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Triday Night Lights

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Triday Night Lights Script #z 20I Executive Producer: Peter Berg Producer: Jason Katims Episoie #: 2OI Executive #: 02001 Executive Producer: David Nevins Production Executive Producer: Brian Grazer Executive Producer: Sarah AubreY fxecutive Producer: Jeffrey Reiner Co-Executive Producer: John Cameron Co-Executive Producer: Elizabeth Hefdens TRIDAY NIGHT LIGHTS "Last Davs of Summer" T^7? -i I f an hrr rrrrvuvrr vJ Jason Katims rli ranfod l-rrr ees v_I Jeffrey Reiner PRODUCTION DRAFT July 13 , 200-l f ur-L July 17, 2007 Blue Pages: 1r1A, 6,14,1-6,21 t22,22A,23,3I,4I,52 July 18| 2001 Pink Paqes : 44 ,45 @ 2OO7NBC STUDIoS, INC. Al1 rights reserved. Not to be duplicated ii-iir""t-'p;riri;;i;;. rrri" materiil is the property of NBC Studios, rnc' ;;; i; ihtended solely for the use of its ierSonnet. The sale, 99PY:1q, reoroductron or ,!"pfol-tution of this material in any_ form is proht-brted. oiitrrbution or diSclosure of this material to unauthorlzect persons as also prohibited. FRIDAY NIGHT IIGHTS "Last Days of Summer" PRODUCTION DRAFT 1/13/01 CAST LIST COACH ERIC TAYLOR TIM RIGGINS TYRA COLLETTE JASON STREE? BRIAN *SMASH" WILLIAMS TAMI TAYLOR MATT SARACEN JULJE TAYLOR LANDRY CLARKE LYLA GARRITY SPEAKING PARTS: lin nrrlor nF :n^^-r-h^^\ \rrr uruLr vr oPPsoLdrr9g,, FEMALE DOCTOR SAMMY MEADE MACGREGOR THE S'fEDE CORRINA WILLIAMS JOHNNY TORRINO MAC MCGILL BUDDY GARRITY PANTHER PLAYER MRS. LORRAINE SARACEN KEVIN TURNER PAM GARRITY TABBY GARRITY BUDDY JR. GARRITY BO MILLER BILLY RIGGINS MINDY COLLETTE ANGELA COLLETTE LOIS ZEPP JENKINS MEG MIKE FRTDAY NIGHT LIGHTS Last Days of Summer" PRODUCTION DRAFT 1 /73/01 SET LIST I NTERIORS IIOSPITAL - DAY DEL]VERY ROOM - DAY VARIOUS - DAY COMMUTERAIRPLANE (PUDDLE JUMPER) _ DAY & NIGHT RIGGINS HOUSE - DAY CLARKE HOUSE _ DAY TAXI - DAY TAYLOR HOUSE _ DAY, NIGHT & DUSK FIELD HOUSE - DAY LOCKER ROOM - DAY SHOWERS_ DAY MACGREGOR'S OFFICE - DAY GROCERY STORE _ DAY GARRITY HOUSE - NIGHT GARRITY MOTORS _ NIGHT BUDDY'S OFFICE - NIGHT TYRA'S TRUCK - DAY COLLETTE HOUSE _ DUSK & NIGHT DOORWAY_ NIGHT BATHROOM- NIGHT LAKE ORION - HOUSE PARTY _ EVENING & NIGHT CLUB - NIGHT TAYLOR'S CAR - NIGHT LANDRY/S CAR - MOVING - NIGHT EXTERIORS RIVER-DAY&NIGHT HERRMANNFIELD _ DAY & N]GHT BLEACHERS _ DAY AERIAL SHOT - NIGHT HOSPITAL - DAY REC CENTER _ DAY POOL - DAY PARKING LOT _ DAY CONVENIENCE STORE _ DAY WILLIAMS HOUSE _ DAY DTLLON, TEXAS _ BEAUTY SHOTS _ DAY COUNTY LINE - DAY SOCCER FIELD - NIGHT GARRITY MOTORS - N]GHT RIGGINS HOUSE - DAY GROCERY STORE - DAY LAKE OR]ON - HOUSE PARTY . EVENTNG & NIGHT COLLETTE HOUSE _ NIGHT CLUB - NIGHT AM/PM PARKING LOT - NIGHT BRIDGE - NIGHT FRIDAY NIGHT LTGHTS "Last Davs of Summer" TEASER OVER BLACK, a woman's blood curdlj-ng SCREAMS-- woMAN'S VOrCE (O.S. ) What happened to the epidural!?! I can't. I can't. I can't do this anfmore ' We are: 1 rNT. HOSPTTAL ROOM- DELTVERY ROOI{ - DAY (D1) Where TAMI TAYLOR -- deep into labor -- is finishing a brutal contraction. A FEMALE DOCTOR, NURSE and a pale, barely conscious JULIE are attending her. FEMALE DOCTOR Okay, honey, you're doing great. TAMI This can't be happening. It's three weeks early. My husband isn't here... FEMALE DOCTOR Your baby's doing fine in there -- she's stronq-- TAMI The baby's strong. So what you're sayinqr is I'm not strong. I'm dying, aren't I? Am I dying? FEMALE DOCTOR You're not dying. TAMI If I'm gonna die will you tell me? FEMALE DOCTOR You are not dying. TAMT (turning to Julie) Honey, if I die I want you to know (MORE) ( CONTTNUED) FNL "Last Days of Summer" PINK 7/IB/07 1A' L CONTINUEDT ,rAMr (coNT'D) that I love You. You're a major pain in the ass but I love You. ( coNTTNUED) FNL "Last Days of Summer" PINK 7/78/07 2. L CONTINUED| (2) Mom,,o,r'tJffia haveto chil-l. TAI\,1I Excuse me? JULIE You're putting everyone here on edge with all the death talk and you're gonna have to chill out. Tarni just stares at Jul-ie, thoughtfully' then-- where tir. rHrt is vour father? As we start to hear EXPLOSIONSIN THE SKY' we... CUT TO: 2 rNT. COMMUTERATRPLANE (PUDDLE JUMPER) - DAY (Dr) coAcH ERIC TAYLOR, seated, incongruously dressed in his TMU shirt, shorts, a whistle around his neck and holding a clipboard. He nervously gna\^/s at hj-s gum as if attempting to will the plane to move faster. We follow Taylor's gaze out the window to-- POV THROUGHAIRPLANE WINDOW RURAL TEXAS in aII its barren beauty. 3 EXT. RrVER - DAY (D1) IN A WIDE SHOT, LYLA GARRITY stands knee deep in the water with a PRIEST, who recites a baptismal prayer, and lays Lyla down in the water. CLOSE ON LYLA'S face as she comes out of the water -- born the fuck again. We begin to hear the familiar and by now comforting voice of SAMMYMEADE. SAMMYMEADE (V.O. ) And God said, "Let there be football!" This is Slamnin' Sammy Meade welcomi-ng you back to another cr'lorious vear! of Panther Football . Y!v!3vsv J 4 rNT. RTGGTNSHOUSE - DAY (D1) PAN ACROSSbeer bottles, take-out wrappers, a trail of clothing, (ski-rt, top, bra, panties)... ( coNTTNUED) FNL "Last Days of Summer" PINK 7/18/07 3. 4 CONTINUED: SA],IMYMEADE (V.O. ) It's August and summer two-a-days is a time to welcome back our hard working, noble State champs... REVEAL RIGGINS opening his blurry hungover eyes to find a GORGEOUSGIRL in bed with him. And then another HOTTIE enters from the bathroom in a 33 Jersey and hops back into bed. OFF Riggins' smile... 5 rNT. CLARKE HOUSE - DAY (D1) LANDRY stands in front of his mj-rror wearing a Panther practice jersey and PADS. SAMMY I\4EADE (V. O . ) ...And it's a time of dj-scovery -- where we find out what surpri-sing fresh ta]ent the summer miqht bring. Landry's dad -- CHAD CLARKE (40s), former Dj-IJ-on Panther turned local Di}lon cop, appears in the doorway, looking at his son, not quite yet believing he's a football player. 5 EXT. HERRMANNFrELD - DAY (D1) TWO-A-DAYS! BRUTAI, HOT, VIOLENT. A series of hits! Players go down hard. At least a DOZEN are on the sidelines (Jrt/vq r-ramneriur trn-s|/ t Iretch'i v uvl.+.rY no-/ SUnStrUCk aS Our StarS and YOUNG HOPEFULSalike (including Landry) try to impress the coach or sj-mply get ready for the new season. SARACENcringes as he watches Landry take a brutal hit, but Landry bounces up like a punchi-ng bag ready for more, "T'm cool, I'fil cool." ANGLE ON: COACHMACGREGOR ( 0s) a hard ass wi-th a whole 1ot of fuck you in his attitude and a record to support it. He's got a little bit of a Great Santini vibe going -- as he is giving SHTT to the PLAYERS SITTTNG ON THE SIDELINES. ("Let's go Iadiesl You want an j-ntermission, join the ballet!) SAMMYMEADE (V.O.) But more than anything else, all eyes wi-II be on the highly touted, hiqhly paid Coach MacGregor. The question is can the coach who won three State Championshj-ps in Tennessee make the magic happen here in Texas? Saracen is lined up behind the center, who hj-kes the baII. Saracen hands off to SMASH. ( coNTTNUED) q.. FNL "Last DaYs of Summer" PINK 7/LB/07 CONTINUED: SAMMYMEADE (V.O. ) (CONT'D) So f ar Coach MacGregror's keePing hi-s cards cl-ose to the vest, but early signs seem to indicate he's going to transition the offense to a running garne. Another play. Saracen hands off again' And again. And agai-n. SAMMYMEADE (V.O. ) (CONT'D) Which could give Smash Williams the opportunitY to rack uP some major numbers in his crucially lmportant recruitment Year. And it could mean a long, Iong Year for Young quarterback l4att Saracen. a Saracen takes off his helmet and looks out, concerned' As GUITAR begins to strumr war CUT TO: rNT. TAXI - DAY (D1) A slightly overcranked MONTAGE-Ykind of a thing as Coach T"yl;; riles in the back of a cab. wrlco's Either Way begins as the taxi pulls up to the hospital entrance" ' rNT./EXT. HOSPTTAT- VARTOUS- DAY (Dl) Taylor hops out of the taxi before it comes to a complete and ire FOLLOW HIM as he makes his way through the t".rll-rirrg"ti,p doors, d'own the hall, up the stairs, through the maternit! wara.' ALL slightly 6VERSRANKED(and maybe with complimei-rt.ry shots of Tami as if these two are willing themselves to be joined), Wilco CONTINUES" ' rNT. HOSPTTAL - DELTVERYROOM - CONTTNUOUS(D1) Taylor comes into the delivery room and joins Tami. It's an ini:redibly emotj-onally charged moment. Tami grips his hand and just starts to cry. The MUSIC continues' TAMI You're here... TAYLOR Of course I'm here... The Female Doctor intervenes. ( coNrrNUED) FNL "Last Days of Summer" PINK 7/18/07 5. 9 CONTINUED: FEMALE DOCTOR I need one more push from your but you're going to have to give me a lj-ttle more, darling. TAI\,IT I don't have anvmore. FEMALE DOCTOR Yes, you do. Yes, you do. Now I'm gonna get you your baby, but I can't do this without vou. TAMI I have nothing left. I'm o1d. And I'm tired and I've got nothing Ieft.
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