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												  SACRED SPACES and OBJECTS: the VISUAL, MATERIAL, and TANGIBLE George PatiSACRED SPACES AND OBJECTS: THE VISUAL, MATERIAL, AND TANGIBLE George Pati BRAUER MUSEUM OF ART | APRIL 13 — MAY 8, 2016 WE AT THE BRAUER MUSEUM are grateful for the opportunity to present this exhibition curated by George Pati, Ph.D., Surjit S. Patheja Chair in World Religions and Ethics and Valparaiso University associate professor of theology and international studies. Through this exhibition, Professor Pati shares the fruits of his research conducted during his recent sabbatical and in addition provides valuable insights into sacred objects, sites, and practices in India. Professor Pati’s photographs document specific places but also reflect a creative eye at work; as an artist, his documents are also celebrations of the particular spaces that inspire him and capture his imagination. Accompanying the images in the exhibition are beautiful textiles and objects of metalware that transform the gallery into its own sacred space, with respectful and reverent viewing becoming its own ritual that could lead to a fuller understanding of the concepts Pati brings to our attention. Professor Pati and the Brauer staff wish to thank the Surjit S. Patheja Chair in World Religions and Ethics and the Partners for the Brauer Museum of Art for support of this exhibition. In addition, we wish to thank Gretchen Buggeln and David Morgan for the insights and perspectives they provide in their responses to Pati's essay and photographs. Gregg Hertzlieb, Director/Curator Brauer Museum of Art 2 | BRAUER MUSEUM OF ART SACRED SPACES AND OBJECTS: THE VISUAL, MATERIAL, AND TANGIBLE George Pati George Pati, Ph.D., Valparaiso University Śvetāśvatara Upaniṣad 6:23 Only in a man who has utmost devotion for God, and who shows the same devotion for teacher as for God, These teachings by the noble one will be illuminating.
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												  An Evening with Alexis RockmanPress Release Bruce Museum Presents Can Art Drive Change on Climate Change? An Evening with Alexis Rockman Acclaimed artist to be joined by David Abel, Pulitzer Prize-winning reporter for The Boston Globe 6:30 – 8:30 pm, December 5, 2019 Bruce Museum, Greenwich, Connecticut Alexis Rockman, The Farm, 2000. Oil and acrylic on wood panel, 96 x 120 in. GREENWICH, CT, November 4, 2019 — On Thursday, December 5, 2019, Bruce Museum Presents poses the provocative question “Can Art Drive Change on Climate Change?” Leading the conversation is acclaimed artist and climate-change activist Alexis Rockman, who will present specially chosen examples of his work and discuss how, and why, he uses his art to sound the alarm about the impending global emergency. Adding insight and his own expert perspective is The Boston Globe’s David Abel, who since 1999 has reported on war in the Balkans, unrest in Latin America, national security issues in Washington D.C., and climate change and poverty in New England. Page 1 of 3 Press Release Abel was also part of the team that won the 2014 Pulitzer Prize for Breaking News for the paper’s coverage of the Boston Marathon bombings. He now covers the environment for the Globe. Following Rockman’s presentation, Abel will join Rockman for a wide-ranging dialogue at the intersection of art and environmental activism, followed by question-and-answer session with the audience. Among the current generation of American artists profoundly motivated by nature and its future—from the specter of climate change to the implications of genetic engineering—Rockman holds an unparalleled place of honor.
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												  Architecture of Light of the Orthodox TempleDOI: 10.4467/25438700ŚM.17.058.7679 MYROSLAV YATSIV* Architecture of Light of the Orthodox Temple Abstract Main tendencies, appropriateness and features of the embodiment of the architectural and theological essence of the light are defined in architecturally spatial organization of the Orthodox Church; the value of the natural and artificial light is set in forming of symbolic structure of sacral space and architectonics of the church building. Keywords: the Orthodox Church, sacral space, the light, architectonics, functions of the light, a system of illumination, principles of illumination 1. Introduction. The problem raising in such aspect it’s necessary to examine es- As the experience of new-built churches testifies, a process sence and value of the light in space of the of re-conceiving of national traditions and searches of com- Orthodox Church. bination of modern constructions and building technologies In religion and spiritual life of believing peo- last with the traditional architectonic forms of the church bu- ple the light is an important and meaningful ilding in modern church architecture of Ukraine. Some archi- symbol of combination in their imagination tects go by borrowing forms of the Old Russian church archi- of the celestial and earthly worlds. Through tecture, other consider it’s better to inherit the best traditions this it occupies a central place among reli- of wooden and stone churches of the Ukrainian baroque or gious characters which are used in the Saint- realize the ideas of church architecture of the beginning of ed Letter. From the first book of Old Testa- XX. In the east areas the volume-spatial composition of the ment, where the fact of creation of the light Russian “synod-empire” of the church style is renovated as by God is specified: “And God said: “Let it be the “national sign of church architecture” and interpreted as light!”(Genesis 1.3-4), to the last New Testa- the new “Ukrainian Renaissance” [1].
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												  Religious Studies 300 Second Temple Judaism Fall Term 2020Religious Studies 300 Second Temple Judaism Fall Term 2020 (3 credits; MW 10:05-11:25; Oegema; Zoom & Recorded) Instructor: Prof. Dr. Gerbern S. Oegema Faculty of Religious Studies McGill University 3520 University Street Office hours: by appointment Tel. 398-4126 Fax 398-6665 Email: [email protected] Prerequisite: This course presupposes some basic knowledge typically but not exclusively acquired in any of the introductory courses in Hebrew Bible (The Religion of Ancient Israel; Literature of Ancient Israel 1 or 2; The Bible and Western Culture), New Testament (Jesus of Nazareth, New Testament Studies 1 or 2) or Rabbinic Judaism. Contents: The course is meant for undergraduates, who want to learn more about the history of Ancient Judaism, which roughly dates from 300 BCE to 200 CE. In this period, which is characterized by a growing Greek and Roman influence on the Jewish culture in Palestine and in the Diaspora, the canon of the Hebrew Bible came to a close, the Biblical books were translated into Greek, the Jewish people lost their national independence, and, most important, two new religions came into being: Early Christianity and Rabbinic Judaism. In the course, which is divided into three modules of each four weeks, we will learn more about the main historical events and the political parties (Hasmonaeans, Sadducees, Pharisees, Essenes, etc.), the religious and philosophical concepts of the period (Torah, Ethics, Freedom, Political Ideals, Messianic Kingdom, Afterlife, etc.), and the various Torah interpretations of the time. A basic knowledge of this period is therefore essential for a deeper understanding of the formation of the two new religions, Early Christianity and Rabbinic Judaism, and for a better understanding of the growing importance, history and Biblical interpretation have had for Ancient Judaism.
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												  Architecture for Worship: Re-‐Thinking Sacred Space in TheArchitecture for Worship: Re-Thinking Sacred Space in the Contemporary United States of America RICHARD S. VOSKO The purpose of this paper is to examine the symbolic value of religious buildings in the United States. It will focus particularly on places of worship and the theologies conveyed by them in an ever-changing socio-religious landscape. First, I will cite some of the emerging challenges that surface when thinking about conventional religious buildings. I will then describe those architectural "common denominators" that are important when re-thinking sacred space in a contemporary age. Churches, synagogues, and mosques exist primarily because of the convictions of the membership that built them. The foundations for these spaces are rooted in proud traditions and, sometimes, the idealistic hopes of each congregation. In a world that is seemingly embarked on a never-ending journey of war, poverty, and oppression these structures can be oases of peace, prosperity, and justice. They are, in this sense, potentially sacred spaces. The Search for the Sacred The search for the sacred is fraught with incredible distractions and challenges. The earth itself is an endangered species. Pollution is taken for granted. Rain forests are being depleted. Incurable diseases kill thousands daily. Millions have no pure water to drink. Some people are malnourished while others throw food away. Poverty and wealth live side by side, often in the same neighborhoods. Domestic abuse traumatizes family life. Nations are held captive by imperialistic regimes. And terrorism lurks everywhere. What do religious buildings, particularly places of worship, have to say about all of this? Where do homeless, hungry, abused, and stressed-out people find a sense of the sacred in their lives? One might even ask, where is God during this time of turmoil and inequity? By some estimates nine billion dollars were spent on the construction of religious buildings in the year 2000.
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												  Redalyc.Visiting a Hindu Temple: a Description of a SubjectiveCiencia Ergo Sum ISSN: 1405-0269 [email protected] Universidad Autónoma del Estado de México México Gil-García, J. Ramón; Vasavada, Triparna S. Visiting a Hindu Temple: A Description of a Subjective Experience and Some Preliminary Interpretations Ciencia Ergo Sum, vol. 13, núm. 1, marzo-junio, 2006, pp. 81-89 Universidad Autónoma del Estado de México Toluca, México Disponible en: http://www.redalyc.org/articulo.oa?id=10413110 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Visiting a Hindu Temple: A Description of a Subjective Experience and Some Preliminary Interpretations J. Ramón Gil-García* y Triparna S. Vasavada** Recepción: 14 de julio de 2005 Aceptación: 8 de septiembre de 2005 * Rockefeller College of Public Affairs and Policy, Visitando un Templo Hindú: una descripción de la experiencia subjetiva y algunas University at Albany, Universidad Estatal de interpretaciones preliminares Nueva York. Resumen. Académicos de diferentes disciplinas coinciden en que la cultura es un fenómeno Correo electrónico: [email protected] ** Estudiante del Doctorado en Administración complejo y su comprensión requiere de un análisis detallado. La complejidad inherente al y Políticas Públicas en el Rockefeller College of estudio de patrones culturales y otras estructuras sociales no se deriva de su rareza en la Public Affairs and Policy, University at Albany, sociedad. De hecho, están contenidas y representadas en eventos y artefactos de la vida cotidiana.
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												  VIVERE MILITARE EST from Populus to Emperors - Living on the Frontier Volume IVIVERE MILITARE EST From Populus to Emperors - Living on the Frontier Volume I BELGRADE 2018 VIVERE MILITARE EST From Populus to Emperors - Living on the Frontier INSTITUTE OF ARCHAEOLOGY MONOGRAPHIES No. 68/1 VIVERE MILITARE EST From Populus to Emperors - Living on the Frontier VOM LU E I Belgrade 2018 PUBLISHER PROOFREADING Institute of Archaeology Dave Calcutt Kneza Mihaila 35/IV Ranko Bugarski 11000 Belgrade Jelena Vitezović http://www.ai.ac.rs Tamara Rodwell-Jovanović [email protected] Rajka Marinković Tel. +381 11 2637-191 GRAPHIC DESIGN MONOGRAPHIES 68/1 Nemanja Mrđić EDITOR IN CHIEF PRINTED BY Miomir Korać DigitalArt Beograd Institute of Archaeology, Belgrade PRINTED IN EDITORS 500 copies Snežana Golubović Institute of Archaeology, Belgrade COVER PAGE Nemanja Mrđić Tabula Traiana, Iron Gate Institute of Archaeology, Belgrade REVIEWERS EDITORiaL BOARD Diliana Angelova, Departments of History of Art Bojan Ðurić, University of Ljubljana, Faculty and History Berkeley University, Berkeley; Vesna of Arts, Ljubljana; Cristian Gazdac, Faculty of Dimitrijević, Faculty of Philosophy, University History and Philosophy University of Cluj-Napoca of Belgrade, Belgrade; Erik Hrnčiarik, Faculty of and Visiting Fellow at the University of Oxford; Philosophy and Arts, Trnava University, Trnava; Gordana Jeremić, Institute of Archaeology, Belgrade; Kristina Jelinčić Vučković, Institute of Archaeology, Miomir Korać, Institute of Archaeology, Belgrade; Zagreb; Mario Novak, Institute for Anthropological Ioan Piso, Faculty of History and Philosophy Research,
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												  The Rhetorical Limits of Visualizing the Irreparable 1 - 7 Nature of Global Climate Change Richard DCommunication at the Intersection of Nature and Culture Proceedings of the Ninth Biennial Conference on Communication and the Environment Selected Papers from the Conference held at DePaul University, Chicago, IL, June 22-25, 2007 Editors: Barb Willard DePaul University Chris Green DePaul University Host: DePaul University, College of Communication Communication at the Intersection of Nature and Culture Proceedings of the Ninth Biennial Conference on Communication and the Environment DePaul University, Chicago, IL, June 22-25, 2007 Edited by: Barbara E. Willard Chris Green College of Communication Humanities Center DePaul University DePaul University Editorial Assistant: Joy Dinaro College of Communication DePaul University Arash Hosseini College of Communication DePaul University Publication Date: August 11, 2008 Publisher of Record: College of Communication, DePaul University, 2320 N. Kenmore Ave., Chicago, IL 60614 (773)325-2965 Communication at the Intersection of Nature and Culture: Proceedings of the Ninth Biennial Conference on Communication and the Environment Barb Willard and Chris Green, editors Table of Contents i - iv Conference Program vi-xii Preface and Acknowledgements xiii – xvi Twenty-Five Years After the Die is Cast: Mediating the Locus of the Irreparable From Awareness to Action: The Rhetorical Limits of Visualizing the Irreparable 1 - 7 Nature of Global Climate Change Richard D. Besel, University of Illinois at Urbana-Champaign Love, Guilt and Reparation: Rethinking the Affective Dimensions of the Locus of the 8 - 13 Irreparable Renee Lertzman, Cardiff University, UK Producing, Marketing, Consuming & Becoming Meat: Discourse of the Meat at the Intersections of Nature and Culture Burgers, Breasts, and Hummers: Meat and Masculinity in Contemporary Television 14 – 24 Advertisements Richard A.
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												  The Psalms As Hymns in the Temple of Jerusalem Gary A4 The Psalms as Hymns in the Temple of Jerusalem Gary A. Rendsburg From as far back as our sources allow, hymns were part of Near Eastern temple ritual, with their performers an essential component of the temple functionaries. 1 These sources include Sumerian, Akkadian, and Egyptian texts 2 from as early as the third millennium BCE. From the second millennium BCE, we gain further examples of hymns from the Hittite realm, even if most (if not all) of the poems are based on Mesopotamian precursors.3 Ugarit, our main source of information on ancient Canaan, has not yielded songs of this sort in 1. For the performers, see Richard Henshaw, Female and Male: The Cu/tic Personnel: The Bible and Rest ~(the Ancient Near East (Allison Park, PA: Pickwick, 1994) esp. ch. 2, "Singers, Musicians, and Dancers," 84-134. Note, however, that this volume does not treat the Egyptian cultic personnel. 2. As the reader can imagine, the literature is ~xtensive, and hence I offer here but a sampling of bibliographic items. For Sumerian hymns, which include compositions directed both to specific deities and to the temples themselves, see Thorkild Jacobsen, The Harps that Once ... : Sumerian Poetry in Translation (New Haven: Yale University Press, 1987), esp. 99-142, 375--444. Notwithstanding the much larger corpus of Akkadian literarure, hymn~ are less well represented; see the discussion in Alan Lenzi, ed., Reading Akkadian Prayers and Hymns: An Introduction, Ancient Near East Monographs (Atlanta: Society of Biblical Literature, 2011), 56-60, with the most important texts included in said volume. For Egyptian hymns, see Jan A%mann, Agyptische Hymnen und Gebete, Orbis Biblicus et Orientalis (Gottingen: Vandenhoeck & Ruprecht, 1999); Andre Barucq and Frarn;:ois Daumas, Hymnes et prieres de /'Egypte ancienne, Litteratures anciennes du Proche-Orient (Paris: Cerf, 1980); and John L.
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												  The Roman Empire During the Severan DynastyThe Roman Empire during the Severan Dynasty John Cabot University, Rome, April 15-16, 2011 FRIDAY, APRIL 15, 2011, (TIBER CAMPUS, JCU) 9:00-9:15 Introduction by Eric C. De Sena SESSION I – ROMAN PROVINCES DURING THE SEVERAN PERIOD 9:15-9:35 Simone Rambaldi (Università degli Studi di Bologna/ Facoltà di Conservazione dei Beni Culturali, Trapani). L’attività edilizia romana a destinazione pubblica fra i Severi e i Soldatenkaiser: trasformazioni e continuità. 9:35-9:55 Jean-Paul Petit (Parc Archeologique europeen de Bliesbruck-Reinheim) and Sara Santoro (Università degli Studi di Chieti). Lo sviluppo del vicus Bliesbruck (Moselle, France) agli inizi del III sec. d.C. e la vitalità della Gallia Belgica mosellana nell’epoca dei Severi. 9:55-10:15 Alice Dazzi (Università degli Studi di Parma). Water works and monuments in the Severan Age: some considerations. 10:15-10:30 Discussion Coffee Break 10:30-10:45 10:45-11:05 Giovanni Distefano (Università della Calabria/Parco Archeologico di Camarina). Cartagine durante l'età Severiana. 11:05-11:25 Tino Lelekovic (Croatian Academy of Sciences and Arts). Southern Pannonia in the time of the Severans. 11:25-11:45 Müjde Turkmen (Istanbul University). Architectural decoration of the Severan period in Pamphylia and Cilicia. 11.45-12:00 Discussion Lunch Break 12:00-12:50 SESSION II – ASPECTS OF THE ECONOMY DURING THE SEVERAN PERIOD 12:50-13:10 Giancarlo Germanà (Accademia di Belle Arti di Siracusa). Some observations on Sicily during the Severan Dynasty. 13:10-13:30 Daniele Malfitana (CNR – Università di Catania). Economy of Sicily during the Severan Period.
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												  Dying by the Sword: Did the Severan Dynasty Owe Its Downfall to Its Ultimate Failure to Live up to Its Own Militaristic Identity?Dying by the Sword: Did the Severan dynasty owe its downfall to its ultimate failure to live up to its own militaristic identity? Exam Number: B043183 Master of Arts with Honours in Classical Studies Exam Number: B043183 1 Acknowledgements Warm thanks to Dr Matthew Hoskin for his keen supervision, and to Dr Alex Imrie for playing devil’s advocate and putting up with my daft questions. Thanks must also go to my family whose optimism and belief in my ability so often outweighs my own. Exam Number: B043183 2 TABLE OF CONTENTS List of Illustrations 3 Introduction 4 Chapter One – Living by the Sword 6 Chapter Two – Dying by the Sword 23 Chapter Three – Of Rocky Ground and Great Expectations 38 Conclusion 45 Bibliography 48 Word Count: 14,000 Exam Number: B043183 3 List of Illustrations Fig. 1. Chart detailing the percentage of military coin types promoted by emperors from Pertinax to Numerian inclusive (Source: Manders, E. (2012), Coining Images of Power: Patterns in the Representation of Roman Emperors on Imperial Coinage, AD 193-284, Leiden, p. 65, fig. 17). Fig. 2. Portrait statue showing Caracalla in full military guise (Source: https://www.dailysabah.com/history/2016/08/02/worlds-only-single-piece-2nd-century- caracalla-statue-discovered-in-southern-turkey (Accessed 14/01/17). Fig. 3. Bust of Caracalla wearing sword strap and paludamentum (Source: Leander Touati, A.M. (1991), ‘Portrait and historical relief. Some remarks on the meaning of Caracalla’s sole ruler portrait’, in A.M. Leander Touati, E. Rystedt, and O. Wikander (eds.), Munusula Romana, Stockholm, 117-31, p.
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												  Lari PittmanLARI PITTMAN Born 1952 in Los Angeles Lives and works in Los Angeles EDUCATION 1974 BFA in Painting from California Institute of the Arts, Valencia, CA 1976 MFA in Painting from California Institute of the Arts, Valencia, CA SOLO EXHIBITIONS 2021 Lari Pittman: Dioramas, Lévy Gorvy, Paris 2020 Iris Shots: Opening and Closing, Gerhardsen Gerner, Oslo Lari Pittman: Found Buried, Lehman Maupin, New York 2019 Lari Pittman: Declaration of Independence, Hammer Museum, Los Angeles 2018 Portraits of Textiles & Portraits of Humans, Regen Projects, Los Angeles 2017 Lari Pittman, Gerhardsen Gerner, Oslo Lari Pittman / Silke Otto-Knapp: Subject, Predicate, Object, Regen Projects, Los Angeles 2016 Lari Pittman: Grisaille, Ethics & Knots (paintings with cataplasms), Gerhardsen Gerner, Berlin Lari Pittman: Mood Books, Huntington Library, Art Collections, and Botanical Gardens, San Marino, CA Lari Pittman: Nocturnes, Thomas Dane Gallery, London Lari Pittman: NUEVOS CAPRICHOS, Gladstone Gallery, New York 2015 Lari Pittman: Homage to Natalia Goncharova… When the avant-garde and the folkloric kissed in public, Proxy Gallery, Otis College of Art and Design, Los Angeles 2014 Lari Pittman: Curiosities from a Late Western Impaerium, Gladstone Gallery, Brussels 2013 Lari Pittman: from a Late Western Impaerium, Regen Projects, Los Angeles Lari Pittman, Bernier Eliades Gallery, Athens Lari Pittman, Le Consortium, Dijon, France Lari Pittman: A Decorated Chronology, Contemporary Art Museum St. Louis, MO 2012 Lari Pittman, Gerhardsen Gerner, Berlin thought-forms,