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The Architecture of Marcus Vitruvius Pollio, in Ten Books
www.e-rara.ch The architecture of Marcus Vitruvius Pollio, in ten books Vitruvius London, 1826 Bibliothek Werner Oechslin Shelf Mark: A04a ; app. 851 Persistent Link: http://dx.doi.org/10.3931/e-rara-19442 Life of Vitruvius. www.e-rara.ch Die Plattform e-rara.ch macht die in Schweizer Bibliotheken vorhandenen Drucke online verfügbar. Das Spektrum reicht von Büchern über Karten bis zu illustrierten Materialien – von den Anfängen des Buchdrucks bis ins 20. Jahrhundert. e-rara.ch provides online access to rare books available in Swiss libraries. The holdings extend from books and maps to illustrated material – from the beginnings of printing to the 20th century. e-rara.ch met en ligne des reproductions numériques d’imprimés conservés dans les bibliothèques de Suisse. L’éventail va des livres aux documents iconographiques en passant par les cartes – des débuts de l’imprimerie jusqu’au 20e siècle. e-rara.ch mette a disposizione in rete le edizioni antiche conservate nelle biblioteche svizzere. La collezione comprende libri, carte geografiche e materiale illustrato che risalgono agli inizi della tipografia fino ad arrivare al XX secolo. Nutzungsbedingungen Dieses Digitalisat kann kostenfrei heruntergeladen werden. Die Lizenzierungsart und die Nutzungsbedingungen sind individuell zu jedem Dokument in den Titelinformationen angegeben. Für weitere Informationen siehe auch [Link] Terms of Use This digital copy can be downloaded free of charge. The type of licensing and the terms of use are indicated in the title information for each document individually. For further information please refer to the terms of use on [Link] Conditions d'utilisation Ce document numérique peut être téléchargé gratuitement. -
Living with Lucretius
chapter one Living with Lucretius JONATHAN KRAMNICK In 1682, Thomas Creech published the fi rst complete translation of Lucretius’s On the Nature of Things into English. Greeted with some fan- fare on its appearance, Creech’s edition stood at the crest of a Lucretius revival of several decades in the making, including complete or partial translations by Lucy Hutchinson, John Evelyn, and John Wilmot, the Earl of Rochester.1 One common explanation for this renewed interest in the poem has been that its cosmology was so amenable to the new cultures of science and observation. The universe is composed only of atoms and void; all forms of life rise from a swarming mass of particles in motion. So Lucretius argued and so the seventeenth century discovered, even as it resisted the lengths to which Lucretius was prepared to go in denying an immaterial soul and an afterlife of reward or punishment. My point in this essay is not to challenge this notion of the Lucretius revival so much as to focus on some questions of consciousness and agency that concern a world reducible to atoms. Accepting that the world is made only of matter, how can matter think? And, assuming that matter can think, what kind of agents and types of action can matter create? These questions turn out to be exceptionally hard to answer and touch on issues of real sensitivity around life, death, and human agency. According to Lucretius, atoms are indivisible and thus imper- ishable. They build various forms of life for as long as they remain in steady combinations and scatter to the void at the moment of death. -
Pliny the Elder and the Problem of Regnum Hereditarium*
Pliny the Elder and the Problem of Regnum Hereditarium* MELINDA SZEKELY Pliny the Elder writes the following about the king of Taprobane1 in the sixth book of his Natural History: "eligi regem a populo senecta clementiaque, liberos non ha- bentem, et, si postea gignat, abdicari, ne fiat hereditarium regnum."2 This account es- caped the attention of the majority of scholars who studied Pliny in spite of the fact that this sentence raises three interesting and debated questions: the election of the king, deposal of the king and the heredity of the monarchy. The issue con- cerning the account of Taprobane is that Pliny here - unlike other reports on the East - does not only use the works of former Greek and Roman authors, but he also makes a note of the account of the envoys from Ceylon arriving in Rome in the first century A. D. in his work.3 We cannot exclude the possibility that Pliny himself met the envoys though this assumption is not verifiable.4 First let us consider whether the form of rule described by Pliny really existed in Taprobane. We have several sources dealing with India indicating that the idea of that old and gentle king depicted in Pliny's sentence seems to be just the oppo- * The study was supported by OTKA grant No. T13034550. 1 Ancient name of Sri Lanka (until 1972, Ceylon). 2 Plin. N. H. 6, 24, 89. Pliny, Natural History, Cambridge-London 1989, [19421], with an English translation by H. Rackham. 3 Plin. N. H. 6, 24, 85-91. Concerning the Singhalese envoys cf. -
Adultery and Roman Identity in Horace's Satires
Adultery and Roman Identity in Horace’s Satires Horace’s protestations against adultery in the Satires are usually interpreted as superficial, based not on the morality of the act but on the effort that must be exerted to commit adultery. For instance, in Satire I.2, scholars either argue that he is recommending whatever is easiest in a given situation (Lefèvre 1975), or that he is recommending a “golden mean” between the married Roman woman and the prostitute, which would be a freedwoman and/or a courtesan (Fraenkel 1957). It should be noted that in recent years, however, the latter interpretation has been dismissed as a “red herring” in the poem (Gowers 2012). The aim of this paper is threefold: to link the portrayals of adultery in I.2 and II.7, to show that they are based on a deeper reason than easy access to sex, and to discuss the political implications of this portrayal. Horace argues in Satire I.2 against adultery not only because it is difficult, but also because the pursuit of a married woman emasculates the Roman man, both metaphorically, and, in some cases, literally. Through this emasculation, the poet also calls into question the adulterer’s identity as a Roman. Satire II.7 develops this idea further, focusing especially on the adulterer’s Roman identity. Finally, an analysis of Epode 9 reveals the political uses and implications of the poet’s ideas of adultery and situates them within the larger political moment. Important to this argument is Ronald Syme’s claim that Augustus used his poets to subtly spread his ideology (Syme 1960). -
PRIMITIVE POLITICS: LUCAN and PETRONIUS Martha Malamud in Roman Literature, Politics and Morality Are Not Distinct Categories
CHAPTER TWELVE PRIMITIVE POLITICS: LUCAN AND PETRONIUS Martha Malamud In Roman literature, politics and morality are not distinct categories: both are implicated in the construction and maintenance of structures of power. Roman virtues are the basis of the res publica, the body politic. In what follows, I take “politics” in a broad sense: “public or social ethics, that branch of moral philosophy dealing with the state or social organism as a whole.”1 As Edwards puts it, “issues which for many in the pres- ent day might be ‘political’ or ‘economic’ were moral ones for Roman writers, in that they linked them to the failure of individuals to control themselves.”2 What follows is a case study of how Lucan and Petronius deploy a pair of motifs popular in Roman moralizing discourse (primi- tive hospitality, as exemplifi ed by the simple meal, and primitive archi- tecture) in ways that refl ect on the politics of early imperial Rome. Embedded in the moralizing tradition is the notion of decline. Roman virtue is always situated in the past, and visions of the primitive, such as the rustic meal and the primitive hut, evoke comparisons with a corrupted present. These themes are present in Roman literature from an early period. Already by the third century bce, there is a growing preoccupation with a decline in ethical standards attributed to luxury and tied to the expansion of Roman power and changes in Rome’s political structure. Anxiety focused around luxurious foods, clothing, art, and architecture. As Purcell observes of Roman views of their own food history, “[d]iet-history is a subdivision of that much larger way of conceptualizing passing time, the history of moral decline and recovery; indeed, it is a way of indexing that history,”3 and one can say the same of architecture-history. -
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4° S 5999)-Zz YZANflNE ELEHEffS IN HUMANISTIC SC1W1 ILLUSTRATED FROM THE AYLVS GELL}vS OF.1445' IN THE NEWBERRY LIBRARY By STANLEY MORI SON Fellow of the Newberry Library CHICAGO, I LLI NOI S Written, Composed and Printed at THE NEWBERRY LIBRARY 1952 S, F trncnl. t , /'t".t pMit., e554' c emn,., fänl- ýr rt, i,! ra, e, 'r'u ret, r lnbl. trl: t , ielirrt , N on tluer cýj"qni uänerro inc. týn, »int' lembnm Ä ý i! em, li, b, g, r. li brich-L4 ti+rre' rrmif, C. trcý:, llarrn in pr. ccef+l'prm, o r:, rr luea, l : ., tsm . AVLýGELý. If NocrvM ATTICARVM CiBL-R,. ". r" ... EýtµIVSc: }CPtýC. trceP. Xf. FELFc-t1%"Rý., ýo ortýert[ uoutbuli" rrr7. c"' iatLt:c: des: e; t mttlr, cluF' %up, wrpdLtntr, dcý; etitf nomtiulr, dc' rta trionc ,u lege 4's: 'ucrf+: C p:tcrrm. t, stý+c:! .mtccinsm! mn1rA .r ansnmt. t citcs (ýolir.t ('rnr. cArttttlttrn ý, - , in IAfVS hyraniil'qnAs orsnonc gr-,ec. t drrrbK! compoille: r. 4ý. rn: i :, rrr 'ppr.:: l7crrn. tiý . "nquininb: rcrirrri t»arirm trr {tali: ran, tsri cicýýco noc. ibnlo .+ý, pc1L 1 tan, ! 'crip! 'cýYrnr, clm boiic(gr. cc.t ucceri' lrý1Zu. t lr. tlot'itocýcýnýfunr; clclorci171 i11 [r+ncai: {zifi. i rr, agsli copi. i Fucýeir; ýýt 1i2 ca tm: t o, pi p1tctg: foltrA liT1t cotrlpLitrsttt. t. Goief t: ttY st-trim; ob ctndcln c.irn ro[Tstmuf jP tr.ylt. t tttnc ter. ttittettro/i(r&'tn. t. mnlr. lntci: tppol. tr (üpretttA "`1. litliiittLlt1, rs1 ltitQti[oýdtcs ditArnirt otttitm trtgsit t. -
Juvenal and Suetonius on Successful Freedmen.Pdf
Freedmen: new citizens Juvenal & Suetonius on successful freedmen Romans Romans in f cus Source 1: Juvenal’s Satires The following passage comes from Juvenal’s Satires, a collection of satirical poems written in the late 1st century to the early 2nd century AD. The satires discuss and make fun of a range of social and political situations. This passage takes place at a salutatio, where clients visit a patron. Juvenal Satires 1.97 - 116 (translation G. G. Ramsay, adapted) ille tamen faciem prius inspicit et trepidat ne He [the patron] first inspects your face, fearing that you may be claiming under someone else's suppositus venias ac falso nomine poscas: name: once recognised, you will get your share. agnitus accipies, iubet a praecone vocari He then orders the crier to call up the Trojan- blooded nobles1----for they too besiege the door ipsos Troiugenas1, nam vexant limen et ipsi as well as we: "The Praetor first," he says, "and nobiscum, ‘da praetori, da deinde tribuno.’ after him the Tribune." But a freedman is first. ”I sed libertinus prior est. ‘prior’ inquit ‘ego adsum. was here first!,” he says, ”why should I be afraid, or hesitate to defend my place in the queue? cur timeam dubitemve locum defendere? quamvis Though I was born on the Euphrates - a fact natus ad Euphraten, molles quod in aure fenestrae2 which the holes2 in my effeminate ears would testify even though I myself might deny it - I am arguerint, licet ipse negem, sed quinque tabernae the owner of five shops which bring me in four quadringenta3 parant, quid confert purpura maior4 hundred thousand sesterces3. -
'The Supreme Principle of Morality'? in the Preface to His Best
The Supreme Principle of Morality Allen W. Wood 1. What is ‘The Supreme Principle of Morality’? In the Preface to his best known work on moral philosophy, Kant states his purpose very clearly and succinctly: “The present groundwork is, however, nothing more than the search for and establishment of the supreme principle of morality, which already constitutes an enterprise whole in its aim and to be separated from every other moral investigation” (Groundwork 4:392). This paper will deal with the outcome of the first part of this task, namely, Kant’s attempt to formulate the supreme principle of morality, which is the intended outcome of the search. It will consider this formulation in light of Kant’s conception of the historical antecedents of his attempt. Our first task, however, must be to say a little about the meaning of the term ‘supreme principle of morality’. For it is not nearly as evident to many as it was to Kant that there is such a thing at all. And it is extremely common for people, whatever position they may take on this issue, to misunderstand what a ‘supreme principle of morality’ is, what it is for, and what role it is supposed to play in moral theorizing and moral reasoning. Kant never directly presents any argument that there must be such a principle, but he does articulate several considerations that would seem to justify supposing that there is. Kant holds that moral questions are to be decided by reason. Reason, according to Kant, always seeks unity under principles, and ultimately, systematic unity under the fewest possible number of principles (Pure Reason A298-302/B355-359, A645- 650/B673-678). -
The Nonstop Record
Admissions As administrative coordinator of the bold and to make courageous choices.” by Ed M. Koziarski three-person executive collective that “They realize that this is more oversees Nonstop, Eklund-Leen is re- than just a temporary bridge between he Nonstop Liberal Arts Insti- sponsible for admissions. the Antioch-of-the-past and the An- tute begins holding classes Sept. “Scott’s estimate of 80 is as tioch-of-the-future,” Kay continued, T4 with the entire village of Yel- good as any, and we have discussed a “but a groundbreaking educational low Springs as its campus. 22 faculty range between 50 and 100” students,” venture that can offer them much more are continuing from Antioch College, Eklund-Leen said. than they could expect from a tradi- offering a curriculum that retains ma- At press time Nonstop was in tional college: experiential learning in jor elements from recent years at the the process of hiring a recruitment fa- its most radical sense, the unique op- college while taking a number of in- cilitator whose position would be dedi- portunity to be part of the construction novative new steps. cated to this endeavor. Eklund-Leen of your own education, participation in But what of the students? Who said that absence of that position has a genuine academic community under will come to a school that lacks accred- “slowed down our efforts” to date. shared governance, and the knowledge itation or the ability to confer degrees? Jeanne Kay, a continuing stu- that by being part of Nonstop, they Nonstop professor Scott War- dent who sits on Nonstop’s governing are participating in a social movement ren told the Associated Press July 11 council ExCil, has been answering in- with a broad political scope. -
The Female in Lucretius' De Rerum Natura
Colby Quarterly Volume 30 Issue 3 September Article 5 September 1994 Mater Matters: The Female in Lucretius' De Rerum Natura S. Georgia Nugent Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 30, no.3, September 1994, p.179-205 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Nugent: Mater Matters: The Female in Lucretius' De Rerum Natura Mater Matters: The Female in Lucretius' De Rerum Natura by S. GEORGIA NUGENT PIC POETRY CELEBRATES the creation of a certain kind of self. l That creation E will often-but not always-be directed toward, tested through, and dam aged ordestroyed by war. AI ways, it will be male. This is not to say that females do not appear on the epic stage; they may even appear in the guise of heroic warrior-there is Camilla, there is Atalanta.2 But each such figure is anomalous; the "real" subject of epic is how to be a man and, beyond that, how to be a community of men-an army, a polis, a republic, an empire. Typically, such epics will address questions ofautonomy and social comrade ship, appetite and sublimation, intellection and action. Whether via the portrayal of Achilles sulking in his tent, Aeneas setting sail from Carthage and Dido, Tydeus single-handedly slaughtering an ambush party of fifty men, or even Epicurus laying bare the secrets of nature, epic provides narrative models for male life in the world. -
Cicero and St. Augustine's Just War Theory: Classical Influences on a Christian Idea Berit Van Neste University of South Florida
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 4-12-2006 Cicero and St. Augustine's Just War Theory: Classical Influences on a Christian Idea Berit Van Neste University of South Florida Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the American Studies Commons, and the Religion Commons Scholar Commons Citation Neste, Berit Van, "Cicero and St. Augustine's Just War Theory: Classical Influences on a Christian Idea" (2006). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/3782 This Thesis is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Cicero and St. Augustine's Just War Theory: Classical Influences on a Christian Idea by Berit Van Neste A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts Department of Religious Studies College of Arts and Sciences University of South Florida Major Professor: James F. Strange, Ph.D. Paul G. Schneider, Ph.D. Michael J. Decker, Ph.D. Date of Approval: April 12, 2006 Keywords: theology, philosophy, politics, patristic, medieval © Copyright 2006 , Berit Van Neste For Elizabeth and Calista Table of Contents Abstract ii Chapter 1 1 Introduction 1 Cicero’s Influence on Augustine 7 Chapter 2 13 Justice 13 Natural and Temporal Law 19 Commonwealth 34 Chapter 3 49 Just War 49 Chapter 4 60 Conclusion 60 References 64 i Cicero and St. -
Roman Literature from Its Earliest Period to the Augustan Age
The Project Gutenberg EBook of History of Roman Literature from its Earliest Period to the Augustan Age. Volume I by John Dunlop This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at http://www.gutenberg.org/license Title: History of Roman Literature from its Earliest Period to the Augustan Age. Volume I Author: John Dunlop Release Date: April 1, 2011 [Ebook 35750] Language: English ***START OF THE PROJECT GUTENBERG EBOOK HISTORY OF ROMAN LITERATURE FROM ITS EARLIEST PERIOD TO THE AUGUSTAN AGE. VOLUME I*** HISTORY OF ROMAN LITERATURE, FROM ITS EARLIEST PERIOD TO THE AUGUSTAN AGE. IN TWO VOLUMES. BY John Dunlop, AUTHOR OF THE HISTORY OF FICTION. ivHistory of Roman Literature from its Earliest Period to the Augustan Age. Volume I FROM THE LAST LONDON EDITION. VOL. I. PUBLISHED BY E. LITTELL, CHESTNUT STREET, PHILADELPHIA. G. & C. CARVILL, BROADWAY, NEW YORK. 1827 James Kay, Jun. Printer, S. E. Corner of Race & Sixth Streets, Philadelphia. Contents. Preface . ix Etruria . 11 Livius Andronicus . 49 Cneius Nævius . 55 Ennius . 63 Plautus . 108 Cæcilius . 202 Afranius . 204 Luscius Lavinius . 206 Trabea . 209 Terence . 211 Pacuvius . 256 Attius . 262 Satire . 286 Lucilius . 294 Titus Lucretius Carus . 311 Caius Valerius Catullus . 340 Valerius Ædituus . 411 Laberius . 418 Publius Syrus . 423 Index . 453 Transcriber's note . 457 [iii] PREFACE. There are few subjects on which a greater number of laborious volumes have been compiled, than the History and Antiquities of ROME.