Chapter 18 SAN DIEGO MUSEUM of ART GOES for the BIG TIME a BRIEF HISTORY
Chapter 18 SAN DIEGO MUSEUM OF ART GOES FOR THE BIG TIME A BRIEF HISTORY The man bent over his guitar, A shearsman of sorts. The day was green. They said, "You have a blue guitar, You do not play things as they are." The man replied, "Things as they are Are changed upon the blue guitar." And they said to him, "But play, you must, A tune beyond us, yet ourselves, A tune upon the blue guitar, Of things exactly as they are." “Man With the Blue Guitar” by Wallace Stevens The San Diego Museum of Art in Balboa Park had its beginnings in the Panama-California Exposition of 1915-16. At that time Dr. Edgar L. Hewett was director of exhibits for buildings in the California Quadrangle and the Indian Arts and the Science and Education Buildings to the west of the Quadrangle. Dr. Hewett’s efforts to furnish these buildings evolved into a plan to create an omnibus civic museum for San Diego similar to the museum in Santa Fe that Dr. Hewett headed.(1) Alice Klauber, a San Diego artist who had been a student of Robert Henri, invited her teacher to visit La Jolla in the summer of 1914. Encouraged by Klauber, Henri arranged for an exhibition of paintings by American artists George Bellows, Guy Pene Du Bois, William Glackens, Childe Hassam, Ernest Lawson, George Luks, Maurice B. Prendergast, Joseph Henry Sharp, John Sloan, and Art Springhorn at the upcoming Panama-California Exposition.(2) These painters were Realists from the “Ash Can Group,” who painted grim and gritty pictures of city life or Impressionists who painted joyful and spontaneous pictures of people and of nature.(3) The paintings were mounted on the interior walls of the Fine Arts Building, a California mission-style building designed by New York architect Bertram Goodhue on the south side of the California Quadrangle.
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