DOCSLIB.ORG

Author Title Edition Copies

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Author Title Edition Copies A B C D E F G H 1 Pantomimes 2 Christmas play 3 Adapted from book 4 Plays on loan-waiting to find out which edition 5 Author Title Edition Copies 6 A 7 Albee, Edward The American dream French 6 8 Albee, Edward The zoo story French 8 9 Albee, Edward Who's afraid of Virginia Woolf? Penguin 5 10 Allen The prime of Miss Jean Brodie 12 11 Anouilh, Jean Antigone Methuen 6 12 Anouilh, Jean Becket Methuen 12 13 Anouilh, Jean The lark French 7 14 Arden, John and D'arcy, M. The business of good government Methuen 9 15 Auden,W.H & Isherwood, C. The dog beneath the skin Faber & Faber 7 16 Ayckbourn, Alan Absent friends French 6 17 Ayckbourn, Alan Absurd person singular French 11 18 Ayckbourn, Alan Bedroom farce French 8 19 Ayckbourn, Alan A chorus of disapproval Faber & Faber 6 20 Ayckbourn, Alan Confusions French 2 21 Ayckbourn, Alan Henceforward Faber & Faber 5 22 Ayckbourn, Alan How the other half loves French 7 23 Ayckbourn, Alan Joking apart and 2 other plays (Just between ourselves & Chatto & Windus 6 24 Ten times table) 25 Ayckbourn, Alan Just between ourselves French 12 26 Ayckbourn, Alan Relatively speaking French 4 27 B 28 Becket, Samuel Krapp's last tape and Embers Faber & Faber 6 29 Becket, Samuel Waiting for Godot Faber & Faber 7 30 Benfield Derek Off the Hook 10 31 Bennett, Alan Getting on 7 32 bennett, Alan Habeas Corpus 10 33 Bennett, Alan A private function Faber & Faber 8 34 Bolt, Robert Three plays (Flowering cherry; A man for all seasons; The tiger Mercury books 8 35 and the horse.) 36 Brecht, Bertolt The life of Galileo Methuen 12 37 Brittney, Lynn After the ball is over Playstage 7 38 Brittney, Lynn Ask the family Playstage 4 39 Brittney, Lynn A Christmas carol (adapted from Dickens) Playstage 12 40 Brittney, Lynn A different way to die Playstage 5 41 Brittney, Lynn Bunkered Playstage 9 42 Brittney, Lynn Dig for the diggers Playstage 8 43 Brittney, Lynn Have a nice day Playstage 6 44 Brittney, Lynn The home front (revue with sketches) Playstage 12 45 Brittney, Lynn The Haunted Bookshop Playstage 10 46 Brittney, Lynn The luvvies Playstage 9 47 Brittney, Lynn Mixed Doubles Playstage 12 48 Brittney, Lynn Motivation Playstage 4 49 Brittney, Lynn Nostalgia Playstage 6 50 Brittney, Lynn Old actors never die, they merely lose the plot. Playstage 12 51 Brittney, Lynn A two berth life Playstage 5 52 Brittney, Lynn Unexpected item in the bagging area Playstage 6 53 C 54 Cary, Falkland L. & Weathers, P. The proof of the poison French 11 55 Coward, Noel Blithe spirit French 8 56 Coward, Noel Hayfever French 11 A B C D E F G H 57 Coward, Noel Present laughter Heinemann 7 58 59 60 61 D 62 Dillon, Peter Grace Iron Press Drama 7 63 E 64 65 F 66 Frayn, Michael Alphabetical order French 7 67 Fry, Christopher The lady's not for burning O.U.P. 7 68 G 69 Gogol, Nikolai The Government inspector Heinemann 6 70 H 71 I 72 Ibsen, Henrik A doll's house French 11 73 Ibsen, Henrik Ghosts and two other plays - A public enemy; When we wake; Ghosts. Penguin 8 74 J 75 K 76 Kesselring, Joseph Arsenic and old lace English Theatre Guild 10 77 King, Philip I'll get my man French 15 78 L 79 Leigh, Mike Abigail's party French 6 80 M 81 Marshall, Alan The technical rehearsal Playstage 11 82 Millar, Ronald The More the Merrier French 8 83 N 84 Nicholson, William Shadowlands French 11 85 O 86 O'Casey, Sean Juno and the Paycock MacMillan 9 87 O'Neill, Eugene The Iceman cometh Jonathan Cape 9 88 P 89 Palin, Michael The weekend Methuen 8 90 Pilcher, Rosamunde & Gairdner, CharlesThe Piper of Orde Evans 8 91 Pinter, Harold The birthday party French 10 92 Pinter, Harold The caretaker Methuen 9 93 Pinter, Harold The homecoming French 6 94 Pinter, Harold Old times Methuen 6 95 Pinter, Harold One for the road Methuen 6 96 97 Plater, Alan And a little love besides French 8 98 Plater, Alan Close the coalhouse door Methuen 7 99 Potter, Dennis Brimstone and treacle French 9 100 Q 101 R A B C D E F G H 102 Robberts, Mark All balls and ashes Playstage 12 103 Russell, Willy One for the road French 9 104 S 105 Shakespeare, William All's well that ends well Various 13 106 Shakespeare, William Hamlet Penguin 11 107 Shakespeare, William The tempest Various 12 108 Sheridan, Richard B. Three plays-The Rivals; The school for scandal;The Critic Thomas Nelson 9 109 Stoppard, Tom Dalliance; Undiscovered country. Faber & Faber 6 110 Stoppard, Tom Dirty linen; New-found-land. French 6 111 Stoppard, Tom Enter a free man Faber & Faber 11 112 Stoppard, Tom Every good boy deserves favour; Professional foul Faber & Faber 8 113 Stoppard, Tom Hapgood Faber & Faber 10 114 Stoppard, Tom Jumpers Faber & Faber 9 115 Stoppard, Tom Night and day Faber & Faber 6 116 Stoppard, Tom The real Inspector Hound French 5 117 Stoppard, Tom The real thing Faber & Faber 3 118 Stoppard, Tom Rosencrantz and Guildenstern are dead Faber & Faber 13 119 Stoppard, Tom Rough crossing Faber & Faber 6 120 Stoppard, Tom Travesties Faber & Faber 12 121 T 122 Thomas, Dylan Under Milkwood Dent 12 123 Toy, Barbara and Moie, Charles The man in grey Evans 11 124 Travers, Ben Thark French 10 125 Turner David Semi detached French 15 126 2 north east plays Iron Press 12 127 W 128 Wesker, Arnold The Wesker trilogy-Chicken soup with barley; Roots; I'm talking about Jonathan Cape 12 129 Jerusalem 130 Whitemore, Hugh Pack of lies French 12 131 Wilde Oscar Lady Windemeres's fan Pan 8 132 Williams, Tennessee Cat on a hot tin roof Secker & Warburg 11 133 Williams, Tennessee The glass menagerie John Lehmann 10 134 Williams, Tennessee Sweet bird of Youth Secker & Warburg 5 135 136 137.
Load more

Recommended publications
  • Plays and Pinot: Bedroom Farce
    Plays and Pinot: Bedroom Farce Synopsis Trevor and Susannah, whose marriage is on the rocks, inflict their miseries on their nearest and dearest: three couples whose own relationships are tenuous at best. Taking place sequentially in the three beleaguered couples’ bedrooms during one endless Saturday night of co-dependence and dysfunction, beds, tempers, and domestic order are ruffled, leading all the players to a hilariously touching epiphany. About the Playwright Alan Ayckbourn, in full Sir Alan Ayckbourn, (born April 12, 1939, London, England), is a successful and prolific British playwright, whose works—mostly farces and comedies—deal with marital and class conflicts and point out the fears and weaknesses of the English lower-middle class. He wrote more than 80 plays and other entertainments, most of which were first staged at the Stephen Joseph Theatre in Scarborough, Yorkshire, England. At age 15 Ayckbourn acted in school productions of William Shakespeare, and he began his professional acting career with the Stephen Joseph Company in Scarborough. When Ayckbourn wanted better roles to play, Joseph told him to write a part for himself in a play that the company would mount if it had merit. Ayckbourn produced his earliest plays in 1959–61 under the pseudonym Roland Allen. His plays—many of which were performed years before they were published—included Relatively Speaking (1968), Mixed Doubles: An Entertainment on Marriage (1970), How the Other Half Loves (1971), the trilogy The Norman Conquests (1973), Absurd Person Singular (1974), Intimate Exchanges (1985), Mr. A’s Amazing Maze Plays (1989), Body Language (1990), Invisible Friends (1991), Communicating Doors (1995), Comic Potential (1999), The Boy Who Fell into a Book (2000), and the trilogy Damsels in Distress (2002).
    [Show full text]
  • List of Play Sets
    Oxfordshire County Council List of Play Sets Available from the Oxford Central Library 2015 Oxford Central Library – W e s t g a t e – O x f o r d – O X 1 1 D J Author Title ISBN Copies Cast Genre Russell, Willy Shirley Valentine: A play T000020903 2 1f Comedy (Dramatic) Churchill, Caryl Drunk enough to say I love you? T000096352 3 2m Short Play, Drama Churchill, Caryl Number T000026201 3 2m Drama Fourie, Charles J. Parrot woman T000037314 3 1m, 1f Harris, Richard The business of murder T000348605 3 2m, 1f Mystery/Thriller Pinter, Harold The dumb waiter: a play T000029001 3 2m Short Play Plowman, Gillian Window cleaner: a play T000030648 3 1m, 1f Short Play Russell, Willy Educating Rita T000026217 3 1m, 1f Comedy (Dramatic) Russell, Willy Educating Rita T000026217 3 Simon, Neil They're playing our song T000024099 3 1m, 1f Musical; Comedy Tristram, David Inspector Drake and the Black Widow: a comedy T000035350 3 2m, 1f Comedy Ayckbourn, A., and others Mixed doubles: An entertainment on marriage T000963427 4 2m, 1f Anthology Ayckbourn, Alan Snake in the grass: a play T000026203 4 3f Drama Bennett, Alan Green forms (from Office suite) N000384797 4 1m, 2f Short Play; Comedy Brittney, Lynn Ask the family: a one act play T000035640 4 2m, 1f Short Play; Period (1910s) Author Title ISBN Copies Cast Genre Brittney, Lynn Different way to die: a one act play T000035647 4 2m, 2f Short Play Camoletti, Marc; Happy birthday 0573111723 4 2m, 3f Adaptation; Comedy Cross, Beverley Chappell, Eric Passing Strangers: a comedy T000348606 4 2m, 2f Comedy (Romantic)
    [Show full text]
  • Alan Ayckbourn: Complete Play List
    Alan Ayckbourn - Complete Writing Credit: Alan Ayckbourn’s Official Website www.alanayckbourn.net License: This resource is available for free reproduction providing it is credited, is not used for commercial purposes and has not been modified without permission. Full Length Plays 1959 The Square Cat 1959 Love After All 1960 Dad’s Tale 1961 Standing Room Only 1962 Christmas V Mastermind 1963 Mr Whatnot 1965 Meet My Father subsequently Relatively Speaking (revised) 1967 The Sparrow 1969 How The Other Half Loves 1970 The Story So Far… subsequently Me Times Me Time Me (revised) subsequently Me Times Me (revised) subsequently Family Circles (revised) 1971 Time And Time Again 1972 Absurd Person Singular 1973 The Norman Conquests comprising Fancy Meeting You subsequently Table Manners Make Yourself At Home subsequently Living Together Round And Round The Garden 1974 Absent Friends 1974 Confusions 1975 Jeeves (with Andrew Lloyd Webber) subsequently By Jeeves (with Andrew Lloyd Webber) (revised) 1975 Bedroom Farce 1976 Just Between Ourselves 1977 Ten Times Table 1978 Joking Apart 1979 Sisterly Feelings 1979 Taking Steps 1980 Suburban Strains (with Paul Todd) 1980 Season’s Greetings 1981 Way Upstream 1981 Making Tracks (with Paul Todd) 1982 Intimate Exchanges comprising Events On A Hotel Terrace Affairs In A Tent Love In The Mist A Cricket Match A Game Of Golf A Pageant A Garden Fete A One Man Protest 1983 It Could Be Any One Of Us subsequently It Could Be Any One Of Us (revised) 1984 A Chorus Of Disapproval 1985 Woman In Mind 1987 A Small Family Business 1987 Henceforward… 1988 Man Of The Moment 1988 Mr.
    [Show full text]
  • The Writer and Director
    The writer and director Specific learning outcomes Students will: • understand the process of developing this script. • examine how a scene in the play has been developed by the director. • understand the writer’s purpose in developing this play • understand and be able to describe the features of Stoppard’s writing • identify key ideas in the play. [These learning outcomes relate to the Communication and Interpreting in Drama (CI) and Understanding Drama in Context (UC) strands in The Arts in the New Zealand Curriculum.] Tom Stoppard “If I wanted to change the world, the last thing I would do is write a play.” Tom Stoppard Tom Stoppard was born Tomas Straussler on 3 July 1937 in Zlín, Czech Republic. Stoppard’s father, Eugene Straussler, was a company physician whose Czech company sent the family to a branch factory in Singapore in 1938/39. After the Japanese invasion, his father stayed on and was killed in a prisoner of war camp, but Mrs Straussler and her two sons escaped to India, where she married a British officer, Kenneth Stoppard, in 1946. At the age of nine, Tom and his family went to live in England. Tom Stoppard (he assumed his stepfather’s surname) quit school at the age of 17 and started his career as a journalist in Bristol. He began to write plays in 1960 after moving to London. Travesties: The writer and director, page 1 Accessed from The Arts/Ngā Toi materials, www.tki.org.nz/r/arts/drama/travesties Stoppard’s bibliography of plays, radio dramas and film scripts is extensive.
    [Show full text]
  • Other Half PR
    CONTACT: Nancy Richards – 917-873-6389 (cell) /[email protected] MEDIA PAGE: www.northcoastrep.org/press FOR IMMEDIATE RELEASE, PLEASE: NORTH COAST REP SERVES UP BANQUET OF FUN IN HOW THE OTHER HALF LOVES By Sir Alan Ayckbourn Performances Beginning Wednesday, April 11, 2018 Running Through Sunday, May 6, 2018 Now extended by popular demand to May 13, 2018 Directed by Geoffrey Sherman Solana Beach, CA Britain’s comic genius, Sir Alan Ayckbourn, has penned a fast-paced and hilariously funny theatrical feast that stands as a classic modern comedy. With the precision of a master chef, Sir Ayckbourn mixes three very different marriages into a pot, simmering with sex, jealousy, and liberally spiced with ingenious stagecraft. Full of clever, razor-sharp dialogue and impeccable split-second timing, HOW THE OTHER HALF LOVES is a treat you won’t want to miss. Find out why The London Daily Mail called this “a delicious, jolly good show.” Geoffrey Sherman directs Jacqueline Ritz,* James Newcomb,* Sharon Rietkerk,* Christopher M. Williams,* Noelle Marion,* and Benjamin Cole. The design team includes Marty Burnett (Scenic Design), Matthew Novotny (Lighting Design), Aaron Rumley (Sound), Elisa Benzoni (Costumes), and Holly Gillard (Prop Design). Cindy Rumley* is the Stage Manager. *The actor or stage manager appears through the courtesy of Actors’ Equity Association, the union of professional actors and stage managers in the United States. For background information and photos, go to www.northcoastrep.org/press. HOW THE OTHER HALF LOVES previews begin Wednesday, April 11. Opening Night on Saturday, April 14, at 8pm. There will be a special talkback on Friday, April 20, with the cast and artistic director.
    [Show full text]
  • A Foucaldian Reading of Harold Pinter's Old Times
    A FOUCALDIAN READING OF HAROLD PINTER’S OLD TIMES Yrd. Doç. Dr. İfakat Banu AKÇEŞME* Abstract This paper aims to examine the power struggle initiated for dominance, the possession of territory and love between the characters Deeley, Kate and Anna in Harold Pinter`s play Old Times in the light of Foucault`s theory on discourse, power, knowledge and resistance. It explains how the on-going battle is carried out through the production of discourses and counter-discourses, the fabrication of truth and knowledge and the reconstruction and deconstruction of past memories. The characters exert and resist the power by employing various strategies and maneuvers including subjugation, victimization and exploitation. Nevertheless, this is a battle with no ultimate winner and loser since power rapidly keeps changing hand, and the alliances formed by the characters against each other are constantly altering and redesigned. Key Words: Foucault, Discourse, Power, Knowledge, Resistance, Old Times HAROLD PINTER’IN ESKİ ZAMANLAR ADLI OYUNUNUN FOUCAULTCU SÖYLEM BAĞLAMINDA İNCELENMESİ Öz Bu çalışma Harold Pinter’in Eski Zamanlar adlı tiyatro eserinde karakterler Deeley, Kate ve Anna arasındaki sevgi ve mekana sahip olmak ve birbirleri üzerinde hakimiyet kurmak için yürütülen güç mücadelesini Foucault’nun söylem, güç, bilgi ve direnç üzerine olan teorisi ışığında ele almayı amaçlamaktadır. Karakterlerin bu mücadeleyi söylem ve karşı söylem üreterek, bilgi ve gerçeklik imal ederek ve geçmiş hatıraları bozup yeniden inşa ederek nasıl sürdürdükleri tartışılacaktır. Karakterler boyun eğdirme, istismar ve mağdur etmenin de dahil olduğu çeşitli manevralara ve stratejilere başvurarak hem güç uygulamakta hem de güce karşı koymaktadırlar. Ancak yine de karakterler arasındaki bu savaş, kazananı ve kaybedeni olmayan bir mücadeledir çünkü güç, oyunun sonuna kadar sürekli olarak el değiştirmekte ve karakterlerin birbirine karşı kurdukları ittifaklar sürekli değişerek yeniden dizayn edilmektedir.
    [Show full text]
  • Ayckbourn's Stage Reaction to Families Buried In
    AYCKBOURN’S STAGE REACTION TO FAMILIES BURIED IN TECHNOLOGY KAĞAN KAYA Cumhuriyet University, Sivas Abstract: The paper analyses the premature warnings of British playwright, Alan Ayckbourn, who foresees that the modern family has been under the onslaught of technology. His dystopia, Henceforward... (1987) , set in the flat of the high-tech addict protagonist, Jerome, tells one of the traditional family stories of the playwright. However, the paper focuses on Ayckbourn’s neglected dramatic mission - that of securing the British family. Keywords: Alan Ayckbourn, British drama, dystopia, family, technology “Happy families are all alike; every unhappy family is unhappy in its own way.” (Tolstoy (2001), 1875-1877:1) 1. Introduction British playwright, Sir Alan Ayckbourn, is often referred to as a famous farceur. However, he is not pleased with this label, because with a “tireless dedication to the idea of theatre and... fierce moral concern with the state of the nation,” (Billington 1989), he has a distinctive multi-dimensional understanding of drama. In fact, he expresses sociologically harsh criticism of British middle-class man through his black comedy, in the light of his vision of drama. Henceforward... , which is the thirty-fourth play of the playwright, is a very noteworthy fraction of Ayckbourn’s tenet, for several reasons. It received the Evening Standard Award for Best Comedy in 1989. It was the second quickest transfer of all Alan Ayckbourn plays to the US, Houston’s Alley Theatre. Even the title of the play suggests a kind of manifesto of the playwright which declares that he is resolute in the changes of his drama.
    [Show full text]
  • Feature Films
    Libraries FEATURE FILMS The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 2012 DVD-4759 10 Things I Hate About You DVD-0812 21 Grams DVD-8358 1000 Eyes of Dr. Mabuse DVD-0048 21 Up South Africa DVD-3691 10th Victim DVD-5591 24 Hour Party People DVD-8359 12 DVD-1200 24 Season 1 (Discs 1-3) DVD-2780 Discs 12 and Holding DVD-5110 25th Hour DVD-2291 12 Angry Men DVD-0850 25th Hour c.2 DVD-2291 c.2 12 Monkeys DVD-8358 25th Hour c.3 DVD-2291 c.3 DVD-3375 27 Dresses DVD-8204 12 Years a Slave DVD-7691 28 Days Later DVD-4333 13 Going on 30 DVD-8704 28 Days Later c.2 DVD-4333 c.2 1776 DVD-0397 28 Days Later c.3 DVD-4333 c.3 1900 DVD-4443 28 Weeks Later c.2 DVD-4805 c.2 1984 (Hurt) DVD-6795 3 Days of the Condor DVD-8360 DVD-4640 3 Women DVD-4850 1984 (O'Brien) DVD-6971 3 Worlds of Gulliver DVD-4239 2 Autumns, 3 Summers DVD-7930 3:10 to Yuma DVD-4340 2 or 3 Things I Know About Her DVD-6091 30 Days of Night DVD-4812 20 Million Miles to Earth DVD-3608 300 DVD-9078 20,000 Leagues Under the Sea DVD-8356 DVD-6064 2001: A Space Odyssey DVD-8357 300: Rise of the Empire DVD-9092 DVD-0260 35 Shots of Rum DVD-4729 2010: The Year We Make Contact DVD-3418 36th Chamber of Shaolin DVD-9181 1/25/2018 39 Steps DVD-0337 About Last Night DVD-0928 39 Steps c.2 DVD-0337 c.2 Abraham (Bible Collection) DVD-0602 4 Films by Virgil Wildrich DVD-8361 Absence of Malice DVD-8243
    [Show full text]
  • A Study of Certain Plays by Harold Pinter
    COMEDY IN THE SEVENTIES: A STUDY OF CERTAIN PLAYS BY HAROLD PINTER Annette Louise Combrink A thesis submitted to the Facul ty of Arts, Potchefstroom University for Christian High er Education in fulfilment of the requirements for the degree of Doctor Litterarum Promoter: Prof. J.A. Venter Potchefstroom November 1979 My grateful thanks to: My promoter for painstaking and valued guidance The staff of the Ferdinand Postma Library f o r their invaluable cheerful assistance My typist , Rina Kahl My colleagues Rita Ribbens and Rita Buitendag My l ong-suffering husband and children My parents and parents-in-law for their constant encouragement CONTENTS 1 A SURVEY OF PINTER CRITICISM 1 1.1 Pinter's critical reputation: 1 bewildering variety of critical responses to his work 1.1.1 Reviews: 1958 2 1.1. 2 Reviews: 1978 3 1.1.3 Continuing ambiguity of response 4 Large number of critical \;,arks: 5 indicative of the amount of interest shown Clich~s and commonplaces in 6 Pinter criticism 1.2 Categories of Pinter criticism 7 1. 2.1 Criticism dealing with his dramatic 7 language 1. 2. 2 Criticism dealing with the obscurity 14 and opacity of his work 1. 2. 3 Criticism based on myth and ritual 18 1. 2 . 4 Criticism based on. his Jewishness 20 1. 2. 5 Pinter's work evaluated as realism 22 1.2. 6 Pinter's work evaluated as Drama of 24 ~ the Absurd 1.2. 7 The defective morality of his work 28 1.2 .8 Pinter and comedy: a preliminary 29 exploration to indicate the incom= plete nature of criticism on this aspect of his work 1,3 Statement o f intention: outline of 45 the main fields of inquiry in this study 1.4 Justification of the choice of plays 46 for analysis 2 WHY COMEDY? 4 7 2.1 The validity of making generi c 47 distinctions 2.2 Comedy as a vision of Zife 48 2.3 The continuing usefulness of genre 50 distinctions in literary criticism 2.4 NeopoZoniaZism 52 2.4.1 Tragicomedy 52 2.4.2 Dark comedy and savage comedy 54 2.4 .
    [Show full text]
  • TIMES, BETRAYAL and a KIND of ALASKA PEREIRA, Luís Alberto
    http://dx.doi.org/10.1590/S0104-93132002000100005 MEMORY AS DISCOURSE IN HAROLD PINTER’S OLD LÉVI-STRAUSS, Claude. Tristes Trópicos. Lisboa: Edições 70. 2004. TIMES, BETRAYAL AND A KIND OF ALASKA PEREIRA, Luís Alberto. Drama biográfico – “Hans Staden”. Coprodução luso-brasileira. 1999. Carla Ferreira de Castro RIBEIRO, Darcy. O Povo Brasileiro – a formação e o sentido do Brasil. São Universidade de Évora Portugal Paulo: Companhia das Letras. 2.ª Edição. 1995. [email protected] ROUCH, Jean. “Les Maîtres Fous”. Documentário/filme. 1955. Consultado a 15 de Maio de 2012: Abstract http://www.veoh.com/watch/v14179347tanDtaPa?h1=Jean+Rouch+%3 A+Les+ma%C3%AEtres+fous+-+The+mad+masters This paper aims at developing the topic of identity and the narration of SANTIAGO, Silviano. “Mário, Oswald e Carlos, intérpretes do Brasil”. ALCEU – v.5 – n.10 – Jan./Jun. 2005. P.p. 5 – 17. Consultado a 15 de Maio de the self through the other in Harold Pinter’s plays Old Times, Betrayal and A Kind . In these plays Pinter deploys strategies to convey multiple implications 2012: of Alaska which are based on the power of memory in which the structure of the plays is http://revistaalceu.com.puc-rio.br/media/alceu_n10_santiago.pdf concocted. STADEN, Hans. 1520-ca 1565. Viagem ao Brasil. Rio de Janeiro: Academia Brasileira, 1930. 186 P. Consultado a 15 de Maio de 2012: http://purl.pt/151 Pinter, Language, Silence, Memory, Time STOLLER, Paul. “Artaud, rouch, and The cinema of Cruelty”. 1992. Key words: Visual Anthropology Review. Volume 8, n. º 2. “Every genuinely important step forward is accompanied by a return to the beginning...more precisely to a renewal of the beginning.
    [Show full text]
  • Tom Stoppard Writer
    Tom Stoppard Writer Please send all permissions and press requests to [email protected] Agents St John Donald Associate Agent Jonny Jones [email protected] +44 (0) 20 3214 0928 Anthony Jones Associate Agent Danielle Walker [email protected] +44 (0) 20 3214 0858 Rose Cobbe Assistant Florence Hyde [email protected] +44 (0) 20 3214 0957 Credits Film Production Company Notes United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] ANNA KARENINA Working Title/Universal/Focus Screenplay from the novel by 2012 Features Tolstoy Directed by Joe Wright Produced by Tim Bevan, Paul Webster with Keira Knightley, Jude Law, Aaron Taylor-Johnson *Nominated for Outstanding British Film, BAFTA 2013 ENIGMA Intermedia/Paramount Screenplay from the novel by 2001 Robert Harris Directed by Michael Apted Produced by Mick Jagger, Lorne Michaels with Kate Winslet, Dougray Scott, Saffron Burrows VATEL Legende/Miramax English adaptation 2000 Directed by Roland Joffe Produced by Alain Goldman with Uma Thurman, Gerard Depardieu, Tom Roth United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] SHAKESPEARE IN LOVE Miramax Screenplay from Marc Norman 1998 Directed by John Madden Produced by Donna Gigliotti, David Parfitt, Harvey Weinstein, Edward Zwick with Gwyneth Paltrow and Joseph Fiennes * Winner of a South Bank Show Award for Cinema 2000 * Winner of Best Screenplay, Evening Standard
    [Show full text]
  • American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
    For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE
    [Show full text]