2006 TRASH Regionals Round 12 Tossups
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Arguelles Climbs to Victory In2.70 'Mech Everest'
MIT's The Weather Oldest and Largest Today: Cloudy, 62°F (17°C) Tonight: Cloudy, misty, 52°F (11°C) Newspaper Tomorrow: Scattered rain, 63°F (17°C) Details, Page 2 Volume 119, Number 25 Cambridge, Massachusetts 02139 Friday, May 7, 1999 Arguelles Climbs to Victory In 2.70 'Mech Everest' Contest By Karen E. Robinson and lubricant. will travel to Japan next year to ,SS!)( '1.1fr: .vOl'S UHI! JR The ramps were divided into compete in an international design After six rounds of competition, three segments at IS, 30, and 4S competition. Two additional stu- D~vid Arguelles '01 beat out over degree inclines with a hole at the dents who will later be selected will 130 students to become the champi- end of each incline. Robots scored compete as well. on of "Mech Everest," this year's points by dropping the pucks into 2.;0 Design Competition. these holes and scored more points Last-minute addition brings victory The contest is the culmination of for pucks dropped into higher holes. Each robot could carry up to ten the Des ign and Engineering 1 The course was designed by Roger pucks to drop in the holes. Students (2,.007) taught by Professor S. Cortesi '99, a student of Slocum. could request an additional ten Alexander H. Slocum '82. Some robots used suction to pucks which could not be carried in Kurtis G. McKenney '01, who keep their treads from slipping the robot body. Arguelles put these finished in second place, and third down the table, some clung to the in a light wire contraption pulled by p\~ce finisher Christopher K. -
The Schreiber Times News Thursday, December 23, 2010
HE CHREIBER IMES TPaul D. Schreib er HSigh School Port Washington, NewYork Volume LXTI No. 4 December 2010 5IF$ISPOJDMFTPG .JEZFBS 4DISFJCFS)FBMUI /BSOJB 'FBUVSFT #VEHFU$VUT "%BZJOUIF-JGFPGB8SFTUMFS "& /FXT 4QPSUT 2 THE SCHREIBER TIMES NEWS THURSDAY, DECEMBER 23, 2010 I N THIS ISSUE... ! e Schreiber Times N!"#. Editor-in-Chief Mid-year budget cuts p. 3 Sahil Doshi Port Night Out p. 4 Swastika in temple parking lot p. 6 Managing Editor Leah Nash O$%&%'&#. Copy Editor Grading participation p. 7 Laura Werle Drug Surveys p. 8 Less commercial holiday season p. 9 News Editor Matt Heiden F!()*+!#. Assistant Editors Volunteering p. 11 Hannah Fagen Neopets p. 14 Max Kraus Health Awareness p. 15 Opinions Senior Editor A,E. Blake Mergler Narnia p. 17 Editor MTV p. 19 Sophia Ja- e Michael Jackson p. 20 Features Senior Editor S$'+)#. Reid Mergler Gymnastics p. 21 This photograph was taken by junior Gabrielle Davidoff during the summer as part Editor of an assignment for her AP Photo class. She was at the beach in Southold, NY, and Calling the Shots p. 22 Katya Barrett decided to photograph her dog as it came out of the water Assistant Editor A day in the life of a wrestler p. 24 Dan Miller A&E Editor N EWS BRIEFS Morgan Quigley Assistant Editors Natural Helpers club reinstated create new o/ cer positions for the club. toys were also collected in boxes in the lobby Bethia Kwak . e Natural Helpers club was renewed . e new positions will include a secretary, and during health classes. Kyle Manzione this year with a new advisor, social worker a community support team, a fundraising Club members spent time sorting the gi2 s Ms. -
Read Ebook {PDF EPUB} Never Coming to a Theater Near You a Celebration of a Certain Kind of Movie by Kenneth Turan Cookie Consent and Choices
Read Ebook {PDF EPUB} Never Coming to a Theater Near You A Celebration of a Certain Kind of Movie by Kenneth Turan Cookie Consent and Choices. NPR’s sites use cookies, similar tracking and storage technologies, and information about the device you use to access our sites (together, “cookies”) to enhance your viewing, listening and user experience, personalize content, personalize messages from NPR’s sponsors, provide social media features, and analyze NPR’s traffic. This information is shared with social media, sponsorship, analytics, and other vendors or service providers. See details. You may click on “ Your Choices ” below to learn about and use cookie management tools to limit use of cookies when you visit NPR’s sites. You can adjust your cookie choices in those tools at any time. If you click “ Agree and Continue ” below, you acknowledge that your cookie choices in those tools will be respected and that you otherwise agree to the use of cookies on NPR’s sites. MOVIE THEATER NEAR ME. It is in the nature of today’s movie business that while Hollywood blockbusters invade every megaplex, smaller, quality films often don’t get screen time. Fans of finer films have to count on catching up with them on video and DVD, but even the most hard-core devotees have trouble remembering what sounded good when a film was originally released. Never Coming to a Theater Near You will remedy that situation. This selection of renowned film critic Kenneth Turan’s absorbing and illuminating reviews, now revised and updated to factor in the tests of time, point viewers toward the films they can’t quite remember, but should not miss. -
Univerzita Palackého V Olomouci Filozofická Fakulta
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA Katedra divadelních, filmových a mediálních studií Tragikomično a sarkasmus v režisérské tvorbě Alexandera Payna Magisterská diplomová práce Autor: Barbora Greplová (Filmová věda / Anglická filologie) Vedoucí práce: Mgr. Luboš Ptáček, Ph.D. Olomouc, 2012 Prohlášení autorky Předkládám svoji diplomovou práci na téma „Tragikomično a sarkasmus v režisérské tvorbě Alexandera Payna“ Univerzitě Palackého v Olomouci ke splnění požadavků pro titul Magistr věd. Prohlašuji, že jsem tuto práci napsala samostatně a dle mého nejlepšího vědomí neobsahuje žádný materiál, který by byl dříve někým jiným publikován nebo sepsán, kromě literatury a zdrojů v práci řádně uvedených. ............................................ Barbora Greplová, Olomouc, 20. června 2012 2 2 Poděkování Jsem vděčná panu Mgr. Luboši Ptáčkovi, Ph.D. za jeho podnětné připomínky, ochotu a asistenci při vedení mé diplomové práce. Zároveň bych chtěla poděkovat panu Alexanderu Paynovi za čas, který věnoval našemu rozhovoru, jenž posléze sloužil jako jeden ze zdrojů mé práce. V neposlední řadě mé díky jde knihovně na Hampshire College, Massachusetts, a jejímu personálu, který svou pomocí nemalou měrou přispěl výzkumu a zpracování tohoto komplikovaného tématu. 3 3 OBSAH 1. Úvod ....................................................................................... 6 1. 1 Vymezení pojmů ................................................................. 8 1. 2 Kritické vyhodnocení teoretické literatury .......................... 13 1. 3 Kritické -
La Constellation Tzadik : 20 Ans/20 Disques the Tzadik Constellation: 20 Years/20 Albums Pierre-Yves Macé, Giuseppe Frigeni Et David Konopnicki
Document généré le 28 sept. 2021 08:11 Circuit Musiques contemporaines La constellation Tzadik : 20 ans/20 disques The Tzadik Constellation: 20 Years/20 Albums Pierre-Yves Macé, Giuseppe Frigeni et David Konopnicki Tzadik : l’esthétique discographique selon John Zorn Résumé de l'article Volume 25, numéro 3, 2015 Sous la forme d’une série de courtes chroniques, cette enquête propose un parcours subjectif à six mains à travers le catalogue de la maison de disques URI : https://id.erudit.org/iderudit/1034501ar Tzadik. Les trois auteurs, fervents « tzadikologues », ont sélectionné un disque DOI : https://doi.org/10.7202/1034501ar par année, depuis 1995 jusqu’à 2014, en veillant à ce que leur choix rende compte de la totalité des collections qui font la richesse unique de Tzadik Aller au sommaire du numéro (Composer Series, New Japan, Radical Jewish Culture, etc.). À travers les travaux de différents artistes de multiples horizons (Annie Gosfield, Pamelia Kurstin, Many Arms…), cette « constellation » guidera le lecteur à travers un dédale de genres et de sous-genres de l’underground musical (de la noise au Éditeur(s) postminimalisme, en passant par le klezmer, le dub et la fusion), tout en faisant Les Presses de l’Université de Montréal apparaître en creux la personnalité de John Zorn comme défricheur de talents sans frontières. ISSN 1183-1693 (imprimé) 1488-9692 (numérique) Découvrir la revue Citer cet article Macé, P.-Y., Frigeni, G. & Konopnicki, D. (2015). La constellation Tzadik : 20 ans/20 disques. Circuit, 25(3), 95–109. https://doi.org/10.7202/1034501ar Tous droits réservés © Les Presses de l’Université de Montréal, 2015 Ce document est protégé par la loi sur le droit d’auteur. -
Zerohack Zer0pwn Youranonnews Yevgeniy Anikin Yes Men
Zerohack Zer0Pwn YourAnonNews Yevgeniy Anikin Yes Men YamaTough Xtreme x-Leader xenu xen0nymous www.oem.com.mx www.nytimes.com/pages/world/asia/index.html www.informador.com.mx www.futuregov.asia www.cronica.com.mx www.asiapacificsecuritymagazine.com Worm Wolfy Withdrawal* WillyFoReal Wikileaks IRC 88.80.16.13/9999 IRC Channel WikiLeaks WiiSpellWhy whitekidney Wells Fargo weed WallRoad w0rmware Vulnerability Vladislav Khorokhorin Visa Inc. Virus Virgin Islands "Viewpointe Archive Services, LLC" Versability Verizon Venezuela Vegas Vatican City USB US Trust US Bankcorp Uruguay Uran0n unusedcrayon United Kingdom UnicormCr3w unfittoprint unelected.org UndisclosedAnon Ukraine UGNazi ua_musti_1905 U.S. Bankcorp TYLER Turkey trosec113 Trojan Horse Trojan Trivette TriCk Tribalzer0 Transnistria transaction Traitor traffic court Tradecraft Trade Secrets "Total System Services, Inc." Topiary Top Secret Tom Stracener TibitXimer Thumb Drive Thomson Reuters TheWikiBoat thepeoplescause the_infecti0n The Unknowns The UnderTaker The Syrian electronic army The Jokerhack Thailand ThaCosmo th3j35t3r testeux1 TEST Telecomix TehWongZ Teddy Bigglesworth TeaMp0isoN TeamHav0k Team Ghost Shell Team Digi7al tdl4 taxes TARP tango down Tampa Tammy Shapiro Taiwan Tabu T0x1c t0wN T.A.R.P. Syrian Electronic Army syndiv Symantec Corporation Switzerland Swingers Club SWIFT Sweden Swan SwaggSec Swagg Security "SunGard Data Systems, Inc." Stuxnet Stringer Streamroller Stole* Sterlok SteelAnne st0rm SQLi Spyware Spying Spydevilz Spy Camera Sposed Spook Spoofing Splendide -
The Interstitial, Musical Authenticity, and Social Identity
Hector N. Qirko* The Interstitial, Musical Authenticity, and Social Identity Resumen: Se exploran los procesos de autentificación musical examinando las reacciones de expertos de música y auditorios frente a la música de un grupo neoyorquino ‘intersticial’, es decir, entre diferentes géneros, “Los Cubanos Postizos”. Parece que cuestiones de autenticidad musical son de importancia para los críticos y el auditorio del grupo, al contrario de las expectativas basa- das en características del arte posmoderno, de la globalización social y de la constitución compleja del grupo mismo. De 54 comentarios examinados (im- presos, distribuidos por el Internet, o en entrevistas), 40 definen autenticidad por uno o más de los cuatro criterios siguientes: intención artística, característi- cas musicales técnicas, emoción musical y las credenciales de los artistas. Esto sugiere la continuidad de la relevancia de la autentificación para la formación y el mantenimiento de identidades de grupos en la sociedad contemporánea. Summary: This paper explores the process of musical authentication by examining the reactions of music experts and audiences to the music of an interstitial (inter-genre) New York group, “Los Cubanos Postizos”. Contrary to expectations based on characteristics of postmodern art, social globalization, and the complicated nature of the group itself, issues of musical authenticity appear to be important to the band’s reviewers and audience. Of 54 print, web, and interview commentaries examined, 40 address authenticity by means of one or more of the following four criteria: artistic intent, technical musical characteristics, musical emotion, and the credentials of the artists. This suggests the continuing relevance of authentication to the formation and maintenance of group identities in contemporary society. -
MARC RIBOT, Guitarra (Estados Unidos)
7ª SEMANA DE LA GUITARRA MARC RIBOT, guitarra (Estados Unidos) Lunes 19 de octubre de 2015 • 7:00 p.m. Cali, Fundación Hispanoamericana Santiago de Cali Martes 20 de octubre de 2015 • 7:00 p.m. Buenaventura, Auditorio de Comfenalco Miércoles 21 de octubre de 2015 • 3:00 p.m. Buenaventura, Auditorio de Comfenalco Viernes 23 de octubre de 2015 • 7:00 p.m. Villavicencio, Teatro La Vorágine Lunes 26 de octubre de 2015 • 7:00 p.m. Barranquilla, Teatro Amira de la Rosa Martes 27 de octubre de 2015 • 7:00 p.m. Montería, Auditorio Cecar Miércoles 28 de octubre de 2015 • 7:30 p.m. Bogotá, Sala de Conciertos Biblioteca Luis Ángel Arango TOME NOTA • Los conciertos iniciarán exactamente a la hora indicada en los avisos de prensa y en el programa de mano. Llegar con media hora de antelación le permitirá ingresar al concierto con tranquilidad y disfrutarlo en su totalidad. • Si al momento de llegar al concierto éste ya ha iniciado, el personal del auditorio le indicará el momento adecuado para ingresar a la sala de acuerdo con las recomendaciones dadas por los artistas que están en escena. • Agradecemos se abstenga de consumir comidas y bebidas, o fumar durante el concierto, con el fin de garantizar un ambiente adecuado tanto para el público como para los artistas. • Durante el transcurso del concierto por favor mantenga apagados sus equipos electrónicos, incluyendo teléfonos celulares, buscapersonas y alarmas de reloj. Esto ayuda a crear un ambiente propicio para disfrutar la música. • Por respeto a los derechos de autor de los compositores e intérpretes, no está permitido realizar grabaciones de audio o video ni tomar fotografías durante el concierto. -
John Zorn. the Gift; Songs from the Hermetic Theatre (2001). Chimeras; Masada Guitars (2003)
Brigham Young University BYU ScholarsArchive Faculty Publications 2008-01-01 John Zorn. The Gift; Songs from the Hermetic Theatre (2001). Chimeras; Masada Guitars (2003). Masada Recital; Magick (2004). Rituals (2005). Astronome; Masada Rock; Moonchild Christian T. Asplund [email protected] Follow this and additional works at: https://scholarsarchive.byu.edu/facpub Part of the Music Commons BYU ScholarsArchive Citation Asplund, Christian T., "John Zorn. The Gift; Songs from the Hermetic Theatre (2001). Chimeras; Masada Guitars (2003). Masada Recital; Magick (2004). Rituals (2005). Astronome; Masada Rock; Moonchild" (2008). Faculty Publications. 914. https://scholarsarchive.byu.edu/facpub/914 This Peer-Reviewed Article is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in Faculty Publications by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. RecordingReviews 129 JohnZorn. TheGift; Songs from the Hermetic Theatre (2001). Chimeras;Mas- ada Guitars(2003). Masada Recital;Magick (2004). Rituals (2005). Astronome; MasadaRock; Moonchild (2006). Each of these recordings appears on John Zorn'sown label,Tzadik. Once the unrulyupstart, John Zorn is now a MacArthurfellow, whose formi- dable catalogdivides easily intoearly, middle, and late periods.The earlyperiod dates fromthe mid-1970s to themid-1980s, when Zorn pioneeredthe practice of "comprovisation,"a termused to describe"the making of new compositionsfrom recordingsof improvised material/'1 Ultimately, Zorn's comprovisationblurs the lines between active listenerand composer,since both createnew works when theyimpose structureon foundsonic material.His earlystructuralist-modernist approach to comprovisationproduced esoteric,often severely pointillist music, and evolved into thegame pieces of the late 1970s and early 1980s,culminating in themasterpiece of strategy,Cobra (1984), the last early-periodwork. -
John Zorn Marathon Royce Triple Threat Featuring Abraxas, Secret Chiefs 3 & Bladerunner & the Hermetic Organ
John Zorn Marathon Royce Triple Threat featuring Abraxas, Secret Chiefs 3 & Bladerunner & The Hermetic Organ Sat, May 2 ROYCE TRIPLE THREAT 8pm – Abraxas: Psychomagia Royce Triple Threat Aram Bajakian Guitar Royce Hall Eyal Maoz Guitar 8pm Kenny Grohowski Drums RUNNING TIME: Shanir Blumenkranz Gimbri Approximately 3 hours; Two intermissions Intermission The Hermetic Organ 9pm – Secret Chiefs 3: Masada Book Two Royce Hall Trey Spruance Guitar Midnight Eyvind Kang Violin Ches Smith Drums RUNNING TIME: Approximately 45 minutes; Jason Schimmel Guitar No intermission Matt Lebofsky Keyboards Toby Driver Bass PRE-SHOW TERRACE EVENT: Round-Robin Duets: Intermission A Musical Improvisation 6:30 pm 10pm – Bladerunner Inspired by John Zorn’s improvisational John Zorn Sax techniques, a group of UCLA student Bill Laswell Bass musicians play a round-robin of s Dave Lombardo Drums pontaneous duets, culminating in a group imrov-jam session. THE HERMETIC ORGAN John Zorn Solo Organ Improvisations CAP UCLA SPONSOR: Supported in part by the Andrew W. Mellon Foundation ABOUT THE PROGRAM Although organ was Zorn’s first instrument (he often credits Lon Chaney MEDIA SPONSOR: in The Phantom of the Opera as a primal influence), in 2011 the saxophone great surprised even his hardcore fans by initiating a new series of solo organ concerts in churches around the world. The music is breathtaking, and distinguished by a spiritual mood that only a huge pipe organ like Royce Hall’s Skinner can create. A perfect outlet for Zorn’s dramatic sense of color and contrast, this performance reveals the composer’s mind at work in all its permutations. -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H. -
Todd Haynes Alexander Payne
TODD HAYNES ALEXANDER PAYNE Born: Todd Haynes, January 2, 1961 (Los Angeles, California, U.S.). Born: Alexander Papadopoulos, February 10, 1961 (Omaha, Nebraska, U.S.). Directing style: Influential director of new queer cinema; maker of period Directing style: Witty writer and director of satirical comedies; Omaha, melodramas; examinations of environment as disease, and the repressive nature Nebraska locations; commentary on U.S. suburban life; uses non-actors of societal conventions. to play minor roles. A key figure in the new queer cinema of the 1990s, Todd Writer and director Alexander Payne is one of the brightest Haynes became infamous years before the movement was talents to emerge in Hollywood recently, with a distinctive named when he used Barbie dolls instead of actors in his short style of comedy. After some student films, he worked at Superstar: The Karen Carpenter Story (1987), and the film was Universal Pictures and wrote unproduced screenplays. He then banned after the Carpenter family and the Mattel Corporation made contributions to two segments of the Inside Out (1992) objected. Haynes’s films reflect his background in art and portmanteau films, before completing his first feature, Citizen Top Takes… semiotics, and Superstar juxtaposed the squeaky-clean Ruth (1996). The film stars Laura Dern as an improvident drug Top Takes… plasticity of the singer’s public image against archival footage user and single mother, who can only be saved from jail if she I’m Not There 2007 Paris, je t’aime 2006 (Paris, I Love You) Far from Heaven 2002 of the invasion of Cambodia and the Watergate crisis, and terminates her latest pregnancy.