DOCSLIB.ORG

The Commentary of Saint Robert Bellarmine on Psalm 118 in the Explanatio in Psalmos

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Commentary of Saint Robert Bellarmine on Psalm 118 in the Explanatio in Psalmos THE COMMENTARY OF SAINT ROBERT BELLARMINE ON PSALM 118 IN THE EXPLANATIO IN PSALMOS DISSERTATION Presented in Partial fulfilment of the requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Margarita Igriczi-Nagy, M.A., M.B.B.S., M.D. ***** The Ohio State University 2007 Dissertation Committee: Professor Frank T. Coulson, Adviser Approved by Professor David Hahm ______________ Professor Daniel Reff Adviser Classics Graduate Program ABSTRACT This thesis examines the commentary of Saint Robert Bellarmine on Psalm 118 in his work, the Explanatio in psalmos, a commentary on the 150 psalms of the Psalter written in Latin. Psalm 118 is the longest psalm consisting of 176 verses, organised into 22 strophes, with eight verses per strophe. The law of God is the subject of this acrostic psalm. The examination is focused on the manner in which Saint Robert Bellarmine delivers his message, in terms of structure, style, language, and the use of sources. In looking at the structural aspects, the relative length of the commentary for the strophes, and the nature of subtitles are scrutinised. In stylistic considerations the overall features and the uses of stylistic devices are examined. In the use of sources we look at how, where, and why Saint Robert Bellarmine uses scriptural quotations, cites other authors, and discusses the Greek and Hebrew equivalents of selected phrases. All instances of use of sources and stylistic devices are listed and commented upon. Comparisons also are made with the methodology of other authors commenting on Psalm 118, namely Saint Augustine, most frequently cited by Saint Robert Bellarmine and Saint Jerome, the author of Gallican Psalter. References are made to the commentary of Callan, a twentieth-century author. ii To promote better understanding of this work, related matters, such as biographical details about Saint Robert Bellarmine, Saint Augustine and Saint Jerome is also given as well a presentation in the Psalter, its theme, language and liturgical importance. The conclusion focuses on the identity of intended audience and the benefits of studying good Latin texts. Besides greatly benefiting priests and religious who use the Psalter in their daily payers, the intended audience includes Protestants as well, since Saint Robert Bellarmine demonstrates makes such frequent use of Saint Augustine, who is greatly respected by Protestants. Recommendations are made for promoting Latin literacy and methods of commenting on Latin texts are suggested, which would promote this aim. iii Dedicated to Patrona Hungariae and her children. iv ACKNOWLEDGMENTS I wish to thank my adviser, Professor Frank T. Coulson for his encouragement, for his tireless efforts to improve my style, for his openness in discussions, and his willingness to take the time to discuss matters fully. I am also very grateful for the support to Professor David Hahm and Professor Daniel Reff, members of the Dissertation Committee, who were always there when help was needed and whom I was always able to approach with confidence. I would like to thank Wendy Ann Watkins, Curator of the Center for Epigraphical and Palaeographical studies of The Ohio Sate University for her cheerful assistance and willingness to use her expertise in a manner helpful to my work, especially in the preparation of dissertation documents. I also appreciate the considerate attitude of. Philip Forsythe, Director of PHI project at The Ohio State University who made it possible for me to coordinate my working hours with the hours spent on the dissertation. My thanks also go to my associates in the Servitors Reginae Apostolorum Institute, namely Very Reverend Father A. Devillers, Reverend Father William Allen and Joanna D. Statt for their supportive attitude, willingness to listen and advise, and to free me for the work of writing the dissertation. v VITA June 6 1936... Born in Budapest, Hungary 1964………... M.B.B.S., University of London , England 1965………... E.C.F.M.G., USA 1972………... Certification in general surgery, Canada 1994………... M.A., Classics, University of Kansas, Lawrence KS WORK EXPERIENCE, RELATED TO CLASSICS 1990-1994…. Latin teacher, Saint Mary's Academy and College, KS 1995-1998…. Graduate Teaching Associate, The Ohio Stte University Graduate Teaching Associate, Catholic University of 1998-2001…. America 2003 - present Graduate Teaching Associate, The Ohio State University FIELDS OF STUDY Major:……… Classics Previous:…... Medicine General surgery vi TABLE OF CONTENTS Abstract………………………………………………………….. ii Dedication ………………………………………………………. iv Acknowledgments……………………………………………….. v Vita ……………………………………………………………… vi List of tables……………………………………………………... ix CHAPTERS 1 Introduction……………………………………………………… 1 2 The life of Saint Robert Bellarmine, with notes on Augustine and Saint Jerome……………………… 12 3 The psalms……………………………………………………… 39 4 Explanatio in psalmos - structural considerations……………… 62 5 Explanatio in psalmos - use of sources………………………….. 92 6 Explanatio in psalmos - rhetorical style and figures of speech… 170 7 Conclusions……………………………………………………… 221 Bibliography…………………………………………………………… 236 APPENDICES A What have they done to our song through the ages?.................... 239 B The allocation of psalms for recitation in the Divine Office……. 276 C Psalm 118, Titles of strophes, summary………………………… 277 vii D Psalm 118, summary of language variations……………………. 279 E Explanatio in psalmos, subtitles in Latin and English………….. 289 F Psalm 118, texts of Saint Jerome in the Breviarium in psalmos, in psalmos, Gallican and Roman Psalters……………………….. 292 G Psalm 118, Types of differences from the Gallican Psalter in Breviarium in psalmos…………………………. 296 H Explanatio in psalmos, Scriptural quotations…………………… 300 I Explanatio in psalmos, use of sources, table……………………. 305 J Explanatio in psalmos, use of sources, graph…………………… 307 K Explanatio in psalmos, authors cited, table……………………... 309 L Explanatio in psalmos, authors cited, graph…………………….. 311 M Psalm 118 and Explanatio in psalmos, stylistic devices……….... 313 viii LIST OF TABLES Table Page 2.1 Spiritual writings of Saint Robert Bellarmine…………………………………………….. 28 3.1 The Hours of the Divine Office…………………………………………………………… 49 3.2 Psalm groups……………………………………………………………………………… 55 4.1 Explanatio in psalmos -length of text and number of paragraphs per strophe…………… 68 Breviarium in psalmos - number of paragraphs and arrangements of verse texts per 4.2 strophe…………………………………………………………………………………….. 74 4.3 Distribution of the verses of Psalm 118 in the Enarrationes in psalmos…………………… 76 4.4 Subtitles showing the content of the strophes in the Explanatio in psalmos……………….. 79 4.5 Subtitles to the strophes in The psalms…………………………………………………………. 86 5.1 Authors cited in the Explanatio in psalmos…………………………………………………….. 159 ix CHAPTER 1 INTRODUCTION This chapter has the following sections: • The subject of the thesis • The importance of the topic • The rationale for the choice of a psalm commentary • Comments on the life of Saint Robert Bellarmine (1542-1621) • Comments on the lives of Saint Augustine (334-430) and Saint Jerome (342-420) • The organisation of the subject matter The subject of the thesis This thesis examines the Latin commentary of Saint Robert Bellarmine on Psalm 118. Saint Robert Bellarmine (1542-1621) was a sixteenth - century Cardinal, imbued with the Jesuit tradition and a highly erudite and respected polemicist at the time of the Counter-reformation. The commentary on Psalm 118 is taken from his work, Explanatio in psalmos (Explanations on the psalms), in which he elucidates sequentially all 150 psalms of the Psalter. 1 In the course of analysing the Explanatio in psalmos, frequent mention for the purposes of comparison will also be made to two other commentaries on the psalms, namely the Enarrationes in psalmos by Saint Augustine (354-430) and the Breviarium in 1 psalmos of Saint Jerome (circa 345-420).0F Using Saint Augustine as a point of reference seemed an obvious choice; he is the most frequently quoted author in the Explanatio in psalmos. Although Saint Robert Bellarmine also quotes from the psalm commentaries of other contemporaries of Saint Augustine such as Saint Jerome, Saint Ambrose and Saint Hilary, he does not do it as often as in the case of Saint Augustine. As Appendix K and Appendix L show, out of a total number of 29 references to other authors, Saint Robert Bellarmine mentions Saint Augustine 24 times; in 12 instances, only the opinion of Saint Augustine is quoted. In searching for a contemporary of Saint Augustine, whose approach was different, Saint Jerome seemed to be the ideal choice. His significance lies in the production of the Vulgate Bible. He is also the author of the Gallican Psalter. This is the psalm text on which the Explanatio in psalmos, the Enarrationes in psalmos, and his own commentary, the Breviarium in psalmos are based. I have also made occasional references to a twentieth-century English 2 commentary on the psalms, The psalms, by Rev. Father Callan OP.1F It is useful from the point of view of seeing to what degree, if any, did perceptions changed in the intervening three and half centuries. Due to the fact that commentary of Callan was written in 1 There are different opinions about the birth-date of Saint Jerome. See Murphy, Francis X “Saint Jerome, the irascible hermit” in Murphy, Francis X. ed. (1952) A monument To Saint Jerome, 4-5. 2 Callan, C. (1944) The psalms. 2 English, references to his work are best handled in the concluding session, where
Load more

Recommended publications
  • RARE BX2080.A2 Book of Hours for Dominican Use Northwestern France? S
    Manuscript description by Brittany Rancour RARE BX2080.A2 Book of Hours for Dominican Use Northwestern France? S. XV2/4 CONTENT The Seven Penitential Psalms (f.1r); a Litany of the Saints (f.12v3); Agnus dei (f. 17v5), Alma Redemptoris Mater (f.18r1), Suffrages (f. 18v2), the Hours of the Cross (f.20v1); the Hours of the Holy Spirit at Matins (f.23v1); Memorials to the saints (f.26r1); the Office of the Dead with vespers, Matins (first, second, and third night readings), and Lauds (f.31r11-61v3); Prayers for use at Mass (f.63v7), the hymn Ave verum corpus (f.66r2), and the Obsecro te (f.67r1). MODERN EDITIONS Medievalist.net. “A Hypertext Book of Hours.” http://medievalist.net/hourstxt/home.htm. PHYSICAL DESCRIPTION Parchment. 71 folios. Multiple scribes. 9 quires I-II8, III6, IV-VIII8, IX9 lacking final blank. Catch words at the end of each quire provide the first word of the next quire. HF’FH. Bound, s. XV. Dimensions of folio 11.5 cm X 8.7 cm. Text dimensions 6 cm X 5 cm. 14 long lines, ruled by dry point with single vertical bounding lines. Prickings in outer margins. Gothic textura. Blank spaces left for miniatures (f.1r, 31r). Decorated initials in gold leaf, frequently with red pen flourishes. Decorated initial D in purple box (f.1r). Decorated initial D in a decorated square bordered in gold with gold dots and filled in purple, purple and gold dots continue staining the left upper and outer margins; the decoration is not complete, only part of the outer left margin has been stained purple, and some bole dots were added without the gold leaf decoration.
    [Show full text]
  • Wallace Berman Aleph
    “Art is Love is God”: Wallace Berman and the Transmission of Aleph, 1956-66 by Chelsea Ryanne Behle B.A. Art History, Emphasis in Public Art and Architecture University of San Diego, 2006 SUBMITTED TO THE DEPARTMENT OF ARCHITECTURE IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN ARCHITECTURE STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2012 ©2012 Chelsea Ryanne Behle. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: __________________________________________________ Department of Architecture May 24, 2012 Certified by: __________________________________________________________ Caroline Jones, PhD Professor of the History of Art Thesis Supervisor Accepted by:__________________________________________________________ Takehiko Nagakura Associate Professor of Design and Computation Chair of the Department Committee on Graduate Students Thesis Supervisor: Caroline Jones, PhD Title: Professor of the History of Art Thesis Reader 1: Kristel Smentek, PhD Title: Class of 1958 Career Development Assistant Professor of the History of Art Thesis Reader 2: Rebecca Sheehan, PhD Title: College Fellow in Visual and Environmental Studies, Harvard University 2 “Art is Love is God”: Wallace Berman and the Transmission of Aleph, 1956-66 by Chelsea Ryanne Behle Submitted to the Department of Architecture on May 24, 2012 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Architecture Studies ABSTRACT In 1956 in Los Angeles, California, Wallace Berman, a Beat assemblage artist, poet and founder of Semina magazine, began to make a film.
    [Show full text]
  • Numerology and Moral Alchemy in Philippe De Mézières’ Work
    A RELIGION IN ITS TIME: NUMEROLOGY AND MORAL ALCHEMY IN PHILIPPE DE MÉZIÈRES’ WORK Joël Blanchard In his cell at the Celestines’ monastery, the Vieil Pélerin [The Old Pilgrim], also known as Ardant Désir [Burning Desire], has a dream. A lady of light, Divine Providence, attended by her ladies-in-waiting, appears to him to announce to him nothing less than the necessary reform of Christianity and of the kingdom of France. The wall that men have erected through their sins between themselves and God must be brought down. The biblical parable of the talents urges that those men who have the ability, and first among them the Vieil Pélerin, make the most of these talents on behalf of the renascence of the kingdom of God and in the service of the kingdom of France. Thus will one be able to help France’s new sovereign, the “blanc faucon aux bec et aux pattes dorés” [the golden-billed and golden-legged white falcon], Charles VI, in his mission. Yet, prior to everything, an inquiry has to be carried out and an inventory made in every part of the Christian world, so the necessary remedies could be determined. Only then will the “belle monnoie de la sainte arquemie” [the beautiful coinage of holy alchemy], moral alchemy being meant here, be able to circulate in the whole world and the philosopher’s stone be discovered.1 Le songe du vieil pelerin is as much an initiatory tale as a work deal- ing with politics (and political morality), history and geography, which plunges us right into the tragic end of the Middle Ages.
    [Show full text]
  • The Seven Penitential Psalms
    The Seven Penitential Psalms (translation- The Grail Psalter) Ad privatum usum Cathedral of Saint Paul Saint Paul, MN Cathedral of Saint Paul 239 Selby Avenue Saint Paul MN 55102 Image of Cassiodorus from a 12thc English Manuscript The ancient tradition in the Church of the Penitential Psalmody (Psalms 6, 32, 38, 51, 102, 130, and 143) is rich. In the 5th century writings of Possidius, we learn that Saint Augustine: …ordered the Davidic Psalms, which are few in number concerning penance, to be copied for him, and lying in bed he used to look at those pages which had been placed on the opposite wall and read them, and wept profusely and con- tinuously (Vita S. Augustini, xxxi) The first unequivocal reference to the seven “penitential” psalms as a group dates back to Cassiodorus (d. 580 A.D.), in his Expositio Psalmorum. In his masterful commentary on the last psalm (143), he On the Front Cover. Uriah the Hittite receives a letter from wrote of the “course of their blessed tears” that has just been com- King David. Secret orders in the letter direct that Uriah, husband of pleted, noting that the journey that begins in affliction, leads us “to Bathsheba, be sent to the “forefront of the hottest battle... that the hope of joys.” he may be smitten and die.” Overpainted woodcut depicts a scene from the Old Testament book of 2 Samuel, Chapter 11. Prior to Vatican II, these psalms found a place in the Church’s litur- Paris, ca.1510 A.D.. Latin text shown is taken from the open- gical and sacramental tradition, and their recovery as a tradition ing lines of Psalm 6.
    [Show full text]
  • Twenty Fourth Week in Ordinary Time September 15, 2019
    Twenty Fourth Week In Ordinary Time September 15, 2019 Our Lady of Sorrows From the Gusset The Catholic Church looks at St. Thomas Aquinas as Her greatest Theologian. When you see greatness M if you look behind the great there often times is another, who hides in the shadow. In the case of St. Thomas M the other is: St. Albert the Great M his teacher. The martyred good King Wenceslaus (easily the greatest Bohemian Saint) had his grandmother, St. Ludmila, teach him, his Catholic Faith. Grandparents are often that person who lurks in the shadow of those who are great. And that is why we celebrate the Holy Mass in honor of our Grandparents on the Sunday closest to the Feast of St. Ludmila M patron Saint (along with Saints Joachim and Anne) of Grandparents. History will never give St. Albert the Great or St. Ludmila or Saints Joachim and Anne the credit they deserve for their influence on their protégées or grandchildren, but we can. St. Thomas Aquinas and St. Wenceslaus would be first in line to honor their mentor, their grandparents. Let’s you and I be right behind them in thanking God for the gift of our Grandparents. Let us offer the Thanksgiving of the Eucharist to those who help usNnot only to learn our Catholic Faith, but also to live our Catholic Faith! This is also Catechetical Sunday and the first day of our CCD classes. I would like to ask for your prayers for the following generous individuals, who have volunteered to teach our students.
    [Show full text]
  • Understanding When to Kneel, Sit and Stand at a Traditional Latin Mass
    UNDERSTANDING WHEN TO KNEEL, SIT AND STAND AT A TRADITIONAL LATIN MASS __________________________ A Short Essay on Mass Postures __________________________ by Richard Friend I. Introduction A Catholic assisting at a Traditional Latin Mass for the first time will most likely experience bewilderment and confusion as to when to kneel, sit and stand, for the postures that people observe at Traditional Latin Masses are so different from what he is accustomed to. To understand what people should really be doing at Mass is not always determinable from what people remember or from what people are presently doing. What is needed is an understanding of the nature of the liturgy itself, and then to act accordingly. When I began assisting at Traditional Latin Masses for the first time as an adult, I remember being utterly confused with Mass postures. People followed one order of postures for Low Mass, and a different one for Sung Mass. I recall my oldest son, then a small boy, being thoroughly amused with the frequent changes in people’s postures during Sung Mass, when we would go in rather short order from standing for the entrance procession, kneeling for the preparatory prayers, standing for the Gloria, sitting when the priest sat, rising again when he rose, sitting for the epistle, gradual, alleluia, standing for the Gospel, sitting for the epistle in English, rising for the Gospel in English, sitting for the sermon, rising for the Credo, genuflecting together with the priest, sitting when the priest sat while the choir sang the Credo, kneeling when the choir reached Et incarnatus est etc.
    [Show full text]
  • Medieval Devotion to Mary Among the Carmelites Eamon R
    Marian Studies Volume 52 The Marian Dimension of Christian Article 11 Spirituality, Historical Perspectives, I. The Early Period 2001 The aM rian Spirituality of the Medieval Religious Orders: Medieval Devotion to Mary Among the Carmelites Eamon R. Carroll Follow this and additional works at: https://ecommons.udayton.edu/marian_studies Part of the Religion Commons Recommended Citation Carroll, Eamon R. (2001) "The aM rian Spirituality of the Medieval Religious Orders: Medieval Devotion to Mary Among the Carmelites," Marian Studies: Vol. 52, Article 11. Available at: https://ecommons.udayton.edu/marian_studies/vol52/iss1/11 This Article is brought to you for free and open access by the Marian Library Publications at eCommons. It has been accepted for inclusion in Marian Studies by an authorized editor of eCommons. For more information, please contact [email protected], [email protected]. Carroll: Medieval Devotions…Carmelites The Marian Spirituality of the Medieval Religious Orders: Medieval Devotion ... Carmelites MEDIEVAL DEVOTION TO MARY AMONG THE CARMELITES Eamon R. Carroll, 0. Carm. * The word Carmel virtually defines the religious family that calls itself the Carmelite Order. It is a geographical designation (as in also Carthusian and Cistercian), not a person's name like Francis, Dominic and the Servite Seven Holy Founders. In the Church's calendar, Carmel is one of three Marian sites celebrated liturgically, along with Lourdes and St. Mary Major. It may be asked: Who founded the Carmelites on Mount Carmel? There is no easy answer, though some names have been suggested, begin, ning with the letter B-Brocard, Berthold, ...What is known is that during the Crusades in the late eleven,hundreds some Euro, peans settled as hermits on Mount Carmel, in the land where the Savior had lived.
    [Show full text]
  • St. Robert Bellarmine on the Indirect Power
    ST. ROBERT BELLARMINE ON THE INDIRECT POWER JOHN COURTNEY MURRAY, SJ. Woodstock College N AN age that is being torn apgxt by a profound spiritual crisis in the I temporal order, it is inevitable that the problem of the relations between the spiritual and temporal should assume ranking importance. No one stands aside from this problem; everyone must adopt some solu­ tion for it. Secular theorists of the "new man" are urging the neces­ sary exclusion of the spiritual, in the traditional sense, from any in­ fluence on temporal affairs, and are enforcing on man his destiny to be the unaided creator of the conditions of his own free life. Christian theorists solve the problem in terms of their own concept of Christianity and the degree and kind of engagement of religion and the church in the affairs of this world that it permits or prescribes; the orthodox Lutheran or Barthian will differ considerably from the contemporary Protestant liberal or freechurchman. In Catholic terms, of course, the cardinal question is that of the spiritual authority of the Church over the temporal—its bases, extension, fields and manner of exercise, techniques of effectiveness, etc. This is an ancient question, with a complicated history; in the details of its answer there has never been, nor is there yet, complete uniformity of view. Writing in the sixteenth century, St. Robert Bellarmine said: "The fact that there is in the Pope a power in regard of temporal affairs is not a matter of opinion but of certainty among Catholics; although there is no lack of disputes over what kind and manner of power it is ..
    [Show full text]
  • The Mystery of the Hebrew Language the Symbolism of the Hebrew
    Apocalypse Prophesied From Eden to the New Jerusalem: God’s Plan for Humanity The Mystery of the Hebrew Language Appendix The beginning of language on earth can be traced back to John 1:1, which states: In the beginning was the Word, and the Word was with God, and the Word was God. (NRSV) When Adam and Eve lived in the Garden of Eden, God revealed to them the basic structure of the original language. At that time man lacked direct experience so he needed to be taught how to think and function in order to deal with his environment. His mind was in some ways like that of a newborn baby. The creative process of developing the human mind was not finalized in the Garden. It will continue throughout the cycles of human habitation of the earth. The finished product (a human being from God's perspective) can only come to his full potential by being born on the other side of reality after his earthly life is through. After programming, for example, a computer usually must be shut down and restarted. Similarly, people must die and then be resurrected in order to become a finished product in accordance with God's full pleasure and intent. However, because God does not want preprogrammed robots, He gave us free will. Many human beings will reject eternal life by rejecting God. Since they do not choose to conform to His image, they will remain dead and eventually be eliminated in the lake of fire. Only those made holy and clean by the blood of Jesus Christ will remain to live forever.
    [Show full text]
  • The Magdalen Hospital : the Story of a Great Charity
    zs c: CCS = CD in- CD THE '//////i////t//t/i//n///////.'/ CO « m INCOKM<i%^2r mmammmm ^X^^^Km . T4 ROBERT DINGLEY, F. R. S. KINDLY LENT BY DINGLEY AFTER THE FROM AN ENGRAVING ( JOHN ESQ.) IN THE BOARD ROOM OF THE HOSPITAL PAINTING BY W. HOARE ( I760) Frontispiece THE MAGDALEN HOSPITAL THE STORY OF A GREAT CHARITY BY THE REV. H. F. B. COMPSTON, M.A., ASSISTANT PROFESSOR OP HEBREW AT KING'S COLLEGE, LONDON PROFESSOR OF DIVINITY AT QUEEN'S COLLEGE, LONDON WITH FOREWORD BY THE MOST REVEREND THE ARCHBISHOP OF CANTERBURY PRESIDENT OF THE MAGDALEN HOSPITAL WITH TWENTY ILLUSTRATIONS SOCIETY FOR PROMOTING CHRISTIAN KNOWLEDGE LONDON: 68, HAYMARKET, S.W. 1917 AD MAIOREM DEI GLORIAM M\ FOREWORD It is a great satisfaction to me to be allowed to introduce with a word of commendation Mr. Compston's admirable history of the Magdalen Hospital. The interest with which I have read his pages will I am sure be shared by all who have at heart the well-being of an Institution which occupies a unique place in English history, although happily there is not anything unique nowadays in the endeavour which the Magdalen Hospital makes in face of a gigantic evil. The story Mr. Compston tells gives abundant evidence of the change for the better in public opinion regarding this crying wrong and its remedy. It shows too the growth of a sounder judg- ment as to the methods of dealing with it. For every reason it is right that this book should have been written, and Mr.
    [Show full text]
  • Disponible Aquí (Pdf)
    Preghiera per l’anniversario della approvazione della Compagnia di Gesù presieduta dal P. Generale Arturo Sosa Chiesa del Gesù, 27 settembre 2020 Introduzione Processione dalla sacrestia alla tomba P. Generale Arturo Sosa sj, Sr. Pat Murray ibvm, Fr. Emili Turù fms, S. Vincent Tran Van Dinh sj, Sig.ra Alessia Richiedei (Pietre Vive) Pescador de hombres ♫ Tú has venido a la orilla Tú necesitas mis manos No has buscado a sabios ni a ricos Mi cansancio que a otros descanse Tan solo quieres que yo te siga Amor que quiera seguir amando R/ Señor, me has mirado a los ojos Tú pescador de otros mares Sonriendo, has dicho mi nombre Ansia entera de almas que esperan En la arena, he dejado mi barca Amigo bueno que así me llamas Junto a ti, buscaré otro mar Tú sabes bien lo que tengo En mi barca, no hay oro ni espadas Tan solo redes y mi trabajo Lasciano le candele accese davanti alla tomba di San Ignazio. Preghiere Preghiera P. Generale Nel nome del Padre, del Figlio e dello Spirito Santo El día de hoy, fecha en la que conmemoramos la aprobación de la Compañía de Jesús, nos reunimos para agradecer a Dios por la Compañía de Jesús, por las congregaciones religiosas y por los laicos que han sido inspirados por la espiritualidad ignaciana. Como familia ignaciana, también queremos rezar especificamente por todos los que han sido afectados por la pandemia de COVID. - Recemos por los que han fallecido; para que puedan entrar en la luz y el amor de Dios y que intercedan por nosotros.
    [Show full text]
  • The Lives of the Saints
    Itl 1 i ill 11 11 i 11 i I 'M^iii' I III! II lr|i^ P !| ilP i'l ill ,;''ljjJ!j|i|i !iF^"'""'""'!!!|| i! illlll!lii!liiy^ iiiiiiiiiiHi '^'''liiiiiiiiilii ;ili! liliiillliili ii- :^ I mmm(i. MwMwk: llliil! ""'''"'"'''^'iiiiHiiiiiliiiiiiiiiiiiii !lj!il!|iilil!i|!i!ll]!; 111 !|!|i!l';;ii! ii!iiiiiiiiiiilllj|||i|jljjjijl I ili!i||liliii!i!il;.ii: i'll III ''''''llllllllilll III "'""llllllll!!lll!lllii!i I i i ,,„, ill 111 ! !!ii! : III iiii CORNELL UNIVERSITY LIBRARY l,wj Cornell Unrversity Library BR 1710.B25 1898 V.5 Lives ot the saints. Ili'lll I 3' 1924 026 082 572 Cornell University Library The original of tliis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924026082572 THE ilibes? of tlje t)atnt0 REV. S. BARING-GOULD SIXTEEN VOLUMES VOLUME THE FIFTH THE ILities of tlje g)amt6 BY THE REV. S. BARING-GOULD, M.A. New Edition in i6 Volumes Revised with Introduction and Additional Lives of English Martyrs, Cornish and Welsh Saints, and a full Index to the Entire Work ILLUSTRATED BY OVER 400 ENGRAVINGS VOLUME THE FIFTH LONDON JOHN C. NFMMO &-• NEW YORK . LONGMANS, GREEN. CO. MDCCCXCVIll / , >1< ^-Hi-^^'^ -^ / :S'^6 <d -^ ^' Printed by Ballantyne, Hanson &> CO. At the Ballantyne Press *- -»5< im CONTENTS PAGE Bernardine . 309 SS. Achilles and comp. 158 Boniface of Tarsus . 191 B. Alcuin 263 Boniface IV., Pope . 345 S. Aldhelm .... 346 Brendan of Clonfert 217 „ Alexander I., Pope .
    [Show full text]