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NINA CHANEL ABNEY BIOGRAPHY Born In
NINA CHANEL ABNEY BIOGRAPHY Born in Chicago, Illinois, 1982. Education: Augustana College, Rock Island, Illinois, B.F.A., 2004. Parsons School of Design, NYC, NY, M.F.A., 2007. Lives and works in New York City. Selected Solo Shows: 2019 Neuberger Museum of Art, Purchase, New York. “Nina Chanel Abney: Royal Flush”. 2018 Institute of Contemporary Art, Los Angeles, California, and California African American Museum, Los Angeles, California. “Nina Chanel Abney: Royal Flush”. Chicago Cultural Center, Chicago, Illinois. “Nina Chanel Abney: Royal Flush”. 2017 Mary Boone Gallery, NYC, NY. “Safe House”. Jack Shainman Gallery, NYC, NY. “Seized the Imagination”. Nasher Museum of Art, Duke University, Durham, North Carolina. “Nina Chanel Abney: Royal Flush”. 2016 The Gateway Project, Newark, New Jersey. “If You Say So…”. 2015 Kravets/Wehby Gallery, NYC, NY. “Always a Winner”. Monique Meloche Gallery, Chicago, Illinois. “Run Run”. Galeria Rabieh, São Paulo, Brazil. “If You Say So…”. 2012 Anna Kustera Gallery, NYC, NY, and Kravets/Wehby Gallery, NYC, NY. “I Dread To Think”. 2010 Fred Gallery, London, England. “Go Berserker!”. 2009 Kravets/Wehby Gallery, NYC, NY. “Emma’s Basement”. 2008 Kravets/Wehby Gallery, NYC, NY. “Dirty Wash”. NINA CHANEL ABNEY BIOGRAPHY (continued) : Selected Group Shows: 2017 The Brant Foundation Art Study Center, Greenwich, Connecticut. “Animal Farm”. 2016 Vancouver Art Gallery, Vancouver, Canada. “Juxtapoz x Superflat”. Dio Horia Gallery, Mykonos, Greece. “Greek Gotham”. Nicole Ripka Gallery, Watermill, New York. “AfterModernism Hamptons”. Jack Shainman Gallery, NYC, NY. “For Freedom”. Whitney Museum of American Art, NYC, NY. “Flatlands”. Brand New Gallery, Milan, Italy. “Imagine”. 2015 Rubell Family Collection, Miami, Florida. “NO MAN’S LAND: Women Artists from the Rubell Family Collection”. -
Mary Boone's Business Partner Is Suing the Jailed Dealer Over $15
AiA News-Service Art and Law Mary Boone’s Business Partner Is Suing the Jailed Dealer Over $15 Million in Art That She Allegedly Took From the Gallery for Herself The lawsuit alleges that Boone sold gallery-owned artworks and pocketed the money. Sarah Cascone, February 26, 2020 Mary Boone in 2013. Photo by Neil Rasmus, courtesy of BFA. The legal woes continue for imprisoned art dealer Mary Boone. A gallery partner and former employee, James Oliver, has filed a lawsuit against Boone seeking $44,325 in unpaid wages and to protect his 10 percent equity share in the gallery, accusing the dealer of transferring millions in gallery funds to her personal bank account. In 2019, Boone pleaded guilty to filing false tax returns. She was subsequently sentenced to 30 months in jail, despite appeals for leniency from many prominent members of the art world. As a result, Boone closed the gallery she had run since 1977. Oliver, who first began working for Boone in 1995, was among those who spoke up in Boone’s defense. He praised his boss, noting that Boone had “successfully trained dozens of aspiring gallerists who have gone on to very successful careers as gallery owners themselves or directors of other major galleries. Along the way she has given endless hours of her time instilling the positive attitude and the exacting work ethic that her employees have needed to succeed in a very difficult business.” But their relationship has soured since Oliver resigned in March 2019. “Mr. Oliver attempted on numerous occasions to amicably resolve this dispute before filing a complaint,” wrote his attorney, Brett Gallaway, in an email to Artnet News. -
Robert Rauschenberg Bibliography
Robert Rauschenberg Bibliography Books and Catalogues. 2007 Sachs, Tom. Tom Sachs: The Island: Guide. New York: Allied Cultural Prosthetics. Sachs, Tom. Tom Sachs: Islandia. Paris: Galerie Thaddaeus Ropac. Sachs, Tom. Logjam. Montréal, Canada: Transcontinental. 2006 Celant, Germano & Malcome Gladwell. Tom Sachs. Milan: Fondazione Prada. ----------. This is America! Contemporary Art and American Photorealism. Utrecht, Netherlands: Centraal Museum. ----------. Tom Sachs: Survey, America—Modernism—Fashion. Oslo, Norway: Astrup Fearnley Museet for Moderne Kunst. 2005 ----------. Die Dritte Dimension. Berlin: Galerie Haas & Fuchs; Galerie Michael Haas. 2004 Healy, Tom. Sculptural Sphere, Munich, Germany: Sammlung Goetz. Villasenor, Maria-Christina. Tom Sachs: Nutsy’s. New York: Solomon R. Guggenheim Foudation. 2001 Russ, Lawrence. Art at the Edge of the Law.Ridgefield, CT: Aldrich Museum of Contemporary Art. 1999 Sachs, Tom. SONY Outsider. Santa Fe, NM: SITE Santa Fe. ----------. Thinking Aloud. Cambridge, England: Camden Arts Center. Selected Articles and Reviews: 2009 Schneier, Matthew. “Sachs Appeal.” GQ online, March 5. 2008 ----------. “Tom Sachs Interview.” Wallpaper online, May 17. ----------.”The Cat’s Meow.” WWD online, May 9. McMullan, Patrick. “Tom Sachs: Grand Theft Auto ‘The Most Important Artwork of Our Time.’” New York Magazine, May 9. Sheets, Hilarie. “This is his life: A Blue Whale and Hello Kitty.” The New York Times online, May 4. Collins, Lauren. Review: Tom Sachs at Lever House. The New Yorker, April. Jay, Rick. “The Wizard makes the Artist Tom Sachs: Talk like a Philosopher.” Interview, May, pp. 102-107. Collins, Lauren. “Sachs & Co.” The New Yorker, April 14. 2007 Dambrot, Shana Nys. Review: Tom Sachs at the Gagosian Gallery. Modern Painter, Nov., p. 95. -
Ross Bleckner
ROSS BLECKNER Ross Bleckner is an American painter. Bleckner was born May 12, 1949 in New York City and is an influential contemporary artist. Perhaps best known for his paintings dealing with loss and memory, Bleckner notably tackled the emotional toll brought by the AIDS crisis in the 1980s. “Life is short. Life goes fast,” he has said. “And what I really want to do in my life is to bring something new, something beautiful and something filled with light into the world.” His poetic works often employ recurring symbolic imagery, such as candelabras, doves, and flowers, rendered with a blurred, glowing sense of light. Bleckner began exhibiting with Mary Boone gallery in 1979, and was the subject of a retrospective at the Guggenheim Museum in New York in 1995. His work can be found in the collections of The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Carnegie Museum of Art in Pittsburgh, and the Walker Art Center in Minneapolis, among others. Bleckner lives and works in New York, NY. Not only has Mr. Bleckner had a profound impact of shaping the New York art world, his philanthropic efforts have enabled many community organizations to perform their vital work. For ten years, Mr. Bleckner served as president of AIDS Community Research Initiative of America (ACRIA), a non-profit community-based AIDS research and treatment education center. More recently, he has been working with the United Nations Office on Drugs and Crime in Northern Uganda to help rehabilitate and raise money for ex-child soldiers. -
Barbara Kruger Born 1945 in Newark, New Jersey
This document was updated February 26, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Barbara Kruger Born 1945 in Newark, New Jersey. Lives and works in Los Angeles and New York. EDUCATION 1966 Art and Design, Parsons School of Design, New York 1965 Syracuse University, Syracuse, New York SELECTED SOLO EXHIBITIONS 2021-2023 Barbara Kruger: Thinking of You, I Mean Me, I Mean You, Art Institute of Chicago [itinerary: Los Angeles County Museum of Art; The Museum of Modern Art, New York] [forthcoming] [catalogue forthcoming] 2019 Barbara Kruger: Forever, Amorepacific Museum of Art (APMA), Seoul [catalogue] Barbara Kruger - Kaiserringträgerin der Stadt Goslar, Mönchehaus Museum Goslar, Goslar, Germany 2018 Barbara Kruger: 1978, Mary Boone Gallery, New York 2017 Barbara Kruger: FOREVER, Sprüth Magers, Berlin Barbara Kruger: Gluttony, Museet for Religiøs Kunst, Lemvig, Denmark Barbara Kruger: Public Service Announcements, Wexner Center for the Arts, Columbus, Ohio 2016 Barbara Kruger: Empatía, Metro Bellas Artes, Mexico City In the Tower: Barbara Kruger, National Gallery of Art, Washington, DC 2015 Barbara Kruger: Early Works, Skarstedt Gallery, London 2014 Barbara Kruger, Modern Art Oxford, England [catalogue] 2013 Barbara Kruger: Believe and Doubt, Kunsthaus Bregenz, Austria [catalogue] 2012-2014 Barbara Kruger: Belief + Doubt, Hirshhorn Museum and Sculpture Garden, Washington, DC 2012 Barbara Kruger: Questions, Arbeiterkammer Wien, Vienna 2011 Edition 46 - Barbara Kruger, Pinakothek -
ALLAN Mccollum Brief Career Summary Allan Mccollum
ALLAN McCOLLUM Brief career summary Allan McCollum was born in Los Angeles, California in 1944 and now lives and works in New York City. He has spent over thirty years exploring how objects achieve public and personal meaning in a world constituted in mass production, focusing most recently on collaborations with small community historical society museums in different parts of the world. His first solo exhibition was in 1970 in Southern California, where he was represented throughout the early 70s in Los Angeles by the Nicholas Wilder Gallery, until it’s closing in the late 70s, and subsequently by the Claire S. Copley Gallery, also in Los Angeles. After appearing in group exhibitions at the Pasadena Art Museum and the Los Angeles County Museum of Art, his first New York showing was in an exhibition at the Sidney Janis Gallery, in 1972. He was included in the Whitney Museum of American Art Biennial Exhibition in 1975, and moved to New York later that same year. In 1978 He became known for his series Surrogate Paintings, which were shown in solo exhibitions in New York at Julian Pretto & Co., Artistspace, and 112 Workshop (subsequently known as White Columns), in 1979. In 1980, he was given his first solo exhibition in Europe, at the Yvon Lambert Gallery, in Paris, France, and in that same year began exhibiting his work at the Marian Goodman Gallery in New York, where he introduced his series Plaster Surrogates in a large solo exhibition in 1983. McCollum began showing his work with the Lisson Gallery in London, England, in 1985, where he has had a number of solo exhibitions since. -
Brice Marden Bibliography
G A G O S I A N Brice Marden Bibliography Selected Monographs and Solo Exhibition Catalogues: 2019 Brice Marden: Workbook. New York: Gagosian. 2018 Rales, Emily Wei, Ali Nemerov, and Suzanne Hudson. Brice Marden. Potomac and New York: Glenstone Museum and D.A.P. 2017 Hills, Paul, Noah Dillon, Gary Hume, Tim Marlow and Brice Marden. Brice Marden. London: Gagosian. 2016 Connors, Matt and Brice Marden. Brice Marden. New York: Matthew Marks Gallery. 2015 Brice Marden: Notebook Sept. 1964–Sept.1967. New York: Karma. Brice Marden: Notebook Feb. 1968–. New York: Karma. 2013 Brice Marden: Book of Images, 1970. New York: Karma. Costello, Eileen. Brice Marden. New York: Phaidon. Galvez, Paul. Brice Marden: Graphite Drawings. New York: Matthew Marks Gallery. Weiss, Jeffrey, et al. Brice Marden: Red Yellow Blue. New York: Gagosian Gallery. 2012 Anfam, David. Brice Marden: Ru Ware, Marbles, Polke. New York: Matthew Marks Gallery. Brown, Robert. Brice Marden. Zürich: Thomas Ammann Fine Art. 2010 Weiss, Jeffrey. Brice Marden: Letters. New York: Matthew Marks Gallery. 2008 Dannenberger, Hanne and Jörg Daur. Brice Marden – Jawlensky-Preisträger: Retrospektive der Druckgraphik. Wiesbaden: Museum Wiesbaden. Ehrenworth, Andrew, and Sonalea Shukri. Brice Marden: Prints. New York: Susan Sheehan Gallery. 2007 Müller, Christian. Brice Marden: Werke auf Papier. Basel: Kunstmuseum Basel. 2006 Garrels, Gary, Brenda Richardson, and Richard Shiff. Plane Image: A Brice Marden Retrospective. New York: Museum of Modern Art. Liebmann, Lisa. Brice Marden: Paintings on Marble. New York: Matthew Marks Gallery. 2003 Keller, Eva, and Regula Malin. Brice Marden. Zürich : Daros Services AG and Scalo. 2002 Duncan, Michael. Brice Marden at Gemini. -
Cesiro Grad.Sunysb 0771M 10586R
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... The Complexity of Domestic Interiors: Laurie Simmons’s Depiction of Women’s Identity in the Home. A Thesis Presented by Lauren Cesiro to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Art History and Criticism Stony Brook University August 2011 Copyright by Lauren Cesiro 2011 Stony Brook University The Graduate School Lauren Cesiro We, the thesis committee for the above candidate for the Master of Arts degree, hereby recommend acceptance of this thesis. Michele H. Bogart Professor of American Art and Material Culture Art History Zabet Patterson Professor of Digital Visual Culture Art History This thesis is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Thesis The Complexity of Domestic Interiors: Laurie Simmons’s Depiction of Women’s Identity in the Home. by Lauren Cesiro Master of Arts in Art History and Criticism Stony Brook University 2011 Laurie Simmons was among a group of artists in the 1980’s working in photography, film, video, and performance who recognized the influence of the mass media on the American public. Simmons used her art practice to comment on these images tailored to the consumer. Much of her photographic work of dolls and dollhouses challenges the viewer’s concept of the relationship between women and their domestic interiors. This thesis examines three photographs from the following series: Color Coordinated Interiors (1982-1983), The Instant Decorator (2001-2004), and The Long House (2002-2004). -
An Art Star's Comeback? Those Aren't His Words
January 5, 2003 An Art Star's Comeback? Those Aren't His Words By DEBORAH SOLOMON AGAPONACK, N.Y. DOES everyone have to make a comeback? Can't any artist, entertainer or disgraced politician just age gently into oblivion? Probably not. This is America, land of the 2nd, 3rd and 400th act. Maxine Hicks for The New York Times Take the once-celebrated, later-reviled art stars of the David Salle with a new painting, 1980's. Julian Schnabel is now what the media likes to call "Sestina," in his studio in "back," not as a painter but as a film director, whose Sagaponack, N.Y., where he has baroque, priapic ambitions have finally found a been preparing for a "homecoming" show at Mary constructive outlet. Eric Fischl, in the meantime, has Boone in Chelsea. correctly come to be regarded as a serious realist in the American lonely-guy tradition of Edward Hopper. That leaves David Salle, the third in this oil-on-canvas David Salle trinity. A show of five of his latest pictures opens at the Mary Boone, 541 West 24th Mary Boone Gallery in Chelsea on Saturday, and it Street. Saturday through March 1. represents a kind of homecoming, if one can call a sleek Manhattan gallery "home." Mr. Salle is switching back to Arts & Leisure (Jan. 5, 2003) Boone after being represented by the jumbo-size Gagosian Gallery for most of the 90's. The move, which he says was prompted by a desire to be "with my old friends," leaves no doubt that not only Mr. -
JEAN-MICHEL BASQUIAT 1960 Born
JEAN-MICHEL BASQUIAT 1960 Born: in Brooklyn, NY 1966 Became a Junior Member of the Brooklyn Museum, Brooklyn, NY 1977 Began spray painting cryptic aphorisms on subway trains and around lower Manhattan and signing them with the name SAMO© (Same Old Shit) 1978 Left home permanently and quit school just one year before graduating form high school 1983 Befriended by Andy Warhol 1988 Died: in New York, NY Selected Exhibitions 2010 Basquiat/Warhol , Bowdoin College Museum of Art, Brunswick, ME Afro Modern: Journeys through the Black Atlantic, Tate Liverpool, Liverpool, UK 2009 A Tribute To Ron Warren, Mary Boone Gallery, New York City, NY Your Gold Teeth III, Marianne Boesky Gallery, New York, NY Sans—titre # 1 oeuvres de la Collection Lambert peintures des années 1970 - 1980, Collection Lambert, Avignon, France Looking at Music: Side 2, MoMA - Museum of Modern Art, New York, NY 2008 Jean-Michel Basquiat works on paper, Van de Weghe Fine Art, New York, NY (solo) Jean-Michel Basquiat. Ahuyentando fantasmas, Fundación Marcelino Botín, Santander, Spain (solo) 2007 Jean-Michel Basquiat, Galleria Davide Di Maggio, Berlin, Germany (solo) S A R A H B E L D E N F I N E A R T SAN JUAN DE LA CUESTA 1 4A 28017 MADRID, SPAIN TEL +34 633 170 463 / [email protected] Jean-Michel Basquiat : Works on Paper , Van de Weghe Fine Art, New York, NY (solo) Basquiat in Cotonou, Fondation Zinsou, Cotonou, Benin (solo) 2006 Basquiat heads, Van de Weghe Fine Art, New York, NY (solo) Basquiat 1960-1988 - Basquiat Retrospective, Shanghai Duolun Museum of -
Laurie Simmons: Big Camera/Little Camera October 14, 2018 – January 27, 2019
CONTACT: Kendal Smith Lake Manager of Communications 817.738.9215 x167 [email protected] www.themodern.org Fort Worth, TX FOR IMMEDIATE RELEASE November 15, 2017 Modern Art Museum of Fort Worth Presents Laurie Simmons: Big Camera/Little Camera October 14, 2018 – January 27, 2019 Laurie Simmons, Big Camera/Little Camera, 1976. Gelatin silver print. Overall: 5 1/4 × 8 in. 1 www.themodern.org Laurie Simmons: Big Camera/Little Camera will be on view to the public at the Modern Art Museum of Fort Worth from October 14, 2018, through January 27, 2019, and travel to the Museum of Contemporary Art Chicago, February 23 through May 5, 2019, where it will be overseen by Omar Kholeif, Manilow Senior Curator and Director of Global Initiatives. The exhibition is organized by Andrea Karnes, senior curator, Modern Art Museum of Fort Worth, with full support of the artist. Special exhibitions are included in general Museum admission: $10 for adults; $4 for seniors (60+) and students with identification; free for children 12 and under; free for Modern members. Dr. Marla Price, director of the Modern Art Museum of Fort Worth, announces a major survey of the works of Laurie Simmons (American, born 1949). This exhibition will showcase the artist’s photographs spanning the last four decades, from 1976 to the present, a small selection of sculpture, and two films. Simmons’s career-long exploration of archetypal gender roles, especially women in domestic settings, is the primary subject of this exhibition and is a topic as poignant today as it was in the late 1970s, when she began to develop her mature style by using props and dolls as stand-ins for people and places. -
Introducing Bruce Museum Presents: Thought Leaders in Art and Science
Press Release Introducing Bruce Museum Presents: Thought Leaders in Art and Science Film producer and art collector Jennifer Blei Stockman inaugurates the Bruce Museum Presents series with a moderated conversation between contemporary women artists on Thursday, September 5. GREENWICH, CT, August 1, 2019 — Bruce Museum Presents is an exciting new series of monthly public programs featuring thought leaders in the fields of art and science. Showcasing experts on compelling subjects of relevance and interest to members and visitors to the Bruce Museum, as well as the communities of greater Fairfield County and beyond, Bruce Museum Presents launches on Thursday, September 5, 2019 at 6:00 pm, with Generation ♀: How Contemporary Women Artists Are Re-Shaping Today’s Art World. Jennifer Blei Stockman, producer of the Emmy-nominated 2018 HBO documentary The Price of Everything, moderates a wide-ranging dialogue and exploration with four major contemporary women artists: painter and sculptor Nicole Eisenman; conceptual visual artist Lin Jingjing; painter and sculptor Paula DeLuccia Poons; and photographer and filmmaker Laurie Simmons. Page 1 of 5 Press Release Background “Bruce Museum Presents inaugurates an exciting time of change and progress for this institution,” said Robert Wolterstorff, The Susan E. Lynch Executive Director and Chief Executive Officer. “As we prepare our expansion in order to become the region’s leading cultural center, the Bruce Museum is poised to present dynamic and unique educational programming equal to the caliber of our new spaces and collections.” Suzanne Lio, Managing Director of the Bruce Museum, conceived Bruce Museum Presents. “We have long been an important resource in our community for forward-thinking public programs,” Lio notes.