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Daft Punk Collectible Sales Skyrocket After Breakup: 'I Could've Made
BILLBOARD COUNTRY UPDATE APRIL 13, 2020 | PAGE 4 OF 19 ON THE CHARTS JIM ASKER [email protected] Bulletin SamHunt’s Southside Rules Top Country YOURAlbu DAILYms; BrettENTERTAINMENT Young ‘Catc NEWSh UPDATE’-es Fifth AirplayFEBRUARY 25, 2021 Page 1 of 37 Leader; Travis Denning Makes History INSIDE Daft Punk Collectible Sales Sam Hunt’s second studio full-length, and first in over five years, Southside sales (up 21%) in the tracking week. On Country Airplay, it hops 18-15 (11.9 mil- (MCA Nashville/Universal Music Group Nashville), debutsSkyrocket at No. 1 on Billboard’s lion audience After impressions, Breakup: up 16%). Top Country• Spotify Albums Takes onchart dated April 18. In its first week (ending April 9), it earned$1.3B 46,000 in equivalentDebt album units, including 16,000 in album sales, ac- TRY TO ‘CATCH’ UP WITH YOUNG Brett Youngachieves his fifth consecutive cording• Taylor to Nielsen Swift Music/MRCFiles Data. ‘I Could’veand total Made Country Airplay No.$100,000’ 1 as “Catch” (Big Machine Label Group) ascends SouthsideHer Own marks Lawsuit Hunt’s in second No. 1 on the 2-1, increasing 13% to 36.6 million impressions. chartEscalating and fourth Theme top 10. It follows freshman LP BY STEVE KNOPPER Young’s first of six chart entries, “Sleep With- MontevalloPark, which Battle arrived at the summit in No - out You,” reached No. 2 in December 2016. He vember 2014 and reigned for nine weeks. To date, followed with the multiweek No. 1s “In Case You In the 24 hours following Daft Punk’s breakup Thomas, who figured out how to build the helmets Montevallo• Mumford has andearned Sons’ 3.9 million units, with 1.4 Didn’t Know” (two weeks, June 2017), “Like I Loved millionBen in Lovettalbum sales. -
Intersectionality and the Disability Rights Movement: the Black Panthers, the Butterfly Brigade, and the United Farm Workers of America
JW Marriott Austin, Texas July 19-23, 2021 Intersectionality and the Disability Rights Movement: The Black Panthers, the Butterfly Brigade, and the United Farm Workers of America Paul Grossman, J.D., P.A. Mary Lee Vance, Ph.D. Jamie Axelrod, M.S. JW Marriott Austin, Texas July 19-23, 2021 Faculty Grossman, Axelrod and Vance Consulting, Beyond the ADA Paul Grossman, J.D., P.A. US, ED, OCR, Chief Regional Civil Rights Attorney, SF, retired Guest Lecturer for Disability Law, Harvard Graduate School of Education, Hastings and Berkeley Colleges of Law, U.C. NAADAC, OCR DisNet, & CAPED Faculty Member Former AHEAD Board Member; Blosser Awardee AHEAD and CHADD Public Policy Committees Member The Law of Disability Discrimination for Higher Education Professionals, Carolina Academic Press (updated annually) JW Marriott Austin, Texas July 19-23, 2021 Faculty Grossman, Axelrod and Vance Consulting, Beyond the ADA Jamie Axelrod, M.S. Mary Lee Vance, Ph.D. Dir., Disability Resources, Northern Arizona University Dir., Services for Students with Disabilities, Sacramento State University ADA Coordinator/Section 504 Compliance Officer, Northern Arizona Former AHEAD Bd. Member; University Member, JPED Editorial Bd.; Immediate Past President AHEAD Board Member, Coalition for Disability Reviewer, NACADA National Advising Journal Access in Health Science and Education Co-editor, Beyond the ADA (NASPA 2014) Member AHEAD Public Policy Committee JW Marriott Austin, Texas July 19-23, 2021 Caveat This presentation and its associated materials are provided for informational purposes only and are not to be construed as legal advice. You should seek your Systemwide or house counsel to resolve the individualized legal issues that you are responsible for addressing. -
Citizenship, Self-Determination and Political Action: the Forging of a Political Movement
Citizenship, self-determination and political action: the forging of a political movement Jenny Morris (Talk at Conference in Sydney, Australia on Citizenship and Disability: February 1998) I want to talk about all the three things mentioned in the title of this Conference - citizenship, self-determination and political action. In order to talk about citizenship, I have to explain why I use the term 'disabled people' rather than 'people with disabilities'. The British disabled people's movement has campaigned for people to adopt a social model, rather than a medical model, of disability. The social model of disability says that: • the quality of our lives, our life chances, are not inevitably determined by what our bodies can't do or look like or how our minds function. Like the women's movement, we say - biology is not destiny. If I could not get a job that would be because of discrimination, not because I can't walk or because I'm a woman • we therefore need to separate out 'impairment' - the characteristics of our bodies and minds - from the way other people and society generally react to impairment • prejudice, discrimination, services which disempower and segregate us, a failure to use resources to create accessible environments and technology to aid communication - these are the disabling barriers that we experience • people with physical, sensory, intellectual impairments, people with mental health difficulties are therefore disabled by the society in 1 which we live • and we use the term 'disabled people' to describe what is done to us This language politicises our experiences and it takes the focus away from our impairments being the problem and puts the responsibility onto the society in which we live This is why we don't use the term disability to mean impairment. -
Nothing About Us Without Us Exhibition Large Print Text 18Pt
Nothing About Us Without Us Exhibition Large Print Text 18pt 1 Contents Introduction…………………………………………….4 Timeline………………………………………………...5 Banners……………………………………………….22 Photographs and Posters………………………......24 Placards by Jo Ann Taylor.........…………………...27 T-shirt and Other Campaign Materials Case……...28 Leaflets, Badges and Campaign Materials Case…29 Cased T-Shirts………………………………………. 35 Protest Placards…………………………………….. 36 The Autistic Rights Movement…………………….. 37 No Excuses…………………………………………. 46 Pure Art Studio……………………………………… 48 One Voice…………………………………………… 50 Quiet Riot……………………………………………. 51 Music………………………………………………… 66 2 Nothing About Us Without Us Playlist……………. 67 Interviews……………………………………………. 68 3 Introduction panel This exhibition is the second stage in a long-term project that looks at the representation of disabled people. The museum is working with groups, campaigners and individuals to capture their stories and re-examine how the history of disabled people’s activism is presented. We encourage you to let us know if you have any comments, objects or stories you would like to share to help to continue to tell this story. If you are interested in sharing your object or story as part of this project, please speak to a member of staff or contact [email protected] 4 Timeline The timeline on the wall is split into five sections: Early Days, 1980s, 1990s, 2000s and 2010s. Each section has an introductory label followed by photographs and labels with further information. Beneath the timeline is a shelf with pencils and pieces of card on it that visitors can use to write their own additions to the timeline and leave them on the shelf for other visitors to see. The introduction to the timeline is as follows: Is anything missing? Add to the timeline using the cards and shelf. -
JAN 2019 NY.Indd
VOLUME 24 NUMBER 7 JANUARY 2019 ININ THISTHIS ISSUEISSUE ADAPT IS 40 ABLE Accounts DiNapoli Urges Advocacy Org. Celebrates 4 Decades Age Expansion PAGE 2 Feds May Limit PWD Proposal Could Make Immigration Harder PAGE 3 Court Refuses Lawsuit Against Lyft Still On-going PAGE 3 N.Y. Health Act City Council Listens to Testimony PAGE 6 Financial Aid Resources Available To Students With Disabilities PAGE 8 ADAPT members hear speakers at one of several Sports events throughout the day at the organization’s Race, WC Basketball, recent 40th anniversary celebration in Denver, Skiing, Golf & Paralympics Colo. PAGES 12 & 17 Chapter members from across the country also attended a rally at Civic Center Park in Colorado, where they listened to speeches from several orig- inal ADAPT founders, members, Colorado Lt. Gov.- a bus through the night to demand accessible pub- Elect Dianne Primavera (D) and State Sen. Jessie lic transportation in Denver, Colo. Since then, the Danielson (D-Dist. 20). advocacy group has continued to grow throughout Afterwards, a memorial dinner was held honor- the country, with members organizing demonstra- ing Babs Johnson, a beloved ADAPT leader who tions, sit ins, rallies and civil disobedience, incud- died this year which was followed by a screening ing occupying senators offices in Washington, D.C. of “Piss on Pity: The Story of ADAPT” a new film on In inset photo, ADAPT organizers enjoy the ral- VISIT the history of the organization. ly. Seen left to right, are Robbie Roppolo and Dawn ABLE’S ADAPT began four decades ago when 19 activists Russell of Colorado; Mike Oxford of Kansas and WEBSITE with disabilities, known as the Gang of 19, blocked Stephanie Thomas of Texas. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title The Disability Drive Permalink https://escholarship.org/uc/item/0bb4c3bv Author Mollow, Anna Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California The Disability Drive by Anna Mollow A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kent Puckett, Chair Professor Celeste G. Langan Professor Melinda Y. Chen Spring 2015 The Disability Drive © Anna Mollow, 2015. 1 Abstract The Disability Drive by Anna Mollow Doctor of Philosophy in English University of California Berkeley Professor Kent Puckett, Chair This dissertation argues that the psychic force that Freud named “the death drive” would more precisely be termed “the disability drive.” Freud‟s concept of the death drive emerged from his efforts to account for feelings, desires, and actions that seemed not to accord with rational self- interest or the desire for pleasure. Positing that human subjectivity was intrinsically divided against itself, Freud suggested that the ego‟s instincts for pleasure and survival were undermined by a competing component of mental life, which he called the death drive. But the death drive does not primarily refer to biological death, and the term has consequently provoked confusion. By distancing Freud‟s theory from physical death and highlighting its imbrication with disability, I revise this important psychoanalytic concept and reveal its utility to disability studies. While Freud envisaged a human subject that is drawn, despite itself, toward something like death, I propose that this “something” can productively be understood as disability. -
35 Years of Nominees and Winners 36
3635 Years of Nominees and Winners 2021 Nominees (Winners in bold) BEST FEATURE JOHN CASSAVETES AWARD BEST MALE LEAD (Award given to the producer) (Award given to the best feature made for under *RIZ AHMED - Sound of Metal $500,000; award given to the writer, director, *NOMADLAND and producer) CHADWICK BOSEMAN - Ma Rainey’s Black Bottom PRODUCERS: Mollye Asher, Dan Janvey, ADARSH GOURAV - The White Tiger Frances McDormand, Peter Spears, Chloé Zhao *RESIDUE WRITER/DIRECTOR: Merawi Gerima ROB MORGAN - Bull FIRST COW PRODUCERS: Neil Kopp, Vincent Savino, THE KILLING OF TWO LOVERS STEVEN YEUN - Minari Anish Savjani WRITER/DIRECTOR/PRODUCER: Robert Machoian PRODUCERS: Scott Christopherson, BEST SUPPORTING FEMALE MA RAINEY’S BLACK BOTTOM Clayne Crawford PRODUCERS: Todd Black, Denzel Washington, *YUH-JUNG YOUN - Minari Dany Wolf LA LEYENDA NEGRA ALEXIS CHIKAEZE - Miss Juneteenth WRITER/DIRECTOR: Patricia Vidal Delgado MINARI YERI HAN - Minari PRODUCERS: Alicia Herder, Marcel Perez PRODUCERS: Dede Gardner, Jeremy Kleiner, VALERIE MAHAFFEY - French Exit Christina Oh LINGUA FRANCA WRITER/DIRECTOR/PRODUCER: Isabel Sandoval TALIA RYDER - Never Rarely Sometimes Always NEVER RARELY SOMETIMES ALWAYS PRODUCERS: Darlene Catly Malimas, Jhett Tolentino, PRODUCERS: Sara Murphy, Adele Romanski Carlo Velayo BEST SUPPORTING MALE BEST FIRST FEATURE SAINT FRANCES *PAUL RACI - Sound of Metal (Award given to the director and producer) DIRECTOR/PRODUCER: Alex Thompson COLMAN DOMINGO - Ma Rainey’s Black Bottom WRITER: Kelly O’Sullivan *SOUND OF METAL ORION LEE - First -
Thesis Submitted in Partial Fulfilment of the Requirements for the Degree of Doctor of Philosophy
A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy Cameron, C. 2010. Does anybody like being disabled? A critical exploration of impairment, identity, media and everyday experience in a disabling society. PhD thesis. Queen Margaret University. Accessed from: http://etheses.qmu.ac.uk/258/ Repository Use Policy The full-text may be used and/or reproduced, and given to third parties for personal research or study, educational or not-for-profit purposes providing that: The full-text is not changed in any way A full bibliographic reference is made A hyperlink is given to the original metadata page in eResearch eResearch policies on access and re-use can be viewed on our Policies page: http://eresearch.qmu.ac.uk/policies.html http://etheses.qmu.ac.uk DOES ANYBODY LIKE BEING DISABLED? A CRITICAL EXPLORATION OF IMPAIRMENT, IDENTITY, MEDIA AND EVERYDAY EXPERIENCE IN A DISABLING SOCIETY COLIN CAMERON A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy QUEEN MARGARET UNIVERSITY 2010 Abstract I offer a critical exploration of tensions experienced by disabled people in the construction of positive identities in everyday contexts in which self-understanding is shaped both by social structural relations of inequality and unique individual experience. The empirical evidence I use to develop and support my thesis involves data I have generated using a variety of data collection tools, through a series of interviews, conversations and observations carried out with sixteen disabled people across Scotland and England. I argue that while certain barriers to participation in ordinary community life may be being removed, perceptions of impairment as something „wrong‟ with the bodies of disabled people remain embedded in dominant disability discourse. -
Did a Summer Camp Help Spark a Disability Revolution? Transcript
THE LAURA FLANDERS SHOW DID A SUMMER CAMP HELP SPARK A DISABILITY REVOLUTION? LAURA FLANDERS: What can a small pocket of inclusive culture make possible for people who are normally marginalized or excluded from mainstream society? Crip Camp: A Disability Revolution is a Peabody award-winning documentary from Netflix and Higher Ground Productions that tells the story of Camp Jened, a summer camp in Upstate New York in the 1960s where disabled young people could be themselves. The film follows former campers into their adulthoods as activists whose work during the '70s and '80s helped secure federal civil rights for disabled people and eventually led to the passage of the Americans with Disabilities Act in 1990. But the story doesn't end there, the disability rights movement, like so many movements in American history, prioritized at first the leadership visibility and needs mostly of white straight cis-gender disabled people. Recognizing this, the directors and producers of Crip Camp are using their film's release to educate audiences about the next step in the revolution, disability justice. That movement centers the leadership of disabled queer, trans, Black, Indigenous and people of color. If the inclusive culture of Camp Jened could help transform American society in the second half of the 20th century they ask, what could a truly intersectional disability justice movement change for everyone today? Joining me are co-producers and co-directors of Crip Camp: A Disability Revolution, Jim LeBrecht and Nicole Newnham. And Andraéa LaVant, she's chief inclusion officer of LaVant Consulting, Inc. I'd like to begin first with congratulating you all for the Peabody award, which was announced this June. -
Une Issue Grâce À La Pandémie ? La Covid-19 Ne Fait Pas Que Fermer Des Portes
woxx déi aner wochenzeitung l’autre hebdomadaire 1574/20 ISSN 2354-4597 2.50 € 03.04.2020 Une issue grâce à la pandémie ? La Covid-19 ne fait pas que fermer des portes. Avec les mesures prises pour les toxicomanes, certain-e-s pourraient sortir plus facilement de leur dépendance qu’avant. Regards p. 4 EDITO NEWS REGARDS 0 1 5 7 4 Wer ist hier ein Virus? S. 2 Gesundheit und Sicherheit gehen vor S. 3 Grenzen digitalen Lernens S. 6 Die Covid-19-Krise ruft sehr fragewürdige In Bezug auf die Änderungen des Arbeits- Von einem Tag auf den anderen mussten ökologische Diskussionen hervor, rechts wegen der Coronakrise wird die Bildungsinstitutionen auf Fernlehre die zu einem gefährlichen Diskurs befürchtet, dass Arbeitnehmer*innen- umsteigen. Manche Betroffene kommen 5 453000 211009 führen könnten. rechte beschnitten werden. damit besser zurecht als andere. 2 NEWS woxx | 03 04 2020 | Nr 1574 EDITORIAL Covid-19 uNd Ökologie NEWS Das wahre Virus Joël Adami Sind wir Menschen ein Virus, das die Menschen, die ihn verbreiten, sich den Planeten bedroht, und Covid-19 vermutlich um unsere natürliche Um- die Rache der Natur? Solche Ideen welt sorgen, liegt diesem Gedanken sind nicht nur unsinnig, sondern paradoxerweise ein äußerst anthro- richtig gefährlich. pozentrisches Weltbild zugrunde: Die Menschheit und die Natur als sich In vielen Ländern der Welt be- bekämpfende Gegenspielerinnen, die stehen derzeit Ausgangsverbote, die nichts miteinander zu tun haben. wirtschaftliche Aktivität wird auf ein Dabei verhält sich die Sache ganz Minimum zurückgefahren. Das hat anders. selbstverständlich auch Auswirkun- Das Virus ist überhaupt nur des- gen auf die natürliche Umwelt. -
Welcome to the Disability Visibility Podcastresource Guide!
Welcome to the Disability Visibility Podcast Resource Guide! This guide will point you to all 100 episodes of the Disability Visibility Podcast, a production of the Disability Visibility Project. Each entry contains links to episode audio, two types of text transcripts, brief episode info, and more links related to the guests or topics. Be sure to visit the show page for each episode on the website for more info, pictures with image descriptions, and more. If you have not already subscribed to the podcast, please do! Although this conversation series has ended, there may be more stories in the future that you won’t want to miss. Subscribe in iTunes, Stitcher, Pandora, and Google Play. About the Disability Visibility Podcast This is life from a disabled lens. Disability Visibility is a podcast hosted by San Francisco night owl Alice Wong featuring conversations on politics, culture, and media with disabled people. If you’re interested in disability rights, social justice, and intersectionality, this show is for you. It’s time to hear more disabled people in podcasting and radio. Named one of the 15 best podcasts by women that you’re not listening to by Refinery 29 in 2021. Disability Visibility is a production of the Disability Visibility Project, an online community dedicated to creating, sharing, and amplifying disability media and culture. The Disability Visibility Podcast ran from September 2017 to April 2021 with the following production team. Alice Wong, Writer, Audio Producer, Host Geraldine Ah-Sue, Audio Producer Cheryl Green, Audio Producer and Transcriber Sarika D. Mehta, Audio Producer Lateef McLeod, Introduction Mike Mort, Artwork Wheelchair Sports Camp, Theme Song This guide was put together by Cheryl Green, with assistance from Shae Cole Weiser through Dr. -
Crip Camp Educator Discussion Guide
Educator Discussion Guide Welcome Welcome to the CRIP CAMP Educator Discussion Guide! Whether you are a teacher working in a virtual or in-person classroom setting, a facilitator leading education efforts in a community setting, or a mentor in your religious or spiritual community, this guide provides a framework for fostering discussion, critical thinking, and action after viewing CRIP CAMP. Even though we are everywhere, disabled people, disability culture, politics, and activism continue to be silenced and hidden by the mainstream, non-disabled media and culture. It is our hope that viewing CRIP CAMP and engaging in a critical discussion of the film will advance understanding and interest in disability rights and disability justice for yourself and the communities you work in. Thank you for joining the conversation! Preparing for your viewing Before working through the activities and questions outlined here, we suggest preparing in a few ways. First download Sins Invalid’s “10 Principles of Disability Justice” (https://bit.ly/2IVrp6h) and read through it. Next, review these five core questions guided by the principles of media literacy. Throughout the discussion we encourage you to use the principles of media literacy to support critical thinking with your students. These questions are ones you can always return to during any discussion: 1. Who created this? 2. What values are being shared? 3. What techniques are used to capture my attention? 4. How might others perceive this media differently than me? 5. What is missing? Crip Camp Educator Discussion Guide 2 Tips on Talking About Disability and Difference Offer Language Options The words we use matter, and there isn’t one right way to talk about disability or disabled people.