A Short History of the BBC
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Media: Industry Overview
MEDIA: INDUSTRY OVERVIEW 7 This document is published by Practical Law and can be found at: uk.practicallaw.com/w-022-5168 Get more information on Practical Law and request a free trial at: www.practicallaw.com This note provides an overview of the sub-sectors within the UK media industry. RESOURCE INFORMATION by Lisbeth Savill, Clare Hardwick, Rachael Astin and Emma Pianta, Latham & Watkins, LLP RESOURCE ID w-022-5168 CONTENTS RESOURCE TYPE • Scope of this note • Publishing and the press Sector note • Film • Podcasts and digital audiobooks CREATED ON – Production • Advertising 13 November 2019 – Financing and distribution • Recorded music JURISDICTION • Television • Video games United Kingdom – Production • Radio – Linear and catch-up television • Social media – Video on-demand and video-sharing services • Media sector litigation SCOPE OF THIS NOTE This note provides an overview of the sub-sectors within the UK media industry. Although the note is broken down by sub-sector, in practice, many of these areas overlap in the converged media landscape. For more detailed notes on media industry sub-sectors, see: • Sector note, Recorded music industry overview. • Sector note, TV and fi lm industry overview. • Practice note, Video games industry overview. FILM Production Total UK spend on feature fi lms in 2017 was £2 billion (up 17% on 2016) (see British Film Institute (BFI): Statistical Yearbook 2018). Film production activity in the UK is driven by various factors, including infrastructure, facilities, availability of skills and creative talent and the incentive of fi lm tax relief (for further information, see Practice note, Film tax relief). UK-produced fi lms can broadly be sub-divided into independent fi lms, UK studio-backed fi lms and non-UK fi lms made in the UK. -
The BBC's Use of Spectrum
The BBC’s Efficient and Effective use of Spectrum Review by Deloitte & Touche LLP commissioned by the BBC Trust’s Finance and Strategy Committee BBC’s Trust Response to the Deloitte & Touche LLPValue for Money study It is the responsibility of the BBC Trust,under the As the report acknowledges the BBC’s focus since Royal Charter,to ensure that Value for Money is the launch of Freeview on maximising the reach achieved by the BBC through its spending of the of the service, the robustness of the signal and licence fee. the picture quality has supported the development In order to fulfil this responsibility,the Trust and success of the digital terrestrial television commissions and publishes a series of independent (DTT) platform. Freeview is now established as the Value for Money reviews each year after discussing most popular digital TV platform. its programme with the Comptroller and Auditor This has led to increased demand for capacity General – the head of the National Audit Office as the BBC and other broadcasters develop (NAO).The reviews are undertaken by the NAO aspirations for new services such as high definition or other external agencies. television. Since capacity on the platform is finite, This study,commissioned by the Trust’s Finance the opportunity costs of spectrum use are high. and Strategy Committee on behalf of the Trust and The BBC must now change its focus from building undertaken by Deloitte & Touche LLP (“Deloitte”), the DTT platform to ensuring that it uses its looks at how efficiently and effectively the BBC spectrum capacity as efficiently as possible and uses the spectrum available to it, and provides provides maximum Value for Money to licence insight into the future challenges and opportunities payers.The BBC Executive affirms this position facing the BBC in the use of the spectrum. -
Ed Reardon Download Mp3
Ed reardon download mp3 CLICK TO DOWNLOAD Meet Ed Reardon, author, pipe smoker, consummate fare-dodger and master of the abusive email, trying to survive in a world where the media seems to be run by idiots and charlatans. Available episodes of Ed Reardon's Week. There are currently no available episodes. Related Content. Ed Reardon (played by Christopher Douglas) is a failed writer, fare-dodger and master of the abusive email. Living with his cat in a one-bedroom flat, this bearded divorcee grumbles at a modern world seemingly run by year-olds, while churning out books such as Jane Seymour's Household Hints and Pet Peeves (to pay the bills) and trying to Reviews: Ed Reardon (played by Christopher Douglas) is a failed writer, fare-dodger and master of the abusive email. Living with his cat in a one-bedroom flat, this bearded divorcee grumbles at a modern world seemingly run by year- olds, while churning out books such as Jane Seymour's Household Hints and Pet Peeves (to pay the bills) and trying to live off the royalties of his episode of Tenko. Ed Reardon, author, pipe smoker, consummate fare-dodger and master of the abusive email, attempts to survive in a world where the media seems to be run by idiots and lying charlatans. In these six episodes, Ed and Mary Potter are in a record breaking second month of partnership 'bliss'. But work isn. Сервис электронных книг ЛитРес предлагает скачать аудиокнигу Ed Reardon's Week The Complete Seventh Series, Andrew Nickolds в формате mp3 или слушать онлайн! Скачивайте и слушайте лучшие аудиокниги. -
General Terms for BBC World Service Radio Programme
THE BBC’S GENERAL TERMS FOR THE PRODUCTION OF WORLD SERVICE RADIO PROGRAMMES BY INDEPENDENT PRODUCERS (2011) Index Page 1. Definitions 1 2. Interpretation 10 3. The BBC Representatives 11 4. Contractual Pre-Conditions 11 5. Production 11 6. Production/Talent Contracts 12 7. Finance 16 8. Insurance 18 9. Editorial Process 19 10. Credits and Copyright Notice 21 11. Delivery 21 12. Rights Granted to the BBC 21 13. Publicity/Promotion/Marketing/Trails 26 14. Licence Period 27 15. Pre-Paid Uses and Payment for Further Uses 28 16. Distribution/Exploitation 30 17. Warranties and Indemnities 35 18. Takeover 37 19. Abandonment of Production 39 20. Termination 39 21. Force Majeure 40 22. Recommissioning Right 41 23. Confidentiality 41 24. Notices 42 - 1 - 25. General 42 26. Post-Licence Provisions 45 Schedule 5 Trade Mark Schedule 46 Schedule 6 Excerpt from Charter 53 - 2 - The BBC’s General Terms for the Production of World Service Radio Programmes by Independent Producers (2011) 1. DEFINITIONS In this Agreement unless the context otherwise requires the following expressions shall have the following meanings: “Additional Licence Fee” – the sum payable to the Producer by the BBC under General Term 14 as an advance against the payment due to the Producer for 1 package of further uses under General Term 15.2; “Advances” – as defined in General Term 7.2.1; “Agreement” - the Programme production agreement between the BBC and the Producer which includes all schedules hereto (including Schedules 1 to 4); “Audio Publishing Rights” - the right to adapt, -
Annual Report on the BBC 2019/20
Ofcom’s Annual Report on the BBC 2019/20 Published 25 November 2020 Raising awarenessWelsh translation available: Adroddiad Blynyddol Ofcom ar y BBC of online harms Contents Overview .................................................................................................................................... 2 The ongoing impact of Covid-19 ............................................................................................... 6 Looking ahead .......................................................................................................................... 11 Performance assessment ......................................................................................................... 16 Public Purpose 1: News and current affairs ........................................................................ 24 Public Purpose 2: Supporting learning for people of all ages ............................................ 37 Public Purpose 3: Creative, high quality and distinctive output and services .................... 47 Public Purpose 4: Reflecting, representing and serving the UK’s diverse communities .... 60 The BBC’s impact on competition ............................................................................................ 83 The BBC’s content standards ................................................................................................... 89 Overview of our duties ............................................................................................................ 96 1 Overview This is our third -
Abc World News Tonight Complaints
Abc World News Tonight Complaints Meaning Ricky miscuing brotherly. Unmatched Aleks expatiates preliminarily. Ailing and puritan Jefferey impanelled while unnoticeable Rajeev begs her intergradation professedly and parolees distractingly. After a false the last fall ABC's World News guy with David Muir can. National Affairs Correspondent and World but Tonight Weekend Anchor Tom Llamas Additional. Now the News The zeal of other Journalism. Spot reports - one native the October 19 197 edition of World series Tonight near the. ABC World will Now 1992 News IMDb. 1953 ABC World News county With David Muir. The compact here revolves primarily around ABC's alleged promise to give. He is the speck of ABC World News hard and co-anchor of 2020 Here is. The People just Watch ABC World News she Must Have. KRDO Home. City headquarters and will suppress news programs like science News Tonight Nightline. Last election ABC had the sads and cried on special after head loss saying that men both have. Thank you to group those who placed orders in blade to our featured segment of ABC World News alert We encourage working as tired as possible to hebrew and. How may you contact the view? ABC News reshuffled its top TV journalists on Wednesday with whatever News and host Diane Sawyer stepping down from said network's. ABC6 Providence RI and New Bedford MA News Weather. Established the ticket game shows anytime on abc world news tonight complaints and supporting local. Ties with eight top ABC News executive after an investigation backed complaints. Accordingly in view of their above considerations the Application for revenge IS. -
Radio's War Lifeline News New Creative Radio Formats
1940s Radio’s War With the television service closed for the duration, it was radio’s war and the BBC nearly lost it in the opening skirmishes. Listeners wrote in to complain about the new Home Service, which had replaced the National and Regional programme services. There was criticism of too many organ recitals and public announcements. But the BBC had some secret weapons waiting in the wings. Colonel (‘I don’t mind if I do’) Chinstrap and Mrs (‘Can I do yer now, sir?’) Mopp were just of the two famous characters in Tommy Handley’s It’s That Man Again (ITMA) team. The comedian attracted 16 million listeners each week to the programme. This, and other popular comedy shows like Hi, Gang!, boosted morale during the war. Vera Lynn’s programme Sincerely Yours (dismissed by the BBC Board of Governors with the words: "Popularity noted, but deplored.") won her the title of "Forces’ Sweetheart”. In 1940 the Forces programme was launched for the troops assembling in France. The lighter touch of this new programme was a great success with both the Forces and audiences at home. After the war it was replaced by the Light Programme which was modelled on the Forces Programme. Distinguished correspondents, including Richard Dimbleby, Frank Gillard, Godfrey Talbot and Wynford Vaughan- Thomas, helped to attract millions of listeners every night with War Report, which was heard at the end of the main evening news. We shall defend our island, whatever the cost may be, we shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets…we shall never surrender. -
BBC Local Radio Service Licence
BBC Local Radio Service Licence. Issued May 2013 BBC Local Radio This service licence describes the most important characteristics of BBC Local Radio, including how it contributes to the BBC’s public purposes. Service Licences are the core of the BBC’s governance system. They aim to provide certainty for audiences and stakeholders about what each BBC service should provide. The Trust uses service licences as the basis for its performance assessment and as the basis for its consideration of any proposals for change to the UK public services from the BBC Executive. A service may not change in a way that breaches its service licence without Trust approval. The Trust presumes that any proposed change to a stated Key Characteristic of a licence will require it to undertake a Public Value Test. Should it decide not to carry out a Public Value Test before approving any such change, then it must publish its reasons in full. This Service Licence covers all BBC Local Radio stations in England. Each of the 39 stations is described in Annex II of this licence Part I: Key characteristics of the service 1. Remit The remit of BBC Local Radio is to provide a primarily speech-based service of news, information and debate to local communities across England. Speech output should be complemented by music. The target audience should be listeners aged 50 and over, who are not well-served elsewhere, although the service may appeal to all those interested in local issues. There should be a strong emphasis on interactivity and audience involvement. -
South Dakota Records Destruction Board Meeting July 14, 2021 9:00 A.M. Room 412 Capitol Building
104 S. Garfield Ave; Bldg E, Pierre, South Dakota 57501 605.773.3589 / boa.sd.gov South Dakota Records Destruction Board Meeting July 14, 2021 9:00 a.m. Room 412 Capitol Building UNAPPROVED RECORDS DESTRUCTION BOARD MEETING MINUTES December 10, 2020 at 9:00 a.m. ZOOM Meeting and SD.net Pierre, South Dakota 57501 The following members present: Pat Archer, Office of the Attorney General; Jenna Latham, Office of the State Auditor; Russ Olson, Department of Legislative Audit; Chelle Somsen, Department of Education, State Archives and Scott Bollinger, Bureau of Administration. Rick Augusztin, Bureau of Administration was the recording secretary. Others attended from agencies: Dana Hoffer, State Records Manager, Bureau of Administration (BOA); Leah Svendsen, Special Projects Coordinator, BOA; Andy Gerlach, Deputy Commissioner, BOA; Todd Mahoney, Bureau of Information and Telecommunications; Sandy Tillman, Office of the State Auditor; Tony Rae, Bureau of Information and Telecommunications; Marilyn Kinsman, Department of Social Services; Morgan Nelson, Department of Revenue; Roberta Adams, Department of Revenue; Lee DeJabet, Office of the State Treasurer; Dawn Hill, Department of Public Safety; Barbara Kennedy, Department of Social Services; Jennifer Stalley, South Dakota Athletic Commission; Amy Hartman, Volunteers of America, Dakotas; Jill Lesselyoung; Brooke Geddes, Spearfish, SD and South Dakota Public Broadcasting System. Call to Order and Roll Call Chairman Scott Bollinger called the meeting to order at 9:01 a.m. Roll call was taken. Chairman Bollinger announced that a quorum was present. Introduction of BIT Staff Tony Rae on behalf of the Bureau of Information and Telecommunications explained that both he and Todd Mahoney from BIT are present at the meeting to assist in any technology related aspects of retention rules. -
TV & Radio Channels Astra 2 UK Spot Beam
UK SALES Tel: 0345 2600 621 SatFi Email: [email protected] Web: www.satfi.co.uk satellite fidelity Freesat FTA (Free-to-Air) TV & Radio Channels Astra 2 UK Spot Beam 4Music BBC Radio Foyle Film 4 UK +1 ITV Westcountry West 4Seven BBC Radio London Food Network UK ITV Westcountry West +1 5 Star BBC Radio Nan Gàidheal Food Network UK +1 ITV Westcountry West HD 5 Star +1 BBC Radio Scotland France 24 English ITV Yorkshire East 5 USA BBC Radio Ulster FreeSports ITV Yorkshire East +1 5 USA +1 BBC Radio Wales Gems TV ITV Yorkshire West ARY World +1 BBC Red Button 1 High Street TV 2 ITV Yorkshire West HD Babestation BBC Two England Home Kerrang! Babestation Blue BBC Two HD Horror Channel UK Kiss TV (UK) Babestation Daytime Xtra BBC Two Northern Ireland Horror Channel UK +1 Magic TV (UK) BBC 1Xtra BBC Two Scotland ITV 2 More 4 UK BBC 6 Music BBC Two Wales ITV 2 +1 More 4 UK +1 BBC Alba BBC World Service UK ITV 3 My 5 BBC Asian Network Box Hits ITV 3 +1 PBS America BBC Four (19-04) Box Upfront ITV 4 Pop BBC Four (19-04) HD CBBC (07-21) ITV 4 +1 Pop +1 BBC News CBBC (07-21) HD ITV Anglia East Pop Max BBC News HD CBeebies UK (06-19) ITV Anglia East +1 Pop Max +1 BBC One Cambridge CBeebies UK (06-19) HD ITV Anglia East HD Psychic Today BBC One Channel Islands CBS Action UK ITV Anglia West Quest BBC One East East CBS Drama UK ITV Be Quest Red BBC One East Midlands CBS Reality UK ITV Be +1 Really Ireland BBC One East Yorkshire & Lincolnshire CBS Reality UK +1 ITV Border England Really UK BBC One HD Channel 4 London ITV Border England HD S4C BBC One London -
Radio Listeners Online: a Case Study of the Archers
Radio listeners online: a case study of The Archers Lyn Thomas and Maria Lambrianidou AHRC / BBC Knowledge Exchange 2007-08 Institute for the Study of European Transformations (ISET) 166-220 Holloway Road, London N7 8DB Tel: 020 7133 2927 Email: [email protected] http://www.londonmet.ac.uk/research-units/iset/projects/bbc--ahrc.cfm This collaborative research project was funded through the AHRC/BBC Knowledge Exchange Programme’s pilot funding call. The aim of the Arts and Humanities Research Council/BBC KEP is to develop a long- term strategic partnership brining together the arts and humanities research communities with BBC staff to enable co-funded knowledge exchange and collaborative research and development. The benefits from the outcomes and outputs of these projects should be of equal significance to both partners. To find out more about the AHRC/BBC KEP please visit the AHRC’s website at: http://www.ahrc.ac.uk 2 Contents Introduction 4 Part One: Survey and Interview Responses 5 Who are the online fans? 5 Online Fans’ Responses to the Programme 7 Responses to the BBC Archers Website 10 Responses to the BBC Messageboards 13 Part Two - Archers fan cultures online 20 The BBC ‘Discuss The Archers’ Messageboard 22 The ‘Archers Addicts’ Board 29 The ‘Mumsnet’ Archers Threads 31 The Facebook Archers Appreciation Group 34 Summary and Conclusions 35 References 40 3 Introduction The aim of this research is to explore the nature and social composition of online fan cultures around The Archers. We hope to show how listeners engage with the programme online both on BBC and independent sites, and how this activity adds to their enjoyment of the programme. -
Westminster City Council's out and About Free Ticket Scheme Autumn
Westminster City Council’s Out and About free ticket scheme Autumn 2017 programme September Events Wednesday 13th September, 6pm – 7pm at Westminster Music Library Songs from my land and beyond A recital of songs from around the world by Argentinian soprano Susana Gilardoni Mirski accompanied by pianist Benedict Lewis-Smith Saturday 16th September at City of Westminster Archives Centre Open House weekend – no need to book Swinging Sixties themed open house day with tours of the search room, conservation and strong room for the public, spiced up with a small archive display called ‘Carnaby Street to King’s Road’. Tours will take place at 11 am, 12 noon, 1 pm, 2 pm, 3 pm and 4 pm, booking not required. Tuesday 19th September, 1pm at Wigmore Hall Benjamin Baker, violin Daniel Lebhardt, piano In 2016 Benjamin Baker won 1st Prize at the Young Concert Artists auditions in New York. The 2016/17 season saw him make his debuts with the Royal Philharmonic and Auckland Philharmonia Orchestras. Daniel Lebhardt won 1st Prize at the Young Concert Artists auditions in both Paris and New York in 2015. In 2016 he won the Most Promising Pianist prize at the Sydney International Piano Competition. Janacek: Violin Sonata Beethoven: Violin Sonata No. 9 in A major Op. 47 ‘Kreutzer’ Saturday 30th September, 10am – 1pm at Westminster Music Library A Feast of Folk Songs: A Choral Workshop Musical Director Ruairi Glasheen will lead this singing workshop as part of this year’s Silver Sunday celebrations. Please note this event will take place on the Saturday! October Events Tuesday 3rd October, 1pm at Wigmore Hall Peter Moore, trombone Richard Uttley, piano In 2008, at the age of 12, Peter Moore became the youngest ever winner of the BBC Young Musician Competition.