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Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College
Claremont Colleges Scholarship @ Claremont Pitzer Senior Theses Pitzer Student Scholarship 2014 Funny Pages: Comic Strips and the American Family, 1930-1960 Dahnya Nicole Hernandez Pitzer College Recommended Citation Hernandez, Dahnya Nicole, "Funny Pages: Comic Strips and the American Family, 1930-1960" (2014). Pitzer Senior Theses. Paper 60. http://scholarship.claremont.edu/pitzer_theses/60 This Open Access Senior Thesis is brought to you for free and open access by the Pitzer Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pitzer Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. FUNNY PAGES COMIC STRIPS AND THE AMERICAN FAMILY, 1930-1960 BY DAHNYA HERNANDEZ-ROACH SUBMITTED TO PITZER COLLEGE IN PARTIAL FULFILLMENT OF THE BACHELOR OF ARTS DEGREE FIRST READER: PROFESSOR BILL ANTHES SECOND READER: PROFESSOR MATTHEW DELMONT APRIL 25, 2014 0 Table of Contents Acknowledgements...........................................................................................................................................2 Introduction.........................................................................................................................................................3 Chapter One: Blondie.....................................................................................................................................18 Chapter Two: Little Orphan Annie............................................................................................................35 -
October 2020
2020 Newsletter ACCLAIM HEALTH – ACTIVITY NEWSLETTER FAMOUS OCTOBER BIRTHDAYS October 1st, 1924 – Jimmy Carter was the 39th President of the United States of America, turns 95 this year! October 18th, 1919 – Pierre Trudeau was the former Prime Minister of Canada from 1980 – 1984. October 25th 1881 – Pablo Picasso was the world famous Spanish painter. He finished his first painting, The Picador at just 9 years old! ? October, 10th month October 29th 1959 – Mike Gartner, Famous Ice of the Gregorian calendar. Its name is hockey player turns 60! derived from octo, Latin for “eight,” an indication of its position in the early Roman calendar., Happy Birthday to our club membersAugustus, in celebrating their birthday’s in October 8BC,!! naming it after himself. Special dates in October Flower of the October 4th – World Smile Day month October 10th – National Cheese Day th The Flower for the October 15 – National I Love Lucy Day month is the October 28th – National Chocolate Marigold. It blooms Day in a variety of colours like red, yellow, white and orange. It stands for Creativity and symbolizes Peace and Tranquility. The Zodiac signs for October are: Libra (September 22 – October 22) Scorpio (October 23 – November 21 Movie Releases The Sisters was released on October 14th, 1938. Three daughters of a small-town pharmacist undergo trials and tribulations in their problematic marriages between 1904 and 1908. This film starred Bette Davis, Errol Flynn and Anita Louise. Have you seen it?! Songs of the month! (Click on the link below the song to listen) 1. Autumn in New York by Ella Fitzgerald and Louis Armstrong https://www.youtube.com/w atch?v=50zL8TnMBN8&featu Remember Charlie re=youtu.be Brown? “It’s the Great Pumpkin 2. -
Dick Tracy.” MAX ALLAN COLLINS —Scoop the DICK COMPLETE DICK ® TRACY TRACY
$39.99 “The period covered in this volume is arguably one of the strongest in the Gould/Tracy canon, (Different in Canada) and undeniably the cartoonist’s best work since 1952's Crewy Lou continuity. “One of the best things to happen to the Brutality by both the good and bad guys is as strong and disturbing as ever…” comic market in the last few years was IDW’s decision to publish The Complete from the Introduction by Chester Gould’s Dick Tracy.” MAX ALLAN COLLINS —Scoop THE DICK COMPLETE DICK ® TRACY TRACY NEARLY 550 SEQUENTIAL COMICS OCTOBER 1954 In Volume Sixteen—reprinting strips from October 25, 1954 THROUGH through May 13, 1956—Chester Gould presents an amazing MAY 1956 Chester Gould (1900–1985) was born in Pawnee, Oklahoma. number of memorable characters: grotesques such as the He attended Oklahoma A&M (now Oklahoma State murderous Rughead and a 467-lb. killer named Oodles, University) before transferring to Northwestern University in health faddist George Ozone and his wild boys named Neki Chicago, from which he was graduated in 1923. He produced and Hokey, the despicable "Nothing" Yonson, and the amoral the minor comic strips Fillum Fables and The Radio Catts teenager Joe Period. He then introduces nightclub photog- before striking it big with Dick Tracy in 1931. Originally titled Plainclothes Tracy, the rechristened strip became one of turned policewoman Lizz, at a time when women on the the most successful and lauded comic strips of all time, as well force were still a rarity. Plus for the first time Gould brings as a media and merchandising sensation. -
Casco Bay Weekly : 21 September 1989
Portland Public Library Portland Public Library Digital Commons Casco Bay Weekly (1989) Casco Bay Weekly 9-21-1989 Casco Bay Weekly : 21 September 1989 Follow this and additional works at: http://digitalcommons.portlandlibrary.com/cbw_1989 Recommended Citation "Casco Bay Weekly : 21 September 1989" (1989). Casco Bay Weekly (1989). 38. http://digitalcommons.portlandlibrary.com/cbw_1989/38 This Newspaper is brought to you for free and open access by the Casco Bay Weekly at Portland Public Library Digital Commons. It has been accepted for inclusion in Casco Bay Weekly (1989) by an authorized administrator of Portland Public Library Digital Commons. For more information, please contact [email protected]. RECE1VE SEP 22 i989 ascj •. ,'-.' \. .' ~,. .- ~ ~-" . ~ . , . , -~- .. , ~'. -.;;. Greater Portland's news and arts weekly ~i~~ '.} _ ~ - . , ~.' ",. ,I :.... __ SEPT. 21, 1989 An oil spill that never happened left a green stain on me. • On Tuesday, September 12, an imaginary 200,000 gallons of crude oil spilled into Casco Bay just off the Eastern Prom so that the Coast Guard could test the readiness of Portland's cleap.up crews. Within 'an hour, local contractors were on the scene to con- tain the peat moss used to simulate the spill; within four hours, Governor John McKernan and a pack of journal- ists were on the scene to soak up the pUblicity. I stayed ashore. I'd seen this act before. While growing up in Anchorage, Alaska, I watched similar demonstra- tions of how well-prepared the oil companies were - just in case oil ever spilled into the then-pristine waters of Prince William Sound. And, yes, the Governor of Alaska showed up ." for many of those demonstrations, too. -
Volume 40 - Issue 20 - Friday, March 18, 2005
Rose-Hulman Institute of Technology Rose-Hulman Scholar The Rose Thorn Archive Student Newspaper Spring 3-18-2005 Volume 40 - Issue 20 - Friday, March 18, 2005 Rose Thorn Staff Rose-Hulman Institute of Technology, [email protected] Follow this and additional works at: https://scholar.rose-hulman.edu/rosethorn Recommended Citation Rose Thorn Staff, "Volume 40 - Issue 20 - Friday, March 18, 2005" (2005). The Rose Thorn Archive. 240. https://scholar.rose-hulman.edu/rosethorn/240 THE MATERIAL POSTED ON THIS ROSE-HULMAN REPOSITORY IS TO BE USED FOR PRIVATE STUDY, SCHOLARSHIP, OR RESEARCH AND MAY NOT BE USED FOR ANY OTHER PURPOSE. SOME CONTENT IN THE MATERIAL POSTED ON THIS REPOSITORY MAY BE PROTECTED BY COPYRIGHT. ANYONE HAVING ACCESS TO THE MATERIAL SHOULD NOT REPRODUCE OR DISTRIBUTE BY ANY MEANS COPIES OF ANY OF THE MATERIAL OR USE THE MATERIAL FOR DIRECT OR INDIRECT COMMERCIAL ADVANTAGE WITHOUT DETERMINING THAT SUCH ACT OR ACTS WILL NOT INFRINGE THE COPYRIGHT RIGHTS OF ANY PERSON OR ENTITY. ANY REPRODUCTION OR DISTRIBUTION OF ANY MATERIAL POSTED ON THIS REPOSITORY IS AT THE SOLE RISK OF THE PARTY THAT DOES SO. This Book is brought to you for free and open access by the Student Newspaper at Rose-Hulman Scholar. It has been accepted for inclusion in The Rose Thorn Archive by an authorized administrator of Rose-Hulman Scholar. For more information, please contact [email protected]. ROSE-HULMAN INSTITUTE OF TECHNOLOGY T ERRE HAUTE, INDIANA Friday, March 18, 2004 Volume 40, Issue 20 News Briefs Closing 2015 forum By Alexander J. Clerc Angela Smiley ing the forum. -
Miniature Golf
Portland Public Library Portland Public Library Digital Commons Casco Bay Weekly (1989) Casco Bay Weekly 7-6-1989 Casco Bay Weekly : 6 July 1989 Follow this and additional works at: http://digitalcommons.portlandlibrary.com/cbw_1989 Recommended Citation "Casco Bay Weekly : 6 July 1989" (1989). Casco Bay Weekly (1989). 27. http://digitalcommons.portlandlibrary.com/cbw_1989/27 This Newspaper is brought to you for free and open access by the Casco Bay Weekly at Portland Public Library Digital Commons. It has been accepted for inclusion in Casco Bay Weekly (1989) by an authorized administrator of Portland Public Library Digital Commons. For more information, please contact [email protected]. Greater Portland's news and arts weekly JULY 6, 1989 AND THE ART OF In a pre-game warm-up ritual, Kevin transfers his spiritual energy Into his golf ball. STORY by Mike Quinn of life. And there's no question that PHOTOS by Tonee Harbert How to find it's a discipline directed toward a Stranded on the back nine of life higher meaning. But what's really as I am, it's hard to find the true important is that unlike most paths to enlightenment meaning of things. But, humbling enlightenment, putt-putt requires myself before the unforgiving sun of virtually no talent. summer, I followed my children into That's why it's such a popular on the a labyrinth of confusing symbols and family pursuit. Kids are natural~ at challenges - and I have emerged a losing themselves. We adults need the better person for it. practice. Astroturf I took the family to play putt "It's not whether you win or putt. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
Apologizes Inning, Not an End Late Night Assaults Take Place on YSU Campus
POW! BIFF! Batman Summertime sun isn't movie a smash hit always fun PAGE 6 PAGE 4 THURSDAY, JUNE 29, 1989 YOUNGSTOWN STATE UNIVERSITY VOL. 69, NO. 58 apologizes By RICK GEORGE Jambar Editor 46 u One step has been taken to solve the pro• I just blems within the YSU Police Department. want to get it According to a published report from the behind us and Tuesday, June 27 edition of The Vindicator, get on with our the police officers have accepted the apology Taking of Police Chief Robert T. Robinson even duties." it easy though they are still going through with a R. ROBINSON grievance. YSU Police Chief YSU's Ron Robinson wrote a letter to the Northern Thomas, a Ohio Patrolmen's Benevolent Association's senior, A&S, (NOPBA) local chairman, Frank McGuire, have 10 days to give a response back. spents apologizing for his remarks in the May 14 Hopefully I can get it done sooner." some time edition of The Vindicator. If needed, Miller said he might have to at the Water ... In.the article, Robinson said''Members of ask for an extension because he wants to end- fountain the force should quit their jobs if they can• the grievance before it lingers on. yesterday not keep their prejudices off campus." The grievance process is first heard by the afternoon Robinson said he did not mean to offend head of the department (Robinson). If studying his anyone by the article. nothing is accomplished, the executive direc• french. "I had no intention of offending anyone," tor hears the grievance. -
Local Exhibit Highlights Work of Self-Taught Southern Artist Felicia Feaster
July 9, 2020 Local Exhibit Highlights Work of Self-Taught Southern Artist Felicia Feaster Enjoyment of self-taught art may depend on how much you want to swim around in another human being’s headspace. Are you in the mood to contemplate the conditions that foster both creativity, but also the darker byways of obsession and personal experience? With much art, it is possible to separate the maker from her work. You can glide across the pleasures of surface, technique and subject matter. But self-taught art gives you no such opportunity or out; part of the bargain is, in fact, a deep dive into biography. And in the Atlanta Contemporary show “The Life and Death of Charles Williams,” there’s no getting around the strange, fascinating and sometimes troubling reality of this Kentucky artist’s life. There is both joy and pain in Williams’ experience, and in his art. It’s hard not to revel in the unique point of view of this utterly idiosyncratic Black Southern artist while also feeling saddened by his circumstance and limitations. Like so many self-taught artists, Williams defiantly marched to his own arrhythmic beat. He spent a lifetime making art that acted out the kind of dramas of might and right that children cling to: art fueled by comic book tales of brawny, powerful, justice-minded superheroes with cut-glass jawlines, tree trunk thighs and hyper-articulated Tom of Finland musculature. In fact, Williams learned to draw, like so many kids, by rendering favorite heroes like Dick Tracy and Superman. But while kids eventually give up those superficial parables of good and evil, Williams clung to them. -
Present and Future Urban Spaces Cinematically Considered
Exploding Spaces Present and Future Urban Spaces Cinematically Considered University of Cape Town lan-Malcolm Rijsdijk The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town [Abstract] Urban visions in contemporary film considered to be science fiction are, in fundamental ways, not extrapolations from (or even analogies with) the present, but rather derive their extrapolative impetus from the confluence of urban utopianism and the development of the film medium in the first three decades of the twentieth century. This study seeks to understand the visual dynamics of contemporary science fiction cities in film by exploring a number of diverse architectural and cinematic influences. The argument is initiated through a consideration of utopianism and science fiction, before moving onto specific architectural analysis focused on utopian plans from the modernist period, and the growth of New York during the 1920s. Through a brief reading of German Expressionist Cinema in Chapter 3, the spatial and architectural groundwork is laid for the analysis of several films in Chapters 4-6: Disclosure, Blade Runner, Selen, The Devil's Advocate, 12 Monkeys and The Fifth Element. (While not all the films would be considered as science fiction, those non-science fiction films offer provocative readings of the city as a whole). -
Putting It Together
46th Season • 437th Production SEGERSTROM STAGE / September 11 - October 11, 2009 David Emmes Martin Benson Producing ArtiStic director ArtiStic director presents PUTTING IT TOGETHER words and music by Stephen Sondheim devised by Stephen Sondheim and Julia McKenzie Thomas Buderwitz Soojin Lee Steven Young Drew Dalzell Scenic deSign coStume deSign Lighting deSign Sound deSign Joshua Marchesi Jamie A. Tucker* Production mAnAger StAge mAnAger musical direction by Dennis Castellano directed by Nick DeGruccio Dr. S.L. and Mrs. Betty Eu Huang Huang Family Foundation honorAry ProducerS corPorAte Producer Putting It Together is presented through special arrangement with music theatre international (mti). All authorized performance materials are also supplied by mti. 421 West 54th Street, new york, ny 10019; Phone: 212-541-4684 Fax: 212-397-4684; www.mtiShows.com Putting It Together• SOUTH COA S T REPE R TO R Y P1 THE CAST (in order of appearance) Matt McGrath* Harry Groener* Niki Scalera* Dan Callaway* Mary Gordon Murray* MUSICIANS Dennis Castellano (conductor/keyboards), John Glaudini (synthesizer), John Reilly (woodwinds), Louis Allee (percussion) SETTING A New York penthouse apartment. Now. LENGTH Approximately two hours including one 15-minute intermission. PRODUCTION STAFF Casting ................................................................................ Joanne DeNaut, CSA Dramaturg .......................................................................... Linda Sullivan Baity Assistant Stage Manager ............................................................. -
Istanbul Technical University Institute of Science And
İSTANBUL TECHNICAL UNIVERSITY INSTITUTE OF SCIENCE AND TECHNOLOGY HOW DO OBJECTS COMMUNİCATE: SET DESIGN ANALYSIS OF STANLEY KUBRICK’S “A CLOCKWORK ORANGE” M.Sc. Thesis by Zeynep GÜNGÖR, B.I.D. 502041978 Date of submission : 15 September 2008 Date of defence examination: 24 September 2008 Supervisor (Chairman) : Prof. Dr. Nigan Bayazıt (ITU) Members of the Examining Committee : Assoc. Prof. Dr. Belkıs ULUOĞLU(ITU) Assis. Prof. Sebnem Timur ÖĞÜT (ITU) SEPTEMBER 2008 İSTANBUL TEKNİK ÜNİVERSİTESİ FEN BİLİMLERİ ENSTİTÜSÜ OBJELERİN İLETİŞİM KURMA YOLLARI: STANLEY KUBRİCK’İN “OTOMATİK PORTAKAL” FİLMİNİN SET ANALİZİ YÜKSEK LİSANS TEZİ Zeynep Güngör 502041978 Tezin Enstitüye Verildiği Tarih : 15 Eylül 2008 Tezin Savunulduğu Tarih : 24 Eylül 2008 Tez Danışmanı : Prof. Dr. Nigan Bayazıt (ITU) Diğer Jüri Üyeleri : Doç. Dr. Belkıs ULUOĞLU(ITU) Yrd. Doç. Dr. Şebnem Timur ÖĞÜT (ITU EYLÜL 2008 FOREWORD I dedicate this thesis to my mother who has been a patient assistant, a moral supporter and a magnificent role model; to my dear husband Hakan who supported me for always and for all; to my sister who always listens from the heart; to Hacer and Mehmet Çopur to whom I owe my beloved; to Ayla who always believed in me; to my friends who are the greatest people in the world; to Siganka who never quit cheering me and distracting me; to Prof. Dr. Nigan Bayazıt who enjoyed my topic of study even more than I do and enlightened my way. October, 2008 Zeynep Güngör ii TABLE OF CONTENTS Page LIST OF TABLES ıv LIST OF FIGURES v SUMMARY vııı ÖZET ıx 1. INTRODUCTION 1 2.