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MARC RIBOT, Guitarra (Estados Unidos)

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MARC RIBOT, Guitarra (Estados Unidos) 7ª SEMANA DE LA GUITARRA MARC RIBOT, guitarra (Estados Unidos) Lunes 19 de octubre de 2015 • 7:00 p.m. Cali, Fundación Hispanoamericana Santiago de Cali Martes 20 de octubre de 2015 • 7:00 p.m. Buenaventura, Auditorio de Comfenalco Miércoles 21 de octubre de 2015 • 3:00 p.m. Buenaventura, Auditorio de Comfenalco Viernes 23 de octubre de 2015 • 7:00 p.m. Villavicencio, Teatro La Vorágine Lunes 26 de octubre de 2015 • 7:00 p.m. Barranquilla, Teatro Amira de la Rosa Martes 27 de octubre de 2015 • 7:00 p.m. Montería, Auditorio Cecar Miércoles 28 de octubre de 2015 • 7:30 p.m. Bogotá, Sala de Conciertos Biblioteca Luis Ángel Arango TOME NOTA • Los conciertos iniciarán exactamente a la hora indicada en los avisos de prensa y en el programa de mano. Llegar con media hora de antelación le permitirá ingresar al concierto con tranquilidad y disfrutarlo en su totalidad. • Si al momento de llegar al concierto éste ya ha iniciado, el personal del auditorio le indicará el momento adecuado para ingresar a la sala de acuerdo con las recomendaciones dadas por los artistas que están en escena. • Agradecemos se abstenga de consumir comidas y bebidas, o fumar durante el concierto, con el fin de garantizar un ambiente adecuado tanto para el público como para los artistas. • Durante el transcurso del concierto por favor mantenga apagados sus equipos electrónicos, incluyendo teléfonos celulares, buscapersonas y alarmas de reloj. Esto ayuda a crear un ambiente propicio para disfrutar la música. • Por respeto a los derechos de autor de los compositores e intérpretes, no está permitido realizar grabaciones de audio o video ni tomar fotografías durante el concierto. La guitarra viajera Dentro de sus actividades culturales, el Banco de la República cuenta con el programa de maletas viajeras. Se trata de un plan de préstamo de materiales previamente seleccionados, que viajan acompañados de una guía de uso; estos permiten que, en una escuela, un maestro —entre otras personas— pueda enseñar acerca de un tema específico, con una bibliografía preseleccionada, unos planes de estudio prediseñados y materiales de apoyo. El objetivo es que comunidades distantes del Distrito Capital puedan aprender a través de las colecciones de la institución. Como si fuera una maleta viajera, desde 2006 la Semana de la Guitarra ha visitado varios rincones de Colombia presentando a solistas y ensambles de diferentes lugares del mundo, con repertorios, instrumentos e ideas propias de nuestra cultura o ajenas a ella, pero todas, parte del patrimonio universal que nos une como seres humanos habitantes del mismo planeta. Además de guitarras clásicas, a lo largo de sus seis ediciones, la Semana de la Guitarra ha presentado instrumentos como laúdes, tiples, guitarras eléctricas y guitarras portuguesas. La Séptima Semana de la Guitarra está cargada de una extensa literatura musical que de nuevo visitará diferentes lugares del país. España, Alemania, Croacia, República Checa, Francia, Estados Unidos, Chile y Colombia son los invitados, y esta vez presentarán conciertos en 17 ciudades, además de ofrecer espacios de 1 aprendizaje y encuentro por medio de talleres y conversatorios. Esperamos que el público conozca de cerca y disfrute la energía del Cuarteto Europeo de Guitarras, el estilo flamenco y virtuoso de José María Gallardo del Rey (España), la fineza de Judicaël Perroy (Francia), la vitalidad del cuatro llanero de Zahira Noguera, la sonoridad del Gran Caribe enriquecida con los sonidos y la experimentación de Marc Ribot, los efectos sonoros de Trip Trip Trip y la celebración que el chileno José Antonio Escobar le hace a la música de nuestro país con su grabación de obras de compositores colombianos para el sello discográfico Naxos. Próximos a cumplir 50 años de programación en 2016, no queda más que desear buenos vientos a los viajeros de esta nueva Semana de la Guitarra, de cuyos estuches y maletas saldrán instrumentos, sonidos, historias y legados de las culturas gitana, clásica, colombiana y contemporánea. Estamos seguros de que regresarán a sus países y ciudades de origen con estuches y maletas más pesados, cargados de las sonrisas, los aplausos, la admiración y el aprecio del público colombiano. La 7ª Semana de la Guitarra Banco de la República cuenta con el apoyo de 2 Y con la colaboración de Instituto Departamental de Bellas Artes y Colegio Hispanoamericano en Cali, Comfenalco Valle – Regional Buenaventura, Universidad de la Amazonia en Florencia, Cámara de Comercio de Honda, Universidad del Sinú en Montería, Gobernación de la Guajira, Instituto Departamental de Cultura del Meta y Fundación Museo Bolivariano de Arte Contemporáneo – Quinta de San Pedro Alejandrino en Santa Marta. Consulte toda la programación de la 7ª Semana de la Guitarra en http://proyectos.banrepcultural.org/semana-de-la-guitarra Marc Ribot (pronunciado “Ri-bou”) nació en 1954 en Newark, Nueva Jersey, Estados Unidos. Apenas un adolescente, interpretaba la guitarra en varias bandas de barrio, al tiempo que estudiaba con el guitarrista clásico y compositor haitiano Frantz Casseus, quien se convirtió en su mentor. Luego de mudarse a la ciudad de Nueva York en 1978, pasó a formar parte de Realtones, y entre 1984 y 1989 fue integrante de Lounge Lizards, la banda de John Lurie. Entre 1979 y 1985 se desempeñó como músico acompañante de Brother Jack McDuff, Wilson Pickett, Carla Thomas, Rufus Thomas y Chuck Berry, entre muchos otros. La revista Rolling Stone destaca que el guitarrista Marc Ribot ayudó a Tom Waits a refinar un nuevo y extraño estilo Americana para su álbum Rain Dogs, de 1985; desde entonces, se ha convertido en el guitarrista al que todos recurren cuando se trata de aventurarse en proyectos en la 3 vena del root-music: Robert Plant y Alison Krauss, Elvis Costello, John Mellencamp. Otras referencias en su carrera discográfica incluyen a Soloman Burke, Neko Case, Diana Krall, Beth Orton, Marianne Faithful, Arto Lindsay, Caetano Veloso, Laurie Anderson, Susana Baca, McCoy Tyner, The Jazz Passengers, Medeski, Martin & Wood, Cibo Matto, Jamaaladeen Tacuma, James Carter, Vinicio Capposella (Italia), Auktyon (Rusia), Vinicius Cantuaria, Sierra Maestra (Cuba), Alain Bashung (Francia), Marisa Monte, Allen Ginsburg, Madeleine Peyroux, Sam Phillips, y más recientemente a Joe Henry, Allen Toussaint, Norah Jones, Akiko Yano, The Black Keys, Jeff Bridges, Jolie Holland, Elton John/Leon Russell y muchos más. Ribot ha trabajado en varias ocasiones con el compositor John Zorn y con el productor T-Bone Burnett, en particular para el álbum de Robert Plant Raising Sand, ganador del Grammy. Los más de 20 álbumes que Marc Ribot ha lanzado a lo largo de su carrera cubren un amplio territorio, desde el jazz pionero de Albert Ayler con su grupo Spiritual Unity (Pi Recordings), hasta el son cubano de Arsenio Rodríguez con dos aclamadas producciones del sello Atlantic Records bajo el nombre Marc Ribot y los cubanos postizos. Su poderosa banda vanguardista posrock Marc Ribot’s Ceramic Dog (Pi Recordings) proviene del linaje heredado de sus anteriores agrupaciones Rootless Cosmopolitans (Island/Antilles Records) y Shrek (Tzadik), de la onda no-wave/ punk/noise. Sus grabaciones como solista incluyen Marc Ribot plays the complete works of Frantz Casseus (Les Disques du Crépuscule), Exercises in Futility (Tzadik) y su más reciente producción, Silent Movies, lanzada en 2010 por Pi Recordings, descrita por Village Voice como «obra maestra de semblante más bien triste» y presente en muchas de las listas de los mejores de 2010, incluyendo la del LA Times. En 2013 se dio el lanzamiento de Your turn (Northern Spy), segundo proyecto del trío posrock/noise Ceramic Dog, y en 2014 vimos el monumental lanzamiento de Marc Ribot Trio live at the Village Vanguard (Pi Recordings), que consiste en el registro de la presentación que en 2012 marcó tanto la primera aparición de Ribot en calidad de músico principal de la velada como el regreso de Henry Grimes a este histórico escenario. Esta producción figura en varias listas de los mejores del 2014, incluyendo las de Downbeat Magazine y NPR’s 50 Favorites. Marc Ribot ha tocado en las producciones para The Kids are all Right, Where the Wild things Are, Walk the Line (Mangold), Everything is Illuminated y The Departed (Scorsese). También ha compuesto obras originales para producciones audiovisuales, incluyendo la de la película francesa Gare du Nord (Simon), el documental de la PBS Revolución: Cinco miradas, la película Drunkboat (con John Malkovich y John Goodman), el documental Joe Schmoe, de Greg Feldman, y el filme del director Joe BrewsterThe Killing Zone. También compuso la música para las producciones de danza Inasmuch as Life is Borrowed, del coreógrafo belga Wim Vandekeybus, y Altogether Different, de Yoshiko Chuma. Actualmente está presentando en gira su obra original para guitarra solista, compuesta sobre The Kid de Charlie Chaplin, encargada por el New York Guitar Festival y estrenada en enero de 2010 en el Merkin Hall. Junto con esta obra, interpreta una serie de 4 nuevos arreglos de música originalmente escrita para el cine negro por encargo del New School Noir Arts Festival 2011. En 2009, fue nombrado curador y director musical para la edición de ese año del Century of Song Festival, parte de la Trienal de Ruhr, Alemania. La serie de conciertos marcó el inicio de nuevos proyectos de colaboración artística junto a Iggy Pop, Marianne Faithfull, David Hidalgo (de Los Lobos), el maestro intérprete del cajón Juan Medrano Cotito, Carla Bozulich y Tine Kindermann. Los talentos de Ribot
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