GROWING Or Out, with a Cloak of Plants Began in Earnest with French Botanist Patrick Blanc
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Designing Parterres on the Main City Squares
https://doi.org/10.24867/GRID-2020-p66 Professional paper DESIGNING PARTERRES ON THE MAIN CITY SQUARES Milena Lakićević , Ivona Simić , Radenka Kolarov University of Novi Sad, Faculty of Agriculture, Horticulture and Landscape Architecture, Novi Sad, Serbia Abstract: A “parterre” is a word originating from the French, with the meaning interpreted as “on the ground”. Nowadays, this term is widely used in landscape architecture terminology and depicts a ground- level space covered by ornamental plant material. The designing parterres are generally limited to the central city zones and entrances to the valuable architectonic objects, such as government buildings, courts, museums, castles, villas, etc. There are several main types of parterres set up in France, during the period of baroque, and the most famous one is the parterre type “broderie” with the most advanced styling pattern. Nowadays, French baroque parterres are adapted and communicate with contemporary landscape design styles, but some traits and characteristics of originals are still easily recognizable. In this paper, apart from presenting a short overview of designing parterres in general, the main focus is based on designing a new parterre on the main city square in the city of Bijeljina in the Republic of Srpska. The design concept relies on principles known in the history of landscape art but is, at the same time, adjusted to local conditions and space purposes. The paper presents the current design of the selected zone – parterre on the main city square in Bijeljina and proposes a new design strongly influenced by the “broderie” type of parterre. For creating a new design proposal we have used the following software AutoCad (for 2D drawings) and Realtime Landscaping Architect (for more advanced presentations and 3D previews). -
Green Facades and Living Walls—A Review Establishing the Classification of Construction Types and Mapping the Benefits
sustainability Review Green Facades and Living Walls—A Review Establishing the Classification of Construction Types and Mapping the Benefits Mina Radi´c 1,* , Marta Brkovi´cDodig 2,3 and Thomas Auer 4,* 1 Independent Scholar, Belgrade 11000, Serbia 2 Faculty VI—Planning Building, Environment, Institute for City and Regional Planning Technical University of Berlin, 10623 Berlin, Germany 3 Faculty for Construction Management, Architecture Department, Union University Nikola Tesla, Belgrade 11000, Serbia 4 Faculty for Architecture, Technical University of Munich, 80333 München, Germany * Correspondence: [email protected] (M.R.); [email protected] (T.A.); Tel.: +381-(0)63-117-2223 (M.R.); +49-(0)89-289-22475 (T.A.) Received: 21 June 2019; Accepted: 16 August 2019; Published: 23 August 2019 Abstract: The green facades and living walls of vertical greenery systems (VGS) are gaining increasing importance as sustainable building design elements because they can improve the environmental impact of a building. The field could benefit from a comprehensive mapping out of VGS types, an improved classification and nomenclature system, and from linking the benefits to a specific construction type. Therefore, this research reviews existing VGS construction types and links associated benefits to them, clearly differentiating empirical from descriptive supporting data. The study adopted a scoping research review used for mapping a specific research field. A systematic literature review based on keywords identified 13 VGS construction types—four types of green facades, nine types of living walls, and ten benefits. Thermal performance, as a benefit of VGS, is the most broadly empirically explored benefit. Yet, further qualitative studies, including human perception of thermal comfort are needed. -
Low Maintenance Gardening
LOW MAINTENANCE GARDENING FOR LOADS OF BEAUTY & HEALTH IN A NUTSHELL - DESIGN AND REDESIGN WITH MAINTENANCE AND ENJOYMENT IN MIND Utility-friendly Tree Planting Tips ๏ LESS IS MORE from We Energies ๏ MAKE IT EASY ๏ DO THE GROUNDWORK Trees growing too close to power lines ๏ CHOOSE WISELY can cause sparks, fires, power outages ๏ TREAT THEM RIGHT and shock hazards. To avoid these ๏ GARDEN WITH EASE problems, plant trees that won’t ๏ WARM UP, TAKE BREAKS AND BE SAFE interfere with power lines when fully grown. Small ornamental trees or LESS IS MORE shrubs that will not exceed 15 feet in height such as serviceberry, dogwood • Start small and expand as time, energy and desire allow and low-growing evergreens are best Fewer and smaller beds to plant around power lines. Trees Easy access to all parts of the garden bed and surrounding landscape such as maple, basswood, burr oak, • Fewer species - more of each white pine or spruce grow more than Low Maintenance Design Tips 40 feet high and should be planted Design with Maintenance in Mind more than 50 feet from any overhead • Simple combinations to double impact and create interest power lines. Plants flower at same time to double interest Plants flower at different times to extend bloom time And don’t forget to call 811 at least Make it edible and attractive - foodscaping three days before planting to check • Proper spacing the location of underground services. Shrub Plantings with Big Impact in a Short Time Use annuals and perennials as fillers as trees and shrubs grow Learn more utility-friendly planting You’ll need fewer annuals each year tips at we-energies.com. -
Representing Slavery at Oakland Plantation
REPRESENTING SLAVERY AT OAKLAND PLANTATION, A NATIONAL PARK SERVICE HISTORIC SITE IN CANE RIVER CREOLE NATIONAL HISTORICAL PARK, LOUISIANA by NELL ZIEHL (Under the Direction of Ian Firth) ABSTRACT This paper provides a framework for slavery interpretation at Oakland Plantation, a National Park Service site that is part of the Cane River Creole National Historical Park in Louisiana. The analysis discusses modes of interpretation; evaluation of primary source material, with an emphasis on historic structures, cultural landscapes, and archaeology; evaluations and recommendations for the use of secondary source material; and interpretive strategies that can be applied to any site dealing with the issue of slavery representation. The paper also includes a discussion of select themes and issues related to slavery interpretation, such as contemporary racism, class oppression, the plantation system in the Southeast, and the historiography of slavery scholarship. INDEX WORDS: Museum interpretation, Southern history, African-American history, Slavery, Historic preservation, Plantations, Louisiana history REPRESENTING SLAVERY AT OAKLAND PLANTATION, A NATIONAL PARK SERVICE HISTORIC SITE IN CANE RIVER CREOLE NATIONAL HISTORICAL PARK, LOUISIANA by NELL M. H. ZIEHL A.B., Bryn Mawr College, 1997 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF HISTORIC PRESERVATION ATHENS, GEORGIA 2003 © 2003 Nell Ziehl All Rights Reserved REPRESENTING SLAVERY AT OAKLAND PLANTATION, -
2019 Annual Report
The Friends of The Frelinghuysen Arboretum 2018-2019 ANNUAL REPORT A MESSAGE FROM THE PRESIDENT In April 2019 I was asked to make a presentation to the Morris County Park Commissioners about “who the Friends of Frelinghuysen Arboretum are and what they do.” Barbara Shepard, President of the MCPC Board, noted that there were several new commissioners who did not know much about the Frelinghuysen Arboretum (FA) and its support group. This request motivated me to combine the highlights of the Friends’ history (from a draft by past President Sally Hemsen) with a summary of the Friends’ financial contributions to the MCPC since inception in 1973, with some amazing results. The Friends’ grants and donations to the MCPC can be broadly categorized as support for Facilities (Frelinghuysen, Bamboo Brook, Willowwood, and Tourne Park), Plants & Gardens, Programs & Events, and Staff Support. To cite some major support for Facilities, the Friends gave (in round numbers) $50,000 for the renovation of the Haggerty Education Center auditorium and lobby, $156,000 for garden infrastructure projects at the FA, $40,000 for preservation of the Rare Books collection, and $55,000 for the hardscape restoration at Bamboo Brook, to name just a few from a total of nearly $450,000. Donations for Plants & Gardens were $31,000; for Programs & Events--$81,000; and for Staff Support--$137,000. Total grants and donations since 1973 were nearly $700,000, and this figure does not include support for several staff positions through the years, nor the scholarships which have been presented annually since 1977. The actual total is probably close to $1 million. -
Product Guide Bring Walls to Life
PRODUCT GUIDE BRING WALLS TO LIFE EXPLORE VISTAGREEN P. 6-7 OUR PHILOSOPHY P. 8-9 A PERSONAL TOUCH The market leader in artificial green walls P. 10-11 THE MOST BEAUTIFUL GREEN WALLS P. 12-15 RESEARCH AND DEVELOPMENT P. 16-19 THE VISTAGREEN DIFFERENCE P. 20-69 VISTAGREEN AT HOME Contents P. 70-71 VISTAGREEN FOR BUSINESS P. 72-85 Hospitality P. 86-95 Events & Exhibitions P. 96-99 Airports P. 100-105 Shopping Centres P. 106-113 Where horticultural limits are reached, our artificial Furniture Stores green walls are the market-leading solution for P. 114-125 Offices spaces where plants cannot grow. P. 126-127 Casinos | 5 PAGE Our green walls transcend the need for light and P. 128-129 OUR PRODUCTS PAGE | 4 PAGE water and are at home anywhere your imagination P. 130-135 CUSTOMISE YOUR GREEN WALL takes them. Manufacturing our Signature Panels to the highest standards in our own facility, we have faithfully replicated nature’s beauty using colours and forms virtually indistinguishable from real plants. PRODUCED BY: VISTAGREEN CREATIVE TEAM UK ALL RIGHTS RESERVED. NO PART OF THIS PUBLICATION MAY BE USED IN ANY FORM OR MEANS WITHOUT THE PRIOR WRITTEN CONSENT OF VISTAGREEN LTD. COPYRIGHT © 2019, VISTAGREEN LIMITED. IF YOU HAVE ANY QUESTIONS PLEASE CONTACT: UNIT 6 TRADE CITY FRIMLEY, LYON WAY, FRIMLEY, CAMBERLEY GU16 7AL UNITED KINGDOM TEL +44 (0)20 7385 1020 VISTAGREEN LTD. BRING WALLS TO LIFE PAGE | 7 PAGE PAGE | 6 PAGE OUR PHILOSOPHY At Vistagreen, we are driven by the passion We constantly innovate to ensure that our to create inspiring, uplifting environments products are an exciting blend of high style that will enhance and enrich everyday life. -
Seattle Green Factor Walls Presentation
GREEN WALLS and GREEN TOWERS Presented by Randy Sharp, ASLA, CSLA, LEED® Accredited Professional Sharp & Diamond Landscape Architecture Inc. GREEN WALLS and GREEN TOWERS GREEN CITY VISIONS Atlanta, GA www.nasa.gov Vancouver, BC: Pacific Boulevard, by Alan Jacobs Chicago: Kennedy Expressway • Green corridor with large urban trees for airflow • Competition by Perkins and Will • Green roofs and living walls control microclimate GREEN WALLS and GREEN TOWERS URBAN TREES and PERMEABLE PAVERS SF-RIMA Uni Eco-Stone pavers • Porous pavements give urban trees the rooting space they need to grow to full size. (Bruce K. Ferguson, and R. France, Handbook of Water Sensitive Planning and Design, 2002) • Large trees reduce ambient temperature by 9F (5C) by evapotranspiration and shading. GREEN WALLS and GREEN TOWERS COOL PAVERS and CONTINUOUS SOIL TRENCHES Ithaca, New York: pavers with soil trench Berlin, by Daniel Roehr • 5th Avenue, New York, trees are 100+ years. Trees store more than 2000 kg. of carbon. • Durability and flexibility: These sidewalk pavers are 60+ years. • Permeable pavers allow air, water and nutrients down to roots. Avoid sidewalk heaving. GREEN WALLS and GREEN TOWERS BIOCLIMATIC SKYSCRAPERS, Ken Yeang, Architect Menara Mesiniaga, Malaysia, photo by Ken Yeang IBM Plaza, Drawing by Ken Yeang Bioclimatic skyscraper by T.R. Hamzah & Yeang • T.R. Hamzah & Yeang design bioclimatic buildings for tropical and temperate zones. • Bioclimatic Skyscrapers in Malaysia are a form of regional architecture. • Lower building costs and energy consumption. Aesthetic and ecological benefits. • Passive approach: sun shading, louvers, solar skycourts, terraces, wind catchers. • Green roofs connected to the ground and to green corridors. -
The Pennsylvania State University Schreyer Honors College
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE COLLEGES OF ENGINEERING AND THE LIBERAL ARTS LIVING WALLS: VARIETIES, BENEFITS AND GLOBAL DISTRIBUTION ALYCE DILAURO Spring 2010 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Public Relations with honors in Science, Technology, and Society Reviewed and approved* by the following: Laura Guertin Associate Professor of Earth Sciences Thesis Supervisor and Honors Adviser Andrew Lau Associate Professor of Engineering Design Thesis Reader * Signatures are on file in the Schreyer Honors College. i ABSTRACT Today, “going green” has become a salient issue in the United States and across the globe. One of the green initiatives growing in popularity is the practice of green construction. Commercial, educational, and government buildings have increased their use of sustainable construction materials and environmentally-friendly designs with the addition of green roofs and living walls. Green roofs either partially or completely cover the roof of a building with vegetation for environmental and economic benefits. Living walls are similar to the design, construction and function of green roofs, yet these walls exist indoors or outdoors as a vertical arrangement of plants. One example of a living wall is an indoor herb wall constructed by Penn State. In Penn State’s entry to the 2009 Solar Decathlon competition, the Natural Fusion house contains planter boxes with herbs used for cooking that hang in the kitchen on boards of horizontal poplar. This indoor living herb wall receives sunlight from three skylights and water from the house occupants. Despite the green construction efforts in the United States, living walls are more popular and common in Europe than the rest of the globe. -
History of Gardening
Hist ory of Gardening 600-850 HE COLOR OF RIPE TOMATOES, the juicy tang of a peach, the Tgreen evenness of a lawn, the sweet scent of lilies and lilacs… Summer is the time for gardeners, and this exhibit celebrates the season with a select ion of books on several diff erent types of garden- ing. From antiquity to the present, interest in gardens has generated a steady supply of books on plants, planting advice, and landscape design. Th is exhibit focuses on gardening in the seventeenth, eigh- teenth, and nineteenth centuries, taking into account formal es- tate gardens, kitchen gardens, tree nurseries, and other plantings. Gardeners during this period ranged from aristocratic hobbyists and landowners to the more humbly born professional grounds- keepers hired to manage estates both great and small. Hybridizers and botanists introduced exciting new varieties of fruits, vegetables, and fl owers into gardens across the Europe and the Americas. In England, fi gures like “Capability” Brown and Humphry Repton made names for themselves as landscape architect s on a grand scale, while botanists and nurserymen like William Curtis and Leonard Meager contributed to the gardener’s stock of pract ical information on specifi c plants. From the proper way to prune fruit trees to the fashionable layout of a great estate, these books record how gardeners select ed, planned, and cared for their plantings. Viewers are invited to read, enjoy, and imagine the colors, fl avors, sights and smells of summers long past. e Kitchen Garden ITCHENITCHEN gardens were the heart of rural food produc- Ktion, wherewhere everythingeverything fromfrom the tenderesttenderest peaches and plums to the hardiest cabbage and kale were grown. -
Green Wall and Vertical Garden Project I.D
SIU Sustainability Council Project Final Report Project Information Project Title Green Wall and Vertical Garden Project I.D. # 41205 Award Date Fall 2012 Completion Date Summer 2014 Funds used $50,000 Qualitative Assessment and Feedback Please provide a brief description of the project and your experience. There are two aspects of this green fund, the green wall and the vertical garden. Both demonstrate sustainable practices using current systems. The green wall was installed inside the agriculture building in October, 2013 under the guidance of the professionals who produce the system we selected. The 8’ x 9’ green garden wall was created by attaching marine plywood, a water barrier, and then a sheet of pvc to the wall. Two layers of a high quality felt were attached to the pvc as well as an irrigation system across the top. To plant, we cut a slit in the thin outer layer for each plant. Then we removed the potting soil from the plant roots and placed the plant into the pocket we had created by cutting the fabric. Next we stapled the pocket area to hold the plant into the system. The irrigation keeps the felt damp and contains the nutrients to keep the plants alive and healthy. Track lighting was installed to provide adequate lighting. The wall is healthy and continues to be a popular site to visit. The vertical garden (which are growing towers made of pvc) is seasonal and was housed in the agriculture teaching greenhouse. It included a series of towers designed to hold a soilless medium and plants in a vertical position. -
The Use of the Hedge [From the Spirit of the Garden, 1923]
THE USE OF THE HEDGE Martha Brookes Hutcheson might be described as that formality of green growth most nearly HEDGES-L related to architecture. Indeed, there is so very fine a line between their artificially produced form and proportion and that of an architectural detail that practically they may be thought of as part of the general architectural scheme. It is the meeting-point of architecture and the green world-one of the instances where Nature, harnessed to civilization, does not lose in value. We might compare the hedge to the magic-though artificial-touch which transforms the great for- est tree, with all its freedom of growth and beauty of line, into a splendidly wrought column, so full of proportion and dignity that the sisters of the forest, from which it came, might almost envy it. The hedge is essentially artificial in its original treatment and also in its preser- vation, and left untouched for a short period, goes back with amazing alacrity to the freer growth which the Lord intended. Let us begin with our low flower-bed borders, our box and our barberry, and think of them as hedges. They are the little ones, and they creep up in size to those which we look over-which are of enormous use-and to those which are higher than ourselves ; and then we begin to think of the stately hedges of box and holly in Scot- land and England, and the wonderful yew and ilex hedges which we find in Italy- the backgrounds for the statues; the enclosures for the amphitheatres; the protecting walls behind which romance and intrigue have been born and cardinals have walked. -
New French Formal Gardens
TABLE OF CONTENTS INTRODUCTION ................................................................................................................................ 3 I - HISTORY .......................................................................................................................................... 4 1 - The Château’s Surroundings in the 16 th Century ........................................................................ 4 2 - The Major Projects of the 17 th Century ........................................................................................ 4 3 - Completion of the Parterre in the 18 th Century ........................................................................... 5 4 - The Steady Disappearance of the Garden .................................................................................. 7 II – SCIENTIFIC APPROACH ........................................................................................................... 8 1 - A Methodical and Scientific Investigation .................................................................................. 8 2 - Historical Research (2003–2014) .................................................................................................. 8 3 - Archaeological and Geophysical Surface Surveys (2013–2014) .................................................. 8 4 - Planned Archaeological Digs (2016) ............................................................................................ 9 III – COMPOSITION OF FRENCH FORMAL GARDENS ........................................................