex Avery ou le délire lucide," in Positif (Paris), June 1974. Adamson, J., "Cartoonographies," in Film Comment , New York, January-February 1975. Rosenbaum, J., "Dream Masters II: Tex Avery," in Film Comment (New York), January-February 1975. Cohen, M. S. "Looney Tunes and Merrie Melodies," in Velvet Light Trap (Madison, Wisconsin), Autumn 1975. Cornand, A., "Le Festival d'Annecy . . . ," in Image et Son (Paris), January 1977. Jones, Chuck, "Confessions of a Cell Washer," in Take One (Montreal), September 1978. Gaines, J., "The Showgirl and the Wolf," in Cinema Journal (Evanston, Illinois), Fall 1980. Dagneau, G., "Tex Avery: L'accléré à 24 images seconde!," in Cinéma (Paris), October 1980. Beltrán, A., "Dos bitos del ochenta," in Contracampo (Madrid), January 1981. Colpart, G., "Look at Me, Folks, I'm Just Tex Avery," in Image et Son (Paris), January 1981. Lenburg, Jeff, in The Great Cartoon Directors , Jefferson, North Carolina, 1983. Cinéma (Paris), no. 335, 24 December 1985. Schneider, Steve, in That's All Folks! New York, 1988. Skrien , August-September 1992. Smith, Lane, "The Artist At Work," in Horn Book Magazine , January-February 1993. Film en Televisie , March 1993. Sight and Sound , October 1993. Time , 8 August 1994. Klein, Tom, "Apprenticing the Master: Tex Avery at Universal (1929–1935)," in Animation Journal (Orange), Fall 1997. Floquet, Pierre, "Tex Avery's Comic Language: A Transgressive Interpretation of Hunting," in Animation Journal (Orange), Fall 1997. Corliss, Richard, "Cartoons are No Laughing Matter," in Time , 12 May 1997. The cartoons of Tex Avery represent a style of animation that is the absolute antithesis to the Disney school of filmmaking. Whereas Disney strove for realism (with such technical devices as sound, Technicolor, and the multiplane camera), Avery strove for the absurd and the surreal. Avery's "logic" had no bounds and his cartoons exhibited an anything-goes policy. The characters in Avery's cartoons not only behaved in a crazy way, but actually seemed insane. Among the cartoon characters that he created were Daffy Duck, Screwball Squirrel, Droopy, and his most famous character, Bugs Bunny. Avery gave Bugs his familiar phrase "What's up Doc?," which was an expression in Avery's home town in Texas. The most striking feature of Avery's animation style is the breakneck pace of gags. Avery believed in having as many gags as possible. While at Warner Brothers, Avery did a number of cartoons loosely structured as travelogues or newsreels. This simple framework gave Avery the opportunity to string together as many "black out" (short, self-contained) gags as could fit into seven minutes. Cartons like Believe It or Else and Wacky Wild Life were short on plot, but bursting with Avery's sight gags. Another trademark of Avery's cartoons is the elasticity of his characters. It would be fair to say that Avery puts his characters through a wider range of physical distortions than any other cartoon director. For example, in King Size Canary , the dog, cat, bird and mouse grow to absurd proportions. In Screwball Football a character literally yells his head off. Naturally, none of these physical distortions ever proves to be fatal. Another source of Avery's humor is the medium of animation itself. Many times the characters in Avery's cartoons refer to the cartoon world in which they live. For example, in Porky's Preview , Porky Pig draws his own cartoon starring himself. In Screwball Squirrel , Screwy accidentally runs clear off the side of the frame of the film. In The Magical Maestro a hair keeps bobbing up and down in the projection gate until one of the characters finally reaches over and pulls it out. Avery rarely lets the audience forget that they are watching cartoons. Another feature often associated with Tex Avery's cartoons are his jokes based on sexual innuendos. For example, Avery's character of the Wolf (who appeared in Red Hot Riding Hood and Wild and Woolfy among others) represents the most elementary of sexual beings. In these cartoons the Wolf cannot control his desire for Red; his eyes pop out of his head, his jaw drops open, his tongue rolls out on the floor, and he literally falls to pieces. His lust is in no way subtle, and in fact, Red Hot Riding Hood had some trouble getting by the Hays Office because of the suggestion of bestiality. Nothing in Avery's cartoons ever went beyond suggestion, but Avery subsequently adopted the habit of padding his scripts with extra and outlandish "no-no's," which could then be dropped, in order that a few innuendoes could slip by the censors. During the latter part of his career, Tex Avery achieved an unusual degree of recognition in television even though his work was uncredited. He created a number of award-winning animated commercials with such characters as the Raid bugs and the Frito Bandito. The short 30- or 60- second format of commercial advertising was an ideal outlet for Avery's fast-paced gags. His work has certainly influenced a number of younger animators, although no one has yet been able to completely match Avery's achievement: the totally crazy cartoon. Die größten Hörerlebnisse nur bei Audible. Erlebe Audible auf dem Smartphone, Tablet, am Computer oder deinem Amazon Echo. Auch offline. Die größten Hörerlebnisse. Entdecke genau das, was du hören willst: Wähle aus 200.000 Titeln und inspirierenden Audible Original Podcasts. Natürlich werbefrei. Genieße dein Hörerlebnis ohne Unterbrechung. Einfach ausprobieren. Teste Audible 30 Tage kostenlos. Du kannst jederzeit kündigen. Hör die Welt mit anderen Augen. Mit Audible Originals und exklusiven Geschichten. Wir können dich kaum erwarten! Entdecke Audible einen Monat lang völlig kostenlos. Genieße jeden Monat ein Hörerlebnis deiner Wahl - und so viele exklusive Audible Original Podcasts, wie du willst. Keine Bindung, keine Frist – du kannst dein Abo jederzeit pausieren oder kündigen. Die größten Hörerlebnisse nur bei Audible. Erlebe Audible auf dem Smartphone, Tablet, am Computer oder deinem Amazon Echo. Auch offline. Die größten Hörerlebnisse. Entdecke genau das, was du hören willst: Wähle aus 200.000 Titeln und inspirierenden Audible Original Podcasts. Natürlich werbefrei. Genieße dein Hörerlebnis ohne Unterbrechung. Einfach ausprobieren. Teste Audible 30 Tage kostenlos. Du kannst jederzeit kündigen. Hör die Welt mit anderen Augen. Mit Audible Originals und exklusiven Geschichten. Wir können dich kaum erwarten! Entdecke Audible einen Monat lang völlig kostenlos. Genieße jeden Monat ein Hörerlebnis deiner Wahl - und so viele exklusive Audible Original Podcasts, wie du willst. Keine Bindung, keine Frist – du kannst dein Abo jederzeit pausieren oder kündigen.