Scoping Study Report 2004

Total Page:16

File Type:pdf, Size:1020Kb

Scoping Study Report 2004 Distributed National Burns Collections Project SCO PING STU D Y April 2004 1 EXECUTIVE SUMMARY 3 2 SCOPING STUDY DEFINITION 13 3 MAPPING SCOTLAND’S BURNS COLLECTIONS 19 4 MANAGING COLLECTIONS 25 5 CAPACITY 39 6 ACCESS 48 7 LEARNING FROM COLLECTIONS 54 8 MARKETING AND EVENTS 61 9 RECOMMENDATIONS 68 10 APPENDICES 70 Report Published by Burns National Heritage Park On behalf of the Distributed National Burns Collection Project A Strategic Change Fund Project, supported by the Scottish Executive and the Scottish Museums Council Report Author: David Hopes, National Burns Collection Project Officer Contacts Nat Edwards, Chair, National Burns Collection Project National Library of Scotland George IV Bridge Edinburgh EH1 1EW e-mail [email protected] David Hopes National Burns Collection Project Officer Irvine Burns Club Wellwood 28 Eglinton Street Irvine KA12 8AS e-mail [email protected] Burns National Heritage Park Burns Cottage Alloway KA7 4PY e-mail [email protected] supported by the Scottish Museums Council Executive Summary 1 Executive Summary This study has revealed the richness and diversity of collections relating to Robert Burns distributed throughout Scotland. As a decentralised national collection at the heart of many communities in Central and Southern Scotland, this unique collection is a valued part of our local and national identity. The study has uncovered the variety of organisations working to preserve and promote Burns heritage and raises the strategic importance of working together to safeguard and enjoy Scotland’s Burns collections. The study has also identified a fundamental paradox between significance and support in the distributed collections: findings reveal strategic gaps in expertise and resources in key areas of the national collection. Targeted assistance is needed to preserve collections and facilitate access in order to unlock the learning potential of the national collection. In keeping with the distributed nature of the collection, capacity is lacking at a local level and it is here that the report recommends sustainable change takes place. Mapping Scotland’s Burns Collections Key Findings Conclusions: • There are 36, 326 objects in the • Distribution. This survey highlights distributed collections the decentralised nature of • 3.2% of the distributed collection significant Burns collections are Category 11 objects nationwide. Both in terms of object • 1.6% of the distributed collection numbers and the degree of are Category 22 objects relative significance, Burns • 95.2% of the distributed collection collections are spread across the are Category 33 objects Central Belt and South of • The largest single portion of Scotland, and are cared for by a Scotland’s Burns collections are diverse group of organisations. held by local authorities (46%) Independently funded and • 53% of the most significant managed organisations are objects (Category 1 collections) custodians of the lion’s share of are cared for by the independent the most important material sector relating to Burns. Local authority • 84% of museum collections - and organisations are keepers of large 89% of Category 1 artefacts - are quantities of Category 2 and cared for by registered museums Category 3 material. Libraries and • By distribution, the largest unregistered museums hold 66% conglomeration of DNBC of the DNBC. There therefore collections is in Edinburgh and seems to be an imbalance in the Lothians (32%), and the greatest responsibility of care for significant proportion of Category 1 material material between relatively under- is in South Ayrshire (38%) resourced local organisations and centrally funded national • The most significant single organisations. collection is held by Burns Cottage Museum in Alloway (35% of • Object significance. Reviewing DNBC Category 1) figures for Category 2 and 3 material reveals several issues. The strict criteria set for Category 2 and the variable nature of documentation makes it difficult to identify material contemporary to Burns which illustrates his life in some way. A survey, given more 1 Category 1: material used or created by Robert time, would undoubtedly unearth Burns; publications or artwork by or of Burns during his lifetime (1759-96) many more objects but given that 2 Category 2: material used or created by family or this material may not be itemised contemporaries of Burns which in some way provides in a Burns-centred manner reveals insight into the life of Burns the difficulty of a truly 3 Category 3: material other than Categories 1 and 2 with a Burns connection including significant material comprehensive search. Also, the produced after Burns’ death broad criteria set for Category 3 3 Executive Summary material means that this Category necessitates a more versatile and contains highly significant objects collaborative approach to as well as ephemera and a large collections stewardship. Given the number of objects of low high proportion of registered significance. For instance, further museums in the study, a subdivision is needed to identify programme to encourage the 16% highly significant artworks and of unregistered museums to work rare books included with a range towards accreditation would be of other less significant material. provident. Partnerships between Any future resourcing of Burns organisations at local levels collections should also look at the should be given a high priority for long term research or display use any central support. Given the of much of Category 3 and geographical concentration of consider the distributed collection collections in the contiguous as a whole for possible regions of Ayrshire and Dumfries rationalisation. and Galloway, a local hub and • Premises and built heritage. By strong support network would offer focusing attention solely on a mechanism for long term portable artefacts, the scope of collections care. Burns heritage is incomplete. • Collection needs. Given the risks There are a large number of posed by the age of many historic buildings and monuments artefacts, the predominance of that form an important part of sensitive paper material, limited Scotland’s Burns heritage and local conservation capacity and a which provide an essential and long history of display, the unique context for the National distributed collection requires Burns Collection. A systematic special attention. Designation of survey to document and digitise the most important material and a Burns-related premises and built conservation plan for Category 1 heritage is needed to complement objects is urgently needed. this study. • Partnerships. The distribution of the national collection not only across sectors and domains Managing Collections Key Findings: • 96.6% of the distributed collection have considerably outdated is documented to a basic level valuations on significant Burns • 30% of records are maintained material using only manual methods of • For many independent collections, documentation objects are deliberately • 37% of records are held in a undervalued to reduce the variety of formats which militate insurance premium. There is a against data sharing between direct effect on the lending of organisations objects as a result of under- • 33% of records are in a format valuation and failure to assess which have the potential to be risk. web- based or otherwise easily • Risk assessment has only been shared carried out for 8.4% of the DNBC • 4% of the distributed collection • 33% of independent sector and has been recorded as digital 60% of local authority images by only 5 sample organisations have carried out organisations. Approximately 99% condition assessments to Burns of digital images are the result of collections in the past 3 years SCRAN projects • 46% of the most significant • 7.3% of the most significant Burns material in the DNBC is kept in material in Scotland is uninsured environments which have below and 4 local authority collections 4 Executive Summary basic standard control equipment backlogs and upload data to a and inadequate monitoring plans fully computerised system. For all • 66% of independent collections, organisations digitisation of the 37% of local authority, and 6.6% distributed collection needs a of national collections are combination of staffing and presently on display (or for equipment, and an improvement libraries are directly accessible) to in the awareness of ownership the public issues. • 61% of the most significant • Another major challenge for the material in the distributed distributed collection is security. collection is presently on display The scoping study has shown that or is directly accessible to the local authority and independent public sector organisations lag far behind • Storage location, size and the national sector in assessing conditions are least suitable in the the condition of collections and independent sector; 60% of measuring risk. In the absence of organisations consider their government indemnity, the storage capacity to be inadequate, tendency among the independent and 80% of independent and local authority sectors has organisations score basic or below either been to undervalue basic for storage environment collections, restrict the movement • Only 3 Burns objects are currently of objects, or not cover collections on loan between institutions and at all. Since the most significant there is only 1 exhibition collections are held the sector changeover planned during 2004 least able to pay adequate • Of 25 organisations only one has premiums on insurance cover, the an acquisitions
Recommended publications
  • Safap October2016 Minutes Final
    Minutes of the meeting of THE SCOTTISH ARCHAEOLOGICAL FINDS ALLOCATION PANEL 10:45am, Thursday 27th October 2016 Present: Dr Evelyn Silber (Chair), Neil Curtis, Dr Murray Cook (via Skype), Jilly Burns (NMS), Paul MacDonald, Richard Welander (HES), Mary McLeod Rivett In attendance: Stuart Campbell (TTU), Dr Natasha Ferguson (TTU), Andrew Brown (QLTR Solicitor). Dr Natasha Ferguson took the minutes 1. Apologies Apologies from Jacob O’Sullivan (MGS). 2. Chair Remarks The Chair informed the panel that the QLTR had received a response from SG to a letter highlighting issues relating to increasing numbers of disclaimed cases. It was agreed the points would be discussed further at the Annual Review Meeting on 14th November. The panel agreed to form a sub-committee (of NC, JB, RW & AB) to deal with revisions of the Code of Practice in relation to multiple applications. The next date of the panel meeting confirmed as Thursday 23rd March 2017. Further dates in 2017 to be proposed. It is proposed that the number of meetings is reduced to three by combining the Annual Review meeting with a panel meeting. This will be discussed at the next Annual Review meeting on 14th November 2016. 3. Discussion of Galloway Hoard, valuations and timescales JB (NMS) was absent from this discussion. The panel were updated on the current status of the Galloway Hoard, including projected timescales for allocation. The panel also discussed the criteria for assessing the valuations. The 31st January 2017 was agreed as a proposed date to hold an extraordinary SAFAP meeting in relation to allocating the Galloway Hoard.
    [Show full text]
  • ROBERT BURNS and PASTORAL This Page Intentionally Left Blank Robert Burns and Pastoral
    ROBERT BURNS AND PASTORAL This page intentionally left blank Robert Burns and Pastoral Poetry and Improvement in Late Eighteenth-Century Scotland NIGEL LEASK 1 3 Great Clarendon Street, Oxford OX26DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Nigel Leask 2010 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–957261–8 13579108642 In Memory of Joseph Macleod (1903–84), poet and broadcaster This page intentionally left blank Acknowledgements This book has been of long gestation.
    [Show full text]
  • Kilmarnock Cultural Quarter a Vision
    KILMARNOCK CULTURAL QUARTER A VISION Keppie Design September 2017 KILMARNOCK CULTURAL QUARTER A VISION Keppie Design August 2017 Copyright: Keppie Design Limited All work appearing in this document is the property of Keppie Design Limited and protected under international copyright laws. No work is to be copied, stored, manipulated, projected or used without the permission of Keppie Design Limited. Photography Credits: Photographs contained within this document are reproduced here under licence and/or credited where applicable. Contents 1 \ Introduction - Background 7 Core Theme 6 : Extension of Green ‘Spine’ 42 - Purpose of The Cultural Quarter Vision Report 7 - Reinforce Green Routes - The Cultural Quarter and the Town 8 - Key Nodal Points - Site Context and Historical Analysis 9 - Sketch Illustration Core Theme 7 : Extension of Green ‘Spine’ 44 2 \ Cultural Quarter Plan Development - Pedestrian Connections - The Palace Theatre Public Realm - Visioning Feedback and Central Aims 14 - Palace Theatre Landscape Site Plan - Key Vision Themes 19 Core Theme 8 : Redefining the Street Edge 48 - Car Parking 3 \ Cultural Quarter Vision Themes & Recommendations - Sketch Site Plan Core Theme 1 : The Dick Institute Redevelopment 22 - Dick Institute Programme 4\ Indicative Cost - Sculpture Park - Sketch Illustration - Cost Report 52 Core Theme 2 : Loanhead Primary School Arts Programme 26 - Loanhead Primary School 5 \ Summary and Suggested Time Line - Arts & Crafts Programme - Sketch Section Diagram - The Vision 60 (Short Term/ Mid Term / Long Term)
    [Show full text]
  • 1. August Angellier in Robert Burns, La Vie, Les Oeuvres, 2 Vols (Paris
    Notes CHAPTER 1 THE EARLY PERIOD: BURNS' INTUITIVE USE OF SCOTTISH TRADITION 1. August Angellier in Robert Burns, La Vie, Les Oeuvres, 2 vols (Paris, 1983) pointed to this when he said: 'But underneath this scholarly poetry there existed a popular poetry which was very abundant, very vigorous, very racy and very original'. See especially p. 14 of Jane Burgoyne's selected translation from Angellier in the Burns Chronicle and Club Directory, 1969. Other portions of the translation appeared in 1970, 1971, 1972, 1973. 2. J. De Lancey Ferguson (ed.) The Letters of Robert Burns, 2 vols (Oxford: Clarendon Press, 1931), 1: 106, no. 125. Burns adopted a superior tone here in keeping with the accepted pose of the eighteenth-century man of letters. All references to Burns' letters are to Ferguson's edition. Only letter numbers will be given when the citation appears in the text proper. 3. Most critics and students of Burns take some stance towards his relationship with previous work. Hans Hecht, Robert Burns: The Man and His Work, 2nd rev. ed. (London: William Hodge & Company, 1950), p. 29, suggests that Burns was the culmination of a tradition, but he speaks of a literary rather than a cultural inheritance. 4. See T. S. Eliot, The Sacred Wood (London: Methuen, 1950), pp. 47-59. 5. Angellier earlier suggested this division and I agree with him that Burns' work prior to Edinburgh was dominated by depiction of the world around him. After Edinburgh, Angellier indicates that Burns relied less on the specific incidents and more on general sentiments.
    [Show full text]
  • Burns Supper Even Before His Death, Poet Robert Burns' Cottage At
    Burns Supper Even before his death, poet Robert Burns’ cottage at Alloway, Ayrshire, had been sold to the incorporation, or guild, of shoemakers of Ayr, one of whose members turned it into an alehouse. It was here, on 29 January 1801 (they got his birthday wrong) that soldiers of the Argyll Fencibles (militia) met to hear their band play – and to use the services of his cottage in its new role. The first recorded Burns Supper took place at Alloway in the same year, but on the anniversary of his death (21st July). It involved a speech and multiple toasts; to eat there was haggis (which was addressed) and, a mercifully lost tradition, sheep’s head; given the social status of those present, refreshment was probably wine and ale rather than whisky. Present were nine friends and patrons of Burns. Among them was a lady, though thereafter the Suppers were mostly (sometimes militantly) all-male affairs until far into the twentieth century: a curious slant on Burns’ own life as well as on the first dinner. The ‘toast to the lasses’ was traditionally thanks for the cooking and an appreciation of the women in Burns’ life, only later degenerating into a sexist (often misogynistic) rant. Celebrations were held twice yearly until 1809 when participants settled on January (25th), because this fell in a slack period of the agricultural year. Commercialisation of his birthplace did little to honour the memory of his life and work, and in 1822 the poet John Keats complained bitterly of how both the ambience and the landlord of the Alloway inn degraded Burns’ greatness.
    [Show full text]
  • Gifts and Hospitality
    Gifts and Hospitality Offered by/ Offered to/ Service Date offered Effective Date Description of Gift / Hospitality Value Accepted Comments Provided by Provided to Leadership with MCR Mentoring Event CED 04/09/18 04/10/18 MCR Pathways Annemarie O'Donnell & Civic Reception - City Chambers, < £100 Accepted Glasdgow 21st Annual Awards Dinner - Hilton CED 23/05/18 04/10/18 Chamber of Commerce Annemarie O'Donnell < £100 Accepted Hotel, Glasgow GlasGLOW Preview - Botanic CED 09/10/18 26/10/18 Itison Annemarie O'Donnell < £100 Accepted Plus guest Gardens, Glasgow Opening of the new Prince and Prince and Princess of Wales CED 19/10/18 30/10/18 Annemarie O'Donnell Princess of Wales Hospice in < £100 Accepted Hospice Bellahouston Park, Glasgow Glasgow Children's Hospital Oor Wullie BIG Bucket Trail 2019 - CED 18/10/18 14/11/18 Annemarie O'Donnell < £100 Accepted Charity Glasgow Launch - City Chambers Lord Bob Kerslake Lecture and Dinner - CED 29/10/18 19/11/18 University of Glasgow Annemarie O'Donnell < £100 Accepted University of Glasgow Sports Council for Glasgow Annual CED 31/08/18 23/11/18 Sports Council for Glasgow Annemarie O'Donnell < £100 Accepted Awards 2018 - City Chambers Young Scot Awards - Solace hosting a CED 18/10/18 30/11/18 Solace Annemarie O'Donnell table at dinner and ceremony - SEC < £100 Accepted Glasgow Glasgow College Region Christmas Glasgow Colleges' Regional CED 06/12/18 11/12/18 Annemarie O'Donnell Reception - College Restaurant, City < £100 Accepted Board Campus, City of Glasgow College CED 12/11/18 04/01/19 Scottish
    [Show full text]
  • Contemporary & Post-War Art (474) Lot
    Contemporary & Post-War Art (474) Thu, 18th Aug 2016, Edinburgh Lot 132 Estimate: £3000 - £5000 + Fees § ALEXANDER GOUDIE R.P., R.G.I. (SCOTTISH 1933- 2004) ROYAL OPERA HOUSE Signed, oil on canvas 48cm x 86cm (19in x 34in) Note: 'I have always lived through my art and in a sense to really taste life to the full I am obliged to put a line around it. Since early childhood this has been my lot, everything which excited my imagination had to be set down in pictorial terms, a magic world where a different language helps explore and explain as well as heighten the experience of living.' And so Alexander Goudie outlines his understanding of art, as an all-pervasive force that allowed him to fully engage in life and all that it had to offer. It is no surprise, then, that Goudie painted across genres, found inspiration in music and literature as well as visual experience, was keen to collaborate on projects in different spheres, and remained a dedicated dandy. After training at Glasgow School of Art, he spent time travelling in Europe on a scholarship, where he encountered art that inspired him, as well as being to his taste, by artists like Rodin and Courbet. He liked to see, and attempt, mastery in painting but in a more conventional way; remaining uninspired by 20th century artistic movements, such as cubism or futurism. He has been described as 'an old- fashioned painter,' and for a man who felt that his job as an artist was 'to simply to tell a story in pictures and to speak with a clear voice,' presumably this was a compliment.
    [Show full text]
  • Robert Burns, His Medical Friends, Attendants and Biographer*
    ROBERT BURNS, HIS MEDICAL FRIENDS, ATTENDANTS AND BIOGRAPHER* By H. B. ANDERSON, M.D. TORONTO NE hundred and twenty-seven untimely death was a mystery for which fl years have elapsed since Dr. James some explanation had to be proffered. I Currie, f .r .s ., of Liverpool, pub- Two incidents, however, discredit Syme Iished the first and greatest biog- as a dependable witness: the sword incident, raphy of Robert Burns. on the occasion of his reproving the poet Dr. Currie had met the poet but once and regarding his habits, of which there are then only for a few minutes in the streets several conflicting accounts, and his apoc- of Dumfries, so that he was entirely depend- ryphal version of the circumstances under ent on others for the information on which which “Scots Wha Hae” was produced he based his opinions of the character and during the Galloway tour. In regard to the habits of Burns. A few days after Burns’ latter incident, the letter Burns wrote death he wrote to John Syme, “Stamp-office Thomson in forwarding the poem effectually Johnnie,” an old college friend then living disposes of Syme’s fabrication. in Dumfries: “ By what I have heard, he was As Burns’ biographer, Dr. Currie is known not very correct in his conduct, and a report to have been actuated by admiration, goes about that he died of the effects of friendship, and the benevolent purpose of habitual drinking.” But doubting the truth- helping to provide for the widow and family; fulness of the current gossip, he asks Syme and it is quite evident that he was willing, pointedly “What did Burns die of?” It is if not anxious, to undertake the task.
    [Show full text]
  • 1943 the Digital Conversion of This Burns Chronicle Was Sponsored by Southern Scottish Counties Burns Association
    Robert BurnsLimited World Federation Limited www.rbwf.org.uk 1943 The digital conversion of this Burns Chronicle was sponsored by Southern Scottish Counties Burns Association The digital conversion service was provided by DDSR Document Scanning by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.DDSR.com THE ROBER T BURNS ANNUAL AND CHRONICLE 1943 THE BURNS FEDERATION KILMARNOCK 1943 Price Three Shillings and Nine Pence "BURNS CHRONICLE" ADVERTISER CRAIG'S RESTAURANTS for MORNING COFFEE SNACKS · LUNCHEONS AFTERNOON TEA The Rhul The Gordon 123 7-19 Sauchiehall Gordon Street Street Branches throughout the CIty JAMES CRAIG (GLASGOW). LTO •• Woodlands Road. GLASGOW "BURNS CHRONICLE" ADVERTISER JEAN ARMOUR BURNS HOUSES CASTLE STREET, MAUCHLlNE AYRSH I RE Established in 1915 by the Glasgow and District Burns Association These Houses were purchased, repaired, and gifted to the Association by the late Mr. Charles R. Cowie, J.P., of Glasgow. They comprise the Burns House (in which the poet and Jean Armour began housekeeping in 1788), Dr. John M'Kenzie's House, and "Auld Nanse Tinnock's" (the "change-house" of Burns's poem "The Holy Fair"); and provide comfortable acco~modation for nine old ladies, who live rent and rate free and receive a small pension. A portion of the Burns House has been arranged as a Museum, which now contains numerous authentic relics of Jean Armour and the poet: these include the Armour Family Bible and several manuscripts of Burns. An Endowment Fund' for the maintenance of the Houses and the provision of the pensions is being formed.
    [Show full text]
  • RBWF Newsletter July 2015
    The Robert Burns World Federation Newsletter Issue 16 July 2015 This edition of the Newsletter continues to demonstrate the wonderful work being done by the Federation in promoting the life and works of Robert Burns with the younger generation. It is particularly gratifying to see the enthusiasm of pupils involved in the Primary Schools’ Festival and in a repeat performance of the Burns musical ‘Rabbie’ at the Edinburgh Fringe by St George’s Girls School, Edinburgh. Some very welcome thoughts on promoting Burns in the classroom are presented by a secondary school teacher and hopefully it will evoke a response. The rededication ceremony for the laying of the foundation stone for the Burns Mausoleum in Dumfries, some 200 years after the original event, is deservedly given full coverage. Editor In this Issue: Page Reply to an Invitation - Primary Schools Festival 1-2 - Ellisland Youngsters 3 Sir, - Lasses Lunch 3 - Wreath Laying in Kilmarnock 4 Yours this moment I unseal, - Thornhill Burns Club Outing 4 And faith! I’m gay and hearty. - Addressing the Haggis Competition 4 - Poet William Letford Residency 5 To tell the truth and shame the Deil, I am a fou as Bartie. - John Galt Society 5 - 200 Club Results and Membership 6 - A ‘Stookie’ Comes to Life 6 But Foorsday, Sir, my promise leal, - Tom McIlwraith Poetry Competition 6 Expect me o’ your partie, - Burns Mausoleum 200th Anniversary 7-8 If on a beast I can speel - The Kirk’s Alarm 8 - Overseas Literature Report 9 Or hurl in a cartie. - RBBM Events Programme 10 - RBANA Conference Report 10 Yours, - Robert Burns - Burns Teaching in School 11 - Tartan Day 12 Primary Schools Festival The Primary Schools Festival was held in Hutchesons’ Grammar School on Saturday 30th May with over 150 enthusiastic pupils taking part.
    [Show full text]
  • The Literary and Historical Origins of the Burns Myth
    , A. M. Kinghorn THE LITERARY AND HISTORICAL ORIGINS OF THE BURNS MYTH ON JANUARY 25, 1959, we arrived at the two hundredth birthday of Robert Burns, whose literary life-span has far exceeded his own modest expectations. In his own time he sought fame as a poet and writer of Scottish songs for reasons partly per­ sonal and partly patriotic, and the story of his brief appearance in the Edinburgh limelight is well-known. In our own age the name of Burns is still a familiar one throughout the civilized world, and his songs have been rendered into more than a score of foreign languages, including Afrikaans, Hebrew, Hindustani and, let it be added, English. We occasionally hear of an unrewarding comparison being made between Burns and Shakespeare, sometimes to the disadvantage of the latter, and making the point that Burns is supreme among the poets as a symbol of national character. In the words of the late Edwin Muir, Burns "is a myth evolved by the popular imagination, a communal poetic creation. He is a Protean figure; we can all shape him to our own likeness, for a myth is endlessly adaptable."1 This is why people all over the world celebrate "Burns Nicht" on January 25 and not "Byron Night" on January 22, "Poe Nite" on January 19 or "Schiller Nacht" (in 1959 another two-hundredth anniversary) on November 10. I think that Burns himself would be surprised to know that his name is still a familiar one, even though the reasons for this survival have generally but a remote connection with poetry as artifact.
    [Show full text]
  • RBWF Burns Chronicle 1970
    Robert BurnsLimited World Federation Limited www.rbwf.org.uk 1970 The digital conversion of this Burns Chronicle was sponsored by Roberta Copland The digital conversion service was provided by DDSR Document Scanning by permission of the Robert Burns World Federation Limited to whom all Copyright title belongs. www.DDSR.com -- - ~~ - ~. - ~- St P/ ROBERT BURNS CHRONICLE 1970 THE BURNS FEDERATION KILMARNOCK Price 7s. 6d.-Papu bound: 12& 6d.-Clotll bound: Price to Non-Members 10..-Papei' bound: lSs.-Clotb bolllld. 'BURNS CHRONICLE' ADVERTISER Scotch as it used to be 'BURNS CHRONICLE' ADVERTISER JEAN ARMOUR BURNS HOUSES MAUCHLINE, AYRSHIRE In 1959, to mark the Bicentenary of the Birth of Robert Burns, the Glasgow and District Bums Association, who man­ age the Jean Armour Bums Houses, completed the building of ten new houses on the historic farm of Mossgiel, near Mauch­ line and these are now occupied. The tenants live there, rent and rate free and receive a small pension. Funds are urgently required to complete a further ten Houses. Earlier houses, established 1915 which comprised the Bums House (in which the poet and Jean Armour began housekeeping 1788), Dr. John McKenzie's House and 'Auld Nanse Tinnock's' (the 'change-house' of Burns's poem 'The Holy Fair') were purchased, repaired and gifted to the Association by the late Mr. Charles R. Cowie, J.P., Glasgow and, until the new houses at Mossgiel were built, provided accommodation for nine ladies. They are now out-dated as homes but con­ sideration is being given to their being retained by the Association and preserved as a museum.
    [Show full text]