VU Welcomes Spike Lee the Battle Is Over
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Lightning in a Bottle
LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved. -
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ARTICLE ADAPTING COPYRIGHT FOR THE MASHUP GENERATION PETER S. MENELL† Growing out of the rap and hip hop genres as well as advances in digital editing tools, music mashups have emerged as a defining genre for post-Napster generations. Yet the uncertain contours of copyright liability as well as prohibitive transaction costs have pushed this genre underground, stunting its development, limiting remix artists’ commercial channels, depriving sampled artists of fair compensation, and further alienating netizens and new artists from the copyright system. In the real world of transaction costs, subjective legal standards, and market power, no solution to the mashup problem will achieve perfection across all dimensions. The appropriate inquiry is whether an allocation mechanism achieves the best overall resolution of the trade-offs among authors’ rights, cumulative creativity, freedom of expression, and overall functioning of the copyright system. By adapting the long-standing cover license for the mashup genre, Congress can support a charismatic new genre while affording fairer compensation to owners of sampled works, engaging the next generations, and channeling disaffected music fans into authorized markets. INTRODUCTION ........................................................................ 443 I. MUSIC MASHUPS ..................................................................... 446 A. A Personal Journey ..................................................................... 447 B. The Mashup Genre .................................................................... -
Filmmaker Spike Lee, Songwriter and Musician Kirk Franklin Headline 2007-2008 University of Dayton Diversity Lecture Series
University of Dayton eCommons News Releases Marketing and Communications 8-6-2007 Filmmaker Spike Lee, Songwriter and Musician Kirk Franklin Headline 2007-2008 University of Dayton Diversity Lecture Series Follow this and additional works at: https://ecommons.udayton.edu/news_rls Recommended Citation "Filmmaker Spike Lee, Songwriter and Musician Kirk Franklin Headline 2007-2008 University of Dayton Diversity Lecture Series" (2007). News Releases. 9564. https://ecommons.udayton.edu/news_rls/9564 This News Article is brought to you for free and open access by the Marketing and Communications at eCommons. It has been accepted for inclusion in News Releases by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. UNIVERSITY o Aug. 6, 2007 Contact: Teri Rizvi [email protected] 937-229-3241 DAITON NEWS RELEASE FILMMAKER SPIKE LEE, SONGWRITER AND MUSICIAN KIRK FRANKLIN HEADLINE 2007-2008 UNIVERSITY OF DAYTON DIVERSITY LECTURE SERIES DAYTON, Ohio - An all-star line-up of acclaimed artists and journalists - including filmmaker Spike Lee and Grammy Award-winning gospel musician Kirk Franklin- will tackle "The Responsibility of Media in a Global Society" during the University of Dayton's 2007-2008 Diversity Lecture Series. The season includes: • Maria Hinojosa, 7:30 p.m., Friday, Sept. 7, Boll Theatre, University of Dayton. Free and open to the public. Part of Hispanic Heritage Month. Award-winning journalist and author Maria Hinojosa is managing editor and host of Latino USA, a weekly program on NPR. She also is the senior correspondent for the Emmy Award winning PBS Newsmagazine NOW. Previously, she spent eight years at CNN, where she covered urban affairs. -
Roosevelt Public Library Proudly Celebrates
Roosevelt Public Library 27 W. Fulton Avenue, Roosevelt, NY 11575 (516) 378-0222 www.rooseveltlibrary.org “We’re More Than Just Books” Roosevelt Public Library proudly celebrates... APRIL 12-18, 2015 National Library Week (Unlimited Possibilities @ Your Li- and redesign collections, systems, and services to help improve brary) is celebrated April 12-18, 2015. In 1957, the National Book and maximize their reading experiences. We need to be vocal, Committee developed a plan for National Library Week based flexible and patient as the longstanding relationship between on the idea that once people were motivated to read, they would readers and the libraries that serve them continues to evolve. support and use libraries. With the cooperation of the American Library Association and help from the Advertising Council, the - Submitted by Carol Gilliam - Black Heritage Librarian first National Library Week was observed in 1958 with the theme “Wake Up and Read”. * * * * * * “Reading is crucial to getting and holding a job, to teach- The following celebrations during National Library Week are ing our children, to staying informed on issues that affect our National Library Workers Day, Tuesday of National Library Week lives deeply, both as individuals and as citizens in a democracy. (April 14, 2015), a day for library staff, users, administrators and From reading a street sign to applying for a home mortgage, Friends groups to recognize the valuable contributions made by from gaining entrance to the world of literature to understanding all library workers; the instructions on a bottle of medicine, reading is a vital part of National Bookmobile Day, Wednesday of National Library our daily activities and the path to share in the American Dream”. -
Sam Pollard Is an Accomplished Feature Film and Television Video
Sam Pollard is an accomplished feature film and television video editor, and documentary producer/director whose work spans almost thirty years. He recently served as Producer and Supervising Editor on the Spike Lee directed HBO documentary If God Is Willing and Da Creek Don’t Rise, a five year follow up to the Emmy and Peabody award winning When The Levees Broke. His first assignment as a documentary producer came in 1989 for Henry Hampton’s Blackside production Eyes On The Prize II: America at the Racial Crossroads. For one of his episodes in this series, he received an Emmy. Eight years later, he returned to Blackside as Co-Executive Producer/Producer of Hampton’s last documentary series I’ll Make Me A World: Stories of African-American Artists and Community. For the series, Mr. Pollard received The George Peabody Award. Between 1990 and 2010, Mr. Pollard edited a number of Spike Lee’s films: Mo’ Better Blues, Jungle Fever, Girl 6, Clockers, and Bamboozled. As well, Mr. Pollard and Mr. Lee co-produced a number of documentary productions for the small and big screen: Spike Lee Presents Mike Tyson, a biographical sketch for HBO for which Mr. Pollard received an Emmy, Four Little Girls, a feature-length documentary about the 1963 Birmingham church bombings which was nominated for an Academy Award and When The Levees Broke, a four part documentary that won numerous awards, including a Peabody and three Emmy Awards. Mr. Pollard completed as a producer/director Slavery By Another Name a 90-minute documentary for PBS that was in competition at the Sundance Festival in 2012 and also just completed editing the feature length documentary Venus and Serena.. -
*5 ¡£ ¡¡¡Bis MCC Lounge 10 P J
mummttmna. p j This Week in Room 1434 Gallery 1434 dishes up yet another serv The small room contains photographs ing for the art-hungry eye. This week’s show and paintings of spaghetti and other types of is titled “Not with my spatula you don’t" and pasta. Two parallel rows o f photographs run features the work of Paco Shima. O f the along the perimeter o f the room. It's a verit Gallery’s two rooms, Shima’s paintings and able photo sh oot fo r noodles w hen shown in photographs are center stage, and each room different sauces and dishes. It seems to play carries a different theme. The large room in off the idea of what my great-grandma used cludes several paintings, each bordered with to say when looking at her prepared meal: different colon of glitter, making them quite “Looks like picture.” It’s an interesting take pretty to look at. It’s this glittery glory that on every student’s staple m eal, and perhaps it catches your eye and forces you take in the will make you think twice before you sit entire piece. That’s when you’ll realize many down to that next plate of noodles. Paco of them also come with their own scents. It’s Shima’s work m il be on view until May 8. a nice touch. The paintings consist mostly of Gallery hours are from 8 a.m. to 3 p.m. organic shapes. They look like tongues and — Tami T . Mnoian liven, or other organs of the body. -
Central Florida Future, February 17, 1999
University of Central Florida STARS Central Florida Future University Archives 2-17-1999 Central Florida Future, February 17, 1999 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, February 17, 1999" (1999). Central Florida Future. 1480. https://stars.library.ucf.edu/centralfloridafuture/1480 Jasketball tea1tts re1ttaitt perfect at ho1tte agaitttt f AAC - See Sports A D I G I T A L C I T Y 0 R L A N D O C O M M U N I T Y P. A R T N E R (AOL Keyword: Orlando) www.orlando.digitalcity.com State requests budget documents on expenses SHELLEY WILSON $750,000. The Senate passed this amount STAFF WRITER 1998 Budget Proposal - the only on Oct. 8 of last year. James Smith, Jr., director of This week the State University University Budgets, requested the System is expected to receive the docu~ one questioned in UCF history increase in spending for Activity and mentation it requested from UCF's Service Fees in a memo sent to Ron Student Government on budget alloca the ones who said we don't need this In the pas! 20 years, 14 addendum Stubbs, director of Budgets for the State tions. -
Recordings by Artist
Recordings by Artist Recording Artist Recording Title Format Released 10,000 Maniacs MTV Unplugged CD 1993 3Ds The Venus Trail CD 1993 Hellzapoppin CD 1992 808 State 808 Utd. State 90 CD 1989 Adamson, Barry Soul Murder CD 1997 Oedipus Schmoedipus CD 1996 Moss Side Story CD 1988 Afghan Whigs 1965 CD 1998 Honky's Ladder CD 1996 Black Love CD 1996 What Jail Is Like CD 1994 Gentlemen CD 1993 Congregation CD 1992 Air Talkie Walkie CD 2004 Amos, Tori From The Choirgirl Hotel CD 1998 Little Earthquakes CD 1991 Apoptygma Berzerk Harmonizer CD 2002 Welcome To Earth CD 2000 7 CD 1998 Armstrong, Louis Greatest Hits CD 1996 Ash Tuesday, January 23, 2007 Page 1 of 40 Recording Artist Recording Title Format Released 1977 CD 1996 Assemblage 23 Failure CD 2001 Atari Teenage Riot 60 Second Wipe Out CD 1999 Burn, Berlin, Burn! CD 1997 Delete Yourself CD 1995 Ataris, The So Long, Astoria CD 2003 Atomsplit Atonsplit CD 2004 Autolux Future Perfect CD 2004 Avalanches, The Since I left You CD 2001 Babylon Zoo Spaceman CD 1996 Badu, Erykah Mama's Gun CD 2000 Baduizm CD 1997 Bailterspace Solar 3 CD 1998 Capsul CD 1997 Splat CD 1995 Vortura CD 1994 Robot World CD 1993 Bangles, The Greatest Hits CD 1990 Barenaked Ladies Disc One 1991-2001 CD 2001 Maroon CD 2000 Bauhaus The Sky's Gone Out CD 1988 Tuesday, January 23, 2007 Page 2 of 40 Recording Artist Recording Title Format Released 1979-1983: Volume One CD 1986 In The Flat Field CD 1980 Beastie Boys Ill Communication CD 1994 Check Your Head CD 1992 Paul's Boutique CD 1989 Licensed To Ill CD 1986 Beatles, The Sgt -
Take the Stage
A WATCHUNG COMMUNICATIONS, INC. PUBLICATION The Westfield Leader and THE TIMES of Scotch Plains – Fanwood Thursday, January 18, 2001 Page 19 Artist of MyMy TwoTwo CentsCents the Week It’s 8 p.m. at the American Music Awards and We Ask: & ‘Britney Spears, Do You Know Where Your Clothes Went?’ By MICHELLE H. LePOIDEVIN And how could I be so remiss in paw her while she sings half- Specially Written for The Westfield Leader and The Times thinking that Britney’s perfor- clad herself is an overreaction! “While I was doing the dishes mance of “Stronger” wasn’t bor- How could I be so sensitive? I this morning, I actually asked derline pornographic? What’s must be a prude. Why don’t I get myself if I’ll be able to watch wrong with me? Half-naked girls with the times? television tonight.” My mother in body stockings and glitter gy- Why don’t they get a con- settled down with her crocheting Take the Stage rating around Britney, trying to science and take a class in re- WITH KERRIANNE SPELLMAN CORT and reading materials, almost sponsible television pro- Spike Lee Joint fearful of what insane images gramming? Spike Lee Joint would flash before her as the At Moravian College, I gave channels changed. a speech against banning A Shot in the Dark (1957- ) After last Monday evening’s books. I loathed censorship in telecast of the American Music all of it’s forms. But, I knew By MICHELLE H. LePOIDEVIN Awards, mom has been suffer- Misses WCPs Mark Specially Written for The Westfield Leader and The Times there was a definite line that, ing from PBS. -
« Am I Black Enough for You? » Basket-Ball, Médias Et Culture Afro-Américaine Aux États-Unis (1950-2015)
UNIVERSITÉ SORBONNE NOUVELLE – PARIS 3 ED 514 – EDEAGE ÉTUDES ANGLOPHONES, GERMANOPHONES ET EUROPÉENNES EA 4399 – CREW CENTER FOR RESEARCH ON THE ENGLISH-SPEAKING WORLD Thèse de doctorat Anglais (civilisation américaine) Yann DESCAMPS « Am I Black Enough for You? » Basket-ball, médias et culture afro-américaine aux États-Unis (1950-2015) VOLUME 2 : Annexes Thèse dirigée par Mme la Professeure Divina FRAU-MEIGS Soutenue publiquement le 4 décembre 2015 Jury : - M. Daniel DURBIN, Professeur, University of Southern California - Mme Divina FRAU-MEIGS, Professeur, Université Sorbonne Nouvelle – Paris 3 - M. Jean-Paul GABILLIET, Université Bordeaux Montaigne - M. Olivier PÉGARD, Maître de Conférence, Université Paris-Est Créteil Val-de-Marne - M. Georges VIGARELLO, Professeur émérite, École des Hautes Études en Sciences Sociales 2 Annexe n°1 : Entretiens Entretien avec Tariq Abdul-Wahad Ancien joueur universitaire (Michigan State) et NBA (Sacramento, Orlando, Denver, Dallas). Entraîneur d’une équipe de lycée à San José. Propos recueillis le 24 février 2014 en marge d’une conférence à USC. « It was like you had black kids from New York in the 1960s being coached by white men from Mississippi. The cultural disconnect was that drastic. France, because of its colonies, half the team is black. There was a serious disconnect between the players and the staff. When I was a rookie, we had 3 meetings: one to manage your money, one for security matters, one to handle lovers. All this was meant to protect the NBA brand, the corporate brand. We’re athletes, but we’re more than athletes. I would love to see these corporations consider athletes as individuals, just as they consider themselves. -
STYUKA WEATHERS STORM Business 4 .College
Xavier University Exhibit All Xavier Student Newspapers Xavier Student Newspapers 1998-04-29 Xavier University Newswire Xavier University (Cincinnati, Ohio) Follow this and additional works at: https://www.exhibit.xavier.edu/student_newspaper Recommended Citation Xavier University (Cincinnati, Ohio), "Xavier University Newswire" (1998). All Xavier Student Newspapers. 2798. https://www.exhibit.xavier.edu/student_newspaper/2798 This Book is brought to you for free and open access by the Xavier Student Newspapers at Exhibit. It has been accepted for inclusion in All Xavier Student Newspapers by an authorized administrator of Exhibit. For more information, please contact [email protected]. ][ Newswire's M9st Intriguing A student's run-in with the Athletes of the Year pqlice over fake ID's . page 11 page 9 STYUKA WEATHERS STORM Business 4 .college. renamed BY KARA BENKEN MANAGING ED1TOR Rev. James E. Hoff, S.J.; presi dent of Xavier University, and the Board of Trustees announced Monday that the· College ofBusiness Administration will be named in honor of two founders of The Western and Southern Life Insur~ ance Company, brothers William J'. Wil liams and Charles F. Williams. The Williams College of Business Adminis tration will be officially dedicated Thurs day, May 7. "Naming our business college for two such outstanding men; men whose .descendants have continued their tradi tion of leadership in Cincinnati busi NEWSWIRE PHOTO BY PETE HOL TERMANN ness, education and charitable circles, is While the crowd looks on, junior Andrew Peters, donning a cow outfit, pays to throw a pie at senior Roderick Hinton during agreathonorforall ofus at Xavier,'' said Saturday's STYUKA charity festival. -
Back to the Future Howard Shore:The Cell
Original Music Soundtracks for Motion Pictures and TV V OLUME 5 , N UMBER 9 / 1 0 Art-house Action page 45 09 > ALAN SILVESTRI: CAST AWAY PLUS: BACK TO THE FUTURE 7 252 74 9 3 7 0 4 2 $4.95 U.S. • $5.95 Canada HOWARD SHORE: THE CELL Two new scores by the legendary composer of The Mission and A Fistful Of Dollars. GAUMONT AND LEGenDE enTrePriSES PReSENT Also Available: The Mission Film Music Vol. I Film Music Vol. II MUSicic BYBY ENNIO MORRICONE a ROLAND JOFFÉ film IN STORES FEBRUARY 13 ©2001 Virgin Records America, Inc. v CONTENTS NOVEMBER/DECEMBER 2000 cover story departments 26 101 Great Film Scores on CD 2 Editorial Here at the end of the year, century, millennium, Counting the Votes. whatever—FSM sticks out its collective neck and selects the ultimate list of influential, significant 4 News and enjoyable soundtracks released on CD. Hoyt Curtin, 1922-2000; By Joe Sikoryak, with John Bender, Jeff Bond, Winter Awards Winners. Jason Comerford, Tim Curran, Jeff Eldridge, 5 Record Label Jonathan Z. Kaplan, Lukas Kendall Round-up & Chris Stavrakis What’s on the way. 6 Now Playing 33 21 Should’a Been Contenders Movies and CDs in release. Go back to Back to the Future for 41 Missing in Action 8 Concerts ’round-the-clock analysis. Live performances page 16 around the world. f e a t u r e s 9 Upcoming Assignments 14 To Score or Not To Score? Who’s writing what Composer Alan Silvestri found his music for whom. struggling for survival in the post-production of Cast Away.