Introducing Bruce Museum Presents: Thought Leaders in Art and Science
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An Evening with Alexis Rockman
Press Release Bruce Museum Presents Can Art Drive Change on Climate Change? An Evening with Alexis Rockman Acclaimed artist to be joined by David Abel, Pulitzer Prize-winning reporter for The Boston Globe 6:30 – 8:30 pm, December 5, 2019 Bruce Museum, Greenwich, Connecticut Alexis Rockman, The Farm, 2000. Oil and acrylic on wood panel, 96 x 120 in. GREENWICH, CT, November 4, 2019 — On Thursday, December 5, 2019, Bruce Museum Presents poses the provocative question “Can Art Drive Change on Climate Change?” Leading the conversation is acclaimed artist and climate-change activist Alexis Rockman, who will present specially chosen examples of his work and discuss how, and why, he uses his art to sound the alarm about the impending global emergency. Adding insight and his own expert perspective is The Boston Globe’s David Abel, who since 1999 has reported on war in the Balkans, unrest in Latin America, national security issues in Washington D.C., and climate change and poverty in New England. Page 1 of 3 Press Release Abel was also part of the team that won the 2014 Pulitzer Prize for Breaking News for the paper’s coverage of the Boston Marathon bombings. He now covers the environment for the Globe. Following Rockman’s presentation, Abel will join Rockman for a wide-ranging dialogue at the intersection of art and environmental activism, followed by question-and-answer session with the audience. Among the current generation of American artists profoundly motivated by nature and its future—from the specter of climate change to the implications of genetic engineering—Rockman holds an unparalleled place of honor. -
The Rhetorical Limits of Visualizing the Irreparable 1 - 7 Nature of Global Climate Change Richard D
Communication at the Intersection of Nature and Culture Proceedings of the Ninth Biennial Conference on Communication and the Environment Selected Papers from the Conference held at DePaul University, Chicago, IL, June 22-25, 2007 Editors: Barb Willard DePaul University Chris Green DePaul University Host: DePaul University, College of Communication Communication at the Intersection of Nature and Culture Proceedings of the Ninth Biennial Conference on Communication and the Environment DePaul University, Chicago, IL, June 22-25, 2007 Edited by: Barbara E. Willard Chris Green College of Communication Humanities Center DePaul University DePaul University Editorial Assistant: Joy Dinaro College of Communication DePaul University Arash Hosseini College of Communication DePaul University Publication Date: August 11, 2008 Publisher of Record: College of Communication, DePaul University, 2320 N. Kenmore Ave., Chicago, IL 60614 (773)325-2965 Communication at the Intersection of Nature and Culture: Proceedings of the Ninth Biennial Conference on Communication and the Environment Barb Willard and Chris Green, editors Table of Contents i - iv Conference Program vi-xii Preface and Acknowledgements xiii – xvi Twenty-Five Years After the Die is Cast: Mediating the Locus of the Irreparable From Awareness to Action: The Rhetorical Limits of Visualizing the Irreparable 1 - 7 Nature of Global Climate Change Richard D. Besel, University of Illinois at Urbana-Champaign Love, Guilt and Reparation: Rethinking the Affective Dimensions of the Locus of the 8 - 13 Irreparable Renee Lertzman, Cardiff University, UK Producing, Marketing, Consuming & Becoming Meat: Discourse of the Meat at the Intersections of Nature and Culture Burgers, Breasts, and Hummers: Meat and Masculinity in Contemporary Television 14 – 24 Advertisements Richard A. -
Barbara Kruger Born 1945 in Newark, New Jersey
This document was updated February 26, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Barbara Kruger Born 1945 in Newark, New Jersey. Lives and works in Los Angeles and New York. EDUCATION 1966 Art and Design, Parsons School of Design, New York 1965 Syracuse University, Syracuse, New York SELECTED SOLO EXHIBITIONS 2021-2023 Barbara Kruger: Thinking of You, I Mean Me, I Mean You, Art Institute of Chicago [itinerary: Los Angeles County Museum of Art; The Museum of Modern Art, New York] [forthcoming] [catalogue forthcoming] 2019 Barbara Kruger: Forever, Amorepacific Museum of Art (APMA), Seoul [catalogue] Barbara Kruger - Kaiserringträgerin der Stadt Goslar, Mönchehaus Museum Goslar, Goslar, Germany 2018 Barbara Kruger: 1978, Mary Boone Gallery, New York 2017 Barbara Kruger: FOREVER, Sprüth Magers, Berlin Barbara Kruger: Gluttony, Museet for Religiøs Kunst, Lemvig, Denmark Barbara Kruger: Public Service Announcements, Wexner Center for the Arts, Columbus, Ohio 2016 Barbara Kruger: Empatía, Metro Bellas Artes, Mexico City In the Tower: Barbara Kruger, National Gallery of Art, Washington, DC 2015 Barbara Kruger: Early Works, Skarstedt Gallery, London 2014 Barbara Kruger, Modern Art Oxford, England [catalogue] 2013 Barbara Kruger: Believe and Doubt, Kunsthaus Bregenz, Austria [catalogue] 2012-2014 Barbara Kruger: Belief + Doubt, Hirshhorn Museum and Sculpture Garden, Washington, DC 2012 Barbara Kruger: Questions, Arbeiterkammer Wien, Vienna 2011 Edition 46 - Barbara Kruger, Pinakothek -
ALLAN Mccollum Brief Career Summary Allan Mccollum
ALLAN McCOLLUM Brief career summary Allan McCollum was born in Los Angeles, California in 1944 and now lives and works in New York City. He has spent over thirty years exploring how objects achieve public and personal meaning in a world constituted in mass production, focusing most recently on collaborations with small community historical society museums in different parts of the world. His first solo exhibition was in 1970 in Southern California, where he was represented throughout the early 70s in Los Angeles by the Nicholas Wilder Gallery, until it’s closing in the late 70s, and subsequently by the Claire S. Copley Gallery, also in Los Angeles. After appearing in group exhibitions at the Pasadena Art Museum and the Los Angeles County Museum of Art, his first New York showing was in an exhibition at the Sidney Janis Gallery, in 1972. He was included in the Whitney Museum of American Art Biennial Exhibition in 1975, and moved to New York later that same year. In 1978 He became known for his series Surrogate Paintings, which were shown in solo exhibitions in New York at Julian Pretto & Co., Artistspace, and 112 Workshop (subsequently known as White Columns), in 1979. In 1980, he was given his first solo exhibition in Europe, at the Yvon Lambert Gallery, in Paris, France, and in that same year began exhibiting his work at the Marian Goodman Gallery in New York, where he introduced his series Plaster Surrogates in a large solo exhibition in 1983. McCollum began showing his work with the Lisson Gallery in London, England, in 1985, where he has had a number of solo exhibitions since. -
Cesiro Grad.Sunysb 0771M 10586R
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... The Complexity of Domestic Interiors: Laurie Simmons’s Depiction of Women’s Identity in the Home. A Thesis Presented by Lauren Cesiro to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Art History and Criticism Stony Brook University August 2011 Copyright by Lauren Cesiro 2011 Stony Brook University The Graduate School Lauren Cesiro We, the thesis committee for the above candidate for the Master of Arts degree, hereby recommend acceptance of this thesis. Michele H. Bogart Professor of American Art and Material Culture Art History Zabet Patterson Professor of Digital Visual Culture Art History This thesis is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Thesis The Complexity of Domestic Interiors: Laurie Simmons’s Depiction of Women’s Identity in the Home. by Lauren Cesiro Master of Arts in Art History and Criticism Stony Brook University 2011 Laurie Simmons was among a group of artists in the 1980’s working in photography, film, video, and performance who recognized the influence of the mass media on the American public. Simmons used her art practice to comment on these images tailored to the consumer. Much of her photographic work of dolls and dollhouses challenges the viewer’s concept of the relationship between women and their domestic interiors. This thesis examines three photographs from the following series: Color Coordinated Interiors (1982-1983), The Instant Decorator (2001-2004), and The Long House (2002-2004). -
Laurie Simmons: Big Camera/Little Camera October 14, 2018 – January 27, 2019
CONTACT: Kendal Smith Lake Manager of Communications 817.738.9215 x167 [email protected] www.themodern.org Fort Worth, TX FOR IMMEDIATE RELEASE November 15, 2017 Modern Art Museum of Fort Worth Presents Laurie Simmons: Big Camera/Little Camera October 14, 2018 – January 27, 2019 Laurie Simmons, Big Camera/Little Camera, 1976. Gelatin silver print. Overall: 5 1/4 × 8 in. 1 www.themodern.org Laurie Simmons: Big Camera/Little Camera will be on view to the public at the Modern Art Museum of Fort Worth from October 14, 2018, through January 27, 2019, and travel to the Museum of Contemporary Art Chicago, February 23 through May 5, 2019, where it will be overseen by Omar Kholeif, Manilow Senior Curator and Director of Global Initiatives. The exhibition is organized by Andrea Karnes, senior curator, Modern Art Museum of Fort Worth, with full support of the artist. Special exhibitions are included in general Museum admission: $10 for adults; $4 for seniors (60+) and students with identification; free for children 12 and under; free for Modern members. Dr. Marla Price, director of the Modern Art Museum of Fort Worth, announces a major survey of the works of Laurie Simmons (American, born 1949). This exhibition will showcase the artist’s photographs spanning the last four decades, from 1976 to the present, a small selection of sculpture, and two films. Simmons’s career-long exploration of archetypal gender roles, especially women in domestic settings, is the primary subject of this exhibition and is a topic as poignant today as it was in the late 1970s, when she began to develop her mature style by using props and dolls as stand-ins for people and places. -
Lari Pittman
LARI PITTMAN Born 1952 in Los Angeles Lives and works in Los Angeles EDUCATION 1974 BFA in Painting from California Institute of the Arts, Valencia, CA 1976 MFA in Painting from California Institute of the Arts, Valencia, CA SOLO EXHIBITIONS 2021 Lari Pittman: Dioramas, Lévy Gorvy, Paris 2020 Iris Shots: Opening and Closing, Gerhardsen Gerner, Oslo Lari Pittman: Found Buried, Lehman Maupin, New York 2019 Lari Pittman: Declaration of Independence, Hammer Museum, Los Angeles 2018 Portraits of Textiles & Portraits of Humans, Regen Projects, Los Angeles 2017 Lari Pittman, Gerhardsen Gerner, Oslo Lari Pittman / Silke Otto-Knapp: Subject, Predicate, Object, Regen Projects, Los Angeles 2016 Lari Pittman: Grisaille, Ethics & Knots (paintings with cataplasms), Gerhardsen Gerner, Berlin Lari Pittman: Mood Books, Huntington Library, Art Collections, and Botanical Gardens, San Marino, CA Lari Pittman: Nocturnes, Thomas Dane Gallery, London Lari Pittman: NUEVOS CAPRICHOS, Gladstone Gallery, New York 2015 Lari Pittman: Homage to Natalia Goncharova… When the avant-garde and the folkloric kissed in public, Proxy Gallery, Otis College of Art and Design, Los Angeles 2014 Lari Pittman: Curiosities from a Late Western Impaerium, Gladstone Gallery, Brussels 2013 Lari Pittman: from a Late Western Impaerium, Regen Projects, Los Angeles Lari Pittman, Bernier Eliades Gallery, Athens Lari Pittman, Le Consortium, Dijon, France Lari Pittman: A Decorated Chronology, Contemporary Art Museum St. Louis, MO 2012 Lari Pittman, Gerhardsen Gerner, Berlin thought-forms, -
L.E.S. Gallery Evening Thursday, November 19, 4-8 Pm
L.E.S. Gallery Evening Thursday, November 19, 4-8 pm This coming Thursday, over 40 galleries on the Lower East Side will be open later to celebrate current exhibitions throughout the neighborhood. An interactive map is available here. 1969 Gallery frosch&portmann Off Paradise 56 HENRY GRIMM Pablo’s Birthday Andrew Edlin Gallery Helena Anrather Perrotin Arsenal Contemporary Art New James Cohan Peter Freeman, Inc. York James Fuentes LLC Pierogi ASHES/ASHES Kai Matsumiya Rachel Uffner Gallery ATM gallery NYC Klaus von Nichtssagend Gallery RICHARD TAITTINGER GALLERY Bridget Donahue Krause Gallery Sargent’s Daughters Bureau LICHTUNDFIRE Shin Gallery carriage trade Lubov SHRINE Cristin Tierney Gallery M 2 3 signs and symbols David Lewis Magenta Plains Simone Subal Gallery DEREK ELLER GALLERY MARC STRAUS GALLERY Sperone Westwater Equity Gallery Martos Gallery The Hole FIERMAN McKenzie Fine Art Thomas Nickles Project Foxy Production Miguel Abreu Gallery Tibor de Nagy Gallery Freight+Volume Nathalie Karg Gallery Ulterior Gallery Front Room Gallery No Gallery Zürcher Gallery 1969 Gallery http://www.1969gallery.com 103 Allen Street INTERIORS: hello from the living room Amanda Barker, Johnny DeFeo, Lois Dodd, Gabrielle Garland, JJ Manford, John McAllister, Quentin James McCaffrey, Gretchen Scherer, Adrienne Elise Tarver, Ann Toebbe, Sophie Treppendahl, Brandi Twilley, Anna Valdez, Darryl Westly, Guy Yanai and Aaron Zulpo November 1 – November 29 56 HENRY https://56henry.nyc/ 56 Henry Street Richard Tinkler / Seven Paintings October 15 - November 25, 2020 56 HENRY shows seven paintings by Richard Tinkler. As if seen through a kaleidoscope or under the spell of deep meditation, the works often begin with a shared process before iterative reimagining delivers each to a novel conclusion. -
April 27- May 1 the Virginia Theatre 203 W
THE COLLEGE OF MEDIA AT I LLINOIS PRESENTS 13th Annual April 27- May 1 The Virginia Theatre 203 W. Park, Champaign www.ebertfest.com Special support provided by the Academy of Motion Picture Arts and Sciences. FILM SCREENINGS AT THE VIRGINIA THEATRE LIVE WDWS ON-AIR INTERVIEW Wednesday, April 27, 2011 Please Tune In to WDWS-AM 1400! 7:00 pm Metropolis Wednesday, April 27, 2011 10:30 pm Natural Selection 9:00 am - 10:00 am Jim Turpin’s (WDWS)Ebertfest Interview Thursday, April 28, 2011 1:00 pm Umberto D ACADEMIC PANEL DISCUSSIONS 3:30 pm My Dog Tulip 8:00 pm Tiny Furniture Thursday, April 28, 2011 9:00 am – 10:15 am Friday, April 29, 2011 Personal Stories in Film 1:00 pm 45365 Moderated by Eric Pierson 4:00 pm Me and Orson Welles Pine Lounge, 1st Floor 8:30 pm Only You 10:30am -11:45 am Far Flung Correspondents: International Perspectives Saturday, April 30, 2011 in Film Criticism 11:00 am A Small Act Moderated by Omer Mozaffar Pine Lounge, 1st Floor 2:00 pm Life, Above All 6:30 pm Leaves of Grass Friday, April 29, 2011 9:30 pm I Am Love 9:00 am – 10:15 am Sunday, May 1, 2011 Ebert Presents: Reinventing the TV Show in the Digital Age Noon Louder Than a Bomb Moderated by Chaz Ebert Pine Lounge, 1st Floor SPECIAL POST-FESTIVAL SCREENING 10:30am -11:45 am Sunday, May 1, 2011 Choices: The Movies We Make, the Roles We Play 4:00 pm Louder Than a Bomb Moderated by Nate Kohn Pine Lounge, 1st Floor The Champaign County Anti-Stigma Alliance is pleased to announce that they will have a special showing of LOUDER THAN A BOMB immediately following the close of Ebertfest (May WORKSHOP 1). -
The Pit Lmarkus CV 2021
Liz Markus b. 1967, Buffalo, NY Lives in Los Angeles, CA Education BFA, School of Visual Arts, New York, NY MFA, Tyler School of Art, Philadelphia, PA Solo and Two-Person Exhibitions 2021 Kermit, Kantor Gallery, Los Angeles, CA T Rex, The Pit, Glendale, CA 2020 Super Disco Disco Breakin’, Unit London, London, UK 2018 The Palm Beach Paintings, County Gallery, Palm Beach, FL 2017 Maruani Mercier Gallery, Brussels, BE 2014 Town & Country, Nathalie Karg Gallery, New York, NY 2012 Eleven, Ille Arts, Amagansett, NY The Look of Love, ZieherSmith, New York, NY 2010 Are You Punk Or New Wave? ZieherSmith, New York, NY 2009 Hot Nights At The Regal Beagle, ZieherSmith, New York, NY 2007 What We Are We’re Going To Wail With On This Whole Trip, Loyal Gallery, Stockholm, SWE The More I Revolt, The More I Make Love, ZieherSmith, New York, NY 2000 White Columns, New York, NY Group Exhibitions 2020 NADA 2020, The Pit, Los Angeles Six Hot and Glassy, with Katherine Bernhardt, Ashley Bickerton, Katherine Bradford, Mary Heilmann,Liz Markus, Dan McCarthy, Raymond Pettibon, Alexis Rockman, Lucien Smith, and Keith Sonnier, Tripoli Gallery, East Hampton Riders of The Red Horse, The Pit, Los Angeles 36 Paintings, Harper’s Books, East Hampton, NY 2019 YES., organized by Terry R. Myers, Patrick Painter Inc., Los Angeles Go Figure!, curated by Beth DeWoody, Eric Firestone Gallery, East Hampton, NY 2018 Fuigo, curated by Laura Dvorkin and Maynard Monrow, Fuigo, New York 2017 Man Alive, Jablonka Maruani Mercier Gallery, Brussels, Belgium, curated by Wendy White 2015 -
Highlights in an Hour
Bloomfield Avenue HIGHLIGHTS IN AN HOUR GALLERY LEVEL (2ND FLOOR) ELEVATOR 8 3 STAIR B Judy and Josh Weston Exhibition Gallery 9 The Blanche and Rand Gallery of 4 Elevator Irving Laurie Native American Art Lobby Foundation 2 Art Stairway 5 6 7 e u n e 1 v A n The i S.MOUNTAIN a t Store e n MUSEUM c a u at MAM Robert H. l o ENTRANCE GGeorgeeorge P M s Lehman Inness ’ h 10 Inness 11 e t Court k u Gallery Gallery u o L S Reception STAIR C . Desk t S 23 22 21 16 16 Marion Mann Roberts Gallery 15 McMullen Family F19oundati18on Gallery Rotunda Marion Mann Roberts Gallery Rotunda 14 13 20 McMullen Family 16 16 Foundation Gallery 17 12 PARKING LOT LEHMAN COURT 5-10 minutes PERSONAL LANDSCAPES This juried exhibition features recent work by artists from Essex County. The rich diversity of media and quality of work represented is a testament to the talent and creativity of our local artists. As you enter, to the left: 1 Ira Wagner, Twinhouses 3, 2018 The “twinhouses” of the Great Northeast neighborhood of Philadelphia reflect how people share a common border. When borders are such an important issue in the world, these images reflect a human inclination to mark and delineate one’s space rather than share it. As you exit from McMullen Gallery: 23 Amy Putman, Sister in Green from the Three Sister Series, 2018 In 2018, Amy Putman and her sisters became survivors of life-threatening illnesses. The Three Sisters Series was inspired by, and is a tribute to, their journey and survival. -
Future Shock and Sitelab : Kota Ezawa
SITE SANTA FE ANNOUNCES INAUGURAL EXHIBITIONS FOR NEW BUILDING OPENING FALL, 2017; NEW SITElab PROJECT SPACE Future Shock October 7, 2017-May 20, 2018 Kota Ezawa: The Crime of Art SITElab Project Space October 7, 2017 – January 10, 2018 Opening Events: October 5-8, 2017 Rafael Lozano-Hemmer in collaboration with Krzysztof Wodiczko, Zoom Pavilion, 2015 SITE Santa Fe, NM, June 20, 2017 – SITE Santa Fe will present Future Shock, a large- scale exhibition of international artists that articulates the profound impact of the acceleration of technological, social, and structural change upon contemporary life. This exhibition will mark the reopening of SITE Santa Fe to the public in a newly expanded building designed by SHoP Architects. Future Shock takes its title from Alvin Toffler’s prophetic 1970’s book, in which he describes the exhilaration and consequences of our rapidly advancing world. With Toffler’s predictions and warnings as a backdrop, Future Shock will bring together the work of 10 artists, including new commissions by Regina Silviera, Alexis Rockman, and Lynn Hershman Leeson, whose works imagine a range of visions of our present and future. The works in Future Shock will feature large-scale video, installation, painting, and sculpture which explore: the role of technology and science in society, the effects of financial markets and globalism, the impact of migration and population growth, and issues of surveillance and privacy. As exhibition curator and SITE’s Phillips Director and Chief Curator Irene Hofmann explains: “As we reintroduce SITE with the opening of a bold and expanded building this fall, we will present an exhibition that examines our dynamic and decisive moment in global history and looks to the challenges and possibilities of the future.” The work in the exhibition includes: Doug Aitken (US) Migration (2008), a large-scale video installation that explores the collision of humans and animals as the built environment sprawls .