Cold War Kids - a Biography

Total Page:16

File Type:pdf, Size:1020Kb

Cold War Kids - a Biography Cold War Kids - A biography Cold War Kids Mine Is Yours Since their modest beginnings as four guys who drove around southern California with their gear in their cars, practicing wherever they could steal a space, Cold War Kids have always exhibited two qualities in their music: intense passion and emotional truth. Lithe and percussive, roaring and tuneful, the soul-punk on the Long Beach quartet’s first two albums “Robbers & Cowards” (2006) and “Loyalty to Loyalty” (2008) emerged like miniature gothic novels. Singer Nathan Willett channeled taut dramas of men on the edge, families in peril, and crises of faith. The musical literature of these four tight-knit friends — Willett, Jonnie Russell, Matt Maust and Matt Aveiro — was a sound that augured something bigger, something more universal. Now, that “something” has arrived in “Mine Is Yours,” the quartet’s third album for Downtown Records, due for release on January 25, 2011. More intimate than anything Cold War Kids have done to date, the new album is a collection of songs dealing with the push and pull of human relationships, the glue that holds them together, and the equilibrium they sometimes find. “Mine Is Yours” finds the foursome at their most sonically potent, and Willett at his most revealing and vulnerable. “These are portraits of relationships and commitment — what is holding these things together and what does it all mean?” the singer says. “A lot has happened in the last two years — long tours, marriage, relationships, people going different directions. I felt the need to be more personal, to show the many sides of me.” That urge came at a critical time for the band, who harbored a fierce independence from the days they were making songs in a Fullerton apartment, recording them raw, and playing them in claustrophobic Los Angeles clubs. Their DIY ethic engendered an innate distrust of anyone outside their inner circle, but, as Willett and his mates came to realize after “Loyalty to Loyalty,” it may have limited them creatively too. “I remember thinking that if ‘Loyalty’ is the last record we do, I’d be disappointed,” Willett says. “It was a step, but I thought, ‘We have to be about something bigger.’” Cold War Kids also wrestled with the notion that being “indie” is somehow antithetical to being ambitious — that wanting to make music on a larger scale can compromise one as an artist. “But if you and your friends are just sitting back and speculating in the abstract about what compromise is or isn’t, you’re not doing anything, are you? You need to be in the moment. Our band started from a thousand hours of late-night drinking talking about what it would be like to do this. But you don’t want to be an eternal student. There have been a bunch of great indie bands in recent years that have earned deserved success, and they got there by going for it.” This led Cold War Kids to work for the first time with an outside producer, Jacquire King. King, who has worked with the likes of Tom Waits, Kings of Leon, Norah Jones and Modest Mouse, produced “Mine Is Yours” over the course of two sessions in Nashville and Los Angeles. During these sessions, they expanded on the quartet’s signature sound while keeping intact its minimalist elements. “It’s a more produced record with more textures, but it still sounds like us,” Willett says. “Overall, there’s just a broader sonic palette.” Working with King turned out to be a revelatory experience. “We needed somebody we could fight with a little bit, in a respectful way,” Willett says. “On the first two albums, we really had nobody saying, ‘What if you tried this?’ If somebody asks you ‘Why is this a certain way?’ and you don’t have a good answer, and you have to rethink it, that’s a good thing. We ended up having a pretty easy relationship. He was more of a listener and a reactor.” The result is Cold War Kids’ most fully formed music to date, an album they only imagined they could have made back in the days of their guerilla practices and late- night conversations. Passion and honesty — “Mine Is Yours.” Artist website: coldwarkids.com .
Recommended publications
  • Jennifer Hudson SEPTEMBER 3 0 OCTOBER OCTOBER 7 OCTOBER
    Jennifer Hudson Chemical" and "No News Is Bad News." "It's a nice marriage of where I've come from and where I've gotten to. For me, it's the "I think people will be pleasantly surprised, because it shows a track that ties all the ends together," he says of the latter. side of my work that no one has heard before," Jennifer Hudson says of her long -in- the -works debut. First single "Spotlight," Xtreme penned by Ne -Yo, is top 40 on Billboard's Hot R &B /Hip -Hop TBA (Universal) Songs chart after seven weeks. While a follow -up hasn't been The Bronx urban bachata duo's breakout, " Haciendo Historia," chosen, some tracks in contention are the Timbaland- produced has sold 125,000 copies in the United States and Puerto Rico, ac- "Pocketbook" featuring Ludacris and "Can't Stop the Rain," also cording to Nielsen SoundScan, and spawned hits "Shorty Shorty" written by Ne -Yo. Additional contributors to the and "No Me Digas Que No." Steve Styles and Danny D. (the for- album include Robin Thicke, the Under- mer won an AS CAP Latino Award this year for penning "Shorty dogs, Diane Warren, Christopher Shorty") are producing and writing their follow -up with produc- "Tricky" Stewart and Jack ers Sergio George, George Zamora and manager Ben de Jesus. Splash. R. Kelly and Akon It's "still within the urban bachata realm but a little more tradi- are expected to con- tional," de Jesus says. Referencing everything from salsa to clas- tribute as well. sic Dominican bachata to hip -hop and Sean Kingston, "the fusion is going even deeper between modern and retro," he says.
    [Show full text]
  • For Immediate Release ROBERT ELLIS
    For Immediate Release ROBERT ELLIS JOINS DEER TICK ON “TOUR ME A NEW ONE” NORTH AMERICAN DATES TO BEGIN OCTOBER 10 NEW ALBUM, THE LIGHTS FROM THE CHEMICAL PLANT, PRODUCED BY JACQUIRE KING, DUE FEBRUARY 11, 2014 ON NEW WEST RECORDS "I want this record to be more about the Paul Simons and the Randy Newmans and the other half of my upbringing, which is very much rooted in pop," Ellis recently told Rolling Stone Nashville, TN – Sept 24, 2013 – Robert Ellis, who Esquire calls “a peculiar but elegant intersection of Bon Iver, George Jones and Jackson Browne,” will join his friends Deer Tick on their upcoming fall tour. Ellis’ long time pedal steel player Will Van Horn will accompany him for this run of dates. Prior to the tour, Ellis will perform at Hardly Strictly Bluegrass in San Francisco’s Golden Gate Park. Ellis just finished his forthcoming album, The Lights From The Chemical Plant, and is excited to unveil the new songs on the road. The record was made with renowned producer Jacquire King (Tom Waits, Modest Mouse, Kings of Leon) at The Casino in East Nashville with studio owner Eric Masse (Brothers Osborne, Mikky Ekko, Caitlin Rose) engineering. The Lights From The Chemical Plant is due February 11, 2014 on New West Records. The songs on the new album, which range from the majestic string-adorned title track to noir pop rock and somber confessionals, both show Ellis’ growth and the various sides of this multidimensional songwriter. Ellis recently told Rolling Stone The Lights From The Chemical Plant is “stylistically ambiguous,” as he is inspired by a wide variety of artists.
    [Show full text]
  • NAMM 2019 Booth # 14716 ACC North Hall
    INTERCOMNAMM 2019 Booth # 14716 ACC North Hall KL-8 Total Keyboard Control The KL-8 is a rackmount keyboard mixing station designed to provide complete con- trol over a professional keyboard setup, both on-stage and in the recording studio. Equipped with four analog inputs, redun- dant USB and MIDI connectivity, the KL-8 can interface with any gear. Isolated out- puts gives you pristine signal to the front of house with monitor and headphone outputs to give you control of your mix. DAN-TX2 & DAN-RX2 Stereo Dante transmit & receive boxes The DAN-RX2 and DAN-TX2 are the latest additions to the Radial DiNET family of high quality Dante-enabled endpoints for networked audio systems. Featuring locking Ethernet connections, rock solid construction, and the abili- ty to be easily rack-mounted, both are well suited for permanent installations or the rigorous demands of pro touring acts. SW8-USB 8-channel auto-switcher and USB interface The SW8-USB provides a simplified and robust solution for performances that utilize redundant playback systems on stage. Dual USB inputs allow you to connect directly to your primary and backup computers, eliminating the need for additional audio interfaces. Should your primary rig fail, the SW8- USB automatically switches over to the backup system, ensuring a seamless performance each and every time. Shipping Spring 2019 SW8-USB Backing track auto switcher The SW8-USB is an all-in-one solution for perfor- mances that employ redundant playback systems for backing tracks, combining two built-in high performance USB interfaces with an auto-switching feature that detects dropouts and effortlessly switch- es to the backup computer in an instant.
    [Show full text]
  • Played 2013 IMOJP
    Reverse Running Atoms For Peace AMOK XL Recordings Hittite Man The Fall Re-Mit Cherry Red Pre-Mdma Years The Fall Re-Mit Cherry Red Voodoo Posse Chronic Illusion Actress Silver Cloud WERKDISCS Recommended By Dentists Alex Dowling On The Nature Of ElectricityHeresy Records And Acoustics Smile (Pictures Or It Didn't Happen) Amanda Palmer & TheTheatre Grand Is EvilTheft OrchestraBandcamp Stoerung kiteki Rmx Antye Greie-Ripatti minimal tunesia Antye Greie-Ripatti nbi(AGF) 05 Line Ain't Got No Love Beal, Willis Earl Nobody knows. XL Recordings Marauder Black Pus All My Relations Thrill Jockey 1,000 Years Black Pus All My Relations Thrill Jockey Records All Out of Sorts Black Pus All My Relations Thrill Jockey Abstract Body/Head Coming Apart Matador Records Sintiendo Bomba Estéreo Elegancia Tropical Soundway #Colombia Amidinine Bombino Nomad Cumbancha Persistence Of Death Borut Krzisnik Krzisnik: Lightning Claudio Contemporary La noche mas larga Buika La noche mas largaWarner Music Spain Super Flumina Babylonis Caleb Burhans Evensong Cantaloupe Music Waiting For The Streetcar CAN The Lost Tapes [DiscMute 1] Obedience Carmen Villain Sleeper Smalltown Supersound Masters of the Internet Ceramic Dog Your Turn Northern-Spy Records track 2 Chris Silver T & MauroHigh Sambo Forest, LonelyOzky Feeling E-Sound Spectral Churches Coen Oscar PolackSpectral Churches Narrominded sundarbans coen oscar polack &fathomless herman wilken Narrominded To See More Light Colin Stetson New History WarfareConstellation Vol. 3: To See More Light The Neighborhood Darcy
    [Show full text]
  • PDF (1.47 Mib)
    M M M M M M M M M M M M M M M M M M M M M M M M セ M M M M M M M M M M M M M M M セ M M M M M M セ ...-----------..-- .......... - - - - -- - arcade OCTOBER 17 2008 • 12 the spirit of Cold War Kids. It's as iflead singer Nathan Willett is perpetually and sloppily inebriated, balanc- SU D Y continued ing on the precipice of drunken brilliance and drunken oblivion. His stage presence is controlled, but with a passion and fervor that's remarkable. still feminine voice lends powerful sound to every tune she tack- Their latest release (Loyalty to Loyalty, 2008) stays true to the foundation they built musically in 2006's Rob- les. The Vettes do carry around some '80s influence, but it's tem- bers and Cowards. Voodoo audiences are sure to be impressed with their set for this year's show. Count on a pered with a modern sensibility that saves the music from falling little bit of absurdity and a lot of indie brilliance. -AmyHoliday into kitsch-ville. Fans ofDepeche Mode, the Cranberries and New Wave music in general will dig the Vettes at this year's Voodoo Fest. Known for its showmanship and manic energy, the band is certain to put on a kickass live show. Don't miss the ethereal meandering of 1:50-2:50 at Playstation/Billboard.com stage "Flame" on Voodoo Fest's main Web site. - F.G. Lupe Fiasco has been showing New Orleans a lot oflove lately, speaking at.
    [Show full text]
  • Mtv and Transatlantic Cold War Music Videos
    102 MTV AND TRANSATLANTIC COLD WAR MUSIC VIDEOS WILLIAM M. KNOBLAUCH INTRODUCTION In 1986 Music Television (MTV) premiered “Peace Sells”, the latest video from American metal band Megadeth. In many ways, “Peace Sells” was a standard pro- motional video, full of lip-synching and head-banging. Yet the “Peace Sells” video had political overtones. It featured footage of protestors and police in riot gear; at one point, the camera draws back to reveal a teenager watching “Peace Sells” on MTV. His father enters the room, grabs the remote and exclaims “What is this garbage you’re watching? I want to watch the news.” He changes the channel to footage of U.S. President Ronald Reagan at the 1986 nuclear arms control summit in Reykjavik, Iceland. The son, perturbed, turns to his father, replies “this is the news,” and lips the channel back. Megadeth’s song accelerates, and the video re- turns to riot footage. The song ends by repeatedly asking, “Peace sells, but who’s buying?” It was a prescient question during a 1980s in which Cold War militarism and the nuclear arms race escalated to dangerous new highs.1 In the 1980s, MTV elevated music videos to a new cultural prominence. Of course, most music videos were not political.2 Yet, as “Peace Sells” suggests, dur- ing the 1980s—the decade of Reagan’s “Star Wars” program, the Soviet war in Afghanistan, and a robust nuclear arms race—music videos had the potential to relect political concerns. MTV’s founders, however, were so culturally conserva- tive that many were initially wary of playing African American artists; addition- ally, record labels were hesitant to put their top artists onto this new, risky chan- 1 American President Ronald Reagan had increased peace-time deicit defense spending substantially.
    [Show full text]
  • Daughtry's New Album Cage to Rattle out Now
    DAUGHTRY’S NEW ALBUM CAGE TO RATTLE OUT NOW RELEASES LIVE PERFORMANCE VIDEO OF CURRENT SINGLE “DEEP END” – WATCH HERE HEADLINE TOUR UNDERWAY! “The band fronted by the American Idol alum still stomps and swaggers on this fifth LP, which is loaded with still more no-frills, down-and-dirty area rock. And, of course, there’s the guy behind the mike: He easily upstages most other contemporary rockers”- People Magazine (July 27- New York, NY)— Today, GRAMMY® Award-nominated chart-topping rock band Daughtry unveil their anxiously awaited fifth full-length album, Cage To Rattle [19 Recordings/RCA Records], in stores and at all digital retailers. Additionally, the group releases a performance video of their current single, “Deep End” (watch here). Get the album HERE. The record is currently #2 on the iTunes Top Rock Albums Chart and #5 on the iTunes Overall Top Albums Chart. Cage To Rattle sees Daughtry once again firing on all cylinders. Produced by Jacquire King [Kings Of Leon, Tom Waits, Norah Jones] in Nashville, the album echoes the relentless energy and uncontainable spirit of the group’s most definitive anthems, while advancing boldly into new territory. Whether it’s the bluesy stomp and snap of “Backbone” or the sweeping piano of latest single “Deep End,” the album evinces evolution across the board for the musicians. About the album, Chris Daughtry said, “This is a really special time for us. We feel like we bottled the spirit and energy from our early days and refined it over the last decade together on the road and making records.
    [Show full text]
  • A FREE EDUCATION CAN BE a COSTLY MATTER Back to School Supply Lists Can Break the Bank - Page 3 Page 2 • Thursday, August 3, 2017 the Monett Times Midweek
    GOOD OLD DAYS PAGE 2 | GO GUIDE PAGE 4 | DEAR ABBY/COMICS PAGE 8 | CLASSIFIEDS PAGE 10 FREE DISTRIBUTION TO MORE THAN 8,000 LOCAL RESIDENTS THURSDAY, AUGUST 3, 2017 VOLUME 4, ISSUE 31 THE MONETT TIMES MidweekMONETT SHOPPER Serving Barry and Lawrence County, Mo., since 1899 A FREE EDUCATION CAN BE A COSTLY MATTER Back to school supply lists can break the bank - PAGE 3 Page 2 • Thursday, August 3, 2017 THE MONETT TIMES MIDWEEK BACK IN THE GOOD OLD DAYS EIGHTY YEARS AGO by the American Legion Aug. 6-12, 1937 and the Jaycees. Bucking • Grading on County horses, Brahman bulls, Road street, Marshall roping calves, bulldog- Hill, has been completed ging steers and horses, and material for black- plus more than 20 cow- topping is being placed boys, began arriving on the road side. Rock at the beginning of the and clay for the road week. bed is being taken out SIXTY YEARS AGO of a bank on the Dan Aug. 6-12, 1957 Lautaret farm two miles • Taking action a east and a mile north of month after receiving the high school. A four- a citizens’ petition, the inch compact base of clay Monett City Council and gravel will be laid directed City Attorney and rolled on the 20-foot Edward V. Sweeney to road. Then one and a half notify property owners inches of tarvia and grav- using outside privies to Farmers are known for getting by with what they have, even if it’s hardly the latest or best way to do the job.
    [Show full text]
  • Guns N' Roses
    Guns N’ Roses ‘Live And Let Die’ Guns N’ Roses SONG TITLE: LIVE AND LET DIE ALBUM: USE YOUR ILLUSION I RELEASED: 1991 LABEL: GEFFEN GENRE: HARD ROCK PERSONNEL: W. AXL ROSE (VOX) SLASH (GTR) IZZY STRADLIN (GTR) DUFF MCKAGAN (BASS) MATT SORUM (DRUMS) DIZZY REED (KEYS) UK CHART PEAK: N/A US CHART PEAK: 33 BACKGROUND INFO seven years before Axl Rose decided to fire all the members who remained in the mid 1990s. Sorum McCartney and James Bond get the Guns N’ Roses remained faithful to guitarist Slash and played in the treatment. This popular cover was released in 1991 latter’s Velvet Revolver band. Prior to that, Sorum at a time when G N’ R was probably the most famous was a regular guest drummer for The Cult and played band on the planet. This is naturally a heavier version drums for a very young Tori Amos on her first tour. than the 1972 original but they still captured a lot of More recently Sorum has contributed to a Buddy Rich the song’s underlying humour and playfulness. The tribute album which showcased his technical abilities song features a mix of regular and half-time grooves in jazz drumming. along with a reggae-inspired middle section requiring the drummer to be alert and keep it tight. The player featured here is Matt Sorum. RECOMMENDED LISTENING The G N’ R legacy is based on six studio albums THE BIGGER PICTURE of which the most important by far is their debut, Appetite for Destruction (1987). This record single Matt Sorum’s big rock sound in Guns N’ Roses handedly propelled the band to superstardom and tends to obscure other aspects of his playing.
    [Show full text]
  • Supervision and Ethics
    periodical for professional exchange and networking European Journal for Supervision and Coaching Supervision and Ethics Role of ethics in creating supervision a safe place Maca Cicak & Kristina Urbanc How to develop supervisors’ ethical reasoning? Liisa Raudsepp & Helena Ehrenbusch Work clothes of a supervisor Attila Szarka Volume 4 - 2020 - Issue 2 Index Page Sijtze de Roos Autumn 2020 3 Column Gerian Dijkhuizen Hers not mine 5 Articles Maca Cicak & Kristina Urbanc Role of ethics in creating supervision a safe place 6 Jean-Paul Munsch Towards Mastery 14 Liisa Raudsepp & Helena Ehrenbusch How to develop supervisors’ ethical reasoning? 17 Hans Bennink Multiple loyalties of professionals in organizations 21 Daniel Trepsdorf Supervision with ‘far right-wing individuals in a group setting’ 28 Christof Arn Ethics of Consultancy 34 A Practical Overview Attila Szarka Work clothes of a supervisor 38 Ineke Riezebos Playful Professional 42 The use of a visual work form in supervision and coaching Ulrike Mathias-Wiedemann Book review: supervision put to the test 46 Gerian Dijkhuizen Interview Ioseba Guillermo 51 ANSE JOURNAL 2 VOLUME 4 - 2020 - ISSUE 2 Autumn 2020 ■ Sijtze de Roos Trust, it would appear, is no longer self-evident. In the measure their own codes of conduct, ethical guideli- past, so they say, people ‘knew their place’ and more or nes and general moral principles. Its main purpose is to less blindly trusted and followed the leaders of their parti- challenge supervisors and their professional associations cular social group, class or political party. Nowadays trust all over Europe to always act according to moral require- seems to have turned into work.
    [Show full text]
  • Right Arm Resource Update
    RIGHT ARM RESOURCE UPDATE JESSE BARNETT [email protected] (508) 238-5654 www.rightarmresource.com www.facebook.com/rightarmresource 9/6/2017 Good Old War “The River” The first single from their new EP Part Of Me, out now The full EP is available for download on PlayMPE Early at KVNA This is the first of three EPs that the band plans to release over the next year On tour in October and November with Josh Ritter: 10/22 Dallas, 10/23 Birmingham, 10/24 Atlanta, 10/25 Carrboro, 10/27 Boston, 10/28 Portland ME, 10/29 Brooklyn, 11/1 Millvale... Ted Leo “Can’t Go Back” The first single from his new solo album, out this Friday, on PlayMPE now Early: WNKU, WBJB, KBAC, WYCE, KRCL, KHUM, KVNA, Open Air This is his first solo album since his work with The Pharmacists and with Aimee Mann as The Both On tour: 9/17 Boston, 9/20 Detroit, 9/22 Chicago, 9/23 Cleveland, 9/24 Pittsburgh, 10/23 Richmond, 10/24 Carrboro, 10/25 Atlanta... The National “Day I Die” The follow up to their first #1 single “The System Only Dreams In Total Darkness” from Sleep Well Beast, in stores Friday Most Added including KCSN, KCMP, WFUV, WXPN, WPYA, KTBG, KVNV, KUTX, KJAC, KVNA, WDST, WNKU, WVOD... Playing on Colbert this Thursday and featured on CBS This Morning Saturday this weekend US tour dates kick off in October Joan Osborne “Quinn The Eskimo (The Mighty Quinn)” The first single from Songs Of Bob Dylan, out now Most Added AGAIN! New this week at KRCC and WUTC Already on WFUV, XM Loft, WYEP, WEXT, WNCW, KBAC, WMVY, WBJB, WFIV, KVNA, WMWV, KOZT, WCBE, KMTN, KHUM..
    [Show full text]
  • The Philosophy of Loyalty
    29 The Philosophy of Loyalty I. The Nature and the Need of Loyalty One of the most familiar traits of our time is the tendency to revise tradition, to reconsider the foundations of old beliefs, and some­ times mercilessly to destroy what once seemed indispensable. This disposition, as we all know, is especially prominent in the realms of social theory and of religious belief. But even the exact sciences do not escape from the influence of those who are fond of the reexamination of dogmas. And the modern tendency in question has, of late years, been very notable in the field of Ethics. Conven­ tional morality has been required, in company with religion, and also in company with exact science, to endure the fire of criticism. And although, in all ages, the moral law has indeed been exposed to the assaults of the wayward, the peculiar moral situation of our time is this, that it is no longer either the flippant or the vicious who are the most pronounced or the most dangerous opponents of our moral traditions. Devoted reformers, earnest public servants, ardent prophets of a coming spiritual order,-all these types of lovers of humanity are represented amongst those who to-day demand great and deep changes in the moral standards by which our lives are [The complete text of The P!Jilosopby of Loyalty is reprinted here from PL.] 8 )6 MORAL AND RELIGIOUS EXPERIENCE to be governed. We have become accustomed, during the past few generations,-during the period of Socialism and of Individualism, of Karl Marx, of Henry George, of Ibsen, of Nietzsche, of Tolstoi, -to hear unquestionably sincere lovers of humanity sometimes de­ claring our traditions regarding the rights of property to be im­ moral, and sometimes assailing, in the name of virtue, our present family ties as essentially unworthy of the highest ideals.
    [Show full text]