NANCY FABIOLA HERRERA – Mezzo Nancy Fabiola Herrera Has Achieved Great Acclaims by Public and Critics All Over the World

Total Page:16

File Type:pdf, Size:1020Kb

NANCY FABIOLA HERRERA – Mezzo Nancy Fabiola Herrera Has Achieved Great Acclaims by Public and Critics All Over the World NANCY FABIOLA HERRERA – Mezzo Nancy Fabiola Herrera has achieved great acclaims by public and critics all over the world. The beauty of her voice, her outstanding musicality and commanding stage presence make the Spanish mezzo one of the most relevant artists of the opera scene today. She has received the Ópera Actual 2018 Award for her outstanding international career and in 2007 she has been the recipient of the "Best Zarzuela Singer" award presented by the Fundación Premios Liricos Teatro Campoamor, for her performance in Ruperto Chapí's La Bruja. Carmen is undoubtedly Nancy Herrera´s signature role. She has performed her hypnotic portrayal at Metropolitan Opera, Covent Garden, Bolshoi Theatre, New National Theatre in Tokyo, Deutsche Oper Berlin, Munich Bayerische Staatsoper, Opera di Roma, Dresden Semperoper, Opera Australia in Melbourne and in Sydney, Israeli Opera in Tel Aviv, Los Angeles Opera (where she received the Plácido Domingo Award for her performance of this role). In summer 2009 she opened the season at Arena di Verona as Carmen and was honored to perform Act IV of the opera with Plácido Domingo in his 40th Anniversary Gala at Arena. She is a regular guest at Metropolitan Opera in New York, where she had great success as Herodias in Salome , and also as Fenena in Nabucco and Maddalena in Rigoletto . Other roles that Nancy Herrera has successfully performed include Charlotte in Werther (Opera de Oviedo), Giovanna Seymour in Anna Bolena (Liceu de Barcelona), Giulietta in Les Contes d’Hoffmann (Paris and Seattle), Adalgisa in Norma (Montpellier), Dorabella in Cosí fan tutte (Toulon, Tokyo), Rosina in Il barbiere di Siviglia (Philadelphia, Buffalo, Sabadell, México and Uruguay), Sara in Roberto Devereaux (Tchaikovsky Hall in Moscow), Eboli in Don Carlo (Madrid). Cecilia in Las Golondrinas (Teatro de la Zarzuela in Madrid), Dalila in Samson et Dalila (Oviedo). She has worked with many of the world´s leading conductors, such as James Conlon, Daniel Oren, Fabio Luisi, Gustavo Dudamel, Rafael Frühbeck de Burgos, Eugene Kohn, Plácido Domingo, Jesús López Cobos, George Pehlivanian, Philippe Jordan, Emmanuel Villaume, Karel Chichon, among others. She has also worked with many leading orchestras, including Los Angeles Philharmonic, Boston Symphony Orchestra, Toronto Symphony, Mariinsky Orchestra, Orchestre National du Capitole de Toulouse, and almost all of the Spanish symphonic ensembles. She performed Gala concerts with Plácido Domingo and she has presented many recitals, also in Vienna at Musikverein. Her recital work included a tour thorough Spain and Colombia with her new program “Cabaret Nights” next to pianist Mac Maclure and the one woman show "Gitanas", that has been seen also in Madrid at Teatro de La Zarzuela. Nancy Herrera’s discography includes her latest álbum "Ensueños" with some of the most beautiful spanish and french melodies, but also the recordings of La Bruja by Chapí for Deutsche Grammophon, Dante by Granados for ASV, Robert Gerhard’s Tonades of the XVII & XVIII century for Columna Musica, Mahler´s 3rd Symphony for Arte Nova, de Falla’s El Amor Brujo for Naxos and Concierto Italiano by Ricardo Llorca. Her role debut as Rosario in Granados’ Goyescas with London BBC under the baton of Josep Pons has been recorded and ity will be realesed soon. She has also two DVDs to her credit - the opera Il Postino by Daniel Catán and the zarzuela Luisa Fernanda both alongside Plácido Domingo. LATEST PERFORMANCES : Il trovatore in Las Palmas; Adriana Lecouvreur in Oviedo; La tempranica and La Casa de Bernarda Alba at Teatro de la Zarzuela in Madrid; Samson et Dalilah at Teatro de la Maestranza in Sevilla; Les Contes d’Hoffmann (Giulietta) at NCPA in Beijing; El Gato montés at Los Angeles Opera; Florencia en el Amazonas at Houston Grand Opera; de Falla’s La vida breve with BBC Philharmonic in Manchester and at Tchaikovsky Hall in Moscow; L'Italiana in Algeri at Teatro Colon in Buenos Aires; Granados’ Goyescas with BBC Philharmonic at the Barbican Center in London; Nabucco (Fenena) at Los Angeles Opera, alongside Placido Domingo and under the baton of James Conlon; Rigoletto (Maddalena) at Metropolitan New York; Rossini´s Stabat Mater with RTVE Orchestra in Madrid. FORTHCOMING PROJECTS: recital at Teatro Colon de Buenos Aires; La Casa de Bernarda Alba at Teatro Cervantes in Malaga. Last update: April 2021, please do not use any previous version. Melos Opera S.r.l. – Via Speranza, 5 – 40068 San Lazzaro di Savena (Bo) – Italia [email protected] – www.melosopera.com – tel. +39 051 455 395 Cap. Soc. € 10.000 i.v. – Cod. Fisc. e P.Iva: 03640741207 – REA BO-535118 .
Recommended publications
  • Sold-Out Sessions to Tan Dun's the First Emperor Even Before Opera
    FOR IMMEDIATE RELEASE More Shows for The Metropolitan Opera in HD Digital at Golden Village VivoCity Sold-out Sessions to Tan Dun’s The First Emperor even before Opera premieres tomorrow Singapore, 19 September 2007 – Due to popular and overwhelming demand, Golden Village has added 7 more shows for The Metropolitan Opera: Tan Dun’s The First Emperor in High-Definition (HD) Digital exclusively at GV VivoCity from 20 September to 3 October 2007 daily. 5 out of the original 9 sessions for The First Emperor have been fully sold out before the opera premieres tomorrow. Remaining sessions are left with tickets on the first two rows from the screen. Golden Village is now adding new sessions in response to the great demand. Opera fans who were not able to catch The Metropolitan Opera in HD Digital at GV VivoCity will now be given another chance to experience the phenomenon. Screening details: 20 – 26 September 2007 – 7pm daily and 3.30pm on the weekends 4 sessions remaining and tickets are selling fast! Golden Village Seats only available in the first two rows from the screen . VivoCity 27 September – 3 October 2007 – 7pm daily 7 new sessions added Tickets to The First Emperor are at $15 per ticket. Tickets are available at GV Box Offices and at www.gv.com.sg . Staged by world-renown film director Zhang Yimou, written by acclaimed Academy Award winner Tan Dun, The First Emperor stars Plácido Domingo (one of the Three Tenors ) as Qin Shi Huang. Please visit www.gv.com.sg for more information.
    [Show full text]
  • Plácido Domingo – a Short Biography
    Plácido Domingo – a short biography Plácido Domingo was born in the Barrio de Salamanca district of Madrid on January 21, 1941. He is the son of Plácido Domingo Ferrer and Pepita Embil Echaníz, two Spanish Zarzuela performers, who nurtured his early musical abilities. Domingo's father, a violinist performing for opera and zarzuela orchestra, was half Catalan and half Aragonese, while his mother, an established singer, was a Basque. After moving to Mexico at the age of 8, Plácido Domingo went to Mexico City’s Conservatory of Music to study piano and conducting, but eventually was sidetracked into vocal training after his voice was discovered. The highly gifted singer had his first professional engagement as accompanist to his mother in a concert at Mérida, Yucatan, in 1957. He soon achieved great acclaim at international level. Challenged by cosmopolitan groups and new roles In 1961, Domingo made his operatic debut in a leading role as Alfredo in La Traviata at Monterrey. The performance of La Traviata included a baritone singing in Hungarian, a soprano in German, a tenor in Italian, and the chorus in Hebrew. Domingo credits this cosmopolitan group for improving his abilities in several languages. At the end of 1962, he signed a six month contract with the Israel National Opera in Tel Aviv but later extended the contract and stayed for two and a half years, singing in 280 performances and incorporating 12 different roles. Domingo has sung and continues to sing in every important Opera House in the world including the Metropolitan Opera in New York, Milan’s La Scala, the Vienna State Opera, London's Covent Garden, Paris' Bastille Opera, the San Francisco Opera, Chicago's Lyric Opera, the Washington National Opera, the Los Angeles Opera, the Teatro del Liceu in Barcelona, Teatro Colon in Buenos Aires, the Real in Madrid, and at the Bayreuth and Salzburg Festivals.
    [Show full text]
  • About the Exhibition Tenorissimo! Plácido Domingo in Vienna
    Tenorissimo! Plácido Domingo in Vienna May 17th, 2017 - January 8th, 2018 Lobkowitzplatz 2, 1010 Wien [email protected] T +43 1 525 24 5315 About the exhibition An unmistakable dark timbre, highly dramatic expressiveness, an impressive, vast repertoire – all this enraptures the fans of the Spanish crowd-pleaser with waves of enthusiasm. The Theatermuseum celebrates Plácido Domingo on the anniversary of his stage debut: He has been singing at the Vienna State Opera for 50 years. When the Tenor, then still considered as insider tip, made his debut at the State Opera in the title role of Verdi‘s Don Carlo, not only he took stage and cast in storm, but also the hearts of the Viennese audience – a true love relationship, unbroken till today. This performance contributed to an unparalleled career, taking him to the world‘s leading opera houses. Vienna has always been a very special “home port“ for the opera star. Here he performed 30 different roles in 300 shows and was awarded the title Austrian Kammersänger. The exhibition at the Theatermuseum documents the most important appearances of the “Tenorissimo“ in Vienna with original costumes and props, photographs and memorabilia, video and audio samples. The presentation portrays him also as baritone, the role fach on which he concentrated almost exclusively in the past 10 years, and refers to his activities as conductor, taking him regularly to the orchestra pit of the Vienna State Opera since the end of the 1970s. Without hesitation Plácido Domingo can be described as one of the most versatile, curious and longest serving representative of his musical genre.
    [Show full text]
  • Verdi Otello
    VERDI OTELLO RICCARDO MUTI CHICAGO SYMPHONY ORCHESTRA ALEKSANDRS ANTONENKO KRASSIMIRA STOYANOVA CARLO GUELFI CHICAGO SYMPHONY CHORUS / DUAIN WOLFE Giuseppe Verdi (1813-1901) OTELLO CHICAGO SYMPHONY ORCHESTRA RICCARDO MUTI 3 verdi OTELLO Riccardo Muti, conductor Chicago Symphony Orchestra Otello (1887) Opera in four acts Music BY Giuseppe Verdi LIBretto Based on Shakespeare’S tragedy Othello, BY Arrigo Boito Othello, a Moor, general of the Venetian forces .........................Aleksandrs Antonenko Tenor Iago, his ensign .........................................................................Carlo Guelfi Baritone Cassio, a captain .......................................................................Juan Francisco Gatell Tenor Roderigo, a Venetian gentleman ................................................Michael Spyres Tenor Lodovico, ambassador of the Venetian Republic .......................Eric Owens Bass-baritone Montano, Otello’s predecessor as governor of Cyprus ..............Paolo Battaglia Bass A Herald ....................................................................................David Govertsen Bass Desdemona, wife of Otello ........................................................Krassimira Stoyanova Soprano Emilia, wife of Iago ....................................................................BarBara DI Castri Mezzo-soprano Soldiers and sailors of the Venetian Republic; Venetian ladies and gentlemen; Cypriot men, women, and children; men of the Greek, Dalmatian, and Albanian armies; an innkeeper and his four servers;
    [Show full text]
  • Il Trovatore Was Made Stage Director Possible by a Generous Gift from Paula Williams the Annenberg Foundation
    ilGIUSEPPE VERDItrovatore conductor Opera in four parts Marco Armiliato Libretto by Salvadore Cammarano and production Sir David McVicar Leone Emanuele Bardare, based on the play El Trovador by Antonio García Gutierrez set designer Charles Edwards Tuesday, September 29, 2015 costume designer 7:30–10:15 PM Brigitte Reiffenstuel lighting designed by Jennifer Tipton choreographer Leah Hausman The production of Il Trovatore was made stage director possible by a generous gift from Paula Williams The Annenberg Foundation The revival of this production is made possible by a gift of the Estate of Francine Berry general manager Peter Gelb music director James Levine A co-production of the Metropolitan Opera, Lyric Opera of Chicago, and the San Francisco principal conductor Fabio Luisi Opera Association 2015–16 SEASON The 639th Metropolitan Opera performance of GIUSEPPE VERDI’S il trovatore conductor Marco Armiliato in order of vocal appearance ferr ando Štefan Kocán ines Maria Zifchak leonor a Anna Netrebko count di luna Dmitri Hvorostovsky manrico Yonghoon Lee a zucena Dolora Zajick a gypsy This performance Edward Albert is being broadcast live on Metropolitan a messenger Opera Radio on David Lowe SiriusXM channel 74 and streamed at ruiz metopera.org. Raúl Melo Tuesday, September 29, 2015, 7:30–10:15PM KEN HOWARD/METROPOLITAN OPERA A scene from Chorus Master Donald Palumbo Verdi’s Il Trovatore Musical Preparation Yelena Kurdina, J. David Jackson, Liora Maurer, Jonathan C. Kelly, and Bryan Wagorn Assistant Stage Director Daniel Rigazzi Italian Coach Loretta Di Franco Prompter Yelena Kurdina Assistant to the Costume Designer Anna Watkins Fight Director Thomas Schall Scenery, properties, and electrical props constructed and painted by Cardiff Theatrical Services and Metropolitan Opera Shops Costumes executed by Lyric Opera of Chicago Costume Shop and Metropolitan Opera Costume Department Wigs and Makeup executed by Metropolitan Opera Wig and Makeup Department Ms.
    [Show full text]
  • European Pressphoto Agency
    La mezzosoprano española Nancy Fabiola Herrera vuelve a Nueva York con la ópera "Rigoletto" La mezzosoprano española Nancy Fabiola Herrera vuelve a Nueva York con la ópera "Rigoletto" Por Agencia EFE – Hace 1 día Nueva York, 26 abr (EFE).- La mezzosoprano española Nancy Fabiola Herrera regresa hoy con la ópera "Rigoletto" a la Opera Metropolitana de Nueva York, el escenario en el que su interpretación de "Carmen" dio un gran impulso a su carrera. "Es una satisfacción muy grande volver al Metropolitan, uno de mis teatros favoritos", dijo en una entrevista con Efe la cantante, que se subirá al escenario neoyorquino hasta el 30 de abril y 3, 6 y 12 de mayo para interpretar el papel de Maddalena en la ópera de Giuseppe Verdi (1813-1901). "Maddalena es un personaje que se parece un poco a Carmen, ambas son mujeres que aprenden a moverse en un mundo de hombres gracias a sus dotes de seducción", explicó Herrera, que confesó su inclinación a interpretar "a personajes femeninos fuertes con diferentes perfiles y con algo que decir". Herrera, cuya actuación como Carmen en la Opera de Nueva York en 2005 la llevó a los escenarios más importantes de América y Europa, en los que cautivó a crítica y público, hace en esta ocasión el papel de una joven que ayuda a su hermano, un asesino a sueldo, a seducir a sus víctimas. Sin embargo, Maddalena se encapricha de una de las personas a las que tienen que asesinar, e intenta a toda costa evitar su muerte. "Creo que es la única que se sale con la suya en la obra", explicó la cantante.
    [Show full text]
  • Rossini Propició El Futuro De La Ópera
    www.proopera.org.mx • año XXVI • número 1 • enero – febrero 2018 • sesenta pesos ENTREVISTAS Andeka Gorrotxategi Óscar Martínez ENTREVISTAS EN LÍNEA Mojca Erdmann Nancy Fabiola Herrera Willy Anthony Waters FESTIVALES Cervantino XLV OBITUARIO Dmitri Hvorostovsky JohnJohn OsbornOsborn “Rossini“Rossini propiciópropició el futuro de la ópera”pro opera¾ DIRECTORIO REVISTA COMITÉ EDITORIAL Adriana Alatriste índice Luis Gutiérrez Ruvalcaba Andrea Labastida Charles H. Oppenheim 3 Carta del Presidente FUNDADOR Y DIRECTOR EMÉRITO CONCIERTOS Xavier Torres Arpi 4 Juan Diego Flórez: Canto a México EDITOR Charles H. Oppenheim 6 En breve 6 [email protected] CORRECCIÓN DE ESTILO CRÍTICA Darío Moreno 8 Otello en Bellas Artes COLABORAN EN ESTE NÚMERO 10 Ópera en México Othón Canales Treviño Carlos Fuentes y Espinosa Luis Gutiérrez Ruvalcaba PROTAGONISTAS Ingrid Haas 12 Andeka Gorrotxategi: Ramón Jacques “Me encantaría tener puestas José Noé Mercado todas las óperas de Puccini” David Rimoch Vladimiro Rivas Iturralde RESEÑA Gamaliel Ruiz 15 Arreglo de bodas en el Cenart José Andrés Tapia Osorio David Josué Zambrano de León 16 Ópera en los estados 15 www.proopera.org.mx. FESTIVALES CORRESPONSALES EN ESTE NÚMERO 20 Cervantino XLV Eduardo Benarroch Francesco Bertini Abigaíl Brambila ENTREVISTA Jorge Binaghi 22 Óscar Martínez: John Koopman Un cantante versátil Daniel Lara y un maestro ecléctico Gregory Moomjy Maria Nockin OBITUARIO Gustavo Gabriel Otero 25 Dmitri Hvorostovsky (1962-2017) Joel Poblete Roberto San Juan Ximena Sepúlveda PORTADA Massimo Viazzo 26 John Osborn: “Rossini propició el futuro de la ópera” FOTOGRAFIA Ana Lourdes Herrera ESTRENO 25 DISEÑO GRAFICO 32 La degradación de la burguesía: Ida Noemí Arellano Bolio The Exterminating Angel, desde Nueva York DISEÑO PÁGINA WEB TESTIMONIAL Christiane Kuri – Espacio Azul 34 Pro Ópera en Los Ángeles DISEÑO LOGO 36 México en el mundo Ricardo Gil Rizo IMPRESION ÓPERA EN EL MUNDO Grupo Gama.
    [Show full text]
  • JOSEP PONS Conductor
    JOSEP PONS Conductor Regarded as the leading Spanish conductor of his generation, Josep Pons has built strong relationships with the Gewandhausorchester Leipzig, Orchestre de Paris, NHK Symphony Orchestra, Tokyo, Deutsche Kammerphilharmonie Bremen and BBC Symphony Orchestra - the latter including several appearances at the BBC Proms. The 2020/21 season will see Pons return to Orquesta Nacional de Espana, Orchestre National du Capitole de Toulouse, Orquestra de la Comunitat Valenciana, Orchestre National de Bordeaux, Orquesta Sinfónica de Galicia and Orchestre des Pays de la Loire. He also has a new collaboration with Teatro Real in April. As Music Director of Gran Teatre del Liceu he conducts a number of productions in Barcelona each season, most recently Káťa Kabanova, Rodelinda, Roméo et Juliette, and Elektra, and the world premiere of Casablancas’ new opera L’Enigma de Lea. This season he will give opera performances of Don Giovanni and Lessons in Love and Violence, as well as a number of symphony concerts. He also holds the position of Honorary Conductor of the Orquesta Nacional de España having previously served as their Artistic Director for nine years during which he substantially raised their international profile. He is also Honorary Conductor of the Orquesta Ciudad de Granada. Josep Pons’ discography of over 50 CDs and DVDs mostly released by Harmonia Mundi and Deutsche Grammophon, includes recordings of Falla, and French repertoire regarded as benchmark interpretations and earning numerous awards. His recording of Noches en los jardines de España with Javier Perianes won a Choc de la Musique, Melancolía with Patricia Petibon received a Gramophone Editor’s Choice, and his collaboration with Tomatito earned him a Latin Grammy.
    [Show full text]
  • Ensueños” Nancy Fabiola Herrera, Mezzo-Soprano Rubén Fernández Aguirre, Piano
    Evento: Presentación del CD “Ensueños” Nancy Fabiola Herrera, Mezzo-soprano Rubén Fernández Aguirre, piano Presentación de “Ensueños” La mezzo-soprano Nancy Fabiola Herrera junto al pianista Rubén Fernández Aguirre, presentan su nuevo trabajo discográfico “Ensueños” producido por AméricaIberMúsica para AIM Records. El mismo es el resultado de un programa que han realizado los artistas en distintos escenarios de América y Europa como; Carnegie Hall de New York, Musikverein de Viena, Televisión de Bratislava, Teatro de la Zarzuela de Madrid, Teatro Arriaga de Bilbao, Teatro Pérez Galdós de Gran Canaria, Auditorio Nacional de Uruguay, entro otros. “Como no hay nada mas hermoso en la vida que hacer aquello que te gusta y te apasiona, este proyecto es una de esas pasiones hecha realidad. Las canciones de este trabajo discográfico son como microcosmos, llenas de vida y de historias que hablan del ser humano y su sentir, por eso me apasionan. Queremos ofrecerles en este disco algunas de nuestras obras favoritas, todas de compositores de origen español, de ayer y de hoy. Obras evocadoras con las que queremos invitarles a embarcar en un sugerente viaje por el mundo de los Ensueños…” Nancy Fabiola Herrera www.americaibermusica.com ALLEGRO Producciones Musicales SL, C/ José Franchy Roca Nº5, piso 2, C.P. 35007 Gran Canaria ESPAÑA Evento: Presentación del CD “Ensueños” Nancy Fabiola Herrera, Mezzo-soprano Rubén Fernández Aguirre, piano Contenido de “Ensueños” PAULINE VIARDOT GARCÍA (París 1821-París 1910) - Madrid - Habanera - Les Filles de Cadix Mezzo-soprano y compositora de origen español. Hija del tenor y maestro de canto Manuel García. Chopin, Rossini, Berlioz o Brahms escribieron para ella.
    [Show full text]
  • Daniel Catán Il Postino Learn More at Qiir;L Operaandchorus;Grantgershon;Sony191970 Squitieri; LA Back Covercourtesyofelizabethberistain
    Daniel Catán’s lyrical, romantic style lends itself particularly well to the human voice, which features in the majority of his works. Lush orchestra- tions reminiscent of Debussy and Strauss along with Latin American instruments and rhythms are regularly heard in his music. His opera Daniel Catán Florencia en el Amazonas has the dis- tinction of being the first opera in Spanish commissioned by a major American company. The success of this opera led to the commission of Il Postino Salsipuedes for Houston Grand Opera. His fourth opera, Il Postino, was commissioned by Los Angeles Opera and pre- miered in September 2010, featuring Plácido Domingo and Charles Castronovo. Born in Mexico, Catán studied philosophy at the University of Il Postino Sussex in England before enrolling in Princeton as a PhD stu- dent in composition. His music is published by Associated Music Publishers. DVD Available: Plácido Domingo, Charles Catronovo, Amanda “Delivers in a way few modern operas do.” learn more at www.musicsalesclassical.com Squitieri; LA Opera and Chorus; Grant Gershon; Sony 191970 PHOTO CREDITS Front cover and inside photographs courtesy of Los Angeles Opera. — The San Francisco Examiner Back cover courtesy of Elizabeth Beristain. Daniel Catán ORDERING INFORMATION Grand Rights: Opera, Ballet, Dance: G. Schirmer/AMP Rental and Performance Department digital.schirmer.com/gr [email protected] Perusal materials: SchirmerOnDemand digital scores via free download www.musicsalesclassical.com/OnDemand G. Schirmer/AMP Promotion Department paper scores [email protected] Sales materials: The Hal Leonard Corporation distributes G. Schirmer/AMP music in print. See your music dealer or order online from www.halleonard.com Publisher and Agency Representation for the Music Sales Group: www.musicsalesclassical.com/rental The Music Sales Group of Companies USA: G.
    [Show full text]
  • Emerging Artist Recitals FLORIDA GRAND OPERA STUDIO
    emerging artist recitals FLORIDA GRAND OPERA STUDIO | December 5, 2018 | 7:00 p.m. Jessica E. Jones, soprano | Dominick Corbacio, tenor | Rafael Porto, bass-baritone Benjamin Dickerson, baritone | Arthur Bosarge, pianist/coach PROGRAM “Ach ich liebte” Wolfgang Amadeus Mozart (1756–1791) | From Die Entführung aus dem Serail Jessica E. Jones “Mein Sehnen, mein Wähnen” Erich Wolfgang Korngold (1897–1957) | From Die tote Stadt Benjamin Dickerson “Lakmé ton doux regard se voil” Léo Delibes (1836–1891) | From Lakmé Rafael Porto “Lunge da lei … De’ miei bollenti spiriti … O mio rimorso” Giuseppe Verdi | (1813–1901) From La traviata Dominick Corbacio “Ebben? Di tua speranza … Ah! Cedi, cedi” Gaetano Donizetti (1797–1848) | From Lucia di Lammermoor Jessica E. Jones and Rafael Porto “Caro elisir! … Esulti pur la barbara” Gaetano Donizetti (1797–1848) | From L’elisir d’amore Dominick Corbacio and Jessica E. Jones [Headshot, credit: Rebecca Allan] In the Silence of the Secret Night Sergei Rachmaninoff (1873–1943) | From Six Romances, op. 4 Benjamin Dickerson Cäcilie Richard Strauss (1864–1949) | From Four Lieder, op. 27 Dominick Corbacio “La calunnia è un venticello” Gioachino Rossini (1792–1868) | From Il barbiere di Siviglia Rafael Porto “Con pariglia e livree … O Mimì, tu più non torni” Giacomo Puccini (1858–1924) | From La bohème (1895) Dominick Corbacio and Benjamin Dickerson “Eccomi in lieta vesta … Oh! quante volte” Vincenzo Bellini (1801–1835) | From I Capuleti e i Montecchi Jessica E. Jones “Hai già vinta la causa” Wolfgang Amadeus Mozart (1756–1791) | From Le nozze di Figaro Benjamin Dickerson Some Enchanted Evening Richard Rodgers (1902–1979) | From South Pacific Rafael Porto ABOUT THE ARTISTS ARTHUR BOSARGE is a pianist and coach whose experience spans a variety of styles, including opera, recital, sacred, ballet and music theater.
    [Show full text]
  • Honoris Causa Josep Pons I Viladomat Doctor Honoris Causa Josep Pons I Viladomat
    Doctor honoris causa Josep Pons i Viladomat Doctor honoris causa Josep Pons i Viladomat Discurs llegit a la cerimònia d’investidura celebrada a l’Auditori de la Facultat de Filosofia i Lletres el dia 7 d’abril de l’any 2021 Índex Presentació de Josep Pons i Viladomat per Francesc Cortès i Mir 4 Lliço magistral de Josep Pons i Viladomat 18 Curriculum vitae de Josep Pons i Viladomat 43 Acord de Consell de Govern 46 PRESENTACIÓ DE JOSEP PONS I VILADOMAT PER FRANCESC CORTÈS I MIR Rector Magnífic, Vicerectores i vicerectors, Deganes i degans, Professores i professors, Membres del personal d’administració i serveis, Estudiants, Senyores i senyors, Aquesta laudatio es va començar a redactar l’any passat, quan tots ens vam recloure a casa pensant en un aïllament que duraria quinze dies L’escrit l’havia iniciat tot justificant les lloances musicals, les laude A mitjan abril de 2020 ja no podíem estar per laudare L’acte que comencem avui, la rectora estada Margarita Arboix l’hagué d’ajornar sine die. El món, trasbalsat, es regirava com si la cantata La pesta (1964) de Robert Gerhard, escrita a partir del text d’Albert Camus, s’hagués convertit en cruel realitat L’assot pandèmic no passava a la ciutat algeriana d’Orà S’havia descavalcat del pentagrama i retrunyia arreu A casa nostra s’obria la caixa de Pandora. En paraules del ma- teix Josep Pons, la pandèmia ens havia fet perdre el focus. Avui, però, som aquí en un acte per refermar l’esperança i l’agraï- ment.
    [Show full text]