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JACKBOOTS on WHITEHALL Team America Meets Inglourious Basterds
PREORDER JUN 28 RELEASE JUL 26 NEW RELEASE: FLATIRON JACKBOOTS ON WHITEHALL Team America meets Inglourious Basterds All-star voice cast includes: – Ewan McGregor ( The Ghost Writer , Star Wars Episodes I-III ) – Dominic West ( The Wire ) – Rosamund Pike ( An Education , Barney’s Version ) – Timothy Spall as Churchill ( The King’s Speech, Harry Potter series) – Alan Cumming as Hitler ( X-Men 2 , Nicholas Nickleby ) – Pam Ferris ( Matilda , Harry Potter and the Prisoner of Azkaban ) Premiered at the famed Edinburgh Film Festival. Will launch with promotion party and potential panel at San Diego Comic-Con, July 2011. Facebook ad and viral online campaign will target fans of other supermarionation titles, such as Team America: World Police and Thunderbirds , as well as classic sci-fi and British comedy. Marketing and PR outreach will leverage access to film’s big-name stars for top tier press, and target the gamer/fanboy audience (G4 TV, io9) with online SYNOPSIS On the English South Coast, Chris, a young farm worker, ad/social media campaign. dreams of the chance to join the army and fight in exciting new lands. His chance comes when the three top Nazis, the enormous Goering, the PRODUCT INFORMATION COMP TITLES malnourished Goebbels and the scarily campy Himmler hatch a plan to DVD FEATURES : Behind-the-scenes footage, interview with the creators, Featurettes: The Swastikas, Bad Day to be a Nazi, Hitler’s Rat Pack, The Nazi Hotties, Explosions, invade England by drilling under the English Channel and into the heart Voiceovers, Theatrical Trailers SRP: $19.95 U.S. $22.95 CAN of London. -
Monday 7 January 2019 FULL CASTING ANNOUNCED for THE
Monday 7 January 2019 FULL CASTING ANNOUNCED FOR THE WEST END TRANSFER OF HOME, I’M DARLING As rehearsals begin, casting is announced for the West End transfer of the National Theatre and Theatr Clwyd’s critically acclaimed co-production of Home, I’m Darling, a new play by Laura Wade, directed by Theatre Clwyd Artistic Director Tamara Harvey, featuring Katherine Parkinson, which begins performances at the Duke of York’s Theatre on 26 January. Katherine Parkinson (The IT Crowd, Humans) reprises her acclaimed role as Judy, in Laura Wade’s fizzing comedy about one woman’s quest to be the perfect 1950’s housewife. She is joined by Sara Gregory as Alex and Richard Harrington as Johnny (for the West End run, with tour casting for the role of Johnny to be announced), reprising the roles they played at Theatr Clwyd and the National Theatre in 2018. Charlie Allen, Susan Brown (Sylvia), Ellie Burrow, Siubhan Harrison (Fran), Jane MacFarlane and Hywel Morgan (Marcus) complete the cast. Home, I’m Darling will play at the Duke of York’s Theatre until 13 April 2019, with a press night on Tuesday 5 February. The production will then tour to the Theatre Royal Bath, and The Lowry, Salford, before returning to Theatr Clwyd following a sold out run in July 2018. Home, I’m Darling is co-produced in the West End and on tour with Fiery Angel. How happily married are the happily married? Every couple needs a little fantasy to keep their marriage sparkling. But behind the gingham curtains, things start to unravel, and being a domestic goddess is not as easy as it seems. -
Worksheet- the Boat That Rocked (Film Trailer) Watch the Video 3 Times
Worksheet- The Boat that Rocked (film trailer) Watch the video 3 times VIEWING 1: Write down all the words you understand : VIEWING 2: Fill in the blanks Richard Curtis, creator of Notting Hill, Four Weddings and a Funeral and Love Actually was __________ by the true story of how the _________ _____________ tried to _____ rock ‘n’ roll music from the _________ to bring us his latest comedy : __________ ________ In 1964, all anybody could ______ on _______ radio of ____ music was about _____ hours a week and this was the ________ time for British pop music. That’s the whole point of being the government, if you don’t like something, you simply make it ________ until one __________ DJ and a band of __________ took to the sea to begin __________ _______-_______ hours a day. You had the right to _______ to this music _________ you wanted… They became known as _________, loved by _________ and despised by the ____________. 22 million _____ used to ____ in every day, and then of course they got ________ status, which was even ________ VIEWING 3: Interview Richard Curtis ! What type of film is it according to Richard Curtis ? A comedy A romance A romantic comedy What’s the serious message out of this film ? ………………………………………………………………………. EE : Would you like to watch this film ? Why ? (30 words) …………………………………………..…………………………………………………..…………………………………… ….…………………………………………..…………………………………………………..………………………………… ……. Toolbox : exciting/ hilarious/ based on true events… Activity 3 : Let’s recap ! Using the trailer and your asnwers, write the synopsis (=plot) of the film The Boat that Rocked is a film by………………………………………………………………………………………. -
“Talkin' 'Bout My Generation”: Radio Caroline and Cultural Hegemony
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Sussex Research Online Financial control, blame avoidance and Radio Caroline: Talkin’ ‘bout my generation Article (Accepted Version) Miley, Frances M and Read, Andrew F (2017) Financial control, blame avoidance and Radio Caroline: Talkin’ ‘bout my generation. Accounting History, 22 (3). pp. 301-319. ISSN 1032-3732 This version is available from Sussex Research Online: http://sro.sussex.ac.uk/67723/ This document is made available in accordance with publisher policies and may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the URL above for details on accessing the published version. Copyright and reuse: Sussex Research Online is a digital repository of the research output of the University. Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. To the extent reasonable and practicable, the material made available in SRO has been checked for eligibility before being made available. Copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. -
The Boat That Rocked Da Fri Radio Blev Knægtet Af Statsmagten Af Bo Torp Pedersen
www.filmorientering.dk The Boat That Rocked Da fri radio blev knægtet af statsmagten Af Bo Torp Pedersen For nutidens ungdom er det sikkert ubegribeligt, at lande som Danmark og England i deres forældres levetid havde regeringer, som ville og kunne forbyde piratradioer, fordi de var populære, frie og spillede ungdommens ønskemusik. For nutidens unge er musik – lige meget hvilken genre – lettilgængelig. Måske kan filmen ”The Boat that rocked” hjælpe dem til at forstå, at sådan var det ikke i ti-året 1958-1968. Det er en løst fortalt komedie, der tager tilløb til nogle små historier, dels om nogle af personerne på pirat-radio-skibet, dels om ministeren og hans nærmeste embedsmand, som er -1- www.filmorientering.dk deres fjender. Richard Curtis har givet Kenneth Branagh frit løb i en vild parodi på en snæversynet konservativ politiker. Desværre kan Branaghs minister-portræt give det fejlagtige indtryk, at der er tale om en konservativ regerings-leder, men i årene 1964-1970 havde England en Labour regering under Harold Wilson. Philip Seymour Hoffman kan noteres for endnu en god rolle som én af Radio Rocks disc- jockeys, en amerikansk indvandrer, indfølt og præcist portrætteret, og på samme niveau er Bill Nighy, der føjer endnu en usædvanlig rolle til sine brede palet. På radioskibet er det ellers den unge Carl, som er vi tilskueres indgang til det sælsomme univers, men det virker som en belemring, at vi skal bruge en masse tid på Carls seksuelle debut og hans søgen efter den ukendte far, og filmens slutning spolerer slutdramaet med en fjollet overraskelse. -
Why Documentaries Matter Recognised As an Innovative Cultural Form
RISJ CHALLENGES CHALLENGES Documentaries have for many decades inhabited the schedules of public Why Documentaries Matter Why broadcasters. They have chronicled the lives and institutions of western democracies. In the past two decades, however, documentaries have become Why Documentaries Matter recognised as an innovative cultural form. Instead of being exclusively funded by television channels, documentaries receive money from a number of sources, including film funds, private investors and foundations. Rather than observing, documentaries are now thought capable of changing the world. Is this what they really do? How do we define a documentary? What does it mean to be the ‘author’ of a film? Nick Fraser has been editor of the BBC’s Storyville series since 1997; here he looks at the history of documentaries, showing how definitions of documentaries have changed – and how fragile is their funding. If we want good documentaries, he concludes, we have to find ways of encouraging their creators. “Nick Fraser writes about documentaries with unique authority. Not only has he made some good ’uns, he has commissioned more than practically anyone else on earth (for the BBC’s Storyville) and - as this book shows - he Nick Fraser has watched docs from their earliest days. His ideas on what the growth of the web and the decline of public service broadcasters mean for doc-makers are informed, imaginative and challenging.” Brian Lapping Chairman and Executive Producer, Brook Lapping “The rise of documentaries over the past two decades owes more to Nick Fraser than to any other single person. For so many of us who make non-fiction films, Nick’s peerless brand of tough love and mischievous curiosity have inspired us to aim higher as we try to promote greater understanding of the major events and issues of our time.” Eugene Jarecki Documentary film maker “This expert lament is beautifully written. -
Press Release 5Th June 2008
THE PHAROS TRUST Registered UK Charity Number 1090325 Press Release 5th June 2008 Text shown in italics has been taken from the press release issued by Working Title Pictures. HARWICH HISTORIC LIGHTSHIP TO STAR IN HOLLYWOOD MOVIE The historic Lightvessel LV18, has returned to Harwich after starring in a new blockbuster film. Filming for the new Richard Curtis movie The Boat That Rocked has been taking place in and around the Dorset harbour of Portland over the past 5 weeks. The Boat That Rocked is written by Richard Curtis, the Emmy, BAFTA and WGA Award-winning filmmaker whose projects have included films from Four Weddings and a Funeral, Notting Hill, Bridget Jones's Diary and Love Actually to Mr. Bean and Blackadder. It will also be directed by Curtis, his second directorial outing, but first non-rom-com. The film, based on the story of two offshore pirate radio ships in 1966 features actors, Rhys Ifans, Kenneth Brannagh, Bill Nighy and Philip Seymour Hoffman. In 1966, arguably British pop music's finest era, the BBC played only two hours of rock and roll every week. But pirate radio blasted rock and pop from the high seas 24 hours a day. And 25 million people - more than half the population of Britain - listened to these pirates every single day. The Boat That Rocked is an ensemble comedy in which the romance takes place between the young people of the '60s and pop music. It's about a band of rogue DJs that captivated Britain, playing the music that defined a generation and standing up to a government that, incomprehensibly, preferred jazz. -
Where Responsibility Lies: Corporate Social Responsibility and Campaigns for the Rights of Workers in a Global Economy
The London School of Economics and Political Science Where responsibility lies: Corporate social responsibility and campaigns for the rights of workers in a global economy Jill Timms A thesis submitted to the Department of Sociology of the London School of Economics for the degree of Doctor of Philosophy, London, December 2012 Declaration I certify that the thesis I have presented for examination for the PhD degree of the London School of Economics and Political Science is solely my own work other than where I have clearly indicated that it is the work of others (in which case the extent of any work carried out jointly by me and any other person is clearly identified in it). The copyright of this thesis rests with the author. Quotation from it is permitted, provided that full acknowledgement is made. This thesis may not be reproduced without my prior written consent. I warrant that this authorisation does not, to the best of my belief, infringe the rights of any third party. I declare that my thesis consists of 98,770 words. 2 Abstract Sociological analysis of corporate social responsibility (CSR) is, as yet, limited. This thesis analyses how approaches to CSR are defined and mobilised in relation to the rights of workers in transnational contexts of production and exchange. Participation in emerging global discourses of CSR is becoming standard practice amongst transnational corporations, and the growth and professionalisation of CSR, even during global economic crisis, suggests there may be substantial incentives for those seeking to influence agendas. To misunderstand the significance of CSR is dangerous. -
Largometrajes 2010 Feature Films
FAMILYSTRIP Dirigido por/Directed by LLUÍS MIÑARRO Productora/Production Company: EDDIE SAETA, S.A. Pasaje Permanyer, 14. 08009 Barcelona. Tel.: 93 467 70 40. Fax: 93 467 74 89. www.eddiesaeta.com ; [email protected] Con la participación de/With the participation of: TVE, S.A. Director: LLUÍS MIÑARRO. Dirección de producción/Line Producer: MONTSE PEDRÓS. Guión/Screenplay: LLUÍS MIÑARRO. Fotografía/Photography: PABLO GARCÍA PÉREZ DE LARA, CHRISTOPHE FARNARIER. Música/Score: GEORGES MOUSTAKI, JIMMY FONTANA, HENRY PURCELL. Montaje/Editing: SERGI DIES, VALENTINA MOTTURA. Sonido/Sound: VERONICA FONT. Mezclas/Re-recording Mixer: RICARD CASALS. Postproducción / Post Production: ÓSCAR PELÁEZ. Financial Manager: ROCÍO MARTAGÓN. DOCUMENTAL/DOCUMENTARY Con/With:MARIA LUZ ALBERO CALVO (Madre), FRANCESC MIÑARRO BERMEJO (Padre), LLUÍS MIÑARRO (Hijo), FRANCESC HERRERO (Pintor). Largometraje/Feature Film. Género/Genre: Documental. Duración/Running time: 70 minutos. Fechas de rodaje/Shooting dates: 07/01/2007 - 28/02/2008. Premios/Awards: l 23 Edición Cineuropa. Santiago de Compostela Premio del Público, Mejor Película XV Festival de Cine Español de Toulouse (Cinespaña) 2010 l Web: www.eddiesaeta.com/familystrip ; www.baditri.cat Mención especial. Festivales/Festivals: l Karlovy Vary Internacional Film Festival 2009 l 23 Edición Cineuropa 2009. Santiago de Compostela l Festival de San Sebastián 2009 l Montpellier Cinemed 2009 Competición Oficial l Festival de Montenegro 2009 l Festival de Cali 2009 (Colombia) Retrospectiva a Luís Miñarro l Filmoteca Valenciana Retrospectiva Eddie Saeta l 14° Bienal de Cine Español de Annecy 2010 (Francia) l Festival Internacional du Cinema Méditerrananéen / Tetuan 2010 l Festival Punta del Este 2010 (Uruguay) l Festival Las Palmas de Gran Canaria 2010 l Festival de Málaga. -
The Age of Stupid What the Critics Said
PUMACreative Impact Award The Age Of Stupid What the Critics Said... “The Age of Stupid is more The Age of Stupid stars Pete Postlethwaite as a man passionate, more emotionally living alone in the devastated world of 2055, looking charged than the Al Gore-fronted at old footage of seven real people from today and An Inconvenient Truth... Bold, asking: why didn’t we stop climate change when we supremely provocative, and hugely had the chance? important, her film is a cry from the heart as much as a roar for The Age of Stupid is an ambitious film that necessary change.” arrived with a splash on 15th March 2009, with The Telegraph the Guinness World Record-winning ‘People’s Premiere’ in London’s Leicester Square. The event “One of the most important films used just 1% of CO2 emissions in comparison with a of the year (perhaps decade) normal film premiere and was satellite-linked to 61 is about to be released. Take cinemas across the UK. In September 2009 the film note. While this film is about the launched worldwide with a global premiere in New collective future of humanity, this York where the film was linked to 700 cinemas in film is equally or more important over 50 countries. because it represents the future of film, film culture and film The Age of Stupid campaign was uniquely distribution and marketing.” ambitious, dynamic and far-reaching. When the Huffington Post film was released it garnered huge publicity, which in turn created wide ranging public awareness “This is about human nature, around the issues it conveyed. -
Marcia Gay Harden
Paragraph Pictures Inc. in association with TallTree Pictures presents Marcia Gay Harden Leonor Watling and Aidan Quinn in Joseph Kell Michael Therriault Gary Piquer Bethany Jillard Elizabeth Whitmere Claire Brosseau Patrick Garrow Darren Keay Michael Tait Peter Van Gestel with Valerie Mahaffey Produced by David Gordian and Alan Latham Written & Directed by Joan Carr-Wiggin MPAA Rating: R (for language/sexual references) Running time: 115 min New York Publicity: FALCO INK Shannon Treusch / Joanna Pinker [email protected]/[email protected], 212.445.7100 Los Angeles Publicity: MARINA BAILEY FILM PUBLICITY Marina Bailey/Sara Tehrani [email protected]/[email protected], 323.962.7511 www.kinolorber.com CONTENTS Page 3 CAST LIST Page 4 FILMMAKERS LIST Page 5 SYNOPSIS 1 SYNOPSIS 2 Page 6 ABOUT THE FILM Page 12 ABOUT THE CAST Page 17 ABOUT THE FILMMAKERS Page 19 END CREDITS CAST (in order of appearance) Madelyn MARCIA GAY HARDEN Lucy LEONOR WATLING Paul JOSEPH KELL Waitress DANIELA SAIONI Store Clerk GENADIJS DOLGANOVS Mother JESSICA BOOKER Office Assistant GENEVIEVE KANG Keith GARY PIQUER Sarah KAITLYN RIORDAN Tyler LEON B. AUREUS Sam JEFF ELLIOT Carla BEATRIZ YUSTE Maggie VICKIE PAPAVS Neighbour Elizabeth RHONDA HALL First Lear MAIRTIN O’CARRIGAN Rainer (Director) MICHAEL THERRIAULT Regan CLAIRE BROSSEAU Cordelia BETHANY JILLARD Goneril ELIZABETH WHITMERE Edgar DARREN KEAY Second Lear MICHAEL POLLEY Lydia VALERIE MAHAFFEY Gloucester MICHAEL TAIT Kent PETER VAN GESTEL Edmund PATRICK GARROW Nurse JENNI BURKE Derek AIDAN -
ミステリSFコレクション(洋図書) 1 資料番号 書名 請求記号 a Dictionary of Monsters and Mysterious Beasts / Carey Miller ; Illustrated 2011413056 001/Mi27 by Mary I
ミステリSFコレクション(洋図書) 1 資料番号 書名 請求記号 A dictionary of monsters and mysterious beasts / Carey Miller ; illustrated 2011413056 001/Mi27 by Mary I. French.-- Pan Books; c1974.-- (Piccolo original). Return to the stars : evidence for the impossible / by Erich von Däniken ; 2011411224 001.94/D37 translated by Michael Heron.-- Transworld Publishers; 1972. Rosenbach : a biography / by Edwin Wolf 2nd with John F. Fleming.-- 2011413486 002.07/W84 World Publishing; c1960. Holiday catalogue : The mysterious bookshop ; 1994, 1996, 1996 spring- 2011414227 011/H83 summer.-- The mysterious bookshop; 1994-. Holiday catalogue : The mysterious bookshop ; 1994, 1996, 1996 spring- 2011414228 011/H83 summer.-- The mysterious bookshop; 1994-. Holiday catalogue : The mysterious bookshop ; 1994, 1996, 1996 spring- 2011414229 011/H83 summer.-- The mysterious bookshop; 1994-. The list of books / Frederic Raphael, Kenneth McLeish.-- Harmony 2011413466 011/R17 Books; 1981. Subject guide to books in print : an index to the publishers' trade list 2011414166 015.73/P88 annual, 1963 / editen by Shrah L.Prakken.-- R.R. Bowker; 1963. By us! / society by crime writers in Stockholm ; translation by Claudia Brä 2011414299 018/C92 nnback.-- Härnösands Boktryckeri AB; 1981. The paperback price guide / by Kevin Hancer ; pbk..-- Overstreet 2011412078 018.4/H28 Publications. The paperback price guide / by Kevin Hancer ; pbk..-- Overstreet 2011412079 018.4/H28 Publications. 2011410672 Le Placard / John Burningham.-- Flammarion; c1975. 028.5/B93 2011410676 The little house / story and pictures by Virginia Lee Burton.-- Faber; 028.5/B94 Dr. George Gallup's 1956 pocket almanac of facts / Robert W. Mangold 2011414192 051/Ma43 and S. Arthur.-- Pocket Books; 1956.-- (A Cardinal Giant ; GC-1956).