Handbook of Polish, Czech, and Slovak Holocaust Fiction
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Discourse of Heresy in Polish Post-WWII Literature Herlingâ•Žs
ACTA UNIVERSITATIS LODZIENSIS Folia Litteraria Polonica 4(55) 2019 http://dx.doi.org/10.18778/1505-9057.55.21 Margreta Grigorowa* https://orcid.org/0000-0003-4416-371X Discourse of heresy in Polish post-WWII literature Herling’s and Herbert’s heretics Heretics, stakes, and inquisitors invaded Polish literature of the second half of the 20th century. That was visible in the outputs of renowned Polish authors who en- dured the apocalypse of World War II and the dictatorships of the last century: Gustaw Herling-Grudziński (1919–2000), a prisoner of the Gulag in Yertsevo, combatant in the Warsaw Uprising, as well as Andrzej Szczypiorski (1928–2000), a prisoner of the Lager in Sachsenhausen, Zbigniew Herbert (1924–1998), a young poet in occupied Lviv, or those who survived Soviet occupation, e.g. Czesław Miłosz (1911–2004) and Jerzy Andrzejewski (1909–1983). What heretics can be found in their works? Jacques de Molay, a Knight Tem- plar burnt at the stake together with 36 other “relentless brothers”, Albigensians, Cathars, the related Bulgarian Bogomils in Herbert’s essays in the Barbarzyńca w ogrodzie1 volume: Obrona templariuszy and O albigensach, inkwizytorach i tru- badurach. Herling-Grudziński’s short stories featured the heretic Giordano Bruno and his spiritual ally the artist Caravaggio, e.g. in the short story Głęboki cień, the mysterious heretic from Bolsena in the short story Drugie przyjście, and the legendary St. Aaron, a former heretic, stealer of the Host, who by God’s miracle was saved from the stake in the short story Legenda o nawróconym pustelniku. Giordano Bruno was also featured in one of Miłosz’s key poems from 1943 entitled Campo di Fiori (Herling-Grudziński referred to it in his texts on Giordano Bruno), where the historical parallel became vivid during the nightmare with the burning * Professor, University of Veliko Turnovo St Cyril and St. -
Polish Cinema for Beginners
Polish Cinema for Beginners "Polish Cinema for Beginners" is a unique project - the first of its kind - both in Wroclaw and all of Poland, whose first edition took place in 2012 and was very popular with audiences. It is aimed directly at foreigners in order to present them with the masterpieces of Polish cinema. This will be shown, with English subtitles, on the big screen in Kino Nowe Horyzonty (New Horizons Cinema). In order to present the historical and artistic context of the films, each screening is introduced by a lecture in English, led by renowned experts - film scholars , journalists and scientists. Thanks to this, the project has not only entertainment, but also educational value, thus serving as a valuable course in Polish culture. Each screening is followed by an open discussion in which different cultural viewpoints are shared. After the discussion, viewers are cordially invited to a Polish Party in Wroclaw’s Gradient Club (at Solny Square). Our goal Through regular meetings and screenings of Polish films, we want to support the integration process of foreigners living in Wroclaw. We also want to show the history of Polish cinema and, more broadly, Polish culture, by placing the films in a wider socio- historical context. English-speaking Polish viewers will have the opportunity to see their native Polish films from a slightly different perspective, which - as shown by the reactions of foreigners during post-screening discussions – is sometimes surprising. What is more, we want to co-create the identity of Wroclaw as a city that stands out on the Polish map by offering equal- opportunity access to the cultural heritage of our country, by being an open city, and – especially in the context of its being chosen as European Capital of Culture 2016 – by offering an interesting and unique range of cultural and educational activities. -
Jewish Community Museum As a Result of Citizen Activities
4 63 • 2015 ESSAY JEWISH COMMUNITY MUSEUM AS A RESULT OF CITIZEN ACTIVITIES PETER SALNER PhDr. Peter Salner, DrSc., Institute of Ethnology of the Slovak Academy of Sciences, Klemensova 19, 813 64, e-mail: [email protected] The study focuses on circumstances under which the Jewish Community Museum was established and officially opened in the Bratislava synagogue in 2012. Already prior to WWII, a respected architect and collector Eugen Barkány came with the idea of opening a museum consisting of Slovak judaica. He followed up his project after the liberation, too. In the second half of the sixties, it seemed that thanks to the Jewish Religious Community (JCR/ŽNO) Bratislava support there would be created a Slovak branch of the Prague Jewish Museum within the premises of the Neolog Bratislava synagogue. However, the project implementation had to be postponed for many years to come: first of all due to Bárkány’s death (1967), demolition of the sy - nagogue giving place to the construction of a new bridge, and the occupation of Czechoslovakia in 1968. In the beginning of the next millenium, it was Maroš Borský, Art historian and Judaist , who undertook this project. He persuaded the board members of the JCR (ŽNO) Bra - tislava to vacate the already abandoned female gallery of the only preserved synagogue for presentation of Barkány’s collection. Apart from the permanent exhibition, the museum already offered three exhibits entitled: The Shadow of the Past (2013); We Are Here (2014); and Engerau – a Forgotten Story of Petržalka in 2015. Key words: The Jewish Community Museum, E. -
Painful Past, Fragile Future the Delicate Balance in the Western Balkans Jergović, Goldsworthy, Vučković, Reka, Sadiku Kolozova, Szczerek and Others
No 2(VII)/2013 Price 19 PLN (w tym 5% VAT) 10 EUR 12 USD 7 GBP ISSN: 2083-7372 quarterly April-June www.neweasterneurope.eu Painful Past, Fragile Future The delicate balance in the Western Balkans Jergović, Goldsworthy, Vučković, Reka, Sadiku Kolozova, Szczerek and others. Strange Bedfellows: A Question Ukraine’s oligarchs and the EU of Solidarity Paweï Kowal Zygmunt Bauman Books & Reviews: Tadeusz Mazowiecki, Mykola Riabchuk, Robert D. Kaplan and Jan Švankmajer Seversk: A New Direction A Siberian for Transnistria? Oasis Kamil Caïus Marcin Kalita Piotr Oleksy Azerbaijan ISSN 2083-7372 A Cause to Live For www.neweasterneurope.eu / 13 2(VII) Emin Milli Arzu Geybullayeva Nominated for the 2012 European Press Prize Dear Reader, In 1995, upon the declaration of the Dayton Peace Accords, which put an end to one of the bloodiest conflicts in the former Yugoslavia, the Bosnian War, US President, Bill Clinton, announced that leaders of the region had chosen “to give their children and their grandchildren the chance to lead a normal life”. Today, after nearly 20 years, the wars are over, in most areas peace has set in, and stability has been achieved. And yet, in our interview with Blerim Reka, he echoes Clinton’s words saying: “It is the duty of our generation to tell our grandchildren the successful story of the Balkans, different from the bloody Balkans one which we were told about.” This and many more observations made by the authors of this issue of New Eastern Europe piece together a complex picture of a region marred by a painful past and facing a hopeful, yet fragile future. -
Between Denial and "Comparative Trivialization": Holocaust Negationism in Post-Communist East Central Europe
Between Denial and "Comparative Trivialization": Holocaust Negationism in Post-Communist East Central Europe Michael Shafir Motto: They used to pour millet on graves or poppy seeds To feed the dead who would come disguised as birds. I put this book here for you, who once lived So that you should visit us no more Czeslaw Milosz Introduction* Holocaust denial in post-Communist East Central Europe is a fact. And, like most facts, its shades are many. Sometimes, denial comes in explicit forms – visible and universally-aggressive. At other times, however, it is implicit rather than explicit, particularistic rather than universal, defensive rather than aggressive. And between these two poles, the spectrum is large enough to allow for a large variety of forms, some of which may escape the eye of all but the most versatile connoisseurs of country-specific history, culture, or immediate political environment. In other words, Holocaust denial in the region ranges from sheer emulation of negationism elsewhere in the world to regional-specific forms of collective defense of national "historic memory" and to merely banal, indeed sometime cynical, attempts at the utilitarian exploitation of an immediate political context.1 The paradox of Holocaust negation in East Central Europe is that, alas, this is neither "good" nor "bad" for the Jews.2 But it is an important part of the * I would like to acknowledge the support of the J. and O. Winter Fund of the Graduate Center of the City University of New York for research conducted in connection with this project. I am indebted to friends and colleagues who read manuscripts of earlier versions and provided comments and corrections. -
School Project Cantonian High School Fairwater Road, Fairwater, Cardiff CF5 3JR Wales
School Project Cantonian High School Fairwater Road, Fairwater, Students exchange Cardiff CF5 3JR 96/97 Wales - United Kingdom www.cantonian.cardiff.sch.uk Hakumäen koulu Comenius 96/97 Koulunpolku, 4 Comenius 97/98 39500 Ikaalinen Comenius 98/99 Finland Eurocamp 1999 (Vienna) www.ikaalinen.fi Comenius 96/97 Comenius 97/98 Comenius 98/99 Eurocamp 1999 (Vienna) Eurocamp 2000 (Bilbao) Franz Jonas Europa Hauptschule Eurocamp 2001 Deublergasse, 21 (Ikaalinen) 1210 Vienna Eurocamp 2002 (Bilbao) Austria Eurocamp 2003 (Vienna) www.europaschule.at Eurocamp 2004 (Kony) Eurocamp 2005 (Berlin) Comenius 01/02 Comenius 02/03 Comenius 03/04 Scuola Media Galileo Galilei Comenius 96/97 Via Aquileia, 1 Comenius 97/98 20021 Baranzate di Bollate (Milano) Comenius 98/99 Milan Eurocamp 1999 Italy Comenius 97/98 Students exchange Bishop Douglas High School 97/98 Hamilton Road, East Finchley Comenius 98/99 London N2 OSQ Eurocamp 1999 (Vienna) England - United Kingdom Eurocamp 2000 (Bilbao) www.bishopdouglass.barnet.sch.uk Eurocamp 2001 (Ikaalinen) Ecòle Publique de Venarsal Venarsal Comenius 98/99 France Whitmore County Junior School Comenius 98/99 Whitmore Way Comenius 99/00 Basildon Essex SS14 2TP Comenius 00/01 United Kingdom Comenius 01/02 www.whitmorejuniorschool.ik.org Escuola elementare "Italia K2" Comenius 98/99 Fiesso D'Artico Comenius 99/00 Venezia Comenius 00/01 Italia Comenius 01/02 Skola ZŠ Heyrovského Olomouc Comenius 98/99 ZŠ Heyrovského, School Project 33 779 00 Olomouc Czech Republic www.zsheyrovskeho.cz/ Students exchange Liverpool College -
Annual Report Letno Poročilo
Annual Report Letno poročilo 2020 InnoRenew CoE Renewable Materials and Healthy Environments Research and Innovation Centre of Excellence InnoRenew CoE Center odličnosti za raziskave in inovacije na področju obnovljivih materialov in zdravega bivanjskega okolja Annual Report Letno poročilo 2020 Mentored by the Fraunhofer Institute for Wood Research, Wilhelm-Klauditz-Institut WKI (Fraunhofer WKI) Mentorstvo: Inštitut Fraunhofer Wilhelm-Klauditz (Fraunhofer WKI) Funded by the European Commission under Horizon 2020, the EU Framework Programme for Research and Innovation (H2020 WIDESPREAD-2-Teaming #739574), and investment funding from the Republic of Slovenia and the European Regional Development Fund. Financiranje: Okvirni program Evropske unije Obzorje 2020 (H2020 WIDESPREAD-2-Teaming: #739574) in Republika Slovenija. Financiranje naložb Republike Slovenije in Evropske unije v okviru Evropskega sklada za regionalni razvoj. Cover photo / Naslovna fotografija Faksawat Poohphajai, Anna Sandak, Jakub Sandak: A microscopic image of pine sapwood roughness Mikroskopski posnetek hrapavosti beljave borovine 20 Annual Report 4 5 Letno poročilo 20 Table of contents Kazalo Foreword from the director ..................................................................................... 6 Predgovor direktorice ............................................................................................. 7 Foreword from the deputy director .......................................................................... 8 Predgovor namestnika direktorice ......................................................................... -
Laboratory of Reportage. Method
MAREK MILLER, PIOTR WOJCIECHOWSKI Laboratory of Reportage: An Outline of Research Issues Abstract The paper aims to present the outline of the research conducted by the Laboratory of Reportage. The Laboratory represents a place of journalistic experimentations and explorations. The experimentations consist of collective work on texts, multimedia narration, penetrating the area between journalism and literature. The research is directed towards scientific and artistic knowledge. The paper portrays both the history and the achievements of the Laboratory of Reportage and the method it employs. Keywords: reportage, documentary novel, polyphony, multimedia, oral history The Laboratory of Reportage operating within the Faculty of Journalism, Information and Book Studies of the University of Warsaw is a centre for research, experimentation and journalistic exploration as well as the place of practical didactic activities. We consider reportage as the fullest form of journalistic expression. Reportage, as a particularly open genre, embraces elements of interview, column and essay. It is close to non-fiction literature and film documentary. For a journalist willing to dig deeper into their knowledge it offers fundamental experience. That is why the Laboratory of Reportage was established. The field of the Laboratory’s experimentation and research covers: – collective work on text; – multimedia angle on material; – penetrating the area between journalism and creative writing, journalism and screenwriting, journalism and stage writing. However, reportage remains the base. The belief in the unique role of reportage within journalistic genres stems from our practice and experience. This article is an attempt to describe the latter. 18 MAREK MILLER, PIOTR WOJCIECHOWSKI I. Research, exploration and experimentation programme We do not hide that we have been long significantly inspired by the work of Juliusz Osterwa and Jerzy Grotowski. -
The Beautiful Mrs Seidenman (Początek)
The Beautiful Mrs Seidenman (Początek) Author: Andrzej Szczypiorski First Published: 1986 Translations: German (Die schöne Frau Seidenman, 1988); French (La jolie Madame Seidenman, 1988); Italian (La Bella Signora Seidenman, 1988); Danish (Den smukke fru Seidenmaneller Begyndelsen, 1989); Dutch (De mooie mevrouw Seidenman, 1989); Eng- lish (The Beautiful Mrs Seidenman, 1989); Norwegian (Begynnelsen, 1990); Swedish (Den vackra fru Seidenman, 1990); Hungarian (A szép Seidenmanné, 1991); Czech (Po- čátek, 1993); Finnish (Alku, 1994); Slovenian (Začetek, 1996); Spanish (La bella señora Seidenman: el comienzo, 2002). About the Author: Szczypiorski (1928–2000) was born to a well-educated family. His father organised an underground university during World War II and he was a mem- ber of the People’s Army (Armia Ludowa). For his participation in the Warsaw Upris- ing in 1944 he was arrested and detained in Sachsenhausen concentration camp. After the war, he worked for local newspapers and Polish Radio. His first literary produc- tions were released under the pseudonym Maurice St Andrew in Życie Literackie in 1952. After joining the Polish Communist Party in 1956, he worked as cultural attaché in the Polish embassy in Copenhagen and continued to publish feuilletons in numer- ous Polish magazines. He resigned from his membership in the party after the political crisis in 1968. He was forbidden to appear in public in 1969 and his texts were banned from 1972, but he continued writing in the literary underground (drugi obieg), wrote anonymously for opposition newspapers, and started working for the Polish exile monthly Kultura in Paris (Worsowicz, 2003). After his death, the right-wing media in particular discussed the evidence for Szczypiorski being a secret agent for the Polish Security Service in the 1940s (Kruczek, 2007). -
Introduction
© Copyright, Princeton University Press. No part of this book may be distributed, posted, or reproduced in any form by digital or mechanical means without prior written permission of the publisher. INTRODUCTION “We were taught as children”—I was told by a seventy- year-old Pole—“that we Poles never harmed anyone. A partial abandonment of this morally comfortable position is very, very difficult for me.” —Helga Hirsch, a German journalist, in Polityka, 24 February 2001 HE COMPLEX and often acrimonious debate about the charac- ter and significance of the massacre of the Jewish population of T the small Polish town of Jedwabne in the summer of 1941—a debate provoked by the publication of Jan Gross’s Sa˛siedzi: Historia za- głady z˙ydowskiego miasteczka (Sejny, 2000) and its English translation Neighbors: The Destruction of the Jewish Community in Jedwabne, Poland (Princeton, 2001)—is part of a much wider argument about the totali- tarian experience of Europe in the twentieth century. This controversy reflects the growing preoccupation with the issue of collective memory, which Henri Rousso has characterized as a central “value” reflecting the spirit of our time.1 One key element in the understanding of collec- tive memory is the “dark past” of nations—those aspects of the na- tional past that provoke shame, guilt, and regret; this past needs to be integrated into the national collective identity, which itself is continu- ally being reformulated.2 In this sense, memory has to be understood as a public discourse that helps to build group identity and is inevita- bly entangled in a relationship of mutual dependence with other iden- tity-building processes. -
Jews and Germans in Eastern Europe New Perspectives on Modern Jewish History
Jews and Germans in Eastern Europe New Perspectives on Modern Jewish History Edited by Cornelia Wilhelm Volume 8 Jews and Germans in Eastern Europe Shared and Comparative Histories Edited by Tobias Grill An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org ISBN 978-3-11-048937-8 e-ISBN (PDF) 978-3-11-049248-4 e-ISBN (EPUB) 978-3-11-048977-4 This work is licensed under the Creative Commons Attribution-NonCommercial NoDerivatives 4.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Cataloging-in-Publication Data Names: Grill, Tobias. Title: Jews and Germans in Eastern Europe : shared and comparative histories / edited by/herausgegeben von Tobias Grill. Description: [Berlin] : De Gruyter, [2018] | Series: New perspectives on modern Jewish history ; Band/Volume 8 | Includes bibliographical references and index. Identifiers: LCCN 2018019752 (print) | LCCN 2018019939 (ebook) | ISBN 9783110492484 (electronic Portable Document Format (pdf)) | ISBN 9783110489378 (hardback) | ISBN 9783110489774 (e-book epub) | ISBN 9783110492484 (e-book pdf) Subjects: LCSH: Jews--Europe, Eastern--History. | Germans--Europe, Eastern--History. | Yiddish language--Europe, Eastern--History. | Europe, Eastern--Ethnic relations. | BISAC: HISTORY / Jewish. | HISTORY / Europe / Eastern. Classification: LCC DS135.E82 (ebook) | LCC DS135.E82 J495 2018 (print) | DDC 947/.000431--dc23 LC record available at https://lccn.loc.gov/2018019752 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de. -
The Václav Havel Library Annual Report 2017 2 Lidé Knihovny Václava Havla
The Václav Havel Library Annual Report 2017 2 Lidé Knihovny Václava Havla Published in 2018 by the charity the Václav Havel Library registered at the Municipal Court in Prague, file O 338 dated 26 July 2004 statutory representative: Michael Žantovský address: Ostrovní 13, 110 00 Prague 1 Identification no. 27169413 / Tax identification no. CZ 27169413 Bank accounts: 7077 7077 / 0300 CZK; IBAN: CZ61 0300 0000 0000 7077 7077 7755 7755 / 0300 EUR; IBAN: CZ40 0300 0000 0000 7755 7755 7747 7747 / 0300 USD; IBAN: CZ66 0300 0000 0000 7747 7747 SWIFT CODE: CEKO CZPP Tel.: (+420) 222 220 112 Email: [email protected] The Václav Havel Library is registered according to the libraries law under registration no. 6343/2007 at the Ministry of Culture of the Czech Republic www.vaclavhavel-library.org www.facebook.com/KnihovnaVaclavaHavla www.facebook.com/VaclavHavelLibrary www.youtube.com/knihovnaVaclavahavla www.twitter.com/KnihovnaVH www.twitter.com/HavelLibraries www.instagram.com/knihovnaVaclavahavla Lidé Knihovny Václava Havla 3 It only makes sense as a living or vital organism that occupies a place that cannot be overlooked in overall public and political life. […] The Library must in some way be original as such, in itself, in its everyday nature, as a permanently existing phenomenon or place. Václav Havel A Few Sentences on the Václav Havel Library Hrádeček 4 Contents Contents on the preparation of film documents THE VÁCLAV HAVEL LIBRARY and retrospectives PEOPLE OF THE VÁCLAV HAVEL LIBRARY PUBLISHING ACTIVITIES Founders Best-selling